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"handlebar" poems
he tickled me with love i imagine behind his merciless IBM grin sadistic chuckle my grandfather loved me built me a swing a wooden airplane gave me a bicycle a cape to wear he taught me pong and pitfall wielding a brush-broom handlebar-moustache a favorite game of his was giving raspberries testing limits his iron fingers wringing squeals of laughter sour under breathless ribs tear-eyed begging fits his old white t-shirt too small to hide his plump hairy belly, i'd tickled him there once poked him where my cousins pointed giggling when the kick came i felt it in the heart more than the back of my knee bent from the sudden sneering force when i asked him years later for a book from his dying bookshelf he joked with a growl the last emphysemic sentence i remember he said to me you gonna bring it back when you're done? i remember the rules of the tickle game and love him back for his sarcasm firecrack generosity .
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Oct 12, 2013
Oct 12, 2013 at 10:00 AM UTC
Jonathan Livingston Seagull
The peacocks were behind wire the sun warm cloudless sky and Monica had ridden beside you on her bike knowing her brothers were out with the older brother you not knowing had gone to the farm house to meet them o they’re out their mother said didn’t they tell you? no they‘d not you walked to your bike and got on where you going? Monica asked don’t know now you replied I can ride with you wherever you decide she said her mother hands on hips said don’t go bothering Benedict he doesn’t want no girl hanging on his tails he don’t mind Monica said looking at you her big eyes pleading don’t mind if she comes you said giving the mother a smile if you’re sure she said and walked back toward the farmhouse her backside moving side to side in her flowery dress and you watched until she had gone sure you don’t mind me coming? no I don’t mind you said where we going then? the peacocks again o I like them she said climbing her bike foot on the pedal ready for the push off her sandals open toed bare feet the off white skirt contrasted with the mauve top her hair dragged into a bow at the back ready? sure am and you rode off along the track from the farmhouse into the lane between trees and hedgerows she followed at your side keeping up her eyes seeming on fire her hands gripping the handlebar white and pink and the small fingers holding on for dear life her legs up and down pedalling you felt the wind in your hair through the open neck of your white shirt pushing down the jean covered legs up and down the lane narrowed then widened there they are she called the peacocks she dismounted and laid her bike against a tree and ran to the wire fence and peered through you put your bike by the hedge and walked over to where she stood peering her eyes bright and fiery how comes the ***** are bright and colourful but the hens are so dull? she asked that’s how it is in the bird world you said hens are just dull I’m not dull she said holding the wire with her fingers making noises at the birds am I? she said looking at you beside her no you’re not you said nothing dull about you at all I’m like a peacock she said bright and beautiful aren’t I? sure you are you said you peered at the strutting peacock nearest the wire out of the corner of your eye you saw Monica nose inches from the wire call to the bird her lips pursed and opening and closing her arms soft and reaching up I’m a peacock bird she said her arms in motion like wings her hands flopping above her head her feet in dance stepping and dancing in turn you watched her dance and twirl Jim and Pete’s sister the peacock girl.
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May 8, 2013
May 8, 2013 at 3:44 PM UTC
PEACOCK GIRL.
The peacocks were behind wire the sun warm cloudless sky and Monica had ridden beside you on her bike knowing her brothers were out with the older brother you not knowing had gone to the farm house to meet them o they’re out their mother said didn’t they tell you? no they‘d not you walked to your bike and got on where you going? Monica asked don’t know now you replied I can ride with you wherever you decide she said her mother hands on hips said don’t go bothering Benedict he doesn’t want no girl hanging on his tails he don’t mind Monica said looking at you her big eyes pleading don’t mind if she comes you said giving the mother a smile if you’re sure she said and walked back toward the farmhouse her backside moving side to side in her flowery dress and you watched until she had gone sure you don’t mind me coming? no I don’t mind you said where we going then? the peacocks again o I like them she said climbing her bike foot on the pedal ready for the push off her sandals open toed bare feet the off white skirt contrasted with the mauve top her hair dragged into a bow at the back ready? sure am and you rode off along the track from the farmhouse into the lane between trees and hedgerows she followed at your side keeping up her eyes seeming on fire her hands gripping the handlebar white and pink and the small fingers holding on for dear life her legs up and down pedalling you felt the wind in your hair through the open neck of your white shirt pushing down the jean covered legs up and down the lane narrowed then widened there they are she called the peacocks she dismounted and laid her bike against a tree and ran to the wire fence and peered through you put your bike by the hedge and walked over to where she stood peering her eyes bright and fiery how comes the ***** are bright and colourful but the hens are so dull? she asked that’s how it is in the bird world you said hens are just dull I’m not dull she said holding the wire with her fingers making noises at the birds am I? she said looking at you beside her no you’re not you said nothing dull about you at all I’m like a peacock she said bright and beautiful aren’t I? sure you are you said you peered at the strutting peacock nearest the wire out of the corner of your eye you saw Monica nose inches from the wire call to the bird her lips pursed and opening and closing her arms soft and reaching up I’m a peacock bird she said her arms in motion like wings her hands flopping above her head her feet in dance stepping and dancing in turn you watched her dance and twirl Jim and Pete’s sister the peacock girl.
