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"pickets" poems
You look me in the eyes and spit,           And I kick dust on the wet spot on the ground. This is how we are, a conversation; you never cared to call me something like my name.            I never cared to see you in any way but under my boot with blood on your teeth.                There is no moon above us, even when the sun’s gone to hide at the nearest bar. This is not a war that can be won with pickets and strikes. The only way to end the battle                                                 Is that someone has to die.         A standoff only ends when one is left standing, it’s the rules, but you never did care for rules, and breaking is easier than bending.                You never apologize and I never want to hear those words come out of your mouth.             The sun’s gone to hide at the local bar and it drinks whiskey shots like water. It has seen us fight.             The moon doesn’t want to come out, stays tucked safe in its bed. It has heard stories.                          Only the stars act as referee, calling out which one of us died better.             It’s all an act, a ******* contest, and you sure are good at wetting the ground.                  I’m better at covering up where the bloodstains were,                          stain chicken feathers red as the sunset, Please, I ask you, Let him win one last time.                                The hourglass broke, the sand mixing with the red clay, And you claim to know that his time is up.                  I claim to know that you’re a lying son of a ***** who takes what isn’t his.                         And you claim that I’m just a child,                                            but children don’t know why their knuckles are bleeding                                            and children don’t get why their jaws hurt                                            and children only bleed when summer is restless                                            and children never pull real guns anyway.           You brought a knife to a gunfight,                  a gun to face the firing squad, a one child firing squad,                     knees stuck together with blood and chicken feathers. Please, you ask me, Let me win one last time.                      And I learn that breaking is easier than bending; And I learn how my name sounds on your lips.
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May 18, 2016
May 18, 2016 at 9:02 AM UTC
The Chicken Boy
You look me in the eyes and spit,           And I kick dust on the wet spot on the ground. This is how we are, a conversation; you never cared to call me something like my name.            I never cared to see you in any way but under my boot with blood on your teeth.                There is no moon above us, even when the sun’s gone to hide at the nearest bar. This is not a war that can be won with pickets and strikes. The only way to end the battle                                                 Is that someone has to die.         A standoff only ends when one is left standing, it’s the rules, but you never did care for rules, and breaking is easier than bending.                You never apologize and I never want to hear those words come out of your mouth.             The sun’s gone to hide at the local bar and it drinks whiskey shots like water. It has seen us fight.             The moon doesn’t want to come out, stays tucked safe in its bed. It has heard stories.                          Only the stars act as referee, calling out which one of us died better.             It’s all an act, a ******* contest, and you sure are good at wetting the ground.                  I’m better at covering up where the bloodstains were,                          stain chicken feathers red as the sunset, Please, I ask you, Let him win one last time.                                The hourglass broke, the sand mixing with the red clay, And you claim to know that his time is up.                  I claim to know that you’re a lying son of a ***** who takes what isn’t his.                         And you claim that I’m just a child,                                            but children don’t know why their knuckles are bleeding                                            and children don’t get why their jaws hurt                                            and children only bleed when summer is restless                                            and children never pull real guns anyway.           You brought a knife to a gunfight,                  a gun to face the firing squad, a one child firing squad,                     knees stuck together with blood and chicken feathers. Please, you ask me, Let me win one last time.                      And I learn that breaking is easier than bending; And I learn how my name sounds on your lips.
