Flap Flap goes the Flappy Bird

Was this the right choice?
Seeing warnings on twitter
Thinking they're all quitters
Thinking you're better
But in reality, you're just as equal as them.

But as the day passes...
Flap Flap goes the Flappy Bird

Seeing your friends play, you start multiplying
Not even touching a pipe and dying
You're on the floor, you're crying
Pressing start over and over again and trying
Knowing your high score is low and start lying
because you know you ****.

But as the day passes...
Flap Flap goes the Flappy Bird

Questions going through your mind
"Why did I die?"
"Did I really touch a pipe?"
"Why do iPhone users only have day while Android have both day and night?"
"Why is it slower on other phones?"
"How do you get past 20?"
"Why do I keep dying?"
"Why do Android users have other colors?"
But the question you should be asking is...
"Am I going mad?"

But as the day passes...
Flap Flap goes the Flappy Bird

Now, the resolution.
Stop the addiction.
Press that "x"
You know its for the greater good.
I know YOU feel the ANGER whenever you die.
You don't wanna risk throwing your phone for that.
Take my advice. DO IT.
Before it ruins your life.

But as the day passes...
You can't.
You can't.
You can't.

Its too late.
Flappy Bird is now part of life.
Even though the anger
The anger that feels like your chest being stabbed by a knife
Hurts you so much
Deep inside you get a little happy...
Knowing somewhere in the world someone trying the same game
Got less than you.
Less than 3, 2, or 1.
And because of this you want to beat more people who **** more than you.

And this should be an achievement
You, state your name, got YOUR own high score.
YOU did it
YOU made it to one pipe or even more.
And if you didn't
Well ***** for you

But as the day passes...
Flap Flap goes the Flappy Bird

Wonder were in the days of King David,
He wondered a man with a maiden,
A ship in the fleet,
And the eagle in the sky,
But another wonder persists,
Beyond king David to my time,
This is a man on libido,
With ***** ***** at joint thighs,
What’s wrong with a man?
When his ***** is *****,
Whether an engineer or a duffer,
A genius or a stooge,
When ***** is is at noon
Where are the brains?
Why always the brawn,

When you ***** that short ****,
Walking out of your normal way,
Disappearing into the back street,
To some nondescript corridors,
Your hunger for misfortune gets saluted,
By the street patrons in weird corridors,
A gifted *******, brown in complexion,
Her back glorified with man-made buttocks,
Erasing from your eyes her age,
Your mothers age minus white hair,
Then you slavishly bargain not to win,
Now a dizzied creature of fetish of ***,
Your ***** wildly ***** like pagoda apex
No, herself very calm on melancholy of ***,
Shrewdly she accepts to give you a wonderful ****,
At a minuscule fee to your senses; two hundred shillings

You coffle up to the ****** tether,
In senseless dance to the turbulent tune
A tintinnabulation in your ears
Impeachable tyranny of the *****,
You go into a room with her,
A workshop of ******* and *******,
You can call it a brothel,
But I and Marx we call it bagno,
God prevails and she throws a ****** at you
Pulling away her leopard stripped *******,
Letting you see eagle tattoo of on white thighs,
Confused electricity drips in your head,
Then you become a beggar of the year,
Effusively begging for live *** with
Without ****** use lest you zest not,
Lest you don’t harvest maximally,
With your dinosaur’s testicles,
She cunningly accepts your request,
In her full knowledge of your kamikaze,
Villains commit when dying for no course,
She gives it an OK, but at a small fee
You go on to pay as if possessed,
By the devil of paying for nonsense,
And then you **** her ******* live,
Before gracing your joy with live ****,
She feels nothing in entire of her body,
For her vaginal purse is spacious,
Like the side pockets of your trouser,
You achieve early ****** to *******,
She moans lightly like a teased Carmel,
She pushes you away with a sober vim,
You collapse aside in   a dull thud
Like a dead bird from ruffian roof,
Your ***** now flappy
Not reflecting a shuttle in crypt,
In volcanacity of the past minute,
Then you look at her with bent eyes,
You see her sporadic white hairs,
On forehead and between her thighs,
She is looking stupid but not foolish,
She breaks into fits of wild coughing,
Accidentally dropping *** palliative drugs,
The horrendous ARV’s
You now hang around there agape
Niggardly chewing full size of misfortune,
In your voracious mandibles,

that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | Y| | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |

