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Jim Marchel Sep 2016
On an autumn walk at the ides of day
I saw birds of a feather fly together away.
As they flew over flames
In an ides-of-day way
They got caught in the weather
And so forever became
The tall twisted tale
That we hear of so much:
Two birds with one hailstone,
Death from maelstrom above.
Birds of a feather flock together.

Also wanna give a shoutout to the Romans and their calendar for bringing the word "ides" to mind.
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
surei Sep 2011
How could you be so out of times, my child?
The clock goes tick tock, but you are -
Enframed; untouchable
How could time be so frozen in your mind.

Enframed, untouched, what could you say to get yourself out of this mess?

The bells are ringing
The skies are dimming, their lights
Maybe it's time to move on
But you are still,
too still and unabridged

I rest my case and you win

Much of my stoic quality won't win in this world
Thank god I learned from you,
a valuable piece of information I suppose
And here, I still stand -
Here, I still breathe your air
Fatima Ammar Mar 2014
walking through the hidden realm of my heart,

whistling close by me, a poisoned dart,

burning lightning in a pearly orb,

the essence of my agony you absorb,

echoes of a dog's anguished howl,

the opening eyes of a new-born foal,

ruby tears from the eyes of an innocent child,

a Spanish bull fight gone wild,

fiery chimera in a hailstone blizzard,

a multilingual emerald, flying-lizard,

purple mountain majestic mistletoe kiss,

a rare sorrowful bliss,

a distant ringing of mournful bells,

walking along a rocky beach collecting empty shells,

carousel of blood-hounds, running on fire,

my only desire; to hear this unearthly ire,

wretched arlequin, juggling the last string of sanity,

this truly isn't a show of subconscious vanity,

reaping emotions at such surprising speeds,

along with bitter memories of horrendous deeds,

diving into a sun-warmed tropical reef,

floating with fire coral far beneath,

a lilytrotter on candy-sweet waters,

the irreplaceable smile of a cherished daughter,

a blue fish dancing on a ghastly moon,

corruption swept away by a gilded monsoon,

a flurry in a race-horse chase,

no thoughts left to chastise,

shrewd smell of ancient tree-spice,

lingers in the unreachable corners of paradise,

when the red and golden banners are hung,

a far-off nightingale's song is sung,

the cresent moon, white-light projector,

an involuntary earth-life protector,

darling Ludwig, you sly minx,

for you have put my uncontrollable will under a jinx,

I'm ****, my true colours on display,

until it comes my time to decay,

Elise trapped thee heart in Limbo,

full of shadowed stars and powdered moonshine,

in a fairytale land divine,

treacherous Elise, make a speech,

of words no Poet can breech,

to thy trespasser, rowing,

in forbidden waters of longing melody.

175 seconds of unabridged art in blood...




AN: I'm sorry about how mad this first appears to be. If any of you know the history behind the song Für Elise then you might understand what this rant-like poem is on about.

Elise, (not her real name) was proposed to by Ludwig van Beethoven but rejected him to be with an Austrian nobleman. It is thought he wrote this for her. So I tried to describe a bit of the emotions he put into tune.


(there are many theories on who this song was meant for but I just chose this one)
Ridvan Dibra Oct 2015
Ridvan Dibra


Everyone forgot Sephorah, the Prophet’s wife.



The heavens are unfolding like pages of a book,
My Lord.

Pages worn from time
Yet I say they are more worn from their daily reading,
Some are creased and some are shredded
From bolts of lightning and our impatience.

Just as blind as we were in the beginning,
My Lord.

Not a single page did we know how to decipher,
Not a single line, not a single letter,
Simply because we searched upward and afar
When the alphabet was taught around us and everywhere.

Just as deaf as we were in the beginning,
My Lord.

We did not know how to hear your voice
Distracted by a thousand and one false voices,
When everything was so simple and light
It sufficed that we bow our heads and listen to our breathing.

Just as hungry as we were in the beginning,
My Lord.

Simply because we desired our neighbour’s vine
And never blessed our wild weeds
Neither the globe that we should not have bitten
In a rush like the unripe apple.

Just as alone as we were in the beginning,
My Lord.

Scattered about like grains of sand
From the wind that we blew with our cheeks,
Or rather like repentant orphans
Because they raised their hands and slew their parents.
Just as much in the dust as we were in the beginning,
My Lord.

