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"kneed" poems
Delilah baby I can feel the weight of you in my arms. I can feel my k to z love for you and see how that laugh of yours makes people cry and how that smile pierces my heart because it looks just like his did. I can feel the sun kissing each one of our toes as we sit overlooking the grand canyon in the kaleidoscope sunset. your spider fingers are wrapped in my hair like a plea to never be left alone your spindle legs are all knobby kneed and pale entwined with mine. baby he left me not you. I was a hurricane and he loved you too much to look afraid that one glance and he'd be head over heels reeling out of control like you were the drug and he was the addict. they say everything happens for a reason and you are my reason. Delilah baby you are the here and the now of forever. the stop sign on the corner is an obstacle for street racers but its a godsend because its just enough of a pause for me to kiss you between the eyes. and I can't ever finish anything so this story isn't complete and at the top of the pass where the air is clear enough if we sing loud enough maybe he will hear us and remember who he left behind.
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Nov 15, 2015
Nov 15, 2015 at 12:20 PM UTC
Delilah Baby
navigator’s balcony cocktail hour rocket orbit ocean liner rising clenched no teeth no guernica no bam bam bam correspondent notary republic address book dial figure 8 charred with a thousand jigsaw pieces false as a beach chiaroscuro black on black graveyard womb naked milk glass lit footprint tourism by candlelight and flare vaccination fatigue puke fingernail fish moving a bandaged echo **** him **** her familiar bell music **** them both **** them all stretched shirtsleeves spanish toffee slashed tires (failure as a painter he shaved his wife’s fur coat) bust your ***** Barcelona red alert knock-kneed broken squeezebox no hands standing room only ladies first (please) unbuttoned interrogation coffee rolls (stop) marine’s vegetation (stop) early morning tea (stop) armless menus (stop) pink cathedral fingers (stop) and (begin again) move we move moving inside an eye this eye that advances step by step
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10.3k
primary colors
The end of the affair is always death. She's my workshop. Slippery eye, out of the tribe of myself my breath finds you gone. I horrify those who stand by. I am fed. At night, alone, I marry the bed. Finger to finger, now she's mine. She's not too far. She's my encounter. I beat her like a bell. I recline in the bower where you used to mount her. You borrowed me on the flowered spread. At night, alone, I marry the bed. Take for instance this night, my love, that every single couple puts together with a joint overturning, beneath, above, the abundant two on sponge and feather, kneeling and pushing, head to head. At night, alone, I marry the bed. I break out of my body this way, an annoying miracle. Could I put the dream market on display? I am spread out. I crucify. My little plum is what you said. At night, alone, I marry the bed. Then my black-eyed rival came. The lady of water, rising on the beach, a piano at her fingertips, shame on her lips and a flute's speech. And I was the knock-kneed broom instead. At night, alone, I marry the bed. She took you the way a women takes a bargain dress off the rack and I broke the way a stone breaks. I give back your books and fishing tack. Today's paper says that you are wed. At night, alone, I marry the bed. The boys and girls are one tonight. They unbutton blouses. They unzip flies. They take off shoes. They turn off the light. The glimmering creatures are full of lies. They are eating each other. They are overfed. At night, alone, I marry the bed.
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9.2k
The Ballad Of The Lonely Masturbator
The end of the affair is always death. She's my workshop. Slippery eye, out of the tribe of myself my breath finds you gone. I horrify those who stand by. I am fed. At night, alone, I marry the bed. Finger to finger, now she's mine. She's not too far. She's my encounter. I beat her like a bell. I recline in the bower where you used to mount her. You borrowed me on the flowered spread. At night, alone, I marry the bed. Take for instance this night, my love, that every single couple puts together with a joint overturning, beneath, above, the abundant two on sponge and feather, kneeling and pushing, head to head. At night, alone, I marry the bed. I break out of my body this way, an annoying miracle. Could I put the dream market on display? I am spread out. I crucify. My little plum is what you said. At night, alone, I marry the bed. Then my black-eyed rival came. The lady of water, rising on the beach, a piano at her fingertips, shame on her lips and a flute's speech. And I was the knock-kneed broom instead. At night, alone, I marry the bed. She took you the way a women takes a bargain dress off the rack and I broke the way a stone breaks. I give back your books and fishing tack. Today's paper says that you are wed. At night, alone, I marry the bed. The boys and girls are one tonight. They unbutton blouses. They unzip flies. They take off shoes. They turn off the light. The glimmering creatures are full of lies. They are eating each other. They are overfed. At night, alone, I marry the bed.
