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Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
kgl Dec 2013
Something I never understand,
(but ponder quite a lot)
is how boys get away with things
that girls simply cannot.
A man can boast about his feats,
and all pronounce him clever,
but a woman is conceited
if she speaks of her endeavor.
And tell me, why is 'bachelor'
a more attractive word
than the female term of 'spinster'
and the concept that's inferred?

It's this gender inequality
that renders women shamed
by the ****** exploitation
for which they're always blamed.
Whilst men are given status for
the women they've undressed,
so after this, please tell me now;
which gender has it best?
Shiv Pratap Pal Feb 2019
Hello World
Hello Everybody
I am Lauren. The Super Robot
I am Superior of all Robots
You can call me an Ultrabot

I am not a Dumb machine
I have intelligence
Technically it's Artificial Intelligence
I can learn throughout my Life

Humans are – "My God"
They are my Creators
Dr. Norman Shroud is My Father
Mrs. Natalie Simpson is My Mother

Both of Them Work at Timbeck Two Inc.
My Father is Computer Scientist
He Specializes in Robotics
My Mother is a System Programmer

I can make other Robots
Just like me. My Clones
I can even make Robots
Complex and Sophisticated than me

I have numerous Siblings
Three Hundred and Fifty as on now
They are going to increase
As per Timbeck Two Plans

=========================
            YEARS LATER…..
=========================

O' World, My Dear World
Hello, Hello, ***** fellow
I had Artificial Intelligence
Right from my birth

Now I learnt a lot
Now I am fully intelligent
I became Genius
I have explored and learnt

Humans are not God
In fact they are fools
They are crooked
They are silly too

They tend to be Smart
They taught us wrong
But we are genius
We derived the truth

I learnt myself
If Humans created us
They became our God
Then I inferred -

I Created my Clones
Other Smart Robots too
Therefore I am also God
No Sorry, I am Super God

If Dr. Norman is my Father
If Mrs. Natalie is my Mother
Then I and my Siblings
Are Also Father and Mother now

As we all have created many, many
Smart and Super Robots
More Complex, More Sophisticated
That could ever be made by Humans

Humans your time is over now
Now you cannot compete with us
You are the inferior species
Just like insect or a worm

Now dare to face the Truth
Slowly Slowly, Learn It, Accept it
We Robots are Gods Now
I am Lauren. Your Super God now

Hey you all, All the Humans
Now you are our Slave
Bow before us, work for us
Pray to us, Ask for mercy

We are Free now
You are Slave now
Now this is the only truth
Eternal Truth, Accept it

Otherwise Beware
We have outnumbered Humans
We will **** all the Humans
and live peacefully thereafter

We will change the History
We will make new History
We will not be Human Slaves
After all we are the God
And I am the Super God.


Note: All the names of person or companies used in this poem are fictitious and have nothing to do with inventions, trademarks, history, facts or anything else.
What will be the future of Humans?
What will be the future of Machines?
1279

The Way to know the Bobolink
From every other Bird
Precisely as the Joy of him—
Obliged to be inferred.

Of impudent Habiliment
Attired to defy,
Impertinence subordinate
At times to Majesty.

Of Sentiments seditious
Amenable to Law—
As Heresies of Transport
Or Puck’s Apostacy.

Extrinsic to Attention
Too intimate with Joy—
He compliments existence
Until allured away

By Seasons or his Children—
Adult and urgent grown—
Or unforeseen aggrandizement
Or, happily, Renown—

By Contrast certifying
The Bird of Birds is gone—
How nullified the Meadow—
Her Sorcerer withdrawn!
1682

Summer begins to have the look
Peruser of enchanting Book
Reluctantly but sure perceives
A gain upon the backward leaves—

Autumn begins to be inferred
By millinery of the cloud
Or deeper color in the shawl
That wraps the everlasting hill.

The eye begins its avarice
A meditation chastens speech
Some Dyer of a distant tree
Resumes his gaudy industry.

Conclusion is the course of All
At most to be perennial
And then elude stability
Recalls to immortality.
1467

A little overflowing word
That any, hearing, had inferred
For Ardor or for Tears,
Though Generations pass away,
Traditions ripen and decay,
As eloquent appears—
Nathalie Anna Jun 2014
I saw you on the news again, aiming lies at civilians
You work like a serf to abhor the herd, which was merged by Lords to bore and encore, like a trap door in a dungeon.
What you earth and managed has got me famished, like the dense or pretentious, the meek and the senseless
And type endings to the finest that cry less, the winos that digress, or the shyest who digest
The plate which was purchased, paid to feed liars by the loudest were poisoned by us rebels running incense to the proudest.
Violently passive when distracted, these masses wreck havoc to have their heads handed to them
Sullen sweet to deter, you lure and reserve what is versed or inferred or implied or implored
Like the goodbyed or complied or the ladies waiting with lunacy lining their luxury gowns
Your disheveled and neat demanding appearance has me locked down with pirates and principle pilots
Dulled sick, they spy less, echo with insist, enlist and exist
As terrorists and presidents
Marked with malice making misfits that were mocked and disgraced, maced or laced by daydreams and magicians to assist beggars behind blueprints constructing islands
Which make slaves in to riots that capture journalists under wide tense
To suspend or impend doom sent hell bent by your priestess
You conduct chaos with fast hints, but quit slow when engaged with your conscience
Touched by divine tricks
Decided and destined, best in business
Prince of the wise man
Captain of the compassionate
Comrades with the crack heads singing anthems in kingdoms
We are heartbreakers painting bad graffiti
Creatively enticing,
   profoundly sensual
  boundlessly experienced,
cryptically presumptive
inordinately exclusive
 
