I do not want a plain box, I want a sarcophagus
With tigery stripes, and a face on it
Round as the moon, to stare up.
I want to be looking at them when they come
Picking among the dumb minerals, the roots.
I see them already -- the pale, star-distance faces.
Now they are nothing, they are not even babies.
I imagine them without fathers or mothers, like the first gods.
They will wonder if I was important.
I should sugar and preserve my days like fruit!
My mirror is clouding over --
A few more breaths, and it will reflect nothing at all.
The flowers and the faces whiten to a sheet.

I do not trust the spirit. It escapes like steam
In dreams, through mouth-hole or eye-hole. I can't stop it.
One day it won't come back. Things aren't like that.
They stay, their little particular lusters
Warmed by much handling. They almost purr.
When the soles of my feet grow cold,
The blue eye of my tortoise will comfort me.
Let me have my copper cooking pots, let my rouge pots
Bloom about me like night flowers, with a good smell.
They will roll me up in bandages, they will store my heart
Under my feet in a neat parcel.
I shall hardly know myself. It will be dark,
And the shine of these small things sweeter than the face of Ishtar.

Your breath on my neck,
Wisps of warm and heavy air,
Sending a shiver down my neck
To my chest.
My stomach twists in a knot,
Yet I'm not nervous.
You lick your lips
Before you connect them
To my collarbone.
Moving up to my neck and ears
Parallel to your hands
On my hips,
Moving up to my belly and chest.
Your fingers
And lips
Explore my body
And with an exhale
The pleasure
In a muffled moan under your hand
Is released from my
Trembling body.
I bite your shoulder
As you explore deeper.
You look my in the eyes
And I stare back with lust.
"It feels so good
To be so bad."
Says my eyes.
During the night we are
Lusters
And thats all we'll ever be.
We melt into each other
Until the darkness turns to light.

You are forbidden.
I touch you
And I get burned
By our heat bonding.
Lust is real and bound to be,
But forbidden lust
Feels so wrong,
You can't help but feel
Good.

Peri Kousmos became effective with the thunderous lightning and mighty deluges, huge exhalations of fire Spiritu et Igni began with all the beads from the bottom of the sea rising by the seven suns that were duplicated odd, and even on the firmament of Agios Andreas. It was three o'clock in the morning of the antipode, and a splendorous halo with seven satellites that had at their summit the tops of roosters on some resplendent rays, which covered the meridian of a Demiurge that existed erected and frozen, opened over paradise. on the Peri Kosmou or Reference of the World of metamorphosis. Spuriously the emanations of the pamphlet that began to move from its geological boundary were made where everything was silenced and bruised in the compact parts, with all the wandering parts that wanted to enter under the ***** of the islet that was becoming spiritually. The Necromancer Monograph or work was violently prostrated in the four elements of nature with the geodesy of Vernarth, towards the Mandragoron Surveying for when Vóreios slipped into Nótos when Borker and relaxed both senses, then Dyticá with the demiurge Leiak relaxed from the Equinoctial of the Aftó, to fork through the narrow spaces and finally rise in an eternal vertical, whose center was relieved of a non-bellicose admission in a tremolo that wanted to shudder and defer from an extreme like the Eplinctae that made them move obliquely, the Stymphalos came out from the meanders, then the Brastae earthquakes bubbled from the Notós de Borker when he held them on the straight that contorted on the lacerated ones, later with the observation shot of Theus when the subsidence of the ground with the Hizematiae held them evidently parapsychological. Vikentios did the logistics of bridging the lands that were opened and divided around the perimeter, Marie des Allées held them with great force the ground that naively used to quiet for ephemeral moments with the Astae earthquakes, until Wonthelimar appeared and became effective in the verticality that expanded when it sank due to its shaking with the Palmatiae, and finally Vernarth bellowed with disgusting gutturals so that they would react to the Mycetas earthquake, which was exhaled from disgusting visions of the Peri Kosmou evidencing incidental paragraphs of Apollo, which although he understood of analogous emanations that seemed to be demonic plasmas of the aldehyde in the Valley of the Pleisto close to the Phocis. The sublunar pretended to have tangible oracles through the gasifications of the original Epiclintae earthquake that moved them towards the meanders where the bronze birds awaited the precepts of the Saint to take an advance on the celestial kingdom. This implied that the nature of the Stymphalos would require the sensory stimulation of the golden cowbell of the *** to stimulate them in their gift of flight, with their heavy wings that rested at the right angle to later draw on the cavities.