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36
beyond Montana’s yellow lines there is a field ~a field of painted soles      and laces rubber tread ~a field of ****** curls      and fallen headlights where kaleidoscope lenses look onto twisted frames          like origami halos where teddy bears hug stop signs like pickets      fringed in anger           runaway childhoods sleep cautionary tales    beyond Montana’s blushing acne there are red cup melodies      blasting from blacked out tints           weaving blues notes through Rock & Rap distant cries are drowned by Bass      or maybe Bud (light) a haze of teenage eyes they might as well be ghost riders whip game copped from GTA these pubescents are a Vice to their City blooming sidewalk sloths like flowerbeds beyond Montana is a country of bar stools    where bar tenders play therapists         and therapists play coroners precedents are shots of whiskey - taken to the head and reflected in flooded eyes beyond Montana is a country of MADD mothers and SADD students beyond Montana is a country of unexpecting pedestrians beyond Montana is a field ~a field of wing-clipped snow angels That field is Mariah's home now and she challenges you to change    yourself         your friends              your country she challenges you to STOP DRUNK DRIVING
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Jan 6, 2013
Jan 6, 2013 at 2:22 PM UTC
Mariah's Challenge
Beat-Up Old Car Vastly under-appreciated possession In dull blue, a MK1, no less, with original rust Inside lingering scents of Exchange and Mart top-notes of WD-40 and miscellaneous mix tapes A car like this gets into your life in lumpy knuckle-barking unsubtle ways, stays there in subtle ones That long drive back to Yorkshire in the quintessential exemplar Clutch cable snaps. ****** and Crap. Hardly helpful but can be accommodated with enough thought rough though it is on starter motor and nerves whenever anticipatory powers inadequate and we are forced to a complete red-light stop Brakes dodgier, exhaust noisier than ideal or legal Gender-ambiguous elderly tyres flirt outrageously with slick tarmac Showing their canvas underwear and male-pattern baldness Keeping this unstable, unsafe, unreliable ultimately essential lump of metal moving and on the road is a fine art Engaging, fluid and intense art; The Clash and The Specials Costello and The Cure in support A distraction then getting hauled over by plod somewhere near Bury St. Edmunds Thatcher's boys. Tax? MoT? Insurance? ID? No real interest shown Any passengers in the back? Clearly no.  Pickets?   Pickets? What? Please open the boot sir... Oh. On your way lad. Drive carefully I was, officer, I was More than you will ever know
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Feb 17, 2016
Feb 17, 2016 at 9:52 AM UTC
Memories of The Miners' Strike
I am singing to you Soft as a man with a dead child speaks; Hard as a man in handcuffs, Held where he cannot move: Under the sun Are sixteen million men, Chosen for shining teeth, Sharp eyes, hard legs, And a running of young warm blood in their wrists. And a red juice runs on the green grass; And a red juice soaks the dark soil. And the sixteen million are killing. . . and killing and killing. I never forget them day or night: They beat on my head for memory of them; They pound on my heart and I cry back to them, To their homes and women, dreams and games. I wake in the night and smell the trenches, And hear the low stir of sleepers in lines-- Sixteen million sleepers and pickets in the dark: Some of them long sleepers for always, Some of them tumbling to sleep to-morrow for always, Fixed in the drag of the world's heartbreak, Eating and drinking, toiling... on a long job of killing. Sixteen million men.
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2.2k
Killers
The moon shone full that fatal night When Stonewall and his men were returning from a scout around their former friends. The brightness of the risen moon Put them in silhouette. The pickets rose and fired; an action they would soon regret. Stonewall Jackson was unhorsed, a Minnie ball in his arm. The surgeons had to amputate. One week later he was gone. It marred a famous victory, A masterpiece of Lee’s, when Jackson crossed over the river to rest in the shade of the trees.
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May 2, 2013
May 2, 2013 at 9:04 AM UTC
Fatal Victory
Alone on a silent shoreline, sea breeze emotions paint my skin Sands of time slip away as I count the stars wondering why so many seem to smile, when I don’t Storm fence pickets stand straight, weathered of years watching Holding at bay the impending dunes where my footprints once shared these moments with another Salt water teardrops fall, meeting the beach in sorrow’d pools lonely silhouettes of my heart shaped shadows empty and vacant, longing for that one to forgive Disenchanted sandcastles disappear with the tide as do these words we compiled together never to be written again, on paper or in the sand Now I only watch my dreams fade into the horizon, missing you
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Apr 20, 2014
Apr 20, 2014 at 9:36 AM UTC
Disenchanted sandcastles disappear
The fingernails of my brain brim Horizons of grime. Can’t seem to keep them paws             Out of the dirt. And the dirt lives on the ground, so its head is always             Down. And it claws like a dog spraying a groove under a fence After he’s picked up in the scent what it would be like To roll in the other grass, which is the same grass, but it’s             Across the pickets. It’s the uncovering, and it’s dead awfully hard. For instance… Thinking I must scratch sound to hear sound. Not knowing, like this, of course there’d be only That scratch-scr-scratch-scr-scratch-scr-scratch… Around me like hellrats… For instance, hurling my eyes at vision, only That they should slam against something like stonewall.             (And the crash, unscratched, unheard.) Imagine how gravity would throw your skeleton (Nest of forest twigs-become-tooth-pick birdcage)             Ten, twenty      thirty stories Meeting earth’s immovable bone— That cold you’d feel crack your headrock—             That concrete is my vision. Yes, finish off the senses, finish off the lines. If you put your life here, in this poem’s lonely glass,             It will take its shape. For isn’t that the oldest metaphor?      Life—water? Yes, water with yourself these lines. My brain needs to rinse me         clean from its hands.
