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"novices" poems
People keep asking me how I’m doing. If I’m getting better or if I’ve taken the time to process what’s happened. If I’ve sought professional help for the metal percussions induced by my career-ending injury. In all honesty though, professional help is futile. It can’t save me now. I’m walking through hell and sitting in a ring of fire discussing the temperature of the searing flames would be idiotic. Why would I allow the flames to dance along my already seared skin longer than necessary? I know they’re hot. I know I’m in hell. I know the pain I feel every day is real and crippling. Talking about this pain wouldn’t end it. It wouldn’t diminish the heat. It wouldn’t help. I need to keep walking. I just need to keep walking. My crippled body can’t run anymore, but I’ve got to keep walking. Others continue to rush by. Frantic because they’ve never felt the flames. They aren’t familiar with the burn. The idea of being in hell is novel. They are novices.   But life hasn’t been kind to me. These flames are familiar with every curve of my body and they dance around with trained feet. I’ve been in hell for years. People continue suggesting I find the light at the end of the tunnel, but that’s near impossible here. I’m too blinded by the brightness of a vehement flame. Sizzling with an angry vigor for the lack of gratitude I bestowed on my past life. It mocks the speed at which I used to be able to run. It laps sardonically at the feet that used to run cheer-inducing speeds without thanks from their owner. But crowds don’t cheer my name anymore. I now stand on the sidelines and watch my team play. I burn alive for the game I used to breath and as I watch each and every game, the deep breaths of oxygen only continue alighting the fire. There’s no way out it seems, but I will try to keep walking. Because talking is futile. Note: Spinal diseases are crippling mentally and physically. Watching the body you've sculpted for years turn to mush because you can't workout is dilapidating . The despair and helplessness are unfamiliar feelings, feelings that can't be overcome. Disease is disease and sometimes it can't be stopped. Sometimes, it just becomes a burden to bear. And sometimes people aren't strong enough. It's different when careers end after four years of college. An expected end, an anticipated end. But when things you love are taken from you abruptly, before your finished. The pain is exponentially worse. Exponentially. Worse.
0
Mar 28, 2015
Mar 28, 2015 at 1:41 PM UTC
Career-Ending Injuries: the collegiate struggle in hell
People keep asking me how I’m doing. If I’m getting better or if I’ve taken the time to process what’s happened. If I’ve sought professional help for the metal percussions induced by my career-ending injury. In all honesty though, professional help is futile. It can’t save me now. I’m walking through hell and sitting in a ring of fire discussing the temperature of the searing flames would be idiotic. Why would I allow the flames to dance along my already seared skin longer than necessary? I know they’re hot. I know I’m in hell. I know the pain I feel every day is real and crippling. Talking about this pain wouldn’t end it. It wouldn’t diminish the heat. It wouldn’t help. I need to keep walking. I just need to keep walking. My crippled body can’t run anymore, but I’ve got to keep walking. Others continue to rush by. Frantic because they’ve never felt the flames. They aren’t familiar with the burn. The idea of being in hell is novel. They are novices.   But life hasn’t been kind to me. These flames are familiar with every curve of my body and they dance around with trained feet. I’ve been in hell for years. People continue suggesting I find the light at the end of the tunnel, but that’s near impossible here. I’m too blinded by the brightness of a vehement flame. Sizzling with an angry vigor for the lack of gratitude I bestowed on my past life. It mocks the speed at which I used to be able to run. It laps sardonically at the feet that used to run cheer-inducing speeds without thanks from their owner. But crowds don’t cheer my name anymore. I now stand on the sidelines and watch my team play. I burn alive for the game I used to breath and as I watch each and every game, the deep breaths of oxygen only continue alighting the fire. There’s no way out it seems, but I will try to keep walking. Because talking is futile. Note: Spinal diseases are crippling mentally and physically. Watching the body you've sculpted for years turn to mush because you can't workout is dilapidating . The despair and helplessness are unfamiliar feelings, feelings that can't be overcome. Disease is disease and sometimes it can't be stopped. Sometimes, it just becomes a burden to bear. And sometimes people aren't strong enough. It's different when careers end after four years of college. An expected end, an anticipated end. But when things you love are taken from you abruptly, before your finished. The pain is exponentially worse. Exponentially. Worse.
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34
Sanded down, handed down heirlooms for boardrooms. Directors prospecting for antique positions, commission based, cyanide laced contracts, small print that annihilates, dilating the pupils ,restrictive and pencils that scribble out names in a ledger. Forever indebted, a debit individual. All residual profit reinvested, future proofed heirlooms.
