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Brad Lambert Oct 2013
(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(
And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.
It was the twilight of the iguana.
From the rainbow-arch of the battlements,
his long tongue like a lance
sank down in the green leaves,
and a swarm of ants, monks with feet chanting,
crawled off into the jungle,
the guanaco, thin as oxygen
in the wide peaks of cloud,
went along, wearing his shoes of gold,
while the llama opened his honest eyes
on the breakable neatness
of a world full of dew.
The monkeys braided a ******
thread that went on and on
along the shores of dawn,
demolishing walls of pollen
and startling the butterflies of Muzo
into flying violets.
It was the night of the alligators,
the pure night, crawling
with snouts emrging from ooze,
and out the sleepy marshes
the confused noise of scaly plates
returned to the ground where they began.
The jaguar brushed the leaves
with a luminous absence,
the puma runs through the branches
like a forest fire,
while the jungle's drunken eyes
burn from inside him.
The badgers scratch the river's
feet, scenting the nest
whost throbbing delicacy
they attack with red teeth.

And deep in the huge waters
the enormous anaconda lies
like the circle around the earth,
covered with ceremonies of mud,
devouring, religious.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
vircapio gale Oct 2012
Haiku:

hiking new forests
mountain homes of moss and dew
more roots deepen


berries ripe
dot taiga heath--
alien planet


yellow blazing sun
'packin'rocks'
from maine to georgia


pain born hero
in oven boots of blood and pus--
summit breeze


barefoot hiker
calls herself 'FearNot'--
toes enjoy same mud


snake rises up
fangs gleam at water lair
cold spring quenches all


***** at each view--
water comes in and goes out
like a filter


at waterfalls, swans
alighting air-- noble poise
on the way to sea


gunas intertwine
my sweet mountain hunger paths
bitter taste of bark


sour grass
garnish of an earthen tract
saliva honeyed


strands of spider flight --
i too catch myself making
web after web


"nature loves to hide"
hidden hermit roars of all
strife and fire flux


spider bite at dusk
afterswing of scenting food
shoo the meal away


change becomes the same--
people streams talking pixels
aging static web

symbols set in light
speed of optic living nodes;
clicking finger fibers


websites spin and stick
plastic tropical alphabets
ant waves clean the keys


fueling in process,
living fossils already
drilling seas--on earth


give or take six months,
happy birthday!
two seasons gone


Haibun:*

A mountain poet has come to the city, blisters pushing up his toenails. His smile spans 15 blocks of concrete and rebar. Strangers coo to see his sunshine gait but cough at his aroma. Hospitality is found after all, in parks and in the drunken streams from clubs gregarious for midnight novelties.

poet's apology--
not exactly 'myself' to
license gratitude
when time gifts symbols distance--
terror war towers still fall

Emergencies of all sorts force their way into my mind, as I live, sometimes as I write. Ambiguities serve as fulcrum nooks for meanings incompossible to hide, not being ready to share what can't be shared, obscurity offers the ineffable reprieve to be spoken nonetheless.

peering in the word--
sound signs meta symbol
witty sea of *****

property stings
abstract fights to earth
mixing labor

i found a haiku
on my coworker's desk--
where is the frog pond?

dad drinks alone--
photo recalls sunlit leaf
and beer can stare

opining fire false
freezing hearts with argument--
cold spring, winters warm

It is with the love of a child that I write, wincing harder into that self-given 'Indian-Burn' of cathartic fetish and psychological indulge. Where is maturity, and what use is it when faced with endless ground-zeros? Still open to answers, still unwilling to speak plainly or straight about the blanket crookedness and blissful meander that colors life most vividly. I imagine dacrygelosis understood.

thawing pond
creaks in headstand calm--
autumn air released

night's insight pierce
heralds migraine's ease--
gong of moon or sun

on dead wood, against
live trees, hours of *** by
mycelia blooms--
fragrant rot and sweat collide
skin spotted with forest sun

love signs everywhere--
two trunks spiraled
in a yellow wood

vocal awe resung
this is love! this is love!
deep summer fruit

rub of bark                      
vast forest sways across skin
                        naked expanse
Ottar Jul 2014
The wet sand, cools my
bare feet, my eyes look-
out as the sun sets
into the west, wresting
my tension, as small
waves lap at my toes,
tickling taking me
back to childhood day-
dreams.

A ship silhouettes
in the sinking sun,
I am sure, I see
the funeral pyre
boats, of every
warrior ancestor,
lit burning brighter
as sunlight becomes
night, and I am left
scenting smoke, my open
arms reach over the
present sea and great
ocean that is the
past,
asking,

am I worthy?
Dennis McHale May 2017
She spent half of her life
wearing the same pair of shoes.

