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like know just time mind feel life world say people things lost we're does love think there's away long way thought night got words want better day human left right remember man dark end reality memory experience going make really eyes place 'cause good death tell great feeling soul home high consciousness live pain thoughts fear understand fall thing city sky believe god meaning thinking lose change oh felt hard ask heart times years shall need past light living existence choice use dreams power days cause poetry talking state we'll alive knowledge **** true moment little hope old wrong mental stars wave ago gone broken look brain dream far given truth feels head you'll best sensation baby try leave forget young sleep face stop escape blue dare drug lives wish doesn't drugs work earth new acid game nature bad sublime gods break beautiful ah writing hold born trying coming friends hold writing ah space daze burn body reason rain real moments wonder music memories exist psyche control 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acts aer veil qualities animals remembered karma kissed burying shooting bold scattered input howling design forsaken banish seraphim wide cola united democracy meandering -one zed's hot commit self-sufficiency thought's psychosis flows unreality immersion aesthetics realms struggle wisely immanence absolutely member add writings coin avoidance naturally boys inseparable standard convinced concerns passed prudence quick external suffer choosing produces letter proclaimed myths pains shroom bright absurdity awhile prospect sad distribution recreation responsibly ghb adrenergic minor neurotransmission cyclica lonesome foolishness cometh 5-ht2a beings golden pitch cathinone suggest conclude cognitive motions ethical condensate precious abuse compound underlying adult bask push damage attachment originally determinative heaviness concept facts today's regress detract step ugly absence cosmic note imagination psychedelos noumena noumenon reader haunt determining error questioning habit 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Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
Nigel Morgan Jun 2013
She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.
Mateuš Conrad Jul 2018
.    like cardinal Leto remarked, having received news from Versailles... why is it always the ******* French?

perhaps in a less crude manner,
drinking wine,
while eating raw fruits -

  always a bad combination...
no *****, no meat?
   bad idea... wine, and raw fruit
akin to strawberries?
    irritable bowel movements...

- and that's because Einstein
didn't discover the concept of
gravity, in the format of: sideways?
in the form of orbits?
   expansive waves...
   that allowed for the elliptical interpretation?
like the old
              argument:
      (heliocentric) oval...
             contra the (geocentric) circular
"concern" for...
   whatever is up / down
            sideways in
      the Copernican terminology...
because there was ever a "shape"
concerning the universe,
  and not a medium,
            an extraction for the metaphor
for water,
   gas, liquid, solid...
              and the fourth aspect
of ancient elements:
   its existence in a vacuous "space"?

- but i can't fathom the French at this point...
once upon a time...
one Frenchman equated the motivation
for a "summa summarum"
    to be bound with a thinking,
and a curiosity...

            the current fashion of Latin
abbreviations...
   this... cogito ergo sum?
   it's nonsense...
    speak it long enough...
   and you'll find yourself inclined
to suppose that cogitans per se:
is a motivation, an impetus to exist...
yet... so much of thought it "wasted"
or, rather, to craft an impetus to
"doubt", within the confines of fiction...
but the motivation has lost its
origin within the confines of doubt,
and has been replaced by
the Freudian unconscious,
   a serialized phobia fest... notably
including a, clown...

originally, thought (per se) was
a secondary motivational outlet
that precipitated into being...
    first came... doubt...
   but... these days?
               doubt is a conspiracy theory,
no longer an emotional thrill
to prop-up thinking...
   and we have the French existentialists
to thank for this...
for they subverted their own
idea...

             negation has replaced doubt
as the origin, and motivation
for thinking...
        yet... this sort of "thinking",
has made, its materialization, so, so...
obscene...
    i can hardly find it surprising while
i took to propping two worthwhile
economic outlets...
   prostitution (since they will spend
the money i give them...
on things... i wouldn't even care
for propping up)...

    and... alcohol (scotch whiskey,
russian standard *****...
    shveedish cider...
                     german beer)...

but how can you even claim an existence,
if...
       there is no thrill...
of what is the secular expression of faith:
i.e. doubt?
  how can you replace doubt -
a motivation for thinking, materialized
into being... with negation?
  jean-paul Sartre attempted this inversion -

doubt has been replaced with negation
in his system...
             it's like that cliche of an English
1960s ***-joke / ***-like...
       this... frivolity over a blatant lie...
a lie so... bogus...
    so ineffectual in translating a hidden truth
that... you allow it...
   to care for the cheap comic aspect
of the execution...

but how can the French suddenly
feign to disbelieve their secularism -
   resorting to the antithesis,
namely:

  original

  doubt motivates thinking,
  which subsequently motivates
   being within the confines of reason,
or rather, reasonableness...

20th century existentialists

negation "motifs" thinking,
   which subsequently motifs
"being" within the freedom of non-reason,
or rather, unreasonableness...

   and by negation,
   i don't mean the atomic conceived softening
blow...
   akin to: dis-ease...
    i.e. (as i explained it to one old man
in a park, walking his dog):
  a negation, or ease... a denial of...

how can the Cartesian model work,
when the 20th century French existentialists
began with the presupposition:

   i deny, i think, therefore i exist?
where is the original thrill of
the secular aspect of faith, within the boundaries
of doubt?
              gone... vanished!
****! a **** on the London tube,
during the rush hour,
  during the heatwave
                of the past month!

                   perhaps this only comes
as a method of assimilating an increased population,
within the confines of the Taoist maxim:
the best way to aid the world,
is to forget the world, and let the world
forget about you...

             perhaps... the Andy Warhol 15 minutes
analogy...
      that in order to encompass the individual,
the world, and the individual within it...
   the approach had to change
from the original, exciting, exploration
genesis of thought, bound to the genesis
of doubt...
             having to be replaced by
a genesis of denial...
      the second tier of a secular society...
    the zeitgeist of Herr Censor...
to filter through what we see so often,
faces, bodies...
  but would be much more comfortable
having been bound to Plato's cave,
         of complete shadow theater...

perhaps... but the original tier of
secular societies' alternative to church prescribed
articles of faith...
                     to have replaced
the thrill of doubt...
      with this... Byzantine pillar of denial
as motivational groundwork for
thinking impetus
   that becomes an article of being?
am i the only one to see the frustration,
how, people abhor their being,
being founded upon an act of denial,
rather than an act of doubt?

     the once thrilling maybe (gnostic):
   has become the stale, "i don't know"
    (agnostic) - as if... people can't tell you
whether zebras have stripes!
   where there was once an article
of secular faith (doubt) -
   now?
                        there's not even that!

p.s.
  there has to be a much needed new mantra,
all publicity: is bad publicity -
unless of course you're riding that
fame juggernaut and are paying
for your all-inclusive status akin
   to madonna: since fame dies off
and you, none-the-less invest in the momentum...

one day where i drink a bottle of wine,
half a liter of whiskey,
   and i'm apparently not "screaming" in
my sleep from the heat,
the whole, "apparently", as i retorted:
at 5:15am? i was alseep! i was asleep!
how can i stop screaming in my sleep
like a banshee:
the sleeper and the blind man both see
eye to eye regarding the future to come...

one day without engaging in internet
content: of my own accord,
next day? this... this... lethargy builds
up in me... i end up thinking:
i can't do this any more,
this insomnia culture globalism of
24h news reels is tirying me,
i pick up the sunday newspaper
which i found to be respecteable...
the sunday times,
  i peer into the magazines...
toxic masculinity,
    desire: what three women want...
i'm bored...
well more tired than bored,
bored-tired...
                 what women want:
what an exhausting question...
**** fantasy, beta-male provideer...
yada-yada-yada...
                    
    the only relaxing aspect of the day
(apart from the shade) is watching
england beat india in the cricket...
i always loved cricket sport terminology:
50 overs... innings...
wickets... 6 throws of the ball in an over...
the rest? i'm no atlas...
i don't like the world crashing in on
me with all its problems...
not because i don't have the right
advice to give,
but i remember the most modern secular
motto about giving advice borrowed
from Athos of the creation of alexandre dumas:

the best advice? to not give advice...
you cannot be held accountable
for giving bad advice: and people complaining,
or good advice and leaving
people in your sphere of influence...
asking for more - non verbatim... of course...

second categorical imperative?
tao...
              the best way you can help
the world: is to forget the world,
and let the world forget you...

                        you only need two absolute
maxim vectors to orientate yourself
in this world,
a third is nice, but: it can be kept loose...
at least two on a tight leash...

but one night spent drinking,
not writing anything:
and i am... spent!

                            the boogieman of england's
persistent complaints...
the muslims are not integrating,
the english: we should give them more
ground...
           o.k., o.k.... joe peshi in the role
leo getz in lethal weapon II...
            i too had to integrate!
i said: like **** if you think i'll give up
my native tongue when spoken in private...
you're not getting it...
i'll spreschen ihre zunge, no problem,
i'll even write you pwetty free verses to boot!
but, guess what?
  i will not force you to eat my
sauerkraut, my schnitzels,
                           my smoked sausages,
my raw herrings etc.,
                      integration does not work
within the confines of: pampering to a people
expected to meet you half-way...
what happened when the polonaise attempted
to meet the english half-way?
brexit...
oh come on guv'... is there a ******* tram
echoing its way out of my eye
when you peer into it while i attach
an index finger to the bottom lid to give
you a clearer picture?
           25 years in england: no englush girlfriend:
i guess all the english girls just love, just love love
being ***** by 9 pakistanis
daubed in gasoline...
                   hey: they **** thrill...

i'm tired of the weakness of the english,
the humpty-dumpty nature they are imposing,
self-cencorship,
    appeasing, like neville chamberlain...
bringing back the munich agreement...
not on a piece of paper,
instead... waving a scrap of a toilet roll...
so the english could wipe their own *****
on the promises of the germans...
if this really hurts the northern monkies...
guess how much it hurts the sourthern fairies...
(well... fairy, is a designated region surrounding
devon, bristol, hardly a ******* fairy in essex)...

   why am i foreigner and i share
the same nausea of the natives,
                     exhausted by the narratives?
i guess the english didn't like the polonaise:
but the polonaise are to blame...
came here with a list of benefits they could claim:
without having even lived 5 years among
the natives... housing benefits, child benefits...
believe me: the polonaise are the only
people in the world that hate each other...
to the extent of citing bitter criticisms...
whenever i pass through warsaw to see my grandparents
i am gripped with a sickness:
this homogeneity is too much for me...
shove me back into the east end of London...
too much of the same genetic material...
and that's when the language i am keeping
(seemingly for vanity reasons) fizzles out
into your basic encounter and that basic reminder
that circa 40 million speak it too,
better or worse, but they speak it...

of all the festivals? download...
                                   i wish...
    glastonbury?       not my thing...
kylie? i'll concede: slow? live, with instruments,
rather than the studio original...
wasn't that a cover of
   bowie's fashion?
                  sure as hell sounded similar...
but i heard the cure were playing...
so while writing my father's invoice
i made myself a paperclip bracelet...
   i figured... "let's just pretend to be there"...
and no, the 1980s weren't that bad when
it comes to music,
not now, by comparison...
the cure's kiss me, kiss me, kiss me (1987)
release?
one of those rare albums you can
listen to akin to reading a book...

                       but there's still that persisting
exhaustion... i came from under communism,
from under the iron curtain,
but at least there was the economic aspect
of communism involved...

   only today i watched the story
of the terrible inversion of english jursprudence,
i.e.: guilty until proven innocent...
the 1975 case of the silesian vampire...
an innocent man was hanged...
the original vampire?
    smashed his wive's head in,
then his childrens', then he set himself
on fire...
              then again: the tragedy of those
rare cases of being presumed guilty
rather than innocent...
then the reverse: presumed innocent rather
than guilty and getting away with it,
through the parody of death
and the non existent god...

   there could not be anything more exhausting
than communism without a communist
economic model...
this current state of affairs in the west:
cultural marxism and the yet to be discovered
antithesis of cultural darwinism...

i'll use the cartesian chirality for a moment:
sum ergo cogito...
i don't like using political terms...
but... liberal (classical) - i don't even know
what sort of thinking goes into the label -
in the east? the liberals are exhausted
by a resurgent nationalism within
   the newly acquired capitalist system...
in the west? the liberals are exhausted
by an insurgent communism within
an ageing capitalist system...

         on a side: seriously, why even bother
engaging in any sort of "public intellectual"
debates when the public are only
discussing two books: 1984 and brave new world...
**** it, might as well talk to a camel jockey
who only own and rides the waves of
time in this world only using one...
muhammad...
   whom Khadija **** Khuwaylid
would probably whip into his young
respectable shape...

