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"neve" poems
never ending love never ending lov never ending lo never ending l never ending never endin never endi never end never en never e never neve nev ne n no not noth nothi nothin nothing nothing l nothing la nothing las nothing last nothing lasts nothing lasts f nothing lasts fo nothing lasts for nothing lasts fore nothing lasts forev nothing lasts foreve nothing lasts forever.
0
Jan 17, 2018
Jan 17, 2018 at 1:22 AM UTC
never to nothing
they said they did it for efficiency's sake. birthed machine after machine, just to increase the rate                                   per                                  time. no god-given talent or skill, can defeat this adaptive assembly line. no man-     P no fire-         O no brain-       W no super-     E no will-      R it's flawless at first glance, and maybe even second. simply perfect to the naked eye; even the telescoped, i reckon. but under a microscope, it becomes simple to see, this single-purposed way of life isn't human; how can it be? just like control + C, control + V, i believe they've synchronized simplicity.   believe they've synchronized simplicity.                 they've synchronized simplicity.                               synchronized simplicity.                                                        simplicity.                                                                         .                                                                         .yticilpmis                                                                         .yticilpmis dezinorhcnys                                                                         .yticilpmis dezinorhcnys ev'yeht                                                                         .yticilpmis dezinorhcnys ev'yeht eveileb                                                                         .yticilpmis dezinorhcnys ev'yeht eveileb i                                                                                        ,V + lortnoc ,C + lortnoc ekil tsuj                                         ?eb ti nac woh ;namuh t’nsi efil fo yaw desoprup-elgnis siht                                                           ,ees ot elpmis semoceb ti .epocsorcim a rednu tub                                     .nokcer i ,depocselet eht neve ;eye dekan eht ot tcefrep ylpmis                                                        .dnoces neve ebyam dna ,ecnalg tsrif ta sselwalf s’ti                                                                                                                            R      -lliw on                                                                                                                          E     -repus on                                                                                                                       W       -niarb on                                                                                                                         O         -erif on                                                                                                                            P     -nam on                                                                              .enil ylbmessa evitpada siht taefed nac                                                                                                 ,lliks ro tnelat nevig-dog on                                                                                                       .emit                                                                                                                                               rep                                                                                                                                           etar eht esaercni ot tsuj                                                                                           ,enihcam retfa enihcam dehtrib                                                                          .ekas s’ycneiciffe rof ti did yeht dias yeht
0
Aug 6, 2011
Aug 6, 2011 at 10:15 PM UTC
synchronized simplicity
they said they did it for efficiency's sake. birthed machine after machine, just to increase the rate                                   per                                  time. no god-given talent or skill, can defeat this adaptive assembly line. no man-     P no fire-         O no brain-       W no super-     E no will-      R it's flawless at first glance, and maybe even second. simply perfect to the naked eye; even the telescoped, i reckon. but under a microscope, it becomes simple to see, this single-purposed way of life isn't human; how can it be? just like control + C, control + V, i believe they've synchronized simplicity.   believe they've synchronized simplicity.                 they've synchronized simplicity.                               synchronized simplicity.                                                        simplicity.                                                                         .                                                                         .yticilpmis                                                                         .yticilpmis dezinorhcnys                                                                         .yticilpmis dezinorhcnys ev'yeht                                                                         .yticilpmis dezinorhcnys ev'yeht eveileb                                                                         .yticilpmis dezinorhcnys ev'yeht eveileb i                                                                                        ,V + lortnoc ,C + lortnoc ekil tsuj                                         ?eb ti nac woh ;namuh t’nsi efil fo yaw desoprup-elgnis siht                                                           ,ees ot elpmis semoceb ti .epocsorcim a rednu tub                                     .nokcer i ,depocselet eht neve ;eye dekan eht ot tcefrep ylpmis                                                        .dnoces neve ebyam dna ,ecnalg tsrif ta sselwalf s’ti                                                                                                                            R      -lliw on                                                                                                                          E     -repus on                                                                                                                       W       -niarb on                                                                                                                         O         -erif on                                                                                                                            P     -nam on                                                                              .enil ylbmessa evitpada siht taefed nac                                                                                                 ,lliks ro tnelat nevig-dog on                                                                                                       .emit                                                                                                                                               rep                                                                                                                                           etar eht esaercni ot tsuj                                                                                           ,enihcam retfa enihcam dehtrib                                                                          .ekas s’ycneiciffe rof ti did yeht dias yeht
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45
in this other side air took other color forms emphasizing details, scanning asymptotes, like hearts burning on pristine snow, of winter coming in october already, even in the sun, in the sun above all, almost red, like the air that took your form, hiding walls and faces, of concealed rooms you make insomniac and abruptly clear away, as you pour them in sealess salt —————————————— Italian version from “Chieti, Scalo”, 2014: asintoti obliqui in quest’altra parte l’aria prese altre forme di colore, insistendo sui dettagli, scandendo asintoti, come cuori bruciati sulla precocissima neve, dell’inverno che viene già di ottobre, anche nel sole, soprattutto nel sole, quasi rosso, come l’aria che ha preso forma di te, celando volti e pareti, di segrete stanze che componi insonne e sparecchi di colpo, versandole in un sale senza mari
0
Oct 25, 2014
Oct 25, 2014 at 5:22 PM UTC
Oblique Asymptotes
Gram had an old piano It sat in the front room There was a scorch mark on the top Made by a cigar from the past It always sat there silent I never ever saw it played But, I heard of all the parties And the music from gram She told us kids "don't touch it" "Just leave it all alone" So, we left it like she told us We did as we were told Even though we'd heard the stories Of the music and the parties And the fun that used to be We watched as Gram would sit Close her eyes, and fade out To the parties and the music And the good times of the past She'd leave us to our own devices Of which one, was not the piano She told us it had been there Since about nineteen sixty four And to me, that's a long time Especially for a piano to not be played It had to be out of tune by now But, we'd neve know She'd tell us of the parties How the neighbors would drop by How the music would be lively Then, she'd fade off once again Back to the parties and the past There were mice living in the piano At least if not now, there once were You could see droppings in the corner And the scratches by the pedals But, we never saw the mice I guess they knew the piano was out of bounds too As we got older and time passed by We wouldn't go to Grams place as much And she never moved the piano We would still hear the stories Either on the phone or during the visits Both were more infrequent as we all aged We knew she'd fade off Sometimes during our chats on the phone Sometimes during our visits Back to the past To the parties and the music Gram passed last year While she was sitting in her chair She went to the past And stayed there while I was making tea I ended up with the piano I can't play, not that I ever would None of the other could either But, I was the oldest Now, every so often, I'll fade out Back to the stories of the parties That I never went to And I think about the music That I never heard But, I remember how she said it was How it must have sounded The fun they had The fun she was reliving Grams piano sits in my house now In the hall never played It sits with its memories Announcing what we all had missed It sits, silent, and it's me who shares the tales To all who will listen when they visit I got Grams piano and I didn't get the mice