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161
The men shout at me as they drive by ****** walk like a man!” They hoot, shout, and laugh As sunlight blinds their white-trash getaway. I look around and think How ridiculous to be unable to walk How insane for me to think that these legs Move on their own. How silly for me, the queen that I am, To think that my kingdom was Any place I was welcome. To be queer and visible Is to challenge The stained muscle shirts “wife beaters,” strung across Tattooed skin and handlebar Mustaches of the “real men” Whose siren calls Police my step. Most men hate us The Children of Naomi Campbell Men, YES MEN, too unafraid To straighten our walk Loosen our pant legs And be invisible. To be properly gay Acceptably gay, to be Tolerable is to be invisible To hide, to be “real man” My manhood is ghostly Terrifying even My walk so dangerous that It is unsafe to even drive by My community is still Dangerous, unreal Waiting for the next truck to drive by To beat me, tie me to a fence and leave me Like Matthew Shepard A ghost on a fencepole Unwanted, dangerous, My people are a threat Legs too long threatening the ability of “real men” to have simple desires They will do whatever it takes To keep it easy. Walk like a man, they yelled. I yell back the names of my family: Tiffany Edwards, Zoraida Reyes, Kandy Hall Yaz’min Shancez Bodies that didn’t walk the right way These ghosts were once threatening too. Simply existing means threatening "real men" and their women Swinging my hips is literally deadly To be flirtatious is to be threatening To invite violence, attention To get what I want, to be made a man Real man, I am not real As if my only job is to Show others how to walk, As if the rest of me Is simply fake, fantasy, irrelevant See how easily queer people Are watered down to something unidimensional, Something that is only a fragment of “real” people – we are ghosts Moving among you Threatening, ****** Never just going to work But always somehow threatening, challenging And forcing fantasies onto the world Why do we always challenge What is real? What is normal? Why can’t a man strut? Why isn’t manhood Something other than what swings with my Legs? Real. Ghostly. Fake. Invisible. Dangerous. What I hear is *powerful, noted, interesting, ….maybe even desirable.* (GASP!) When I walk now, I walk with an army of ghosts Led by the fallen, queens, and divas who threatened the men of the past. I live their lessons and proudly swish my hips in honor of my adopted ****** ancestors. We Sashay however we want Because we've realized that a "real" men is always Just a step away.
0
Jul 26, 2014
Jul 26, 2014 at 5:49 AM UTC
****** Walk
The men shout at me as they drive by ****** walk like a man!” They hoot, shout, and laugh As sunlight blinds their white-trash getaway. I look around and think How ridiculous to be unable to walk How insane for me to think that these legs Move on their own. How silly for me, the queen that I am, To think that my kingdom was Any place I was welcome. To be queer and visible Is to challenge The stained muscle shirts “wife beaters,” strung across Tattooed skin and handlebar Mustaches of the “real men” Whose siren calls Police my step. Most men hate us The Children of Naomi Campbell Men, YES MEN, too unafraid To straighten our walk Loosen our pant legs And be invisible. To be properly gay Acceptably gay, to be Tolerable is to be invisible To hide, to be “real man” My manhood is ghostly Terrifying even My walk so dangerous that It is unsafe to even drive by My community is still Dangerous, unreal Waiting for the next truck to drive by To beat me, tie me to a fence and leave me Like Matthew Shepard A ghost on a fencepole Unwanted, dangerous, My people are a threat Legs too long threatening the ability of “real men” to have simple desires They will do whatever it takes To keep it easy. Walk like a man, they yelled. I yell back the names of my family: Tiffany Edwards, Zoraida Reyes, Kandy Hall Yaz’min Shancez Bodies that didn’t walk the right way These ghosts were once threatening too. Simply existing means threatening "real men" and their women Swinging my hips is literally deadly To be flirtatious is to be threatening To invite violence, attention To get what I want, to be made a man Real man, I am not real As if my only job is to Show others how to walk, As if the rest of me Is simply fake, fantasy, irrelevant See how easily queer people Are watered down to something unidimensional, Something that is only a fragment of “real” people – we are ghosts Moving among you Threatening, ****** Never just going to work But always somehow threatening, challenging And forcing fantasies onto the world Why do we always challenge What is real? What is normal? Why can’t a man strut? Why isn’t manhood Something other than what swings with my Legs? Real. Ghostly. Fake. Invisible. Dangerous. What I hear is *powerful, noted, interesting, ….maybe even desirable.* (GASP!) When I walk now, I walk with an army of ghosts Led by the fallen, queens, and divas who threatened the men of the past. I live their lessons and proudly swish my hips in honor of my adopted ****** ancestors. We Sashay however we want Because we've realized that a "real" men is always Just a step away.
