before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

I walk around my neighborhood with my sister
We wear white mask and black coats with hoods
There’s never anyone in the neighborhood
She said
"It's too quiet."

Yet you could hear the sink left on
From houses people forgot they had
Maybe they lost their house keys

"Did you know that before that house was bought, there were squatters ?"
"How do you know?"
"I know because they were teens like me, but they ran out of luck.”
“They had no money, did they?”
“No money for what? Oh, they had money, but not enough.”
“Enough for what?”

I said “Making dreams come true in reality.”

I remember telling my mom what I wanted to do for others in life
Once I got done she asked me
“But what do you want for yourself?”
I said
“To be known.”
She said
“What if your not known like singers, dancers and actors?”

See I hadn't thought that far.

Maybe that's why they became squatters
In a house with broken blinds
There was not a place for them

My sister said
“Maybe their dreams slipped through a crack in the floor of their old house.”
Of the house in which they prayed for things to get better.
Paid light and water bills
And barely made it
She asked if they were lovers
“If they were, I wouldn't know. I doubt it.”

We wipe the condensation from the insides of our mask
With the ends of our sleeves and adjust our hoods
As they adjust their blinds to the outside world.

Dean Roberts had two homes
One was in port Adelaide and the other was in rhw Adelaide hills and he lived in the adelaide hills but he had paranoid mates living 3 doors down from his Port Adelaide home
You see there were squatters living there making everyone living around there scared to leave their homes and this usually happened every night from 4pm till dawn and then it appeared to be early but nobody went near the hooise except for dean Roberts who was hermless but the residents
Of the nearby homes barocsded themselves in their homes and there were psychiatrists around for anyone who becomes too scared to cross the main road and making sure no vunerable person was struggling getting to where they wanted to go or where they lived and dean Roberts was unaware of all this because there was no sign of people living there and dean's best friend Toni was the target in some way, you see she lived in the house opposite that house
And she called the police numerous times which forced cars to follow her making her look very scared but she still wanted to help the police remove them so she used herself as bait to catch them
But this was easy for them but Toni was in danger of losing her life making her scream so loud
But while Toni was with them dean was trapped inside his port Adelaide home but he broke the window and iinstead of going home to the hills he slept in his car waiting for the
Squatters to come back and When they did dean grabbed a broom and came in there saying come on get out of my house and then while that was going on Toni was panicking crossing the road making it half way across and then going back especially after they took her from her place of work and dumped her at the lights making her scared to hold someone even the police
Cause she watches the news where people dress up as police to take advantage of ladies like Toni and after dean got rid of the squatters for bow
He drove home with people yelling out to him hi mr hero
With people bipping their horn
Saying you are port Adelaide's
Hero but Toni was still struggling to get home and this forced the police  to grab her and take her home
To take her medication and go to bed and one of the squatters returned and was caught and shoved in Ron coopers psych ward where he was put on eppelim and he was forced to one day tell them why he lived in dean Roberts property and squatter said his name was ken
Psrtley and Ron gave ken an injection of abilify to calm
Him down and Ron went back home and had pizza and coke
While ken was stuck in a Place he hated and Toni was still paranoid about crossing that road and dean helped her get through this like a friend would

He'd been hanging around for some time now, indeed... he'd become rather proficient in that direction of late and although it would probably be rude to point, you could hardly accuse him of loitering... and certainly not with intent, which would have been of some considerable comfort to Norman's Mother, given his current situation, particularly since the latest complication in his otherwise dull and uneventful life, had left him predisposed towards looking a little more drawn in the face than was usual for the time of year and a decidedly deeper shade of green.

     Barely discernible, only the deeper scars now remained to  mar the roadside foliage, bearing scant witness to the motorcycle's recent and untimely misadventure... regrettably with Norman still mounted astride.  Having lost all adhesion with the freshly resurfaced country lane the motorcycle had promptly slewed sideways and across the wet grassy verge before plunging down the wooded embankment, there to encounter its own humbling demise and land in the shallow watercourse below, but it was still early Summer and already the verdant undergrowth had begun to recover.

     At the point where his motorcycle, having determined without deviation or interruption to take the most direct route to its final resting place below and follow the downwardly allure of gravity... Norman being somewhat lighter and more aerodynamic than the former had been propelled, amid a flurry of leaves and twigs headlong through the outermost branches of the nearest tree... and promptly snapped his neck... Far below a dog-eared circular proclaimed 'kidz do it better on wheelz'!!!

       In many ways it was the most handsome beech tree you could ever wish to lay eyes upon, majestic in stature and albeit stationary in nature, was full of life, contrary to its uninvited guest who decidedly was not... but who definitely was just as static as the beech tree... and which by any stretch of the imagination had far more right to be there than Norman did.
  