0
Feb 20, 2021
Feb 20, 2021 at 5:38 PM UTC
grams piano
Gram had an old piano It sat in the front room There was a scorch mark on the top Made by a cigar from the past It always sat there silent I never ever saw it played But, I heard of all the parties And the music from gram She told us kids "don't touch it" "Just leave it all alone" So, we left it like she told us We did as we were told Even though we'd heard the stories Of the music and the parties And the fun that used to be We watched as Gram would sit Close her eyes, and fade out To the parties and the music And the good times of the past She'd leave us to our own devices Of which one, was not the piano She told us it had been there Since about nineteen sixty four And to me, that's a long time Especially for a piano to not be played It had to be out of tune by now But, we'd neve know She'd tell us of the parties How the neighbors would drop by How the music would be lively Then, she'd fade off once again Back to the parties and the past There were mice living in the piano At least if not now, there once were You could see droppings in the corner And the scratches by the pedals But, we never saw the mice I guess they knew the piano was out of bounds too As we got older and time passed by We wouldn't go to Grams place as much And she never moved the piano We would still hear the stories Either on the phone or during the visits Both were more infrequent as we all aged We knew she'd fade off Sometimes during our chats on the phone Sometimes during our visits Back to the past To the parties and the music Gram passed last year While she was sitting in her chair She went to the past And stayed there while I was making tea I ended up with the piano I can't play, not that I ever would None of the other could either But, I was the oldest Now, every so often, I'll fade out Back to the stories of the parties That I never went to And I think about the music That I never heard But, I remember how she said it was How it must have sounded The fun they had The fun she was reliving Grams piano sits in my house now In the hall never played It sits with its memories Announcing what we all had missed It sits, silent, and it's me who shares the tales To all who will listen when they visit I got Grams piano and I didn't get the mice
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73
O Poeta que ama o Douro e suas enxadas…. Poeta perdido e sem vontade de caminhar, Um espelho branco que reflete um olhar. Ele se espanta com a beleza do rio, Verão de incêndios, muito quente e doentio. Palavras bonitas á floresta bem-amada, Fogueiras de gente tresloucada. O Poeta ama a montanha quando escreve, Alma pura como a neve. O Poeta partiu seu punho que ama as alcateias, Cidades, montes, vales e suas aldeias. O Poeta escreve sobre chamas apagadas, Ama o Douro e suas enxadas. Victor Marques
0
Sep 3, 2013
Sep 3, 2013 at 12:36 PM UTC
O poeta ama o Douro e suas enxadas
Nevica a Parigi sugli alberi di carta, sugli addobbi di Natale sgonfi, sui bambini di plastica e sui castelli di latta. Nevica a Parigi una neve fiacca che s’incolla ai cappotti della gente che si trascina per strada con aria distratta. Nevica nei caffè, attraverso i vetri, sui boulevards deserti e sui nostri sguardi tetri. Si colorano di bianco la cupola dell’albergo di lusso, il tettuccio dell’edicola senza giornali, il carretto delle castagne arrosto, il marciapiede su cui scivola una dama e cerca un cantuccio il barbone. Nevica a Parigi, senza ragione, sulle donne e sugli uomini. *** Nevica nei grandi magazzini, nelle chiese vuote e nelle nostre stanze. Sulle autostrade inondate di fango che corrono sopra la città, sulle scarpate coperte d’immondizia e sulle nostre frasi lasciate a metà. Nevica a Parigi sulla terra del parco in cui non attecchirà più l’erba, sulla nostra visione acerba delle cose. Nevica a Parigi come per illusione. *** Nevica perché non ha nessun senso che nevichi, perché siamo in inverno ma non è detto che torni il bel tempo. Nevica sul cemento di chi ha avuto il coraggio di costruire i grattacieli per i grandi e le cabine di comando per gli uomini d’affari dagli occhi stanchi. *** Nevica sui ghetti e sulle città satelliti, sulle lampade al neon dei luna park abbandonati. Nevica, in televisione e al cinema, per i negri, i bianchi, le persone sole e gli alcolizzati. Nevica e le cose si perdono in un pulviscolo. Da un vicolo sbuca un autobus senza autista, da un altro una carrozza trainata da elefanti. In un carosello di fiocchi di neve impazziscono le immagini. Nevica a Parigi sui camposanti. *** Nevica nei bordelli e nelle bettole, nei salotti alla moda, nei negozi degli antiquari e nei quadri che i pittori non hanno fatto a tempo a terminare… Nevica sugli operai stanchi di non lavorare, sulle matrone che si abbandonano alle braccia dei drogati. Nevica sugli ospedali e sugli ammalati. *** Nevica sugli aeroplani e sulla notte, sulle navi e sul vento, sull’eco delle stragi, sul pianto dei feriti e sul rantolo dei moribondi. Nevica a Parigi sul tempo che finisce in un’esplosione di secondi. *** Nevica sulla neve e nevicherà ancora. E’ una neve che a tratti ci sferza e a tratti ci ignora. E’ una neve che spazza via tutto, una neve spietata. Perché a Parigi da oggi nevica nella nostra mente annebbiata.