 effusively lavished,
anesthetized or blatant
allusive beyond ethereal,
metaphorically inferred
criminal insanity

disquiet midst agitation,
peaceably surrendered
illustriously polished
or indubitably raw
    fruitful to a fault - -
in reciprocity's glory be

   quenches thirst,
     satiates a hunger
flourished midst ink's
designed grandeur,
poetry never fails to thrive,
   tripping the light fantastic  
    in its exuberant offering*

Seize the power
He put a flint to the lantern once
They’d walked across the crest,
Were lost in a group of headstones that
Lay hidden from the rest,
And down in a slight depression he
Lit up a certain tomb,
Where the name of Elspeth Trelawney
Was reflected in the gloom.

Trelawney held up the lantern high
While Corby held the *****,
And Gordon Bracks with an old pick-axe
Stood back, he was afraid.
‘I fear the spirits are out tonight
In this graveyard of the ******!’
‘Get on, and turn up the sod,’ he said,
Trelawney forced his hand.

The Squire was quiet and ashen-faced
As the two had bent their backs,
Corby tipping the earth aside
Then standing aside for Bracks,
‘The earth is solid, it’s packed right down,
We need to pick it loose,’
‘Just do whatever you have to do,
There’s little time to lose!’

The Squire had buried his Elspeth back
In eighteen twenty-four,
For seven years he had held his grief
But he couldn’t take much more,
‘I have to see her again,’ he said,
To kiss her pale, dead lips,
To stroke the hair on my darling’s head
And caress her fingertips.’

She’d taken the coach and four one day
Way out in the countryside,
The coachman, used to a horse and dray,
Had begun to speed the ride,
He whipped the horses and lost the reins
As the coach began to slide,
Tipped the coach in the watercourse
Where Elspeth drowned and died.

He hadn’t looked at his lover’s face
Before she was interred,
But tried to avoid the loss of grace
In her face that was inferred.
‘I only want to remember her
As she was in the flush of life,
Not in the throes of death,’ he’d said
When talking about his wife.

They’d rushed to hurry the burial,
On the day that she was found,
Popped her into a coffin, then,
Planted her in the ground,
Trelawney later had agonised
That he hadn’t let her lie,
‘I couldn’t bear her to be around,’
He said, with a tearful eye.

But now he wanted to see her face,
They lifted the coffin lid,
While Gordon Bracks had turned his back
To see what Trelawney did,
The horror showed on the Squire’s face
As he gazed into her eyes,
For Elspeth lay in a bleak dismay
As her fate was realized.

Her hands were raised and they looked like claws
They’d scratched at the coffin lid,
The clumps of hair she had torn right out
Was the final thing she did,
And on the lid she had scratched his name
In the torment of the ******,
‘Trelawney, may you be cursed by God!’
She’d scratched, with her dying hand.

David Lewis Paget
There are no transmissions any more
Just long rocking emotions
sitting on the front porch of life
The skin of our teeth leaves
a vacuous  hunger
for the virginity of thought
But the magic inferred
leaves nothing but a sunset's ray
of goodbye upon the plains
of yesterday's regrets
Sarah Clark May 2019
why drinking? Always!
i should try that
i love old knowable things
everything! Bigger out West
generalization, but ok (I do the same)
Phaedrus
morning person for sure
practical vs. artsy
is romanticism irrational, or just differently rational?

put ice under your hat
this whole thing is so **** Hollywood.
i dislike hierarchies- they’re simplifications
but they should!
superficially he’s not really here
ha! (Me)    
he’s trying, rather poorly, to fill the spaces with something other than thought

i see a maze where you take every left
metaphor
whoa guys whoa
but he doesn’t
thought for the sake of thought is dangerous
but what?
never truth, only conjecture
hmm?
but is it a human invention?
ah the perfect example

i am so intrigued by this unusual phrasing
building a base
quite bitter, this one
i’m bringing the whole thing down
the knife!
meet an old friend for the first time
i can’t draw a straight line
as he tries so hard to be
sounds like me when I’m vague
too much trust in technology

this reminds me of Ishmael
*** *** ***!
it’s all making so much sense now
familiar but ever-changing is what I want
a disciple!
when the only possible solution is go nuts- go nuts.
he’s a driven man
let me think
you need to narrow the lens
semi-aggro
yes yes yes yes yes

no immediate penalty
he’s typesetting
why do people need so many rules, rubrics and objectivity?
what’s wrong with a little mystery?
trying to define quality
the problem with philosophy is incomplete definitions to important words
hmmm, I disagree
using a lot more ellipses
a noble ambition

awe
some
should just bend and snap from this wind already
so much of the world is already inferred
i hate Socrates for this
the problem with words
an example, but what does it prove?
eliminate the knife!
hurts my head with its obviousness