     The sudden and unforeseen turn of events of the previous forty eight hours had cast grievous, Holiday nullifying inevitability directly into the path of any plans Norman may have prematurely made in that direction... and for the moment at least to be left hanging high and dry in the lush, verdant canopy far above his motorcycle, currently languishing in the sparkling clear waters below... and it has to be said, without so much as a pair of galoshes between them, and having little else to do other than hang around nodding his head in the warm Summer breeze he swayed gently up and down in the light country air.

     Pausing mid-twitch on three legs between Norman's deceased neck and his equally demised shoulders, an inquisitive squirrel was now the prime mover in our eponymous hero's sudden and discontinued modus-operandi as it provoked involuntary nods from Normans head, gestures of consent as the prying rodent set itself to investigate in great detail the darkest, innermost depths of Norman's inside breast pocket.

     Norman's unintentional leave of absence had finally extinguished once and for all any further thought of future remittance towards the outstanding balance due on the motorcycle hire purchase agreement, which as luck would have it was just as well, because his equally unintended leave of absence, so it transpired, had also extinguished Norman... and thereby deprived him once and for all of any further thought of his outstanding ability to pay them or indeed, any further thought at all.

     The squirrel meanwhile, having brushed aside the meagre contents of Normans pocket finally emerged victorious into the subdued light of the dappled canopy, brandishing a hard won paper-tissue proudly clenched between its teeth... before moving on to other, far more pressing matters on the branch opposite... then paused to scratch its ear...  Now it may be of some interest to the reader at this point... or not, as the case may be, but the squirrel allegedly knew a friend of a friend, who incidentally runs the little B&B; further down the road and who would be prepared to swear on Norman's other-worldly life that she'd seen far worse looking faces peering back from the bathroom cabinet mirror of a Sunday morning after a ***** night out with the lads... than anything she could ever possibly imagine exercising squatters rights way above in the majestic beech tree.

     Flies seemed to be one of the few living creatures that morning who hadn't raised any objection to Norman's ill-mannered intrusion... indeed, were currently hatching plans of their own in that particular direction and take intimacy to the next level with regard to lunchtime seating arrangements... and who had assured him from day one, that while their long term prognosis for Norman attaining ***** and independent posture was by no means cut-and-dried, he should nevertheless be moving about, not necessarily under his own steam in no time at all... and by the look of his complexion, it would seem that in the interim period he should be thankful for the company.

     As the balmy Summer afternoon steadily drew to its own happy conclusion Norman, without a care in the world and now in the early larval stage of being in the family way, so to speak and shortly to shed a little life of his own... stared vacantly out at what had recently become his own neck of the woods, rapidly becoming a permanent fixture in the pastoral landscape... and while his sudden relocation may have been a real eye opener for some, for Norman he'd discovered the true meaning of be at one with nature, about the birds and the bees and especially the flies in the trees...  

     So there we must leave poor Norman with his recent and enduring affliction, nodding in the dappled shade of the majestic beech tree, playing host to the countryside and the following seasons crop rotation, leaving his Mum to worry as to whether her Son had fresh underwear that morning... or not as the case may be... the County Constabulary making their door to door enquiries as to Norman's current whereabouts... his former employer re-adjusting next months pay cheque... accordingly and the hire purchase company about to dispatch final demands indiscriminately left, right and centre for financial delinquency.  The only other claim you could probably make with any degree of certainty was that Norman's full-face motorcycle helmet had by no means achieved that which was expected of it for his ultimate well-being that day... and was doing little more than keep his hair dry and his spectacles from slipping further than his chin.
                                                           ­  ­                                                                ­ ­                                                                ­ ­             ...   ...   ...**

A work in progress.                                                        ­                                                     1122

little remains
of my grandfather's house:
raw rafters, warped planks with hints
my uncle invested in paint

the windows all gone, time
and twisters took them, and much
of the roof--what is left of that sags,
a silent submission to gravity

a woodstove survives, cold
to the touch, with no memory
of the fire it once birthed, the precious
prairie timber which fed it

now it knows only mourning
doves' song; winged squatters
unperturbed by my presence, as if
they know I lay no claim to now

the old boards have stories
I will never hear: the birth of babes,
reading the Word by kerosene lamps,
the last breaths of men

the songbirds may know,
but they woo the living in flight--a
future of nesting and fertile eggs; they
owe no belated dirge to long lost kin

a dark place,
dingy and cobwebbed:
the forlorn basement
below an unfinished house;
there is no hope
of an HGTV house-flip
or a makeover
or the sort of boring/heartwarming story
where some nice white family
—or conveniently diverse—
sets up shop,
smash-cuts through a renovation
and gets their dream home.

no,
the house will remain gloomy,
this basement filled with emptiness;
no one desires
to come through the door,
no one except the tweakers
and the vagabonds
and the runaways,
the ****** and the pimps,
the celebrities and psychiatrists,
the demons and the ghosts,
the preachers and their seething
congregations of judgmental ******
that live across the street,
and the ***** teenagers
hunting for a place to try out ***.

no cleaning crew
or maid service
or organize-your-life guru
or even the most experienced
of all the world’s janitors
could enter this house and clean it
or beautify this basement
or disenfranchise the squatters within;
the neighbors just try
and demolish it
every chance they get,
to rid their sparkling, spotless community
of this disgusting eyesore.