The sky was beginning to disappear and in the fissures that the Dyticá de Leiak line leaned, the shores of the sea were rearranged to assist them by magnifying the supine lines with the vertical ones, within the microseisms that began to increase from the earthquake, avoiding breaking the surface who was still generously supporting them by the cross of Patras that was he bilocated with his five-meter golden cross, up to his goddaughter island with the little finger of the Apostle Andrew. From here in the surface of the earth would be ajar when cracked by the little finger of the Apostle, then he would leave in his hand a minimal piece of earth so that they could be preserved from the cataclysm, and be redeemed by the bronze birds. Only in this way was the revived earth aware of what was happening, and let it escape in the concrete stones that had evaporated from the apostle, only letting in some bursts of the Metelmi that interlaced by springs of the lusters of the sublunar cycle, which intermingled with the land and the ocean, and the fire with the scalded air. The rebellions of the Mega Seism transferred them in psychic divergences towards the Palmatiae earthquake, which recovered the edge of the pilgrims who did not manage to attend the course of the Mashiach holocaust when they were apprehended by this force of the Palmatiae earthquake on the path of Bethany. From the valley of the Pleisto the uproar effects of Golgotha were counteracted, and from Patras when the sense of the earthquake shone on Vernarth's Mycetias in the 70th Earthquakes with the reverberated waves that flared in the verb, and in the guttural lows that They freed themselves from the subsoil, when the substrates of the mother's possession forged discrepancies of order or Kousmos, having to be reissued with so much rapture and sordid frenzy of the verb that did not recognize him from the stench of the waves that rose from the creeping subsoil, like a cobra that smiled linearly through the eyes of the fire conjured by the infected, and with the disproportionate deviations of the adjective, where salvation was the correct invocation where it has not been seen in the pharynx of the cobra, which struck itself in the impetuous fierceness of the burning global balance. The Peris Kosmou or reference of the World was compared with the paragraph that the evangelizing writings indicated with the chromatic, and not with the adverb when the fiery red of the Mycetias Seismic went directly to his fetid belly with halitosis to fully protect the wounded and Marie des Vallés with the reasons for the vertical and horizontal movement of the “Brastae and Epiclintae”.