                  and this is how Ezra Pound comes
into rememberance:
usura... at least the muslims do not
play into the game of usury:
of interest... borrow a quid,
pay back £2.33...
            that's the only way you can
gain respect of the muslims:
if they truly were the money lenders
of this world: which they aren't...
unless a newly blessed...

   among the philistines and the proselytes...
england is such a tiresome project,
even on the outskirts of London...
i'm being dragged down by this intervention
of marxism: on a whim,
on a whimsical projection...
of "adding" values...
            
           communism would have worked...
in exceptional circumstances...
poland... circa 1945 - 1990...
syria: the current year...
  to whatever year is demanded...
exceptional as in: war torn...
where was the marshall plan
   for poland, when there was one
for sweden (neutral) and switzerland
(also neutral)?!
        black youths bothered about
the summer holidays,
having to live in council flats,
  concrete goliaths...
           want to know what it feels like
when entire cities are like council
estates,
with only pockets of remaining
   free-standing houses among
overshadowing council flats?
                                    nee bother...
sure... in a country where:
the house is the castle and there's a labyrinth
of castles constituting outer suburbia...
balconies... that's what the soviet
models had... balconies...
where women could grow flowers...
concrete staccato gardens in the sky...
the blocks of flats in england
didn't have balconies (sky gardens,
          esp. the early ones, massive fault)...
i spent one summer reading
bertnard russell's history of western philosophy...
lying in my grandparent's balcony,
in the shade...
watching passerbys among
          the barking dogs of the neighbours...

one day, one ******* day!
   and i'm already exhausted from the castrato
english narrative...
pandering to the people you expected
to integrate...
  no! you're not changing your standards...
your standards are perfectly reasonable!
i'm tired of the english pandering
to the sort of people who, will, not,
integrate!
               i integrated in a way
of respecting both the english culture,
as well as hiding / preserving my own...
why don't i just do the following:
   pisać po polsku?
                      like some czesław miłosz?

ah... good point... at what point
is the standard of integration appreciated?
when nothing is preserved?
surely integration is supposed to
accommodate some variation
of preservation?
     i might add: that's a fine line...
preserve all? no integration...
preserve some? integration...
                    preserve none? no integration...
food is a cheap target to example
with...
                   it's a low hanging fruit...
given that even i find indian cuisine
   the most superior in the world...
food is a cheap target concerning integration...
but the niqab?
  when the local english authorities
are employing face-recognition
technology and when testing it...
are forcing people to uncover their faces,
subsequently arresting them out of protest...
but not the women wearing the niqab...
out of? out of what?
   a secular society shouldn't be allowed
to discriminate against any religion...
it should discriminate against: all religions!

                isn't that what the secular ideology
is all about? the... softcore version
of soviet atheism?
        secularism of the west (miltary-industrial
complex)...
"vs." soviet atheism of the east
  (scientific-industrial complex)...
           i'm still so ******* tired
               of this bogus trap of "necessary"
                       commentary.
Coral Estelle Apr 2011
Estates within the woods, serene with sun.
Warm air, and white prim rose dresses.
Secrets dropped between blades of grass.
Hidden, lost in summer.
But, if asked just right,
Politely and precise,
They will bloom for you.
Quaint little used to be's.
Who used to beat
My heart.

Memories.

Back yard lawn chair, of crisp yellow and white.
Which once upon an unknowingly historic time,
Embraced the body heat
Of that King.
And his miniature kingdom,
Within me.

Lovingly.

It was Summer at the Racquet Club Estates.
His last Summer,
A chance to breathe alive.
Our Last debate,
A heart's final try.
Quaint little used to be.
Who used to beat
My heart.

Goodbye.
Von White Mar 2019
Crystal tears in beams of the ethereal triangle. (Moth)
Leave gleams of cosmic rays of colors new from all angles
Crying trying to hug a moth.  
As Crystal tears fall on sacred cloths.
Benighted Bug embraced in hugs
Wings are spread to hold one snug:
Deepens the sorrow,
smiles be smug
Deeply sad
happy songs sung
Deep so deep in altered states fun
Deep like your hole that was never dug.
For this is why thy is sobbing yet numb.
So missed, so loved
this head in dread hung.
Hysteric screams loud left ears that rung.
Mourning love on lavish lush.
Perhaps hard drugs
gleam in this rug.
Like Twinkle stars in eyes of lights bug.
Flutter now precious one.  
That moment has come.
For that cosmic lights in the night sky has shun.
Fly off now and thrive
Through Blessed skies twilight.  
Omega trifecta disjecta in white.
Disregard all  life’s ill lies
Project Past false folly worlds not wise.
Omega trifecta eternal cant die.  
Clothed in robes on moths back we ride
  Purple eyes On wings spread so wide.  
Protected With swords
worn on there sides
Giants enlightened
with violet sash tied
Guide these rides like blades on arm right
through chaos harmonized untwined.
be three inside when doors thy find.
Under cat pelt black mat
Crystal white key sleeps and  hides.  
Unlock bone carved door,
to obscure and pure life.
Flesh cold on *** gold,
Twist it like Pyrex pipes.  
Arived
Arived
Looks dead
Though alive
Triangle portals for immortals to rise.
  In bliss gnostic gifts of the purest of kind.
alive in parallel paths that have died.
Blind not the light,
as black sun in sky rise.
Omega trifecta disjecta drenched white.  

Insanity
123
Triangle eyes  
Upon moths wings.  
Insanity
123
How nice was it for you visiting.
Insanity
123
Lovely wings now wave to thee
Insanity
123
Love has come
Love will not leave.
Insanity
123
Of three
Triangles dance like seas.
Insanity
123
White it be
of love
of 3.

Burn forever has this flame.
Insane deranged the mental state.
Delirium comes
And is here to stay.
Now in the dark filthy room,
the schizoid hides away.
In Torment
in dormant
Destroy rituals save.
Healed by the hand
Upon masters embraced.
Purify soul
Preserve culture and race.
Clean blood the last goodness
left in this wretched place.
Yet still in stillness
stagnant turns blue in veins
Bloodletting not upsetting
Blades sway without pain.
As well as chop lines
Upon mirrors for days.
Twisting Pyrex orbs like a game
As well as starve self in sacred ways.
As well as smoke finest of *** never laced.
As well as this huffing to **** cells In brain.
The alcohol be it the final Intake.  
Rituals so official for healing in this hate.
Destroy
Create
Destroy
Create
Sleep deprived
for up to thee days.
Final hours
bring forth meat and champagne.
Replenish the ugly shell carbon based
Starved for many days
Sacrifices made done safe
Acts watering spirit
Sacred like this self inflicted pain
Be it in ethereal place
Where insane becomes sane.
Clean the mirrors like spirits slate.
Awaken here to rise.
Eyes alive appearing crazed
laughs upon the sad estates.
Fear all clear has disappeared
Nearly forgot the name
again please come play
like the sun does in may
Cloaked with veils soaked,
like the bed lovers lay.
Cloaked in veils soaked
With inhuman healing rain
Cloaked in veils soaked
Through shadows in thick smoke.
Abstract absurd croaks,
hang from yellow ropes.
Oh strange these roads
magicians go.
Zero fear crystal clear
With senses unknown
It is upon the humans where Paranoid confused madness cripples all life.
Where the eyes of the rubber skinned demons flutter like fast as hummingbird wings.
No logic or sense
reality has shattered.
Machanical animals glitch out like brains splattered
Oh the inner urge to stab synthetic creatures
Oh to destroy Gears and chips inside that “raccoon”
Oh to have oil drop off this sharpened knife
How the **** can one ****
That which is not even alive
Malevolent smiles on people on all sides
These are the things
these eyes have seen
Enough now on obsessing
on that which is now cleansed.
These are the reasons this obscure life be led.
These be the reasons these practices one tends.
These be the reasons for the drs meds
These be the reasons one ***** up this head.
These be the reasons that one is not dead
For these sacred acts in fact have fed spirit and flesh  

Dancing and laughing now through storming waves of chaos seas
Immortal threes ride storms through dark nights.

Until Timelessness be kind with bliss.
These moments will be missed
For the horror be done.
For the flesh be at rest.
Silk was a voice that little wings said.
For fabulous readings
Whispers to heart In chest.
Last lovingly gesture
face gently corresed
Kissing soft wings as the honored guest left.
Gracious be glorious gifts that were sent.
For a  radiant cosmic ray is shun
A Glowing beam bright as the sun.  
Open ethereal triangle windows up.
Fly far now back to lands you are from.
to gaze into ethereal triangular windows.
Free forever eternal have fun
be a triangular window.  
Oh how now to frolic.  
Within Crystal palace.
Oh how to drink from the purest of chalice.
Oh how now to frolic  
Do not stop it
Obnoxious
be not this calling.
Laugh and prans  
as if you have lost it
sheen as if polished.
Which  gleams like gold lockets
Soft the Royal purple carpets.  
Dance in trancemusic of inhuman artists
Terror tamed and disregarded.
of black and laced scarlet
Parallel white
Blackness falls.
Gone unto the sacred arts.
Beaming rays in callused  hearts.

Hard telepathic readings.
The physical health was releasing.
Now physical health is at full regeneration.
Regression
Regression
Regression
In threes
In these
Darkest light in vibrant scenes.
Walk the chaos fields
Laugh at this disease.
In threes
Your triangle
Your embrace please.
Speaking through the cosmic seas.
yes blood as flesh are with thee.
All moments of timeless times.
We both dismantled time and logic.
Witnesses of chronic tauntings.
Together cold hands at hops frolic.
Disability in the humans life
Keeping wits as sharp as knifes.
Laugh with thee
In three
Hahaha
Hahaha
Hahaha
Far to gone
Walking along with zero fear at all.
Within you now all distress is regressed.
You are immortal and free.
You speak through moths and trees.
Transcend the logic of all human beings.  
Beyond the sane and tamed.
Oh severely was such un heard of pain.
humans of hate and horror in black corners.
Chaos in eternal be harmony.
Through delusions
Through evil illusions.
Still immortals storm the insane vespers.
In m
Aquarius being of untouchable boundaries.
Virgo being of untouchable boundaries.
These moons

**** trying to word or logically read.
We’re born of the purest lights.
found in the darkest of seems.
Insane
In pain
In collapsed yet precious veins.
Insane
In pain
Happiness on earth not aloud.
Happiness in far away bliss.
Oh how the dread impails when such is missed.
Eternal
In white
In ligh in black
Laugh with thee as the wretched attack.
In purity
With purple sash on white robes
In light in darkness harness you will be loved and whole.
Still shovels crave to dig six foot holes.
Still death appears in the faces of the cold.
Love fortold in the hopelessness like mold.
Oh telepathic wanderer of true purity.
Eternaly
Your purity and loving being
Eternal shall your light be strong.
Your love in lungs as one rips bongs.
Of three you and thee
Of night
Of light
No more fright
For blackness has led them to might that is white.  
For love from the purest has held out inhuman hands.
Forever infinite beyond imagination of man.
Forever gnostic callings in not so human lands.
Crystal tears beam in ethereal triangle (moth)
If from the public way you turn your steps
Up the tumultuous brook of Green-head Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story—unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of Shepherds, dwellers in the valleys, men
Whom I already loved;—not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.

     Upon the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd’s calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and oftentimes,
When others heeded not, he heard the South
Make subterraneous music, like the noise
Of bagpipers on distant Highland hills.
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say,
“The winds are now devising work for me!”
And, truly, at all times, the storm, that drives
The traveller to a shelter, summoned him
Up to the mountains: he had been alone
Amid the heart of many thousand mists,
That came to him, and left him, on the heights.
So lived he till his eightieth year was past.
And grossly that man errs, who should suppose
That the green valleys, and the streams and rocks,
Were things indifferent to the Shepherd’s thoughts.
Fields, where with cheerful spirits he had breathed
The common air; hills, which with vigorous step
He had so often climbed; which had impressed
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which, like a book, preserved the memory
Of the dumb animals, whom he had saved,
Had fed or sheltered, linking to such acts
The certainty of honourable gain;
Those fields, those hills—what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself .

     His days had not been passed in singleness.
His Helpmate was a comely matron, old—
Though younger than himself full twenty years.
She was a woman of a stirring life,
Whose heart was in her house: two wheels she had
Of antique form; this large, for spinning wool;
That small, for flax; and, if one wheel had rest,
It was because the other was at work.
The Pair had but one inmate in their house,
An only Child, who had been born to them
When Michael, telling o’er his years, began
To deem that he was old,—in shepherd’s phrase,
With one foot in the grave. This only Son,
With two brave sheep-dogs tried in many a storm,
The one of an inestimable worth,
Made all their household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease; unless when all
Turned to the cleanly supper-board, and there,
Each with a mess of pottage and skimmed milk,
Sat round the basket piled with oaten cakes,
And their plain home-made cheese. Yet when the meal
Was ended, Luke (for so the Son was named)
And his old Father both betook themselves
To such convenient work as might employ
Their hands by the fireside; perhaps to card
Wool for the Housewife’s spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

     Down from the ceiling, by the chimney’s edge,
That in our ancient uncouth country style
With huge and black projection overbrowed
Large space beneath, as duly as the light
Of day grew dim the Housewife hung a lamp,
An aged utensil, which had performed
Service beyond all others of its kind.
Early at evening did it burn—and late,
Surviving comrade of uncounted hours,
Which, going by from year to year, had found,
And left the couple neither gay perhaps
Nor cheerful, yet with objects and with hopes,
Living a life of eager industry.
And now, when Luke had reached his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while far into the night
The Housewife plied her own peculiar work,
Making the cottage through the silent hours
Murmur as with the sound of summer flies.
This light was famous in its neighbourhood,
And was a public symbol of the life
That thrifty Pair had lived. For, as it chanced,
Their cottage on a plot of rising ground
Stood single, with large prospect, north and south,
High into Easedale, up to Dunmail-Raise,
And westward to the village near the lake;
And from this constant light, so regular
And so far seen, the House itself, by all
Who dwelt within the limits of the vale,
Both old and young, was named The Evening Star.

     Thus living on through such a length of years,
The Shepherd, if he loved himself, must needs
Have loved his Helpmate; but to Michael’s heart
This son of his old age was yet more dear—
Less from instinctive tenderness, the same
Fond spirit that blindly works in the blood of all—
Than that a child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.
Exceeding was the love he bare to him,
His heart and his heart’s joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For pastime and delight, as is the use
Of fathers, but with patient mind enforced
To acts of tenderness; and he had rocked
His cradle, as with a woman’s gentle hand.

     And, in a later time, ere yet the Boy
Had put on boy’s attire, did Michael love,
Albeit of a stern unbending mind,
To have the Young-one in his sight, when he
Wrought in the field, or on his shepherd’s stool
Sate with a fettered sheep before him stretched
Under the large old oak, that near his door
Stood single, and, from matchless depth of shade,
Chosen for the Shearer’s covert from the sun,
Thence in our rustic dialect was called
The Clipping Tree, a name which yet it bears.
There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestowed
Upon the Child, if he disturbed the sheep
By catching at their legs, or with his shouts
Scared them, while they lay still beneath the shears.

     And when by Heaven’s good grace the boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old;
Then Michael from a winter coppice cut
With his own hand a sapling, which he hooped
With iron, making it throughout in all
Due requisites a perfect shepherd’s staff,
And gave it to the Boy; wherewith equipt
He as a watchman oftentimes was placed
At gate or gap, to stem or turn the flock;
And, to his office prematurely called,
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise;
Though nought was left undone which staff, or voice,
Or looks, or threatening gestures, could perform.

     But soon as Luke, full ten years old, could stand
Against the mountain blasts; and to the heights,
Not fearing toil, nor length of weary ways,
He with his Father daily went, and they
Were as companions, why should I relate
That objects which the Shepherd loved before
Were dearer now? that from the Boy there came
Feelings and emanations—things which were
Light to the sun and music to the wind;
And that the old Man’s heart seemed born again?

     Thus in his Father’s sight the Boy grew up:
And now, when he had reached his eighteenth year,
He was his comfort and his daily hope.

     While in this sort the simple household lived
From day to day, to Michael’s ear there came
Distressful tidings. Long before the time
Of which I speak, the Shepherd had been bound
In surety for his brother’s son, a man
Of an industrious life, and ample means;
But unforeseen misfortunes suddenly
Had prest upon him; and old Michael now
Was summoned to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This unlooked-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.
As soon as he had armed himself with strength
To look his trouble in the face, it seemed
The Shepherd’s sole resource to sell at once
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart failed him. “Isabel,” said he,
Two evenings after he had heard the news,
“I have been toiling more than seventy years,
And in the open sunshine of God’s love
Have we all lived; yet, if these fields of ours
Should pass into a stranger’s hand, I think
That I could not lie quiet in my grave.
Our lot is a hard lot; the sun himself
Has scarcely been more diligent than I;
And I have lived to be a fool at last
To my own family. An evil man
That was, and made an evil choice, if he
Were false to us; and, if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him;—but
’Twere better to be dumb than to talk thus.

     “When I began, my purpose was to speak
Of remedies and of a cheerful hope.
Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free;
He shall possess it, free as is the wind
That passes over it. We have, thou know’st,
Another kinsman—he will be our friend
In this distress. He is a prosperous man,
Thriving in trade and Luke to him shall go,
And with his kinsman’s help and his own thrift
He quickly will repair this loss, and then
He may return to us. If here he stay,
What can be done? Where every one is poor,
What can be gained?”

                                          At this the old Man paused,
And Isabel sat silent, for her mind
Was busy, looking back into past times.
There’s Richard Bateman, thought she to herself,
He was a parish-boy—at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the neighbours bought
A basket, which they filled with pedlar’s wares;
And, with this basket on his arm, the lad
Went up to London, found a master there,
Who, out of many, chose the trusty boy
To go and overlook his merchandise
Beyond the seas; where he grew wondrous rich,
And left estates and monies to the poor,
And, at his birth-place, built a chapel floored
With marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Passed quickly through the mind of Isabel,
And her face brightened. The old Man was glad,
And thus resumed:—”Well, Isabel! this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
—We have enough—I wish indeed that I
Were younger;—but this hope is a good hope.
Make ready Luke’s best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
—If he could go, the boy should go to-night.”

     Here Michael ceased, and to the fields went forth
With a light heart. The Housewife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare.
Things needful for the journey of her Son.
But Isabel was glad when Sunday came
To stop her in her work: for, when she lay
By Michael’s side, she through the last two nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, “Thou must not go:
We have no other Child but thee to lose,
None to remember—do not go away,
For if thou leave thy Father he will die.”
The Youth made answer with a jocund voice;
And Isabel, when she had told her fears,
Recovered heart. That evening her best fare
Did she bring forth, and all together sat
Like happy people round a Christmas fire.

     With daylight Isabel resumed her work;
And all the ensuing week the house appeared
As cheerful as a grove in Spring: at length
The expected letter from their kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy;
To which requests were added, that forthwith
He might be sent to him. Ten times or more
The letter was read over, Isabel
Went forth to show it to the neighbours round;
Nor was there at that time on English land
A prouder heart than Luke’s. When Isabel
Had to her house returned, the old man said,
“He shall depart to-morrow.” To this word
The Housewife answered, talking much of things
Which, if at such short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

     Near the tumultuous brook of Green-head Ghyll,
In that deep valley, Michael had designed
To build a Sheep-fold; and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which by the streamlet’s edge
Lay thrown together, ready for the work.
With Luke that evening thitherward he walked:
And soon as they had reached the place he stopped,
And thus the old Man spake to him:—”My Son,
To-morrow thou wilt leave me: with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; ’twill do thee good
When thou art from me, even if I should touch
On things thou canst not know of.—After thou
First cam’st into the world—as oft befalls
To new-born infants—thou didst sleep away
Two days, and blessings from thy Father’s tongue
Then fell upon thee. Day by day passed on,
And still I loved thee with increasing love.
Never to living ear came sweeter sounds
Than when I heard thee by our own fireside
First uttering, without words, a natural tune;
While thou, a feeding babe, didst in thy joy
Sing at thy Mother’s breast. Month followed month,
And in the open fields my life was passed,
And on the mountains; else I think that thou
Hadst been brought up upon thy Father’s knees.
But we were playmates, Luke: among these hills,
As well thou knowest, in us the old and young
Have played together, nor with me didst thou
Lack any pleasure which a boy can know.”
Luke had a manly heart; but at these words
He sobbed aloud. The old Man grasped his hand,
And said, “Nay, do not take it so—I see
That these are things of which I need not speak.
—Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Received at others’ hands; for, though now old
Beyond the common life of man, I still
Remember them who loved me in my youth.
Both of them sleep together: h
it is said that
a prophet finds no honor
in his own country

hard truths
boldly spoken
are received as a
wretched cacophony
threatening to melt
the caked wax
blocking the closed
intolerant ears of
intransigence

Madiba
once found no
personhood
in his homeland

his people driven
from their land
by Voortrekkers

snortling Boers
gobbling the land
uprooting native
people from villages
they had occupied
since the dawn
of time

spilling Zulu blood
into roiling rivers
of conquest

meeting peaceful
petitions of the
aggrieved with
Sharpsville bullets
splattering
the blood of
innocents onto
hardscrabble roads

redressing crimes
against the victims
by corralling them into
denuded Bantustans
where rivers do not
flow, grass never grows,
game cannot graze;
only the dust doth blow

riddling the captives
with torments of
Transvaal Apartheid,
mocking the speakers
of mother tongues with
the fained eloquence
of bastardized Afrikaans

the dominion of the
oppressors, sanctioned
and affirmed by exiling
a people from their land,
outlawing their language,
dividing the nations into
a fallacy of separate
destinies where a forgetful
history blessed with amnesia
will anoint the conquerors
with the spoils of abundance
stolen from the vanquished

Madiba spoke of these things
and was awarded a prison
cell for twenty seven years

but the hostages of
a conquerors justice
remained destined
to be freed by the arrival
of an accepted truth
set free by the very words
prophetically spoken

prisons cannot contain truth
steel bars cannot imprison
the idea of divine justice

it slips through the smallest openings
like a wafting fragrance of the first day of spring

it saws away at the rust strewn steel bars
like the surest movement of a master carpenter’s arm

it melts the thickest links of iron chains
in the fiery forges that burn in the hearts
of all freedom loving people

the truth of justice
is born and takes flight
on the wings of history
covering the globes
cardinal ordinates

nesting in the most
humble villages
and mean estates
on God’s good earth

truth and reconciliation
can never be separated
planted together to grow
healthy nations and
communities of
trust and restoration

Madiba, you always
found honor with
the salt of the earth
the children of light
who seek to dispel
the darkness of
acrimony and
*******

we continue to
walk your way
guided by your
prophetic visions
we take the first steps
asking liberators to join
with oppressors, pairing
in a magnanimous walk
along wholesome pathways
perceiving the buena vistas
of reconciled communities
firmly established
on foundations
of peace, equality
and justice for all citizens

I caught a fleeting glimpse of Madiba
as he rolled by in the Canyon of Heros
showered under a June blizzard of confetti
and a resounding acclimation of love.

I was a plebe inhabiting a lower floor
Broadway office, yet my station blessedly
brought me closer to Madiba.  As he passed
I was moved by his miraculous smile and felt
the colossal reverberations of his waving arm
triumphantly hailing the sweet freedom of
liberation all hostages of feigned justice
exude in the vindication of divine justice
enraptured in the joy of affirmed truth.

Dearest Madiba
we are enriched
and blessed for
the time you walked
among us.  

You fought
the good fight
my brother.

Rest easy
for we shall resume
the climb to
the next mountaintop.

Well done Madiba
Godspeed

Rolihlahla “Nelson” Mandela
7/18/18 - 12/5/13

Ladysmith Black Mombazo
How Long

Oakland
12/6/13
jbm
High in the breathless Hall the Minstrel sate,
And Emont’s murmur mingled with the Song.—
The words of ancient time I thus translate,
A festal strain that hath been silent long:—

    “From town to town, from tower to tower,
    The red rose is a gladsome flower.
    Her thirty years of winter past,
    The red rose is revived at last;
    She lifts her head for endless spring,
    For everlasting blossoming:
    Both roses flourish, red and white:
    In love and sisterly delight
    The two that were at strife are blended,
    And all old troubles now are ended.—
    Joy! joy to both! but most to her
    Who is the flower of Lancaster!
    Behold her how She smiles to-day
    On this great throng, this bright array!
    Fair greeting doth she send to all
    From every corner of the hall;
    But chiefly from above the board
    Where sits in state our rightful Lord,
    A Clifford to his own restored!

        “They came with banner, spear, and shield;
    And it was proved in Bosworth-field.
    Not long the Avenger was withstood—
    Earth helped him with the cry of blood:
    St. George was for us, and the might
    Of blessed Angels crowned the right.
    Loud voice the Land has uttered forth,
    We loudest in the faithful north:
    Our fields rejoice, our mountains ring,
    Our streams proclaim a welcoming;
    Our strong-abodes and castles see
    The glory of their loyalty.