        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an

sad bad
so no sad
sad happy
happy flappy
flappy clappy
dappy slappy
spousal abuse

the art of repetition they say, be ashamed of it they say... but it still resonates, why should i feel ashamed of repeating myself when physicists are trapped in revising the big bang theory; it's not exactly repetition, it's revision, i'm revising but at the same time moving on, with these scenarios still intact, like that time i wrote that frost on cars when walking past them resembled paparazzi camera flashes on the red carpet at a film premier.

my two maine ***** are weird,
the large ginger one (male),
quarus, thinks he's a window-cleaner,
he pretends to be running
rubbing his paws against windows,
****** weird,
weighs as much as an adult fox
~10 kilograms,
i should know, i was desperate for
beer and a sleeping pills concoction
and was about to travel a few miles
to an off-license next to the brothel
i went a few times to buy them,
lo and behold and dead fox on the pavement,
backing up to empty two bin-liners
i put the fox in them, had to witnesses
at 5a.m., started walking home,
would have taken a selfie, but i thought
a bit of the occult and bringing a dead
animal house into the house would
cause me bad luck, so i brought the scales
out and measured the poor ******* weight,
like i said, ~10 kilograms,
~115 kilograms of me, plus the fox,
walked into a field of shrubbery and
threw the poor ****** into the shrubbery,
didn't buy the beer, but then i created
a shamanic relationship with foxes,
one time i lay on a green patch at night
(because foxes only come out at night
in suburbia for their thievery),
drank a can of beer while the fox nibbled
at the parasites on its skin,
i admit, none jumped ship and jumped on me...
anyway, so this one maine **** of mine
pretends to be window-cleaner,
when it fact he smudges his paw-prints on
windows...
the other little one, the female,
veronica, does something similar,
but she doesn't think she's a window-cleaner,
she paupers with her paws as if nodding,
she puts them together and does a motion
like a gesticulation to prayer, when she wants food,
and she squirms her eyes in a pleading way
akin to, what shakespeare might have
said about two hands clasping...
and yes quarus has these furry extensions
on his ears like a lynx...
and yes veronica is long-haired
which makes all mongrel cats look a bit small
even though she's small herself...
but one's a window-cleaner pretender
and the other is a devotee in some weird
association with a buddhist ritual...
i'll never get the hang of this -
but yeah, a mature fox weighs ~10 kilograms...
god i almost puked sniffing out the blood
coming from his snout in the cold winter air.
i got it! the cat thinks the window-cleaners
are mimes, that they're miming some sort of representation
of seeing the invisible, well, ok, see-through,
but it's like the cat is telling window-cleaners
something akin to atheists telling the vigilant prayer-mat
hopefuls whether they know if god's east, or west, or north...
that's a cat, bewildered by window-cleaners imitating
them, and i wish i could explain it to him,
but how is he to mould more sounds other than
meow with his crude symphony of teeth that tear into
raw flesh? i can eat a stake tartar with an egg yoke onions
and gherkins... but i wouldn't eat raw chicken,
ok, fair enough, sushi is raw fish... but like that scare
over salmonella that prevents you from whipping up
egg yokes and adding sugar for *kogiel mogiel
(oh irish coffee is great with this stuff,
it's a heat insulating membrane,
whiskey and black coffee and this stuff that's
like a yellow runny yellow meringue on top -
contradictory, but no light is involved,
so out goes the truth about black attracting
light and warming you up, this is pure sunshine
afloat - this stuff acts like an insulator -
it's a colour concoction that absorbs
heat, a reversal of what light is, because in
colour theory the colour black absorbs light
which ensures you feel warmer,
this kogiel mogiel of raw egg beaten to a certain
thickness with added sugar is like a return
journey to the sun, where light is reminded
of its heating properties, rather than visuals
akin to photosynthesis and phototropism -
in a rush i probably explained it wrong,
but then the taste of the stuff overpowered me),
marine life can be hosts of much larger tapeworms -
those long lost descendent of squid -
mm flappy flappy flappy; at least octopuses
provide an ink-well, natural post-modernists in the waters:
spank a splatter... and then... run! well, tense up
the stationary wriggle and imitate what in an
atmosphere is a jump.