Marielle indicates: “Your luminosity, Copernicus vibrating in Giordano Bruno, expresses hypotheses that they revive to Quentinnais from the third hour, from here now I am hospitalized and without light to line the end where I will put my feet evasive. Raymond Bragasse is here where I met him, and I saw him with his holy rosary on his necklace, and on Andrés Panguiette's claw. That you grumble, they excommunicate my sentences, which are that of the rooster that becomes gentle in a Corso, Sardinian or Roman Praetorian, in the leap I relegate to San Gabriel, with its magical art that excites the retentiveness of Saint George. Under what science do they moderate me by joining you, or what century will intuit us with its own splendor, whose obscurantism under his revolution mutes anyone in the darkness of the cave of Dionysius. The divinity postpones itself, to leave its daily chores where souls fly daily ..., they do not stop leaving with their spoils after the fairies that fly to purgatory. But many have passed over me, and I was wondering where to find you, I never thought that I should fly over a swarm of wasps to reach your divine lair, full of regulatory darkness for those who live against the light, and of an Elizabethan garment that dismisses my ring, where Its natural original magic is isolated from our semi-alive body, with brittle Egyptian suns that redoubled where I had to wait for you at the Pentecost bench. What retarding essence dries up who does not show any vital or symbolic avital sign, where the rough cyclicality does not allow me to chastise my hair in any vanity for you. Oh that Moral spellings referring to my commendation, if it is not apostasy! What else would I dare to speak, through the sky flying away from the lunar books of Vivencia, where it is sent from its orbit towards the cosmos free of all and of all with Wonthelimar free of me, confined of Marielle. I know that I am analogous **** of the Libri Dei Viventi, perhaps sackcloths or coats have to be spun in Parnassus, to gird myself to myself, and not Marielle cloistered in her solitude, who does not receive the Vivendi torpor of her paradisiac sacrilege when seducing a supposed daughter of Hecate, fortunately, I have to guess with a swarm, and stay in the nets of your cave. With the stanza that is invested in rhetorical values, I go crazy for love to which I am conjured, but from Marielle now or in hundreds of years that pester on my sackcloth, which will never be used for the liturgy with you, if I revive in the crisis of resurrection in the arms of Saint George in the stained glass window in Avignon, and in his forearm that passes through the worst emotional crypts of my author.

As I have to contest hostile votes that are netted in the puritanism of those who only wear sackcloth in the unstitched Mausoleums of Quentinnais, and in the strident leaves that move elected in his advent, where the subclavian of Luzbel stands. Unanimous I have to dare by asininity ...! Moderating threads of horror and silver light, which revives us in the beasts and in their perches, ad libitum in the lattices where it emerges from the conspiracy of our tragedy. Oh, what an impetuous incarnation of the anti-Christian verb has to express itself in your incarnations of light and restless shadow, in the apse of the discanted in Avignon, and in the acroteria shadow, suffering from cowardice by not wanting to see me angelic, universal predisposition, just to know fit and what to say with your soul lineage and twin life, who only knows how to love you. Our reincarnations are rescued, now that we go to Patmos intimidated, in the sound of shining the veiled Vernarth, reprimanded in his acquiescent morality under his own law and his glasses, born from his rib that ends in the exception of a foul dialogue. It is premature for me to say what I do not have to write, but the particles slowly fall through the beam of their adjective essences, reshaping exterminated historiographies that want to make green, in colloquia that draw the eyes of whoever wants to blind the profane cult, absorbed in sallow particles in four sciences and elements… What unresolved probe and mass can strike your heart poured into you Wonthelimar? You know when we get to Profitis I will go holding your hand in the morning, to adore you and kneel down, we will deal with why we lost ourselves, and why the sun has not stained me with so much fury, carrying me burned in tongues of its consumptive and guttural infinity. After taking the hand of dawn, I will sue the impossible quagmire and its Áullos Kósmos, weakened by theoretical openness, lacking unity, but not far from my vanistory, nor from the sessile fluff of my hair, waiting for you with your stormy return to hold me. Ayia Lavra will declare war on the eighth cemetery of Messolonghi, with solidity and sanctity that frees my chains in a single trident, paling in the rust of it, methodological treatise, and where the determination of veracity is annihilated.

Because I have to go to heaven when I want to offer myself to you, without any century that has received me with fewer wounds than those I had yesterday in its indolent septicemia, with miracles and incense burners that burn in imprecate, and provide a pagan theology of human filth. , not portraying biblical when your plurality dressed as a secular thirteenth, by referrals or Greco-Gallic that arise from the love that has no end or beginning in the autonomy of an incorruptible being, and even less when you wear sweets in its lavender lex. Genius Loci, or amplified reality, rather your idea of sticking with me when I have not been, and of attracting me when the future in the portal is made in the perfect symmetry of him, or whoever looms excited in his cabal. The body is no longer inscrutable, overworking with poetry to constrict my torn voice, running at great speed to seize the cosmetic that paints our faces, Selene and her luster aggravate punctuality and the status of science in creation. I have read volume VIII, and I saw that tears flowed by where I never thought ... !, for exchanges that marginalize an established authority, nor with more childish will I undone the garments of his self-description. Mime or jester in front of me in my catalog of the tragic actress with the anemic volume of her, pointing out uprisings in new waves, on seas that did not have them ..., loaded in new skeptical allegorical clouds, on truths that were already understood in the jealous name. It is incumbent on us to navigate with lamps that have to guide us through dark Ptolemaic hexahedra or henbane crusts, which do not manage to go over the sentry boxes of a divine gesture. How to dare to a final gesture of inflaming with you in factions and premises beyond an apocalypse, or of a Penelope that is gestated in a god, or becomes unknowable of a prevailing divine plan.

