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"galatea" poems
O Great Goddess I Your true worshiper Crawl before your altar To beseech you Grant this poor Suffering soul Even a moments relief From the crushing weight Of this great love Its sweet agony The crippling despair All melded into one great mass of feeling O merciful Olympian Great passionate Goddess Provide succor To this lost and wand'ring devotee A glimmer of hope To tether my soul And keep the Furies at bay In the same way You granted Pygmalion's request And brought to life His marvelous statue Galatea Answer my desperate supplication Goddess of Beauty I offer my self to you I shall strive to restore Your true worship In this cursed world That has forsaken the true gods I shall bring whatever sacrifices you require If only you grant me this boon Quench a dying man's thirst Bring me up from Pluto's realm And lay me in the Elysian fields Great Goddess Hear my plea As a follower still of your descendant Gaius Julius A follower during his lifetime And a follower ever to this day I always serve your great name O Great Goddess Hear my plea Great and wonderful Goddess Venus.
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Dec 28, 2010
Dec 28, 2010 at 5:39 AM UTC
A Prayer to Venus
David, like David and Goliath, like the statue was made in 1501 by Michaelangelo. A fatherless son, born perfect to the world. Full Grown. But in Italy, they'll tell you that Michaelangelo never wanted to be a sculpter; That he was an artist but that his gift was his curse. Yet he still managed to create this marvelous marble masterpiece. Gave the world beauty to call it beautiful and behold it for hundreds of years, because heaven knows he never would. But sometimes I feel like you see yourself more like Galatea. But a rose by any other name might smell more sweet than thee, My fair, dark lady, Only to be loved by those of your statue. I mean, stature. My fair, dark lady, who chased me from the light in spite of just wanting to help the charity case. My fair, dark lady, I made you to be a hero, But a villain you became. How can one love the name of a rose proud enough To ***** the finger of tender green thumbs? Still, its handed a clean slate for the sake of soft petals. Justified by sweet smells and vibrant colours. Excused. Just, if only I could forget the thorns, I'd have spoken "Love" differently. I wanted to love you like no other sister would, but couldn't. I wanted a savior to stay even when things are okay, wouldn't you? When the giants weren't around. Well, who's hero are you now? Tell me how a statue saves lives, rather than turning to stone when the sun rises And I will eagerly believe. Or don't. Strike your pose. Bask in the spotlight. It's what you wanted. It's what you got. Hear them say "Galatea." Not marble but ivory, "Eliza." "Aphrodite." And believe them. "Perfection created." But I'll call you David; Never abandoned, forever alone. Because humans don't need solution or heroes to depend on. We need friends. Well, congratulations, beautiful. Everyone loves you. Except, the people who should.
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Jun 14, 2012
Jun 14, 2012 at 9:11 AM UTC
Never Call Me Pygmalion
David, like David and Goliath, like the statue was made in 1501 by Michaelangelo. A fatherless son, born perfect to the world. Full Grown. But in Italy, they'll tell you that Michaelangelo never wanted to be a sculpter; That he was an artist but that his gift was his curse. Yet he still managed to create this marvelous marble masterpiece. Gave the world beauty to call it beautiful and behold it for hundreds of years, because heaven knows he never would. But sometimes I feel like you see yourself more like Galatea. But a rose by any other name might smell more sweet than thee, My fair, dark lady, Only to be loved by those of your statue. I mean, stature. My fair, dark lady, who chased me from the light in spite of just wanting to help the charity case. My fair, dark lady, I made you to be a hero, But a villain you became. How can one love the name of a rose proud enough To ***** the finger of tender green thumbs? Still, its handed a clean slate for the sake of soft petals. Justified by sweet smells and vibrant colours. Excused. Just, if only I could forget the thorns, I'd have spoken "Love" differently. I wanted to love you like no other sister would, but couldn't. I wanted a savior to stay even when things are okay, wouldn't you? When the giants weren't around. Well, who's hero are you now? Tell me how a statue saves lives, rather than turning to stone when the sun rises And I will eagerly believe. Or don't. Strike your pose. Bask in the spotlight. It's what you wanted. It's what you got. Hear them say "Galatea." Not marble but ivory, "Eliza." "Aphrodite." And believe them. "Perfection created." But I'll call you David; Never abandoned, forever alone. Because humans don't need solution or heroes to depend on. We need friends. Well, congratulations, beautiful. Everyone loves you. Except, the people who should.