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91
The wheel spun, as the creaking Of old rusted joints moved Upon A Tattered Frame, Its was with in the spinning The voices sang The wheel shall spin" "Fates hand shall tell" "For will the wheel move" "Silent" "Or" "Sights bell" I awoke startled, hearing the Wheels turn, old spokes Sounding with each rotation, I looked upon the old bike A ringing in my ears, No wheels to move, "Just an empty shell" What made the noises "I touch my head" I feel blood, like tears falls to the ground I am conscious and the spokes Upon a crumpled wheel, "Each spoke still spinning" By the movement of the car wheel, Each one takes Hair Skull Brain, My mind trying to shield me From my fate, but the bell on the Handlebar, Bing "BIng" "BING" Awoke me to my fate, a broken Reflector shows what closed eyes Did cloak, from me to see, I scream, A Maddening Scream, As I lie crumpled a broken shell, And this mirror A front row image Of my death in slow motion, The wheel turns I hear the bell, And with the final chime The wheel turns but there is no one home, To hear the bells ring and the wheel carries on..
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Oct 28, 2014
Oct 28, 2014 at 7:35 PM UTC
I Want To Ride My Bicycle
people -- blue jeans -- t-shirts -- volleyball -- sparklers -- *** its -- stone bridge -- pine trees -- new trees -- old trees -- fireworks -- grass -- sonic boom -- picnic chairs -- bicycles -- oak trees -- bare neck -- tickles -- sneezing -- bless you -- slight chill -- cloud cover -- police cars -- policemen -- uniforms -- night sticks -- sweat pants -- baby strollers -- skull & crossbones -- muscle shirt -- sweat shirt -- baseball caps -- fountains of sparks -- greenery -- dandelions -- yellow weeds -- wafting smoke -- black man in white shirt -- white man in black shirt -- SUV -- Boxer dog -- red wagon -- smoke stacks -- asian couple -- running shorts -- acrid smoke -- ice cream truck -- double trees -- pony tail -- mosquitos -- fishing hat -- yellow truck -- handlebar mustache -- bad *** attitude -- shaved head -- balloon -- barbeque -- sunset -- affro -- tennis shoes -- multi-colored hair -- canoe -- golden purse -- playing band -- American flag -- folding chair -- name badge -- red, white, & blue -- skipping rocks -- cargo shorts -- matching couple -- bike path -- hippie hair -- low rider -- peace sign -- golden chains -- waning moon -- waxed legs -- hoodies -- striped shirt -- victory dance -- short shorts -- cigar smoke -- watermelon -- Viking's bag -- leopard skin jacket -- skooter -- digital camera -- creepy stalker dude -- tent building -- horeshoes -- personal space invaders -- glow sticks -- picnic basket -- cooler -- smoke bombs -- plaid skirt -- 77 sweats -- interracial couples -- motorcycle -- orange vest -- plastic ball -- face paint -- cops in two different uniforms -- split tree -- pregnant lady -- trash talking horeshoe player -- street lamps -- playing tag -- large blue cooler -- bright green pants -- humorless boy
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Oct 27, 2014
Oct 27, 2014 at 5:40 PM UTC
Fourth of July
people -- blue jeans -- t-shirts -- volleyball -- sparklers -- *** its -- stone bridge -- pine trees -- new trees -- old trees -- fireworks -- grass -- sonic boom -- picnic chairs -- bicycles -- oak trees -- bare neck -- tickles -- sneezing -- bless you -- slight chill -- cloud cover -- police cars -- policemen -- uniforms -- night sticks -- sweat pants -- baby strollers -- skull & crossbones -- muscle shirt -- sweat shirt -- baseball caps -- fountains of sparks -- greenery -- dandelions -- yellow weeds -- wafting smoke -- black man in white shirt -- white man in black shirt -- SUV -- Boxer dog -- red wagon -- smoke stacks -- asian couple -- running shorts -- acrid smoke -- ice cream truck -- double trees -- pony tail -- mosquitos -- fishing hat -- yellow truck -- handlebar mustache -- bad *** attitude -- shaved head -- balloon -- barbeque -- sunset -- affro -- tennis shoes -- multi-colored hair -- canoe -- golden purse -- playing band -- American flag -- folding chair -- name badge -- red, white, & blue -- skipping rocks -- cargo shorts -- matching couple -- bike path -- hippie hair -- low rider -- peace sign -- golden chains -- waning moon -- waxed legs -- hoodies -- striped shirt -- victory dance -- short shorts -- cigar smoke -- watermelon -- Viking's bag -- leopard skin jacket -- skooter -- digital camera -- creepy stalker dude -- tent building -- horeshoes -- personal space invaders -- glow sticks -- picnic basket -- cooler -- smoke bombs -- plaid skirt -- 77 sweats -- interracial couples -- motorcycle -- orange vest -- plastic ball -- face paint -- cops in two different uniforms -- split tree -- pregnant lady -- trash talking horeshoe player -- street lamps -- playing tag -- large blue cooler -- bright green pants -- humorless boy
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1