0
Dec 2, 2010
Dec 2, 2010 at 3:04 PM UTC
Nevica a Parigi...
Nevica a Parigi sugli alberi di carta, sugli addobbi di Natale sgonfi, sui bambini di plastica e sui castelli di latta. Nevica a Parigi una neve fiacca che s’incolla ai cappotti della gente che si trascina per strada con aria distratta. Nevica nei caffè, attraverso i vetri, sui boulevards deserti e sui nostri sguardi tetri. Si colorano di bianco la cupola dell’albergo di lusso, il tettuccio dell’edicola senza giornali, il carretto delle castagne arrosto, il marciapiede su cui scivola una dama e cerca un cantuccio il barbone. Nevica a Parigi, senza ragione, sulle donne e sugli uomini. *** Nevica nei grandi magazzini, nelle chiese vuote e nelle nostre stanze. Sulle autostrade inondate di fango che corrono sopra la città, sulle scarpate coperte d’immondizia e sulle nostre frasi lasciate a metà. Nevica a Parigi sulla terra del parco in cui non attecchirà più l’erba, sulla nostra visione acerba delle cose. Nevica a Parigi come per illusione. *** Nevica perché non ha nessun senso che nevichi, perché siamo in inverno ma non è detto che torni il bel tempo. Nevica sul cemento di chi ha avuto il coraggio di costruire i grattacieli per i grandi e le cabine di comando per gli uomini d’affari dagli occhi stanchi. *** Nevica sui ghetti e sulle città satelliti, sulle lampade al neon dei luna park abbandonati. Nevica, in televisione e al cinema, per i negri, i bianchi, le persone sole e gli alcolizzati. Nevica e le cose si perdono in un pulviscolo. Da un vicolo sbuca un autobus senza autista, da un altro una carrozza trainata da elefanti. In un carosello di fiocchi di neve impazziscono le immagini. Nevica a Parigi sui camposanti. *** Nevica nei bordelli e nelle bettole, nei salotti alla moda, nei negozi degli antiquari e nei quadri che i pittori non hanno fatto a tempo a terminare… Nevica sugli operai stanchi di non lavorare, sulle matrone che si abbandonano alle braccia dei drogati. Nevica sugli ospedali e sugli ammalati. *** Nevica sugli aeroplani e sulla notte, sulle navi e sul vento, sull’eco delle stragi, sul pianto dei feriti e sul rantolo dei moribondi. Nevica a Parigi sul tempo che finisce in un’esplosione di secondi. *** Nevica sulla neve e nevicherà ancora. E’ una neve che a tratti ci sferza e a tratti ci ignora. E’ una neve che spazza via tutto, una neve spietata. Perché a Parigi da oggi nevica nella nostra mente annebbiata.
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92
A flor colorida Não te dou sandálias para caminhar, Suspiros de embalar, Horizonte sempre apaixonado, Afecto bem guardado. Ai a neve branca da montanha, Carinho nobre e desmedido, Amor descomprometido, Desejo rejuvenescido. Caminhar sobre o mar, Barquinho com velas sem navegar, Amor eterno como o paraíso, Dar um beijo, um sorriso. O céu está estrelado, Carícias do passado, Primavera sempre envaidecida, Flor florida…. Victor Marques
0
Aug 30, 2010
Aug 30, 2010 at 7:15 AM UTC
Flor Florida
Santa Maria La Longa, 26 gennaio 1916 Vorrei imitare questo paese adagiato nel suo camice di neve.