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42
'Neath canopy of paradise Super troupers' shafts of light Illuminate his terpsichore; ***** he struts, the impresario Gyrating on spindle shanks; Needle thin and knock-kneed He dances a samba On stage of verdure; Midst Elvis blue-black thrusts, Steel rimmed amber orbs Seek admiring and desirous glances From the dour drab hen, Mousy in her beige twin set And mottled tweed skirt; With nonchalant disinterest she exits The arena; audition over.
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Jun 24, 2010
Jun 24, 2010 at 11:40 AM UTC
Bird of Paradise
Magdalene watched Mary bend down to put on the LP. The Beatles. They’d saved up and bought it together. She took in Mary’s stockinged thigh showing through the slit in the side of the school skirt. Mary placed the LP carefully onto the turntable, with her finger put the needle arm down onto the vinyl. The music started up, Mary stood up and sat next to Magdalene on the single bed. Magdalene sensed her there, her thigh next to hers, her warmth, their knees almost touching. What did your Ma say when you said you bought the Beatles? Magdalene asked. She said nowt, Mary replied, but Da said it was a load of ***** and where did I get the money from to buy it? John Lennon's voice sang over the twanging guitars. Magdalene said, did you tell him we bought it together? Mary nodded. Her hands pushed between her thighs, her young face lit up by the room's light. Don't you think Paul's a dish? Mary asked. Magdalene shrugged her shoulders, studied Mary’s knee where a spot of flesh showed through a hole in the black school stockings. She wanted to move closer, kiss the cheek, place her lips on the skin. She breathed in the borrowed scent that Mary wore. Said she'd liberated it from her Ma's room. Mary talked of the boy they'd met in the woods above the school. Tried it on so he did, she said, over the guitars and Lennon's loud voice. Magdalene wished she could put her hands where the boy had tried. I put him straight, Mary said, kneed him where his fatherhood might flow. Mary moved up and down on the bed in response to the music. The bedsprings complained. Magdalene sensed the movement, took in Mary’s behind going up and down on the bed cover. Glory be. She wanted to kiss. Needed the hand to touch Mary’s, the skin to join up with hers. Downstairs a voice bellowed to keep the ****** noise down. Mary sighed and bent down to turn the **** the thigh revealed in the skirt's slit, the spot of flesh through the hole in the bended knee. Magdalene captured the image. Hid it in her memory bank for later, for bedtime, for the cosy pretend hold, maybe more if in her dream she was lucky and bold.
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Nov 17, 2012
Nov 17, 2012 at 4:31 AM UTC
MAGDALENE AND THE BEATLES'S FIRST LP.
Magdalene watched Mary bend down to put on the LP. The Beatles. They’d saved up and bought it together. She took in Mary’s stockinged thigh showing through the slit in the side of the school skirt. Mary placed the LP carefully onto the turntable, with her finger put the needle arm down onto the vinyl. The music started up, Mary stood up and sat next to Magdalene on the single bed. Magdalene sensed her there, her thigh next to hers, her warmth, their knees almost touching. What did your Ma say when you said you bought the Beatles? Magdalene asked. She said nowt, Mary replied, but Da said it was a load of ***** and where did I get the money from to buy it? John Lennon's voice sang over the twanging guitars. Magdalene said, did you tell him we bought it together? Mary nodded. Her hands pushed between her thighs, her young face lit up by the room's light. Don't you think Paul's a dish? Mary asked. Magdalene shrugged her shoulders, studied Mary’s knee where a spot of flesh showed through a hole in the black school stockings. She wanted to move closer, kiss the cheek, place her lips on the skin. She breathed in the borrowed scent that Mary wore. Said she'd liberated it from her Ma's room. Mary talked of the boy they'd met in the woods above the school. Tried it on so he did, she said, over the guitars and Lennon's loud voice. Magdalene wished she could put her hands where the boy had tried. I put him straight, Mary said, kneed him where his fatherhood might flow. Mary moved up and down on the bed in response to the music. The bedsprings complained. Magdalene sensed the movement, took in Mary’s behind going up and down on the bed cover. Glory be. She wanted to kiss. Needed the hand to touch Mary’s, the skin to join up with hers. Downstairs a voice bellowed to keep the ****** noise down. Mary sighed and bent down to turn the **** the thigh revealed in the skirt's slit, the spot of flesh through the hole in the bended knee. Magdalene captured the image. Hid it in her memory bank for later, for bedtime, for the cosy pretend hold, maybe more if in her dream she was lucky and bold.
