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T Jones Aug 2014
Not a poem but in protest of flagging truth about racism in Traverse City, Michigan


Traverse City, Michigan: Racism is still alive and well in our area.

We weren't always welcoming
Cross burning's (City of Traverse City, MI)
I'm born and raised in Traverse City, Michigan and still living in the same neighborhood where I grew up. I can remember when blacks were not welcome in most parts of town and the one or two around were military visitors.

We had two known cross burning incidents. One back in the late 80's or early 90's the other was around 1924, ******* groups like Ku Klux **** was behind both cross burning incidents. I found old articles on the earlier one but someone is trying hard to white wash history of Traverse City by hiding evidence of the most resent one. Ones like me who were there remember those dark days like it was yesterday. It don't bode well for tourism or the Cherry Festival if there's a record of racism in our city.

Copy pasting one two different retelling of story reported by our sometimes biased Record Eagle articles regarding the first and and will continue to dig for the other one.

January 31, 2009
KKK was active in early '20s

The 1924 bombings and cross burnings in downtown Traverse City were not the first **** activity in northern Michigan.

The Record-Eagle reported flaming crosses in the Mancelona area on Aug. 1, 1923, a full year before. Six weeks later, Traverse City commissioners refused the **** permission to hold a Sept. 17 open-air meeting at the corner of Front and Cass.

About 300 people showed up anyway and marched to a vacant lot west of Front and Union after the unidentified property owner gave permission, carefully noting that it "did not commit him to any relationship with the organization," the newspaper said.

The Record-Eagle also passed on information from an identified **** source in its Sept. 17 report:

Two, maybe three organizers had worked for weeks in Traverse City. About 150 Traverse City men from "among the leading citizens" had joined. An open-air ritual with the traditional fiery cross burning on a hillside would be held "sometime but not yet" in or near Traverse City, and it would be "merely a part of the **** ceremonies and have no special significance."

People who expected to see hooded men in white robes performing rites at the Sept. 17 rally were bound to be disappointed, the paper said. A new state law banned wearing masks in public. It also would be difficult to tell how many in the audience were KKK members because "every person who has signed the Ku Klux card has pledged to keep his membership an absolute secret."


Traverse City, Michigan wasn't always welcoming to people of color.


Traverse City Record-Eagle

February 1, 2009
Ku Klux **** terrorizes TC in 1924

KKK cross burnings, explosions rock city

By LORAINE ANDERSON
Black History Month has special significance, since it begins fewer than two weeks after the nation's historic inauguration of its first black president, Barack Obama.

But there are parts of that history that Traverse City, like the rest of the nation, would rather forget. The city never had a large black population, but it did not escape a visit from the Ku Klux **** during a frightening night of downtown explosions and cross burnings on Aug. 9, 1924.

Traverse City has never seen anything like that night of terror. Buildings shook. Store windows cracked and shattered. Houses as far away as 16th Street quaked, the Record-Eagle reported.

And though outside agitators were blamed, some local people may have been involved.

It started about 8 p.m. after three explosions went off across the river from the Lyric Theatre, where the State is today.

The crowd at the Lyric all but stampeded toward the door as women and children screamed. Panicked shoppers spilled out of downtown stores. City police phones jangled with alarm.

A large cross burned on the north side of the Boardman River near Cass Street. About 50 smaller burning crosses appeared almost simultaneously at the centers of intersections across the city. Each was crudely nailed together and swathed in oil-soaked rags. Sparks flew when several cars struck them. A city fire truck raced through town to douse flames.

Then, a "touring car" with four men, robed and hooded, though not masked, slowly trolled down Front Street carrying a sign surrounded by red flares blazing three letters: KKK.

Copies of the Ku Klux **** newspaper, "The Fiery Cross," later were found downtown, and police determined that at least two cars were involved in planting and lighting the crosses.

**** leaders called the explosions and flaming crosses a recruiting gimmick, but it was more than that. The 1920s was a reactionary time in the United States. The **** had risen again, starting in 1915, widening its anti-black focus to Jews, Catholics and immigrants, particularly those from southeastern Europe. Its membership was strongest in Illinois, Indiana and Ohio.

The ****'s most powerful year was 1924, when it reached an all-time high of 5 million members nationwide and virtually controlled the government of Indiana. Its most popular slogan was "100 percent pure American."

The **** had a solid base of support in Michigan. The **** fielded two candidates in the Republican gubernatorial primary in 1924 and a ****-backed candidate was elected mayor of Flint. A write-in **** candidate even made a strong showing in a Detroit mayoral race.

In June 1924, 1,000 men joined the KKK in an Oakland County cross burning attended by about 8,000 people. Traverse City's demonstration took place just two months later. But who was really behind it?

"There is some doubt among the authorities as to whether the offenses were actually committed by local people or men from outside. They believe that local people were associated in the affair," the Record-Eagle reported.

An unidentified spokesman for the local **** denied responsibility, speculating that it was the work of **** enemies or rogue Klansmen. He told the Record-Eagle that the **** repudiated terror tactics and burning of "unwatched crosses."

Two weeks after the bombing, city police obtained felony and misdemeanor arrest warrants accusing Ku Klux **** organizer Basil Carleton of Richmond, Ind., of setting off explosives. Indiana police arrested him on Aug. 29.

Witnesses testified in two trials in December and January that Carleton had purchased 25 pounds of dynamite, fuses and three caps from Hannah & Lay Mercantile Co. about two hours before the explosions. A Park Place Hotel clerk said he saw Carleton hurrying away from the direction of the explosions about 10 minutes later. Two **** members testified that Carleton was not at the scene.

Yet he was never convicted. Juries acquitted him in both cases because the prosecutor could not prove to their satisfaction that he was at the scene of the explosion or that he personally set off the dynamite.

The bomber escaped justice. But the good news was that in Traverse City, no night of terror like that happened again.

It was this event that sparked the cross burning in Traverse City. We had only one black family in our city, when Betty Ponder and her family left Traverse City for the first time due to no one wanting to rent to them, population of blacks in our predominately white city drop to zero.


******* Movement Targets Northern Michigan

by Robert Downes

National Alliance advocates the creation of "two Americas"

Traverse City, Mich., noted primarily for its beaches, tourists and cherry pie values, appears to be erupting as a national battleground of opinion over the ******* movement, with forces on both sides of the issue coming out of the woodwork to vent their outrage over racial issues.
On Thursday, June 5, residents along stretches of Washington and Front streets in town came home to find a slick package of information from the National Alliance hanging from their doorknobs. An outgrowth of the American **** Party, the National Alliance is a ******* group which advocates the creation of "two Americas," one of which would be "White Space only with no Jews or blacks." The Alliance, advocates genocidal practices if need be to achieve its goals, and plans to distribute 1,000 information packets in Northern Michigan.

Protest organized to oppose July "NordicFest"
The incident arose only a day after more than 150 people from throughout Northern Michigan gathered at a "Hate-Free TC" meeting to oppose the NordicFest, a skinhead rock festival sponsored by the Ku Klux ****, to be held at a secret location 20 miles south of town, July 3-6.
The NordicFest is being advertised on the Internet and will feature at least six skinhead bands featured on Stormfront Records and Resistance Records -- both of which are purveyors of neo-**** hate music. It will also reportedly feature speakers from the Ku Klux **** and Aryan Nations.

Thus far, the NordicFest's location has been a closely-kept secret by David Neumann of Bloodbond Enterprizes, the concert organizer and a former director of the Michigan Knights of the Ku Klux ****. Neumann has told local media that 300 tickets have been sold for the concert -- about half the number he expects to sell. Reportedly, concertgoers will be provided with maps to the secret location at a checkpoint.

Bands expected to play at the NordicFest include Intimidation One, Aggravated Assault, Blue Eyed Devils, Max Resist and the Hooligans, and No Alibi.