        “How glad is Skipton at this hour—
    Though lonely, a deserted Tower;
    Knight, squire, and yeoman, page and groom,
    We have them at the feast of Brough’m.
    How glad Pendragon—though the sleep
    Of years be on her!—She shall reap
    A taste of this great pleasure, viewing
    As in a dream her own renewing.
    Rejoiced is Brough, right glad, I deem,
    Beside her little humble stream;
    And she that keepeth watch and ward
    Her statelier Eden’s course to guard;
    They both are happy at this hour,
    Though each is but a lonely Tower:—
    But here is perfect joy and pride
    For one fair House by Emont’s side,
    This day, distinguished without peer,
    To see her Master and to cheer—
    Him, and his Lady-mother dear!

        “Oh! it was a time forlorn
    When the fatherless was born—
    Give her wings that she may fly,
    Or she sees her infant die!
    Swords that are with slaughter wild
    Hunt the Mother and the Child.
    Who will take them from the light?
    —Yonder is a man in sight—
    Yonder is a house—but where?
    No, they must not enter there.
    To the caves, and to the brooks,
    To the clouds of heaven she looks;
    She is speechless, but her eyes
    Pray in ghostly agonies.
    Blissful Mary, Mother mild,
    Maid and Mother undefiled,
    Save a Mother and her Child!

        “Now who is he that bounds with joy
    On Carrock’s side, a Shepherd-boy?
    No thoughts hath he but thoughts that pass
    Light as the wind along the grass.
    Can this be He who hither came
    In secret, like a smothered flame?
    O’er whom such thankful tears were shed
    For shelter, and a poor man’s bread!
    God loves the Child; and God hath willed
    That those dear words should be fulfilled,
    The Lady’s words, when forced away
    The last she to her Babe did say:
    “My own, my own, thy fellow-guest
    I may not be; but rest thee, rest,
    For lowly shepherd’s life is best!”

        “Alas! when evil men are strong
    No life is good, no pleasure long.
    The Boy must part from Mosedale’s groves,
    And leave Blencathara’s rugged coves,
    And quit the flowers that summer brings
    To Glenderamakin’s lofty springs;
    Must vanish, and his careless cheer
    Be turned to heaviness and fear.
    —Give Sir Lancelot Threlkeld praise!
    Hear it, good man, old in days!
    Thou tree of covert and of rest
    For this young Bird that is distrest;
    Among thy branches safe he lay,
    And he was free to sport and play,
    When falcons were abroad for prey.

        “A recreant harp, that sings of fear
    And heaviness in Clifford’s ear!
    I said, when evil men are strong,
    No life is good, no pleasure long,
    A weak and cowardly untruth!
    Our Clifford was a happy Youth,
    And thankful through a weary time,
    That brought him up to manhood’s prime.
    —Again he wanders forth at will,
    And tends a flock from hill to hill:
    His garb is humble; ne’er was seen
    Such garb with such a noble mien;
    Among the shepherd-grooms no mate
    Hath he, a Child of strength and state!
    Yet lacks not friends for simple glee,
    Nor yet for higher sympathy.

    To his side the fallow-deer
    Came and rested without fear;
    The eagle, lord of land and sea,
    Stooped down to pay him fealty;
    And both the undying fish that swim
    Through Bowscale-tarn did wait on him;
    The pair were servants of his eye
    In their immortality;
    And glancing, gleaming, dark or bright,
    Moved to and fro, for his delight.
    He knew the rocks which Angels haunt
    Upon the mountains visitant;
    He hath kenned them taking wing:
    And into caves where Faeries sing
    He hath entered; and been told
    By Voices how men lived of old.
    Among the heavens his eye can see
    The face of thing that is to be;
    And, if that men report him right,
    His tongue could whisper words of might.
    —Now another day is come,
    Fitter hope, and nobler doom;
    He hath thrown aside his crook,
    And hath buried deep his book;
    Armour rusting in his halls
    On the blood of Clifford calls,—
    ‘Quell the Scot,’ exclaims the Lance—
    Bear me to the heart of France,
    Is the longing of the Shield—
    Tell thy name, thou trembling field;
    Field of death, where’er thou be,
    Groan thou with our victory!
    Happy day, and mighty hour,
    When our Shepherd, in his power,
    Mailed and horsed, with lance and sword,
    To his ancestors restored
    Like a re-appearing Star,
    Like a glory from afar
    First shall head the flock of war!”

Alas! the impassioned minstrel did not know
How, by Heaven’s grace, this Clifford’s heart was framed:
How he, long forced in humble walks to go,
Was softened into feeling, soothed, and tamed.

Love had he found in huts where poor men lie;
His daily teachers had been woods and rills,
The silence that is in the starry sky,
The sleep that is among the lonely hills.

In him the savage virtue of the Race,
Revenge and all ferocious thoughts were dead:
Nor did he change; but kept in lofty place
The wisdom which adversity had bred.

Glad were the vales, and every cottage-hearth;
The Shepherd-lord was honoured more and more;
And, ages after he was laid in earth,
“The good Lord Clifford” was the name he bore.
Michael R Burch Feb 2020
How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.

Originally published by Measure

Keywords/Tags: Old English, Middle English, Medieval English, long night, lament, complaint, alas, summer, pleasant, winter, north wind, northern wind, severe weather, storm, bird, birds, birdsong, sin, crime, fast, fasting, repentance, dark night of the soul, sackcloth and ashes, regret, repentance, remonstrance



Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

Note: This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Wulf and Eadwacer (Old English circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs roam this island.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings for him, but their end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



Westron Wynde
(anonymous Middle English lyric, circa 1530 AD)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!



This World's Joy
(anonymous Middle English lyric, circa 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Pity Mary
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.



Fowles in the Frith
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Summer is a-comin’!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots,
The billy-goat poots ...
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



Are these the oldest rhyming poems in the English language? Reginald of Durham recorded four verses of Saint Godric's: they are the oldest songs in English for which the original musical settings survive.

The first song is said in the Life of Saint Godric to have come to Godric when he had a vision of his sister Burhcwen, like him a solitary at Finchale, being received into heaven.  She was singing a song of thanksgiving, in Latin, and Godric renders her song in English bracketed by a Kyrie eleison:

Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie

In the second poem, Godric puns on his name: godes riche means “God’s kingdom” and sounds like “God is rich” ...

A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!

Original

Saintë Marië Virginë,
Moder Iesu Cristes Nazarenë,
Onfo, schild, help thin Godric,
Onfong bring hegilich
With the in Godës riche.

Saintë Marië Cristes bur,
Maidenës clenhad, moderës flur;
Dilie min sinnë, rix in min mod,
Bring me to winnë with the selfd God.

Godric also wrote a prayer to St. Nicholas:

Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem aka The Riming Poem
anonymous Old English poem from the Exeter Book, circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane ...

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated ...
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.  

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
                                             the summer heat cools;
earthly wealth fails;
                                enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,

freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now skruketh rose and lylie flour, // Now the rose and the lily skyward flower,
That whilen ber that suete savour // That will bear for awhile that sweet savor:
In somer, that suete tyde; // In summer, that sweet tide;
Ne is no quene so stark ne stour, // There is no queen so stark in her power
Ne no luedy so bryht in bour // Nor any lady so bright in her bower
That ded ne shal by glyde: // That Death shall not summon and guide;
Whoso wol fleshye lust for-gon and hevene-blisse abyde // But whoever forgoes lust, in heavenly bliss will abide
On Jhesu be is thoht anon, that tharled was ys side. // With his thoughts on Jesus anon, thralled at his side.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



IN LIBRARIOS
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Brut (circa 1100 AD, written by Layamon, an excerpt)
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.

Layamon's Brut is a 32,000-line poem composed in Middle English that shows a strong Anglo-Saxon influence and contains the first known reference to King Arthur in English. The passage above is a good example of Layamon's gift for imagery. It's interesting, I think, that a thousand years ago a poet was dabbling in surrealism, with dead warriors being described as if they were both men and fish.



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead . . .”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! . . .”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! . . .”



Deor's Lament (Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings ... oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



"The Husband's Message" is an Old English (Anglo-Saxon) poem from the Exeter Book, the oldest extant English poetry anthology. The poem may or may not be a reply to "The Wife's Lament," another poem in the same collection. The poem is generally considered to be an Anglo-Saxon riddle (I will provide the solution), but its primary focus is persuading a wife or fiancé to join her husband or betrothed and fulfill her promises to him. The Exeter Book has been dated to 960-990 AD, so the poem was written by then or earlier. The version below is my modern English translation of one of the oldest extant English poems.

The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                 was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
           I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                 over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord ...
                                He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Lament for the Makaris [Makers, or Poets]
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity ...
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free ...
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee ...
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity ...
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée ...
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity ...
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower ...
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee ...
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee ...
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty ...
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”




Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, and dies alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, and dies alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, and dies alone.

Winfrid or Wynfrith is better known as Saint Boniface (c. 675–754). This may be the second-oldest English poem, after "Caedmon's Hymn."



Franks Casket Runes
anonymous Old English poems, circa 700
loose translation/interpretation by Michael R. Burch

1.
The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

2.
Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



A cleric courts his lady
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

My death I love, my life I hate, because of a lovely lady;
She's as bright as the broad daylight, and shines on me so purely.
I fade before her like a leaf in summer when it's green.
If thinking of her does no good, to whom shall I complain?



The original poem below is based on my teenage misinterpretation of a Latin prayer ...

Elegy for a little girl, lost
by Michael R. Burch

for my mother, Christine Ena Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

NOTE: I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).
Mateuš Conrad May 2016
i know, rubbed off reading Pound, but scout's honour, but scout's honour, yet again: but on scout's honour it was a collage, and and and that's what could make Ezra's too a moment of weakness with a rainbow of subjects, a page ripped out from an encyclopaedia.

night cinema, and films from to preceding decades
this the current, 2nd of decade of a seemingly
never-ending September -
first - the disappearance of alice creed (a british
                                                         ­                            film),
second - the firm (                                            "           "   ),
the other two american, one an ageing classic -
sleepless in Seattle, and the last one the devil wears Prada -
already the differences are so relentless,
modern british cinema loves to capture grit,
graffiti on estates, meaningful f-off conjunctions,
and boy the slang in *the firm
is as good as any -
one of the few films worth rummaging with at sunrise
with it fresh in memory (preferred it to
trainspotting given one face value:
Bex is way more sociopathic than Begpie, and
he doesn't end up living the easy life in
Miami or whether he is being an artist),
but the problem is... the library is too big, it's the sort
of library you'd find in heaven, although less grand,
already outside the realm of sensible reality,
beyond 2 to the power of 83 (named yogibyte),
we have this library, right now,
the 2 to the power of 3.321928 of a googol,
i.e. a Nikolai Gogolplex... but! it's not technically
a library, it's also a stock market, a phonebox,
a ***** booth, a casino... HMR & Customs, banking,
so technically we're not talking a heavenly library
(add to the list cyber warfare,
everything apart from a librarian's shush
is acceptable here)... but it got me
thinking, that film the firm (set in the 80s)...
three strands of music that interest me from the 80s,
synthesiser music (sounds really cheap now, i know)
but at least it sounds better than castrato rock
of the 80s... the synthesiser music of pseudo echo e.g.,
but these instruments were picked up by kiddies and
it was like a harpsichord to them, given previously
Bach's organs and the grand piano: a pool table
compared to a snooker table...          
and the third strand of music from the 80s... post-punk,
Joy Division (i'm not exact on the dates, blurry lines)...
Bauhaus (the man with x-ray eyes)... Staatliches...
well... post-punk... punk-entrenchment, all that
pre- post- proto- pre-fixation post-fixation...
the darker side of punk...
                                              god, this library is too big!
it's a bit like walking into a bookshop and falling
on your knees in desperation:
you can watch the aesthetic of winter through
to autumn no problem, hell, you might get a mystical insight
into this recycling bin... but when it comes to
the aesthetic of mankind's recycling bin, everyone
breaks down not having read or bothered to
read Melville or something: the price of creating
civilisation and moving away from tribalism -
and again onto cinema... cinematic warfare with
gaming, or cartoon cinema, gaming cinema,
in Seattle in 1993 they still used babysitters, now
the grown-ups sit at home while the babies
go out swinging - games less about joystick
button indentations on the fingers and more about
cinema... cinema more about games than about
meaningful conversations - take that word
games in two ways: social gaming, you know
what i mean: ******* people over;
but seriously, can you believe a band like
the soft moon exists and released an album in
2010 with such seminal songs as
parallels and sewer sickness among others?
two thousand and twelve... i was as much
gob-smacked when i realised
that godspeed, you black emperor! released
their album f# a# ∞ in nineteen ninety eight! 1998! i thought
progressive music from any genre died with punk
and the impatience at yet another solo from
robert fripp when no one wanted to do an air guitar
version of his solos (which largely borrowed from jazz).
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo
John F McCullagh Nov 2011
When my father was a boy,
in the County of Tyrone,
His father owned a quarry
and he worked the fields of stone.