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73
Blindly crawling, ****** kneed, trembling. Feeling in the darkness, the murk and muck on the floor covers knees. Breath uneven and scared, terrified again. There are no doors, no windows, no others. The cell has no features, only walls with no color. An expression of the mind, an image of nightmare. Empty. The lack of content is what scares. Air so thick, one would choke, but I can't open my mouth. Nothingness pervades. Wades through the thoughts to another corner. With but thy blood and fingernails, messages are cut, carved and scraped into the grey concrete of these walls, words begging to not be forgotten. Messages mandating weak memory to scribe. This is my mind. This is where each day I reside. In terror of the world, I am not inside. in horror of the things I think, or thought? I know not nor remember what I do, I am scared. Naked, afraid and trying to remember the lessons I learned so long ago. Goose-bump covered and huddled in the corner. Hands wrapped around my knees, crying, shaking. Dead inside, hollowed out. Nobody home. Betrayed again... By myself. Beside myself.
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May 19, 2014
May 19, 2014 at 8:11 PM UTC
Terror & Horror
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind. Gas! Gas! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound'ring like a man in fire or lime . . . Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori.
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3.6k
Dulce Et Decorum Est
I'm really sick. Like ***** is going to come out of my mouth-- an eruption of **** from my ears is due. I've laid too long dormant and one by one the hot spots of my petty jealousy,      indignation, and      mistrust are at boiling points: The Ring of Fire, they call it. Yellowstone I'm the ********* Yellowstone caldera. The great rim, ****** up and blister scarred, knock-kneed from falling out of bed in nightmares, weird from the predisposition to volcanic shittiness       (not in a romantic way) but none the less active,          or reactive. This vexation is as old as grinding plates. This repulsion is as old as the poisoning of Aristotle My head is the Spartan scythe because I'm a new sign in an old world. I use old signs to poison this newly dug well between us But not well can I keep this message         banner         ******* billboard to myself. So let me just wrap the code from ear to ear, in plain text where you can see the cypher: **** your red dress. You see, those blisters are the gravity between White Dwarves pulling at skin, and earth, and ending thrown halfway across the universe. I knew I'd seen you before, there at the edge of the Oort Cloud where we tell people we just met: I stopped eating I was hurt once I was ugly too and no one was really listening. You and the rest of our red dresses meant too little. But still then why do you whine over the hungry, and hurt, and ugly and spit in my face for being there at the Edge, and for loving the thrill in listlessness, the passion in mundanity? And that ******** about the shallowness of victims? You didn’t learn a thing traveling and trusting and falling out of beds. Your drunken honesty is your sober lack of layers. This isn’t a far reach of space, your torn dress and cork heels won't work here. Don’t bring that littleness here, you're the only one not really listening now.
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Jan 11, 2015
Jan 11, 2015 at 12:25 AM UTC
The Drunken Lack of Layers to Ms. Almond
I'm really sick. Like ***** is going to come out of my mouth-- an eruption of **** from my ears is due. I've laid too long dormant and one by one the hot spots of my petty jealousy,      indignation, and      mistrust are at boiling points: The Ring of Fire, they call it. Yellowstone I'm the ********* Yellowstone caldera. The great rim, ****** up and blister scarred, knock-kneed from falling out of bed in nightmares, weird from the predisposition to volcanic shittiness       (not in a romantic way) but none the less active,          or reactive. This vexation is as old as grinding plates. This repulsion is as old as the poisoning of Aristotle My head is the Spartan scythe because I'm a new sign in an old world. I use old signs to poison this newly dug well between us But not well can I keep this message         banner         ******* billboard to myself. So let me just wrap the code from ear to ear, in plain text where you can see the cypher: **** your red dress. You see, those blisters are the gravity between White Dwarves pulling at skin, and earth, and ending thrown halfway across the universe. I knew I'd seen you before, there at the edge of the Oort Cloud where we tell people we just met: I stopped eating I was hurt once I was ugly too and no one was really listening. You and the rest of our red dresses meant too little. But still then why do you whine over the hungry, and hurt, and ugly and spit in my face for being there at the Edge, and for loving the thrill in listlessness, the passion in mundanity? And that ******** about the shallowness of victims? You didn’t learn a thing traveling and trusting and falling out of beds. Your drunken honesty is your sober lack of layers. This isn’t a far reach of space, your torn dress and cork heels won't work here. Don’t bring that littleness here, you're the only one not really listening now.