On our lips, in our lungs there is dust
And when we think we are flying higher and higher
The dust pursues us simply because we are idle or forget
To cleanse ourselves before every departure.

Just as homeless as we were in the beginning,
My Lord.

Our huts collapse before being completed,
No thousand years could they suffer your anger,
Until, one after the other, we blame
The walls and the roof, and then the foundations.

Just as thirsty as we were in the beginning,
My Lord.

With our dried and withering lips blistered as in August
We desiccated the sources of life one by one,
Sought and then created
Endless springs of blood.  

Just as ignorant as we were in the beginning,
My Lord.

Simply because we took the second step before the third
And said the first word after the second,
Thus, even our knowledge is nothing
But a correction of errors once made.

You are still everywhere
And we are nowhere,
My Lord.

We disregarded all the reasons for blood,
We forgot even the screams of grieving folk,
We forgot that the wounds of our foes
Would one day hurt even more in our *******.

And they hurt in my breast,
My Lord.


THE FIRST PLAGUE: BLOOD


You shake more from the blood than from the shadows, Sephorah.
From the blood that has no name, that rises out of the fresh wound,
Blood that shines the same in all wounds,
Blood that never knew how to become water.

But the water becomes blood,
My Sephorah.

I only need to strike it with my snake-shaped staff,
That is, with my untamed will,
Bang-bang-bang,
Bang-bang,
Bang.

See how the rivers and all other waters have been bloodied,
The snow is melting and it drips blood
The sharp-pointed icicles are dripping blood,
Drip-drip-drip,
Drip-drip,
Drip.

Understand now the value of water
And let my purpose go
You blistered lips and you arid lands,
You thirsty ******* and you hungry fish,
You forgot that they fished me from the water with my name:

It was life at the beginning
Death followed in its footsteps.


THE SECOND PLAGUE: THE FROGS  


You shudder more from the swamp than from the blood, Sephorah,
The swamp called oblivion and lack of attention,
The sallow swamp that chokes the green,
As the moment strangles eternity.

The swamp that spawns monsters,
My Sephorah.

All sorts of reptiles, repulsive, slowly creeping,
All types of lilies, brightly coloured, but poisonous,
All kinds of breaths, all of them muddied,
And in the end, the emblematic frogs:

Lured by my snake-shaped staff,
That is, by my untamed will.

They approach and enter your home, Sephorah,
In the room where you sleep,
They creep into your bed.

They stain its white sheets
Disturb your tranquil sleep
With their salivating cries,
Croak-croak-croak,
Croak, croak,
Croak.

When the Gods fight with one another
Man must make peace with himself.

My Sephorah.


THE THIRD PLAGUE: THE MOSQUITOES


You recoil more from the cause than from the consequences, Sephorah,
The cause that is me or somebody else within me,
It happens rarely, very rarely to human beings,
And perhaps never to the daughters of Eve.

The swirls of dust have now become clouds of mosquitoes,
My Sephorah.

Over your face and over your tall body,
Over your lips and over your small *******,
Over your sleep and over your ****** dreams,
Over your silence and over your divine patience,
Over your tears and over your rare smile,
Over your motherhood and over your rare fruit,
Over your roots and over your green stem
Have remained the gray scars of bites,

My Sephorah.


THE FOURTH PLAGUE: THE FLIES


They are tiny and everywhere and drive you crazy, Sephorah,
Like grains of the pale sand falling through the fingers,
Or like words and daily routines
That we could do without.

This cloud of flies is the shroud,
My Sephorah.

Neither wound, nor bite, nor poison
On your marble-white body
Or all three at once, somewhere under your skin
Where feelings sting like an uncommitted sin
And where the start is projected as an expected end.  

Because death comes rarely
Without being invited in advance by us,

My Sephorah.


THE FIFTH PLAGUE: THE BEASTS


Once I spoke of you as I did of the beasts, Sephorah.
Finding in them everything that is yours
Or finding in you everything that is theirs, it’s the same thing.

I am talking about those times when you were called nature
Or when nature was a woman, it’s the same thing.

But the beasts all perished,
My Sephorah.

They perished in you, grievously, one by one
Died the grace of mares in the fields at sunset,
Died the sacrifice of camels in the fallow desert,
Died the naivety of the donkeys chewing on thorny bushes,
Died the kindness of the sheep and the fertility of the cow.