Local churches offering seminars on the ******* movement and the importance of diversity
GATHERING STORM

Journalists have made inquiries on the NordicFest from as far away as London, New York and Colorado as a result of the Northern Express story circulating on the Internet. A segment for National Public Radio is expected to take the issue nationwide, possibly focusing the world's attention on Traverse City on the eve of the National Cherry Festival -- an event which draws more than half a million visitors, many of them from ethnic minorities.
"We're creating a rainbow ribbon that we hope everyone will wear in rejection of skinheads and the ****," said Rabbi Stacey Fine of Hate-Free TC. "We hope to have hundreds of ribbons during the time the **** is here, available from downtown merchants."

Fine says the group also hopes to march in the National Cherry Royale Parade with a three-by-eight-foot banner covered with thousands of signatures in a show of support for racial and cultural diversity. Thus far, Cherry Festival officials say they have received no applications from Hate-Free T.C., but will consider the request if approached.

Dottie Kye of Hate-Free TC says the group doesn't plan to try stopping the NordicFest despite their opposition ot the concert. "We're ignoring it," Kye says. "We celebrate anyone's right to organize and free speech. But our thing is unity and celebrating diversity." In addition to several church seminars on the ******* movement and the importance of diversity, Hate-Free TC is organizing a three-day "Unity Festival" which will feature dozens of musicians, artists, poets, actors and peace activists at the Traverse City Opera House, July 3-6.

Concert organizers Tim Hall and Tom Emmott say that more than 40 musical acts will send a pro-diversity message to area teens, with performers including Willie Kye, Alright Already, John Greilick, Samantha Moore, the Motor Town Juke Boys, Bentley Filmore, the Sisters Grimm, and Lack of Afro, among many others. A concert with Fishbone is planned for later in the month.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence"
THE TEEN CONNECTION

The Unity Fest counter-concert is seen as a vital tool in fighting the influence of the ******* movement on teens in the area. After the initial story broke, the buzz in local high schools was that the NordicFest would be offering free beer to minors. Although that notion is clearly erroneous, a small number of teens in the area still cling to the idea and have also been attracted by the rebellious nature of the skinhead rock scene.
Tim Hall believes that his Unity Fest concert will help turn that tide. The three-day concert will be located in the heart of Traverse City in the old City Opera House, with easy access for the hundreds of teens who hang out downtown, often with little to do. "Our message is going to be one that values racial and cultural diversity," Hall said. "And we've had a great response so far. We had to put a lid on the performers when we reached 40 acts, because everyone wants to play at this event."

The Unity Fest will also coincide with the Annual Reggie Box Memorial Blues Blast, which was created five years ago to bring the heritage of black music to Northern Michigan for the overwhelmingly white Cherry Festival. This year's Blues Blast will feature John Mayall, Marcia Ball and the Bihlman Bros. in a free concert downtown on July 6. The concert will also feature a strong message promoting diversity.

The law enforcement view Traverse City Police Chief Ralph Soffredine says members of the law enforcement community, including the State Police and sheriffs from Grand Traverse and Wexford counties, are taking a wait-and-see approach as to whether the NordicFest will even be held.

"People ask what we would do if the skinheads wanted to march, and it's our position that they have the same rights under the First Amendment as anyone as long as they're obeying the law," Soffredine said. "It's a neutral situation for us. We just want to maintain the peace."

He added that skinheads coming to Traverse City would be treated "no different than if longhairs come into town, or square dancers. We'd certainly observe them and respond if there's trouble."

The chief noted that a similar event occurred in the Buckley area several years ago when several motorcycle gangs gathered for a rally. While the event was monitored by local police agencies, few people in the area knew that it occurred.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence, which has become a serious problem in our community and our schools," he concluded. "The unfortunate thing is that it sometimes takes a ******* or a racial issue for people to get active."

"Sheriff Barr implies that people who have the courage to confront them will be put in jail."
ANGER FROM ACTIVISTS

Not everyone is happy with the neutral attitude of law enforcement. Judy Lowenzahn of Traverse City thinks that local police agencies should get tough on the **** concert, which has no legally-required bond or liquor license.
"These hateful groups are using skinhead music to recruit soldiers for their facist movement," Lowenzahn said. "If they are allowed to hold this event, in violation of local, state and federal laws and in violation of common decency, we will be capitve audience to their deranged homophobic, anti-semitic, racist, sexist ideology. Those who protest this message, along with those who are their scapegoats will be targets for hate crimes."

Lowenzahn upbraided Grand Traverse County Sheriff Barr after he made comments in a local paper that "I'd just as soon personally let them have their little event and be on their way." Barr added that if there was a confrontation between the skinheads and protestors, "there's going to be someone in jail."

"Does Sheriff Barr suggest that people of color and others who don't fit the aryan model hide inside their homes for the holiday weekend?" Lowenzhan responded. "Rather than offer a plan to protect the community from the violence that grows whenever white supremecists do outreach, Sheriff Barr implies that people who have the courage to confront them will be put in jail."

Northern Michigan targeted because of the predominantly white population
KLUELESS

Up to now, the vast majority of Northern Michigan residents have been klueless on the **** and the ******* movement. Many, for instance, had no idea that there even was a Ku Klux **** operating in the region until Neumann revealed that there are about 60 members operating mostly as "a fraternal organization" between ******* and the Mackinac Bridge.
Similarly, the existence and agenda of the National Alliance is all-ne
andenrangs poet Mar 2015
jeg så dig danse på en lørdag nat. jeg har aldrig set dig danse før.
det var allerførste gang jeg så dig danse.
du dansede til et nummer komponeret af en mand med et uforglemmeligt og krøllet navn.
og hele rummet summede af lyden af et klaver der blev slået an af en rystende finger og violin strengene der dansede rundt i luften, efterlod rummet i en skygge af pulver drømme og stjerner der faldt ned omkring dine fødder.

du dansede noget der kunne minde om en vals. men du dansede den alene.

vil du ikke danse lidt med mig i stedet for at gøre det helt alene? det ser så ensomt ud. smukt, dog ensomt.

du trak på smilebåndet. men så ej på mig.

så kom herhen.

du tog mig pludselig i dine arme og scenen var din, min, og vores. jeg har aldrig danset. kun i stuen som lille i min mors gamle balletskørt.
og det gik op for mig hvor perfekt min spinkle krop passede i den silhuet der før var udfyldt af noget ingen andre end du kunne se.

og scenen var din, min, og vores.
verden forsvandt omkring os mens vi dansede mellem stjernerne.
jeg forsøgte at få del i dine tanker ved at lade mig suge ind i dit blik....men du havde travlt med at koncentrere dig om dine trin. ikke bare for dansens skyld, men det blik du anstrengte dig for ikke at sende mig handlede ikke blot om dansen men angsten for at træde forkert.
hvad ville der ske hvis du så mig i øjnene?
jeg kunne mærke din kropsvarme helt ind i sjælen mens du snurrede mig rundt. let og elegant og tilbage i dine arme.

se på mig.

stjernene var for længst faldet ned men var ikke længere at finde for mine fødder. for du så på mig. du så mig lige ind i øjnene, længe nok til at det  begyndte at gøre ondt da du trådte et skridt tilbage men ikke længe nok til at jeg kom ind under huden på dig.

tak for dansen.

følelserne... var de ikke lige der?
og før jeg vidste af det var der ikke længere andet end mig og den sørgelige musik der nu fyldte rummet med opløste håb og tusind fejl og mangler.