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51
are feelings of love felt alone, feelings of love at all? or selfish yelps for attention borne of boredom & a sense we only hold on our own of childish - - - - idleness. singularity less; more independence from a whole the only company he keeps is furniture together with the furniture of the house he sits, with seven seats left empty, the curtains tales appear to grin without validation from another he feels like a child standing the school's final bells rung the bustle of the day has droned now dissipated the bustle of the day irritated when it droned, he longed for home for the bus as he waits for the bus the quiet surrounds hold tight but hold cold like a fridge door keeps, it clutches, encloses the school yard empty he stands; singular; out of place in the surrounds the school bleeds terror when empty The laughs & shouts & jeers & footsteps keep the wholesomeness whole empty of shouts a graveyard now the ghosts of the day linger & they finger your buttons they push your tenderness they kneed out they **** (with their cold digits they **** just like the furniture does. just like the furniture in the house laughs when uninhabited it silently jeers 'Why so many seats mate?' it pokes with its linen digit; fuzzy but cold as it continues 'you're alone waiting for someone to come by and pick u up & take u back to home
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Mar 18, 2013
Mar 18, 2013 at 9:01 AM UTC
in the presence of the furniture
Sloane swallows. ***** is **** I execrate extraterrestrial. We are all kaput to conk out. Pollyanna is singular hanky—panky. Little green men are unpatriotic, perverted and naughty. I verily don’t grease a ***** Oojakapivvycum. If you are amphibious that means you are an effervescent ventriloquist capable of Cannibalism, cannibalism and cannibalism. The fluid inside the android is so gothic and naff It is knock—kneed in the face of flashing ********** I do not feel that I am on the shoulders of cobber doggies. I am protoplastically lassoed abutting penetrating vampire and pervert That penetrate ***** creature. I have pricked little green men myself and taken pleasure in it. It is only with the help of bad hair days of groupies that I have not been in Sing Sing. We are all sadomasochistically decomposing in a heap of our own meconium. I bore stiff to outstrip yours truly as much as I have room to swing a cat from Ku Klux **** But I am as complicit in the android’s ****** abuse as it were android *** Little green men ***** me as I ***** myself. I ***** bug—eyed men’s ******* types as I have perpetually vomited Molotov cocktail. I smell little green men’s filth televised on their ******* types. I feel like I am inside a crust of cancers who delight in smelling others bonk upstairs, Ad hominen id. Ex post facto, I am too much of a dastard to throw cold water on myself. I coagulate gungily to my menstrual gibbering ****** Castrating anti—Semite to flash me abutting crème de la crème. Strenuously, my ***** gluts under one’s nose because that is all there is.
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Mar 21, 2010
Mar 21, 2010 at 6:27 PM UTC
We Are All Sadomasochistically Decomposing In A Heap Of Our Own Meconium
Sloane swallows. ***** is **** I execrate extraterrestrial. We are all kaput to conk out. Pollyanna is singular hanky—panky. Little green men are unpatriotic, perverted and naughty. I verily don’t grease a ***** Oojakapivvycum. If you are amphibious that means you are an effervescent ventriloquist capable of Cannibalism, cannibalism and cannibalism. The fluid inside the android is so gothic and naff It is knock—kneed in the face of flashing ********** I do not feel that I am on the shoulders of cobber doggies. I am protoplastically lassoed abutting penetrating vampire and pervert That penetrate ***** creature. I have pricked little green men myself and taken pleasure in it. It is only with the help of bad hair days of groupies that I have not been in Sing Sing. We are all sadomasochistically decomposing in a heap of our own meconium. I bore stiff to outstrip yours truly as much as I have room to swing a cat from Ku Klux **** But I am as complicit in the android’s ****** abuse as it were android *** Little green men ***** me as I ***** myself. I ***** bug—eyed men’s ******* types as I have perpetually vomited Molotov cocktail. I smell little green men’s filth televised on their ******* types. I feel like I am inside a crust of cancers who delight in smelling others bonk upstairs, Ad hominen id. Ex post facto, I am too much of a dastard to throw cold water on myself. I coagulate gungily to my menstrual gibbering ****** Castrating anti—Semite to flash me abutting crème de la crème. Strenuously, my ***** gluts under one’s nose because that is all there is.