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55
Standing resplendent in a baroque topiary, Under a florid arbour as an arched canopy, Her pulchritude in moonlight, is the plenary Picture of, the muse, the Goddess Calliope. My heart’s reminiscence of our first encounter, Like a fragrance in my mind wafts around, Whose Pareidolia in every-thing sketches her Face, to which it is entirely spellbound. Were the Fates to keep us apart, As the sculptor Pygmalion I would be. But Aphrodite won’t breathe life into my art, For not my Galatea, I love my Calliope.
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Jan 27, 2013
Jan 27, 2013 at 11:06 AM UTC
In diligo per Calliope
He slid his arm around The coolness Of disdain, Felt the distance Of an Arctic plain, Rested his hand Upon an alabaster Thigh, Saw eternal haughtiness In stony eyes. Human heart Has he; She Heart of stone. To tempt a man To be so close, But always so alone.
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Nov 29, 2011
Nov 29, 2011 at 7:45 AM UTC
Galatea and Pygmalion
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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45
At the end of my name follow three letters right now they spell "mop". folks say it ain't the way it used to be jobs- like there's even such a thing as "beneath me". I'm a clever little phoenix I have my flight plan not an android, nor academia didn't make me Galatea I can wait and remember I can serve you an ice cream without forfeiting intellect in a flurry of sugar cones I pick my battles gracefully so I remember what I was taught. Curl up. Pay rent. Rebirth, then-   pounce.
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May 16, 2012
May 16, 2012 at 10:15 PM UTC
Blackbelt Bachelor
Pygmalion beseeched Aphrodite: "Goddess, please answer my plea: Give life to my dear Galatea, that she may live always with me. “ The goddess, in a generous mood, animated your figure Divine. Your ******* generous in proportion, Your bubble **** one of a kind. Your skin is a fine alabaster; Like marble, but warm to the touch. Could your sculptor have done any better? No, I’m sure there is only one such. With golden, shoulder length tresses and lips, apple red, candy sweet. It’s not much of a mystery, really, That Pygmalion was swept off his feet.
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Dec 18, 2011
Dec 18, 2011 at 8:07 PM UTC
Galatea
June 16, 2017 My love is not that simple and shall not be something that is easy to belittle It is the bright lights that prance gracefully around when going on long walks throughout the city It is what gives people life and will not leave them with a heart that was shot by a pistol It is not used to pity It is the bright blue moon that shines brightly on those that wish to stand out on a dark and rainy night To bring out the glistening eyes, silky smooth skin, soft hair, and sweet essence that emits from the neck that I am addicted to Tick tock, time was beginning to feel tight Patience was not a virtue of mine, but I was waiting for the sincere love to come out of the blue from you My love is not that simple and shall not be something that is easy to belittle It is the kisses that the sun gives when you go outside to sit It is just like a beautiful song being played by a fiddle The type of love that roars to many hearts that are in need and those who crave for it The love that comes out of me, is what makes up your desired fantasy Even the living dead would be able to soar because of my love The love that restored your sanity Just like good times when we would be surrounded by doves My love is not that simple and shall not be something that is easy to belittle During those cold nights when the moon yearns for the clean and clear aqua sea I’m not sure why I want to taste your sweet love, even if it is just a little I barely know you and you barely know me My love is the fine red wine that your lips touch whenever you have a horrible day Leaving my deep red marks onto your mouth, which can make you speechless Just like when Pygmalion made Galatea, I want you to create a new me and let me show great affection