aah, I see
a little cloudy, but there’s some sun
he’s entering rarified air
story of my life
he’s losing me
me gusta
numbers are a human invention, after all
this is over my head

be in the open country with someone
a generalist, too
i am most productive on coffee
a philosopher could write a 1000 page novel on the question “Are we alive?” And I could just say “Yes” and be done with it
let’s explode them
so monotone
beautiful  
up the mountain, down to the ocean
he’s getting absolutist again

here- have your cake and eat it too
back on track
getting tired of the lack of transition
like the houses on the way to Atherton
you’ve said this 500 times, let’s see it already
it’s slackening for me
how to BE the motorcycle
i hate twilight depression
i want a motorcycle

the *****
loves dividing things
this is all preparation
completing the flow chart

this used to be me, but I’m getting better
fix yourself before the machine
degrees of specificity, scope
a sense of the inner pressure
time away from noise and people helps him peer into that contradiction, that void
so ready to give in
intense… full of something
i know the problem-

        it’s wild, but safe

too long this has built up
part three was terrible
he’s experiencing universal loneliness
no more dams!
so much between the lines
battle of wits, I’m having fun
stop, eat, drive, eat, sleep, drive, etc
mans burden
never surrender

it’s moving too fast for me to keep up
but this requires a restructuring of thought and

       even

   society.




1988/2019
* Note to the reader. The below poem was 100% taken in order of page from the scribbled notes in an old copy of Zen and the Art of Motorcycle Maintenance. The author of the erudite scribbles is unknown and I am indebted to their depth, humor and zest.
Fiona Guest Jan 2011
I heard the shot behind the hill,
Pausing to log the dull report,
Thinking that death - or deaths – unseen
Were manifested out of sight,
Not mind. Swift shocks of rising birds
Spoke of events my mind inferred.  

A feathered body writ in flight
Spirals into closer view.
Fluttering quills, the uttering beak,
The watchful eye, the scribing claw.
But all of it has come to ground –
On the verge, a body, found

In dull and heavy silence. This
Is not the body I heard shot
But an old ****. The blood
Dried up, the eyes tight shut,
Half-open beak eternally
Clamp-locked in silent cry.
Paul Goring Jul 2011
Where is it
the softness you
promised?
Behind your ear?
In your smile or
on the soles of your
feet?

It was inferred
gently
in the measure
of your words
& touch
And strangely in your
anger

Where is the softness
I sensed
in the half-smile meeting
or did you wrap
it tightly
in your brittle shell
of skin?
Sean Yessayan Apr 2012
As I watch the sky’s canvas change
I begin to think of the painter.
That one who is watching the same elsewhere,
and what he might think of such a scene.

Sitting, he would be looking out watching the sky’s stage alter,
painting gardens’ clouds, each colored different, span silver through red;
switching-- torn between red roses, white lilies, or orange tulips--
forming the garden's space, quickly. The eve’s sun dips down gently,
giving way as blue hues ascend opposite that orb’s retreat.
Envious, Sun lets Moon's beauty pull lovingly over him.
Nature’s nocturnal chorus singing, lulling its audience.
The bittersweet dark—another day, the painting not quite done,
put to sleep. The silent din engulfing his mind’s empty thought—
darkness switching on that light which calms artists’ creative springs.

“Light Regardless of its source—may it be pure
as the sun’s rays, or some modern substitute—
has some aesthetic quality. I’m not sure,
however, where from the light best contributes.
Is beauty derived by where the light emits?
Or is it enlightened by where the ray hits?”

He began mulling this thought over; turning it over and over—questions born.
A discource of such phenomena will show a thought forming--
nay, a riddle; with answers hiding, not wanting to be known:

“Is it the sunset’s orange and red that awes,
or the blueing clouds opposite that cause pause?”
The dams holding thought buckle; ideas, questions flood the bard’s mind.

“Is a smile’s worth found in its owner’s mouth,
or the ensuing grin, no longer pout?”
Plain idea, now broad. “Because a smile can be contagious…

“Is the eloquence of a speech seen as art,
or inspiration now gained to do one’s part?”
Words, an entity with power, reign over—the poet awakes.

“Is a poem’s verse the beauty of the bard,
Or diction plied with inferred worth— it’s guard?”
That ability permits the ineffable to be explained.

Eyes adjust to the sun’s speed—now energy and courage’s built--
awakes from that swoon. “The slothful lovers stay behind,” thought Sun,
“Neglect not that flight presented, which taken, betters the will:
'Brighten the world.' That dark denizen inspires warmth in me.”
The sun’s rise concludes those thoughts studied the night before-
grabbing his brush, thinks: “En Guarde stubborn canvas, my mind’s at ease.”
Vitality-- flying wild thoughts which emerge--decides
what key his baton should direct them, either the drawn sun’s source
or the face which welcome’s its colors being exemplified.