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Apr 3, 2012
Apr 3, 2012 at 11:39 PM UTC
Rinse Me
Forever sitting on the fence You've placed me on the bench Never will I see the green side That's what I get for being this kind Always watching dead grass A lousy metaphor for left past Trapped in a sense of grace Yet you've put me in last place Stuck in a reality that is no more My body's the only thing left able to score Even when I see the sun My skills say I should run Forever sitting on the fence From here everything makes sense Never will I fear the unknown I see from both sides of the throne Always looking out for number one In this way, I will always be shunned Trapped atop these wooden pickets It's way too late for me to buy a ticket Stuck in the nose bleed bleachers No one is capable of being my teacher Even when I see the sun From my fence I will not run Forever sitting on the fence Where you put my heart to rest
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May 4, 2016
May 4, 2016 at 5:15 PM UTC
Forever Sitting on the Fence
Decipher the bowels that slushes out through my imagination Crystals and xylophone chimes Pouring out the ink wells of sensation Don't pivot pickets to my position I can't stalemate this war for expansion For my tongue is a swollen pickle Dipped in bitterness and ****** by the lips of semantics I groove in the basses of basics and grow a garden for further foundation For my tongue is a swollen pickle And boy is it's perfume amazing I mean Can you smell the awkward amps? Pumping veins with Crayola visions or a Chaplin transcript with deadpan humor Are you experienced enough for social division? My tongue is a swollen pickle Say whatever the hell I wanna say Crunch me when you digest this sour thought For the reign of excitement's here to stay
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Apr 20, 2015
Apr 20, 2015 at 8:54 PM UTC
My Tongue is a Swollen Pickle
Keep the cold drops in your pocket Come in handy to fake sorrowful moments Standing in a crowd creates the worst solitary confinement Wicked hearts dug up from the graveyard On pickets, bait for the hungry wayward Fog so low, hazed, evaporated into pupils Relieving the red hot, blood shot, what a clear head Carrying shovels on their backs Eat the dirt they shower on you Sand between your teeth, bleeding gums Warriors with sharp axe pix instead of guns The ravenous never sleep Blood thirsty they want their keep String em' up high and watch the angels weep
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Oct 24, 2013
Oct 24, 2013 at 1:05 AM UTC
Dreary Days
1 listen to the silence of night and the sounds of the crickets; away from the city the strikes and the pickets- 2 night has fallen on the big meadow children running to and fro; crickets churning gas lights burning, tranquil nighttime here at last. Papst Blue Ribbon near the end; sandman time around the bend. 3 The Rolling Stones Exile on Main Street Sweet Virginia side one-cut one right on.....
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Aug 24, 2010
Aug 24, 2010 at 5:38 AM UTC
Crickets on Main Street
An anonymous terror That hides in the halls And burns down our stands And blocks out our calls An anonymous terror That makes and it breaks Breaking the real And making the fake. An anonymous terror That points out our flaws Gives insult to injury And tears down our cause An anonymous terror That burns down our signs You can break all our pickets But you can't break our pride.