They were cut, one by one ,
And perhaps it was I who cut them, one by one,
The threads that tied you to nature,

My Sephorah.


THE SIXTH PLAGUE: THE DUST


The dust is like prejudice, Sephorah,
With your lungs you breathe it in,
It envelops you entirely
In a mantle that changes according to season.
It’s the sky that sifts furnace ashes,
My Sephorah.

On you and on every other breathing being around
Falls the gray sorrow that thereafter conceives
Autumn, eternally ailing,
From its inability to be another season,
More similar to human beings and their fate,
For fates under the dust all become the same,
Or so it may seem to the untrained eye
To the stare that only strokes the surface
Like the dust strokes your senses,

My Sephorah.


THE SEVENTH PLAGUE: THE HAIL


Intermediate things have always caused you to shake, Sephorah,
Hail, for example - neither a raindrop nor a snowflake,
Not even a raindrop and a snowflake together.  

You are alone between fire and ice,
My Sephorah.

They are not pearly garlands that hang in the heavens
But ropes with hailstone spines,
Enticed by my wooden staff
With the fiery snakes of lightning,
Scorching like blind passion.

The barley in the sheaves is scorched and withered
As is the flax which just bloomed,

But not the wheat that endures and is late to ripen
Nor your invincible core,

My Sephorah.  


THE EIGHTH PLAGUE: THE LOCUSTS


The healed wound brings forth another, Sephorah,
As desire brings forth desire and pain brings forth pain,
Until the moment when the soul becomes a soulless object
And the body a soul and a breath together

The dancers of death are approaching,
My Sephorah.

A wind from the east has borne them in throngs,
An army of hungry moments, never satiated,
A plague that gobbles up everything that remains
Especially young sprigs, as yet to grow shoots
And everything else that is green and that nourishes the hope
Sown in your soul
And in your warm body,
My Sephorah.


THE NINTH PLAGUE: THE DARKNESS


You dread more the darkness than the fire, Sephorah,
When shapes disappear and everything becomes the same,
The highest and the lowest, and the black and white

You dread the darkness that is touched by hands,
My Sephorah.

Then you have no other salvation but to turn towards yourself
As to a friend lost and found after many many years,
Because darkness is darkness, and dissipates not like the mist,
Because it hides the unknown and reveals the known.
Man does not see man, and touches him only
When avoidance becomes impossible.

The belated reward pains you
As it does me and my rediscovered self,

My Sephorah.


THE TENTH PLAGUE: DEATH


You’re disturbed more by death than by life, Sephorah,
That is, life near to me and my isolated people
With their eternal and false aspirations for salvation
In their arduous attempts to be understood.,

While the death itself flees from you,
My Sephorah!

On your wise brow as on the crossbeam of a heated house
I have left the telling sign of blood:
May death remember and seek another shelter,
For man can recognize only what he has created himself,
Whereas the beginning and the end are the creations of others,
Even though the elephants return to die in their birthplace.

“Who is not with me is against me”
Said even death to itself one day.

My Sephorah.


THE ELEVENTH PLAGUE: SEPHORAH


Stronger and safer than on my wooden will,
I rely on your silent sacrifice, Sephorah,
You, the most unhealed of all my wounds
That pains me most when the others are silent.

Long has been the road, Sephorah, far too long,
Full of turns and ambushes that delayed my purpose,
Even though I knew that only children expect instant victory
And that all the prophets of old were marching through me.

But long roads never end, Sephorah,
My staff and my faith were too small: only to the Lord does its own self suffice.
I needed more love than understanding,
And then you came, with your body enwrapped in spirit.

I loved only the purpose and thus the people did not love me, Sephorah,
Filled with poison, the cup in your fair hands
And yet, despair is a virtue and joy is a sin,
Whereas events live less than people.

When you teach someone, they pay you, Sephorah,
When you teach all, you must pay yourself.

It is both beautiful and hard to be the wife of a prophet,

My Sephorah.  