"Buy a Star!
Own a Star!"

The sales are brisk,
For cross-eyed lovers,
Cross-hearted, lost,
Beneath the spinning constellations
Burning immortal exhalations,
Desiring forever oxytoxic bliss,
Burning ******* and hearts
Yearn longevity of stars....

PT Barnum saw his opportunity:
Sold cotton candy,
Hawked elephants,
Gawked dwarves,
Hid the razors from
Fierce bearded ladies,
Even sold the elephants' dung,
Provender to exotic gardens....

Barnum's packing up
The Pachyderms,
So Hawkers have us
Gazing on the stars....

"Step right up! See the stars!"
Purchase your fire in the sky!
Your lover's name,
Fixed in the firmament  
A million years!

At least the cotton candy
And the elephant dung
Served some earthy, earthly good,
Paid dentists' children's college,
Fertilized the family food.

So now go claim a distant star,
A million, billion miles away,
Its light must make its journey
A thousand years or more
To greet your eyes, and yet,
Your lover's sighs predict
A hundred dollars' better spent
Than on a good Chablis,
Cementing mortal love in
Distant stars so permanent,
Visited through telescopic glass
Atop our rented tenements.

Ragged clothes on the sidewalk, toddlers murmur and cry
cold morning air where abandoned row houses
smell of whiskey, sage, and molded cotton

diesel exhaust belches into light breezes
forests of burning coffee beans mingle
into their hearth, the children, this is their nostalgia

everywhere leavings of life scatter driven by wind
cover unhoused, distressed, makeshift families
they stand shoeless as fortunate people drive past

Glut of humanity smells of wet newspaper
grey gulls picking at grimy cellophane
cardboard litters muddy sidewalks
above the billboard the wealthy jeer at them

sitting by a liquor store with bars on the windows
shut out of row houses with black wrought iron gates
basement stairwells filled with trash

men in alligator boots ready to lunge
into the lives of slick, bright, vacant women
this is the fate of feminine mother love

Thriving in dead landscapes
growing lost opportunity
under skyscrapers where it is always
almost dusk

From day one he was trouble
His parents knew on sight
Their bundle of pure joy and bliss
Was somehow, just not right

It wasn't in his nature
To be part of a gang
He like to be off by himself
He liked things that went bang

He was troubled in his school years
Never getting real good marks
He didn't get along with other
He was burning caps and making sparks

But when this boy found fire
Well, then....his world became real small
Never mind the big explosions
He would go and burn them all

Small fires set in dumpsters
Behind the shops, by where he ran
He'd set fire to the garbages
While he trapped a cat inside the can

He progressed on up to buildings
Made that jump, in one big way
He torched a crack house, all abandoned
Buy using gas and old, dry hay

But, the thrill was not a keeper
It wore off as fast as it arrived
He had to extend the feeling
That made his body feel alive

He knew to see his fires
He would have to volunteer
First he would go set them
Then, help put them out...I fear

It was a stroke of pyro genius
He'd set them and he'd put them out
He'd learn what gave them trouble
And he'd give them more without a doubt

He never killed another
Never burnt a persons home
He always set his fires
Where buildings always stood alone

They caught him late September
He'd burned a building late one night
It was supposed to be abandoned
But, was full of squatters, out of sight

The picture, it was famous
A hippie shaking someone's hand
It was on the front page of the paper
And it was shown through out the land

A fingerprint was lifted
A switch, that burned, not like it should
And from there, it was no problem
To lock this boy away for good

He was sent away to prison
He was gonna die there, bet on that
And on his first day in that prison
He saw an old man, who just sat

Sitting in the corner
by himself, no one around
Sat a man, all old and wrinkled
Lips were moving, but no sound

Came forth from this man's mouth,
his lips all cracked and dry,
You could stand right there and listen
And hear nothing if you tried...

Derelict, decrepit,
Just a waste of space
A relic from a different age
One who'd run the race

An eyesore
Gives the place a name
Represents a time long past
It's no longer in the game

A stiff wind would take it down
It's not worth a single dime
Take it down, demolish it
It's enemy is time

A single pane of glass is left
Cracked from side to side
In fact it's cracked the whole way through
As tall as it is wide

The others are all boarded
Keeping out nothing at all
The only thing the wood does
Is act as canvas to them all

Graffiti covers every space
That is left standing here
It used to be a factory once
That made a local well known beer

BUT ON THE OTHER SIDE....

Inside the building squatters sit
Derelicts, wastes of space
The building is their home for now
Away from the rat race

Eyesores, hidden in plain sight
Humanity at it's worst
That is the image given them
Because of addictions thirst

A stiff wind would take them down
So thin and frail are they
Protected by a building that
A storm could blow away

One side thinks it awful
The other, thinks it's good
An eyesore and a fragile shell
Of old bricks and glass and wood

But...for one plain window
Separating worlds apart
A crack runs through the window
It is the buildings heart.