0
Jan 2, 2015
Jan 2, 2015 at 1:48 PM UTC
Carpentry for novices
Paradise Men falling from the sky using parachutes of peacock plumage hues The professionals plummeting in perfect spirals The novices sheepishly prolonging their gentle, gliding drop The salmon shade adobe dwellings with their thatched, lovely roofs Shelter me in their auspices from an unforgiving star Handmade tiles of authentic design line each steep stone step A covert staircase leading nowhere, we lounge near the pool by day There I observe a couple through a sour tequila haze A scarlet clad native and her sometime American lover Their hands never leave each other’s guilty bodies, sexually charged His absence of wedding ring betrays his intended affair In the distance crushing waves claim territory on the shoreline I underestimate; in a death roll I lose all sense of direction The blushing sky with rosy smile watches over its children A lighthouse by its lonesome guards the cliffs from clumsy ship Locals sell their wares by approaching fair-skinned tourists Necklaces of beads require long hours of work Their labor goes unappreciated, sells for meager dollar Popcorn man blows his lonely, dissonant horn forever Into the deaf night
0
Jan 8, 2011
Jan 8, 2011 at 6:17 AM UTC
58. Lighthouse 1/1/11
saying **** off* seems so much more easier when you're petting cats.... they just say it for you... there he is, Quarus, the operatic singer nearing sunset, 200 variations of a mulling of meow, i end up calling him Orbison Rufus, the ginger Roy of Peckham - he basically meows lazily like Roy singing... as said / i.d. (id est): the umbras or umbrellas - counting the shadows' version of Apache's yawn: ah-woo ah-woo ah-woo nagging the reflex... gave them the yawn and gave them 1950s America... Billy the Kid talking to the king of Specs... hank marvin.... cheese grater with those teeth... dozen cows buckling with the herding in while the dog carved a feel for religion in the translation of the Vatican from coliseum into football requirements... the movies were great in the 1950s, just after the technicolour... petting cats was never such a thrill... the operatic meow, onomatopoeia from echo in a cave to knock-on-wood... 200 variations of the knock and 12 whiskey shots downed while playing poker... 12 cowboys 1 Milwaukee and 30 Turks... classic Tarantino... i said the Apache yawn... i never said giving out smoke signals... Quarus my ginger is demanded as having laughed... he's Roy Orbison with the meow, pretty much lazy... looks like a murmur when he tries singing, pretty woman, trolling down the street, Gucci, Chanel, and everything in the scrapheap of lobotomy, as is Paris necessarily mentioned: chiselled white collars... Roy knew before Elvis... the trick came with sunglasses, and the gluttonous slur of the half-opened mouthing for subsequent mouthing it off... no amount of cheese in French could ever charter the success of the cheeses added to cheeseburgers with the milkshakes, which were plainly Dutch laughing cows named Novices.... quick-melts and some said: dreadlocks of string-yellow Gouda pulled for a hippies' worth of Chinese chugging down a pint or two, for worth of gag and the slim mascot; the Chinese never taught Cannes arithmetic of the thumb through to pinky... i don't know how they taught counting with their complex ideograms, they never taught arithmetic give their encoding... they taught pure math.. they never taught the simplest of assurances... meaning so few of them became bankers.
0
Aug 15, 2016
Aug 15, 2016 at 11:21 PM UTC
Apache Yawn Echo Imitation
saying **** off* seems so much more easier when you're petting cats.... they just say it for you... there he is, Quarus, the operatic singer nearing sunset, 200 variations of a mulling of meow, i end up calling him Orbison Rufus, the ginger Roy of Peckham - he basically meows lazily like Roy singing... as said / i.d. (id est): the umbras or umbrellas - counting the shadows' version of Apache's yawn: ah-woo ah-woo ah-woo nagging the reflex... gave them the yawn and gave them 1950s America... Billy the Kid talking to the king of Specs... hank marvin.... cheese grater with those teeth... dozen cows buckling with the herding in while the dog carved a feel for religion in the translation of the Vatican from coliseum into football requirements... the movies were great in the 1950s, just after the technicolour... petting cats was never such a thrill... the operatic meow, onomatopoeia from echo in a cave to knock-on-wood... 200 variations of the knock and 12 whiskey shots downed while playing poker... 12 cowboys 1 Milwaukee and 30 Turks... classic Tarantino... i said the Apache yawn... i never said giving out smoke signals... Quarus my ginger is demanded as having laughed... he's Roy Orbison with the meow, pretty much lazy... looks like a murmur when he tries singing, pretty woman, trolling down the street, Gucci, Chanel, and everything in the scrapheap of lobotomy, as is Paris necessarily mentioned: chiselled white collars... Roy knew before Elvis... the trick came with sunglasses, and the gluttonous slur of the half-opened mouthing for subsequent mouthing it off... no amount of cheese in French could ever charter the success of the cheeses added to cheeseburgers with the milkshakes, which were plainly Dutch laughing cows named Novices.... quick-melts and some said: dreadlocks of string-yellow Gouda pulled for a hippies' worth of Chinese chugging down a pint or two, for worth of gag and the slim mascot; the Chinese never taught Cannes arithmetic of the thumb through to pinky... i don't know how they taught counting with their complex ideograms, they never taught arithmetic give their encoding... they taught pure math.. they never taught the simplest of assurances... meaning so few of them became bankers.
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56
The night sky is wrapped in curls of black and the air purrs, fizzes with the sound of hot fluorescent lights, choking the air with vacation colour, blinking fast like there’s something in their eyes. Gulls guffaw in circles over 174, where inside old wallpaper is torn and dated lampshades dangle from above. Two pegs on a line outside my box, the bed is rickety and isn’t as fit anymore. The novices, the returnees seek silver and gold in the oasis before their feet sting in scorching sand. Win what you lose, lose what you win, hold onto it before it tumbles back onto white cushions. Money hiccups out of ugly machines when they have a session of indigestion. Young girls, carefree and cute walk around in a daze as chubby men waddle along the pavement thinking of that next pint. Lined up at the bar with peanuts and bottles, the large screen projects to all. A clink of glasses and a click of snooker ***** past nine, past ten, past eleven as well. And then the plug is pulled out, everybody settles down to sleep, but we all know they’ll do it again when tomorrow’s summer evening calls.