Queue for a dance with ink upon your wrist, paper wrapped tight and a waiting kiss. Princes march to their kingdom come, on their checkerboard, light board, dance floor hum. Princesses in timely masks of nightmarish dreams hide their real selves in plain sight, with handlebar hair cut into wigs, only hiding scalps of shame. In head, in thought, I spoke 26 words, 7 points of punctuation and 6 saintly verbs: *You left. a dance too short, touch of the *** another ***** for the group, feel of the *** smile and forget, forget she ever asked.*
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Nov 1, 2012
Nov 1, 2012 at 10:42 AM UTC
HALLOWEEN FOR NEW YORK. HALLOWEEN FOR THOUGHT.
God waited for Abraham's arm to be actually starting down, the biceps fully tensed. Nothing short would do; in extremity, we learn what's true. With a good job, a good marriage, a fine son, I had everything one could expect.   And yet there was a lingering dissatisfaction; a malaise. It seemed, deep down, that I didn't really feel or believe in anything. .........                                                                               On Saturday morning, August 11, 1990, my three-year-old son and I rounded the corner at the south end of the block where we live.  We were out for a walk.  (He had been born through in-vitro fertilization, everything else had failed -- including several previous in-vitro attempts.)  He was riding his tricycle -- it's amazing how fast a three-year-old can go on a tricycle with big wheels. . . .  The house next to the corner had tall bushes growing right out to the sidewalk.  As we passed the house, my son speeded up.  My attention was diverted to men working across the street trimming trees.  Their chainsaws drowned out the sound of a car backing out of the driveway next to the house with the bushes.  The car was moving slowly and I can see in the slowest of slow motion -- I screamed, but I'm not sure just when (there's no sound track to this movie) -- the car backing into the left handlebar of the tricycle, tilting it over to the right, my son breaking his fall with his right hand.   (As low to the ground as he and the tricycle were, they could not be visible in the driver's rearview mirror at this point.)  And, then, the car stopping.  Did the car stop because of my scream?  Or had the old man driving the car seen my son at the last second before he disappeared behind the car? ....... I learned instantly with the terrible weight of that tire inches from my son's head, that I wanted with a giant, horrible wanting for this boy to grow up healthy and to have children of his own who would, in turn, have children of their own, and that having my wife hate me for losing him would be unbearable. All the unfairnesses I had suffered in life -- ALL of them -- instantly became meaningless. Everything was clear. This is what I wanted; this is what I believed.
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Aug 1, 2017
Aug 1, 2017 at 2:14 PM UTC
What's True
God waited for Abraham's arm to be actually starting down, the biceps fully tensed. Nothing short would do; in extremity, we learn what's true. With a good job, a good marriage, a fine son, I had everything one could expect.   And yet there was a lingering dissatisfaction; a malaise. It seemed, deep down, that I didn't really feel or believe in anything. .........                                                                               On Saturday morning, August 11, 1990, my three-year-old son and I rounded the corner at the south end of the block where we live.  We were out for a walk.  (He had been born through in-vitro fertilization, everything else had failed -- including several previous in-vitro attempts.)  He was riding his tricycle -- it's amazing how fast a three-year-old can go on a tricycle with big wheels. . . .  The house next to the corner had tall bushes growing right out to the sidewalk.  As we passed the house, my son speeded up.  My attention was diverted to men working across the street trimming trees.  Their chainsaws drowned out the sound of a car backing out of the driveway next to the house with the bushes.  The car was moving slowly and I can see in the slowest of slow motion -- I screamed, but I'm not sure just when (there's no sound track to this movie) -- the car backing into the left handlebar of the tricycle, tilting it over to the right, my son breaking his fall with his right hand.   (As low to the ground as he and the tricycle were, they could not be visible in the driver's rearview mirror at this point.)  And, then, the car stopping.  Did the car stop because of my scream?  Or had the old man driving the car seen my son at the last second before he disappeared behind the car? ....... I learned instantly with the terrible weight of that tire inches from my son's head, that I wanted with a giant, horrible wanting for this boy to grow up healthy and to have children of his own who would, in turn, have children of their own, and that having my wife hate me for losing him would be unbearable. All the unfairnesses I had suffered in life -- ALL of them -- instantly became meaningless. Everything was clear. This is what I wanted; this is what I believed.