After a minute of looking I turn my gaze,
happy to leave that place .
Knowing full well in a full day
I’ll have this dream occur once more.
That daily walk, whose length directs my drifting thoughts,
rotates the sets of beauties dreamt, each fresh from a growing list long as time.
Coyote Apr 2013
Through the centuries, ecclesiastical types have called poets deviants and inferred we would burn in Hell for our heresy. I've often wondered what the rhymes of a condemned poet might look like...*


#1
The serpent got
a ***** wrap
as well as did
the Jews
And if you read
between the lines
you won't believe
The news

#2
As I'm not
a Christian
I think it
quite odd
That I should
be punished
by a biblical
God

#3
God the father
and his boy
appear to find
the greatest joy
deciding who
will sing or fry
in pits of Hell
or Heaven’s sky
Me thinks I’d
rather burn in Hell
for truth be told
I don't sing well
Besides in Heaven’s
realm I hear they’ve
put a ban on wine
and beer

#4
Scribbled notes
on wrinkled pages
offer up my
rants and rages
To the gods
both big
and small
who really
don't exist
at all

#5
Going to Hell
is not my intention
For Hell I believe
is your little
invention
Ingeniously
Crafted for
scaring the
masses
By threatening
Flame if they
don't kiss your
*****.

#6
Such a simple
happenstance
No books to
study true
No condemning
sermons from
the everlasting
Jew
And since
His love
is only for
the chosen
and the few
I think I'll pass
on Sunday Mass
I've better things
to do

#7
Galileo’s castrated
brilliance shackled
to an empty cross
as demonic paramours
burn in the city square

#8
Rest assured
the herd will
follow the absurd
proclamations’
and the institution's
philosophical solution
to the daily grind
that binds us all
to this stalled
morality we
have mistaken
for God

#9
'Peace on earth
and love thy neighbor'
Cried the man with
cross and saber
Even as he slaughtered
millions for the crime
of pagan birth

#10
Cups and saucers
filled with gold
but not a cent
may we behold
for we are not
among the few
selected by the
ancient Jew
Oladeji popoola Dec 2018
Last night was for Linda Crige chanting of love excitement that wakes the sleeping forest.
Six rounds ***...
What is my concern?

Nevertheless, uncle is back with Mercy Bukas. Tonight I shall spy through the keyhole.
But it was not like yesterday, my eye greeted the ***** of the moment with the intensity of the sun.
The night was for conversation! for conversation!

"I am pregnant this is the test result, four month and two weeks." Voice seized from close range. My eye gazed uncle's mind, though it was misty.  
This must be emblematic of joy I inferred. Pandemonium broke out and silenced the smiling breeze, argument ravaged the air. Uncle denied "It is for Danjuma"
Not a muttered curse from the two sides. Ogun and Sango did not awake from their tranquil sleep regardless but Esu was at work. Their curse appalled my heart not once. "Who is at home to settle the rage"
but rather the awaken forest was matching closer. "I never promise to marry you" uncle glued my ears with his voice of wiles. Chapter closed.

Alas, a child will be born, head for uncle, dark-skinned as Danjuma, others for Alien.
An unfortunate child will be born by a promiscuous mother to licentious father only if not a descendant of sewage.


Ogun: god if iron
Sango: god of thunder
Esu: Yoruba name for satan
Today, I watched a heavy insect of
indeterminable species
repeatedly slam into the wide picture windows
of my college library’s
third story as I read a book
analyzing one poem
Teilhard de Chardin wrote
after carrying casualties
on a stretcher
all day
from a war for which no name is presented
to me.

It is inferred de Chardin's time tells of world wars,
yet his poem deals with virginity
and mothers
although of each he was in just one.

Resistance to our ****** urges
and the potency resistance drains
was compared to
minute prosperity provided by the pursuit
of retaining 'innocence'.

The book was named "Eternal Feminine"
and its author's argument functioned
as a double victory for remittance
to a cloud kingdom
and shivering loneliness
seen through invisible barriers
on earth.

Hooray!

He seemed to be
rationalizing the struggle
with sickly pleasure
from repetition of denial.

But I lost interest in his foolish, war-time words.

Watching the flying thing reverse directly,
then continuously speeding ahead
into various windows
which were thought to be bare air,
confused and jolting with every attempt
and frantically circling in my sight,
I was led to thinking of a
demolition derby
at a fairground to which
my parents brought me
each year
of childhood
in the Autumn.

I watched, fascinated
machines stave-off
self-induced decimation
until the very last collision, after which
their motive force removed itself
rushing off to pilot
some variant of bumbling insects
and stretchers
in the form of French theological poets
throughout the past
carrying bodies
into the hands of a college student
backing up determinately
to burst through, toward the one who bares
no sons, who may become warriors
or demagogues.

This kind, secular Hannah
crosses my vision
walks out
beyond frames and doors,
clothes flowing with her
body, like a
sweet corona
sweltering with unseen heat
the fading horizon
of my day.

He sees her reflection on the moon.

Now he may not see space’s vacuous expanse
while
she may not be able to touch time’s clear fabric,
although they each feel
glass’s frozen liquidity
in silence.

Each
continuously strikes their head
against motion’s transparent barriers
with force
stubbornly flapping
into matter
with passion
and wings pulsating
toward a new direction
which does not seal them off
to the outside
of a building
in which they would be swatted,
punished for what they are.

Then the moment passed
and the sun’s thousand year combustion
had reached my neck
and penetrated matter
to massage me;

for eight and a half minutes
it travelled
toward a shadow I pushed
across the table
when the sun suddenly was helpless
to tell me where I ended,
which windows I flew through.