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May 14, 2013
May 14, 2013 at 2:37 PM UTC
An Anonymous Terror
i glimpse the dawn through alabaster-flaked rickety-pickets, like the cavity-riddled ******* maw of tom sawyer’s crooked-grinning demon trying to reap its earthly exodus and rail at the wind for its squalling disposition. i have a head full of grass, and a trail of ants in staggered patrol clambering in one ear in hopes of alighting through the other; their bodies breaching synaptic copulations of thoughts and ideas assimilated in lucidity, but turning, like the thrusting-seed of climactic joy, only to find their first glimmer of stirring light is merely a preamble to a yawning, abortive dark. the sun is blinding, and yet i stare onward - inward, finding comfort in the dazzling blur, like a drug redefining the transcendent pain, and rending heart and brain to simple masses without flex or flux to pierce the void and conjure illusions wrought of patch-worked memories and dreams that i can no longer tell apart. here i have come perchance to bleed in pools to stain the shape of my words, and your eyes to dance upon their drift, like the mortician's arms embracing the husk of cuckoldly bones and beguiling flesh. here i have come to cackle at worms that chew holes in the leaves strewn like a sheet, to shadow the moment i stepped off of the page, and splintered these whittled stilts to tempt the proffered flames. it is a moment lost in orbits spent, revolutions spiraled, twisted and turned, like bitter shells spat from that forgetful sea, where i cast line after line of salty breath, to avail the deep with my own sullied hook. so here i lie with a head full of grass, thoughts taking flight on thorax and gaster, staring onward - inward, of the blinding sun, to purge the umbrage of a threadbare soul, and wander the void perchance... to bleed.
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Jul 26, 2013
Jul 26, 2013 at 12:47 PM UTC
into the out of
i glimpse the dawn through alabaster-flaked rickety-pickets, like the cavity-riddled ******* maw of tom sawyer’s crooked-grinning demon trying to reap its earthly exodus and rail at the wind for its squalling disposition. i have a head full of grass, and a trail of ants in staggered patrol clambering in one ear in hopes of alighting through the other; their bodies breaching synaptic copulations of thoughts and ideas assimilated in lucidity, but turning, like the thrusting-seed of climactic joy, only to find their first glimmer of stirring light is merely a preamble to a yawning, abortive dark. the sun is blinding, and yet i stare onward - inward, finding comfort in the dazzling blur, like a drug redefining the transcendent pain, and rending heart and brain to simple masses without flex or flux to pierce the void and conjure illusions wrought of patch-worked memories and dreams that i can no longer tell apart. here i have come perchance to bleed in pools to stain the shape of my words, and your eyes to dance upon their drift, like the mortician's arms embracing the husk of cuckoldly bones and beguiling flesh. here i have come to cackle at worms that chew holes in the leaves strewn like a sheet, to shadow the moment i stepped off of the page, and splintered these whittled stilts to tempt the proffered flames. it is a moment lost in orbits spent, revolutions spiraled, twisted and turned, like bitter shells spat from that forgetful sea, where i cast line after line of salty breath, to avail the deep with my own sullied hook. so here i lie with a head full of grass, thoughts taking flight on thorax and gaster, staring onward - inward, of the blinding sun, to purge the umbrage of a threadbare soul, and wander the void perchance... to bleed.
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47
~ (old beach fence) pickets set, once in symmetry, straight and white... young teeth; now in weathered state, discolored by the salty spray; rust-formed rivers trickle down from nails, barely tethered to its frail frame. in places, shifting sand, overruns its posts, like a winding score, it's rhythm lagging, holding yet its notes; fulfilling purpose, like an old musician, though beaten down by wind and storm the music strong, sometines pouring out in gentle song, oftimes belting. out in haunting tune; lyrics pointing, shaking voice still croons, the heart still beats, though the mind is drifting on; like an old, weathered, beach fence... has not lost it's relevance! ~ *post script. in conversation with a beautiful mind, about her photo of an old beach fence.  she says, “I love the loneliness in that picture, though I'm not sure why.”  his answer just a hopeful guess, “i know why... it speaks of purpose and usefulness, despite age and state of repair; it speaks of direction, despite its apparent randomness... too oxymoron-ish to not be drawn in...”  conversation ’tween two friends, conceiving thoughts, in particular her encouraging response with these words... “You should make that into a poem! And yes, that is exactly it!" yes indeed, she is a beautiful mind, this precious, poet friend of mine!!*