In the beginning it was fine
When I played it the first few times
I* grew old and weary
Losing a bit of me
Lending this game most of my precious time
Not knowing this will lead to my...
Envy-because my highscore is 8
Vengeance- because the pain is too much  
Enragement- because my highscore is 8
Rotteness-because I've been playing all day
Probably I will stop,
Letting go is a choice,
Allowing this game to control me should be no more
Yes! I should never play again but...
I need to try it once more
Travelling the pipes of legend
Again and again I *fail
Gone is all my efforts
Atrocious this game is
I conclude
No...

If you had to pick one adjective to sum up Michael Kors' collection at last month's New York Fashion Week, a good bet might be "feathery."

The designer was going for "the flirty freedom of things that move," to quote his production notes, and there were flirty feathers on at least 10 of the looks he sent down the runway - starting with feathers adorning a pair of jeans, and moving to feathers on a houndstooth tweed coat, on a denim or tweed skirt, and on black silk for ultimate evening effect.

There also were plenty of sequins, adding a very bright sheen to some of the fashions, especially a silver sequin embroidered "streamer" dress, with the hem cut into strips that indeed looked like streamers, and also a pair of seriously glistening silver metallic stretch tulle pants.

This is Kors' flagship collection, not his more accessibly priced secondary line.

Kors always has a healthy celebrity contingent at his fashion shows, and February's event was no exception: Blake Lively and Jennifer Hudson were among the front-row guests. They were there to witness an anniversary of sorts for Kors.

"I'm not one for anniversaries and I'm really not a big kind of looking-over-my-shoulder kind of guy," Kors said in a backstage interview. "But when I started designing this I realized, oh my God, this is my 35th fall collection. That's crazy!"

Kors added that as he reflected on the milestone, he realized the most important thing was to keep his fashion fun.

"I wanted this to be full of fun and charm," he said. "So it's very flirty, short, leggy, not a gown in sight. All the rules are broken because stylish people break the rules ... The seasons are crazy anyway. So when the weather's terrible, don't you want to put on a fabulous apple green coat to change your spirits? Don't you want to wear tweed with flowers? Don't you want to put feathers on flannel? Wear flats at night? Wear metallic for a day?"

From his sunglasses to his gold glitter pumps, Kors' collection exuded fun, not fuss. Even a denim skirt is luxe, when covered in feathers. A hoodie adds reality to a silver sequin cocktail dress. And who doesn't love handbags the colors of jelly beans.

CAVALLI'S DECADENCE

MILAN - Even while venturing back in time to the Belle Epoque era, Peter Dundas' latest collection for Roberto Cavalliremains rooted in the rock 'n' roll '60s and '70s. His collection bowed during Milan Fashion Week last month.

The languid looks were strong on glamour and workmanship, from the ephemeral sheer beaded evening dresses in pale shades to the colorful patchwork fur coats worthy of any rock star: art nouveau meets Janis Joplin.

''Decadence, superstition, mysticism, Gustav Klimt, Aubrey Beardsley - things that give me a kick," Dundas said backstage, describing his inspirations.

He said the Roberto Cavalli woman for the season is ''a little wild and instinctive."

The Cavalli animal print for next winter is tiger, in long skirts and short bomber jackets, while denim gets its due with a long trailing coat and flared embroidered jeans. Looks were finished with long scarves tied casually around the neck, makeup hastily done and hair loose and natural.

Notwithstanding the labor involved in his creations, Dundas says he would like to see his collections get into stores more quickly than the current system permits.

''I wish I could. I am working on it," Dundas.

DIOR'S PARISIENNE

PARIS - Vogue fashion doyenne Anna Wintour, former French first lady Bernadette Chirac and Chinese actress Liu Yifeiwere among the celebrities on the front row of the Dior show held in an annex inside the picturesque Rodin Museumgardens in January.

In the clothes, the "spontaneous, relaxed Parisienne of today" mixed with the iconic styles of the 1940s and 1950s.

High-cut post-War shoes with occasional retro ankle bows accessorized embroidered silk gowns in freestyle volumes - often with "sensual, bare" accentuated shoulders. A couple of flapper-style lace, chiffon and tulle look also evoked the joyful feeling of the 1920s - the period between the two World Wars.

Dior's studio team of designers also set about experimenting with the famed "bar jacket" - it "changes appearance depending on whether it is worn closed or loose," said the program notes.

It thus came in myriad forms: in tight, embroidered black wool, loose and white, open to expose the breast sensually, oversized and masculine, or as a beautiful dark navy wool coat.