på en lørdag nat så jeg dig danse for første gang. jeg havde aldrig set dig danse før. og på en lørdag nat så du mig i øjnene for første gang. du havde aldrig set mig i øjnene før....
.... og jeg har ikke danset siden
High on a throne of royal state, which far
Outshone the wealth or Ormus and of Ind,
Or where the gorgeous East with richest hand
Showers on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heaven; and, by success untaught,
His proud imaginations thus displayed:—
  “Powers and Dominions, Deities of Heaven!—
For, since no deep within her gulf can hold
Immortal vigour, though oppressed and fallen,
I give not Heaven for lost: from this descent
Celestial Virtues rising will appear
More glorious and more dread than from no fall,
And trust themselves to fear no second fate!—
Me though just right, and the fixed laws of Heaven,
Did first create your leader—next, free choice
With what besides in council or in fight
Hath been achieved of merit—yet this loss,
Thus far at least recovered, hath much more
Established in a safe, unenvied throne,
Yielded with full consent. The happier state
In Heaven, which follows dignity, might draw
Envy from each inferior; but who here
Will envy whom the highest place exposes
Foremost to stand against the Thunderer’s aim
Your bulwark, and condemns to greatest share
Of endless pain? Where there is, then, no good
For which to strive, no strife can grow up there
From faction: for none sure will claim in Hell
Precedence; none whose portion is so small
Of present pain that with ambitious mind
Will covet more! With this advantage, then,
To union, and firm faith, and firm accord,
More than can be in Heaven, we now return
To claim our just inheritance of old,
Surer to prosper than prosperity
Could have assured us; and by what best way,
Whether of open war or covert guile,
We now debate. Who can advise may speak.”
  He ceased; and next him Moloch, sceptred king,
Stood up—the strongest and the fiercest Spirit
That fought in Heaven, now fiercer by despair.
His trust was with th’ Eternal to be deemed
Equal in strength, and rather than be less
Cared not to be at all; with that care lost
Went all his fear: of God, or Hell, or worse,
He recked not, and these words thereafter spake:—
  “My sentence is for open war. Of wiles,
More unexpert, I boast not: them let those
Contrive who need, or when they need; not now.
For, while they sit contriving, shall the rest—
Millions that stand in arms, and longing wait
The signal to ascend—sit lingering here,
Heaven’s fugitives, and for their dwelling-place
Accept this dark opprobrious den of shame,
The prison of his ryranny who reigns
By our delay? No! let us rather choose,
Armed with Hell-flames and fury, all at once
O’er Heaven’s high towers to force resistless way,
Turning our tortures into horrid arms
Against the Torturer; when, to meet the noise
Of his almighty engine, he shall hear
Infernal thunder, and, for lightning, see
Black fire and horror shot with equal rage
Among his Angels, and his throne itself
Mixed with Tartarean sulphur and strange fire,
His own invented torments. But perhaps
The way seems difficult, and steep to scale
With upright wing against a higher foe!
Let such bethink them, if the sleepy drench
Of that forgetful lake benumb not still,
That in our porper motion we ascend
Up to our native seat; descent and fall
To us is adverse. Who but felt of late,
When the fierce foe hung on our broken rear
Insulting, and pursued us through the Deep,
With what compulsion and laborious flight
We sunk thus low? Th’ ascent is easy, then;
Th’ event is feared! Should we again provoke
Our stronger, some worse way his wrath may find
To our destruction, if there be in Hell
Fear to be worse destroyed! What can be worse
Than to dwell here, driven out from bliss, condemned
In this abhorred deep to utter woe!
Where pain of unextinguishable fire
Must exercise us without hope of end
The vassals of his anger, when the scourge
Inexorably, and the torturing hour,
Calls us to penance? More destroyed than thus,
We should be quite abolished, and expire.
What fear we then? what doubt we to incense
His utmost ire? which, to the height enraged,
Will either quite consume us, and reduce
To nothing this essential—happier far
Than miserable to have eternal being!—
Or, if our substance be indeed divine,
And cannot cease to be, we are at worst
On this side nothing; and by proof we feel
Our power sufficient to disturb his Heaven,
And with perpetual inroads to alarm,
Though inaccessible, his fatal throne:
Which, if not victory, is yet revenge.”
  He ended frowning, and his look denounced
Desperate revenge, and battle dangerous
To less than gods. On th’ other side up rose
Belial, in act more graceful and humane.
A fairer person lost not Heaven; he seemed
For dignity composed, and high exploit.
But all was false and hollow; though his tongue
Dropped manna, and could make the worse appear
The better reason, to perplex and dash
Maturest counsels: for his thoughts were low—
To vice industrious, but to nobler deeds
Timorous and slothful. Yet he pleased the ear,
And with persuasive accent thus began:—
  “I should be much for open war, O Peers,
As not behind in hate, if what was urged
Main reason to persuade immediate war
Did not dissuade me most, and seem to cast
Ominous conjecture on the whole success;
When he who most excels in fact of arms,
In what he counsels and in what excels
Mistrustful, grounds his courage on despair
And utter dissolution, as the scope
Of all his aim, after some dire revenge.
First, what revenge? The towers of Heaven are filled
With armed watch, that render all access
Impregnable: oft on the bodering Deep
Encamp their legions, or with obscure wing
Scout far and wide into the realm of Night,
Scorning surprise. Or, could we break our way
By force, and at our heels all Hell should rise
With blackest insurrection to confound
Heaven’s purest light, yet our great Enemy,
All incorruptible, would on his throne
Sit unpolluted, and th’ ethereal mould,
Incapable of stain, would soon expel
Her mischief, and purge off the baser fire,
Victorious. Thus repulsed, our final hope
Is flat despair: we must exasperate
Th’ Almighty Victor to spend all his rage;
And that must end us; that must be our cure—
To be no more. Sad cure! for who would lose,
Though full of pain, this intellectual being,
Those thoughts that wander through eternity,
To perish rather, swallowed up and lost
In the wide womb of uncreated Night,
Devoid of sense and motion? And who knows,
Let this be good, whether our angry Foe
Can give it, or will ever? How he can
Is doubtful; that he never will is sure.
Will he, so wise, let loose at once his ire,
Belike through impotence or unaware,
To give his enemies their wish, and end
Them in his anger whom his anger saves
To punish endless? ‘Wherefore cease we, then?’
Say they who counsel war; ‘we are decreed,
Reserved, and destined to eternal woe;
Whatever doing, what can we suffer more,
What can we suffer worse?’ Is this, then, worst—
Thus sitting, thus consulting, thus in arms?
What when we fled amain, pursued and struck
With Heaven’s afflicting thunder, and besought
The Deep to shelter us? This Hell then seemed
A refuge from those wounds. Or when we lay
Chained on the burning lake? That sure was worse.
What if the breath that kindled those grim fires,
Awaked, should blow them into sevenfold rage,
And plunge us in the flames; or from above
Should intermitted vengeance arm again
His red right hand to plague us? What if all
Her stores were opened, and this firmament
Of Hell should spout her cataracts of fire,
Impendent horrors, threatening hideous fall
One day upon our heads; while we perhaps,
Designing or exhorting glorious war,
Caught in a fiery tempest, shall be hurled,
Each on his rock transfixed, the sport and prey
Or racking whirlwinds, or for ever sunk
Under yon boiling ocean, wrapt in chains,
There to converse with everlasting groans,
Unrespited, unpitied, unreprieved,
Ages of hopeless end? This would be worse.
War, therefore, open or concealed, alike
My voice dissuades; for what can force or guile
With him, or who deceive his mind, whose eye
Views all things at one view? He from Heaven’s height
All these our motions vain sees and derides,
Not more almighty to resist our might
Than wise to frustrate all our plots and wiles.
Shall we, then, live thus vile—the race of Heaven
Thus trampled, thus expelled, to suffer here
Chains and these torments? Better these than worse,
By my advice; since fate inevitable
Subdues us, and omnipotent decree,
The Victor’s will. To suffer, as to do,
Our strength is equal; nor the law unjust
That so ordains. This was at first resolved,
If we were wise, against so great a foe
Contending, and so doubtful what might fall.