towards you, so please come my way I promise that if you return my feelings, my love will never make you dreamless My love is not that simple and shall not be something that is easy to belittle This portion is dedicated to the one that made mirrors scream as they shattered when my love was being abused You think I am a simple woman, but I have bones that do not easily become fragile and brittle I despise you, because my heart was bruised However, the damages have been made and I have healed because I have learned that my love is not a simplicity that is ignored I have been made stronger than before My heart is now wiser and can protect me like the pen and the sword And for my new future lover, I will meet you at the shore My love is not simple and shall not be something that is easy to belittle
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Jul 15, 2017
Jul 15, 2017 at 2:21 PM UTC
My Exquisite Love
June 16, 2017 My love is not that simple and shall not be something that is easy to belittle It is the bright lights that prance gracefully around when going on long walks throughout the city It is what gives people life and will not leave them with a heart that was shot by a pistol It is not used to pity It is the bright blue moon that shines brightly on those that wish to stand out on a dark and rainy night To bring out the glistening eyes, silky smooth skin, soft hair, and sweet essence that emits from the neck that I am addicted to Tick tock, time was beginning to feel tight Patience was not a virtue of mine, but I was waiting for the sincere love to come out of the blue from you My love is not that simple and shall not be something that is easy to belittle It is the kisses that the sun gives when you go outside to sit It is just like a beautiful song being played by a fiddle The type of love that roars to many hearts that are in need and those who crave for it The love that comes out of me, is what makes up your desired fantasy Even the living dead would be able to soar because of my love The love that restored your sanity Just like good times when we would be surrounded by doves My love is not that simple and shall not be something that is easy to belittle During those cold nights when the moon yearns for the clean and clear aqua sea I’m not sure why I want to taste your sweet love, even if it is just a little I barely know you and you barely know me My love is the fine red wine that your lips touch whenever you have a horrible day Leaving my deep red marks onto your mouth, which can make you speechless Just like when Pygmalion made Galatea, I want you to create a new me and let me show great affection towards you, so please come my way I promise that if you return my feelings, my love will never make you dreamless My love is not that simple and shall not be something that is easy to belittle This portion is dedicated to the one that made mirrors scream as they shattered when my love was being abused You think I am a simple woman, but I have bones that do not easily become fragile and brittle I despise you, because my heart was bruised However, the damages have been made and I have healed because I have learned that my love is not a simplicity that is ignored I have been made stronger than before My heart is now wiser and can protect me like the pen and the sword And for my new future lover, I will meet you at the shore My love is not simple and shall not be something that is easy to belittle
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35
Having fallen enchanted with terabytes And crackle static audio that kissed my cochlea at arms length a thousand miles away i realized with fear my folly And the cursed blessing of feeling your butterflies.gif As pixelated and intangible as your portrait freezing before me a betrayal to our union a betrayal of our humanity full of blood and heat and scent when warmth is plastic beneath palms when the fan cannot keep up with fervor when solace is typed in syllables, sacred, that do not err or lose their way in translation And now i am Pygmalion prostrate before his masterpiece Clutching his beloved rock And waiting for lightning.