March, 2000


Translated from the Albanian by Shinasi Rama, Janice Mathie-Heck and Robert Elsie
Jim Marchel Mar 8
On an autumn walk at the ides of day
I saw birds of a feather fly together away.
As they flew over flames
In an ides-of-day way
They got caught in the weather
And so forever became
The tall twisted tale
That we hear of so much:
Two birds with one hailstone,
Death from maelstrom above.
Birds of a feather, flock together.
david badgerow Nov 2015
i was sitting drunk alone in a yellow flannel on a dirt
and patch grass hill beside an empty picnic table when
you sat down said hi my name is sam and i'm tripping face
that was no secret judging by the size of your pupils and smile
i asked to borrow a layer from your lip-gloss and
you happily obliged after verifying i had my circle-circle-dot-dot

you laughed hard and said you'd never been this high before
when you let me finger you on the ferris wheel with
the scene from the hill a distant seven minutes in our past
you watched with tears in your eyes
and smiled as i pulled my body
away from your candy thighs when the ride stopped
and stuck my sticky fingers back in my mouth

you said you listened to music better with your shirt off
and sure enough your ******* perked up like antennae
when my fingers slipped under
your half-shirt like an innocuous splinter
in the great pink epidermal amphitheater
you proved to be a nudist burlesque queen wearing
a hailstone necklace and a gold coin skirt that jingled
when you walked or skipped or rubbed your *** on me

i felt so immediately attracted to you
and i still do i can see you when i close my eyes
dancing free in a delicate psychotropic mushroom haze
whispering slap me silly as we walked hand in hand down the hill
you kept talking about your girlfriend being jealous
of my fatal blue eyes as the music drifted like breath
between us your hair was heavy with the smell
of mushrooms beer sage and rain

we took several overpriced shots of tequila and i lost
another six dollars in drink tickets when
we spent a whole dj set lying in the grass in the dark
with the lights from the stage spraying over
our heaving naked sweaty chests with my
hand in your gold net skirt and your tongue in my ear
the clouds were knotted ropes of wet white cotton
the sky became the sea and your fingers found my
feverish lips like a cool prayer

i looked up through the oak tree porthole
to find the strangulated sky
whirling in on itself like water
in a washing machine and i
let a dolphin carry me away out to where
the waves were boiling and wild
the stars salty and deep
Orion Schwalm Dec 2010
What can I say about today...
when the ground is red and the sky is grey?
It's nothing but a point in time...



A solid hailstone from the sky...


And where are you now my faithful friend
when the sky is grey and the world at its end?
Are you at home like inside my mind...
Or are you lost in the pictures inside your head?
its bitter Feb 2018
Check in impatiently
hauling light luggage -
downturned eyes,
bundled fifties,
skull packed with sickly
sugarplum notions

Stiff key-card door and
three hanger closet -
leave your mittens, jacket,
and conscience dangling

Towels
cotton-knit sandpaper
no softer than well-trafficked
threadbare tawny-port carpet and
your hands and feet pretend
not to feel it

nervously,
a bit numbly,
you notice her standing
with glacial stillness
moments away from
the foot of the bed

Two crooked lampshades and
dim headboard lights
close their eyes when
the mattress springs
first compress,
the air tingling
with dustbunny snowflakes

This room is too dark now,
something like snowblind,
but you don't really want to see
do you?

Frostbite when she touches you
and somehow this bed
is more welcoming
than your own

you'll remember her
february fingertips
and hailstone hair,
a sensation of northerly winds
strange how heavy the comforter feels
sprawled across your skin

you envision an ice slab,
see it suffocate
a slow-flowing river,
and your breath quickens
if only because your lungs
have been crushed

then, just before hypothermia,
she leaves,
lights off,
wallet lighter,
you stay whiteknuckled, lightheaded,
half-consumed by a snowdrift,
beneath the duvet -
dazed

your tongue sits confused,
having asked for peppermints
and been given ice cubes instead

and when you finally rise,
and thaw your limbs
and try not the slip
on the black ice
she always leaves
by the door,

Try to forget
you paid
hourly rates
and shed your clothes
that you might find warmpth
in a blizzard
Innocent Feb 2016
The yellow house with the blue door
Nobody goes there anymore
The widow sits alone
Lost in her own hailstone
 
The house thirst for its former days
Laughter it's daily calls
Trucks, blocks and dolls
Scattered throughout the halls