I laugh when those who at the spear are bold
And venturous, if that fail them, shrink, and fear
What yet they know must follow—to endure
Exile, or igominy, or bonds, or pain,
The sentence of their Conqueror. This is now
Our doom; which if we can sustain and bear,
Our Supreme Foe in time may much remit
His anger, and perhaps, thus far removed,
Not mind us not offending, satisfied
With what is punished; whence these raging fires
Will slacken, if his breath stir not their flames.
Our purer essence then will overcome
Their noxious vapour; or, inured, not feel;
Or, changed at length, and to the place conformed
In temper and in nature, will receive
Familiar the fierce heat; and, void of pain,
This horror will grow mild, this darkness light;
Besides what hope the never-ending flight
Of future days may bring, what chance, what change
Worth waiting—since our present lot appears
For happy though but ill, for ill not worst,
If we procure not to ourselves more woe.”
  Thus Belial, with words clothed in reason’s garb,
Counselled ignoble ease and peaceful sloth,
Not peace; and after him thus Mammon spake:—
  “Either to disenthrone the King of Heaven
We war, if war be best, or to regain
Our own right lost. Him to unthrone we then
May hope, when everlasting Fate shall yield
To fickle Chance, and Chaos judge the strife.
The former, vain to hope, argues as vain
The latter; for what place can be for us
Within Heaven’s bound, unless Heaven’s Lord supreme
We overpower? Suppose he should relent
And publish grace to all, on promise made
Of new subjection; with what eyes could we
Stand in his presence humble, and receive
Strict laws imposed, to celebrate his throne
With warbled hyms, and to his Godhead sing
Forced hallelujahs, while he lordly sits
Our envied sovereign, and his altar breathes
Ambrosial odours and ambrosial flowers,
Our servile offerings? This must be our task
In Heaven, this our delight. How wearisome
Eternity so spent in worship paid
To whom we hate! Let us not then pursue,
By force impossible, by leave obtained
Unacceptable, though in Heaven, our state
Of splendid vassalage; but rather seek
Our own good from ourselves, and from our own
Live to ourselves, though in this vast recess,
Free and to none accountable, preferring
Hard liberty before the easy yoke
Of servile pomp. Our greatness will appear
Then most conspicuous when great things of small,
Useful of hurtful, prosperous of adverse,
We can create, and in what place soe’er
Thrive under evil, and work ease out of pain
Through labour and endurance. This deep world
Of darkness do we dread? How oft amidst
Thick clouds and dark doth Heaven’s all-ruling Sire
Choose to reside, his glory unobscured,
And with the majesty of darkness round
Covers his throne, from whence deep thunders roar.
Mustering their rage, and Heaven resembles Hell!
As he our darkness, cannot we his light
Imitate when we please? This desert soil
Wants not her hidden lustre, gems and gold;
Nor want we skill or art from whence to raise
Magnificence; and what can Heaven show more?
Our torments also may, in length of time,
Become our elements, these piercing fires
As soft as now severe, our temper changed
Into their temper; which must needs remove
The sensible of pain. All things invite
To peaceful counsels, and the settled state
Of order, how in safety best we may
Compose our present evils, with regard
Of what we are and where, dismissing quite
All thoughts of war. Ye have what I advise.”
  He scarce had finished, when such murmur filled
Th’ assembly as when hollow rocks retain
The sound of blustering winds, which all night long
Had roused the sea, now with hoarse cadence lull
Seafaring men o’erwatched, whose bark by chance
Or pinnace, anchors in a craggy bay
After the tempest. Such applause was heard
As Mammon ended, and his sentence pleased,
Advising peace: for such another field
They dreaded worse than Hell; so much the fear
Of thunder and the sword of Michael
Wrought still within them; and no less desire
To found this nether empire, which might rise,
By policy and long process of time,
In emulation opposite to Heaven.
Which when Beelzebub perceived—than whom,
Satan except, none higher sat—with grave
Aspect he rose, and in his rising seemed
A pillar of state. Deep on his front engraven
Deliberation sat, and public care;
And princely counsel in his face yet shone,
Majestic, though in ruin. Sage he stood
With Atlantean shoulders, fit to bear
The weight of mightiest monarchies; his look
Drew audience and attention still as night
Or summer’s noontide air, while thus he spake:—
  “Thrones and Imperial Powers, Offspring of Heaven,
Ethereal Virtues! or these titles now
Must we renounce, and, changing style, be called
Princes of Hell? for so the popular vote
Inclines—here to continue, and build up here
A growing empire; doubtless! while we dream,
And know not that the King of Heaven hath doomed
This place our dungeon, not our safe retreat
Beyond his potent arm, to live exempt
From Heaven’s high jurisdiction, in new league
Banded against his throne, but to remain
In strictest *******, though thus far removed,
Under th’ inevitable curb, reserved
His captive multitude. For he, to be sure,
In height or depth, still first and last will reign
Sole king, and of his kingdom lose no part
By our revolt, but over Hell extend
His empire, and with iron sceptre rule
Us here, as with his golden those in Heaven.
What sit we then projecting peace and war?
War hath determined us and foiled with loss
Irreparable; terms of peace yet none
Vouchsafed or sought; for what peace will be given
To us enslaved, but custody severe,
And stripes and arbitrary punishment
Inflicted? and what peace can we return,
But, to our power, hostility and hate,
Untamed reluctance, and revenge, though slow,
Yet ever plotting how the Conqueror least
May reap his conquest, and may least rejoice
In doing what we most in suffering feel?
Nor will occasion want, nor shall we need
With dangerous expedition to invade
Heaven, whose high walls fear no assault or siege,
Or ambush from the Deep. What if we find
Some easier enterprise? There is a place
(If ancient and prophetic fame in Heaven
Err not)—another World, the happy seat
Of some new race, called Man, about this time
To be created like to us, though less
In power and excellence, but favoured more
Of him who rules above; so was his will
Pronounced among the Gods, and by an oath
That shook Heaven’s whole circumference confirmed.
Thither let us bend all our thoughts, to learn
What creatures there inhabit, of what mould
Or substance, how endued, and what their power
And where their weakness: how attempted best,
By force of subtlety. Though Heaven be shut,
And Heaven’s high Arbitrator sit secure
In his own strength, this place may lie exposed,
The utmost border of his kingdom, left
To their defence who hold it: here, perhaps,
Some advantageous act may be achieved
By sudden onset—either with Hell-fire
To waste his whole creation, or possess
All as our own, and drive, as we were driven,
The puny habitants; or, if not drive,
****** them to our party, that their God
May prove their foe, and with repenting hand
Abolish his own works. This would surpass
Common revenge, and interrupt his joy
In our confusion, and our joy upraise
In his disturbance; when his darling sons,
Hurled headlong to partake with us, shall curse
Their frail original, and faded bliss—
Faded so soon! Advise if this be worth
Attempting, or to sit in darkness here
Hatching vain empires.” Thus beelzebub
Pleaded his devilish counsel—first devised
By Satan, and in part proposed: for whence,
But
Laura Amstutz Nov 2018
Det varme brød ånder på træbordet
Sukker, efterlader spor af tilværelsen i sveden
Smurt ind i olie
Som mine lunger nu er smurt ind i tjære
- så blev det hele værre
Mit sind er nok sort nu fordi jeg fodrer det
Med hvide vægge og blå kameler
Farver indersiden af mine øjenlåg med nøgne løgne
Fordi sandheden er som en knytnæve der tæver
Og blod
I skridtets indre maskineri
Der fungerer som en rulletrappe
Kører alle de ufødte børn ud
Kyler alle de ufødte børn ud
Skuffer moder jord igen
Er ******* og abortion nu egentlig ikke det samme?
Jeg drømmer så der står blomster ud af begge ører
Danner min egen rosenhave
Venter på en gartner graver sig gennem torne og forestillinger til han når
De indre vægge i mit rytmisk, blodige hjertekammer
Says I to my Missis: "Ba goom, lass! you've something I see, on your mind."
Says she: "You are right, Sam, I've something. It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous. It 'urts me no end when I sit."
Says I: "Go to 'ospittel, Missis. They might 'ave to coot it a bit."
Says she: "I just 'ate to be showin' the part of me person it's at."
Says I: "Don't be fussy; them doctors see sights more 'orrid than that."