There were also traces of the historical musings of past creative directors - such as Galliano and Simons - set off nicely in one look off-white wool "bar" jacket interpretation with flappy 18th-century cuffs.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses

like... flappy flappy pigeon imitate penguin go shoeshine your ***? like that? i don't even know whether pigeons find penguins to be more pathetic, or whether penguins find pigeons more pathetic... so one has the sky, the other the ocean... it's hardly an argument for either to be staged with a mediator; let alone a matador.

pokraka... (singular),
pokraki* (plural)...
             don't know, i'm not exactly
baby-faced pristine...
         but i don't even know where
that word comes from,
perhaps the riddle of the crow and
the writing desk... why is it that
the crow is writing desk?
          the crow stoops on earth hunched?
almost hunchback?
       maybe that?
     don't know, these fellas are doing
my slating (roof) and i'm autistic imitating
cat tactics of hidig, because i like the drunk
that i am to be hidden, and only seen
in between walls that can hear...
   or apparently but not really so...
    metaphysical question...
why is it that when you encode scratched compact
discs into mp3 form on an iPod
the product breaks? too much l.s.d.?
                 i swear to god, but you trasnslaste
a compact disk into software (it is hardware,
however you think about it; with no alternatives)
         it can **** up the hardware...
                 you have a scratched c.d.,
you translate it into a software package to your
computer, then your translate the "malware",
o.k. a scratched c.d. is literally malware,
                 on the topic of iPods...
                you can **** up your iPod if you include
scratched c.d. material... like itchy-itchy vinyl guys
doing hip-hop...
        but i have this sansa mp3 player,
and i have scratched c.d. on it, and it keeps working...
but the iPod i once owned? broken...
or should i say "broken"?
     no, literally broken...
          i picture prefect a cat's face and then
disappear when the builders arrive...
most of the time i'm a person that doesn't require
the chance exposure of my own face...
    here's to looking at brick walls, and clouds,
and drainage depots on the pave...
      to be writing poetry will eventually drive
your sorry *** into the ground and tell you:
why couldn't you become a crane-driver?
          as a fraction of a billion exemplum similis?
i don't know;
               why did you get plastic surgery?
i know... similis exemplar... that's a variant on the whole
topic.
                 why marvin gaye and the creedence clearwater
revival cover?
           i apparently don't know any latin,
and i find that stating this fact: i'm no big fan of
some grammar school rubric of "correct": toward
the status of ontologically proof riddled,
   correct.
                      *****'s here, coca is here,
sunshine (ugh) is here...
                            what else could you want?
only the etymological disinterest of the word pokraka,
derivative? krók (crow)...
         given the prefix po- (after) -
            well... imitating crow, or after the crow...
                           unto the priest... after all: crows are
symbolic of the priestly-caste in europe...
      also the opposite of onomatopoeic strain toward exactnes:
kra kra... what the crow breathes...
hardly a kraken, but almost... thus po- + -krók:
     i.e. after the crow... inherently so.

You're going to die
But there's a list of the 30 best cat selfies on buzzfeed
Something is going on in Ukraine, or is it Venezuela?
But it's ok...
Sherlock is back on
And you haven't finished Game of Thrones yet
God is a twisted sadist if he exists at all
But you have some notifications on Facebook
Don't think,
Just pick up the phone and play Flappy Bird
Let the feelies get to those thoughts that creep in

The revolution wasn't televised
It was tweeted
And its auto-tune remix went viral the next day

1… 2… 3…
Goes a bird through three tubes
4… 5… 6…
There he goes again
7… 8… 9…
990 tubes later…
Uh-oh here comes Mario
Mario shoots fireball at bird
Bird dodges it
Bird flies through the tube with Mario
1,000 points! New Record!
Let’s go for – Oops!
Game Over…

If I could love with an old-fashioned love,
they'd wonder whether I was mentally stable,
'cause no one lets me past that casual stuff.

See, all that game-playing --- I've had enough.
They say it only happens in a fable,
but I could love with an old-fashioned love.

People reject what the heart's capable of,
they treat it like the bill for the cable.
They never let me past that payment stuff.

I wouldn't want something held high above,
just something simple, without label,
if I could love with an old-fashioned love.

Not sentimental --- ...not roses, not doves.... ---
but basic, kindred, sustained, and stable.
But no one lets me past that puppy-dog stuff.