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Aug 6, 2012
Aug 6, 2012 at 8:18 AM UTC
Road to the Beach
Poets, composers and writers we are Looking to convey happiness and perhaps scars From hope to love and death and sorrow Expressive lines filled with feelings of tomorrow Some may be long And others short Some may even contain our deepest thoughts Therapeutic and knowledgeable And some worrying too Our verses can also uplift the most saddest of moods Inspired words as well as our own notes Sometimes with or without double quotes Eagerly penning our lives away Sometimes to feel and sometimes to keep those monsters at bay Exhilarating, freedom, the release of pressure Making us feel new or sometimes fresher Love for words and thoughts equally Some of us are novices and others literarys  Imaginative and creative is what we are Aiming to reach the faintest of stars Lyrical, rhythmic and sometimes wordy Our heartbeats race as we become sturdy Promoting our poems through lists and sites Making good friends with critics who help us to seek new heights Poets, composers and writers we are appreciating others for their talent by far!
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Mar 3, 2012
Mar 3, 2012 at 5:06 PM UTC
Who we are
They say you’re mobile now, but like a cartoon, the ghost of your outline suspends behind you on the road. How long it hangs before it is the same stuff as breath on a cold day, only God knows; and He cannot be found for looking. You have read every rule the great poets and philosophers have etched. Your technical grasp of love is paramount. But to the quiet tremble of the skin, to the warm and unfearing heart, you are the sweetest of novices. Go, drive away and read no more of love. You have studied enough. Go drive away until you remember why you ever coughed the ignition into life in the first place. And take it as a sign that the reverse gear refuses to play along.
0
Dec 9, 2013
Dec 9, 2013 at 9:22 AM UTC
On Buying Your First Car
the novices are comparing notes proud of their teachers (for if you boast of your Teacher you make yourself look good) *“My teacher can go without food for days at will,”* says Owl at Lake *“My teacher is so elegant he never yawns,”* says Silk Robe “My teacher is even better,” says Energy Jump, “for he can go days without food, water and sleep” “My teacher,” says Lazy Mumble, *“I reckon has to be the best for he eats when he has to, drinks when he must and yawns as much as he wants to and sleeps when it ‘s time”*
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Aug 5, 2013
Aug 5, 2013 at 9:10 AM UTC
eat, yawn and sleep
The whiteness of the milky way witness your name invariably in the corner of chaos and order Inside fragments of settled sediments There are words that I await to stream from the fountain the base of the veined heart Inside a core to be uncovered Phrases that wish to be whispered the nudges of intentions held back collapsed and clasped in a clap the ribboned truth that fades Tell the tales of the indelible ounces Pronouns and nouns of love and hate Proverbs of the scent of your breath The Jasmine that roasts your tongue Let it's smell infuse my jumbled being Tell the tales of the indelible ounces Taboos and tattoos of eternal love Traffic and tarmacs of the road travelled The lavender that seduces your mind Let it transfuse my animate system Tell the tales of the indelible ounces Songs and secrets of the bright sighs Sums and seams of endurance The cinnamon that spices your life Let your kiss evaporate in my mist mouth Tell tales of the indelible ounces Nuances and notes of our untold story Novices and nemesis of the unnamed race The rose that savours your sweetness Let your hands caress and weaken As you tell the tales in indelible ounces
0
Jun 15, 2016
Jun 15, 2016 at 6:03 PM UTC
Indelible Ounces
They crowd us in hallways, arrange us in chairs; we're sheep for the killing, brains for the mix. We're all brainwashed idiots, slaves for the few. We're sat in long tables, and fed tasteless meals; just as prisoners do, except theirs is edible. We're given false hopes, and stuffed with fake promises; still we believe them. We call them professionals, yet they call us novices. They're killers of art, of music and poetry: Our talents they drown, to make us all equal, and our compensation, is a cap and a gown. But once in a while, when a free spirit is born, they accuse him a rebel, a free spirited fool, they abuse him, and use him, till he's cut up and torn. Still we smile and bark, like the sad dogs we are. But does nobody see this? What's been done is a crime, a ****** a sin that took time. The accused and conviction: It is the school that killed the nation.
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Oct 11, 2017
Oct 11, 2017 at 10:54 PM UTC
We Are Part Of The Assembly Line
*an infinity of predestined roles an inclusive experience in totality as every fiber, thread, and patch in the quilt of being that is god serial embodiment in all matter animal, vegetable, and mineral earth, atmosphere, and aether purposeful suffering and solitude new souls emerging from the cycle comprehensive awareness fulfilled a nebula of creative expansion from a supernova of spirituality novices grasping for comprehension floundering with loving compassion welling tears of confused recognition from a source of obscured recollection collective consciousness in transformation the cumulative effect of genuine connection to appreciate the strength of a star to respect the divinity of a weakness*
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Jul 11, 2015
Jul 11, 2015 at 3:01 AM UTC
Eternity Redefined
Blooming with happiness The sun stroked and I smiled The park adventurous and prided The grass was soaked with dew The wasp befriended my notepad My face was pretty for you Hands in my pockets as I waved a dog A shy hide away in the open space A French book on my minds fence .............je veux la paix................... A bench with grounded families Young hobbits playing ball Young couples indulging thigh on thigh The romping poodle and German shepherd The pond with the calm natured ducks Underage puffs of clouded cigarette fumes My awakened spirit opened it's legs It flew to the overwhelmed senses of hope .............je veux la paix...................... A scoff of falafel parcels and fizzy muscles The stalker sat on the aligned bench A season to figure out what life is A strange woman on the bike in amusement The Portuguese cafe full of beautiful souls The world revolved with a cleansed sheen An Eastern Europe parade of basketball novices A melodious day that though of you babe .............je veux la paix......................