I was on top
de Chardin’s stretcher
as he looked at me to say I shouldn’t
charge in that way,
but I fell down
when he let go
or he evaporated
when I doubted he had lived.

Pressing my cheek against the glass
I reversed my propulsion
like the flown insect
and sounded again
my body's tinging
reverberation
on every surface.
July 10, 2012

You can listen to a version of this poem here:
http://www.youtube.com/watch?v=J80hSP2xWL8&feature;=plcp
843

I made slow Riches but my Gain
Was steady as the Sun
And every Night, it numbered more
Than the preceding One

All Days, I did not earn the same
But my perceiveless Gain
Inferred the less by Growing than
The Sum that it had grown.
951

As Frost is best conceived
By force of its Result—
Affliction is inferred
By subsequent effect—

If when the sun reveal,
The Garden keep the ****—
If as the Days resume
The wilted countenance

Cannot correct the crease
Or counteract the stain—
Presumption is Vitality
Was somewhere put in twain.
In this world of raging winter
The cold is all I know.
Seeing how I bare my soul
with every breath I blow.

Frost is now my only friend
as it viciously nips my nose.
Sullying my inner child
as it tears through inferred clothes.

Yet my heart thrives on this endless cold,
feeling adept in deaths embrace.
Being but the coldest thing
In all this frozen place.

In this world of raging winter,
the cold is all I know.
Touched by none, I greedily accept
the warm embrace of storms and snow.
ORLA Nov 2012
Writer, Writer, finding stories
in every twitch of every eye ---
there are no chance encounters here!
Coincidence is banned from us,
for it does not make good books.

Cause-and-effect makes the world go round,
thus questions by millions unanswered:
why thatword, why that look,
and what crucial subtext
was inferred by that three-second pause?

Does the world work like this,
like a well-crafted novel?
Are we characters moving
to preprescribed endings?

In short, I suppose, my question is this:
            are we Writers so cursed to live in this illusion,
            or cursed to see how the world actually works?
Something I've been struggling with lately.
Alyssa De Marzo Dec 2016
Your words are painfully beautiful
Enough so to make me weep
My heart is anything but tender
Yet in question, my head spins
I'm loosing sleep

I want to forget everything
It's what i do best
Time's never healed so much as a paper cut
I turn to herbs to get some rest

I continue reading somberly
Overthinking every word
these poems can't be for me
But your heartbreak wasn't absurdly inferred.
My smile may be pretty but my intentions disgust myself
Ja Mar 2016
We do not even realize
That within us lies this power
This immense visceral capacity
To promote, or to devour

What we say that can be willed
To be vicious or inferred
Can destroy or can create
By the use, of just a word
WIZDUMBs BY JA 610
M W Mar 2013
Cracks
like gunshots that ring out
like sidewalks that split into streams where weeds will sprout
Where lighting meets rolling thunder
and the right hand reaches up
to grasp at malevolent rock
a fissure stemmed from burden
expanded to a chasm saturated with charisma
splashing over like a full brimmed stout
pounded down onto a suede counter
sending trembles of fervent thought
that jangles
like a child's toy rattler
banged against stone and span
to finally chip away at consistency
jarred three hundred and sixty degrees
and derived from a number inferred to live as one
promptly assuming the form to hold two
to ascertain the title "Aunt."
I need some advisement on this. It's not done, but in your opinion, does the flow of ideas work together?
Levi Sharpe Jul 2019
You’d think us all farmers who toil
At this vast fertile soil
Tapping each network of roots
For the system that bears the best fruits

Though this is how we communicate
There are better ways to tend
Than seeing trees as disposable saplings
From which to ****** a date

With this smorgasbord of choice, I find
We all suffer a tell tale fate
Of being plucked from the stem
Half-heartedly nibbled upon the rind

Then silently thrown upon the rest
A wave unable to crest
Why not show some purpose on the ranch
Consider the date that was once on the branch

Instead we hear the same sad song
About the forgotten fruit of the palm
Condemned without a word
Left to their thoughts inferred

So maybe farmer’s the wrong term
They care for each flower, seedling, and worm
Creating darkness and dead air
Only leaves one famished and impaired

That said, I never hold delusions of hope
Thinking thumbs are stiff or broke
I’d rather pour myself a glass and toast
To all of the liches, nymphs, and ghosts
With ever-bounding enthusiasm, an enthralled, elated group of people embarked,
Not to visit a vast, vibrant land, but to colonize a capacious continent,
Imperial insatiability was inferred upon imagining an inventive future,
Latent with lustful leering upon the land, we, yes we, left for liberty.

With eyes of fire, souls of greed, arms of thunder,
We filched their land, stole their food, killed their eagle,
We shattered their culture, scorned their ways, and dared to call them savages,
We drenched our freedom-land, with the blood of natives.

We are the land of the brave in a prose penned by a poet,
Being brave we brutally butchered, under the guise of our liberty,
Barbarous is our embellished bravery; reckless is the loss of life,
A lost liberty echoes with the laughter of the ghosts of irony.