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12
my body is a trash can a dumping ground for mistakes every day is a morning after every day breeds saccharine aches bruised lips and handlebar hips a naked exposé of wrong from tarpit lungs, through purple teeth eerie hisses of my afflicted song the poison flower blossoms only once infernal fragrance of forgive-me-nots no tide rinses the sins of night at 1400 weeks this vessel rots
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Jun 4, 2012
Jun 4, 2012 at 6:26 PM UTC
1400 weeks
Can't decide what to play with today. There are my colouring books and pencils. I could also find my drawing pad and use a ruler and some stencils. I have my Legos and my cars, and lots of other shiny toys, but my mum sends me out to join the other little boys. It's a beautiful day, she says, you should be in fresh air, yet too young for school you are no need to worry or even care. I meet Timmy, my friend down the lane. He shows me his bicycle with considerable pride. It's new, he says, with bell, brakes and all. I ask him if I could learn to ride. Of course, he says, hop on and I'll push. I follow his instructions - tightly grip the handlebar and speed away without a plan of further action, when along comes roaring an enormous motorcar. Please make it stop, I scream. But Timmy is not there. So just before the tragic but inevitable demise, a miracle occurs, I wake up in bed safely, all grown up and full of surprise.
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Jul 5, 2021
Jul 5, 2021 at 3:33 AM UTC
The Obstacle
With legs pumping like mad, eager to keep up While his pedals went around very slow He ambled along giving me exercise "Would you like me to slow down a bit Joe?" But I pedalled along with all of my might And I was keeping up, at least I thought But an L-driver outside the driving school Opened his door and brought me up short. Into the road I flew off my little red bike But a hand grabbed me and halted my fall I think it was the L-driver who caught me He had a handlebar moustache I recall. Well they all made a fuss about something And to the hospital I was told I must go But the thing was I'd lost sight of my father They watched amazed as I shot off shouting "No!" In a time like forever I found my father He was sitting, looking back, one foot down As I raced up and sat still behind him His faced changed from smiling to a frown. It seems that my face was all covered in blood I was desperate to catch up I didn't realise As he leapt off his bike and wrapped his arms round me I said "Dad! Why are there tears in your eyes?" The driver's door had caught me just under the eye I'd a **** of some length underneath Being just seven years old I didn't know why Dad's tears were his show of relief. ©Joe Wilson - The little red bike... 2014 When I wrote this I was thinking about my Dad. He never cycled with me too much. He became ill soon after I was born and died when I was just twelve. I loved him so very much.
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Nov 2, 2014
Nov 2, 2014 at 3:45 PM UTC
The little red bike...
I was going to write a poem    about how I stood on the corner after    work, gripping a squishy handlebar with    my left hand and holding K’s flip phone    in the other. My stomach flip-flopped across JFK blvd, down 20th street, and to that little alleyway where I stood alone for a while. An old lady stared at me...    did I trigger a happy memory of her    youth,    or was she just smirking at the beads of    sweat on my forehead and disintegrating    soles of my ballet flats?    My black dress slouched over my body    like I was going to a  funeral. And even though my acro class was yesterday, I still felt upside down. There’s no way I could stay in a handstand that long, but I would’ve done it if it gave me a different explanation for why I was so sick. Inside of me were those cropping rainbow scribbles that I used to make on Paint, you know, the ones that seemed like they could create a picture but ended up turning into shaking lines? I could feel the lack of your presence, I could FEEL your not being there. As the minutes passed and I kept standing and waiting my face drooped and it was hard not to cry right there on the spot. It was just past lunchtime but there was still a steady flow of businessmen filling the sidewalk. They glanced at me but I just looked away because they were my father's age and gave me familiar half-smiles. I said that I was going to write a poem because I didn't have enough energy to do anything but list words, but I guess this just turned into a ****** one.