Charged with our dissidence, we will go far from the unknown burdens, that scripts are annexed in the new birth of our fiefdom and in their great expectation. Now four elytra have been born on my back, who hope to reveal to you the categories of the deleterious vanquished, reduced to only two Ptolemic emetics ..., you and I in a final judgment, which we already know well about, about the seventh eras that await us in the Southern Sporades, and in his final judgment in the eighth. O Jerusalem, I deprive my oldest sin by conceiving, but rather by confessing it with you. What insurgent dualism will make me get rid of myself and be reborn indestructible in its dizzying relish where the multi-chained temptation of redemption runs towards you? Wonthelimar…, I'm here, in this thunder slip writing for you. I have distanced my head united to yours so that it is not destroyed, for all thoughts, where although you are my diluted kingdom, I will beg You to leave me in the growing vertical anticipated flight from my body, but later in my consciousness which is what which will pre-exist with his Roman staff intertwining with his lusters, and in the syntagmas of Vernarth, which come from the Sporades of Patmos. As I honor and glorify Him in the southern part of him, my dear sackcloth has warmed away from my myopic eyes, already feeling your face breath on me, I will be able to vindicate narrated stories after we part before God!

Anything All of the Everything

Events of Summer quickly ensue, it takes hold of you quickly, while the police drive thru. You cannot find it half-way into the night, you could hold up on a park bench or lay your blanket on the slough. Perhaps when your dreams kick, your asterisks will come, build a map of your defense and then head for the sun. Some foe outwit the wounds of life, furry blister-like faces, when they take up the star dust diamonds, the trail guides take after hurrying up paces.

The festivities of fear are living oaths inside of marbled starve rocks, they harvest shoots and ladders, and keep tabs on wild beasts and livestock. There's no match throughout the campgrounds. There's no matchbook light to find us. If you're quick enough with your 70s, then perhaps you'll follow the nightness that's arrived us.

In aide of her lift-gate, shredding pensive miens and speeding mimes, taking ward of one thousand fathomed depths, assumes courageous anti-hate isms. She can come quickly with a syzygy, her van packed with fresh woes of Sunday, then around Monday humbly hides her stuff in the small hems of her bed linens. You can't outwit the governess who preys on handicapped children's thrift finds. She makes clothes and keeps her hands to bed. She bares new graves for time's new roman epithets and moving pictures. She  unplugs her bleeding tongues under some new sone for her monarchic archetypical audiophile party.

While the umberphiles sleep, nyctophiliacs stalk grizzlies. Mosquitos quaff at human blood, while their offspring keep drinking. The idle bugs throes, misanthropic and useless, teach electric lusters' mouths to grow into fiery hoops with which to slip past all the clueless.  The arachnids might dance, the haunting verbs they might fray. The Egyptians at first glance, try to hide their heroine pyramids away.

So hush little violet dormant flowers, fake your fertility and keep your skeptic drink. Keep each one you might meet, within one hundred feet of where you sleep. Keep your arms length's supine, your supplies out of reach, practice wrapping yourself up inside boxes where the souls can sleep.