An unrequited love that still offers a seemingly patronizing hand of rapport
Is just another way to say "friend zone"
But you'll be dancing in the end zone
After you finally pay your student loan with money from the job you needed a degree to get which called for the loan in the first place

The salt has spilled off the Lazy Susan
Throw it over your right shoulder

Is this my alter ego?
Or do I have a split personality
Maybe this is my light skinned doppelganger
I've got to get these bats out of the belfry
I've got claustrophobic, roided-out butterflies in the pit of my stomach

Busted paper thin lips
A blood sport
Stop it from clotting
Vaccinate me

This vacuum is a rare find
The national demographic is going through culture shock
Assume a surname
Put on the gargantuan pennant
Go to the pulpit and beg for penance

Gridlock
The paleophone is cracked
Study the topography
And pay the bus fare

The squatters who are on borrowed time
Take a swig from the half empty bottle
After searching their whole lives for an even break
But are forced to cut ties and make a clean cut from society

All the lent hands and ears
Are lodged between ungratefulness and exclusive pity parties
Sweet nothings and forget-me-nots
Do a clean sweep

It's imperative to have a method to your madness
A portrayal of eccentric narcissist
Painting self-portraits
While on some kind of wonder drug
Longing for some moral support

Double-dealing
Double crossing
A hypocritical traitor
Who has the right away

I will watch your blood coagulate around the bullet holes
As your body goes into Rigor mortis
I will commit this picture to memory
I would have bet dollars to doughnuts that it wasn't you
But who wudda thunk it?

It's all just an impromptu turn on a dime
That encumbers you with cabin fever
When you're on display in a human zoo
Where unproductive bull sessions are a dime a dozen

My God, my God, my mothering God!
I cry to you from along this trackless waste,
Where humanity buried itself so long ago –
Scorched earth in place of garden sweet –
No water here to cool the parchĕd lips,
No sanctuary for the troubled, lonely soul.

My God, my God, my mothering God!
What did we do to make this barren land,
Where souls are turned to shadowy shades,
Eyes are empty and hearts grown cold?
We long for your mercy, better than life,
Gentle rain of grace, light in the darkness.

My God, my God, my mothering God!
I search this desert haunt, one broken man,
Where my brother is stripped of all dignity,
My sister is sold into slavery for pleasure;
Men **** your world for vanishing profit,
And crush your children for fleeting gain.

My God, my God, my mothering God!
Here in the wasteland we make our home
With tears and curses and all our fears –
We lost the war we began in ages past –
Now here we subsist, hostīle squatters,
Breath the air of the world we poisoned.

My God, my God, my mothering God!
This scorchĕd breeze carries the wailing,
Cries of the millions of the sick and poor,
Widows and orphans and lonely souls –
We blinded ourselves; we are deaf now –
Agony and angst, anxiety and final death.

My God, my God, my mothering God!
Is there some sanctuary in this desert land?
To lay down this self-borne cross, to rest –
Water to refresh, to cool the burning brow –
Some sweet promise of the garden again,
An oasis of hope amid our suffering shame?

Fox Fidelis

for Hazel

So, she said,
what do you want?
Somewhere warm
to sleep inside,
said the fox in the snow.
There’s only the bike shed,
she said, and only at night.
Right,
said the fox in the snow
If you let me in,
and you let me out,
I’ll be a good fox.
You’d better be, she said,
No squatters here,
even at Christmas.
Verstehen Sie?
Etiam,
said the fox in the snow,
Semper ergo sum
vulpes fidelis.


Fox in a blizzard*

For Joe*

Looks serious
this blizzard of snowflakes.
A proper ice storm perhaps?
All the same yet different
the microscope shows.
Who knows?
Just hearsay it’s said,
and cold on the nose,
said the fox in a blizzard.

jump in the passenger
you can hold the shotgun
and we'll take the tour
in my temple
god's house
I've lost the keys
in the same place I think
as my mental
the cops are just here
restraining order
the limits of my Love
have boarders
who pay no rent
in my heart
they've got squatters rights
I can't kick em out
but I can let you in
a small fee of your time
but in the end
I will pay the price
constantly in life
first stop a cottage
too small for
all my baggage
with her the closest
I came to marriage
she loved every part of me
my biggest supporter
emotionally
saw my damage
I put her in
all my insecurities
became her most
treasured critic
she buried my memory
in the attic and
threatened I'd be arrested
when I demanded passage
I didn't do her justice then
and I can't do it now
she's a stranger
whose last act
threw me out
she's the only one
I'm sure
Loved me back