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1.4k
Dormire
A flor colorida Não te prometo sandálias para caminhar, Dou-te beijos de embalar. Horizonte estonteante, apaixonado, Afecto bem guardado. Não te prometo a neve da montanha, Carinho desmedido. Um amor comprometido, Desejo e amor rejuvenescido. Não te prometo o céu e o mar, Barco para navegar. O eterno luar tem paraíso, Um beijo, um sorriso. Não te prometo um céu estrelado, Carícias em qualquer lado. Primavera envaidecida, Flor florida. Cordiais Cumprimentos. Victor Marques
0
Dec 23, 2010
Dec 23, 2010 at 4:01 AM UTC
Flor Florida
A plucked and crushed flower Emits the fragrance and goes to the last mile With a smiling and dashing face At last! It leaves rosy scars, behind. As the victims do With the message "Do and Die for others" "As the inner soul of a good one is always the good" "There is no change coming whether you oppose or appreciate "As tears often turn into morning dews and the morning star is the witness The message chases the killer till his last breath In such a way When one conceives and feels Neve can forgive his self "As the impossible task in the world is Forgiving own self."
0
Apr 3, 2015
Apr 3, 2015 at 8:22 PM UTC
THE TEARS TURN INTO MORNING DEWS
Il poeta è un uccello che becca le parole sotto la neve del normale viene sul davanzale e scappa, impaurito se lo vuoi catturare Il poeta è femmina Il poeta è gagliardo ha qualcosa, nello sguardo che tu dici: è un poeta Spesso è analfabeta ma è meglio è piú immediato il poeta è un ammalato colitico, fegatoso, asmatico il poeta è antipatico, scontroso ombroso: guai chiamarlo poeta è una cometa che annuncia un mondo nuovo è assolutamente inutile è un fallito è un pappagallo di partito è organico, no, è fatto d'aria ha nella penna tutta intera la rabbia proletaria è sopra la politica è sopra il mondo il poeta è tisico e biondo il poeta è sempre suicida il poeta è un furbone il poeta è una sfida alle banalità del mondo il poeta è assolutamente del tutto normale il poeta è omosessuale il poeta è un santo il poeta è una spia poi un giorno va via in un isola lontana o anche a puttana e lascia un gran vuoto nella poesia la sua il poeta è il titolo di questa mia.
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1.5k
Il poeta
Dormo …dormo profondamente le palpebre chiuse e pesanti come la neve cadente la mente offuscata dal impetuoso pensiero vagando nel obblio senza trovare il sentiero la ragion ormai vola via col sussurrar del vento oltrepassando l’oscurità della luna d’argento … da lontano ti vedo rivolto al indietro entrando dentro casa senza aspettare il mio rientro . Dormo… dormo …incessantemente… dormo senza poter sognare, stupidamente nei miei pensieri il tuo sorriso brilla ed io vedendoti rimango come l’argilla pietrificata … e se ci penso meglio, direi ghiacciata; Dormo… dormo…inconscentemente senza mai potermi svegliare veramente perché ahimè! In questo mondo vissuto palesemente non trovo la fiamma della ragion che bruci ardentemente ! perciò…continuo a dormire dormire, per poter svanire svanire, dalla insulsa menzogna attuale più esilarante persino della realtà virtuale…
0
Jul 24, 2014
Jul 24, 2014 at 6:28 AM UTC
Sleeping
there are no words for the way my ski n electrifies when y our smoke wraps ar ound our bodies and sends shivers down m y spine because you a re trickling your finge rs down my ribs and s ometimes i can not hel p but think about how blood felt trickling dow n my wrists and by the time you came around i was so far gone that i 'm more than surprised about how someone wh ose smile is always six m iles wide could love some one who wants to be bur ied six feet under and if i lost the chance to tell you that i love you, then i don ;t know where i would be and if i make my bed in a grave before you do i hop e you never pick up the bo ttle again and try to find s olace because we both kno w that anesthetics are neve r any different from poison s and if your nerve endings remember my touch and y our breath gets short but h eavy when you think you j ust got a text from me but you remember that the te xt will never come; i want y ou to know that i love yo u and that you can make it through anything and if yo u do just one thing in my r emembrance then i want y ou to never ******* drink my taste away because no matter how strong you se em i still think that my p assing will make you a lit tle uneasy and a little diff erent maybe and i wonde r if you'll cry anywhere c lose to as much as i used t o cry on a nightly basis a nd will you sneak out an d walk down to the stop sign where we exhaled a nd inhaled smoke and we held each other and **** man when i laid on the as phalt i still wished a car w ould come speeding by e ven though that's so **** ed up and this isn't even a poem it's just a ****** up story but if you ever love d me at all, you won't pi ck up the bottle- you wo n't take a shot even if it m eans remembering the tr igger.