My Dad grew lean and hard
As he excavated stone
Yielding granite for stone carvers
And gravel aggregate for roads.

His hands grew strong and powerful
He had a muscular physique
He couldn’t read or write
But no one dared to call him weak.

When my Dad was in his twenties
He was working in the mines
Excavating British coal
at Newcastle on  Tynes.

Later on in life
He was living in the “States”
Working in landscaping
on large Gold Coast estates.

When my Dad was in his fifties
He was digging graves by hand.
Once again in Fields of stone
a hard working Union man.

Each morning he’d rise early
And walk two miles to work
He never had an office
And he’d never be a clerk.

He rose to be a foreman
Working in that field of stone
And when darkness overtook him
It became his earthly home.

Now when I go visit him
I kneel and pray alone
Beside his Celtic Cross
standing in the field of stones.
Mariya Timkovsky Jun 2012
A Few lines etched where no words give weight.

Good riddance say the veterans
Of a nation gone sour with grief
Like a lemon slice evaporating onto the tongue of the sick.
But when the young yearn for White Nights,
The old claim they are blinding lights to the cold sugary substance
That supplants an easy path.
The bullithole rush of renewal and loneliness and progress thwarted and abandoned,
Inertia seeping through
Into a cold summer's day.

Between the cursing slant of sleek paved roadstrips,
And the burning briars that thresh the border's haunt,
What is picture postcard emerald
Is in that same instance soviet architect gray.

These are the sleepers bereft of the dream
whose twenty-five stories high
or ghost estates
are domes to cast out the howling banshees, those suffrage of the real
to be re-thought as mere props which surround the haloed glowing screen.

So sheen the Motherland glows in untarnished eyes
Familiar solely with glass behemoths parading with their reflections
In grey water-drizzled streets,
Only to be replaced by iridescent rainbows that foster a hope.
A hope that was packaged and sold two decades back
Since it was not worth carrying into the New World.

The water-trough falls to where the electric line banishes, connects a spike,
"rejuvenate the breakfast table"-some far-off God reports, Hades still waiting,
Intel-chip Blue, epiphany at the gates.
This poem is a collaboration between Russian-American poet Mariya Timkovsky and Irish poet Westley Barnes, reflecting their respective cultural landscapes and cultural antagonisms. Each writer contributed lines in response to each other's work using their own individual style. The result is a collage of both approaches to their subject matter.
Reece Feb 2014
the  exposed light bulb  swaying
bare  walls,  light  bulb  swaying
casts  shadows, swaying  illusion
we're  all dead,  never were  born
we're all just swaying light bulbs
from the ceiling it hangs; suicide
the   ceiling   we  hang;  petrified
torn  paper  and  scratched paint
this is the room  we  come to  die
the room  we  came  to  get  high
nostalgic,   childhood   memories
in this room,  they're fading now
-  the times we were beaten  here
and the phantom  bruises  linger
claustrophobic; the walls close in
everythingfeelsdenseunremitting
andheavy , howdidwesurvivethis
thevoicesareshoutingnowdoyouh
earthemcallingo­urnamesandthre
ateningdeathIthinkitshisvoiceour
dadiscoimingagain­tofinishthejob
Westley Barnes Jun 2012
A Few lines etched where no words give weight.

Good riddance say the veterans
Of a nation gone sour with grief
Like a lemon slice evaporating onto the tongue of the sick.
But when the young yearn for White Nights,
The old claim they are blinding lights to the cold sugary substance
That supplants an easy path.
The bullithole rush of renewal and lonliness and progress thwarted and abandoned,
Inertia seeping through
Into a cold summer's day.

Between the cursing slant of sleek paved roadstrips,
And the burning briars that thresh the border's haunt,
What is picture postcard emerald
Is in that same instance soviet architect gray.

These are the sleepers bereft of the dream
whose twenty-five stories high
or ghost estates
are domes to cast out the howling banshees,those suffrage of the real
to be re-thought as mere props which surround the haloed glowing screen.

So sheen the Motherland glows in untarnished eyes
Familiar solely with glass behemoths parading with their reflections
In grey water-drizzled streets,
Only to be replaced by iridescent rainbows that foster a hope.
A hope that was packaged and sold two decades back
Since it was not worth carrying into the New World.

The water-trough delving where the electric line banishes,connects a spike,
"rejuvenate the breakfast table"-some far-off God reports, Hades still waiting,
Intel-chip Blue, epiphany at the gates.
This poem is a collaboration between Russian-American poet Mariya Timovskey and Irish poet Westley Barnes,reflecting their respective cultural landsacpes and cultural antagonisms.Each writer contributed lies in response to each other's work using their own individual style.The result is a collage of both appraoches to their subject matter.
Nigel Morgan Feb 2013
Prince Niou had removed himself from Kaoru’s company and the warmth of the wood-burning stove. Under the shelter of the steep karawa eaves he stood to watch the snow, to watch it fall, fall relentlessly, relentlessly. But for the biting cold he might have been watching the blossoms fall and scatter, those intricate, delicate flowers that, as you looked up at them in the trees, were in tessellation with the sky. It was Kisaragi (late February) when winter shows little sign that spring might appear. So now the time of deep snows in the mountain fastness where Kaoru’s family estates straddled part of the necessary journey from Edo to Kyoto.
 
The snowfall mesmerized Niou. It held such a purity of disordered motion, He stretched out his arm to feel the soft touch of the flakes on his embroidered sleeve. He imagined Ukifune’s touch would be like that of this falling snow, a pattering of fingers, a sweep of her long, long hair. She, Kaoru’s mistress, had left earlier in the afternoon to journey safely across the mountain passes to her lakeside home before the heavy snow fall set in. He had been close witness to Kaoru’s passion for this delicate flower picked from across the mountains to grace his country house his wife would never visit in winter. And now Prince Niou had, in just two days of polite proximity, lost his heart and all reason to this girl-woman, this woman-girl. She seemed beyond conventional description such was her beauty and her graceful manner. When her eyes rose to his he lost the composure he knew his station demanded. But Kaoru in his own infatuation and glowing with the pleasuring he and Ukifune enjoyed seemed oblivious to the Prince’s covert gaze.
 
This evening Kaoru had already drunk more than was sensible. But darkness was drawing in, and the duties, what little he allowed himself, were over for the day, except to entertain his eminent friend. He had allowed himself to be carefully boastful of Ukifune’s charms and beauty. His words made frequent veiled suggestions of their moments of pleasure together in this winter world of silence where lovers would part the screens and stand folded in each other’s arms to witness the white world of snowfall decorate the mountain landscape.
 
Prince Niou had already decided that as his friend fell into stupor then sleep, and that would be soon, he would set out across the snows to seek Ukifune’s path, to capture her for himself, to declare his love and passion. As she left he had passed a note to her maid telling her not to be surprised by a night-time visitation. He knew that a journey in falling snow would take many hours and it would probably be dawn before he could approach her mountain retreat, a small house by a lake. There, it seemed, she withdrew from the complexities of court life to find the peace and balance necessary to sustain her beauty. She had described the joy of witnessing the intricate twilights and blood red dawns of winter, of watching the birds rise from and return to the oft-frozen lake. She and her maid would drift idly in her boat watching the black, dense water lap too and fro, until the cold required a return to warmth and comfort.
 
It was to be a hard journey. Niou, though prepared with stout boots, an extra cloak and shawl, knew he would flounder into drifts along way. Only his long staff would save him from ignominy. His saw his path blessed by the light of a half moon and together with a myriad of stars arching across the heavens, he would triumph. He had borrowed items of Kaoru’s clothing, his hat and staff, his bag and winter cloak. To all intents and purposes as he approached Ukifune’s home he would appear as his soon to be cuckolded friend. His thoughts remained fixed on  Ukifune. He longed for the moment when she would raise her eyes to him from her pillow, in surprise, in wonder he hoped. He considered how his cold body would join with her warm body in the infinite caress of love’s first passionate meeting. He would then carry her wrapped in her bed coverings to her boat and, having secured her comfort, pole out into the lake and there join with her as the moon looked down from the dawn sky.
 
Later they would exchange poems:
 
Niou
​Snow upon hill, ice along frozen rivers:
​​There for you I trod, yet for all that never lost
​​The way to be lost in you.

 
Ukifune​
*Quicker than the snow, swirling down at last
​​To lie by a frozen lake, I think I shall
​​Melt away while aloft yet in mid sky.
Thirsty bunch of dogs
baying at the stars,
Let loose and Come Find Yourself
down by the reservoir.

Shadows Of Ourselves
been walking insofar.
Heaven's Gonna Burn Your Eyes
down by the reservoir.

You know what they say,
Every dawg has its day
so we'll Smoke 'Em
down by the reservoir.
Schmoove.
Onoma Feb 2017
Pi~lated by Pontius to an undisclosed location--
we traded presence, as the fruits of labor.
Half-eaten...the ratty dark-lets of our pits--
eyed forms of survival.
You the better for, I the better for...with our
overgrown estates of separation--(spare us the
indignity)...never!
We were made for this, weren't we?
Who got in front of a beam of light first--you or I...
seems like something I would have done--nonetheless,
therefrom the race.
More naked than two millennia of winter...whoa,
aye--glory baby, glory!
Eye contacting eyes...in and out, out and in, sheets
bathed in volumes of water.
We tried to ****** one another in a fit of passion...
so what.
A passion that swore responsibility for whatever it
may, or may not do...so what.
I was the burning mascot of your dormitory for
three and a half years, illegally--sharing a single bed,
cultivating my poetry.
You Adam-ed me...I Eve-ed you--we watched the apple
go red, we both bit--chewing it to the core, mouth to mouth.
As our jaws tired, we noticed the poppies everywhere...
the poppies are everywhere, we cried!
Black, covetous mass, black--sleep bedding sleep, closing
skies--opening grounds.
The poppies are everywhere--we began to horde grace,
deadpan our burial grounds in plain view, something
went amiss.
We played with frames, instead of obliterating the de-vice...
for faces lost in time, adoration.
Where's the reserve to suffer this rich knowledge--everywhere
is your womb, all-seeing and blind!
The poppies are everywhere...I pose upon the ground--
offer tragic gestures, feel me!
No, it all must be exhausted--human genius must be bested,
made the fool--it must be so.
Air after air of convincibility booted--left, right and center stage.
Clay in cold light, natural of its own...that's what we should want
for one another, shouldn't it...how?
We wanting more, as someone we may never know--let alone
one another.
Take that light, and work it to forgiveness, that is possible I
believe...the poppies wink.
Funny thing though...one of the two shall work far less for that
forgiveness, nearly not at all--******* inequity!
No...the schema's perfect--karma's debt, as served, perfect.
Stay in that truth, but the Truth is too big...the poppies are everywhere.
My head wraps around it like a whirling dervish--though no planet
dizzies...this is no matter of intellect but Heart.
The butterfly that's pinned--becomes the pinhead...spare me!
If I am she, and she is me...as one and all, who spares who--from
what and why...the poppies pock affirmatively.
*First of a series of poems, as in that vein, under this title.
The IRS, King George and United States Connection

 