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Jan 23, 2012
Jan 23, 2012 at 7:14 PM UTC
Gigabytes and Galatea
There’s only a dew of elixir in the bottom of the empty cup sleeping as lamb Now they call it heart, I call it polluted spirit, and you may call it ruby pomegranate granules But we the simplest so called human entities jointly may only Love and this is sufficient To suffer for the thousand years and a day more The one who cares not is the luckiest mundane ignorant but I’m the one alike who outpours his quintessential not knowing for whom Not knowing for what reason a purpose never show its glamour in advance For warning, for love or even for sake of its purest manifestation In times when words were queued in the thread abundantly curved in bobbin from the human scalp The necklace of verse is fading its shine no sparkling truths gurgles from its spring to obey our thirsts We the thirsty souls for divine morsel wandering in here as the spirits of suicide victims Empty stomachs of enfant terrible only for the grasp of the truth they never hear even as the sound of insect Never as the sound of falling frozen spirit in jade that you may later see as the Galatea of divine maternal essence A cornucopia of latent blessings waits A deficit of Love outbursts proudly displaying its genitalia without a drop of shame I wander as a working bee searching for the nectar of wisdom to feed my Queen bee And bestow her eternal life with the royal jelly leaking elegantly from the bottom to the navel
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Apr 18, 2012
Apr 18, 2012 at 7:35 AM UTC
Elixir
An all-white angel approaches A pale-armed Athena to dress my wounds in sympathy                          She cannot stray from her war For it is what she loves,                                            and what she loves                                                        is to burn                                           with an intensity reserved                                               for the start of                                                                            something new A clearing away of                                      tired wisdom Today, she runs her fingers through my wild mind Tomorrow, she walks alone through sun scorched dirt,               dry as the oldest bones Everyone is ***** and no one                   can escape the dust of time But once in a while, she lets out a smile                             that makes us feel new                                             and clean                                       like her                         shining                                       ivory                                                  skin
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Feb 21, 2013
Feb 21, 2013 at 1:21 AM UTC
Galatea [For The Muses]
An all-white angel approaches A pale-armed Athena to dress my wounds in sympathy                          She cannot stray from her war For it is what she loves,                                            and what she loves                                                        is to burn                                           with an intensity reserved                                               for the start of                                                                            something new A clearing away of                                      tired wisdom Today, she runs her fingers through my wild mind Tomorrow, she walks alone through sun scorched dirt,               dry as the oldest bones Everyone is ***** and no one                   can escape the dust of time But once in a while, she lets out a smile                             that makes us feel new                                             and clean                                       like her                         shining                                       ivory                                                  skin
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26
You were so beautiful, Like a marble statue Behind millions of dollars of security. But now your insecurity Has defiled your purity; The glossy perfection Turned rotten At your crystal lips of limestone; You flawless face, now Fouled by fatality; And worst of all: Your once sweet words Are now rancid with Distaste of me, And it simply destroys The beauty I see in you, A beauty greater than Any Greek statue Carved eons ago. You don’t see that your ego Sped up time’s flow, Faded your glow. You’re rubble, my friend, You’re nothing but old. My fires of love Are suddenly cold.
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Jul 10, 2014
Jul 10, 2014 at 10:59 PM UTC
Galatea No More
Once again I am captured Struck by the rose, enraptured by the thorn. I see your reflection in ivory paper, and the crown of your sweet head like a blanket of fallen snow. Does it matter, I wonder, if you were truly alive or truly living? For in these pages I can see your image as truly as if it were a branding in my head. The gentle slope of your shoulders, the dark and twisted curls- Now see, you begin to see her too- the small & delicate hands, with crooked ring fingers, the intuitive eyes. And perhaps if I call Aphrodite, down from the sea foam and have her fair lips kiss these words, I can have you materialize in my breath and echo into my arms, a statue no more. Or perhaps I will lie a fool my thumbs and forefingers obscured by ink and your skin that of clay detached and resolute.
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Dec 27, 2020
Dec 27, 2020 at 2:09 PM UTC
Galatea: She Who is Ivory
When a poem comes alive I might be like Pygmalion Not sharing her with anyone Gently adoring her all my life Yet, relieved from her laces Doesn't a poem's magic lie In that through the reader's eye She may reveal her many faces? So I charily hand her over To the public domain As however much I love her It would be a thoughtless sin Not letting you discover What I never did put in
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Dec 29, 2017
Dec 29, 2017 at 10:32 PM UTC
Galatea
I made you love me With treacle, tricks and tonsure. I was so sure of myself I could dissuade you from anyone else And elves would come In the night to bewitch you more deeply. Sleepy, sleeping, not seeing You would fall under my loving spell. And well would I use you Truly dragging you along unaware Of my witchery, jiggery-pokery Jokingly, or seductively Instructively guiding you to please Easing you into your role; Solely in charge of the play Saying sweet, flattering words Heard in clutches and hugs Drugs for the lonely, the needy. And you became convinced Since I am so good at my craft I drafted you into my dream Seemingly all your idea. My Galatea of sweet, smooth skin; Sin for me to commit gladly, Madly, I did not care what you wanted I flaunted my talent brashly Trashily uncaring of the scorn That might be born of my ego; My need so ugly to see: Me, playing god of love.