0
Aug 8, 2014
Aug 8, 2014 at 10:54 PM UTC
overflow
there are no words for the way my ski n electrifies when y our smoke wraps ar ound our bodies and sends shivers down m y spine because you a re trickling your finge rs down my ribs and s ometimes i can not hel p but think about how blood felt trickling dow n my wrists and by the time you came around i was so far gone that i 'm more than surprised about how someone wh ose smile is always six m iles wide could love some one who wants to be bur ied six feet under and if i lost the chance to tell you that i love you, then i don ;t know where i would be and if i make my bed in a grave before you do i hop e you never pick up the bo ttle again and try to find s olace because we both kno w that anesthetics are neve r any different from poison s and if your nerve endings remember my touch and y our breath gets short but h eavy when you think you j ust got a text from me but you remember that the te xt will never come; i want y ou to know that i love yo u and that you can make it through anything and if yo u do just one thing in my r emembrance then i want y ou to never ******* drink my taste away because no matter how strong you se em i still think that my p assing will make you a lit tle uneasy and a little diff erent maybe and i wonde r if you'll cry anywhere c lose to as much as i used t o cry on a nightly basis a nd will you sneak out an d walk down to the stop sign where we exhaled a nd inhaled smoke and we held each other and **** man when i laid on the as phalt i still wished a car w ould come speeding by e ven though that's so **** ed up and this isn't even a poem it's just a ****** up story but if you ever love d me at all, you won't pi ck up the bottle- you wo n't take a shot even if it m eans remembering the tr igger.
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70
i like the typ<e tha?t's dif}feren\t th=an me in every way and **fo ^rm ** (it'll h_]urt le.ss if th-ey hu"rt me 'cause:: i know *if that were m'e//, i neve:/r w ould'a done it) ,* i like the type that'll always make me la**ug h ev**%en whe^n i can't bre##athe (even tho*ugh it'd burn and const*rict, that, righ**t the+re, wo[u ld be h ea v)en). i like the typ*e that won't ob se_ss over me as i obs@ess ov$er the m;(wouldn't wann a put 'em through that kinda m is e r      ,y.)
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Feb 20, 2015
Feb 20, 2015 at 12:22 AM UTC
i like(dot dot dot)
I paint my nails perfect never a chip to be seen and my makeup is always nice Not even a single smuge I always smile and say hello I wear nice clothes and have such cute shoes but inside if you look deeper You will see not the pretty outside but the ugly inside The rage that boils Hate festers Revenge is something to look forward to When you are spread out on the couch Like you always are I will slip the blade Into its home and smile while the blood runs free Neve again will you hit me or yell at me or insult me or humilate me My my how the tables have turned When its your blood on my hands instead of my own And no one will cry because all you did was destroy so may you always Rest In Hell.
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Aug 7, 2013
Aug 7, 2013 at 12:54 AM UTC
Mad enough to ****
I'd write you every second in this life that I have lived you're present in my thoughts much more than I have ever been With all of these illusions and the subtleties I see I found you in the presence of the things that I believe you struck me as a question I had never thought to ask and left me with a longing for tomorrows that have passed It doesn't make much sense, today is crippling my head but what is this existence if you're gone, asleep or dead I'm only ever sorry for the words I did not say afraid of what they'd do because I couldn't get away I kept you in a corner til you learned to disappear and I would go in search of you to see if you were near But keeping up your distance, I could only take a chance for none of this resembles the extent of our romance I'd put you in my pocket or forget that you were there we could have been together but I lost you in a stare
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Dec 27, 2015
Dec 27, 2015 at 8:50 PM UTC
What staring contest?