Maybe when I'm a ghost, a flappy old glove,
I'll find someone who's willing and able.
If I could love with an old-fashioned love ---
Enough! --- wait, what was I thinking of?

Symmetry is what kills me
Everyday
Proxy and poking

All day all day all day
Symmetry is what kills me
Proxy and poking

What kills a lady
With a shuffling heart
Heart beats a pitter patter across a blood stream
Angles and ages

America, isn't the symmetry of my veins that carry my oxygen enough?
Why does the flesh
My mounted flesh
Purpose was to sheath me from the cold
Purpose is now askew
Mixed and messy
Even my perception is far from Symmetrical.

I apologize for my odd lips
Minor and minute
My DD faces
Is that not what the true face is?
The pink heads splayed across a globed smile and frown
Lopsided and all that matters
My true face is covered
But my true face is the object of obsession
My silly, silly old lips
My flappy *****
My rings of curly tresses galore

Symmetry still kills me, everyday.

Air particles
Swirl round and round
No different as before

An ant,
Crawls towards my hand
And I squish it ever so slowly.
I cannot feel the inky mess at all

It is nothing but a tiny black dot
That simply just moves

The sky, looks nothing more
Than an endless pattern of blue and white
The trees, saplings of tasteless broccoli
The grass, strands of wild hair

The insects, filthy lice that live in amongst them
The flowers, mini cracked plates of emptiness

The birds, flappy pieces of pasta
The rain, annoying lost beads from broken jewellery

How does the sun watch over the world each day, let alone rise and shine?
How does the moon travel the empty black, let alone rise and glow?

The world is nothing but a meaningless dream...

Old Italian Ladies walk around in long black dresses
A handkerchief tucked up one sleeve for blowing little noses
They are soft and round, with flappy forearms
And give greasy lipstick kisses as they clutch you to their chests

Old Italian Ladies smell like olive oil and flour
And they give out oozy chocolates with red cherry sauce inside
Their enormous laps are like lumpy old recliners
They sing songs about amore' as they rock you off to sleep

Old Italian Ladies let you go down to the basement
Where the air is cool and shelves are lined with jars of pickled green beans
And wide mouthed bottles bursting with clumpy red tomatoes
They use creaky wooden step stools when they need to reach up high

Old Italian Ladies pierce your ears with just a needle
A bar of soap, a lump of ice
A loop of string to make the earring
And a tiny glass of anisette for the tears after the sting

Old Italian Ladies were the matrons of my childhood
Intoning rosaries, invoking saints
Making garlic studded meatballs
Dispensing love as freely as hard candy from their purses.

Free birds aren't meant to be caged
Their freebirds,
They deserveth to fly...

****** dangle ****
flappy fappy slappy
doodle

Loosey goosey, Gary Busey
Makes more sense than you!
What do you see, big kaboosie?
What would Vladdy Putin do?

Fussy wussy, presidential woosy
Tell a whole buncha more lies.
Flappy *****, big **** slappy
The best your money buys.

Choppy woppy, never stoppy
Even when caught on tape.
Shouty, pouty, tough it outy
Completely out of shape.

Fleecer, squeezer, ugely obese
Shadow of your youth
Ripoff, tipoff, always lipoff.
Incapable of truth.

Heapy cheapy, never sleepy
Won’t pay your own bills.
Brainless pain, runaway train,
All your ideas can ****.

Neego, peego, bloated ego
The little kids you scare,
Shard, pard, big tub of lard,
As attractive as your hair.

A constant natural attraction
to the darkness lurking
beneath this force
we evade
only ever temporarily
by some action.

We may end up
soaring for
a bit, if we are lucky (by any other name),
but the darkness will sit patient
underneath
like a well trained dog
that only bares
his teeth
when you get
too close.

It has all the time in the world,
you don't:
there's no flight high
enough,
no escape
velocity.

Ending up consumed
by the sun
would be
no greater
tragedy.

Playing pool at 5am,
see the sun rise and seep
between mouthfuls
of double choc-chip cookies,
Mountain Dew cooling our throats
like antifreeze into a car.
I gather up your laughter for rainy days,
everything dripping in colours
that haven’t been christened.
Your fingerprint wriggles
form an island chain on the piano,
wet symbols, bathroom carpet
where you got out the shower
in a sky-blue towel;
I hid under the bed.
I tell you you’re messing
with an amateur,
kisses are pleasant glitches
but I’d miss and trip
through the open window.
My hands become flappy utensils
when I explain years months days
of apple cores piled up
behind wardrobes,
my portfolio of fiascos.
Faults are found like Easter eggs -
squeezed from toothpaste tubes,
top shelf of the oven.
This is a dark one here,
a miniature pill.
You only bring mugs
of youthful exuberance to the table.
A click. A shlock.
I turn my head,
the game lost
within a blizzard of minutes.
It’s OK I say,
I wanted you to win.