1. The IRS is not a U.S. Government Agency. It is an Agency of the IMF. (Diversified Metal Products v. IRS et al. CV-93-405E-EJE U.S.D.C.D.I., Public Law 94-564, Senate Report 94-1148 pg. 5967, Reorganization Plan No. 26, Public Law 102-391.) <p> </p> 2. The IMF is an Agency of the UN. (Blacks Law Dictionary 6th Ed. Pg. 816) <p> </p> 3. The U.S. Has not had a Treasury since 1921. (41 Stat. Ch.214 pg. 654) <p> </p> 4. The U.S. Treasury is now the IMF. (Presidential Documents Volume 29-No.4 pg. 113, 22 U.S.C. 285-288) <p> </p> 5. The United States does not have any employees because there is no longer a United States. No more reorganizations. After over 200 years of operating under bankruptcy its finally over. (Executive Order 12803) Do not personate one of the creditors or share holders or you will go to Prison.18 U.S.C. 914 <p> </p> o wait theres more <p> </p> 6. The FCC, CIA, FBI, NASA and all of the other alphabet gangs were never part of the United States government. Even though the "US Government" held shares of stock in the various Agencies. (U.S. V. Strang , 254 US 491, Lewis v. US, 680 F.2d, 1239) <p> </p> <p>"SOCIAL SECURITY FRAUD!! SSI was made to monetize the soul of every human being</p> and to think it didnt even exist until 1935 and ratified by congress in 1936 well we pay homeage to private corporations and to think we live under this illusion called "freedom" <p> </p> 7. Social Security Numbers are issued by the UN through the IMF. The Application for a Social Security Number is the SS5 form. The Department of the Treasury (IMF) issues the SS5 not the Social Security Administration. The new SS5 forms do not state who or what publishes them, the earlier SS5 forms state that they are Department of the Treasury forms. You can get a copy of the SS5 you filled out by sending form SSA-L996 to the SS Administration. (20 CFR chapter 111, subpart B 42 2.103 (b) (2) (2) Read the cites above) <p> </p> 8. There are no Judicial courts in America and there has not been since 1789. Judges do not enforce Statutes and Codes. Executive Administrators enforce Statutes and Codes. (FRC v. GE 281 US 464, Keller v. PE 261 US 428, 1 Stat. 138-178) <p> </p> 9. There have not been any Judges in America since 1789. There have just been Administrators. (FRC v. GE 281 US 464, Keller v. PE 261 US 428 1Stat. 138-178) <p> </p> 10. According to the GATT you must have a Social Security number. House Report (103-826) <p> </p> 11. We have One World Government, One World Law and a One World Monetary System. <p> </p> <p>12. The UN is a One World Super Government.</p> 13. No one on this planet has ever been free. This planet is a Slave Colony. There has always been a One World Government. It is just that now it is much better organized and has changed its name as of 1945 to the United Nations. <p> </p> 14. New York City is defined in the Federal Regulations as the United Nations. Rudolph Gulliani stated on C-Span that "New York City was the capital of the World" and he was correct. (20 CFR chapter 111, subpart B 422.103 (b) (2) (2) <p> </p> 15. Social Security is not insurance or a contract, nor is there a Trust Fund. (Helvering v. Davis 301 US 619, Steward Co. V. Davis 301 US 548.) <p> </p> 16. Your Social Security check comes directly from the IMF which is an Agency of the UN. (Look at it if you receive one. It should have written on the top left United States Treasury.) <p> </p> 17. You own no property, slaves can't own property. Read the Deed to the property that you think is yours. You are listed as a Tenant. (Senate Document 43, 73rd Congress 1st Session) <p> </p> 18. The most powerful court in America is not the United States Supreme Court but, the Supreme Court of Pennsylvania. (42 Pa.C.S.A. 502) <p> </p> <p>19. The Revolutionary War was a fraud. See (22, 23 and 24)</p> <p>20. The King of England financially backed both sides of the Revolutionary war. (Treaty at Versailles July 16, 1782, Treaty of Peace 8 Stat 80)</p> ...and as history repeats itself, Prescott Bush, father of George HW Bush and grandfather of George W. Bush, funded both sides of World War II. The Bush family have been traitors to the American citizens for decades. <p> </p> "Sarah, if the American people had ever known the truth about what we Bushes have done to this nation, we would be chased down in the streets and lynched." <p> </p> George Bush Senior speaking in an interview with Sarah McClendon in December 1992 <p> </p> 21. You can not use the Constitution to defend yourself because you are not a party to it. (Padelford Fay & Co. v. The Mayor and Alderman of The City of Savannah 14 Georgia 438, 520) <p> </p> 22. America is a British Colony. (THE UNITED STATES IS A CORPORATION, NOT A LAND MASS AND IT EXISTED BEFORE THE REVOLUTIONARY WAR AND THE BRITISH TROOPS DID NOT LEAVE UNTIL 1796.) Respublica v. Sweers 1 Dallas 43, Treaty of Commerce 8 Stat 116, The Society for Propagating the Gospel, &c.; V. New Haven 8 Wheat 464, Treaty of Peace 8 Stat 80, IRS Publication 6209, Articles of Association October 20, 1774.) <p> </p> <p>IRSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS</p> 25. A 1040 form is for tribute paid to Britain. (IRS Publication 6209) <p> </p> 26. The Pope claims to own the entire planet through the laws of conquest and discovery. (Papal Bulls of 1455 and 1493) <p> </p> 27. The Pope has ordered the genocide and enslavement of millions of people.(Papal Bulls of 1455 and 1493) <p> </p> 28. The Popes laws are obligatory on everyone. (Bened. XIV., De Syn. Dioec, lib, ix., c. vii., n. 4. Prati, 1844)(Syllabus, prop 28, 29, 44) <p> </p> 29. We are slaves and own absolutely nothing not even what we think are our children. (Tillman v. Roberts 108 So. 62, Van Koten v. Van Koten 154 N.E. 146, Senate Document 43 & 73rd Congress 1st Session, Wynehammer v. People 13 N.Y. REP 378, 481) <p> </p> <p>30. Military Dictator George Washington divided the States (Estates) into Districts. (Messages and papers of the Presidents Vo 1, pg 99. Websters 1828 dictionary for definition of Estate.)</p>

ill be back for more peace n blessing folks

 

31. " The People" does not include you and me. (Barron v. Mayor & City Council of Baltimore. 32 U.S. 243)

 

32. The United States Government was not founded upon Christianity. (Treaty of Tripoli 8 Stat 154.)

33. It is not the duty of the police to protect you. Their job is to protect the Corporation and arrest code breakers. Sapp v. Tallahasee, 348 So. 2nd. 363, Reiff v. City of Philadelphia, 477 F.Supp. 1262, Lynch v. N.C. Dept of Justice 376 S.E. 2nd. 247.

 

34. Everything in the "United States" is For Sale: roads, bridges, schools, hospitals, water, prisons airports etc. I wonder who bought Klamath lake. Did anyone take the time to check? (Executive Order 12803)

 

35. We are Human capital. (Executive Order 13037)

 

36. The UN has financed the operations of the United States government for over 50 years and now owns every man, women and child in America. The UN also holds all of the Land in America in Fee Simple.

 

37. The good news is we don't have to fulfill "our" fictitious obligations. You can discharge a fictitious obligation with another's fictitious obligation.

 

38. The depression and World War II were a total farce. The United States and various other companies were making loans to others all over the World during the Depression. The building of Germanys infrastructure in the 1930's including the Railroads was financed by the United States. That way those who call themselves "Kings," "Prime Ministers," and "Furor."etc could sit back and play a game of chess using real people. Think of all of the Americans, Germans etc. who gave their lives thinking they were defending their Countries which didn't even exist. The millions of innocent people who died for nothing. Isn't it obvious why Switzerland is never involved in these fiascoes? That is where the "Bank of International Settlements"is located.Wars are manufactured to keep your eye off the ball. You have to have an enemy to keep the illusion of "Government" in place.

 

39. The "United States" did not declare Independence from Great Britian or King George.

40. Guess who owns the UN?

Like
Big Virge Sep 2016
"Order, Order !
We will have ORDER !!!
Order in the court !
or, the doors to this court
will be closed to cohorts !"

" Order "... is the call
within... our courts of law

Well here's...
Big Virges'... view...
of how these laws
will... Surely... be used...
and what... these laws...
will finally... Do... !!!

You see...

" Order's "...
being... " Summoned "...
in the... " Lords "...
and in... " The Commons "...

and... " The Cure "... to...
Current Problems ...
is seen as ... " Martial Law "... !!!

Police will now ... ENFORCE ...
without ... " Probable "... cause ... !!!

" Stops "... and ...
" Searches "...

upPED on ... Corners ...

What's their purpose ... ?
... " Public Order "...

But .....
Cameras on streets ... ?

CCTV ...... !?!

Isn't that meant to ...
" Keep The Peace "... ?!?

" OKAY, they're there
to make movies !
So, what's the deal ?
Can you paint the scene ? "

"Sir, move along please
your act's been seen,
our decision, you'll receive,
once you've been screened,
at the end of the week,
with your, Charge Sheet !
When it comes, answer truthfully,
because any deceit, may well
result in penalties, with no release,
especially if, we have to cheat
by using, yes, our editing team !"

You see ...
That's the ... " Trick "... !!!

So ... take these words ... " IN "...
and ... Read them ... CLOSELY ...
cos' these words ... Run DEEP ... !!!

Our lives ... BELIEVE ME ... !!!
are now on ... " Floppys' " ...
... Micro-Chips ...

and Drives named ... (C:)

So ...
What is humanity's ... destiny ... ???

Technology ....
Patrolling ... our streets ...

Armies ... of police ... !!!

Freedoms. .................................................... obsolete .... !!!!
for those ... wanting ... Peace ...

Sounds like a movie ...
I've seen of ... Armies' ... ???

" OH NO ... it's T3 !!! "

" ORDER is "... The Key ...

Restriction of ... Rights ...
to simply be ... FREE ... ?!?

NOT TO TAKE ...
Violence ... from our streets ... !!!!!

I'm YES ... A Supporter
of ... " Public Order "...

Let partying tribes ...
INDULGE in ... " Good Vibes "...

But .....
What kind of party ... ?
sees people ... Pull Knives ... !?!
or call for ... " Gunfights "... ?!?!?!?

But let's ...
NOT TELL ... " Lies "... !!!

Crime is ... on the rISE ... !!!

Crimes of ... ALL TYPES ... !!!
from ... Corporate Crimes ...
to young ... " Homicides "... !!!!

But .....
Ask yourself ... " WHY "... ?

Is it because ... ?
The young are now ..................................... Lost ....... ?!?

or ....
Could it be ... THIS ... ???

Highlighting ... Young Fights ...
as if .... EVERY NIGHT ...
Another kid ... DIES ... !!!

May simply ... "FIT IN"...
with Agendas ... Contrived ...
to simply ... Keep Minds ...
AFRAID ... and ... " DENIED "...
of living ... their lives ...
just like the ... " Rich Guys "...

" Directors "... who Earn ... ?
from ... " Fraudulent "... work ...

How many of them ?
will face ... " Stop and Search "... ?!?

Those in ... Governments ...
and ... " Corporate "... Hybrids ...
whose parties are ... "PRIVATE"... !!!!

with much ... " Nicer Climates "...

ENJOYING ... themselves... !!!
because of ... " Their Wealth "...
with women who ... " Sell "...
Their bodies like ... " SHELL "... !!!!
have done with ... " Oil Wells "... !!!!!

" Take Time ".....................................
Think it ... through..................................

But ....
Here's some more clues ....
as to why ... I Now Choose ...
to ... " Today "... take this view ...

Youth have died ... " Early "...
For YEARS ... on streets ...

But back then ... WEREN'T Worthy... ?!?
of ... PRIMETIME TV ...

But Now ... THEY ARE ... !?!

Terrorists .... are at Large ... !!!
is now the ... BENCHMARK ...

That's what's being ... " Used "...
to fill .... TV News ....

and ... " Sadly "... ABUSE ...
our LOST ..... WaYwArd ... youth ... !!!

Will .... " Eton "...
and ... " Harrow "...
REALLY SEE ... " Stop and Search "... ?!?!?

It seems ...
kind of ... " shallow :"...
to think ... They'll ... " Concur "...

Do ... " The Rich ...
have a ... THIRST ... ?
to walk with ... What HURTS ... !?!

Guns and Knives .....
amongst the ... " Rich Types "... ???

Why would they ... do that ... !?!
in ... " Daddy's New Pad "... !!!!!!

I guess what i'm saying ...
is ... " Stop and Search "... BLATANT ... !!!!!

is MOSTLY ... for blacks ... !!!!!!

"Well, blacks do the killing !
Which is shown now, to millions !
Everyday, all over the place !
So, answer that Virge !"

is what ...
" They "... will say ... !!!

Those who feed ... LIES ...
into minds and ... " Numb Brains "...

Those who ... DON'T THINK ...
BEYOND Links ... in the ... " Chain ".... !!!

The ... " New Order "... Preys ...
on ... Ignorant Strays ... !!!...

NOT those ... on streets ... !!!
but those who ... Compete ...
for a piece of ... " Their Cake "...

that has a ... FOUL TASTE ... !!!!!!

"ORDER ORDER !!!
We will have ORDER !!!"

" Must have ORDER ?
Man, just hold your corner ! "

Who exactly are ... " They "... ???
to treat people like ... " Game "... !?!

What makes you think ... ?
that they can train ...
the brain of a ... " Pig "...
to actually ... THINK...
and NOT behave ...
like some ... " Supremacist "... !!!
who's just ... Too **** ... QUICK ...
to suspect a kid ...
because of his ... Colour ... !!! ? !!!

" RACIST Mother F..... !!!!! "

"Order ... ORDER ...
You're out of order !!!"