Revolt from the cold of the wind,
She spares know waste of energy
Under diluted skies and foreign stars,
The mask comes off
Reveling the reflection of flawed
Simply dark
Indulged in silence,, for words cannot capture everything
She exfoliates a still heart
However in her stillness,
Everything fluctuates
Leaping and bouncing and ******* around
In silence there is no stillness,
For stillness is a state of mind
Just as imperfection is perfect,
So is she
Adversed to love or not,
Embrace your footprint I say
Mankind's impeccabilities remain flawless
Disastrous and miraculous art formed off original memories and emotions.  
Expect the unexpected for it drips of meaning.
A comfort to all wanderers and squatters I hope.

there’s a living reality of
fallibly hopeful distraction—
sheltered squatters—
residing above a room where
everything important is angry,
not easily suffocated.
the warm polyester of a busy mind
is sick with monotonous fear
that the residents below
will expand their decay,
raging in a panic until the walls collapse
and the nails in the floorboards are
upturned and weaponized;
a clever, persistent enemy.
this unbearably,
infallibly hopeless
struggle.
there are paintings on the walls
and books on the shelf,
plants on the windowsill in the late afternoon.
i’m worried these will die too.

self righteous, self published
sought out and backlash
sick of  black and white
pictures of **** women
and being taboo

and the only thing left in the house that’s interesting to see
is the moon through the window

but you came along
smashing my head against a windshield,
and the moment of collision
a weightless jolt

voices echoing through the cracks in the asphalt
gas leaks making me light heading and I’m hearing
little melodies in light bass tones

a gust of wind down the hill blows cracked leaves
between my boots and I feel as if I
was falling from a tree myself.

And you hit me again
thrusting over and over
pulling my skin off
in a delirium, where
I numb my mind and try to read
the story of your wall before you open your eyes again
or I watch your chest, wondering how quickly
your heart must be beating and how
my legs are soaked
wreaking of *** for the rest of the afternoon
before wandering back to my bed

sleepwalking to the beach, with images,
rapids, sediment ashtrays covered
in squatters,
voyagers trying to stay the night without
freezing to death because the residents
across the boardwalk wouldn’t trust a
tattered traveler with only enough possessions
to fit on his back.

reveries, savages, vagrants,
in dreams follow me in the woods
syndicating ****** schemes
to keep me on edge

the moon plays these motion pictures
and I consume myself every night
before the sun light.

When Joe Bidet was told
that squatters had moved
in across the street he was
convinced they were Turks
from Crouch End in the UK.

O
You
Queen of Carthage!
Kiss me dearly
Through the violent storms
Mediterranean warrants
And be over me a watch
Like a lion and her cubs from the Atlas

O
You
Treasures of Masaesyli!
Bid me whole a glamour
Like colourful radiant orchids
Baked to bask
In the light sunset sheds
And price me golden amongst there is

O
You
Sweet olives Massyli begets
Feed me reverence the drops you hold
And lay me affectionate a sack
In the mild winters
With my soul a serene-calm

O
You Tripolitania!
Posit me shields
And hearten me as not afraid
The swords squatters lift
To jealously pierce the beautys I own

O
You
Tender night breeze of Cyrenica!
Solace my melting lips
When the dessert roars
And gentle my hand with seven kisses each

O
You
The pleasing of the heavens!
Idolize me like the Maghreb


Make Me Idol

©Historian E.Lexano

The colour of my blood
And the colour of your blood
Ain't they just the same?,
Red.
The blood that runs in both our veins
Is the same colour, Red.
The colour of my skin
And the colour of your skin
Ain't they just the same?,
Black
Yes I am from the Equatorial
And maybe I am darker than you
Blacker than you.
Yes I am from the East,
the west, the north or the south of Africa
But still we all black.
You might be lighter
You might be blackish
But still we are Africans
We are Blacks.
When the Whites come to your countries
You call them tourists.
But when us Blacks come to you
You call us terrorists
You call us refugees.
We more than just squatters in your land,
But we come seeking a helping hand from a brother.
Why welcome outsiders
Yet you oust you own.
Why burn our shops?
Why burn our shacks?
Why let our souls weep?
Brothers and sisters of Africa
Why the violence?
Why the killings?
Why the brutality?
Why the cruelity?
What happened to humanity?
What happened to Ubuntu?
Violence has never solved a thing.
Will killing a man with 5 children and a wife back at
home,
Bring food to your table?
What will burning a man down to ashes bring you?
What will stoning a man to death bring you?
Can it pay your bills?
Can it bring food to your table?
Can it pay your your children's school fees?
Brothers and sisters of Africa
I plead with you
Our, Black nation
If we come together with mutual hearts and minds
We can bring back love and peace
We can fight poverty
Just stop the hate!
Our the violence!
Stop the killings!
It's enough!!
Say NO TO XENOPHOBIA.
# Treeweezydpoet ©2018
I am the voice of the voiceless.