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Jan 11, 2017
Jan 11, 2017 at 12:56 PM UTC
Vulnerable
I was going to write a poem    about how I stood on the corner after    work, gripping a squishy handlebar with    my left hand and holding K’s flip phone    in the other. My stomach flip-flopped across JFK blvd, down 20th street, and to that little alleyway where I stood alone for a while. An old lady stared at me...    did I trigger a happy memory of her    youth,    or was she just smirking at the beads of    sweat on my forehead and disintegrating    soles of my ballet flats?    My black dress slouched over my body    like I was going to a  funeral. And even though my acro class was yesterday, I still felt upside down. There’s no way I could stay in a handstand that long, but I would’ve done it if it gave me a different explanation for why I was so sick. Inside of me were those cropping rainbow scribbles that I used to make on Paint, you know, the ones that seemed like they could create a picture but ended up turning into shaking lines? I could feel the lack of your presence, I could FEEL your not being there. As the minutes passed and I kept standing and waiting my face drooped and it was hard not to cry right there on the spot. It was just past lunchtime but there was still a steady flow of businessmen filling the sidewalk. They glanced at me but I just looked away because they were my father's age and gave me familiar half-smiles. I said that I was going to write a poem because I didn't have enough energy to do anything but list words, but I guess this just turned into a ****** one.
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24
I'm riding a bike through The trees, handlebar gripped As blossom floats Frozen, As I peddle through This is like a Mirage Dream, Sequence, Can this be real as I I hold my hands up, Handle bar steady   Fingers, Touch, Caress, The silk hanging in the air Its like Christmas But the snow smells Sweet, Silken, Aroma, Hangs in the air, a smile Upon my lips, Its a photo in my mind The feeling of nature Feeling free, I released my handlebars As I cycled through Blossom, And for a moment I was free.
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Sep 26, 2014
Sep 26, 2014 at 8:26 PM UTC
Handlebars Released
Heavy was the globe, until the glove hit Found himself entangled in a handlebar flip Iron in the taste, ****** waste Continuum drawn back on a meaningless quip Unsteady footing reminiscent of preschool days, snorting paste Zebra striped mockery, paid off the books; his vision’s been maced Early end to prolonged exposure, he tries to bait Steady eyed denial approaches with haste The monetarily gorged rule keeper entangles in debate Opponent grows weary appearing irate He recalls the words in a blank cheque written by a weak frame A levelling blow leaves his opponent in a blank state World weary and star struck to blame All in pursuit of everlasting fame
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May 9, 2015
May 9, 2015 at 3:32 AM UTC
Worth Of An Epic (A 30 Second Holding) (Moonlight In Vermont)
The humdrum of machines. A missed cycle, a bad bearing, a bent fan blade. It makes a music like no one would believe. The electric hum of powerlines and transformers. The clanks and jeers of a crowded bar, the cheers of an arena. The construction on your neighbors houses while you set in humble shame. Jackhammers, swinging hammers. Little handlebar bicycle rings from the children you never had. Sometimes, you want to say **** it, and burn the world down. Then you remember, some people aren't unhappy. It's not your place to sabotage their trampoline. Sometimes you're just who you are, and no one else, and nothing else matters. Sometimes you're you. The rest of the times you're just trying to be.
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Jun 20, 2018
Jun 20, 2018 at 10:02 PM UTC
Poetry 101
"I bagged this one out in In-di-A!" ...the braggart's boast. "It's a very rare ( these days)ALGERNON!" And indeed, an Algernon bares his teeth above the roaring fire's mantlepiece. He looked startled as he had been shot just that second. "The head is splendidly mounted complete with handlebar moustache ...& monocle. One feels that one could pop next door and there would be ha ha...the rest of Algernon sticking out the other side. The glint in the eye the sneer just so ...right. "And to the right of the Algernon is a genuine Cuthbert. Again from 1901 or there or thereabouts." "It is indeed a perfect specimen of the good old chap..." the white rhino brags yet again of what he calls his baggings. White Rhino's collection of colonials is the envy of all the other animals. "Some more hot *** old chum?" But the White Tiger puts a paw over his glass. Declines. The fire's flickering leaping up the wall. The shadow making the humans almost come alive as if the Cuthbert could turn to the Algernon and say "OH...I SAY!
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Jul 19, 2015
Jul 19, 2015 at 10:11 AM UTC
'OH, I SAY!"
I first saw him in magazine ads: chiseled face + handlebar mustache + a thousand yard stare= badass. Often, two smiling, beautiful people would be to his sides, connected to his coolness, validated by his sophistication. I couldn’t wait to have one. An adjustment period comes with having a pet—sacrifices must be made. People say things like, “I never figured him as a monkey person…” and you become part of the pet owner’s subculture. He stinks up the house a bit, but I never have to lay down newspaper. Like I said, sacrifices must be made. We soon develop a symbiotic relationship: when I wake up, he is next to me… I pick him up after every meal… I take him for walks on my breaks from work… Ozzie & Harriet… Michael & Bubbles… Frankie Beverly & Maze— “We Are One”. Anyhow, eleven years pass and he gets huge. It’s becoming harder to carry him the less I think of it. My pet develops a penchant for climbing skyscrapers, a proclivity towards abducting white women, but he is always there for me. I wouldn’t call him high maintenance, but caring for a silver-back gorilla can be expensive. Nonetheless, he is well-fed; the money I spend is Chiquita. I kiss his **** sure…everyone that knows him does. I have to get rid of him and it will break my heart. You can’t take a gorilla to the pound and they won’t read Dear John letters, but something must be done. If I don’t **** him sooner or later, he will **** me… he has become a wild animal after all. A pet is never more dangerous than its owner.