I hear your music from upstairs play in my mind. My fingertips brush against the cracks as I breathe a sigh of relief when the light streams from my window I imagine the strings of a guitar from downstairs on my kitchen floor wondering how I got this far. Life's never been kind towards creative states of minds but when I think I've given up the chase I hear humming from Upstairs, and beating on a drum if you took my pulse you'd feel my rapid pulse against your thumb. Call me foolish but I know what I love and I won't be defeated by the skeptical sum since downstairs They don't hear what I do or see the beauty of the rain Spilling music on our roof. So, when I despair I listen for a sound from upstairs to inspire me to neve give up.
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Jun 9, 2015
Jun 9, 2015 at 11:55 AM UTC
Upstairs, Downstairs
I’m falling i                     n love again With those blue              eyes full of lust You think I would h         ave learned by now That in them I will neve  r find anything to trust But when you give me that look I feel like I’m going To fall apart in your arms and we kiss & I combust I crumble when we touch, and it’s almost too m uch. I burst into flames at the thought so desperate to have you with me I th ink I might die for you con sume my every thought with your tantiliz ing blue eyes full of lust
0
Jul 30, 2018
Jul 30, 2018 at 4:26 PM UTC
Falling in love
Lenta la neve fiocca, fiocca, fiocca. Senti: una zana dondola piano piano. Un ***** piange, il piccol dito in bocca; Canta una vecchia, il mento sulla mano. La vecchia canta: intorno al tuo lettino C'è rose e gigli, tutto un bel giardino. Nei bel giardino il ***** si addormenta La neve fiocca lenta, lenta, lenta.
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954
Orfano
with tears rolling down my cheek i understood that "they may want you be the happiest in your life but you will neve be their first priority" and this hit me hard...
0
Mar 28, 2024
Mar 28, 2024 at 10:34 AM UTC
28-03-24
Questa felicità promessa o data m'è dolore, dolore senza causa o la causa se esiste è questo brivido che sommuove il molteplice nell'unico come il liquido scosso nella sfera di vetro che interpreta il fachiro. Eppure dico: salva anche per oggi. Torno torno le fanno guerra cose e immagini su cui cala o si leva o la notte o la neve uniforme del ricordo.
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931
Questa felicità
I No intervalo do incessante Para lá do perceptível emaranhado numa zona incerta quando a noite é mais de trevas E um quarto bem estreito é exageradamente infindo ora ali o oniromante De outrora letargo de outro nome alcunhado que agora desperto aprende a dormir recônditos respiros rebuliços arredores vasos sanguíneos coléricas vozes vislumbra o enfermo sem remédio sem cura Um quadro preto um naufrágio II Jaz adormecido em cama de pedras com colcha de espinhos Lá dentro avenidas movimentadas sussurram verdades cheias de  agudos ângulos, retos, obtusos com vértices nas curvas semicirculares Um rompante inaudível turbilhões de incertezas de vozes cegas emergindo da fresta tenebrosa que brilha o **** cobiçado de seios de coxas de longos cabelos loiros de pele negra de pele vermelha de pele amarela peles tão alvas quanto a neve Uma avalanche de inseguranças Correntes de ferro enferrujadas que rasgam a carne com tétano e o sangue escorre num rio plácido repleto de peixes e tartarugas de ondinas e sereias onde banham as musas que cantam o canto de Morfeu como eólia lira que entorpece e inspira o oniromante que ali adormeceu III No sonho de um sonho há um sonho esquecido guardado a sete fechos no fundo inflexível de imagens arquetípicas de desejos obscuros de visões