If you only once catch a fool, avoid the plague-speak certain lips might tell. Each uttered word commanded with too much ******* across the bandwidth. Mortal courses can't be taught, human voices can't keep the draught, ferocious abstract engineered humanity has escaped this truant absence and immorality. You, you catch a fool, she could preach hurts and djinns, it could dot the I's of when, and unfurl the sighs of men. Berthed earthlings that the **** ascribes, hurts the worthless and sours true purpose widths of curfews and its curses, all these biomes perfervidly reserve the fury for their furtive perversity, elements to obscure the telemetry that has coddled such a dark conflagration of immensity, it's the cluelessness of these transgressors that forces the abhorrence towards all-white-everything professors.

Everyone's seeking fame here,
                                                       Thou Searcheth a like or two,
Just be thyself,

Now that is fame!!

Oil and vinegar,
Sugar and spice,
Lust is ****** up,
and love is nice.
Lust can fool you,
to thinking you love,
or she/he loves you,
But be careful of the wolf
that will attack you.
Oil and vinegar,
Sugar and spice,
love is ****** up,
but also nice.
Keep that in mind, when you sing this song.
That love is not the game yet for the lust we play.
How it tricks us into being the fool of a lusters game.

Proactive hip gestures. To lady lusters. Do you know what it's like to have someone shove their hand down your pants involuntarily. Sip your free breeze bundles of Sundays. I'll float on.

As always,
read aloud
and enjoy.




It’s been one month,
30 days since the last time they touched.

I mean sure,
   hands’ve been held, lips’ve been locked, heart beats counted,
   armpits tickled, eyelashes licked,
   backs rubbed, hips hugged
   but

It’s been one month,
30 days since the last time they touched.

720 hours of smiles and telephone conversations and ticket stubs and flowers and mixtapes and tree climbing and
   waiting for the other to finish showering before the night begins and your recite again
   the smiles and telephone conversations and ticket stubs and flowers.

43,200 minutes since that night.
That night that night fell softer than
   eyelids overflowing with sleep.
Finding no full moon to mask,
The thin cloud cover sat in the sky
   like gasps passing lips slightly parted,
   like abandoned similes left suspended midsentence.
That night his house was
   cold as a corpse,
   empty as an elephant skeleton,
But between the two of them
They managed to salvage some warmth.
That night they whispered three words to each other
   through sheets of white linen and teeth.
Three words,
   the culmination of all they’d shared thus far,
Three words
   worth more than any that’d follow

In the one month
30 days
720 hours
43,200 minutes
2,592,000 seconds since the first time they had ***.

Yes it’s been one month,
30 days since the last time they touched.
A full moon since they made love,
******,
Poured the night’s libation into her drawing salty emotion from sincerity’s well giving back blood running blind turning brown against white cover down where three words were loosed from lips translating the *****’ leaning into one learning from the other like lusters slipping in and out of fun like lovers finding oneself in the other.

But time can’t count all the ways things have changed.
And time can’t stand him standing out in the rain.
And he can’t remember which hit him harder,
   her lips curving to form that big L word or
   her hips arching to meet his.
And he could hardly discern pain from pleasure and confusion swam in their hands until paralysis overtook their power to put a stop to it and he finished before she could fish up even a single coo but that didn’t matter because he was in love and loved in return and all the sudden the Beatles are making a whole ******* lot of sense because

It’s been one month,
30 days since the last time they touched,
And he doesn’t give a ****.
He’s just happy to be in love.

twinkle wrinkles, seen close up

they are the tracks of wind driven tears on a sunburned face,
at the edges of the eye,
past
the per if ery of what perfidy* made you think you saw.

come see how come we saw too far and fell from grace to glory.

That is the story.
The good new on the old new built bottom up,
like Gobekli-Tepi.

--- horizons past the lusters after
wisdom's arcane quarry ---

we live,
we learn, we die to know why and we do
as soon as forever starts

it never stopped, hence, forever is what we agree it is.