The sign is on the lawn
The widow is long gone
The yellow house with the blue door
Anna Jackson Feb 2019
Weary eyed shop workers curse the sight of dawn,
A drunken Hen stumbles and her tutu gets torn,
The smell of burning chip fat invades my nose,
‘Chips for breakfast?!’ I cry, chewing marshmallows,
I venture towards the tower feeling free as a bird,
When SPLAT on my shoe lands a seagull ****.
Rough with the smooth - that’s what this town’s all about,
I think as a man pulls his Jokebooks out,
‘It’s for charity!’ he lies. ‘I live here mate..’
‘Oh right, soz love, fancy a date?’’
I ignore the geezer and gaze out to the sea,
Wondering where the Lochness Monster might be..
Soaking up the sights as 2 drunks start to fight,
‘OI’ I shout, as a kid sets a bin alight.
Skaters jump like kangaroos on the bandstand,
As health freaks tut, running rapid on the sand.
Children charge like apes in supersensory mazes,
While parents eye arcades with terror on their faces,
Suddenly crisp packets dance in the air,
As the wind picks up and whips at my hair.
‘It’s hometime for me!’ A hailstone hits my eyeball,
And the blue sky runs behind some grey clouds of storm,
There’s not many places with 4 seasons in a day!
So don’t let the weather throw you into disarray.
‘Blackpool’ I say, ‘a town of stark contrast…’
As a horse driven carriage then a rat stroll past.
A town to make memories no matter how worn,
That time never erases as new ones get born.

Back in Bispham, where the prom’s a bit safer,
The oldies don’t buy 3 Hammers, just pies and papers,
I step off the number 11 bus and shout ‘Thanks!’
The bus driver grunts, takes his hand out his pants,
Then speeds down our beautiful, glistening prom,
Full of lights that probably shouldn’t still be on.
steven Sep 2015
sun
the way sweat
lingers on my
eyelids makes
me wonder if the
sun loves us all too
much. the world is
a crowd and he is
not a river—just a
hailstone tailed by
blue. twice a week
my eyes watch for
opportunities encrypted
in that spiral pattern; i've
only seen it's crystal
shadow. my light shines;
i love too hard;
the sky begins to drip
while I gaze; we melt; i
wish i could be moon.
Daviaso Sep 2018
An angel and a dog sat on a ridge.

Sun set before them;
Cloud stretched from earth to heavens;
Wind came up behind them;
And tousled their fur and feathers.

Said angel to dog,
"You lucky creature of earth.
You never made a choice,
Never had to doubt,
Never bore the burden
Of knowing what life's about."

Replied dog to angel,
"You lucky creature of heaven.
You got to make a choice,
Got to help a man,
Got to soothe his pain
As I but wish I can."

Said once more the angel,
"Of words of thanks
I have been deprived;
Yet you are scratched
And given rawhide."

Replied again the dog,
"Those same hands of man,
That pet and pacify,
My brothers sadly learned
They can beat and vilify."

Shouted angel at dog,
"Consider yourself lucky,
That body is all they mar;
You cannot even fathom
Torturous souls lost to dark."

Evenly dog to angel,
"Am I not of creation?
Am I not creation speaking?
I suffer the blood of my grandfathers,
And of my grandsons.
I know naught else,
But this I know completely."

Snidely angel in retort,
"I see suffering of thousands6—
All the world to lament;
Your grandfather and your son
Are not even a percent."

Somber the dog,
"And you are not an angel,
That is most evident.
Of your choice you live now,
As you died then.
Please leave me now this view,
And my destiny to man's kin."

The angel dropped to the raging sea below,
And flopped in the snow;
In rage he threw the hailstone back,
And before the tempest flew.

The dog sat a while longer,
And admired the peaceful scene;
Till a call came from the woods,
And he sped back with glee.
Not fantastic, but original.  Having just read Grendel, thoughts about placement in the heavens spring into my mind.
Adam Robinson Jan 2018
Take the halos from our heads;
Grabbed hold of the burden;
Placed them in our eyes and saw;
That pretty face in pain;
& caught our small souls - so raw,
I could even feel you again.

We needed to set you free;
From angels eyes aglow;
So you are not alone;
But our nature hides from view;
This twilight dream has hailstone,
& battered my heart so blue.