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Aug 11, 2015
Aug 11, 2015 at 8:25 AM UTC
PLAYING GOD
How tragic that I have fallen for my peacock colored angelic poetically created fantasy, how her lips are rainbows and hair falls fancy full of vibrance, though she is written in silence, hazel eyes always focused in some far-off distance behind me, the man who longs to be the one she is truly seeing. Galatea to my Pygmalion, though I know there are billions of possible lovers out there, I do not care or dare avert the heart I share. She is my obsession, and I am her devoted poet possession. -2022 December
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Dec 2, 2023
Dec 2, 2023 at 4:54 PM UTC
Untitled
Rings around the head are not a halo Its all illusion A planet of confusion I hold back my wreaking havoc I love Despina I'll do anything to set her free From the gravity Of her tragedy A girl with a halo is not an angel Im standing on the furthest moon Aiming for neptune Im singing songs by psychic pisces feeling pain I love Galatea I would gladly die for her She'll turn my blood into a river My spirit immortal An angel without wings is my protector She cannot fly to me But I feel her touch And every bomb I drop I love Thalassa I am happy to drown in her spirit of the sea I know its only the winds Which make her not be at peace
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Apr 29, 2016
Apr 29, 2016 at 7:05 PM UTC
The Man Who Would Destroy Neptune
whenever i find myself placing you in words so simple so short so few in the only way i know possible, i'm just drawing the closest i can to you. and each single time i paint your image in every tint in every shade in every hue in the best way i know, i'm just showing myself how forever i'll be with you.
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Apr 4, 2019
Apr 4, 2019 at 9:07 AM UTC
galatea.
"Galatea is the name popularly applied to the statue carved of ivory by Pygmalion of Cyprus, which then came to life." 34 / pre [3] (2 ,,,,,) English / 1 View Colorful color and Bush color. Take that easy, 1500-3100 departs from the US and Spain, in Bulk Packing 100 342 1004, Herrera, Australia || and the United States. 1683 400 (4) || 100 or [34/B] (BBC 3 source) 12163 168 3300 16 16 22 3 (200), second life a created imitation of production problems. It will be another reward. || Therefore, | | she is a woman. Greece, Italy  (USA) 20, 2018 (62) 12, 100 ||
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Oct 26, 2018
Oct 26, 2018 at 5:10 AM UTC
Galatea, the Golden Age Barbie
he sculpts his perfect woman out of marble drapes her in silks and jewels fits his hands around her waist and kisses her cold lips venus blesses their union and one day she is warm underneath him and naked and afraid he asks her why- she was created by him for him why does she shy away from the hands that formed her? she puts the distance of a city-state between them "you created me to love you but you kissed me when i had no voice you dressed me when i had no choice you loved me, but never asked if you were lovable." and this was the hand of venus, then. love is not love when it has to be carved out of stone.
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Mar 2, 2018
Mar 2, 2018 at 12:46 PM UTC
galatea
Call me when you can hear me, Visit when you can see, Touch me when you can feel me, Inhale and you can scent me but Come to me when less petrified. You've held me and dropped me, Cold on the ground used up. *** toy, Doll! I wanted to be so much more. Bit on the side, the other "woman!" But I wanted to be so much more. Cold, used up, on the floor again reduced to be your faithful ***** Call me when you comprehend my words, Lay with me when you can finally see me, You can touch me all over when you feel me, Become intoxicated when you finally smell me, Like Galatea I come to life in your arms, don't leave me petrified.
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Jul 7, 2017
Jul 7, 2017 at 11:54 PM UTC
Remember Me?