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Apr 2, 2016
Apr 2, 2016 at 12:26 AM UTC
relevance
Is it all just cheap hash (and) ****** shopping malls (and) identical housing developments anymore ? nevermore is it expensive Asian dinner (and) mom's special casserole on the stove left to simmer (and) a sticker on your school paper about cars (or) a lucky four leaf clove found innocently playing in the front yard, hidden from the world by pickets white but barbed (and) beautiful (and) normal. Is it all tricks turned cheap, sudden loss of breathing (and) smoke inhaled (and) powders breathed (and) emotions bottled to be beheld kept seething. A ****** cold Mexican TV dinner, fake. A sad sloppy American lunch break, for Christ's sake. A couple of teens talked on tinder set up a date (and) put each other in a relationship so fake, it was lost to the scrap yard. A pair of adults met on eharmony (and) scratched, picked, clawed at each others minds until they were **** blistered, scabbed. Wet hot beef (and) (or) dry cold spaghetti on a plate, makes the post nuclear family come together feeling just great :)
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Oct 29, 2015
Oct 29, 2015 at 1:11 AM UTC
wet hot beef (and) (or) dry cold spaghetti
. What do you do with a fried pickle sandwich when lavender leaves have messed up its hair How do you cut it in two equal pieces while no one is home and you don’t like to share Why is it sitting alone on the counter as saucers of milk perform on the stage Where is the flavor when bland is in fashion and comic books sing on the very next page Will you surrender to appetites chanting, crossing the line where the pickets are white Shoveling corn flakes when it is not snowing, flying a kernel instead of a kite Serving a side that is right down the middle, leftover vegetables mashed into paste Like a potato but not very filling, smothered in ketchup to drown out the taste Do you like tablecloths made out of vinyl, just like a record but square when they play Nothing to spin when you can’t find a needle, looking through stacks that are covered in hay Cook books too heavy to fit in your diet, checking your math while subtracting a pound Running in place when you’d rather be singing, wishing the dining room table was round Can you believe that a poet would write this, watching a hummingbird outside his door Smiling from one ear but not to the other feeling the pinch when his cheeks are too sore Maybe his mind is a swirl of affection and it is her that he is thinking of It’s a safe bet amid all this confusion the poet who wrote this has fallen in love
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Jul 21, 2016
Jul 21, 2016 at 6:51 PM UTC
Can you believe that a poet would write this?
Putrid smells of dirtied innocence, A veil of eager stupidity, Misfortune converts to violence, Roots caged by the ashes Of what once was, My hometown of resilience- staled, Replaced with glory seekers Spewing words void of value, Pickets of dishonesty, Weekends of gloom, Shame. I feel foolish as I reside here, Bleeding within the garden of thorns, Punctured by the claw of the bird.
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Apr 10, 2021
Apr 10, 2021 at 9:38 AM UTC
North-West
~ steps beyond his stalwart hedge, white pickets lined with flowery speech; ’cross a boulevard of words, the shade of tree-lined poetry; he’s drawn to her celestial sound, seeks comfort in her sultry voice. pandora's lounge, her nightly stage, in every breathy note she sings. their presence here he’s prearranged, respires her palette’s offerings; each tapestry-a-washed crescendo, her every soulful whispering, incites his heart to joyous tears; his ev'ry sense engulfed, aflame, her afterglow, like sun's refrain; to hers, two eyes an opening, his ears to sounds beyond; the tongue to taste, a bounty waiting, her touch too sweet, his blood is racing. spellbound by her bluesy song, raptured by her fragrant breath; to her rhythm his heart beats strong, he's captured in her blue’s caress. ~ *post script. i make no apologies in the admission that i'm easy prey for a bluesy voice, the feminine variety in particular.  add a British / Euro tone and my soul may just melt.  Norah’s... i’ve a jones for hers! ~ **Come Away With Me Norah Jones Come away with me in the night Come away with me And I will write you a song Come away with me on a bus Come away where they can't tempt us, with their lies And I want to walk with you On a cloudy day In fields where the yellow grass grows knee-high So won't you try to come Come away with me and we'll kiss On a mountaintop Come away with me And I'll never stop loving you And I want to wake up with the rain Falling on a tin roof While I'm safe there in your arms So all I ask is for you To come away with me in the night Come away with me***