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May 22, 2016
May 22, 2016 at 5:31 PM UTC
Today's Secret: Je veux la paix
Father James took you and Gareth and George postulant monks to a convent in Newport he had mass to serve and confessions to hear so you were all shown into a parlour with the smell of home bake bread and starched sheets and a young nun came in carrying a tray with teapot and cups and sugar bowl and jug of milk all in a dull white and as she set the tray down on the table her eyes moved from each one of you taking in no doubt young novices in the training the plain clothes the black and white the neat cut hairs the shaven chins and then she smiled and went her way no wiggling of hips or female sway carrying the tray and Gareth spoke of Wittgenstein and the Tractatus Logico Philosophicus while George took in the tidiness of the room the ****** smell the taste of aging flesh while you half listened on Wittgenstein and the scent of passing youth remembering the young nun’s smile awaiting truth.
0
Dec 7, 2012
Dec 7, 2012 at 7:29 AM UTC
ON VISITING A CONVENT.
Novices Our love stands on stilts twisting weaving struggling to maintain balance a strong wind could tip us a pulsating bass could trip us. Eye to eye but yet so high wobbling. Trying to find our footing if we lean to close we are bound to stumble and fall. But your breath so sweet kerosene beneath my wooden feet ignites the fire too hot to handle. Have you ever tried taking off your clothes when eight feet high? **** the stilts she cried and in mid air embrace rotating in ****** embrace the stilts were gone my legs were gone circling each other round and round We fell Calling for that one true sound. In simultaneous bliss a holler a harkens Link's Zelda song a lightening storm we screamed for the sound of our exquisite joy and far too fast we crashed to the ground.
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Mar 5, 2014
Mar 5, 2014 at 10:09 AM UTC
Stilts Love Sex/Eroticism On A Rainy Day
Sagesse d'un Louis Racine, je t'envie ! Ô n'avoir pas suivi les leçons de Rollin, N'être pas né dans le grand siècle à son déclin, Quand le soleil couchant, si beau, dorait la vie, Quand Maintenon jetait sur la France ravie L'ombre douce et la paix de ses coiffes de lin, Et royale abritait la veuve et l'orphelin, Quand l'étude de la prière était suivie, Quand poète et docteur, simplement, bonnement, Communiaient avec des ferveurs de novices, Humbles servaient la Messe et chantaient aux offices Et, le printemps venu, prenaient un soin charmant D'aller dans les Auteuils cueillir lilas et roses En louant Dieu, comme Garo, de toutes choses !
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947
Sagesse d'un Louis Racine, je t'envie
Macros are the single greatest advantage that lisp has as a programming language and the single greatest advantage of any programming language. With them you can do things that you simply cannot do in other languages. Because macros can be used to transform lisp into other programming languages and back, programmers who gain experience with them discover that all other languages are just skins on top of lisp. This is the big deal. Lisp is special because programming with it is actually programing at a higher level. Where most languages invent and enforce syntactic and semantic rules, lisp is general and malleable. With lisp, you make the rules. Another one here: Understanding why macros are so great requires understanding what lisp has that other languages don't. It requires an understanding of other, less powerful languages. Sadly, most programmers lose the will to learn after they have mastered a few other languages and never make it close to understanding what a macro is or how to take advantage of one. But the top percentile of programmers in any language are always forced to learn some sort of way to write programs that write programs: macros. Because it is the best language for writing macros, the smartest and most determined and most curious programmers always end up at lisp. An interesting parallel to learning macros in Lisp and the FORTRAN-in-any-language symptom! An interesting parallel to learning macros in lisp is that of learning pointers in the C programming language. Most beginning C programmers are able to quickly pick up most of the language. Functions, types, variables, arithmetic expressions: all have parallels in previous intellectual experiences beginners might have had, from elementary school maths to experimenting with simpler programming languages. But most novice C programmers hit a brick wall when they encounter pointers. Pointers are second nature to experienced C programmers, most of whom consider their complete understanding necessary for the proper use of C. Because pointers are so fundamental, most experienced C programmers would not advise limits on their use for stylistic or learning purposes. Despite this, many C novices feel pointers are an unnecessary complication and avoid their use, resulting in the FORTRAN-in-any-language symptom where valuable language feature
0
Dec 30, 2023
Dec 30, 2023 at 12:36 PM UTC
Untitled