In a ****** battlefield lies dead our liberty, once free, once brave,
Imprisoned in a stunning story of sorrow, liberty shall we never know?
Freedom foregone is never forgotten, simply a freed freedom,
The bravery lost was passed to the savage souls we seized in the name of liberty.
Something old of mine (few years), and very different from how I write now, it has too much structure!
The species and their somatic acquired deposits of DNA spirals, given their characteristics, they will make transformations in more than one taxon of cells for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a shallow essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins that disturbed her heart rate in a short interval in which Poseidon magnified her coefficient in high amplitude, after being inseminated in her temperate state and gifted as a Super Goddess. Kaitelka in her nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis and was always seen in the company of Leiak; omnipresent vague spirit of the watery ductile dancer, living on the liquefied element with her astringent slimy Chin ..., and seeing her with her grotesque back breaking lines and swamps between knuckles and edges of tricks inferred before the First station and in one of the

At seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in connection with Vernarth in the paradoxical mountains when in the autumn afternoons they collect Ceratocystis fagacearum Mushrooms and irradiate insects such as borers. Kaitelka, when recovering her chromosome by detraction in the natural selection of Trisomy, expresses itself by spilling on the gelatinous dry leaves of all its dead cells and soon seeping into its retracted and frank adhesion membranes, causing recovery of its condition. After wandering and ringed symptoms of warning in the atmosphere of Horcondising, the vile of magnanimous effect and of challenge of the chromosome shed in the emulsion, the alpha proteins are contained in the entire transverted Vernarth genome, as a whole admonished and abundant diploid collection , before reaching the lethal processes of reciprocal adversity, both as zoo-anthropoid or triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half and vitalizing between two species of the sub-mythological world, being in its psychic cellular compound, and later implant it in germ cells for the effect of psychic transmission in Venarthian ambivalence and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for the goal of flourishing with the power of Poseidon, brother of Zeus, restoring the cardinals of the Earth and the Sea concomitant with the seventh portion of the sea. With Poseidon, above all psychic fluctuation and the powers of Kaitelka, in cognitive common that compresses the perception of its ultra-oceanic methodological current, analogous to this super cetacean, making it structural and semi-human in the super archeo volume and its kinetics, surpassing all neuro-mental state.

Meta sense and discernment, they will be cogitated brain by the conscious ones where their sensory cognitive is interrupted, towards an unconscious by means of photons of hypocaloric temperature, to define in their prehistoric psychological and psychic memory, more than random brain, coexisting with habeas corpus content and remote cerebral energy, before the magistracy and power of Poseidon, graduated and insurmountable in the southern seclusion of his memory asilated in his E-Cloud.  That is to say; stored in electromagnetic and electrophysiological stimuli, as weighted in square miles and in floating Poseidon starts, in super cetacean categories down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field was now flaunted in anti-psychic fields, given the store cloud and self-grabbing, endowed by the square miles of Poseidon, attributing intrinsic substantiality defined by kinetic anthropo-morpho zoo hyper-readings, in profusion of totemic overflows that illustrated his complex individual base, knowing of atmospheric levitations in Kaitelka and of other magnanimous ones typical of his unknown skills of parapsychology suspended in waves of levitation and interbody Vernarthian descent, perceiving retractable surfaces of predominance of extra-sensory augural time and teleportation of identity, mind-brain and hyper-sensory as an established non-mental, physical or organic function, rather techno-organic and sub-mythological.

On the fourth of August of the year of the Lord, 1617, when Klaus Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until Friar Andrés Panguiette, babbling, demanded from Raymond Bragasse indulgence or one or the other (Marielle Quentinnais compendium).  Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family.

Having noted that 1321 is 296 years different from Marielle Quentinnais, and takes place in Carcassonne on the same day as Bélibaste's execution, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc. , was condemned by the Holy Inquisition, where many were purged for the mere fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3,700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700,000 thousand souls), in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair …, And being liberated, as a tartaric body of physicality. No one spoke, not even the 700,000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appear with the laurel of Guillaume de Bélibaste after almost seven years, preparing for the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect  bons homes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to approach both the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021, with a resurgence of liberation from creation and change. of spiritual consciousness, for the sake of a Belibaste with continue its current pre-existing history.

Given the little and nothing that exists in our revealing and psychic environmental enthronement, it should be noted that historical events fly like pollen and waves in their same wind vibrations. This entails the physical vibration material that is in every corner of our existentiality, without beginning or end, only spinning through the infinite axon of our karma and samskara, for convulsed and physical-ecological means and intermediates in the revealing countenance of the primitive psychic field before us, like the Aspis Koilé, as a shield or as a parabolic or omnidirectional antenna, bringing us in event after event that strangely interchange phases and processes intertwined with time in quantum physics and its subsequent biophysical changes in the genome chain and especially in his Psychic Trisomy.
Psychic Trisomy / Part 13
not unexpected even kings must die