So Misses goes off togged up tasty, and there at the 'ospittel door
They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in,"
And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis. "It 'urts me for fair when I sit,
And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit."
Then blushin' she plucks up her courage, and bravely she shows 'im the place,
And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel,
But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles. Ye'll find him in Room Sixty-three.
No charge, Ma'am. It's been a rare pleasure. Jist tell him ye're comin' from me."

So Misses she thanks 'im politely, and 'unts up and down as before,
Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right."
So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit,
I'd like for to 'ave you inspect it; it 'urts me like all when I sit."
So blushin' as red as a beet-root she 'astens to show 'im the spot,
And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot."
Then 'e puts on 'is specs to regard it, and finally says wi' a frown:
"I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil."

So Misses she thanks 'im for sayin' her boil is a hill of a boil,
And 'unts all around till she comes on a door that is marked: "Doctor Hoyle."
But by now she 'as fair got the wind up, and trembles in every limb;
But she thinks: "After all, 'e's a Doctor. Ah moosn't be bashful wi' 'im."
She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?"
"It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind,
I'd like ye to see it a moment. It 'urts me, because it's be'ind."
So thinkin' she'd best get it over, she 'astens to show 'im the place,
And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view,
Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at?
Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs;
Us fellers is only the pynters, a-pyntin' the 'alls and the stairs."
Cray-Z...

You know that you are, *******, crazy?

Think up a new grand goal to meet,
then drop the blotter, -to compete.

Are you movin' on up?
to the top, to a deluxe compartment in your mi-ind?

Lenny?

Saul admired David...

"Admired,"

him.

dissolved him in, David.

You know that you are, *******, crazy?

Look at the hands, -they swirl in, ceiling paint...
Thinking like this the world is NO constraint.

Fuzzy
Futzy
Fickle
Fiber

Pick a pickle Whitley Streiber.

Gargle,
Gasp, rinse and repeat.

Then Devil for the Heaven's seat,
and find a tiny child to eat,
for tasty things water mouth with treat,
nothing stained by water's meet or tendered strangely as complete.

Crazy...

Carpet fibers tickle my neck.

I am a house.

Household item.

Bleach feels funny on the fingers,
they still won't change color back?

Think up a new grand goal to meet,
then drop the blotter, -to compete.
Then Devil for the Heaven's seat,
and find a tiny child to eat,
for tasty things water mouth with treat,
nothing stained by water's meet or tendered strangely incomplete.

Crazy you know that you are...

...is that wall supposed to be flashing?

!!!!GET OFF MY ROCKER!!!!
You cannot just dip a finger in the dark because darkness will not let you go. Are you sexually attracted to circumstance? Then I have something for you. Life is easily hardened....those that know, know me.
Gaye Feb 2016
I see a rainbow, a petite spark
Out of colonist's burrow,
The judge stirred his ink
Winked a little; scintillation!
They made love, at the
Shaft’s end, bourgeois’ couch
And marble halls, unmasked
Art did not meet camera, my friend.
You may talk o’ gin and beer
When you’re quartered safe out ‘ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ‘im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ‘Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
      He was “Din! Din! Din!
  You limpin’ lump o’ brick-dust, Gunga Din!
      Hi! slippery hitherao!
      Water, get it!  Panee lao!
  You squidgy-nosed old idol, Gunga Din.”

The uniform ‘e wore
Was nothin’ much before,
An’ rather less than ‘arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ‘e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ‘eat would make your bloomin’ eyebrows crawl,
We shouted “Harry By!”
Till our throats were bricky-dry,
Then we wopped ‘im ‘cause ‘e couldn’t serve us all.
      It was “Din! Din! Din!
  You ‘eathen, where the mischief ‘ave you been?
      You put some juldee in it
      Or I’ll marrow you this minute
  If you don’t fill up my helmet, Gunga Din!”

‘E would dot an’ carry one
Till the longest day was done;
An’ ‘e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
‘E’d be waitin’ fifty paces right flank rear.
With ‘is mussick on ‘is back,
‘E would skip with our attack,
An’ watch us till the bugles made “Retire”,
An’ for all ‘is ***** ‘ide
‘E was white, clear white, inside
When ‘e went to tend the wounded under fire!
      It was “Din! Din! Din!”
  With the bullets kickin’ dust-spots on the green.
      When the cartridges ran out,
      You could hear the front-files shout,
  “Hi! ammunition-mules an’ Gunga Din!”

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ‘a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
‘E lifted up my ‘ead,
An’ he plugged me where I bled,
An’ ‘e guv me ‘arf-a-pint o’ water-green:
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
      It was “Din! Din! Din!
  ‘Ere’s a beggar with a bullet through ‘is spleen;
      ‘E’s chawin’ up the ground,
      An’ ‘e’s kickin’ all around:
  For Gawd’s sake *** the water, Gunga Din!”

‘E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.
‘E put me safe inside,
An’ just before ‘e died,
“I ‘ope you liked your drink”, sez Gunga Din.
So I’ll meet ‘im later on
At the place where ‘e is gone—
Where it’s always double drill and no canteen;
‘E’ll be squattin’ on the coals
Givin’ drink to poor ****** souls,
An’ I’ll get a swig in hell from Gunga Din!
      Yes, Din! Din! Din!
  You Lazarushian-leather Gunga Din!
      Though I’ve belted you and flayed you,
      By the livin’ Gawd that made you,
  You’re a better man than I am, Gunga Din!
Micaiah Aug 2014
Seduce my delicate
Mind and run after my
Oxygen which is the
Key to my sweet, long
E**verlasting pain
Echoes Of A Mind Mar 2016
Fortryder jeg,
At jeg lod dig ind
Nej,
Jeg fortryder ikke,
At det var dig,
Som jeg lod ind.
Men jeg fortryder alt det,
Som vi nu er blevet til...

Jeg fortryder ikke handlingen gjort
Under påvirkning af følelser
Følelser, som jeg ikke kendte til
Før jeg mødte dig
Men jeg fortryder handlinger,
Som jeg har gjort
Fordi du sårede mig...

For lige så meget,
Som jeg holder af dig,
Lige så meget smerter det mig nu
at se dig.
Allerhelst så vil jeg ikke
Være i nærheden af dig.
For dette gør ondt
På mig...

Jeg fortyder ord sagt i vrede,
Hvor jeg mig befandt
I en såret tilstand
Hvor jeg kun kendte til en måde
at afreagerer på...

Jeg fortryder så mange ting,
At skrive om dem
Ville tage en evighed
Men den ene ting,
Som jeg ikke fortryder,
er,
At jeg lod dig ind....
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Mon det er faldet dig ind det ikke er mine læber du kysser blidt? Havde tanket strejfet dig at bare en enkelt berøring på hendes lår, river dybe rifter på indersiden af min hud.
Jeg har bildt selv ind at oktobermørket har forvirret dig
og forvekslet mig, med hende.
Jeg snakker med dig
hele tiden
jeg vender min hverdag i dine tanker
det er bare som om du ikke svarer når jeg hviskende skriger i mørket.
Jeg stjæler din sjæl for den har jeg mere brug for end du.
Hvorfor har du gåsehud?
er det mon den dårlige samvittighed der endelig er kommet ind gennem metalhuden
*** skriver sig ind i månen og
folder sig over og ud  i  en oval
form så *** kan passe ind og
tilpasse sig og i smalle sprækker
gemmer *** på hemmeligheder
om glasvaser  og *** har glemt
de andre nu
*** vander sine planter klokken
03:42 og så fletter *** sit hår, der
dufter af jord og ligner mosaikken
under hendes negle
det er svært at blinke i en regelmæssig
rytme, og det er svært at vogte over
de tunge øjenlåg, der hvisker gul poesi
om begravelser *** aldrig var med til
- digte om et papmachesind
Quentin Briscoe Mar 2013
always on my mind.... you i never met....tell me why is that...
lets never press rewind... that i might regret...I'll tell why is that...
the past was never kind... the present isn't set... yes we can change that...
All i need is time to find...  you I never met... How would you like that...
Klara May 2015
jeg er en konstellation af ord
kun eksisterende i kraft af
spildt blæk og søvnløse nætter