Macros are the single greatest advantage that lisp has as a programming language and the single greatest advantage of any programming language. With them you can do things that you simply cannot do in other languages. Because macros can be used to transform lisp into other programming languages and back, programmers who gain experience with them discover that all other languages are just skins on top of lisp. This is the big deal. Lisp is special because programming with it is actually programing at a higher level. Where most languages invent and enforce syntactic and semantic rules, lisp is general and malleable. With lisp, you make the rules. Another one here: Understanding why macros are so great requires understanding what lisp has that other languages don't. It requires an understanding of other, less powerful languages. Sadly, most programmers lose the will to learn after they have mastered a few other languages and never make it close to understanding what a macro is or how to take advantage of one. But the top percentile of programmers in any language are always forced to learn some sort of way to write programs that write programs: macros. Because it is the best language for writing macros, the smartest and most determined and most curious programmers always end up at lisp. An interesting parallel to learning macros in Lisp and the FORTRAN-in-any-language symptom! An interesting parallel to learning macros in lisp is that of learning pointers in the C programming language. Most beginning C programmers are able to quickly pick up most of the language. Functions, types, variables, arithmetic expressions: all have parallels in previous intellectual experiences beginners might have had, from elementary school maths to experimenting with simpler programming languages. But most novice C programmers hit a brick wall when they encounter pointers. Pointers are second nature to experienced C programmers, most of whom consider their complete understanding necessary for the proper use of C. Because pointers are so fundamental, most experienced C programmers would not advise limits on their use for stylistic or learning purposes. Despite this, many C novices feel pointers are an unnecessary complication and avoid their use, resulting in the FORTRAN-in-any-language symptom where valuable language feature
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6
Crisp!She yelled into the rolling midnight thunder(the time in which thunder rolls best).For white linenand cotton shenanigans arefor novices, beware!Let the grey toothounded be confounded! For we, we are,we are the feelings the night air whispers.Why, we can only continue to existif we follow the white rabbit.To Alice's Wonderland we go.
0
Feb 21, 2010
Feb 21, 2010 at 6:24 PM UTC
Summer Soul
More or less, you know I love you Or at least I think that I do Right or wrong can't change the fact Good to know you don't react And really you did break my heart Not to say we weren't apart So just respond, won't you please Put my guilt and shame at ease Even if you hate me so Novices can't let you go Cause thats really all I think I was Eager kid looking for a buzz Right or wrong i know its true ' So tell the truth, that you did too.
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Oct 9, 2012
Oct 9, 2012 at 3:41 AM UTC
MORGAN SPENCER'S
the surface, frozen in the depths, they rest suspended among ice crystals we can't see through the crust, though we know they are there, for simple hook and bait wake them within the fine folds of their brains, the accumulated wisdom of a half billion years guides them to the catch the promise of full gut they don't see us through the ice, we two legged novices in the kingdom--jesters who lull them from Cambrian dreams, to the white light of today they snap the lure they flap about on the frozen pond, we witness their death throes, unaware what the gasping future holds for the wretched species to which we belong
0
Aug 21, 2018
Aug 21, 2018 at 1:22 PM UTC
opaque
Afternoon sun touched the cloister garth. The office of None had just completed. Sister Teresa walked slowly down the cloister from the church, letting her failing eyesight search for the opening to the garth. Heard the clink of cups on saucers; the chatter of voices; nearby the smell of the flowers in the flowerbeds. Her white stick tapped against the wall as she walked; her arthritic hand gripped it painfully. Felt the sun's rays on her face; the slight breeze touch her habit like as saucy child. Remembered a summer long ago before she entered the convent. The green of grass in her memory and a kiss. Who's kiss? She searched her memory like one seeking through an old chest. Jude. Yes, Jude. Smiled. Felt opening in the wall; turned into the garth. She remembered vaguely his face; felt the grass beneath her feet. Someone touched her arm with their hand. One of the sisters spoke. Not Sister Clare. Dead now. Most of them were she knew. She listened to the tone of the voice; her eyes failed her again. Sister Mark. Her mind grasped the image that fitted the voice. She smiled. Sister Mark had led her by the arm and asked about tea and cake. Tea, yes, no cake, she said. Mama had a similar voice. Mama had said not to let them touch. Not men; not to be trusted. Or was that papa? She couldn't remember. Take it easy, Mother Abbess had told her; take things steady. Fifty years since she came that summer. She recalled the heat of that summer. The cloister's smell of bread and incense. Papa's face when she left home that day; the tears in his eyes; the awkward smile on his lips. No one came now. All dead and buried. Clare in the convent cemetery next to the wall; mole holes along by the gravestone. That had been an adventure in the art of love. A secret known only to God and them. Mea culpa, she whispered. Sister Mark handed a cup and saucer; soft hand touched hers; sweet voice spoke of the weather and the smell of the flowers. Sighed. Breathed in the air. Sipped tea. Cup rattled in the saucer. Stood here once and spoke to all; now few speak; only the kind and brave. Sister Mark spoke of the new novices and of the freshness about them. Sister Teresa looked about her; a vague scan of images; of faces in white and their youthful giggles and chatter. She had been as such once. She, her loves, and her memories. The bell tolled from the cloister clock; voices stilled. The breeze calmed. The sun eased off and hid behind a cloud. Someone took her cup and saucer and placed a hand on her arm. Not to touch, not over much. Mama had said. One of the dead. The God blessed dead. She walked back along the cloister, the hand still on her arm; flesh on flesh. Not to touch, not over much, a soft voice whispered of long ago.