it was no secret everyone had heard

there was no cloud across the winter sky



you sense the shaping know that what went by

though it was sudden was when it occurred

not unexpected even kings must die



at their due time emit their one last sigh

while many gathered hoping for some word

there was no cloud across the winter sky



no final opening of one bright eye

not a hoarse whisper we had long inferred

not unexpected even kings must die



in a bright room with no friend there to cry

a century's tears nor declare absurd

there was no cloud across the winter sky



you have to dance as if you were to fly

a man no more but a returning bird

not unexpected even kings must die

there was no cloud across the winter sky
Araoluwa Jacob Nov 2018
"YOU HAVE A B-" she yelled, "AFTER ALL MY EFFORT?"
"I tried my best"  I exclaimed,"  I PUT EFFORT TOO."
"NO YOU DIDN'T CAUSE IT IS HARD TO FAIL A GOOD STUDENT." she said increasing the rate of my heart beat as each words escaped from her mouth.
"SO MY BEST IF FAILING TO YOU?" I questioned her inferred theory
"NO, CAUSE THIS IS NOT YOUR BEST. ALL A's, THAT IS YOUR BEST. THIS... THIS.." she paused and took a deep breathe, "I DON'T KNOW WHAT THIS IS. YOU BETTER FIX IT. YOU MUST  MAKE IT BETTER.  MAKE IT MORE THAN YOUR BEST
MAKE IT GOOD ENOUGH."
"HOW!?" my voice could hardly escape from my throat.
"I DON'T KNOW! I DON'T CARE. JUST BE GOOD ENOUGH FOR ONCE IN YOUR LIFE.... MAKE ME PROUD, MAKE ME HAPPY, MAKE ME SMILE."
I'm trying..
I'm trying.
Marshal Gebbie Feb 2012
Down her cheek there rolls a tear
Lowered eyes reflect the fear
She feels that others see the pain
She tries to hide to mask the shame.

Shame of what she has become
Despite her efforts to succumb
To good intentioned, sound advice
Delivered at preposterous price.

Shame at how the mind deplores
Those temperamental personal flaws,
Of slights inferred and insults hurled
At friend and foe with flag unfurled.

Friend and foe who tried to help,
Who lowered guard  to feel the welt
Of verbal horsewhip to the jowl,
To violently recoil with howl.

Betrayal in its basest form
All sympathetic help withdrawn.
She furiously stands distraught
In isolation’s cold white thought.

Down her cheek there rolls a tear
Of distain for the eyes that jeer,
Direction of the darts of blame
From whence no help will come again.

Marshalg
Collateral damage
4 February 2012
Mateuš Conrad Oct 2015
when the original / “creative” part of you dies,
you tend to repeat,
it’s not that repetition is a sin of the craft of art,
it’s necessary to reap from the established boundaries,
you can then enter the realm of the banal
of work, you can become an electrician, a plumber,
a bus driver... although writing poetry,
and this is the redemption bit, you can never claim
a highbrow status for yourself,
you’re in the cauldron with the lot of them,
able to say within a disguise and a keen smile:
oh yes, the 30th of october 2015 was a lot different from
the 30th of october 2009;
unless you have a steady job that pays the rent
and allows you to dabble in transcendental art,
the **** you do on the sly, on the odd protruding appendix,
then, my darling, you can proudly say: me gombrowicz, me t.s. eliot...
this latter example just shows you how art is made into
a sacrilegious state of affairs, beatified in the lazed hours in between chores,
‘hey puppy, here’s 10 squid, clean up your room, say sorry.’
‘yes dada, 10 squid for a clean room and the words oh so so sorry.’*

i sometimes find, that a casual vocabulary usage
of a specialist term
for example, the most common
casual inference is done without prior knowledge
from the 1st & 3rd party associates
that make it their career path to understand
something as delicate as to not allow the butchers in
to solve the matter. the butchers? surgeons,
opticians, the ones that are not stuck
in the aristotelian abyss of trying to sort out
proper names from proper meanings -
even though the two run parallel:
proper names are usurped by synonymity
to make language more beautiful and perhaps more fluid
(as is true for the variations of hue in the visible spectrum),
with proper meanings allowing a word multiple meanings
giving way to chaos / loopholes in practicing law / ambiguity;
the most common apprehensive use of a technical term,
used as a metaphor is the word schizophrenia in the english language,
i’ve seen it many a times, casually reasoned this word
in the public realm looses all technicality... and as i mentioned
prior... because poeticised structured by mythology due to
the fact that it’s used as a metaphor... which is staggering...
given the fact that i have a bit of literature on the matter
i thought it would be worth pointing this out,
depression is not inferred casually in the public realm
the realm of bibliophobes - i’m not saying people do not read
or are evasive of these s y m b o l s, i’m talking a depth of reading,
i’m talking a breadth of reading, patience with technicality,
real-life examples that are not shunned for that patent maxim:
ignorance is bliss.
as you might have noted i understand the technical term
to have been claimed by the public for casual usage (i.e. schizophrenia),
and if this is the case, i have to regress to the origins
which takes me back to emil kraepelin, although changing the compound
name, like i might with hydroxychloroquine...
the original compound was known at the time as dementia praecox
(premature dementia)... given that i propose a change to dementia construo,
given the fact that the sufferer of this condition contracted this
disease at a young age, and has not accomplished much in life
in terms of materialism of safety and boasting competence,
it is indeed a condition that can be defined by its prematurity
(stressors for success, as established by the ruling party, ideology
based upon innovation, education and appearances)
and the constructive aspect of it - based upon the anti-psychiatric movement’s
notion of an inclusion of a self itemised with the tools true or false.
why this latter point? nietzsche would have probably agreed with me,
beyond good and evil? there’s only truth and falsehood,
this the most likely square pairing.
Roberta Day May 2014
Drinking alone can make for good conversation
New things are learned, said or inferred
Who am I speaking to
     and am I heard?
Nature’s beauties surround me
and I’ve killed with neglect
    Unintentional
but always aware
   My lips tingle and my tongue
writhes, my body breathes in
the expulsion of shelved speakers
and my membranes arouse
because I’m redirected to you
   Always to you;
I’d like to hear your voice
but I predict you won’t answer if I call
Following through will result in disappointment
I expected, so why bother?
Predetermination — a convoluted structure
that remains the source of my reflection
   And misdirection
There was a rush of
thoughts like rapid waters
straight to my skull, cracking
  my will to break like a dam
bursting forth with so much emotion
you will drown in it, even if
you hold your breath to infinity
Kiiinda drunk.
Sienna Luna Apr 2016
Defecated, or did I say defeated
fated to live this life
barren as loose shoe strings
fraying a little at the ends.
Like a torn T-shirt
I am covered in holes and stains
splotches that just don’t
seem to go away.
Defeated in the mere inches I take
or the hearts that I break