This, now we remain in until we die, moments from now,
then, now
breathe
or don't

ultimately, whence comes the will to breathe?
go on, answer.

or ignor, innocence is no excuse, you know.

these quest ions all have positive and negative points,
anionics seek cationics,

OHOH, what if cathode rays never got past the atmosphere,
those are causing all the static-info-friction

Bad vibe waves corrupting the qualcommsplitfreqs,
left from millions of hours of I love Lucy and
Dobie Gillis. Mr. Kruschev, build a wall.
Show our boys their counterparts failing to escape,
crucified on barbed wire west of the Brandenburg Gate,

Bel's gate, arche de tri'umph, eh? Confusion won the war,

but war won't work here. NULL ified it, we did, into the NULL with all its lies each time

we catch one. As good as never was.


*Poet's Policy of acknowledging previous ignorances,
acts of ignoring
resulting, effectively, in wasted years
perfidy (n.) means since
1590s, from Middle French perfidie (16c.), from Latin perfidia
 "faithlessness, falsehood, treachery,"
from perfidus"faithless,"
from phrase per fidem decipere 
"to deceive through trustingness,"
from per "through"
(from PIE root *per- (1) "forward," hence "through") + fidem (nominative fides) "faith" (from PIE root *bheidh- "to trust, confide, persuade").

[C]ombinations of wickedness would overwhelm the world by the advantage which licentious principles afford, did not those who have long practiced perfidy grow faithless to each other. [Samuel Johnson, "Life of Waller"]

From <https://www.etymonline.com/word/perfidy#etymonlinev12685>

This happened last Fall, during Thanksgiving break.

Lisa and I were at the MET (The Metropolitan Museum of Art), with her family, at an exhibit of Art Deco sculpture. Lisa and I came out of a gallery and there was a group of older adults gathered near a bar.
“Hermé!” Lisa suddenly squealed. “Come on,” she said, dragging me towards the group. “I want you to meet one of my favorite people in the world!”

We crossed the room and found ourselves at the back of a large group, Lisa nodded to highlight a 60ish (I’m being generous here) lady. She was wearing a midnight blue Givenchy asymmetric midi dress and way too much jewelry. Both arms featured large and small gold bracelets that jingled when she moved. “She’s a friend of my grandma's,” Lisa said, “she’s off the hook.”

Hermé was chatting with those close to her and after a minute, Lisa said, “I’ll get us a drink, wait here,” and headed for the bar. Watching Hermé, I decided that she embodied the 4 fashion-aesthetic-principles: 1) dress for the occasion, 2) look good, 3) feel good, and 4) be seen looking good. She was definitely the center of attention.

People peeled off the group, one or two at a time, as people will do and as I got closer, Hermé was saying, “Russians - the way human history repeats itself, it’s like we’re in a time loop.” There were sounds of agreement.

When there were only a handful of us, I was the odd one out, being under 60. Hermé asked me, “And who are you?”
“A friend of Lisa’s,” I glanced over and waved at Lisa, who waved back, “Anais,” I finished, offering my hand. She was wearing little white gloves which suddenly seemed like genius (in these virus times).

“What did you think of the exhibit?” She asked, looking through the ½-frame glasses perched on her nose.

“Art Deco Sculpture?” I shrugged, looking around at the room’s remaining art lovers, “It looks like men doing heroic things with their clothes off.. like always?” The silence that followed seemed to beg for words, but I felt like maybe I’d said too much.

Then she laughed. The laugh was as measured and controlled as an opera singer’s vibrato. There were a couple of other chuckles too. Then she became serious, “What do you think of the Ukraine mess?”

“I’m a pre-med major,” I started to demur, but her gaze was on me uncomfortably, “Putin *****,” I answered.

She smiled, this time with no hesitation. “You’re a Yaleie - with Lisa?” She followed up.
“Yes mam,” I answered. I guessed she’d seen Lisa steer me over. She was sharp as a tack - I decided I liked her.