When she first saw them, they were dazzling…
full of promise (and promises!)
Tightly laced and polished,
glistening like diamonds upon her feet.

They were immediately comfortable, and comforting.

At first, she walked through dark night forests
and midnight-winding streets; breaking them in,
smiling at the melody of new leather creaking
in harmony with the violin-sawing of cricket wings,
with the ruffling of the night owls feathers.

She dared to share her dreams, and danced in her new shoes
with abandon and trust and hope.

The shoes spoke to her of wondrous things to come…
making promises shoes should not make
but new love demands –

of forever cradling her feet against sharpened stones;
of warming her toes through winter’s storms;
of lifting her heals in rapturous dance…

She fell in love with these shoes,
flooded with dreams of where they might carry her.
Each morning, she slipped them on with tenderness and love;
each night, un-laced, she fell asleep clutching them to her breast…

…whispering sweet hallelujahs
for all the miles they had shared,
and would in all their ahead days walk,
promising – until death do us part!

She loved her shoes with complete abandon
and imagined they would always be as comfortable
as the day she first placed them upon her trusting feet-

each day praying these shoes would always love her in return;
with tenderness, truth, and above all else, never hurting her.

But the years went by, and those beautiful shoes began to wear.
With time, they lost their gloss, and the leather cracked and hardened.
She noticed, one morning, a tiny droplet of blood upon her sock;
Later, a small cut upon her heel, a new pain within her heart.

Yet still, devoted, she continued to wear them
though at night she began setting them beside her bed.

In the final year, she wept looking at these shoes;
they were now ugly shoes, painful shoes.

“These shoes,” she tearfully whispered,
“will never carry me to where I need to go.”

She could tell in others eyes that they
were glad these were her shoes and not theirs.
They never talked about her shoes.
They looked away in embarrassed empathy.
To learn how awful her shoes were might make them
… uncomfortable.

To truly understand these shoes you must walk in them.
But, once you put them on, you can never take them off.

She began, for the first time, to hate her shoes;
with guilt at first, then with an increasing passion
until one day an awareness swept through her thoughts:

“I deserve a better pair of shoes.”

She looked around, and for the first time understood
that she was not the only one who wore those shoes.

“There are many pairs in this world,” she thought.
I can either learn how to walk in them, timidly,
so they don’t hurt quite as much…

“Or I can throw them away.”

And she began to plan.

“No woman deserves to wear these shoes,” she cried.
So for the final few months, she gathered her courage
…..to throw them away.

Ironically, it was these shoes
that had made her a stronger woman.
These shoes had given her the strength to face anything.

They helped make her who she now was.

One day, she slipped them on a final time
feeling the worn leather against her savaged foot;
then, flooded with the intensity of love one can only feel
knowing love is forever lost…she kissed the shoe goodbye.

When the time was right, she took her shoes to a secluded ravine
kissed them, and tossed them…like an old pair of shoes,
into an abyss.

The shoes lay there broken, tattered, worn and useless.
The shoes could not speak of the love they held for the woman
For its tongue was torn.
Left to decay with nothing but the scent of the woman’s
tender hands scenting its laces, slowly fading.

As soon as the shoes were disposed of
she went barefoot into tomorrow, pain-free
and dancing and singing:

“I will forever walk the bare feet
of a woman who has lost her shoes!”

But in exactly one year, she slipped on another pair,
happy and in love again, dancing and laughing once more...

hoping against hope, forgetting old shoes,
willing with all her heart for this shiny new pair to carry her home.
This was in response to the finalization of my divorce from the love of my life of 18 years, and more relevantly, to her announcement that she has met someone else.  Sometimes, what we can't process otherwise, we write.
Mike Fashé Oct 2013
Sunset of Apollo
Rises upon the goddess of the moon
Graceful
Love of all
Drifting by the lake
The soul,
Once a fulfillment
Of delicate
Symmetrical
Structures that held
A deity together
The spiritual duality  
The love,
Flourishing through
The celestial azure
Between veils
Of Embers
Spreading like haze
Upon tranquil blaze
Soothing by the arctic breeze
Textural glaciers
Like indigo crystals
Seas of endless art
To pass on
To what feels like a dream
The life,
That felt incredible
Amity between
Forces that were inseparable
The hand
Upon the soil
Of the crimson stone
To feel rhythm of the velvet heart
An ocean that spreads
Scarlet sheets
Nourishing the seeds
Becoming the verdant children
With halos of blissful pigments
Into a mixture of tears
Blessed by mother Gaia
Blossoming for all to see…