aterradoras de um jovem bem febril devagar vai adentrando nessa estranha entrelinha qual razão do desconexo desconstrói o findo dia tenazes vozes em seus ouvidos reproduzidas como brados brotam atroadas de estrondosas trovejadas Neste tempo sem um tempo há tempos transcorrido inesperados fragmentos reprimidos e esquecidos Por frações de um instante trafegando entre a memória dos dias das noites do futuro do passado e das histórias Clareiam-se como cruz como carga no caminho Cultuando a culpa a luz jaz oculta na cova deslembrada Estreitos fios a lumiar o teto escuro tomam forma entrelaçada da aurora Rompe o limiar do céu noturno E abre os olhos pra não perder a hora �
0
Dec 26, 2016
Dec 26, 2016 at 5:59 AM UTC
Alucinações Hipnagógicas
I No intervalo do incessante Para lá do perceptível emaranhado numa zona incerta quando a noite é mais de trevas E um quarto bem estreito é exageradamente infindo ora ali o oniromante De outrora letargo de outro nome alcunhado que agora desperto aprende a dormir recônditos respiros rebuliços arredores vasos sanguíneos coléricas vozes vislumbra o enfermo sem remédio sem cura Um quadro preto um naufrágio II Jaz adormecido em cama de pedras com colcha de espinhos Lá dentro avenidas movimentadas sussurram verdades cheias de  agudos ângulos, retos, obtusos com vértices nas curvas semicirculares Um rompante inaudível turbilhões de incertezas de vozes cegas emergindo da fresta tenebrosa que brilha o **** cobiçado de seios de coxas de longos cabelos loiros de pele negra de pele vermelha de pele amarela peles tão alvas quanto a neve Uma avalanche de inseguranças Correntes de ferro enferrujadas que rasgam a carne com tétano e o sangue escorre num rio plácido repleto de peixes e tartarugas de ondinas e sereias onde banham as musas que cantam o canto de Morfeu como eólia lira que entorpece e inspira o oniromante que ali adormeceu III No sonho de um sonho há um sonho esquecido guardado a sete fechos no fundo inflexível de imagens arquetípicas de desejos obscuros de visões aterradoras de um jovem bem febril devagar vai adentrando nessa estranha entrelinha qual razão do desconexo desconstrói o findo dia tenazes vozes em seus ouvidos reproduzidas como brados brotam atroadas de estrondosas trovejadas Neste tempo sem um tempo há tempos transcorrido inesperados fragmentos reprimidos e esquecidos Por frações de um instante trafegando entre a memória dos dias das noites do futuro do passado e das histórias Clareiam-se como cruz como carga no caminho Cultuando a culpa a luz jaz oculta na cova deslembrada Estreitos fios a lumiar o teto escuro tomam forma entrelaçada da aurora Rompe o limiar do céu noturno E abre os olhos pra não perder a hora �
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Freddi silenti e arcuati Imprevedibili canti dalle rime abbandonate Ghiaccio e neve sulle cime di montagne imponenti Angeli dalle ali spezzate Ingiustamente bruciati nel vizio e nel peccato Organi muti il canto della disperazione. Occhi sbarrati sul mondo.
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Feb 10, 2013
Feb 10, 2013 at 4:25 PM UTC
Untitled
Il dolore estremo la sofferenza che non esiste ma solo chi soffre se la autocrea per sentire se stesso tramite il dolore tornare a sè rispettare se stesso tornare al qui ed ora l'attimo che fugge è l'unica chiave il respiro è la porta il cammino è la via il motore immutabile momento eterno colori infinitamente diversi tempo illusorio presente cosciente sveglio. Risvegliato ogni mattina Rinato Rinasco Rinasciamo cresciamo il tutto siamo noi ma anche no Dove voli Airone bianco? Sulla neve cos' c'è un altro colore sei tu.
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Aug 6, 2014
Aug 6, 2014 at 4:47 AM UTC
Memo