Her cell phone chirped then, and she excused herself. I mean she said, “excuse me” and everyone else made themselves scarce. As I took a few steps toward the bar I overheard her telling the caller, “Tell him he can just have it..” and after a split-second she added, “at cost.” I had to smile, no one’s as cheap as the rich.

I reached Lisa as she picked up our drinks, two American martinis (gin, vermouth and olives).
“Hermé has a ‘gild’ complex,” I whispered, indicating the glittering, fake gold fashion on display.
“No!” Lisa said in shocked amusement. This was more than repartee, it was 411.
“I’d be willing to bet.” I assured her, quipping, “fashion is my passion,” before I sipped my drink.
Lisa moved around to where she could inconspicuously observe Hermé better - we didn’t want to be rude.
“I like her, but her Louis Vuitton “Ponthieu” handbag is fake,” I said in a low murmur, “the pleshette’s wrong and the logo etching is too deep and reflective.
Lisa sipped her drink with an “mmm,” as she appraised Hermé anew.
“Her bracelets and necklaces are fake too,” I continued, “fake gold glitters, reflecting light like a mirror, real gold lusters, it caresses and almost deflects light.” After a second I nva’d, “Of course, she might be afraid of being robbed.”

An elderly man, about 90 (my guess), who’d been in Hermé’s group a minute ago, was making his way, slowly, in our direction. He was wearing a suit with black, tuxedo pants and a deep-red crushed-velvet coat with black trim.
“Who shot the couch?” I whispered to Lisa. We thought he was headed to the bar. But he stepped right up to us.

“What are they teaching you girls at Yale these days?” He asked. He had a ******-mary in one hand, so I opened up.
“A load of science, and how to do laundry,” I said, and wanting to escape the usual questions, I added, “and there’s a lot of drinking.” Leaning in confidentially, I added, “It’s opened me up, emotionally.”

“I was raised in the old ‘carnage on the highways, broken lives, stay away’ days,” he revealed, winking.
“But you got over it,” I nodded at his cup.
“We evolve, you know?” He said.
“Yes sir,” I grinned, “I hope so.”

As we talked, Lisa’s dad, Michael, joined us. “What are you two up to,” he asked, then, under his breath he added, “you seem conspiratorial.”
“Nothing,” Lisa said. “We’re taking fashion.” I updogged.
“Better lose those,” he nodded to Lisa indicating our drinks, “before your mother and Leeza get here.”
We’re under 21 and she doesn’t like us to drink in (Manhattan) public.
.
.
Songs for this:
Dat's love (From "Carmen Jones") by Lesley Garrett, Andrew Greenwood & Philharmonia Orchestra
Far Far Away (Charles Tone Mix) [feat. Brenda Boykin] by Tape Five
Martino Cafe by Gabrielle Chiararo

It shines and lusters

Through any case, she tries to hide it

Its jagged edges sprawl, like the rays of the sun

Hypnotized by its beauty, she grabs hold of it

Edges piercing her fragile skin

But oh how the diamond glows

She barely notices the crimson

Gracefully floating through the pores on her delicate fingers

Connective tissue starts to mend the pain, lacerations become scars

She ignores the old wounds as she cannot leave the diamond be

She’ll hide it with her forever until she can no longer feel

"hey *******, let's meet"
        i'm glad you've come to that premise
                the rain - its slick concrete
                     and so narrow
               staining the streets,
                  i would shelter you
        but here we are
                at coffee dropping hello's
          and following the pack
             to high ground
i would
keep
my
scarf
wrapped
'round
my
pretty
head
from melting in the rain turning to snow
        but little did i know
          i should have given it to you
to keep you from turning the snow red as strawberries
        these fall days you'll never know, here we go again
                to define a relationship whose particular lusters ferry
                        us together, i don't see an end, but if you bend i'll know when
to go.
i like the way you smile, here in this quiet coffeehouse
        despite you arguing with me, that is the cornucopia i offer

Oh, the power of the bean.
Fragrant brown beetle, crushed
and coaxed into my ***.
Steaming water poured and purified through
and through.