If heaven ever took heed;
from our grey creatures fey;
It would know of fairer things;
& not slay 'twisted' love;
You claw at your doll's heart-strings,
But fawn over the silk glove.
You reach into yourselves,
and find no magic dove.
But there is a answer,
to calm your weathered friends,
Creep into the old stories,
let them be known onto you,
greet them like old siblings,
and they will not smother you.
They lost no war in clouds,
and seek and look with no frowns,
they carry themselves with pride,
not banished or forced to hide,
Listen to their song,
Protect their corroding land,
Look at them softly,
and hold onto their immortal hand.
If iron modernity is too much,
In its boil, steam and hiss,
Listen and know only this -
For the faeries hold more wisdom,
than the banker's unkind system.
Let The Melody Shine
I walked away from absolutes
Emotions bleeding out
Determined never to return
Preferring the sting of the hailstone
Whipped by the wind of a cyclone

The relentless hard reason I thought I served
Began to liquify and poured through my hands
The truth exposed it not as a liar
But a murderer of souls
Satiating for a long season
Before withering and void of any hope

I floated in a purgatorial ocean
Uncaring, unfeeling, not even knowing
I was waiting
I thought I saw a chasm
But it must have been a reflection in the sunlight
A signal flare to let me know
The enigma is still there

Now I don't believe love has a feeling
Maybe joy, maybe passion
But never true love
Love doesn't channel feelings
Love channels absolutes
Now I can't walk away again
The next big storm might do me in
Love will find me joy and passion
In exchange for sacrifice and service
I must only believe
The absolutes are truth and wiser than I
Everything else is just waiting to die
Ramin Ara Oct 2016
Our thunderbolt
Is the oppression
Of the  hailstone
Xyns Mar 2014
Ice
It's as if the summer never came
A cold winter storm
And according to you
I was to blame

It's as though the world covered in snow
An icebox heater
And according to you
I should know

It's like a mountainous glacier settled
Our hearts buried beneath
And according to you
I'm who melted

It's as though your soul froze me out
A cold, burning hailstone
And according to me
It's your turn to pout
nivek Nov 2015
Tortured beauty rides
a black hailstone sky
rattles on the window-

Madly tormented
manic swirling storm
refused entry-

Gone insane
whipped up
a dark beautiful frenzy.
Em Jan 2023
I see the light
in the corner of my window
before it morphs
Into the face of Hades

Death will guide my breathing
into this open space
and drown any meaning
Of air and it’s grace

I will see beyond all
that explorers have yearned
and the city heads tremble
Forlorn

For the street dusting folk
have accepted this fate
long before they were born
And will sing at the face of Dawn

When the sea reaches down
to take my hand
and sing me a cry
So foreign

I’ll remember that sleep
is no different from waking
and I’ll wait with no hurry
No claim

And we will soar
through the fires and
hailstone histories of man
Spit oil and embers on brand

For smoke becomes smoke
And poison becomes poison
And our bones a lovely crown
for our children
francesca may Apr 2016
Your foreign voice and beautiful eyes,
Made my heart beat and gave color to the skies.

You'd hold my hand, tell me not to cry,
But I was facing dark reality, so how could I?

Then came the day where you had to go,
There was rain, hailstone, wind and snow.

Never will I forget the way you held my hand,
And when I would fall you would help me stand.

Now the same words play in my head,
The words that made me question if our romance was dead.

Those last few words before you said goodbye,
"Just look up, and we'll be looking at the same sky."
inspired by RM.
These sugar cube folk , cowering at the thought of rain .. I've repartee for every hailstone a storm cloud might contain* ...
Copyright November 16 , 2016 by Randolph L Wilson * All Rights Reserved
Ishudhi Dahal Jun 2020
Crawling
Like catterpiller does
Making noise in chaos
Like some bugs
No!
No , i am not carrying a heavy log
But
Feels like hailstones on my head
Leaned freely in the bed
But ears still red
Days passed not touched book
Not even read
Hope my knowledge till now
Will Not fade
Highlighted things are now shaded
I don’t know without reason -
I tend to misbehave
As if hailstone hit me
And
I am converted to two pieces
As if
Lungs, intestine and heart are separated
My mind knows nothing
Finger lingers and mumbles tho
As if I am dead
Can breath
‘ In and out ‘ ‘In and out’
But Hailstones storm hit !
Copyright © IshudhiDahal
Saige Omer Jul 2019
So you thought it was easy,
but you know
It is all hailstone before the snow.
For what comes just goes
Seeking unknown, searching for something
And one day you learn without pain
We can have anything.
Too afraid to let go
You hold on to fading memories.
Too sober to realize
melting life in a quest for basic groceries.
Day after day exploring the vibes.
You all learn to grasp.
Cheating with a smile, hoping for a lie.
Til the last breath, you grasp.
So you thought it is easy.
But you know it is not.
You have to live and enjoy and never
greed for a lot of playing games with the blessing
a life, you forget what you need
and while you decide between heaven and hell
on earth, you can only bleed.
copyrights belong to Saige Omer in Topeka, IL
sandra wyllie Mar 2022
and saw
the grass
turned to straw
the sunshine sky
to acid rain
all the branches
pointed to me
with their stubby arms
and nubby twigs of tweed
every robin flown
the crimson leaves
have blown
the air
cold as a refrigerator
bit me hard
as an alligator
I put my foot
down in a puddle
stuck as a marshmallow
on a stick
the mud deep
and twice as thick
my heart dropped
as a hailstone
shattered
as a splintered bone
my head scrambled
as an egg
and I beg this pain
to leave
I look in
to see a soldier made of tin
Donall Dempsey Aug 2020
THE COAL OF IRON UPON THE ICE( for Anne B)