as said by Octavian, may my tongue waggle
from the east to the west, whereby also
north unison with the time as in the southern realm -
Cerberus fed three portions of raw meat -
einklang sprechen - no laurel leaves for the
poets to sit on with pretence for idolatry of laziness -
let me don them on my cranium for proof
of authority - as prime citizen, solo utopia,
solo urbanity, let me become the butcher, the carpenter,
the baker, the street cleaner, all composition of one,
self-sufficient - but nothing of a puppeteer's worth
of fiddling the knitting of the fabric of an Empire;
poor Octavian, never quiet self-sufficient -
always the dependency, the donations of blood -
as with one review of a book: the only reason
we moved from drawing long or short shafts of wheat
as the Athenian prescription for satisfactory democracy
(oh sure, we need prescriptions in politics too) -
the reason we moved away from sortition is because
we ventured into constant entertainment -
the magician and the hat, Mr. Roger Rabbit as p.m. -
it's all about image, Core Bone Light has an image problem -
they really want election to look pretty, sortition
meaning: a Mr. Sputnik will have to be minister of
finance, and a Mrs. Paraphrase will have to be education
minister, both will loath their jobs, just like the everyday man,
hate their jobs, and in hating their jobs become more
efficient - no care for image representation having
that mint comic book quality - they'll wear
perfume akin to the stench of old books - and they'll finally
shut the **** up - these days it's excess rhetoric,
making a dialectic puncture is like finding a needle
in a haystack... you'll sooner open up a ****** girl's ****
than find that needle... no number of big bad wolves will
blow that haystack and wrap it into a tumbleweed -
no number of big bad wolves. join the shrimp colony,
or the sardine swarm of clouds beneath the sea -
make arithmetic snap click nod ye ha! lasso that bull in!
i agree with applying the magic trick or lottery to
democracy, they loved the ones that looked pretty,
modern democracy's motto? something from
a Louis XIV assertion of seeing himself in mirrors...
look pretty, people will trust you... power in appearances...
airs... isn't that how aristocracy functions, simply on airs?
imagine the king on his throne minor... out pops
Napoleon's head - the crown is heavy, but the throne is
lite / mm pop of a Pepsi, **** ahoy! plop... shiver me timbers,
yarrr or yarn in the weeding pool of gimme gimme a
**** in the morning before all the major affairs of human
interactions take formal tones - overtones? eyeliner.
my curriculum vitae - i think i studied once, i must have,
but i'm not sure if i learned anything -
i know i started self-education myself and learned
Faustian secrets along the way, became an optometrist,
i swear i was taught by other people prior,
i learned how to tie my shoes, make a hangman from
a tie and put it round my neck, shoeshined a pretty smile...
did i mention i drank to excess and held a V of index
and middle against the wind on the way?
did i mention i faked madness in order to be free to
slander with truth? they can't lock me up now...
i'm a "vulnerable" citizen - plus closing those mental
institutions means that society has to vacate them -
in turn becoming a madhouse - which England is,
as we speak, the virus spread to the blonde comb-over
brigade across the "pond" - this Anglo-Americon
relationship seems too friendly... if you get my cockerel
quiff minding the matter -
and never was language so rigid as to say it only dampened
the tongue to slur words in clear division of fiction
or otherwise - the time has come for my eyes to burn,
or turn into complete whitey of the sclera -
or, what was that? oh yes! now i remember, reducing
theology to what pronoun is adequate... god-he or god-she
or Alanis Morissette? team America accented Damon -
m'eh... we have squatters and priests in this domain,
call them parasites if you like, but theology is more than
what pronoun is adequate... let's just call the transgender
movement as if calling Stephen King's It -
acronym for: infatuation technology - i.e. what a lovely
butterfly, what a lovely pear, what a lovely sunny day -
aaaah mm, a naturalist's common thread;
oh right, so this ~arithmetic and politics -
quick agreement / disagreement followed up by a quick
validation of the point (dialectics is reserved for old
people, that being said, when Potato Plato turned 70
he discouraged young Aristotle, unlike his mentor
Socrates, Potato Plato never reached Socratic maturity
when he turned old... dialectics remains the art-form
of only one individual... nothing was learned, as the populace
proves every-single-time... we're quick to state opinion
than to dispute it... minus points for encountering /
encouraging bullies to make opinions physical, an iron tonne
of gravity with knuckles). language and gymnastics -
most people write like they're ******* pedestrians,
stiff coffins of vocabulary, never the verbiage fern phantoms -
oi! i need the shade! there they are, dreaming of
astronaut eyes doing the Olympics' triple-jump on
the moon? hey! lack of gravity! it's not the fault of doping!
they want the physical experience, never the mental
labyrinth - they write their curriculum vitae like they live
it - based on a lie - they never really turn rōnin
against their first oppressor - grammar;
always the ******* never the **** - shame really,
it's this naive Newtonian acceptance of gravity,
words like apples fall into their laps and they slurp rigidity -
now that's really a stance refreshing Heraclitus -
tenet? obscurity - or in revision: ah forget what is written
as being obscure, let's test them using punctuation -
that will really **** 'em up - after all punctuation is
literary architecture - Cinderella's glass shoe of the soul...
if it fits... it fits - if it doesn't then slice the van Gogh heel
or the Everest climber's toe; or let us say
the arithmetic asthma of punctuation, catch a breath...
release; shame i never learned to read music,
played the recorder and the xylophone in primary school,
i guess this is my revenge - to have written something
in complete silence, punctuated as i have done,
and never revealed the way it ought to be said...
i learned to read music scores by punctuating as it goes...
well... never learning either, sorta automating an ode
to the symbols of music with the symbols of poetic
musicology - p u n c t u a t i o n markings - the Pharaoh's curse.