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Apr 6, 2017
Apr 6, 2017 at 2:22 AM UTC
blue's caress
~ steps beyond his stalwart hedge, white pickets lined with flowery speech; ’cross a boulevard of words, the shade of tree-lined poetry; he’s drawn to her celestial sound, seeks comfort in her sultry voice. pandora's lounge, her nightly stage, in every breathy note she sings. their presence here he’s prearranged, respires her palette’s offerings; each tapestry-a-washed crescendo, her every soulful whispering, incites his heart to joyous tears; his ev'ry sense engulfed, aflame, her afterglow, like sun's refrain; to hers, two eyes an opening, his ears to sounds beyond; the tongue to taste, a bounty waiting, her touch too sweet, his blood is racing. spellbound by her bluesy song, raptured by her fragrant breath; to her rhythm his heart beats strong, he's captured in her blue’s caress. ~ *post script. i make no apologies in the admission that i'm easy prey for a bluesy voice, the feminine variety in particular.  add a British / Euro tone and my soul may just melt.  Norah’s... i’ve a jones for hers! ~ **Come Away With Me Norah Jones Come away with me in the night Come away with me And I will write you a song Come away with me on a bus Come away where they can't tempt us, with their lies And I want to walk with you On a cloudy day In fields where the yellow grass grows knee-high So won't you try to come Come away with me and we'll kiss On a mountaintop Come away with me And I'll never stop loving you And I want to wake up with the rain Falling on a tin roof While I'm safe there in your arms So all I ask is for you To come away with me in the night Come away with me***
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Lush neatly manicured lawns Fence pickets in white, ornate light posts in bronze Luxury cars and such perfect houses Mask the evil that rouses Behind the Stepford smiles Flow rivers of fear and pain Horrors, **** and violence In their suburban domain “In marriage there’s no such thing as **** “I make the money, if I want *** I’ll take it!” “I’ll end your life if you try to escape.” “I’ll cut off your money, you’ll never make it.” “I’ve explained to your family you’re crazy as hell.” “You have no friends left, no one to tell.” “It’s always your fault you make me hit you.” “Now tell the **** doctor you just tripped on a shoe.” “Get yourself tested I brought home the clap.” “You’re lucky to have me, I’m the real catch.” “Keep eyeballing me, you’ll get a fresh slap.” “Stop crying your eyes out, it’s just a rough patch.” “I love you so much, why can’t you see?” “This creature is something you force me to be!” “NOW STOP YOUR WHINING AND MAKE A NEW DRINK!” “ELSE IT’S YOUR HEAD, NOT MY GLASS, THAT SHATTERS THE SINK!” “YOU’VE DONE IT AGAIN, AND YOU WON’T GET AWAY.” “YOUR NIGHTMARE IS HERE, AND HE’S GOING TO STAY.” ... “Lock the door? I’ll kick it in!” “Fight back? I call that a win.” “The struggle is what turns me on!” … The terror carries through to next dawn. Behind the Stepford smiles Flow rivers of fear and pain Horrors, **** and violence In their suburban domain Sprinklers water the grasses The sobering monsters cover their ***** They put on a grin and dress in fine suits Greet peers with **** salutes Off to work he goes to make cash The kids trudge glumly off to school The night before? Just a bad dream She’s buying clothes, spending's her fuel. Lush neatly manicured lawns Fence pickets in white, ornate light posts in bronze Luxury cars and such perfect houses Mask the evil that rouses
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Jan 2, 2019
Jan 2, 2019 at 10:09 PM UTC
PERFECT LIVES
Lush neatly manicured lawns Fence pickets in white, ornate light posts in bronze Luxury cars and such perfect houses Mask the evil that rouses Behind the Stepford smiles Flow rivers of fear and pain Horrors, **** and violence In their suburban domain “In marriage there’s no such thing as **** “I make the money, if I want *** I’ll take it!” “I’ll end your life if you try to escape.” “I’ll cut off your money, you’ll never make it.” “I’ve explained to your family you’re crazy as hell.” “You have no friends left, no one to tell.” “It’s always your fault you make me hit you.” “Now tell the **** doctor you just tripped on a shoe.” “Get yourself tested I brought home the clap.” “You’re lucky to have me, I’m the real catch.” “Keep eyeballing me, you’ll get a fresh slap.” “Stop crying your eyes out, it’s just a rough patch.” “I love you so much, why can’t you see?” “This creature is something you force me to be!” “NOW STOP YOUR WHINING AND MAKE A NEW DRINK!” “ELSE IT’S YOUR HEAD, NOT MY GLASS, THAT SHATTERS THE SINK!” “YOU’VE DONE IT AGAIN, AND YOU WON’T GET