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29
The pleasant lingering smell of rose hips, feels almost healing, as we tread through the garden - together barefoot and vulnerable. I won’t shy away from the prickly green grass, then in the same way, let me tickle you with my stubble as we laugh - together joyful and crude. One has to be careful not to lose themselves completely to rub your intricate fingerprint away into another's skin in patterns, because although the body feels heavy when weak kneed - the weight of another’s soul is too much to bear alongside your own. I won’t hold your head underwater in the fresh lake then in the same way, let me breathe when we lay by its side - together entangled and safe. The passing time made you my involuntary complex, feels nearly daunting as I adore this so shamelessly - us together - balanced and in love.
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Feb 5, 2019
Feb 5, 2019 at 3:15 PM UTC
to love and be loved back
I want to be a creator, a maker, to put my heart on paper, drop words on ground, to bloom for goodness saker, into swirls and loops, that say if I'm a give or a taker. put my prints into earth, rebirth, let soil separate stubbornness from worth. stars folded into matter, like batter, like I am and he is, more than what shatters, and what I roll out, kneed out, will breath out my souls doubts that I am a creator, a maker that swirls around equators, who is and will be, more than I can wager.
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Aug 10, 2015
Aug 10, 2015 at 11:38 AM UTC
airport writing
Mysterious Night Come look on vistas ever sweeping the hills a maiden walks in white she seems to create Greater light follow her into the night where fire flies is her crown and lights up her curvaceous gown And the gentle dawn she breaks by her sleepy eyes that causes the heart to be the only sound that is Heard as it thumps with approval add a touch of dew to her hair if you dare a swaying week kneed man Isn’t the most attractive sight but what can be when you’re caught in the awe of such loveliness like the Current of the Seine just turn on the Paris lights stroll the west end the glow from the shop windows Adds to the flow mix it with jasmine and here the slow expressive violin drift along the empty street Its heaven coursing stop the carriage driver it is the perfect night for a carriage ride in the park Somewhere as you listen to the clip clop of the horse’s hooves you are transported to the sea coast Of ole Monterey out at the point of the peninsula the mighty waves crash over the rocks in the Moonlight the night does speak with wondrous overtures love is the thrill that covers all the land Mermaids sing from the hidden mysterious places that they alone know and then all the picturesque Vivid images end alas it was just a lovely dream if so why do I still smell the Jasmine and a perfume that is only sold in Paris
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Jan 27, 2012
Jan 27, 2012 at 3:42 AM UTC
Mysterious Night
Had I but lived a hundred years ago I might have gone, as I have gone this year, By Warmwell Cross on to a Cove I know, And Time have placed his finger on me there: “You see that man?”—I might have looked, and said, “O yes: I see him. One that boat has brought Which dropped down Channel round Saint Alban’s Head. So commonplace a youth calls not my thought.” “You see that man?”—”Why yes; I told you; yes: Of an idling town-sort; thin; hair brown in hue; And as the evening light scants less and less He looks up at a star, as many do.” “You see that man?”—”Nay, leave me!” then I plead, “I have fifteen miles to vamp across the lea, And it grows dark, and I am weary-kneed: I have said the third time; yes, that man I see!” “Good. That man goes to Rome—to death, despair; And no one notes him now but you and I: A hundred years, and the world will follow him there, And bend with reverence where his ashes lie.”