Every layer that covers the sky
Beneath the end of every lullaby
Holds a gift
That lies and says goodbye
Driven & deprived to be nocturnal
Sleepless nights Cursed in vain
Any man to have you…
Thorns of pain that feels eternal
Magnificently a breath taker by divine  
Hallucination of the fibbed eye
To tell such lies
You were created by Aphrodite
Crafted by serenades
Beauty carved by the finest blade
Hazel diamond shades
It’s often said, weakness for elegant grace
Drives the loveliest man insane
Reminiscing in the hollow mind
Echoes from the cryptic name
I close my eyes
To hear the melody of the rain
Indulging in each drop that makes a note
Forming an orchestral perception of a dream
Recollection of memories…
Gentle flowing through the entrance of the stream
Anything for one more glimpse…
Lamenting the past
Voices
As I wake
Wrapped upon the cloak of the sea
Glancing at the beautiful moon
Spiraling my soul around her celestial body
As if I Projected
From the stars to the ocean
Reflection of my Luná
I hear the symphony
She sings
Calmly and peacefully
As I daze away
Float away
Losing grip of the moon
I pray
Just to stay…

Lonesome heart
That walks the fields of heaven
Arise upon accession
Through the meadows
With no aggression
Pleasant aura
Sphere that shines down before me
The stream
From the vessel
Aqua that is the key
That carries life
The dust & bones
Becoming false love that turns into stone
My failure for another
Misunderstood compassion
Misconception for love is lost
Despite of my action
Empty like deep space
Searching from dream & reality
For the sweetest taste
Asking questions from the wise Oracle
Will my heart ever find a mate?

Eden
My home
My soul
I don’t feel whole…
Harps of the angel
Tones played
Ever so gentle
Like a gust of euphoric fragrances
Scenting the air
As if the wind could
Recite poems
As marvelous as
Jade stones
Upon golden thrones
Visions of sunset mountains
Portraits of ocean blue fountains
Parallel between the Elysium fields & Sorrow acres
Blocked by shields of prayers
  Empyrean
The land
Of ecstasy & enlightenment
As I grasp a breath of air
I close my eyes
A vineyard of pleasures
And grassy lands that seek adventures
With bouquets of red wine roses, but with
Thorns that end sentiments
And decomposes
Gazing one poses
Forbidden until time fades…
Grab both your hands
Maybe the next lifetime
Where daylight shows its beautiful anthem

Never in all the life times had I lived
For this aesthetic moment
It’s a beauty of torment
A commitment of energy
Time and century
From one past to present
The future flourishes
From the tiniest grain
That grows life
To where our souls might cross one day
In the sphere
Of Gaia
Green plants from the beautiful ground
Blue skies
Surrounded by the beautiful white angel
Look after her soul
Protect her from who they once stole
Care for her
For she brings heart & soul
As the story goes,  
  The weak & the needy
Dream for no blackheart
Shot by the arrow that purges
Life
Love each other
Never fall apart

As Apollo sun sets
Silhouettes of the appealing moon
Dream I’ll soon
To what becomes
A forest of past memories
Sketches of my truly dearest
Along the midnight blue river
An ensemble of creatures
That roams and creates pieces
Played to unburden the soul
As I lay beside the oldest tree
To watch the night sky
Fireflies’ prance
The beautiful moon
Amusement to the eyes  
To stare upon this
Enchanted aspect
Of green nightly shine among the forest
Amber glowing
Shaded night
To see it
Would be a lie…
Privileged to have created a night
A sea of enjoyment
From the one dream
Failure to grasp beauty
Until now
As if kismet intended to be…
Love each day
As if it’s your last
For one day
Maybe we could lie in the grass
Consume life
For all it’s glory
One day will write a story
If not now
Then a lifetime is worth waiting
FYI: If you don't understand my poem then just take a guess at it. My writing revolves around symbolism and I like to keep the meaning to myself because guessing is more fun :) Interpret your own meaning!  

It's been forever since I posted a poem here. School is drag lol I hope to post more writing here when I'm not busy. Did a version 2.0 of my favorite poem (recycled some old stuff in it) I'll add more stuff later, but for now enjoy what I have!
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Anthony Williams Sep 2014
The flickering lamp in your hand
sways as if to swim in peace to me
the lily scenting a warm ponder
ripples from the apple of my eye
and bobs across to bid approach
blooming with a soft absorbing sigh
which enters an essence close to reach

Your touch colludes in a light lashed usher
enticed to where my heart will sing
of finding lithe spirit mute from flesh
I slide into choral waters with longing
for the wonder of a parting life wish