0
Nov 28, 2013
Nov 28, 2013 at 9:00 AM UTC
NONE 1957. (PROSE POEM)
Afternoon sun touched the cloister garth. The office of None had just completed. Sister Teresa walked slowly down the cloister from the church, letting her failing eyesight search for the opening to the garth. Heard the clink of cups on saucers; the chatter of voices; nearby the smell of the flowers in the flowerbeds. Her white stick tapped against the wall as she walked; her arthritic hand gripped it painfully. Felt the sun's rays on her face; the slight breeze touch her habit like as saucy child. Remembered a summer long ago before she entered the convent. The green of grass in her memory and a kiss. Who's kiss? She searched her memory like one seeking through an old chest. Jude. Yes, Jude. Smiled. Felt opening in the wall; turned into the garth. She remembered vaguely his face; felt the grass beneath her feet. Someone touched her arm with their hand. One of the sisters spoke. Not Sister Clare. Dead now. Most of them were she knew. She listened to the tone of the voice; her eyes failed her again. Sister Mark. Her mind grasped the image that fitted the voice. She smiled. Sister Mark had led her by the arm and asked about tea and cake. Tea, yes, no cake, she said. Mama had a similar voice. Mama had said not to let them touch. Not men; not to be trusted. Or was that papa? She couldn't remember. Take it easy, Mother Abbess had told her; take things steady. Fifty years since she came that summer. She recalled the heat of that summer. The cloister's smell of bread and incense. Papa's face when she left home that day; the tears in his eyes; the awkward smile on his lips. No one came now. All dead and buried. Clare in the convent cemetery next to the wall; mole holes along by the gravestone. That had been an adventure in the art of love. A secret known only to God and them. Mea culpa, she whispered. Sister Mark handed a cup and saucer; soft hand touched hers; sweet voice spoke of the weather and the smell of the flowers. Sighed. Breathed in the air. Sipped tea. Cup rattled in the saucer. Stood here once and spoke to all; now few speak; only the kind and brave. Sister Mark spoke of the new novices and of the freshness about them. Sister Teresa looked about her; a vague scan of images; of faces in white and their youthful giggles and chatter. She had been as such once. She, her loves, and her memories. The bell tolled from the cloister clock; voices stilled. The breeze calmed. The sun eased off and hid behind a cloud. Someone took her cup and saucer and placed a hand on her arm. Not to touch, not over much. Mama had said. One of the dead. The God blessed dead. She walked back along the cloister, the hand still on her arm; flesh on flesh. Not to touch, not over much, a soft voice whispered of long ago.
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1
Prayer candle trays are heavy I hardly find my way among dead and alive holding a drop of new light crossing myself with my hand still warm the bell-ringer pulls down the rope people stand shoulder to shoulder I feel the earth’s silence candle flames sizzling in the sand straight or bending separated or united   an old cross raises in the churchyard still upright an apple tree almost touches the stone leaning completely towards sunrise I bow under the entrance vaults crossing myself again breathing much deeper ........................................................................ Matins Eyes opened behind their dark veils, convent novices step outside deep into the fresh snow, so soft and pure. Their fragile long shadows begin to take shape behind them dragged over the ivory field, trembling. Breaking his shroud of clouds a new sun emerges in front of them on the right side, as bells toll stronger. ............................................................................... the prophet crisscrossed fingers he crucified dead in a row on the left of daughters on the right of sons over the eye of the cascade or the mouth of the precipice the dead kept silent until sick and tired of all that but he spoke about the love from one human to another a contagious disease he intended to put into quarantine from the top of sweet wood crosses wild roses and peaches without kernel dropped down until God woke up for good it started to rain lightnings touched the flint stone and even he died of dream deprivation
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Sep 15, 2013
Sep 15, 2013 at 9:05 AM UTC
Religious poetry
Prayer candle trays are heavy I hardly find my way among dead and alive holding a drop of new light crossing myself with my hand still warm the bell-ringer pulls down the rope people stand shoulder to shoulder I feel the earth’s silence candle flames sizzling in the sand straight or bending separated or united   an old cross raises in the churchyard still upright an apple tree almost touches the stone leaning completely towards sunrise I bow under the entrance vaults crossing myself again breathing much deeper ........................................................................ Matins Eyes opened behind their dark veils, convent novices step outside deep into the fresh snow, so soft and pure. Their fragile long shadows begin to take shape behind them dragged over the ivory field, trembling. Breaking his shroud of clouds a new sun emerges in front of them on the right side, as bells toll stronger. ............................................................................... the prophet crisscrossed fingers he crucified dead in a row on the left of daughters on the right of sons over the eye of the cascade or the mouth of the precipice the dead kept silent until sick and tired of all that but he spoke about the love from one human to another a contagious disease he intended to put into quarantine from the top of sweet wood crosses wild roses and peaches without kernel dropped down until God woke up for good it started to rain lightnings touched the flint stone and even he died of dream deprivation