it’s not perfect... but **** me... there’s a life to be lived... even if it’s just defined as walking the dog, or drinking a pint! let’s just rearrange the solar system spheres with a game of snooker to make summer random with winter of the least expected follow-up.*

you catch me playing with my fox / cat
purring his ****** slingshot
arousal
just where the spinal cord in music begins
and the evolutionary testament ends...
you catch me there in the drift of night...
and i’ll bet you 5 quid to have found quantum physics...
a particular instance in a universe of innumerable
stasis plurals of decipherable energy
to pluck and theorise, like autumnal flowers readily drifting
from the tsunami of green of summer to brown mahogany of autumn.
here’s one for the puppet engineered to dance
tugged at with its tail the solitary cursor;
paw print dot dot dot? i had my two thumbs on it,
squeezing out the hallucinatory juice of neglect,
with scoffer ready bouncers of peeled wallpaper about to
tattoo me in political conversation of slime slogans to shout!
i heard squatters were about... i didn’t hear anything from newcastle,
i guess the second mongolian invasion / investiture
came from the north... rather than east anglia / saudi arabia.

Where God's colors renew the horizon's edge, Salvation Soldiers
     aren't to be found.
And while prairie dogs find themselves squatters on their own land,
     upper crust artists show us where the day old bread is.
This is a good place to clear your head if ever there was one.
Where dusty markets lead down dusty roads, which lead right into
      the middle of where I want to be.
Free and Alone on the side of a mountain, where the sun don't
     apologize to me, and I don't have to explain myself to anyone else.

Some go ahead and call this God's Country.
But I call this place New Mexico.

My windows point East
The first touch of soft light
Heavy darkness
Caressing me while still ******
Mist sways in ghost like swirls
Across the scythed field edging the yard
               I am thankful
Deer play, eating the harvest lost by machine
Tie dye Tuesday with assorted colors
Stains on cement
Waiting
A robin's nest squatters are ready for flight
New wings shake nervous feathers
                I am healing
As the leaves unfurl
Warm breezes skate through every crack
Soaking up the sun with sable pelt
Side by side
Both hearts radiating love
Her gentle purrs reassuring
All is well
Summer reinforcing my frame
                 *I am

Unremitting tears in dry eyes
and halted flow of blood in nerves
What lies just behind my pectus
is a heart
or a muscle
filled with
igneous unwanted emotions  

Let’s just hold our breathe
for a moment
and see
moments of eternal attachments
are becoming breathless
with our detest  

Is it really necessary
to search answers for all the unsolved questions
and find reasons for all the incidents/accidents
and bruise
equanimity of sun soaked day
calm attraction of loneliness

Is it really necessary
to drag
all dead souls from their graves
and **** them again  

I know
restricted sensations are
hitting  my heart
to be expressed
to be showed
to be felt and filled  

But is it really necessary
to plead for the need
to rest and cry over your chest
to face the silence
that will come after your departure  

Silence has its own words
Darkness has its own color
How does it matter
whether all the squatters
know this or not  

Its enough for me
If I could let you know
I and mightiness of my feeling
started with you  
and will end with you

some claim it's an aesthetic, others claim it's the mystery of lawlessness, because in all honesty: upper-case Q could be written in lower-case as ǫ, rather than q, all too familiar is ρ (rho) - and there is no law suggesting any convention should be kept to a model of standardisation... hence the dichotomy experienced by dyslexics to the familiar argument: why the disparaging phoneticism from optical aesthetic, why write that and then only say 'y'? much of modern English borrows from the seemingly unnecessary h insertion borrowed from Hindu... dhal... the aesthetic insertion of a surd-letter into an otherwise convenient phonetic-encoding... although either an umlaut or a macron is missing above the a to prolong it; and depending on your aesthetic palette... i'm already advocating a change to sz & cz by stressing the replacement using the caron: š / č... in English the equivalent is bound to words like shrapnel and chatter.