AWAY.” “YOUR NIGHTMARE IS HERE, AND HE’S GOING TO STAY.” ... “Lock the door? I’ll kick it in!” “Fight back? I call that a win.” “The struggle is what turns me on!” … The terror carries through to next dawn. Behind the Stepford smiles Flow rivers of fear and pain Horrors, **** and violence In their suburban domain Sprinklers water the grasses The sobering monsters cover their ***** They put on a grin and dress in fine suits Greet peers with **** salutes Off to work he goes to make cash The kids trudge glumly off to school The night before? Just a bad dream She’s buying clothes, spending's her fuel. Lush neatly manicured lawns Fence pickets in white, ornate light posts in bronze Luxury cars and such perfect houses Mask the evil that rouses
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48
if you walk on the front lawn past the library where – free of charge – you can take some if you leave some if you approach the front windows she will likely try to claw the screen attesting to her ownership if you walk up the driveway and duck under the grapevines or poison-ivy – some say – will tickle your legs if you look upward you can barely see the sky between the older-than-the-4th-of-July burr oaks if you walk past the once-was back door – into the backyard – a forest of weed-trees shades leftover plants if you stroll further the spring bulb-mothers’ dead stalks cover the leaf-mulched soil if you climb up two rotting steps to the bird feeders squirrel-ridden – and treated with suet – is the cardinal family’s year-round home if you like critters and engage them in dialogue – natural ambiance – you will have an annual prayer rug for a yard if you let the white pickets go gray beside the curb – looking wrinkled – the shimmer-light of the street lamp will guard the paw prints of winter bunnies © Lewis Bosworth, 2016
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Sep 2, 2016
Sep 2, 2016 at 7:40 PM UTC
personal property
sordid silhouette sing sigh's savage grace tongues akimbo a pink laughter booms over silent cloudy grays (the day's sister was all the same differently purple in that way which so is the night) in such was the straight little pickets onebyonebyonebyonebyone marching in oscillating still -ness
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Apr 29, 2010
Apr 29, 2010 at 9:13 PM UTC
sing sigh's
she told me so many lies & they were all so beautiful like she was. she told me she didn't mind meeting behind the woodshed in the hours before the sunrise & after dusk, she didn't mind passing her guy without a word for the day. she told me so many beautiful lies & i told them back with a kiss. brown skin, cat eyes like those models & she said she loved me, loved me true through the window the door leaves blew on the wind & sticks rattled hollow against the wall of our shed & we forgot in the moment of things. miss those days, before pickets & red-faced neighbors before well, you should have seen the headlines & cat eyes are gone.
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Mar 28, 2013
Mar 28, 2013 at 9:29 PM UTC
Cat Eyes
Take your medication Do as you’re told Swallow the pills with A cascade of water and Watch your money fill Our satin lined pickets So heavy our belts snap Our trousers fall And the world can see the Tattoo of your face on our ***** And the funniest thing is All you needed was a good laugh
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Apr 17, 2011
Apr 17, 2011 at 8:48 PM UTC
Prescription
Well outside my circle, Beyond my paltry reach Of influence, Nasty, spinsterly, unforgiveables Happen. Across from The Farmer's Market, Just two days ago, Two young males were... You've no doubt read it. Before that, a young teacher Was kidnapped, stabbed and lit, (can't believe I just wrote that) Well, she was ******* lit... burned... Who can live like this? Then, I remember Tom's mother Who invited me on family picnics; And Crazy Jack, Who put the chain on my rear sprocket; The Squires who actually cleaned-up the yard For the Downie sisters. The befriendings in neighborhoods. Mrs. Tethercott, probably the oldest woman To ever live on a street, once handed me A hard red candy through the green pickets. Just me. The sibs never saw it going or coming. An especially special treat that has stuck with me For decades after her death. But the Mayor arriving in full Santa regalia On the trunk of a sleigh-red car, With burlap bag slung heavily. What a first memory of Christmas. Daddy burned his leg With diesel oil On the job site, Far away, in Kapuskasing, During our first winter In Canada. Did the Downie Spinsters make the call? What unknown friends reached out Beyond their circles. Who aspires to such a height? I can't let it stop me. For now, I carry a hard candy For just such occasions.
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Jul 27, 2015
Jul 27, 2015 at 4:43 PM UTC
Unknown Friends