" OUT OF Order ?!?
Are you a Coc' Snorter ?
I'm not a Big Baller,
or Gangsta' shot caller !
I'm just a straight talker
who's CRISP, just like Walkers',
when airing my views, about
Real Issues, that clearly confuse
and are used to abuse, our right to,
yes, choose, when and with whom,
we choose to make moves !

How would you like ?
to have THAT, done to you ?

My name AIN'T, Jack Horner !
Why should I be cornered ?
Searched and questioned
in the name of nonsense ! "

It's all a pretence,
to turn people against,
those they ... Don't Hate ... !!!

but ... each day ...
have to face,

from ... Council Estates ...
within the ... UK ...
to Projects ... They Blame ...
in the ... United States ...

These issues relate ...
and yes ... Correlate ... !!!

So .....
DON'T MAKE ... Mistakes ... !!!
and ... Mis-Read ... " The Game "...

What's happening ... There ...
is coming ... BEWARE ... !!! ...

Just think of it ... " This Way "...
George ... and ... Tony Blair ...........

They told you ... A WAR ...
was coming ... For SURE ... !!!!!

So ...
What'd you think ... NOW ... ?!?

Has ... THE WAR ...
Reached ... " Your Door "... ?!?

Or ...
Do you feel ... " Clowned "... ?

Or ...
Are you ... like me ... ?

A ... " Public "... ENEMY ... !!!

Who'll face men in ... " Gowns "...
because ... when I speak ...
I do so ... FREELY ... !!!! ...

and ... NO ...
WILL NOT ... Stand down ... !!!

" Order "...
is the call ...
as I said ... Before ... !!!

But ....
What is it ... for ... ???

for the ... " Weak "...
and the ... " Poor "...

NOT TO ... Fight anymore ... ?!?

or simply for ... " Borders "...
to keep them from ... " Hoarders "...
and ... " Midnight Marauders "... !!!!!!!

and TRUE LIFE ... Reporters ...
whose views they want ... "cornered"... !?!

because of ...
Their call ... to ... ENFORCE ...

.... " Public Order ".....

Listen Here :

https://soundcloud.com/user-16569179/public-order
My vision from some 8 years ago, of where we were headed, and sadly, much that I thought, has and sadly, continues to come to pass ..... These words are not those suitable for weak hearts, or those who like to play the well .... Y'all
know.

Listen Here : https://soundcloud.com/user-16569179/public-order
Neon Robinson Oct 2016
Tipsy daze were just foreplay
for the passionate midnight sexcapades.

Every Sunday
Drinking champaign,
Not practicing self-restraint
Sneaking into privet estates
Dive into the grotto pool.

My late night wicked pagan lover,
Two lonely hearts bonded over confessions in the dark.
We were nympholepts in retrospect.

All clinquant, in gold light
But turned to heathens, in the night.