Drumming soft
as butterfly strokes
swishing in the night
so close
and so remote
she could vanish
into poppy fields
at any moment
but will never leave
my sight
fluttering
I swim onward..
I swim
out..
by Anthony Williams
Crimean War nurse Florence Nightingale spent her night rounds giving personal care to the wounded, establishing herself as "The Lady with the Lamp." She established a nursing school and her writings sparked worldwide healthcare reform.
In Yucatan, the Maya sonneteers
Of the Caribbean amphitheatre,
In spite of hawk and falcon, green toucan
And jay, still to the night-bird made their plea,
As if raspberry tanagers in palms,
High up in orange air, were barbarous.
But Crispin was too destitute to find
In any commonplace the sought-for aid.
He was a man made vivid by the sea,
A man come out of luminous traversing,
Much trumpeted, made desperately clear,
Fresh from discoveries of tidal skies,
To whom oracular rockings gave no rest.
Into a savage color he went on.

How greatly had he grown in his demesne,
This auditor of insects! He that saw
The stride of vanishing autumn in a park
By way of decorous melancholy; he
That wrote his couplet yearly to the spring,
As dissertation of profound delight,
Stopping, on voyage, in a land of snakes,
Found his vicissitudes had much enlarged
His apprehension, made him intricate
In moody rucks, and difficult and strange
In all desires, his destitution's mark.
He was in this as other freemen are,
Sonorous nutshells rattling inwardly.
His violence was for aggrandizement
And not for stupor, such as music makes
For sleepers halfway waking. He perceived
That coolness for his heat came suddenly,
And only, in the fables that he scrawled
With his own quill, in its indigenous dew,
Of an aesthetic tough, diverse, untamed,
Incredible to prudes, the mint of dirt,
Green barbarism turning paradigm.
Crispin foresaw a curious promenade
Or, nobler, sensed an elemental fate,
And elemental potencies and pangs,
And beautiful barenesses as yet unseen,
Making the most of savagery of palms,
Of moonlight on the thick, cadaverous bloom
That yuccas breed, and of the panther's tread.
The fabulous and its intrinsic verse
Came like two spirits parlaying, adorned
In radiance from the Atlantic coign,
For Crispin and his quill to catechize.
But they came parlaying of such an earth,
So thick with sides and jagged lops of green,
So intertwined with serpent-kin encoiled
Among the purple tufts, the scarlet crowns,
Scenting the jungle in their refuges,
So streaked with yellow, blue and green and red
In beak and bud and fruity gobbet-skins,
That earth was like a jostling festival
Of seeds grown fat, too juicily opulent,
Expanding in the gold's maternal warmth.
So much for that. The affectionate emigrant found
A new reality in parrot-squawks.
Yet let that trifle pass. Now, as this odd
Discoverer walked through the harbor streets
Inspecting the cabildo, the facade
Of the cathedral, making notes, he heard
A rumbling, west of Mexico, it seemed,
Approaching like a gasconade of drums.
The white cabildo darkened, the facade,
As sullen as the sky, was swallowed up
In swift, successive shadows, dolefully.
The rumbling broadened as it fell. The wind,
Tempestuous clarion, with heavy cry,
Came bluntly thundering, more terrible
Than the revenge of music on bassoons.
Gesticulating lightning, mystical,
Made pallid flitter. Crispin, here, took flight.
An annotator has his scruples, too.
He knelt in the cathedral with the rest,
This connoisseur of elemental fate,
Aware of exquisite thought. The storm was one
Of many proclamations of the kind,
Proclaiming something harsher than he learned
From hearing signboards whimper in cold nights
Or seeing the midsummer artifice
Of heat upon his pane. This was the span
Of force, the quintessential fact, the note
Of Vulcan, that a valet seeks to own,
The thing that makes him envious in phrase.

And while the torrent on the roof still droned
He felt the Andean breath. His mind was free
And more than free, elate, intent, profound
And studious of a self possessing him,
That was not in him in the crusty town
From which he sailed. Beyond him, westward, lay
The mountainous ridges, purple balustrades,
In which the thunder, lapsing in its clap,
Let down gigantic quavers of its voice,
For Crispin to vociferate again.
I

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,

Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna;

Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt

The basses of their beings throb
In witching chords, and their thin blood
Pulse pizzicati of Hosanna.

II

In the green water, clear and warm,
Susanna lay.
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.

Upon the bank, she stood
In the cool
Of spent emotions.
She felt, among the leaves,
The dew
Of old devotions.

She walked upon the grass,
Still quavering.
The winds were like her maids,
On timid feet,
Fetching her woven scarves,
Yet wavering.

A breath upon her hand
Muted the night.
She turned--
A cymbal crashed,
Amid roaring horns.

III

Soon, with a noise like tambourines,
Came her attendant Byzantines.

They wondered why Susanna cried
Against the elders by her side;

And as they whispered, the refrain
Was like a willow swept by rain.