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48
Oui, si j'étais femme, aimable et jolie, Je voudrais, Julie, Faire comme vous ; Sans peur ni pitié, sans choix ni mystère, A toute la terre Faire les yeux doux. Je voudrais n'avoir de soucis au monde Que ma taille ronde, Mes chiffons chéris, Et de pied en cap être la poupée La mieux équipée De Rome à Paris. Je voudrais garder pour toute science Cette insouciance Qui vous va si bien ; Joindre, comme vous, à l'étourderie Cette rêverie Qui ne pense à rien. Je voudrais pour moi qu'il fût toujours fête, Et tourner la tête, Aux plus orgueilleux ; Être en même temps de glace et de flamme, La haine dans l'âme, L'amour dans les yeux. Je détesterais, avant toute chose, Ces vieux teints de rose Qui font peur à voir. Je rayonnerais, sous ma tresse brune, Comme un clair de lune En capuchon noir. Car c'est si charmant et c'est si commode, Ce masque à la mode, Cet air de langueur ! Ah ! que la pâleur est d'un bel usage ! Jamais le visage N'est trop **** du coeur. Je voudrais encore avoir vos caprices, Vos soupirs novices, Vos regards savants. Je voudrais enfin, tant mon coeur vous aime, Être en tout vous-même... Pour deux ou trois ans. Il est un seul point, je vous le confesse, Où votre sagesse Me semble en défaut. Vous n'osez pas être assez inhumaine. Votre orgueil vous gêne ; Pourtant il en faut. Je ne voudrais pas, à la contredanse, Sans quelque prudence Livrer mon bras nu ; Puis, au cotillon, laisser ma main blanche Traîner sur la manche Du premier venu. Si mon fin corset, si souple et si juste, D'un bras trop robuste Se sentait serré, J'aurais, je l'avoue, une peur mortelle Qu'un bout de dentelle N'en fût déchiré. Chacun, en valsant, vient sur votre épaule Réciter son rôle D'amoureux transi ; Ma beauté, du moins, sinon ma pensée, Serait offensée D'être aimée ainsi. Je ne voudrais pas, si j'étais Julie, N'être que jolie Avec ma beauté. Jusqu'au bout des doigts je serais duchesse. Comme ma richesse, J'aurais ma fierté. Voyez-vous, ma chère, au siècle où nous sommes, La plupart des hommes Sont très inconstants. Sur deux amoureux pleins d'un zèle extrême, La moitié vous aime Pour passer le temps. Quand on est coquette, il faut être sage. L'oiseau de passage Qui vole à plein coeur Ne dort pas en l'air comme une hirondelle, Et peut, d'un coup d'aile, Briser une fleur.
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732
Conseils à une parisienne
Oui, si j'étais femme, aimable et jolie, Je voudrais, Julie, Faire comme vous ; Sans peur ni pitié, sans choix ni mystère, A toute la terre Faire les yeux doux. Je voudrais n'avoir de soucis au monde Que ma taille ronde, Mes chiffons chéris, Et de pied en cap être la poupée La mieux équipée De Rome à Paris. Je voudrais garder pour toute science Cette insouciance Qui vous va si bien ; Joindre, comme vous, à l'étourderie Cette rêverie Qui ne pense à rien. Je voudrais pour moi qu'il fût toujours fête, Et tourner la tête, Aux plus orgueilleux ; Être en même temps de glace et de flamme, La haine dans l'âme, L'amour dans les yeux. Je détesterais, avant toute chose, Ces vieux teints de rose Qui font peur à voir. Je rayonnerais, sous ma tresse brune, Comme un clair de lune En capuchon noir. Car c'est si charmant et c'est si commode, Ce masque à la mode, Cet air de langueur ! Ah ! que la pâleur est d'un bel usage ! Jamais le visage N'est trop **** du coeur. Je voudrais encore avoir vos caprices, Vos soupirs novices, Vos regards savants. Je voudrais enfin, tant mon coeur vous aime, Être en tout vous-même... Pour deux ou trois ans. Il est un seul point, je vous le confesse, Où votre sagesse Me semble en défaut. Vous n'osez pas être assez inhumaine. Votre orgueil vous gêne ; Pourtant il en faut. Je ne voudrais pas, à la contredanse, Sans quelque prudence Livrer mon bras nu ; Puis, au cotillon, laisser ma main blanche Traîner sur la manche Du premier venu. Si mon fin corset, si souple et si juste, D'un bras trop robuste Se sentait serré, J'aurais, je l'avoue, une peur mortelle Qu'un bout de dentelle N'en fût déchiré. Chacun, en valsant, vient sur votre épaule Réciter son rôle D'amoureux transi ; Ma beauté, du moins, sinon ma pensée, Serait offensée D'être aimée ainsi. Je ne voudrais pas, si j'étais Julie, N'être que jolie Avec ma beauté. Jusqu'au bout des doigts je serais duchesse. Comme ma richesse, J'aurais ma fierté. Voyez-vous, ma chère, au siècle où nous sommes, La plupart des hommes Sont très inconstants. Sur deux amoureux pleins d'un zèle extrême, La moitié vous aime Pour passer le temps. Quand on est coquette, il faut être sage. L'oiseau de passage Qui vole à plein coeur Ne dort pas en l'air comme une hirondelle, Et peut, d'un coup d'aile, Briser une fleur.