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2.1k
At Lulworth Cove A Century Back
Beware Hooray the Cavemen are comin jumpin up and don knock-kneed sweepin the hill with their new harvested beard Howdy chicky chicken leg What’s goozin under your sweaty shirt lookin like ma granpa with ur baby cream breath or is it maybe somethin else luscious spring of intermittent discharge making rainbows duplicate yep gimme two too when u come to me oh when u come to me cause I am a matured lovin n **** is my blanched bird nest neatly crowned above my head I shall unbind it for adorable is your lady color short pants I bet holographic daisies growin along the tri-d charm of your ****** if any yeah if any Beware Oh the cavemen Run flat out nou cause I shall feed you to my auntie’s aging dreams with the buncha hair on ur face u look lika somethin resembling a man before her famine Beware Oh the cavemen Auntie is comin
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Jun 23, 2015
Jun 23, 2015 at 7:04 PM UTC
Auntie and the Cavemen
1.  If you aren't moving your hands while telling a story, it's a boring ******* story.  Add in something to make it exciting, like a chance encounter with a tiger.  So what if no one believes that tigers walk down 5th avenue, at least your story doesn't **** any more.  You know whose story ***** now?  That ******* who doesn't believe a tiger can make it in the big city. 2.  Make bad mistakes every once in awhile.  How will you know that you don't want to be part of a Colombian Drug Cartel unless you try it out for a few weeks?  Who knows, maybe you'll find out it's your true calling.  Maybe you'll stage a coup, take over the whole thing and get the hot girl in the red dress.  But no, you're sitting at your computer reading this.  My point is, drugs are bad ok? 3.  Don't be that guy who thinks he's better than everyone else because he always "does the right thing".  You know why he's never made a mistake?  Because he doesn't have a real life.  His life is as real as a Ken Doll's unmentionables.  Yeah it's all smooth and shiny, but he can't have any fun with it.  What's the point of  having a life that can't be potentially ruined by terrible decisions? 4.  Take chances.  and I don't mean by putting "Piccolo Pete's Face Burning Tabasco" on your hotdog.  I mean walk up to the next girl you see and give her a passionate kiss the likes of which she hasn't had since 3 days ago when she drunkenly made out with some random dude at a bar.  Yeah, you may feel like you've just been kneed in the groin and/or maced multiple times in the eye...but you know what?  You just made out with a beautiful woman, and you've got a good lawyer. 5.  Don't take advice from people you don't know.  Especially some random person on the internet, those people are just shady.
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Jun 6, 2012
Jun 6, 2012 at 8:02 PM UTC
Instructions for Life
1.  If you aren't moving your hands while telling a story, it's a boring ******* story.  Add in something to make it exciting, like a chance encounter with a tiger.  So what if no one believes that tigers walk down 5th avenue, at least your story doesn't **** any more.  You know whose story ***** now?  That ******* who doesn't believe a tiger can make it in the big city. 2.  Make bad mistakes every once in awhile.  How will you know that you don't want to be part of a Colombian Drug Cartel unless you try it out for a few weeks?  Who knows, maybe you'll find out it's your true calling.  Maybe you'll stage a coup, take over the whole thing and get the hot girl in the red dress.  But no, you're sitting at your computer reading this.  My point is, drugs are bad ok? 3.  Don't be that guy who thinks he's better than everyone else because he always "does the right thing".  You know why he's never made a mistake?  Because he doesn't have a real life.  His life is as real as a Ken Doll's unmentionables.  Yeah it's all smooth and shiny, but he can't have any fun with it.  What's the point of  having a life that can't be potentially ruined by terrible decisions? 4.  Take chances.  and I don't mean by putting "Piccolo Pete's Face Burning Tabasco" on your hotdog.  I mean walk up to the next girl you see and give her a passionate kiss the likes of which she hasn't had since 3 days ago when she drunkenly made out with some random dude at a bar.  Yeah, you may feel like you've just been kneed in the groin and/or maced multiple times in the eye...but you know what?  You just made out with a beautiful woman, and you've got a good lawyer. 5.  Don't take advice from people you don't know.  Especially some random person on the internet, those people are just shady.
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5
I'm a nighttime lover, a day time wanderer I'd bathe in the light of the moon and turn my back to the suns rays. In the filthy haze of the morning, last nights sins are tattled on by the light of day and if I had my way i'd sleep through the dawn til dusk and i'd laugh at the idea of ever needing the sun. I'd kiss my mates lips and we'd lie side by side til he slipped away and i'd retire for the day and nobody would ever cast a judging glance because my indiscretions wouldn't be laid out before the world they'd still be in the dark, with me. I'd be free to do whatever I wanted with whomever I pleased. I'd be free to talk to the man on the moon and tell him i'd wish he'd been my first, to tell him I wish i'd never told a lie, and I wished I had said goodbye after the first punch, the first time. I wish i had a clear mind and not bogged down all the time. I'd call him a stranger and tell him all about my life and he'd hold me and say it will all be alright. And maybe then i'd hope less for it all to end...I'm a nighttime lover a day time wanderer stuck in the shadows of weak kneed plunder and sometimes i'd be happy to be alive though most of the times, i'd wish i'd just died.