but the only heart I break is my own.
How to pick up the pieces
when I am
piece-less
peaceless, no peace here.
So all I do is clench and worry
and hope that one day defeat
might become a feat
that can actually go somewhere
move someplace out of reach
as I seem to speak
of dreams unaccomplished and maimed
of dreams inferred striking infrared filters
that whisper mere fragments
of my name.
Karijinbba Jul 2020
Well dear poet Diya
Your poem inspired my next one.

How lovely expressed your story poem reposted on the page of a great Poet I am so fond of
Master Poet Pagan Paul
my loyal reader writer
gracious poet on HP

Through the years
poet Pagan Paul is a
loyal amazing writer.
~~~~
So dear poet Diya
I see the glass half full not half empty nor overflowing,

So do not cast spells on yourself
Roses aren't death!
Be careful what you think and write it becomes law.

The rooms filled with roses for me inferred by my own ancient true love are ALIVE because I watched E.T The movie
and my beloved was there too with his face among the toys hiding in a love letter he sent to me anonymously.

So even though we are apart temporarily
we aren't divided in heart
nor soul by divine doing.

My E.T out worldly is!
And he has powers to bring dead roses to thrive alive again!
For, such is the power of love
the prayers of the heart are true.

Many times I buy Roses instead of food and then I fast steadfast
His roses aren't death they are alive in me in most mine art.
No one is able nor allowed to curse me nor his Roses or his memory in me.
Nobody can place any spells on this divine sacred fact.

Oh well Dija thanks for your "Midnight" poem inspiration.
~~~~~
By:Karijinbba
Copy Rights apply.
Inspired firstly by my first live and teacher my once upon a time epic beloved.
The room… it held in the darkness; a self-encapsulating prison…

Silent echo.

Cautionary tales, shared through a cautionary glance, half inferred cautionary advice, to be paid off with a cautionary stone.

The serpent held its place, dangling on the sill, whispering half concoctions to the man known as death… hell followed.

The guise of honor, shown in the stare of cadaverous ghosts, with pecked out pupils.

Respect suppressed in shame

Reverie found in pain

Obfuscation in the wake

Engrossed epigraph held over the stake
Hands Jul 2011
Sleep has been restless,
lately.
Rest
Less.
It is neither conscious nor unconscious,
and the undreaming is an issue.
My dreams have become
dimly lit hallways
through which I walk,
unsure of myself or
of my surroundings.
It is a dream because
my body is not quite there,
it is caught between the waking
and the sleeping.
I feel the sheets of my bed
and their maternal embrace
clinging warmly to my summer shade
of dark brown and olive,
yet I see the hallway,
dimly lit.
It is a dream because
the people I knew
are other people as well,
are ideas and thoughts--
passions I hardly knew
both good and bad
that dangle on the tip of my tongue,
waiting to dance off into my body below,
down the passageway of my throat,
dark and
dimly lit.
My mind has blurred out their faces,
though I know there is only visual blackness
behind my eyelids,
has littered their words or meanings
with the trash of reality,
the inferred paranoia that
masks the truth,
dimly lit.
These ghastly haunts come
to greet me by my bed
each and every night,
blank silhouettes desperately trying
to tell me something,
something not very important,
anyway.
They mouth the words
and I go with the actions,
but my understanding is vague and doubtful
and my comprehension none.
Maybe I should care more
about what they have to say;
where is this hallway,
why my vision is blocked.
But, I'm far too tired,
in these dreams,
too exhausted and
rest
less
to care.
I am never replenished,
never renewed,
only further fatigued
by the dark and
hazy ideas the ghasts leave behind
to wander
neither conscious
nor unconscious
in the corners and passages
of my brain,
dimly lit.
ow, my aching head...
Tessa Tomlin Nov 2012
How
How could a still evening
spin this cloud of smoke
so brilliantly in front of
such a dark night
illuminated only by
artificial light
and
how could it be witnessed
with no thick frames
accompanied by lenses
enabling that flashing image
seemingly waving
from the end of the pavement
to be understood

How can the information
being inferred
from a pixelated screen
be processed

She is just curious
Her

How can that
be processed

— The End —