Anon, their lamps' uplifted flame
Revealed Susanna and her shame.

And then, the simpering Byzantines
Fled, with a noise like tambourines.

IV

Beauty is momentary in the mind--
The fitful tracing of a portal;
But in the flesh it is immortal.

The body dies; the body's beauty lives.
So evenings die, in their green going,
A wave, interminably flowing.
So gardens die, their meek breath scenting
The cowl of winter, done repenting.
So maidens die, to the auroral
Celebration of a maiden's choral.

Susanna's music touched the ***** strings
Of those white elders; but, escaping,
Left only Death's ironic scraping.
Now, in its immortality, it plays
On the clear viol of her memory,
And makes a constant sacrament of praise.
Senor Negativo Sep 2012
You are the light
streaming through the wings of a Phengaris Arion, butterfly.
The real blue a divergence
from the brilliant hybrid lanterns,
your radiant eyes.
I walked in reckless,
The slash the superheated steel,
ate the sea and drank the sky, died, and flew.
From the outside I came to you,
a reflection, you, yourself,
pineapple slices on banana leaf.
Curtain the day, let the glass go dark,
place the mattress on the lawn,
spawn nightmares in the street,
revel in an autumn rain, the dull dark white,
the blazing black awaiting dawn.
Your beauty is a tempest or swirling currents,
that caress all the senses, for it lies not only before the eye,
but in the content of action and creation, the heart in your endeavors.
Forget the insincere frauds and sharks scenting sorrow,
and feeding on misery in a frenzy.
We together can blunt the teeth of the shark with our joy.
Rose pink and fuchsia, euphoric light.
The Creature from the Black Lagoon on a drive in big screen,
black and white in the night. The air is scented electric.
Bright waters ripple in the spaces between us.


We all are LOVERz in the being of BELOVEDz



I keep your LOVE secrets
Hidden in the depth of my eyes
You place your ears on my heaving *******
Listening to your melodious heart-beats

I can't even share with anyone
The intimacy YOU share with me
NO one ever has dared, except YOU
To be brave to enter my skin pores
YOU courageous! - Even to my surprised
I surrendered to your LOVE

YOU LOVE me so much that
I want to end my life in your warm hug
The way your eyes shower LOVE on me
No one has ever seen me like YOU do
I seriously can't stand so much of LOVE
Just swallow me inside YOUR being

Your presence makes my knees go weak
With goose-humps on my skin
With butterflies in my stomach
I run to the bedroom, waiting for YOU

With your breathe touching my skin
Every time, you try to breach
My personal space and private boundaries
You sown seeds and buds bloom
From every cell of my body
Scenting fragrance all over YOU
Every pore of my body craves for YOU
Your graft branches on my soul-***
Flowering colorful blossoms on me

YOU tease me much
Showing so much gentleness and respect
In the way you pluck each flower from my being
You turn me blood red with your foreplay
I bleed YOUR tears begging you to LOVE more

I want you to serve me
I want to tear your back with my nails
I want you to make it happen
Release me in a moment from living
From all the struggles life serves me

Where were YOU all these years?
Now you are here, never leave me!

When your breathe intertwines with mine
There is no gap in our sighs and murmurs
Till you are within me, you color me
Nature's creative palettes of LOVE
With joys, smiles and laughters of intimacy

But when you are not there
I become a whimper expressing
Dislike and unhappiness for every thing
When your roots of thoughts and being
Are not holding me firm, deeply
I die in your longing & crave for you helplessly

I want to run and come in your arms
And loose all my EGO, pride and status
I want to surrender my desired inert beauty
For you to worship me forever

Though I do not show my LOVE openly
I want to tell you this:

I will do everything during the day time
YOU ask me to do for YOU

I will do more for you during the night time
Those things we only fantasize about

I will be-witch you with my scent
I will cover you with my hair
I will embrace you like your skin
I will drench you under my showers
I will hide you under my bosoms
I will carry you within my womb
Where no one is / was / will be permitted ever
And I will release you only
When YOU grant me all my secret desires



This LOVE ballad is sung from centuries
By Zuliet, Layla, Heer, Radha, Meera, Rabia...
And more of us who AGAPE LOVE madly...
Bardo Apr 2023
There's a Poet who dreams of a Gateway to Heaven
Not some cold austere Gate bolted and closed in your face
As if to say "Clear off! You're not wanted here anymore"
But instead a lovely warm welcoming Gate  
A brightly colourful Gate with lots of bunting and ribbons on it
And a big banner over the top announcing
"Welcome Great Poet"