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Dec 9, 2015
Dec 9, 2015 at 7:23 PM UTC
The Marlboro Monkey
I first saw him in magazine ads: chiseled face + handlebar mustache + a thousand yard stare= badass. Often, two smiling, beautiful people would be to his sides, connected to his coolness, validated by his sophistication. I couldn’t wait to have one. An adjustment period comes with having a pet—sacrifices must be made. People say things like, “I never figured him as a monkey person…” and you become part of the pet owner’s subculture. He stinks up the house a bit, but I never have to lay down newspaper. Like I said, sacrifices must be made. We soon develop a symbiotic relationship: when I wake up, he is next to me… I pick him up after every meal… I take him for walks on my breaks from work… Ozzie & Harriet… Michael & Bubbles… Frankie Beverly & Maze— “We Are One”. Anyhow, eleven years pass and he gets huge. It’s becoming harder to carry him the less I think of it. My pet develops a penchant for climbing skyscrapers, a proclivity towards abducting white women, but he is always there for me. I wouldn’t call him high maintenance, but caring for a silver-back gorilla can be expensive. Nonetheless, he is well-fed; the money I spend is Chiquita. I kiss his **** sure…everyone that knows him does. I have to get rid of him and it will break my heart. You can’t take a gorilla to the pound and they won’t read Dear John letters, but something must be done. If I don’t **** him sooner or later, he will **** me… he has become a wild animal after all. A pet is never more dangerous than its owner.
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37
Curious sight, that old man in the cowboy hat, he had a handlebar mustache and was driving away in his red convertible, smoking, puffing on a Cuban cigar, singing along to a hip-hop track. Cartoons are real, I saw one driving a convertible outside the mall the other day. Truly curious sight.
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May 30, 2013
May 30, 2013 at 1:22 PM UTC
Cartoons are real
Little princess you've had a long day, Running and laughing,keeping boredom at bay, It's been lots of fun but now you must rest, You need lots of sleep to look at your best. So take off your play clothes and put on your nightie, Then mam will come up and tuck you in tightly, I'll read you a story and sing you a song, And you'll be back in dreamland before very long. There you're a princess and live in a castle, You ride a pink bike with handlebar tassles, You have a big bedroom and four poster bed, With big fluffy pillows to tickle your head. You own lots of toys and a furry white horse, He lives in a stable,the biggest of course, You feed him his dinner and off you both fly, You shout "look at me nanny" as you fly by. But now its the morning and time to get up, We've got nanny to see and immy to beat up, But the same time tonight once you've laid down, I'll wait in our castle to give you a crown. You're a princess in dreamland and always will be, But even in the real world you're a princess to me.
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Aug 1, 2014
Aug 1, 2014 at 7:32 AM UTC
a princess' lullaby
The old man With a handlebar mustache And pipe in his hand Has asked me How I’ve been Every day Since your absence. Too chipper to be Death Too rugged for Hope He mentions The pain in my eyes Lessens each week And offers a **** To help me cope. I explain, “It’s not the thought of her That brings me sorrow But knowing that tomorrow I’ll be one step closer To forgetting her laugh Or how she felt In my hands.” He casually says back, “I don’t think it’s fair For your heart On the mend To relive a love Abandoned When she left With the wind.” Same time tomorrow Old friend.
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Feb 19, 2018
Feb 19, 2018 at 6:00 PM UTC
Same time tomorrow
I have watched you cheat and swindle. I’ve listened to your shallow lies. I have seen what passes for integrity In the avarice that shines from your eyes. You don’t seem to be able to talk much Without over-exaggerating the truth. You speak like the infamous cookie-jar kid, But, you don’t have the advantage of youth. It doesn’t take long to recognize That you are just a fake and a crook. You can’t avoid exhibiting behavior Of every villain in the story books. All you need is a handlebar mustache And a damsel to rope to the tracks For us to know exactly who you are; That Snively Whiplash is back! But alas we have no Dudley Doright To come along and vanquish the foe. The heroes have all died out, it seems And we only ever had eleven or so. The rest are cowards, covering *** And hiding behind wimpy excuses That let the gang leaders do their worst And heap on us further abuses. As always the way with dictators They need the people to lie down And let themselves be driven over By a huge car driven by a clown. Those are the wimps, and the marks Who quit learning in elementary school Who can’t tell a statesman from a crook And applaud when listening to a fool. But not all of us are hornswoggled; Some of us can read the danger signs. We scream and shout all the way through To idiots that seem deaf and blind. In vain we insist of those not too bright That the leaders should go by the book . No matter how stupid you think we are We’re not all as dumb as you look.