jeg har ord under huden, ord i blodet
ord på læberne og ord i munden
ord under neglene ord i håret
ord på skrå, kryds, tværs
ord i lungerne
ind
ud
ind
ud
ind


jeg udånder ord
ord, der kommer snublende, vaklende frem
som om de frygter dagens lys og
aldrig tør være andet end
usagt; forevigt

hvis jeg havde været et ord havde jeg heller ikke turdet
Rashmitha Rao Mar 2014
For your convenience
and mine, I am
kind and sensitive at times, just
enough to make you believe that

friends like me are
rare. That's why you can't make out when
I** begin to
exploit you and it is when you begin to
notice, that I defend myself, say you exploited me,
dump you like I planned and
soon become a fake friend of someone
hapless and rare like you were, while
in the meantime you become like me;
perhaps that's why fake friends are not uncommon.
Jan 31, 2011
Med øjne lyse, store og skinnende
Prøver jeg at se ham dybt ind i sjælen.
Jeg smiler, ler og strejfer hans arme.
Nætter, som hurtigt bliver lange, mørke -
Men på lysende, klar, helt fantastisk vis.
Bruger jeg på at sende ham signaler.
Rører blidt ved hans hjerte. Selvom,
Mit greb er fast og stramt. Langsomt -
Vikler mine fingre ham ind i mit spind.
Han bliver grebet, betaget og glæden
Stråler ud af ham. Ud af mig. Tror han.
For når jeg kommer hjem, om aftenen
Er det stadigvæk ikke ham. Men DIG
Jeg tænker på. Dit navn i mine tanker -
Som små forviklede snefnug, kredser om.
Du ligger der. Aller bagerst. Om aftenen
Selvom, Du egentlig er væk og forsvundet.
For evigt. For altid. Og ikke kommer retur!?
"...Let the pines grow out of my skin.
     Winds howl in my mouth..."
     --James A. Ciletti.

Let the cylinders be there to connect the lonely,
grating bones, above the level of the rational
falls of water and the pictures, so inspired that
They like to appear on stage to whistle as vapors
rising through the spout.  The moon is smiling
down upon the frost of the equation.  Perhaps,
no animal has been hopping through pristine
squares of frozen falling, remembering
the singular match, the leaf leaving.

{ [ d _ ind del d j e ( m ) ] / ( d e ) } =
min y ( N , Z ) d t - C .

Coldness was like the presence and solutions
to incredible problems, growing worse, while
others, watching, stood, silently observant,
hoping to help, but the springs in the agreements
were the assistance for the splashing colors,
anticipated and arriving as a series of blades
removing lovely, warm weather.
Laura Amstutz Dec 2018
Oven på mit fladtliggende tøj
Ligger jeg nøgen og udstrakt placeret
Med armene over hovedet
Som til en mere end ok koncert
Hvor vi sammen tilbeder kunstneren
Nu tilbeder jeg alene de parallelle brædder
På indersiden af taget
Bilder mig selv ind de dufter
Af nyslået græs og glemte minder
Forsvinder ind i mit hovede
Som når jeg bebrejder mig selv
Ting jeg alligevel ikke er skyld i
Tager mig selv i hånden
For jeg er så træt
Af at se søvntilsvinede øjne
Syng mig en vise og se mig danse
Ind i drømmelandskaber
Et hav så tungt
man glemmer aldrig den som knuser ens hjerte.
slet ikke når det var dig der knuste hendes,
for at hele dit eget.
*** sniger sig ind og sætter sig på din hjerne,
på hele dit nervesystem,
så hver gang du hører de sange,
*** sendte til dig klokken 2 om natten og skrev at *** savnede dig,
så meget det gjorde ondt,
kramper du sammen af smerte,
mens varme tårer,
der slet ikke burde eksistere for piger som hende,
løber ned af dine kinder.
du prøver på at stoppe den knytnæve,
af hårde ord og levende eksistenser,
der banker ind i dit hjerte mens den skriger af dig,
at det at leve dit eget liv og tænke selvstændigt,
uden hende,
er fuldstændigt utænkeligt,
også selvom piger som hende,
er kolde som sten,
og har metalhjerter,
med skarpe kanter.
men tænk tilbage på den tid.
vi var ægte,
vi skete.
imens du har læst dette usammenhængende volapyk af ord, der slet ikke passer sammen, håber jeg du har lyttet til sangen ''Heroes'' af David Bowie.
Du danser rundt i kroppen på mig, med en gentagende melankolsk klang.
Din krop er metrisk opbygget, bygget af sten - op. Et spareprojekt.
Jeg skulle have kysset dig længere. Holdt dig tæt ind.
Lad mig ikke gå alene i verden,
For du gør mig så gal
At mit indre bliver kvalmende og jeg græder
Jeg kan mærke dine følelser, selvom jeg ikke er dig.
Du, dig er kommaet for MIN død. Dræbt af en overdosis kærlighed, som var en envejs kærlighedaffære.
Jeg flæber og græder, indtil du stopper med at betale med kys pakket ind i stjålne følelser fra andre.
O SORROW!
   Why dost borrow
   The natural hue of health, from vermeil lips?--
   To give maiden blushes
   To the white rose bushes?
   Or is it thy dewy hand the daisy tips?

   O Sorrow!
   Why dost borrow
   The lustrous passion from a falcon-eye?--
   To give the glow-worm light?
   Or, on a moonless night,
   To tinge, on siren shores, the salt sea-spry?

   O Sorrow!
   Why dost borrow
   The mellow ditties from a mourning tongue?--
   To give at evening pale
   Unto the nightingale,
   That thou mayst listen the cold dews among?

   O Sorrow!
   Why dost borrow
   Heart's lightness from the merriment of May?--
   A lover would not tread
   A cowslip on the head,
   Though he should dance from eve till peep of day--
   Nor any drooping flower
   Held sacred for thy bower,
   Wherever he may sport himself and play.

   To Sorrow
   I bade good morrow,
   And thought to leave her far away behind;
   But cheerly, cheerly,
   She loves me dearly;
   She is so constant to me, and so kind:
   I would deceive her
   And so leave her,
   But ah! she is so constant and so kind.

Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,--
   And so I kept
Brimming the water-lily cups with tears
   Cold as my fears.

Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
   But hides and shrouds
Beneath dark palm-trees by a river side?

And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
   'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
   'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
   To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:--
   I rush'd into the folly!

Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
   With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
   For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
   Tipsily quaffing.

'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
   Your lutes, and gentler fate?'--
'We follow Bacchus! Bacchus on the wing,
   A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
   To our wild minstrelsy!'

'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
   Your nuts in oak-tree cleft?'--
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
   And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
   To our mad minstrelsy!'

Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
   With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
   Nor care for wind and tide.

Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
   On spleenful unicorn.

I saw Osirian Egypt kneel adown
   Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
   To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
   Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
   And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary--so I took a whim
To stray away into these forests drear,
   Alone, without a peer:
And I have told thee all thou mayest hear.

   Young Stranger!
   I've been a ranger
In search of pleasure throughout every clime;
   Alas! 'tis not for me!
   Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

   Come then, Sorrow,
   Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
   I thought to leave thee,
   And deceive thee,
But now of all the world I love thee best.

   There is not one,
   No, no, not one
But thee to comfort a poor lonely maid;
   Thou art her mother,
   And her brother,
Her playmate, and her wooer in the shade.
A sportin' death! My word it was!
An' taken in a sportin' way.
Mind you, I wasn't there to see;
I only tell you what they say.

They found that day at Shillinglee,
An' ran 'im down to Chillinghurst;
The fox was goin' straight an' free
For ninety minutes at a burst.

They 'ad a check at Ebernoe
An' made a cast across the Down,
Until they got a view 'ullo
An' chased i'm up to Kirdford town.