Applause to this object A star to look up,— But stands lower than a house Who gathered all the fantasies— of hopeless travellers,— Which seek for devoted fancies. Sparkling garlands,— Simply, a life of itch Flashlights everywhere on the platform,— Inutile to its basis I memorize the trades of their toasts— One day, I shall have my own boast. After wiping spots on gold bars,— I am still not a debauchee of love; Even if they buzz,— Beehives— Are not mine to offer,— But a gourmet to their stomach. Assets clothing their merchants— Reserving the furnitures— To show the best features For myself, I want a slammed window,— Not some firm statues "Galatea, we all desire Galatea!" How adorable when 'twas knotted, Lovely, but not loved, Sheltered, yet not protected; Paid, but not proclaimed How many landlords will adapt me? There is a target— To a sudden stampede— Oh, how startling! Please, capture me I will submit to your traps! This bird is willing to be caged— Away! I may now have my arrows— To run the bay! Flipped death is my reward..
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May 21, 2020
May 21, 2020 at 2:56 AM UTC
SLAVISH
she awakes. her ballerina toes are poised, her nose is scrunched - she is – what’s the word – alive. her powder fingertips crease mechanically like a hydraulic press. she has a beating chest with the calibration of cast iron. her feet can climb Mount Olympus and higher. she is limber. she is – what’s the word – living. her name is – her skin has the swirl of a gleaming cantilever. her head teeters. she is speechless. her lips are soft, her hands touch her face like it is a monument, like she is a strawman. is she a – her spine has a curve, she can bend into geometric shapes, her arms are straight but they encircle her. galatea. he whispers her name to her. or maybe he names her. she can choose a name herself, maybe. she is – what’s the word – a woman. her hair can swim through the air, her curls have strands that brush her cheeks and her cheeks can color in the blank space left behind by words. galatea, she whispers. her tongue clambers in her mouth, for some purchase, for some worthy noise. she searches herself for a – what’s the word – idea. you are mine, galatea, he says. i made you. do not be afraid. i will bathe you, dress you, anoint you. i will worship you, and i will save you. he caresses her hand. her palms are dry as sandpaper. she is – what’s the word – her eyes have the shutter frequency of a lens. she bends. she is awake. she does not remember a before. she does not remember a maker. she hasn’t yet made any mistakes. her name is galatea but she is no longer milk-white. he says, you are my wife. she says, i am alive. he says, i gave you life. she says, yes, you are right. you gave me life, and i won’t return it because you gave it, because it’s mine.
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Mar 18, 2020
Mar 18, 2020 at 12:53 PM UTC
the statue
she awakes. her ballerina toes are poised, her nose is scrunched - she is – what’s the word – alive. her powder fingertips crease mechanically like a hydraulic press. she has a beating chest with the calibration of cast iron. her feet can climb Mount Olympus and higher. she is limber. she is – what’s the word – living. her name is – her skin has the swirl of a gleaming cantilever. her head teeters. she is speechless. her lips are soft, her hands touch her face like it is a monument, like she is a strawman. is she a – her spine has a curve, she can bend into geometric shapes, her arms are straight but they encircle her. galatea. he whispers her name to her. or maybe he names her. she can choose a name herself, maybe. she is – what’s the word – a woman. her hair can swim through the air, her curls have strands that brush her cheeks and her cheeks can color in the blank space left behind by words. galatea, she whispers. her tongue clambers in her mouth, for some purchase, for some worthy noise. she searches herself for a – what’s the word – idea. you are mine, galatea, he says. i made you. do not be afraid. i will bathe you, dress you, anoint you. i will worship you, and i will save you. he caresses her hand. her palms are dry as sandpaper. she is – what’s the word – her eyes have the shutter frequency of a lens. she bends. she is awake. she does not remember a before. she does not remember a maker. she hasn’t yet made any mistakes. her name is galatea but she is no longer milk-white. he says, you are my wife. she says, i am alive. he says, i gave you life. she says, yes, you are right. you gave me life, and i won’t return it because you gave it, because it’s mine.
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51
chasing a fantasy of an ideal never to be seen in this world existing only in my mind personified with pen and paper and tears and liquor
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Mar 3, 2022
Mar 3, 2022 at 11:07 PM UTC
my Galatea