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84
Heartfelt promises from loves young novices secrets told in haste tears shed that have gone to waste no smart sensibility open hearted vulnerability giving it all away with these three words that they say the meaning lost in translation the heavy cost of this relation not a notch on the bedpost but a knot in her throat pretending to cope relying on faith and hope down on bended knee not in proposition but to he who sees for this is our religion praying to the man upstairs cameras connect our adjourning stares the artificial eyes that glance at the sky waiting for the rain praying for a change in circumstance so once more they can sing and dance. Live young and love strong for nothing created from the heart is wrong even if you feel the pain it proves its real you're not insane for every moment suffered in grief will come a day which brings relief so don't allow your heart to hesitate or allow the twists of fate for its course to dictate take charge of how you feel because people will tell you it's not real they will say give up the fight that you can't afford to chase the light but it's that light that keeps us alive without it we're just dead inside an empty machine without love we just sleep not dream counting down the hours till we shut down pushing up flowers from an earthly mound.
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Apr 12, 2015
Apr 12, 2015 at 6:38 PM UTC
Love Strong
Grassmannian scattering amplitudes. Galaxies with momentum horizons. Galaxies moving in different directions at different speeds. Still haven't found the graviton. Colliders. Huge interferometers. Any work here seems like a lot of teamwork in companies. I'm a drop in the bucket, whose feeling is my enemy if I am to manage complexity. So one part of me says "just do it, do the problems I have prepared to do". But I feel I'm missing a level of management of the field, like I'm not getting the big picture. It is said: from point to expanse to point and back again. Am I looking for a shortcut? Learning purifies, it reveals what is now impossible to see. A lack of study? I know all the fundamental theories of physics and elementary calculations. I know of all the branches of math and where they lead. All of my notes of formulas are unused. It's good that I studied electronics to know what focusing on math and physics gets me after graduation. What really stays with me is what electronics isn't, but also how basic it is. This is what I now expect for this endeavor. The less help I get in it, the longer it takes. Muhammad, pbuh, said get half of your knowledge from others and half from yourself. But it is hard to tell what is from me. Is my work the only thing: He meaning only let help solve half my problems? There is: 1. What I need to work on 2. What I want to work on 3. Gain a degree of simplicity 4. Understanding what work is not Studies show that novices often pay attention to different elements in a problem than experts. I gain more from being asked a question that is impossible to answer than solving a question for computation's sake. How do I know why a plane tangent to a sphere can only intersect at one point? I knew that before I did the problem, but I wasn't aware I was trying to disprove that! Like trying to make black pigment out of only yellow and blue. No, that's too simple. It is like nothing I ever experienced! I was unaware of the use of the elements. It is one thing to read a theory, to copy an equation, but to go through problems makes me experience the elements in ways I never knew. To know limitations I was blind to because I had never tried to connect them before. That is why experts can zero in on a problem so fast, and why novices are snagged on basics. This excursion into the expanse has ended with a knowledge of the love of math problems.
0
Feb 21, 2021
Feb 21, 2021 at 4:47 AM UTC
Math problems
Grassmannian scattering amplitudes. Galaxies with momentum horizons. Galaxies moving in different directions at different speeds. Still haven't found the graviton. Colliders. Huge interferometers. Any work here seems like a lot of teamwork in companies. I'm a drop in the bucket, whose feeling is my enemy if I am to manage complexity. So one part of me says "just do it, do the problems I have prepared to do". But I feel I'm missing a level of management of the field, like I'm not getting the big picture. It is said: from point to expanse to point and back again. Am I looking for a shortcut? Learning purifies, it reveals what is now impossible to see. A lack of study? I know all the fundamental theories of physics and elementary calculations. I know of all the branches of math and where they lead. All of my notes of formulas are unused. It's good that I studied electronics to know what focusing on math and physics gets me after graduation. What really stays with me is what electronics isn't, but also how basic it is. This is what I now expect for this endeavor. The less help I get in it, the longer it takes. Muhammad, pbuh, said get half of your knowledge from others and half from yourself. But it is hard to tell what is from me. Is my work the only thing: He meaning only let help solve half my problems? There is: 1. What I need to work on 2. What I want to work on 3. Gain a degree of simplicity 4. Understanding what work is not Studies show that novices often pay attention to different elements in a problem than experts. I gain more from being asked a question that is impossible to answer than solving a question for computation's sake. How do I know why a plane tangent to a sphere can only intersect at one point? I knew that before I did the problem, but I wasn't aware I was trying to disprove that! Like trying to make black pigment out of only yellow and blue. No, that's too simple. It is like nothing I ever experienced! I was unaware of the use of the elements. It is one thing to read a theory, to copy an equation, but to go through problems makes me experience the elements in ways I never knew. To know limitations I was blind to because I had never tried to connect them before. That is why experts can zero in on a problem so fast, and why novices are snagged on basics. This excursion into the expanse has ended with a knowledge of the love of math problems.
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(20 minute poetry) A wedding band and I say, 'I do' Blue sapphire, the fire that lights on me, diamonds that cluster, must a man always make the first move? I do and I will until death stills this heart. A speech they beseech, I defer to her, 'I will and I do', she says it too. Every height that we scale, every ocean we sail, every time that we touch means much more than so much. Emerald and ruby, tin, silver and do we remember how long ago each anniversary was? The band stays and plays on, we still thrill to the music we make. First moves are for amateurs and novices, tortoises, though, often win the race.
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Nov 1, 2015
Nov 1, 2015 at 12:20 PM UTC
Corduroy trousers