It'd be a bit...a bit like Noddy in Toyland
And there'd be all these pretty young girls with bowls in their hands
Spreading rose petals on the ground for me to walk upon
A beautiful path laid out before me, a carpet of sweet scenting loveliness
And there'd be other boys and girls there too strumming lutes and harps
Like beautiful critics... singing my praises
Inside the Gate it'd be like this wonderful Park
With lovely flowers and shrubs and trees
With marble fountains and statues and quiet flowing streams
With radiant kids and beautiful people and  lovely marquees like as if you were attending some wonderful party or banquet,

And then you'd hear a bustle in the hedgerow
But it's only a bunch of publishers vying with one another
Trying to get my signature on a multi million dollar contract
Suddenly ahead of me there'd be this wonderful magnificent throne
It'd be offered to me... offered to me as my true place... my true home
And then a man would come and he'd humbly bow and kneel before me
He'd be offering something to me....
Why! It's the Nobel Prize for Literature
I'd smile and say "Ah shucks guys sure I was only doin' a few rhymes... and a few stories".
Aww now! LoL Gateway troubles.
Honeydrops Mar 2014
Oh!
How beauty lies in simplicity
For even without linen
Bracelets or tingling
Ankle chain
You still purchase
a fair beauty

An aura of fine apparel
scenting out like olive oil...
Your mind
Adorn with pure ecstasy
Your inner beauty
Radiates your charm
Your smile
Compliment it all...
Mon cherie
J' a tamie beaucoup
To the tune "Courtyard Filled with Fragrance"

Fragrant grass beside the pond
green shade over the hall
a clear cold comes through
the window curtains
crescent moon beyond the golden bars
and a flute sounds
as if someone were coming
but alone on my mat with a cup
gazing sadly into nothingness
I want to call back
the blackberry flowers
that have fallen
though pear blossoms remain
for in that distant year
I came to love their fresh fragrance
scenting my sleeve
as we culled petals over the fire
when as far as the eye could see
were dragon boats on the river
graceful horses and gay carts
when I did not fear the mad winds
and violent rain
as we drank to good fortune
with warm blackberry wine
now I cannot conceive
how to retrieve that time.
A hint of peppermint,
Musk and *****, just so;
You are my spice blend,
Aromatic, oh, oh!
We meet, bittersweet
Teasing, tongue to teeth,
Spicy liquor tones beneath,
Such a mouthfeel, unsurpassed,
A potent blend, that’s made to last.
Scenting, heady, ready, we
A blended alloy, meant to be.
exhausted mare foals
scenting oats hay leather wood
from hay loft girl spys
Jonny Angel Aug 2014
Up one side
& down the other
you crawled,
scenting me
with your warm desire.
I have been in *******
to you
since the beginning of time.
That means forever Darling.
Journey of Days Apr 2017
punches, lies, smears, deceptions
erupt  
and splatter onto the paper here on my table
heavy chunks of blood dark, fringed with greys
hate and sickness ooze from your pores
scenting the mix with sweet rot
stepping back
I close my eyes
only to see yours
and you know, I just painted your soul

@journeyofdays
Helen Nov 2013
It’s a lovely restaurant.

   Lovely.

   There is no artificial lighting. Just hundreds of candles that flicker from recessed niches in the walls and on every table.

   And you’ve done everything right so far. From seating me in my chair, with the slight brush of your knuckles across my bare shoulders as you removed my light jacket, to taking my purse from my bloodless fingers to place it next to my feet, you have excelled. As you knelt beside me and ran your fingertips up my bare leg you lift your perfect lips into a melting smile that promises everything.

   I want everything

   And there you are, sitting across from me. So perfect, my dream, my nightmare, my man of the hour, my choice. The candle light is kind to you and as I stare over the glass rim of a red wine I’m enthralled by your voice. I don’t know what you're saying but you just have to keep talking and I’ll just keep redrawing you in the candlelight.

   You have utterly, beguilingly captured me.

   The candle on the table has lit a fire in your eyes. I imagine the fires of Hell burn there and shiver at the thought of all that wickedness. The way you ran your fingers through your hair has tricked me into thinking that two small (very ****) horns protrude from your head. It’s an illusion, but one that I’m happy to run with.

   As you pick up my hand and feather kisses along my fingertips I feel the brush of the stubble on your face which I’m sure wasn’t there when we walked hand in hand to our table but the ****** hair is unmistakable. Is it possible I’m here with a Lycanthrope? Will our evening end with me running bare foot through the woods while a howl scrapes delicious shivers down my spine? Will I fall to my knees, a victim of the beast as it stalks me, scenting the wind, marking it’s prey, spying me and leaping to devour me? One glance at the full moon suggests I might be in for a wild night.

   In the candlelight you morph into all of my fantasies. But now, I’m just hungry.