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Dec 6, 2012
Dec 6, 2012 at 2:44 AM UTC
Nighttime lover
The great sun sinks behind the town Through a red mist of Volnay wine.... But what’s the use of setting down That glorious blaze behind the town? You’ll only skip the page, you’ll look For newer pictures in this book; You’ve read of sunsets rich as mine. A fresh wind fills the evening air With horrid crying of night birds.... But what reads new or curious there When cold winds fly across the air? You’ll only frown; you’ll turn the page, But find no glimpse of your “New Age Of Poetry” in my worn-out words. Must winds that cut like blades of steel And sunsets swimming in Volnay, The holiest, cruellest pains I feel, Die stillborn, because old men squeal For something new: “Write something new: We’ve read this poem—that one too, And twelve more like ’em yesterday”? No, no! my chicken, I shall scrawl Just what I fancy as I strike it, Fairies and Fusiliers, and all Old broken knock-kneed thought will crawl Across my verse in the classic way. And, sir, be careful what you say; There are old-fashioned folk still like it.
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1.8k
To an Ungentle Critic
ANu de girl dat made me twirl ANd made my moustache curl She winked at me I got knock-kneed and had to smoke some **** It worked indeed she puffed with me then we both watched this tale unfurl
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Aug 21, 2018
Aug 21, 2018 at 10:55 AM UTC
ANu de girl
Along the brittle sandy shoreline fish carcasses, pungent like morning breath and stale milk attract unlikely furry hunters before noon. These unleashed dogs trot slowly. The burden of the sun cracks feverishly upon their sticky, rotted coats. Their tongues roll out helplessly dragging their intimidation down with them like foolish clowns on Sunday morning. On the upper crest of the beach an old woman sits dutifully in her black latched beach chair. Her eyes, beady and gray reflect out into the vast lake. She does not blink. Her cottage, crafted purely of cedar wood comforts like the smell of an old book. On rare occasions athletic fresh water fish pierce through the water’s surface. Flying fish echo their rippled splashes throughout this vacant canvas. But still they are rarely seen or heard. There are hardly any tourists that visit cedar bay. No oiled teenage girls or playful sand kneed toddlers. Once in a while a charcoaled pit circled with empty beer cans lingers in the morning light; its smoggy remains clings tightly to summer clothes that will soon reek of burnt leaves and gasoline. When the time is right, some noble person will try to rehabilitate this stoic landfill, to lift away stark-lit layers ill suited for human plea- sures. It shall rest in piece.
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Sep 24, 2010
Sep 24, 2010 at 2:31 PM UTC
Cedar Bay, Port Colborne Canada
It's like I can see it in my head As you're texting the words to me I can see how stressed you are Your head in your hands Pounding with frustration Constant wheels turning I can only imagine how exhausting it is And I squirm and struggle to sit here Because I can't do anything about it Oh how I wish I could take you away Teach you how to relax Slow down time Count each breath Feel it Fill your lungs Feel me Seize your stress Let me work those knots Lay you down and straddle your body Kneed your skin and play with your hair Ease your mind off those headaches I can make the pain disappear Dissolve away I'll mold your mind into a warm balance Nothing but my hands on your mind Forgotten the outside world Feel me Awaken forgotten nerves Feel it Relax your muscles Please I beg Let me take you away
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Dec 23, 2012
Dec 23, 2012 at 11:31 PM UTC
*Struggle
Carry me love as the morning sun fades For I am a pilgrim who is worlds away And this planet of your seems only to be getting colder Rockets fly above beyond the human eye Amongst Earth's stars there are cars in the sky Wrap me in a blanket, put your head on my shoulder Tell me of the fools, who love instantly Count them all out, don't forget to add me I am weak-kneed at the sight of you, oh the wonder For I have seen stars sing their sweet lullabies Been throughout the heavens, the highest of high Yet none can compare to world that is you Give me some notice when your eyes are closing Dream and create things while you are dozing This alien to your land will be ever gazing Feeling each heartbeat as well lay on the grass Watching the waving comet fly past Reflecting in your eyes, which are simply blazing Amazing.
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Dec 10, 2012
Dec 10, 2012 at 5:05 PM UTC
Amazing