We don’t hate God or the Lord,
We don’t hate the guy who made Flappy Bird.
We don’t hate hate Mommy or Daddy,
We don’t hate people who treated us badly.

We hate a star of infinite girth,
We hate the force spinning the earth.

So sleep away sunshine, the world’s turned its back on you.
Just sleep away sunshine, and spin a dream of something new.

We Belong Here

Oh how we fly up away from the earth

A great nice happy feel good joyous rapture

Letting go of the ground's grip to ascend

Up into the blue blue blue where God lives

Along with Mother Nature and her elements

Nothing but beauty exists here in all ways

Ferocious to sublime to indifferent it's all here

Up where the angels live higher than cloud number nine

This is a special place where change is constant

Each moment leading to the next and next and next

Falling raindrops making a rainbow making a cloud

Chaos is here the Butterfly Effect hurricane flappy insect wings

Wrecking your town as you cower from nature's wrath

Yet when you fly in your little aeroplane she's fine

The wind thru the wires and sun on a lake oh how pretty!

The joy of flight and freedom of the skies all illusions

Greater than love and life and death and all things

Except the sky for here we belong and gasp in awe

The future is above us and we belong here here here

For this is our home...

Baddie brains blown out hick-up pick up picky pick up lines hirried stubbling drained from the gum. Yes tis gum from the stuomuch that you swallowed for month because I just loved the way you ***** ***. I'm sick.
I puked.
I puked?
I started runnning the walts of Conan the quenched dominator beefing with minny mouse for spanking mickey. He sipps mickeys just so you know I'm holy dust, sike. I wish I washed my mouth month before I ate the groomed flappy fingered fizzathered lips of Haley Jade. I wish I had a ******. ****. Nut after nut and after this nut  another nut and a nut a then the knux cause she got the **** crumbling runs rinse me in Faygo cause these Jugglalos have hair I love to get the stow in jars from a far, because I farted. Beanie I ******* farting who started this ******* fricken flame flare Jack Keoroac couldn't spit enough spirts to-at-alley trickling pink pavement funds that freed Zepplin.

Fatso
You are and you aren’t
Whale
You are more than the labels they give you
Cow
It’s over now
Their insults cannot hurt you
Giant
You are not in middle school anymore
Ugly
They cannot hurt you anymore
Lard
You are a grown-*** woman
almost thirty,
unapologetically queer, hairy,
with curves and ******* and wide hips and pretty dips and
They cannot cypher their words,
syphon their insults by
relating you to a beautiful big creature
Cow, Whale, Lard, Fatso

What is a Lard but a singling
A bright beige soft nosed creature
with brownie eyes and long lashes
like a taper with a hooked nose
soft and long like an elephants
Flappy points of ears
that hear well
with tiny sharp teeth
like a land-locked manatee
or a furry caramel Beluga whale

Their insults only refer you to necessary creatures who give their life to feed you and their intellect to empower you

A Fatso is a bright blue animal that has shimmering rainbow wings (like a dragon) and thin curly white horns and milky grey eyes with a fabulous feathers and a fanned tail of royal purple that soars through the skit at light-speed and can bring the rain with its melodious cries

When they or you or they or you or
They are you you know
Insult you they are not insulting you
because a Lard and a Fatso are both such intelligent creatures
mystical and fervent
glorious and gargantuan
Large, yes
But beautiful all the same
They have sharp teeth and move through the earth or skies whenever and wherever they like
These animals have freedom
Just like how you have freedom
in how you think about yourself
which is
to think of yourself as
the sexist, prettiest, cutest
person alive
now isn’t that great?
now isn’t that grand?

You are gold plated and steel incorporated and glass blown and light shadows thrown and haggling heights and shaved delights and a hairy symphony and a harrowing city of sparkles that twinkle in the night.

You are beautiful
and might
just
save the world one day.

You are a mystical creature of the highest creed
and no one
can tell you
otherwise.