Nuns  shepherd
their flock

of prepubescents
(high on hormones)

that deadly cocktail
of adolescence

into  a school
production of the Shakespearean

play
they are

studying.

Now, Coriolanus
ain’t

ROMEO AND JULIET  or
HAMLET even

but somehow
it holds

their riveted
attention.

The nuns look pleased
with themselves &

their girls

not realising
their young ladies

are struck
dumb

not by the blankness
of the verse but

that they are seeing
so

many
men

in such short
skirts

strong iron-cast legs
that run

all the way up to their
bums.

“Yum! ”
gloat the girls

"Yum yum
...YUM!"

*

Where he should find you lions, finds you hares;
Where foxes, geese: you are no surer, no,
Than is the coal of fire upon the ice,
Or hailstone in the sun.

CORIOLANUS  ACT 1 SCENE I  LINE 167 - 170
THE COAL OF IRON UPON THE ICE( for Ann B)

Nuns  shepherd
their flock

of prepubescents
(high on hormones)

that deadly cocktail
of adolescence

into  a school
production of the Shakespearean

play
they are

studying.

Now, Coriolanus
ain’t

ROMEO AND JULIET  or
HAMLET even

but somehow
it holds

their riveted
attention.

The nuns look pleased
with themselves &

their girls

not realising
their young ladies

are struck
dumb

not by the blankness
of the verse but

that they are seeing
so

many
men

in such short
skirts

strong iron-cast legs
that run

all the way up to their
bums.

“Yum! ”
gloat the girls

"Yum yum
...YUM!"

*

Where he should find you lions, finds you hares;
Where foxes, geese: you are no surer, no,
Than is the coal of fire upon the ice,
Or hailstone in the sun.

CORIOLANUS  ACT 1 SCENE I  LINE 167 - 170
parable sonnets

I was flying high, yet it was hot my wings tired
spotted a well flew down and sat by its side.
By leaning forward, I could see my reflection
in the clear water.
A dark shadow pushed me, fell into the well.
I looked up but, the evil was not there
and the sun was westward bound, taking with it
the daylight.
I had sharp talons clawed my way up to the rim of the well.
Night, evil sat by the fireside reading a book of magic.
I tore its eyes out, the scream brought thunder and hailstone.
The evil ran outside to cool the eyes he no longer had.
It fell into the well and called for help.
What could I do a bird with silky feathers?
I flew up to the sky, the scream of anguish bore the suffering of humankind
echoed through the galaxy.
David Jan 2016
My body is stationary yet I am spinning fast,
like those stationary bicycles people drive to go sit in.
I
still
think
of her when I know I shouldn't
I shouldn't
shouldn't worry about things passed
but I guess I'm a *******.

This poem isn't really a poem since there is no identifiable structure or rhythm,

And? I'm just writing to myself. I like to write.
And she was right.
I'm not the person I used to be.
I'm not half what I wish I was.
So sorry.
So angry.
So cold.

Today I was hit with hailstone hard, right in the face.
Stung.
; not like a bee sting, but like lot of little BB bullets barely hitting the surface of the skin enough to hurt.
They still hurt, just not enough to leave a mark.
Not all thing that hurt have to leave a mark.

The light above my head flickers from time to time.
They can make light bulbs that last a hundred years but don't due to the money they can make.

— The End —