as anyone would say *idiot, i'd say tuman,
that's because:
                          when syllables are inconvenient
i'd stress that, and write túman...
if i were saying swamp, i'd be right
in also saying bägno - obviously
there are distinctions, akin to punctuation
marks, diacritical marks are effectually
"punctuation" marks, well... inccissions
embedded in words;
these aren't rhetorical assertions, they're
biased on the basis of optometry.
then i might add: with a straw
                      alternatively słomką...
otherwise the noun słomka, i.e. straw,
wheat shaft... a shaft hollowed out
and as Polish girls know all too well:
snakebite (at English universities,
half beer, half cider, a head of
                            blackcurrant juice),
but back east it's just beer and raspberry juice
concentrate: funny... where's the rhapsody?
if the ą is used at the end of the word
then there's an intended action involving
the stated thing... but it's not a universal
statement, just this particular instance...
it's odd, i wake up from my Alaskan vigil
and realise i didn't take my sleep-synthetic
requirements to go to sleep during the night
and wake up during the night...
  that means i'm annoyed, putting it mildly.
words that shoot into my head like sunrise...
newspapers are the bearable versions of Proust,
   bypassing publishing houses can allow
for diarrhoea talent, and no to constipated
critically acclaimed blah blah...
    it's 8:36 in the morning and i don't know why
it's ****** beautiful... everyone's so content
with being busy, doing something, anything,
everything... it's that critical moment in autumn
when the leaves on trees have lost the stalemate
with ******-twisting winter frosts,
   and fall into the ***** of death and rot...
and then these random words enter my head,
words i either forgotten to use or are too obscure
to use in the first place, polish slang...
e.g. kumam, i understand -
     p'stro, a condescending consideration
     for explaining something worth contempt
to the other, but not the self, i.e. the magpie attitude.
   i can't help myself, seeing English *******
on by lazy ***** with :) and :( and acronym talk
i feel i have to provide an antidote...
  the ' in p'stro?         bulging / building up,
there's no p in any language with a syllable
distinction worth a diacritical mark...
   and now it's 8:42 in the morning, and i have half
a litre of whiskey to sniff... should i?
what's Copernican west to Copernican a.m.?
   gentlemen only drink in the afternoon...
yep, and Ben Hur drank in the morning for
the calories awaiting the chariot races...
ha ha... i'd love to see a drunk goldfish...
    but it's fun like that... so many serious people out
there who learned the Pink Floyd march of
the hammers... i don't think i can take a bishop
with a bishop's attire seriously...
                   or a skinhead Buddhist monk...
they're all baldy baldy vaseline hoping for the sheen...
can any authority be taken seriously?
       now i'm truly bullshiting...
i lost this one word in my head... sieve:
motyl, butterfly,
           ćmá, moth (that's a slingshot need
          for acuteness on the a, slingshot is the stress on
the c, and the stress on the a is the actual missile,
   oh, by no means is this orthodox),
  język, tongue / language,
  ozór, edible cow tongue: very tender
in creamy horseradish sauce accompanied with
Silesian gnocchi...
            Q is the acute version of K & C,
i.e. what would otherwise be deemed é to an e.
   wolny, a penalty kick / someone who's free,
  wapń, calcium...
                  what i'm basically saying is that we encounter
so much vocal poverty in this world,
so many words are disused or underused or simply
abandoned...
                        someone weeps over a disused building
weathered by the elements...
   i see an opportunity to engage squatters,
or in the case of words: poets.

For G. H.*

The secondhand smoke on your old hoodie
is tendrils of disembodied electricity
mercilessly carving through my diaphragm.
Somehow, I envision ivy climbing the side of an
abandoned house in unkempt droves of static veins…
My throat is cruel in the way that it seeks you,
like in the way squatters seek warmth behind boarded
doors that won’t easily open up.
If we ever kissed, I imagine them dwelling both of
our atriums and airways simultaneously,
and zero degree weather would use our breath
to leave crudely written IOU’s on the only
window still intact. I’d think an angry ghost would appear,
and remind us why we’re there in the first place.
Even then, I’d still like to believe
you’d give me a light all the same.

There was a house at the end of my street
No-one lived there for very long
During the war, an entire family wiped out
When an aeroplane dropped a bomb

The family living there at the time
Amounted to unlucky thirteen
Mother, father, baby Mary
And ten children in between

They were a lovely family
Liked by everyone
Janet Smithson who was a nurse
And her hard-working husband John

They were in the front room having tea
On that fateful day
When an aeroplane scored a direct hit
And God took them all away

The whole town was in mourning
For the Smithson family
Mother, father and eleven children
The youngest baby Mary who was three

What was left of the house was boarded up
Then the tenants would move in
Off would come the boards
The walls they were so thin

We'd hear their every movement
If they slammed a door, the walls would shake
Wild parties held by young teenagers
Would keep us all awake

A tenant would live there for a couple of months
Then they’d go on their way
We'd ask them why they were moving out
But none of them would say

This went on for many years
Tenants would come and go
I asked the landlord what was wrong
He said that he didn't know

One day I plucked up the courage
To question a tenant as they were about to leave
She said “I’m almost scared to tell you
I’ve never been one to believe

But there is something supernatural
Going on in the hall
When everything is quiet
We can hear screaming coming from the wall”

She said she'd looked on the internet
In the local branch library
And read up on the house's history
And the sad fate of the Smithson family

After years of squatters and standing empty
The house it was pulled down
But what happened to the Smithson’s
Is still remembered in my home town