   The illusion is just too hard to hold. I haven’t eaten since my last foray into the mortal world and I’m too tired to hold onto the hope that I can make it past reality.

   The restaurant drops away. The candles burn down to one lowly guttering torch and you're just a little boy (next to my 712 years) standing in a cave, where I have lured you and you're more than aware that you're not desert, you’re the main meal and the adrenaline coursing through your beautiful veins have my fangs dropping and my eyes smoldering but don’t worry, I can make it pleasurable, if I want to, it depends whether my fantasies have been strong enough, but I will respect you…

   Of course!
another 'not quite a' poem/story/fantasy :) there are several parts to this prose... may be posted later ;)
Sitting on a swinging porch bench
Sipping slightly sweetened ice tea
Sunshine massaging my wrinkled face

Scenting fresh earth and leaves at my feet
Sounds of traffic absent
Sassy racket of resident Blue Jays

Spying clear majestic Rocky Mountains
Separated by half bare multicolored trees
Sky clear blue with wispy clouds

Sitting forever with no cares
Shutting out the bustling world
Soaking in Autumns wondrous glory
Saul Makabim Jun 2012
Scarecrow shuffles
through cyclopean tunnels ceaselessly
searching for someone
to reap
His scythe a sharp scimitar
slices through the air
like a serpents tongue scenting
for the death pheromone
Slowly someone stumbles
in a drunken stupor
a listing ship
heading to its berth
Black Cat crosses your path
unnoticed in the ***** fog
Marked now
it is certain
Scarecrow will surely come for you
poor drunkard shall not see the morning.
ALesiach Jul 2019
Honeysuckle scenting the warm summer night
Getting drunk on sweet old apple wine
Crickets chirping their melancholy tune
Rocking on the porch beneath the wandering moon

Soothing sounds of the bayou flowing
Warm breeze from the south winds blowing
Whispering through the leaves calming
Winking fireflies light up the night glowing

The tinkling of wind chimes off in the distance
Smell the moss from cypress trees, tall and twisted
Click-ety clack, click-ety clack
Faint sounds of a train coming down the track

Haunting strains of a Cajun lullaby fill the air
Splash in the bayou birds scatter everywhere
Slowly drifting in and out of sleep
While the long blue bayou shadows creep

ALesiach © 07/01/2017
Nat Lipstadt Jul 2023
<In Memoriam: Joel M Frye>


we spoke perhaps twice by antiquated conveyance,
actually exchanging voices, real words, not ionized,
we knew so little, so much of other, in modern ways,
where you can feel without touch, see with eyes closed,
scenting tthrough a wire, hearing the voices whenever
inhaling each’s poems, tonguing, tasting the words aloud

nonetheless, ‘tis nonsensical, that his earthly disappearance
should defect my affectations, with the chested sensational
of loss, deprivation,, that I am missing a poet, his insights,
his way of saying the same thing yet so differently which is
exactly what we do here daily, reheating upon rehearing

each others verbal notions of rue, worry, love lost,
abandoned faith, momentarily reignited, wondering instantly
and perpetually do words matter, just before we, with excited sighs
we pick up the unique utensil fluidity that allows this communication
of spirit; now it strikes me hard, it is his spirited humorous man-n’ere,in everything, that became has attached to me, consciously and consciencely, humanizing me by his good graces that cannot
now be refreshed
until I
reread
him
one
time
more
Flower Scent Nov 2010
Wherever I maybe,
in the front porch, in my back garden,  
reading a book,or for a  walk,
on beige soft powdered sands,
picking pebbles on the beach,
as crushed corals brush my feet,
I shall remember you!
Gazing with my caramel eyes
in the vast blue serene seas,
I shall think of you!
a soft sweet whisper,
in the wafting wind breeze,
a dew drop in silent streams.

Wherever you maybe!
reading the newspaper,
scenting the morning aroma
Of fresh coffee beans
gardening,planting tomato seeds,
Or lyin'in the balcony of dreams,
You shall remember me!
a playful wild white daisy,
sleepin'on a hammock,
of crisped auburn leaves.

In your absence,I shall call your name!
In my distance,you'd yearn,for my touch !
In Seperate lands,We loose each other,
Yet lives the memory,of when we hugged,
Of when we kissed the  richest soil,
Of when we ****** the ripest fruit,
Long lives the memory, Of when we Loved.

(To the man in my dreams)
Pagan Paul Dec 2016
.
Here I stand at the abyss
waiting for that very first kiss.
My heart beats, then it skips
as I bend to touch your lips.

Here I rock at lovers doom
scenting your bodies sweet perfume.
My head spins, then it slips
as you reach and kiss my lips.

Here I fall at my great risk
but now, only we exist.
My heart hums, then it sings
as your lips pull the strings.