From Kirdford 'e run Bramber way,
An' took 'em over 'alf the Weald.
If you 'ave tried the Sussex clay,
You'll guess it weeded out the field.

Until at last I don't suppose
As 'arf a dozen, at the most,
Came safe to where the grassland goes
Switchbackin' southwards to the coast.

Young Captain 'Eadley, 'e was there,
And Jim the whip an' Percy Day;
The Purcells an' Sir Charles Adair,
An' this 'ere gent from London way.

For 'e 'ad gone amazin' fine,
Two 'undred pounds between 'is knees;
Eight stone he was, an' rode at nine,
As light an' limber as you please.

'E was a stranger to the 'Unt,
There weren't a person as 'e knew there;
But 'e could ride, that London gent--
'E sat 'is mare as if 'e grew there.

They seed the 'ounds upon the scent,
But found a fence across their track,
And 'ad to fly it; else it meant
A turnin' and a 'arkin' back.

'E was the foremost at the fence,
And as 'is mare just cleared the rail
He turned to them that rode be'ind,
For three was at 'is very tail.

'Ware 'oles!' says 'e, an' with the word,
Still sittin' easy on his mare,
Down, down 'e went, an' down an' down,
Into the quarry yawnin' there.

Some say it was two 'undred foot;
The bottom lay as black as ink.
I guess they 'ad some ugly dreams,
Who reined their 'orses on the brink.

'E'd only time for that one cry;
''Ware 'oles!' says 'e, an' saves all three.
There may be better deaths to die,
But that one's good enough for me.

For mind you, 'twas a sportin' end,
Upon a right good sportin' day;
They think a deal of 'im down 'ere,
That gent what came from London way.
Laura Kragh Jun 2015
Videoen af dig og mig florerer stadig rundt i mit hoved, mine tanker, i mit sind, men var de egentlige følelser i videoen ægte
- eller det rene opspind?
kenye May 2013
I keep seeing hints of you
  In forced synchronicity
   Where everything adds up to 5
    Maybe it's a sign
     Or I'm losing my ******* mind again

     Did you catch the hint?
    Is the madman manifesting?
   Impulsive manic mood swings to paper
  Filling out with the Full Moon
As the Maiden waxes away

I'm watching
  Light up my sacral bond
   Lightning strikes
    like shotgun blows to the sky
     A peephole into Heaven's locker room

     Blame it on the the rain
    You caught me off guard
   Out of sync
  Girl you know it's true
That we're stranger than fiction

My siren in the satire
  Muse in the mayhem of my mind
   I could be your Vonnegut
    As I'm Freudian slipping
     On my spilled guts in the 5th slaughterhouse
or so it goes...
Smilende, glad og fuld af energi
Blomstende og fantasifuld, - narrer jeg dem til at tro at jeg er glad.
Bilder mig selv det samme ind.
Tror, føler og mærker glæden      vælte ind over mig.
Ikke hele tiden, glimt af lykke.     Men i en melankolsk og sentimental tilstand dybest.
Desperat for at komme ud, bryde kæden op og vælte ud med sol-strålende sprudlende livsglæde.
   Jeg kommer ovenpå, jeg er ovenpå, jeg er i sommerhumør selvom vi er i oktober.
det lykkedes mig, min lykkefangst
Jeg er OK.
Elizabeth Mar 2015
SÅR DER HELER PÅ LÆBEN,
RU HÅNDOVERFLADER
OG BEN DER RYSTENDE FORSØGER AT VALSE MENSTURATIONSSMERTER, ØMME MUSKLER OG GRIMME NEGLEBÅND

*** SPØRGER OM HVAD DER ER GALT
JEG SIGER JEG ER KED AF DET OG GRÆDER
*** SIGER HVORFOR
OG JEG VED DET IKKE
OG HAR PÅ SAMME TID LYST TIL AT SNAKKE
MEN JEG SIGER INGENTING
OG INTET BRÆNDER MERE I HALSEN END USAGTE ORD
MEN DET VED DU VEL IKKE ******* LORTE PSYKOLOG

JEG GÅR PÅ EN STI
DEN ER 11
OG DER ER INGEN MENNESKER
SÅ JEG SÆTTER MIG PÅ EN BÆNK
OG JEG TØRRER IHÆRDIGT TÅRERNE VÆK
IMENS JEG VRÆLER BANDEORD
OG FORSØGER AT HULKE ALLE DÆMONERNE UD
SELVOM INTET GIVER POTE
OG JEG ER FORDÆRVET INDENI
TRÆKKER JEG PÅ SMILEBÅNDET
OG SMILEHULLERNE BEGEJSTRER SIG
MEN ER DET SÅDAN UNGDOM SKAL FØLES?

JEG TAGER UD OM LØRDAGEN
FORDI JEG ARBEJDER HVER FREDAG
SÅ JEG STJÆLER GLÆDE FRA SØNDAG
DEN GLÆDE DER NU FINDES
TUNGE ØJENLÅG
TEQUILA
TILTRÆNGT EFEMERISK LYKKE
OG TAKTISK SELVBEDRAGISK LATTER
TILFREDSHEDEN ER DER NÆPPE
MEN ER JEG GOD NOK NU ELLER HVAD?

JEG TAGER HJEM
MEN JEG VENTER FØRST PÅ NATBUSSEN
ELLER ER DET TOGET
ELLER METROEN
FØRST EN SMØG JEG BRÆNDER MIG PÅ FINGEREN
ALTING ER JO SLØRET
FORHELVEDE DET GØR ONDT.

JEG FRYSER OG MINE TÆNDER KLAPRER
JEG VED IKKE ENGANG HVORDAN JEG FÅR STEGET PÅ
VÅGNER DAGEN EFTER
SORTE RANDER UNDER ØJNENE
OG TØMMERMÆND
ER DET HELE DÉT VÆRD?

MED KRØLLEDE PENGESEDLER,
FINTSKÅRET TOBAK FRA KNÆKKEDE CIGARETTER,
OG ET UBRUGT KONDOM I TASKEN
GÅR JEG UD
MEN LÆGGER FOLK OVERHOVEDET MÆRKE TIL AT JEG GÅR?

LUGTEN AF BODEGA SPREDER SIG PÅ GADEN
NÅR JEG BEVÆGER MIG PÅ FORTOVET
JEG FÅR ET TILTRÆNGENDE KNUS FØR *** LUKKER MIG IND MEN LUKKER JEG OVERHOVEDET HENDE ELLER NOGEN IND?

JEG SIDDER VED RADIATOREN
DEN ER VARM OG SYMPATISK
IKKE SOM DE SKØDELØSE KYS
ELLER DEN ANARKISTISKE IDENTITET
MEN ER JEG IKKE OKAY NU?

JEG KVÆLER DEN KOGENDE KOFFEIN
OG KÆFTEN BRÆNDER
KU DET BLIVE MERE KAOTISK
KU DET?
DEN KRUMMEDE VÅDE MEN LUNE CIGARET HÆNGER I MUNDVIGEN
JEG TAGER DEN IMELLEM PEGEFINGEREN OG FUCKFINGEREN INHALERER OG PUSTER UD
HVAD JEG HÅBER PÅ ER TOMHEDEN INDENI
IMENS TÅRERNE UFRIVILLIGT LØBER NED AF KINDERNE HVORNÅR HOLDER DET OP?