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May 23, 2017
May 23, 2017 at 7:02 PM UTC
WE'RE NOT ALL AS DUMB AS WE LOOK
I have watched you cheat and swindle. I’ve listened to your shallow lies. I have seen what passes for integrity In the avarice that shines from your eyes. You don’t seem to be able to talk much Without over-exaggerating the truth. You speak like the infamous cookie-jar kid, But, you don’t have the advantage of youth. It doesn’t take long to recognize That you are just a fake and a crook. You can’t avoid exhibiting behavior Of every villain in the story books. All you need is a handlebar mustache And a damsel to rope to the tracks For us to know exactly who you are; That Snively Whiplash is back! But alas we have no Dudley Doright To come along and vanquish the foe. The heroes have all died out, it seems And we only ever had eleven or so. The rest are cowards, covering *** And hiding behind wimpy excuses That let the gang leaders do their worst And heap on us further abuses. As always the way with dictators They need the people to lie down And let themselves be driven over By a huge car driven by a clown. Those are the wimps, and the marks Who quit learning in elementary school Who can’t tell a statesman from a crook And applaud when listening to a fool. But not all of us are hornswoggled; Some of us can read the danger signs. We scream and shout all the way through To idiots that seem deaf and blind. In vain we insist of those not too bright That the leaders should go by the book . No matter how stupid you think we are We’re not all as dumb as you look.
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40
In my poem, I'll grasp the handlebar with sweat-drenched palms & unfocused eyeballs as they blur through the evening spectacle. I'll clench death at the knot of my fingers, & the grease oozing out from me like life itself. The door creaks covertly, as I focus on the evening grey, my face sliding into the shadows, unmetered and unseen. No solace can be found at this moment, neither can Papa's gentle smile cradle me in hope. I'll climb onto the bridge rail, watching as people are sliced into silence, emptied onto the deserted bridge road. The water's blackness beckons me, and I'll answer with my legs, climbing, assisted by some unseen force. I'll dissolve this fleeting hope and sink into that blackness, where consciousness dissolves into nothingness. ~Mikelson
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Dec 29, 2024
Dec 29, 2024 at 7:03 AM UTC
"Mindscape into blur"
white pink skechers follow brown-leather feet padding down the stairs, nothing but fall leaves and a generation between us the older man glides the purple beauty into our front yard and onto the sidewalk gramps is a dedicated biker and will be years from now polished aluminum gives way to the sun and his eyes gleam along with it he guides me down the pavement, conserving my speed with a trembling palm on the handlebar holds me tight and shows me how not to ride, when to push through an upcoming hill and when to brake -- c
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Mar 5, 2018
Mar 5, 2018 at 3:49 PM UTC
a purple schwinn
Only a few make a pact with the wind Only a few know the joy there within Free of the shadow that follows and stalks Escaping tomorrow in moments recaught Horizons lie waiting as pilgrims embark Voices like magnets pull light from the dark Only a few hear the music on high Through handlebar portals — embraced by the sky (Dreamsleep: May, 2025)
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May 6, 2025
May 6, 2025 at 12:22 PM UTC
Ode To Michael Parks
He wore a mustache below his crooked nose twisted into handlebar shaped antlers and he spoke through his teeth with lies he stole from the devils lips on a night full of the bloodletting of lust and the strands of his beard where frozen swirls of black smoke hanging from the bottom of his outer jawline and there was dark magic spinning tales in the carmel brown of his eyes and she knew not a single truth hung there in the air seperating their hungery mouths and could taste the fire within his lungs before their tounges tangled and as they kissed she pulled out his soul and stole his fire and his breath and slipped her hands through his ribs and gently squeezed her fingers around his heart and with a swift flick of her wrist carved her intials in his pulse and he was wrapped around the desire and arch of her spine and he abandoned his dreams and his hopes and swore over his heart to the voyage of her ship and exploration of the seas and storms of her love and tied his wrist to the mast and spoke an unbreakable vow to forever sail under her name and her crown through this life and through the bones of his death and should he rise again wander the lonely shores until he found her seas and ship and heart and would then be hers again
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Mar 26, 2017
Mar 26, 2017 at 5:34 PM UTC
seas and storms