Here I lie in lovers bliss
having now that very first kiss.
My head explodes, then flies free,
I'm so pleased that you kissed me.



© Pagan Paul (Dec 2016)
lulu Aug 2016
Sweater sleeves dangling past your cold fingertips;
leaves drifting soundlessly to your feet.
The air is so cool and crisp and it feels so clean
and fresh against your skin and in your lungs.
You can feel the past slipping away,
making way for the new and exciting things the autumn season brings you.

Long, intellectual, enlightening conversations
that happen in the coziest of places with the friendliest of people.
Warm coffees and teas drank next to equally as
warm fireplaces and comforters.
Ginger and spice scenting every home you enter.

Wishes being made and promises being kept.
Walking hand in hand with the love of your life,
wearing jackets and mittens and knowing that everything is finally alright.
Nose kisses and long hugs to chase away the cold.

I wouldn't call is autumn so much as the one time of year you ever feel at home.
** Write a poem inspired by autumn. What does it smell like? What does it feel like? What does it sound like? What does it look like? What does it mean to you? Send them to me! I would love to read them!!! **
A Henslo May 2019
That it took some time
Overtaking our fear
Is now a precious memory
Reminiscence of yesteryear

Today it's indisputable
Permanently clear
Our bond became eternal
Our concord ceaseless and sincere

In passing I take a sniff
Scenting a souvenir
Of your folded pajamas
In case you're no longer here
AH 2017
JoJo Nguyen Aug 2016
Dreams they drown
under the Stone
under the Star

At least we
Stole The Show

Our Houdini act
of failed dedication
defiant to the End

Fragments float
up scenting a
stream with rotting
love locked
in the truck
Sheila Jacob Mar 2016
Garden cuttings grew slowly
in my Aunt's back lawn.

She coaxed them with words
and wet tea-leaves,
watched them flourish one year
in sunlit rows.

Mum had no time for flowers,
looked warily
at this late harvest
from the Mother she adored.

Dried lavender
sifted into hand-sewn bags
we tucked beneath petticoats,
knickers, linen handkerchiefs.

Roses and pinks
filling clear glass vases,
scenting the house as though
Gran was close by,

had just stepped outside
to unpeg her washing.
Stephan May 2016
.

*Clouded skies somberly cascade
upon motionless vistas,
floating unrehearsed melancholy hues
where muted feelings roam
on a spring morning echoing
a weary winter dream

I sit beneath a weeping willow’s
unhurried leaves fluttering
like silent wind chimes,
quietly pacing unheard melodies,
as dandelions seek the sun
now absent reflections in my own tears

And I reminisce of the days when
magnolia petals were our sunrise,
sweetly scenting the virginal dawn
in soft aromatic whispers,
lazily lingering upon our skin
when your smile was my every morning

Now I wait below wilting branches,
listless arches desperately reaching
but never touching the ground,
allowing desolate thoughts to wallow
as the soft earth reclaims me
from an infinite finale in gray
Nishu Mathur Jul 2016
This day
That rises after deep slumber
Peering  from a drowsy, flushed horizon
Rubbing eyes sleepy with morning dew
Hiding stars that wink unnumbered, scattered
And a moon that will diminish slowly, sliver by sliver
Rustling a cool breeze to ruffle the tops of trees
Scenting the sinuous rivers of a rain soaked summer
Unveiling earth, sheer by sheer only to veil the cosmos
Within the arms of the sun and the palms of the clouds
Holding the feathers of songbirds with wings like leaves
Their music no longer mute by the silence of sleep
This day - that unfolds like a flower, petal by petal
Waits for you, only for you
To embrace
And make yours
K Balachandran Sep 2012
Just pretend, you are that orchid, scenting musk,
never even once touched by the winds that lurk,
here I come, the wind you've waited for long,
**embrace me with every amorous intent, let's dissolve.
I fell asleep in an afternoon, listening to poetry podcasts
dreamt I am the  rippling  wind in the valley, that lovely  flower waiting for long
Mateuš Conrad Sep 2015
i’m such a terrible artist,
i hardly use my imagination,
i figured: we’re already pulverised by
too much advertisement
and copyrighting words
as if they were images.
i’m such a terrible artist because of this,
i write from experience,
and because my experiences would be
taken for mundane by the millionth sheep in the snooze
i write disorderly purposively,
and in the night, i roam the house admiring
the moon changing everything into werewolf diet krypton (i.e. Ag),
talking to god by talking to my hand,
warming my fear of shadows laughing at my own with kant,
boxing my liver then thinking about my bladder.
those socks worn for two days straight really
gave my bedroom a proper scenting i wish i was without.

— The End —