ER DET STRÆKMÆRKERNE,
DET RUNDE ANSIGT,
POLLENALLERGIEN,
MANGEL PÅ SYMPATI OG PENGE
ELLER BARE MIN PERSONLIGHED
DÉT DER GØR AT JEG IKKE ER GOD NOK?
Lyden af kommunikation, hører jeg
en hvisken og taster der trykkes ned
Mit blik fanger et træt ansigt
To, tre, femten
Jeg sider på en stol
Jeg rækker en finger op
Men den bliver ikke set i skoven af hænder

Et host høres i det fjerne
Et grin sendes igennem lokalet
To, tre, femten
Hendes tyssen lukker stilheden ind
Jeg vender hovedet og kigger op

En forsvinder ind i et andet univers
To, tre, femten
Jeg forsvinder
frostgrader
ensomheden og kulden
januar måned
selvom man pakker sig ind i flere lag trænger kulden sig ind
ved enhver mulighed arbejder frosten sig ind til knoglerne, til
selveste væsenets væv, kerne, oprindelse

minusgrader
nana nilsson Nov 2016
Vi fik jo hinanden til sidst
Som dagen smeltede ind i aftenen
og vi to ind i hinanden
Den torsdag i (Hjerter)kongens by
Du lovede mig sommeren
i bytte for et løfte
om at finde min vej tilbage til dig
Satte mit bryst i brand og ilden er
endnu ikke slukket
Af askerne opstod vores begyndelse
Echoes Of A Mind Mar 2016
Jeg ligger i sneen
Og føler ingenting.
Kulden rør mig ikke,
For den har allerede
Gnavet sig ind til mine ben...

Et ensomt snefnug falder på min kind,
Blidt det rammer,
Men jeg mærker det ik'
Hvorefter det langsomt smelter
Og triller ned ad min kind
Som de tåre
Jeg har grædt i tusindvis...

Mine fodspor i sneen
Er snart dækket af hvidt
Jeg tænker,
At dette ville
Du nok gerne have set...

Dette hvide landskab,
Der skinner så blidt.
Og jeg smiler,
Men kun et øjeblik.
Før jeg erindre,
At sådan blev det ik'...

Frosten bider mig i næsen,
Men i øjeblikket er jeg
Et halv-sociopatisk væsen
Og derfor
Ænser jeg den ik'...

For jeg ved ik' hvordan
Jeg skal komme igennem dagen,
Som uret snart slår an...

Den sidste dag, den sidste time,
Før du lægges endeligt til hvile.
Men lige nu vil jeg ikke tænke,
Ikke føle, ikke mærke sorgens lænke,
Der langsomt tynger mig ned...

Jeg vil blot ligge her i sneen
Før jeg går ind
Og lægger de sidste roser
På kisten...
Dansklæren gav en opgave om at skrive et digt om sorg indenfor det semantiske skema: vinter....vi fik 3 minutter og dette digt er mit resultat af den opgave.....sjovt nok beskriver det meget godt min følelsesmæssige tilstand lige for tiden....nu hvor jeg efter 3 hårde uger endelig tillader mig selv at gå ned med den stress, som jeg har gået rundt og kæmpet for at holde i skak...
Expect a lot of poems to be released since I have nothing else to do while being tied to the bed due to stress
Nora Morell Feb 2016
Tanker til tørre

Hvis jeg kunne, ville jeg vaske dig væk fra min hukommelse.
Omhyggeligt hænge dig til tørre et sikkert sted i min
underbevidstheds sfære. Med klemmer af ugyldig kærlighed.
Lade dig være en fjern og fremmed fornemmelse på lundefulde,
grå dage i Februar. Og måske - og ja, kun en sjælden gang imellem -  
hive dig frem i min bevidsthed, hvor jeg omsider vil sanse din    
metafysiske duft af lufttørret renhed og pakke min nøgne krop
ind i dine knasende tekstiler. Så vil jeg ligge i dig, med dig og på dig,
hele søndagen mens jeg svæver på et lagen af legende, let og listig lykke.
I en falsk rus af flydende og flygtig fuldendthed.

Hvis jeg altså kunne. Men jeg glemmer at glemme dig.
Du er den skrigende silhuet, fastbrændt på min nethinde.
I neon-pink og neon-gule farver,
der dukker op hver gang, jeg lukker øjnene i. Du er den hylende
lyd der hvor halsen bliver til øre. Og når natten nænsomt nærmer sig,
fylder du mit hoved. Du holder mig vågen i mine drømme.
Du vil ikke forlade mit sygeligt sammensatte sind.
Sat sammen som japansk origami.
Indviklet, viklet ind i de spor du har sat på min sjæl.
For du har rørt mig steder, jeg ikke troede jeg kunne røres.
Og ligegyldigt hvor meget jeg
skurer og skrubber, vil det aldrig blive rent.
Og det bliver aldrig det samme.

**Men tænk, hvis jeg altså kunne
Katrine Aug 2014
Jeg kravlede gennem dine snævre årer
da dit hjerte gik i brand
og krampede ind til
en krævende muskel
selv disse blodrøde læber
der kyssede dig indefra
kvæles i din hjerteåre der
er ikke plads til mig her og
du var den største løgner da
du sagde at
jeg var kommet hjem
blev formet og mast og presset ind
i en cirkel forklædt som en ramme,
der gjorde det vanedannende at være
en udgave af mig selv, jeg ikke kunne
genkende
så jeg kendte ikke nogen, og følte
mig hjemløs i min egen entré
gik ture ved din opgang, og læste
dit navn op indtil mine læber blødte
af savnet fra dine nøgne fingerspidser
og blå øjne, der kunne få mig til at
smile med tårer i øjnene
jeg var altid elleve år gammel
i undertøj på din højre side med dine
ribben op ad mine egne
lænede mig så meget op ad dig, at jeg
glemte at trække vejret selv
om det så var på marmorgulvet i dit
køkken med ømme ankler af berøringer
havde kun klaustrofobi, da du ikke
var her
jeg var kun et menneske, da jeg
elskede dig
havde kun hjemve
da jeg holdte
op igen
- digte om et papmachesind
Døren åbner
Et skarpt hvidt lys blænder mit syn
Jeg ser intet andet
End blot hvidt lys
En overvældende følelse overhaler mig
Din dør er omsider åbnet
Jeg er lettet
Jeg er tryg
Det umulige var muligt
Jeg kan nu have ro i mit faldefærdige sind
Jeg kan nu supplere de søvnløse nætter med søvn
Men det er blot en illusion
Gid det dog bare var sådan det var
For jeg står fortsat over for den lukkede dør
Døren der umuligt kan åbnes op
Døren med 47 forskellige hængelåse
Der har 47 forskellige koder
Lad mig nu komme ind
Please, luk mig ind!
Men det er intet andet end umuligt
Jeg kommer ikke ind
Ikke før jeg har svaret på dine koder
For det jeg står overfor nu
Er den lukkede dør
sabinasophie Feb 2015
mine øjenlåg er jordslået
jeg græder krystal mens jeg smiler
alle mine sårbarhedder er skrevet ned i tilfældige litterære samlinger og forsvundet i oceanerne
smerten hvirvler rundt i min krop og i mine blodbaner er der sne
min hud sidder løst på mine knogler og du forstår ingenting
du har ridset dit navn ind i mit sind med et sløvt skår fra et ødelagt spejl
du har beskadiget mit indre, på en fason hvorved jeg holder af smerten
jeg ændrer mig så jeg kan passe ind i de tynde sprækker og hvor ville det være nemt hvis vi kunne spole tiden tilbage
et elektrisk sind - sabina sandager
Jane Deer Oct 2014
København.
Jeg elsker dine lyse nætter.
Det rødlige skær der siver ind mellem gardinerne når jeg slukker mit lys.
Biler der kører forbi, sirener i det fjerne og lyden af folks liv der passerer  mine vinduer.
jeg sidder i et lyst mørke og tænker
det her er mit hjem
jeg vil aldrig hjem igen
emma Jan 2014
indviklet
viklet ind
i hinanden
mens vi falder
ud af mængden
væk fra natklubber
hånd i hånd
gang på gang

lejlighedsdøren knirker stadig
falsk kærlighed
sandt begær
nøgenheden lyver aldrig
men forholder sig tavs
smil fra dine øjne
brænder
som salt i åbne sår
for jeg er en andens
men vi er stadig
viklet ind
i hinanden
some poems just aren't supposed to be in english

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