The gurgle of brewed alertness,
A universal aroma wakes the house from sleep.
The morning light lusters,
too bright for weary eyes.
But just a sip! Aroused from hazy after-dreams.
Warmth and life progress
from lips to limbs.
The body is present;
the day has commenced.

Thank you,
my God in a mug.

“With what stillness at last you appear in the valley,
Join your divine sounds filling the empty vessels of night,
As pillages silently alight upon the shrine you behold,
First sunlight reaches down to touch the tips of pedals,

Her eminent auspicious arm band lusters dulcet canticles,
Sublime reaches things with aptitude able to shrill aft,
Dwells of brilliant wires laurels hymns devout in tune,
May we soon again renew that song singing endlessly?

Abaft her green eyes omens mayhap as emissary divine,
The bewildered by visions apparitions beside a hidden perch,
It seems that the resonance of a dove calls from far away,
Placid content sung before the colored cathedra naiad,

Fronds not ado had not noticed the presence of a naiad,
I know not where this solemn revelry odyssey would end,
My conscious mind we have much to discuss young naiad,
I abiding with heath musing carried by the scent afore me,  

Inexorable time that passes quickly as time has stride away,
Sing endless morn of light with the naiad piqued at my soul,
Steadfast heart draws me out of labyrinth and takes Naiad hand”
  By Andrew Guzaldo 1/04/2019 ©

In day she goes by her real name,
At night alls untamed,
Unmanaged,
Unsellable.

High to vegetative state..

Her stage she cannot be late,
Though not by choice doth she choose,
Born to win,
Dying to sin in a room of sparkled lights,
An lapdancing tools!!!!

These men await as demons to their devil,
They sit with *** in hand and puddles,
Of ***** smelling zippers..

***** things grow bigger!!!

Shh,
I cannot speak of such things,
Their madmen just for a fling,
As thine wives wait back at palace!!
Disguistingness impassionate!

Shes always thinking for her night to end,
As the lusters throw out ones!!!
They creep and and they shun,
Non containment there!

****** fluids shall they do dare,
Than the night goes silent death,

Upon her breathe,
*******,
Secretion daint by stains,
Those crawlers seem to have left her!!!

For theirs a church around thine corner,

She quits,
And repents Soo quickingly...

"I'v been dancing in sin for a while now,
and I'v forgotten how the touch of a kind soul feels like,

I like strange women to be exact, I love the way she moves gauzing at every inch of her body like a painting admiring every stroke of art,
Though all I see is beauty I crave perfection,
I ache for power that would break down my walls than pin me on it, make me drown in her ora, sadly something is always missing in halo beauty, wanting to see the beauty in the way she thinks,

tell me where your thoughts drift too when I touch you,

I'v been dancing in sin for a while now,
Craving imperfections that would match my own,
you could be the Devil that would want to dance again, you can't fool me it would be fun to see you try, I see it in your smile, in your lusters eyes, I feel it in the way we dance my darling, acting like an angel so let us see what you're really made of maybe I'll be mistaken for ones in this life time"

I dream of you every night now, starting to remind me of some pop song. These dreams are what I look forward to every morning I wake, I can't seem to wait to lay my head down and slip away without holding on. Those soft kisses in some dark alley way, and the way your hands are shaped into mine as I press them over your head against the wall, your skin, god your skin! The way it lusters in the moon light as my fingers caress you from head to toe. God your skin! My hands on your waist and your hands on my hands, god! And when I wake from these dreams at 3:46 A.M. it truly pains me that you aren't beside me....

The shadow lusters
As the darkness glistens
By the rays of hope slowly fading.

And I lay here dead.
My head above clouds,
As the stars grow apart the skys
And descend to our world.

A golden crawdad, on an urban sidewalk; in the end turn of Autumn. Oh, imaginatives can add such lusters