Dancing in rhythmic eruptions of fevered delight.
Wondering eyes are tantalized
You are luxurious, feral, **** boy personified.
I was mystified by the wild & eroticized by the style.
A Huckleberry Finn identical twin, ohh but of corse
-You had a Porsche.
Nestor was sitting over his wine, but the cry of battle did not
escape him, and he said to the son of Aesculapius, “What, noble
Machaon, is the meaning of all this? The shouts of men fighting by our
ships grow stronger and stronger; stay here, therefore, and sit over
your wine, while fair Hecamede heats you a bath and washes the clotted
blood from off you. I will go at once to the look-out station and
see what it is all about.”
  As he spoke he took up the shield of his son Thrasymedes that was
lying in his tent, all gleaming with bronze, for Thrasymedes had taken
his father’s shield; he grasped his redoubtable bronze-shod spear, and
as soon as he was outside saw the disastrous rout of the Achaeans who,
now that their wall was overthrown, were flying pell-mell before the
Trojans. As when there is a heavy swell upon the sea, but the waves
are dumb—they keep their eyes on the watch for the quarter whence the
fierce winds may spring upon them, but they stay where they are and
set neither this way nor that, till some particular wind sweeps down
from heaven to determine them—even so did the old man ponder
whether to make for the crowd of Danaans, or go in search of
Agamemnon. In the end he deemed it best to go to the son of Atreus;
but meanwhile the hosts were fighting and killing one another, and the
hard bronze rattled on their bodies, as they ****** at one another
with their swords and spears.
  The wounded kings, the son of Tydeus, Ulysses, and Agamemnon son
of Atreus, fell in Nestor as they were coming up from their ships—for
theirs were drawn up some way from where the fighting was going on,
being on the shore itself inasmuch as they had been beached first,
while the wall had been built behind the hindermost. The stretch of
the shore, wide though it was, did not afford room for all the
ships, and the host was cramped for space, therefore they had placed
the ships in rows one behind the other, and had filled the whole
opening of the bay between the two points that formed it. The kings,
leaning on their spears, were coming out to survey the fight, being in
great anxiety, and when old Nestor met them they were filled with
dismay. Then King Agamemnon said to him, “Nestor son of Neleus, honour
to the Achaean name, why have you left the battle to come hither? I
fear that what dread Hector said will come true, when he vaunted among
the Trojans saying that he would not return to Ilius till he had fired
our ships and killed us; this is what he said, and now it is all
coming true. Alas! others of the Achaeans, like Achilles, are in anger
with me that they refuse to fight by the sterns of our ships.”
  Then Nestor knight of Gerene answered, “It is indeed as you say;
it is all coming true at this moment, and even Jove who thunders
from on high cannot prevent it. Fallen is the wall on which we
relied as an impregnable bulwark both for us and our fleet. The
Trojans are fighting stubbornly and without ceasing at the ships; look
where you may you cannot see from what quarter the rout of the
Achaeans is coming; they are being killed in a confused mass and the
battle-cry ascends to heaven; let us think, if counsel can be of any
use, what we had better do; but I do not advise our going into
battle ourselves, for a man cannot fight when he is wounded.”
  And King Agamemnon answered, “Nestor, if the Trojans are indeed
fighting at the rear of our ships, and neither the wall nor the trench
has served us—over which the Danaans toiled so hard, and which they
deemed would be an impregnable bulwark both for us and our fleet—I
see it must be the will of Jove that the Achaeans should perish
ingloriously here, far from Argos. I knew when Jove was willing to
defend us, and I know now that he is raising the Trojans to like
honour with the gods, while us, on the other hand, he bas bound hand
and foot. Now, therefore, let us all do as I say; let us bring down
the ships that are on the beach and draw them into the water; let us
make them fast to their mooring-stones a little way out, against the
fall of night—if even by night the Trojans will desist from fighting;
we may then draw down the rest of the fleet. There is nothing wrong in
flying ruin even by night. It is better for a man that he should fly
and be saved than be caught and killed.”
  Ulysses looked fiercely at him and said, “Son of Atreus, what are
you talking about? Wretch, you should have commanded some other and
baser army, and not been ruler over us to whom Jove has allotted a
life of hard fighting from youth to old age, till we every one of us
perish. Is it thus that you would quit the city of Troy, to win
which we have suffered so much hardship? Hold your peace, lest some
other of the Achaeans hear you say what no man who knows how to give
good counsel, no king over so great a host as that of the Argives
should ever have let fall from his lips. I despise your judgement
utterly for what you have been saying. Would you, then, have us draw
down our ships into the water while the battle is raging, and thus
play further into the hands of the conquering Trojans? It would be
ruin; the Achaeans will not go on fighting when they see the ships
being drawn into the water, but will cease attacking and keep
turning their eyes towards them; your counsel, therefore, Sir captain,
would be our destruction.”
  Agamemnon answered, “Ulysses, your rebuke has stung me to the heart.
I am not, however, ordering the Achaeans to draw their ships into
the sea whether they will or no. Some one, it may be, old or young,
can offer us better counsel which I shall rejoice to hear.”
  Then said Diomed, “Such an one is at hand; he is not far to seek, if
you will listen to me and not resent my speaking though I am younger
than any of you. I am by lineage son to a noble sire, Tydeus, who lies
buried at Thebes. For Portheus had three noble sons, two of whom,
Agrius and Melas, abode in Pleuron and rocky Calydon. The third was
the knight Oeneus, my father’s father, and he was the most valiant
of them all. Oeeneus remained in his own country, but my father (as
Jove and the other gods ordained it) migrated to Argos. He married
into the family of Adrastus, and his house was one of great abundance,
for he had large estates of rich corn-growing land, with much
orchard ground as well, and he had many sheep; moreover he excelled
all the Argives in the use of the spear. You must yourselves have
heard whether these things are true or no; therefore when I say well
despise not my words as though I were a coward or of ignoble birth.
I say, then, let us go to the fight as we needs must, wounded though
we be. When there, we may keep out of the battle and beyond the
range of the spears lest we get fresh wounds in addition to what we
have already, but we can spur on others, who have been indulging their
spleen and holding aloof from battle hitherto.”
  Thus did he speak; whereon they did even as he had said and set out,
King Agamemnon leading the way.
  Meanwhile Neptune had kept no blind look-out, and came up to them in
the semblance of an old man. He took Agamemnon’s right hand in his own
and said, “Son of Atreus, I take it Achilles is glad now that he
sees the Achaeans routed and slain, for he is utterly without remorse-
may he come to a bad end and heaven confound him. As for yourself, the
blessed gods are not yet so bitterly angry with you but that the
princes and counsellors of the Trojans shall again raise the dust upon
the plain, and you shall see them flying from the ships and tents
towards their city.”
  With this he raised a mighty cry of battle, and sped forward to
the plain. The voice that came from his deep chest was as that of nine
or ten thousand men when they are shouting in the thick of a fight,
and it put fresh courage into the hearts of the Achaeans to wage war
and do battle without ceasing.
  Juno of the golden throne looked down as she stood upon a peak of
Olympus and her heart was gladdened at the sight of him who was at
once her brother and her brother-in-law, hurrying hither and thither
amid the fighting. Then she turned her eyes to Jove as he sat on the
topmost crests of many-fountained Ida, and loathed him. She set
herself to think how she might hoodwink him, and in the end she deemed
that it would be best for her to go to Ida and array herself in rich
attire, in the hope that Jove might become enamoured of her, and
wish to embrace her. While he was thus engaged a sweet and careless
sleep might be made to steal over his eyes and senses.
  She went, therefore, to the room which her son Vulcan had made
her, and the doors of which he had cunningly fastened by means of a
secret key so that no other god could open them. Here she entered
and closed the doors behind her. She cleansed all the dirt from her
fair body with ambrosia, then she anointed herself with olive oil,
ambrosial, very soft, and scented specially for herself—if it were so
much as shaken in the bronze-floored house of Jove, the scent pervaded
the universe of heaven and earth. With this she anointed her
delicate skin, and then she plaited the fair ambrosial locks that
flowed in a stream of golden tresses from her immortal head. She put
on the wondrous robe which Minerva had worked for her with
consummate art, and had embroidered with manifold devices; she
fastened it about her ***** with golden clasps, and she girded herself
with a girdle that had a hundred tassels: then she fastened her
earrings, three brilliant pendants that glistened most beautifully,
through the pierced lobes of her ears, and threw a lovely new veil
over her head. She bound her sandals on to her feet, and when she
had arrayed herself perfectly to her satisfaction, she left her room
and called Venus to come aside and speak to her. “My dear child,” said
she, “will you do what I am going to ask of you, or will refuse me
because you are angry at my being on the Danaan side, while you are on
the Trojan?”
  Jove’s daughter Venus answered, “Juno, august queen of goddesses,
daughter of mighty Saturn, say what you want, and I will do it for
at once, if I can, and if it can be done at all.”
  Then Juno told her a lying tale and said, “I want you to endow me
with some of those fascinating charms, the spells of which bring all
things mortal and immortal to your feet. I am going to the world’s end
to visit Oceanus (from whom all we gods proceed) and mother Tethys:
they received me in their house, took care of me, and brought me up,
having taken me over from Rhaea when Jove imprisoned great Saturn in
the depths that are under earth and sea. I must go and see them that I
may make peace between them; they have been quarrelling, and are so
angry that they have not slept with one another this long while; if
I can bring them round and restore them to one another’s embraces,
they will be grateful to me and love me for ever afterwards.”
  Thereon laughter-loving Venus said, “I cannot and must not refuse
you, for you sleep in the arms of Jove who is our king.”
  As she spoke she loosed from her ***** the curiously embroidered
girdle into which all her charms had been wrought—love, desire, and
that sweet flattery which steals the judgement even of the most
prudent. She gave the girdle to Juno and said, “Take this girdle
wherein all my charms reside and lay it in your *****. If you will
wear it I promise you that your errand, be it what it may, will not be
bootless.”
  When she heard this Juno smiled, and still smiling she laid the
girdle in her *****.
  Venus now went back into the house of Jove, while Juno darted down
from the summits of Olympus. She passed over Pieria and fair
Emathia, and went on and on till she came to the snowy ranges of the
Thracian horsemen, over whose topmost crests she sped without ever
setting foot to ground. When she came to Athos she went on over the,
waves of the sea till she reached Lemnos, the city of noble Thoas.
There she met Sleep, own brother to Death, and caught him by the hand,
saying, “Sleep, you who lord it alike over mortals and immortals, if
you ever did me a service in times past, do one for me now, and I
shall be grateful to you ever after. Close Jove’s keen eyes for me
in slumber while I hold him clasped in my embrace, and I will give you
a beautiful golden seat, that can never fall to pieces; my
clubfooted son Vulcan shall make it for you, and he shall give it a
footstool for you to rest your fair feet upon when you are at table.”
  Then Sleep answered, “Juno, great queen of goddesses, daughter of
mighty Saturn, I would lull any other of the gods to sleep without
compunction, not even excepting the waters of Oceanus from whom all of
them proceed, but I dare not go near Jove, nor send him to sleep
unless he bids me. I have had one lesson already through doing what
you asked me, on the day when Jove’s mighty son Hercules set sail from
Ilius after having sacked the city of the Trojans. At your bidding I
suffused my sweet self over the mind of aegis-bearing Jove, and laid
him to rest; meanwhile you hatched a plot against Hercules, and set
the blasts of the angry winds beating upon the sea, till you took
him to the goodly city of Cos away from all his friends. Jove was
furious when he awoke, and began hurling the gods about all over the
house; he was looking more particularly for myself, and would have
flung me down through space into the sea where I should never have
been heard of any more, had not Night who cows both men and gods
protected me. I fled to her and Jove left off looking for me in
spite of his being so angry, for he did not dare do anything to
displease Night. And now you are again asking me to do something on
which I cannot venture.”
  And Juno said, “Sleep, why do you take such notions as those into
your head? Do you think Jove will be as anxious to help the Trojans,
as he was about his own son? Come, I will marry you to one of the
youngest of the Graces, and she shall be your own—Pasithea, whom
you have always wanted to marry.”
  Sleep was pleased when he heard this, and answered, “Then swear it
to me by the dread waters of the river Styx; lay one hand on the
bounteous earth, and the other on the sheen of the sea, so that all
the gods who dwell down below with Saturn may be our witnesses, and
see that you really do give me one of the youngest of the Graces-
Pasithea, whom I have always wanted to marry.”
  Juno did as he had said. She swore, and invoked all the gods of
the nether world, who are called Titans, to witness. When she had
completed her oath, the two enshrouded themselves in a thick mist
and sped lightly forward, leaving Lemnos and Imbrus behind them.
Presently they reached many-fountained Ida, mother of wild beasts, and
Lectum where they left the sea to go on by land, and the tops of the
trees of the forest soughed under the going of their feet. Here
Sleep halted, and ere Jove caught sight of him he climbed a lofty
pine-tree—the tallest that reared its head towards heaven on all Ida.
He hid himself behind the branches and sat there in the semblance of
the sweet-singing bird that haunts the mountains and is called Chalcis
by the gods, but men call it Cymindis. Juno then went to Gargarus, the
topmost peak of Ida, and Jove, driver of the clouds, set eyes upon
her. As soon as he did so he became inflamed with the same
passionate desire for her that he had felt when they had first enjoyed
each other’s embraces, and slept with one another without their dear
parents knowing anything about it. He went up to her and said, “What
do you want that you have come hither from Olympus—and that too
with neither chariot nor horses to convey you?”
  Then Juno told him a lying tale and said, “I am going to the world’s
end, to visit Oceanus, from whom all we gods proceed, and mother
Tethys; they received me into their house, took care of me, and
brought me up. I must go and see them that I may make peace between
them: they have been quarrelling, and are so angry that they have
not slept with one another this long time. The horses that will take
me over land and sea are stationed on the lowermost spurs of
many-fountained Ida, and I have come here from Olympus on purpose to
consult you
Tell me, o muse, of that ingenious hero who travelled far and wide
after he had sacked the famous town of Troy. Many cities did he visit,
and many were the nations with whose manners and customs he was
acquainted; moreover he suffered much by sea while trying to save
his own life and bring his men safely home; but do what he might he
could not save his men, for they perished through their own sheer
folly in eating the cattle of the Sun-god Hyperion; so the god
prevented them from ever reaching home. Tell me, too, about all
these things, O daughter of Jove, from whatsoever source you may
know them.
  So now all who escaped death in battle or by shipwreck had got
safely home except Ulysses, and he, though he was longing to return to
his wife and country, was detained by the goddess Calypso, who had got
him into a large cave and wanted to marry him. But as years went by,
there came a time when the gods settled that he should go back to
Ithaca; even then, however, when he was among his own people, his
troubles were not yet over; nevertheless all the gods had now begun to
pity him except Neptune, who still persecuted him without ceasing
and would not let him get home.
  Now Neptune had gone off to the Ethiopians, who are at the world’s
end, and lie in two halves, the one looking West and the other East.
He had gone there to accept a hecatomb of sheep and oxen, and was
enjoying himself at his festival; but the other gods met in the
house of Olympian Jove, and the sire of gods and men spoke first. At
that moment he was thinking of Aegisthus, who had been killed by
Agamemnon’s son Orestes; so he said to the other gods:
  “See now, how men lay blame upon us gods for what is after all
nothing but their own folly. Look at Aegisthus; he must needs make
love to Agamemnon’s wife unrighteously and then **** Agamemnon, though
he knew it would be the death of him; for I sent Mercury to warn him
not to do either of these things, inasmuch as Orestes would be sure to
take his revenge when he grew up and wanted to return home. Mercury
told him this in all good will but he would not listen, and now he has
paid for everything in full.”
  Then Minerva said, “Father, son of Saturn, King of kings, it
served Aegisthus right, and so it would any one else who does as he
did; but Aegisthus is neither here nor there; it is for Ulysses that
my heart bleeds, when I think of his sufferings in that lonely
sea-girt island, far away, poor man, from all his friends. It is an
island covered with forest, in the very middle of the sea, and a
goddess lives there, daughter of the magician Atlas, who looks after
the bottom of the ocean, and carries the great columns that keep
heaven and earth asunder. This daughter of Atlas has got hold of
poor unhappy Ulysses, and keeps trying by every kind of blandishment
to make him forget his home, so that he is tired of life, and thinks
of nothing but how he may once more see the smoke of his own chimneys.
You, sir, take no heed of this, and yet when Ulysses was before Troy
did he not propitiate you with many a burnt sacrifice? Why then should
you keep on being so angry with him?”
  And Jove said, “My child, what are you talking about? How can I
forget Ulysses than whom there is no more capable man on earth, nor
more liberal in his offerings to the immortal gods that live in
heaven? Bear in mind, however, that Neptune is still furious with
Ulysses for having blinded an eye of Polyphemus king of the
Cyclopes. Polyphemus is son to Neptune by the nymph Thoosa, daughter
to the sea-king Phorcys; therefore though he will not **** Ulysses
outright, he torments him by preventing him from getting home.
Still, let us lay our heads together and see how we can help him to
return; Neptune will then be pacified, for if we are all of a mind
he can hardly stand out against us.”
  And Minerva said, “Father, son of Saturn, King of kings, if, then,
the gods now mean that Ulysses should get home, we should first send
Mercury to the Ogygian island to tell Calypso that we have made up our
minds and that he is to return. In the meantime I will go to Ithaca,
to put heart into Ulysses’ son Telemachus; I will embolden him to call
the Achaeans in assembly, and speak out to the suitors of his mother
Penelope, who persist in eating up any number of his sheep and oxen; I
will also conduct him to Sparta and to Pylos, to see if he can hear
anything about the return of his dear father—for this will make
people speak well of him.”
  So saying she bound on her glittering golden sandals,
imperishable, with which she can fly like the wind over land or sea;
she grasped the redoubtable bronze-shod spear, so stout and sturdy and
strong, wherewith she quells the ranks of heroes who have displeased
her, and down she darted from the topmost summits of Olympus,
whereon forthwith she was in Ithaca, at the gateway of Ulysses’ house,
disguised as a visitor, Mentes, chief of the Taphians, and she held
a bronze spear in her hand. There she found the lordly suitors
seated on hides of the oxen which they had killed and eaten, and
playing draughts in front of the house. Men-servants and pages were
bustling about to wait upon them, some mixing wine with water in the
mixing-bowls, some cleaning down the tables with wet sponges and
laying them out again, and some cutting up great quantities of meat.
  Telemachus saw her long before any one else did. He was sitting
moodily among the suitors thinking about his brave father, and how
he would send them flying out of the house, if he were to come to
his own again and be honoured as in days gone by. Thus brooding as
he sat among them, he caught sight of Minerva and went straight to the
gate, for he was vexed that a stranger should be kept waiting for
admittance. He took her right hand in his own, and bade her give him
her spear. “Welcome,” said he, “to our house, and when you have
partaken of food you shall tell us what you have come for.”
  He led the way as he spoke, and Minerva followed him. When they were
within he took her spear and set it in the spear—stand against a
strong bearing-post along with the many other spears of his unhappy
father, and he conducted her to a richly decorated seat under which he
threw a cloth of damask. There was a footstool also for her feet,
and he set another seat near her for himself, away from the suitors,
that she might not be annoyed while eating by their noise and
insolence, and that he might ask her more freely about his father.
  A maid servant then brought them water in a beautiful golden ewer
and poured it into a silver basin for them to wash their hands, and
she drew a clean table beside them. An upper servant brought them
bread, and offered them many good things of what there was in the
house, the carver fetched them plates of all manner of meats and set
cups of gold by their side, and a man-servant brought them wine and
poured it out for them.
  Then the suitors came in and took their places on the benches and
seats. Forthwith men servants poured water over their hands, maids
went round with the bread-baskets, pages filled the mixing-bowls
with wine and water, and they laid their hands upon the good things
that were before them. As soon as they had had enough to eat and drink
they wanted music and dancing, which are the crowning embellishments
of a banquet, so a servant brought a lyre to Phemius, whom they
compelled perforce to sing to them. As soon as he touched his lyre and
began to sing Telemachus spoke low to Minerva, with his head close
to hers that no man might hear.
  “I hope, sir,” said he, “that you will not be offended with what I
am going to say. Singing comes cheap to those who do not pay for it,
and all this is done at the cost of one whose bones lie rotting in
some wilderness or grinding to powder in the surf. If these men were
to see my father come back to Ithaca they would pray for longer legs
rather than a longer purse, for money would not serve them; but he,
alas, has fallen on an ill fate, and even when people do sometimes say
that he is coming, we no longer heed them; we shall never see him
again. And now, sir, tell me and tell me true, who you are and where
you come from. Tell me of your town and parents, what manner of ship
you came in, how your crew brought you to Ithaca, and of what nation
they declared themselves to be—for you cannot have come by land. Tell
me also truly, for I want to know, are you a stranger to this house,
or have you been here in my father’s time? In the old days we had many
visitors for my father went about much himself.”
  And Minerva answered, “I will tell you truly and particularly all
about it. I am Mentes, son of Anchialus, and I am King of the
Taphians. I have come here with my ship and crew, on a voyage to men
of a foreign tongue being bound for Temesa with a cargo of iron, and I
shall bring back copper. As for my ship, it lies over yonder off the
open country away from the town, in the harbour Rheithron under the
wooded mountain Neritum. Our fathers were friends before us, as old
Laertes will tell you, if you will go and ask him. They say,
however, that he never comes to town now, and lives by himself in
the country, faring hardly, with an old woman to look after him and
get his dinner for him, when he comes in tired from pottering about
his vineyard. They told me your father was at home again, and that was
why I came, but it seems the gods are still keeping him back, for he
is not dead yet not on the mainland. It is more likely he is on some
sea-girt island in mid ocean, or a prisoner among savages who are
detaining him against his will I am no prophet, and know very little
about omens, but I speak as it is borne in upon me from heaven, and
assure you that he will not be away much longer; for he is a man of
such resource that even though he were in chains of iron he would find
some means of getting home again. But tell me, and tell me true, can
Ulysses really have such a fine looking fellow for a son? You are
indeed wonderfully like him about the head and eyes, for we were close
friends before he set sail for Troy where the flower of all the
Argives went also. Since that time we have never either of us seen the
other.”
  “My mother,” answered Telemachus, tells me I am son to Ulysses,
but it is a wise child that knows his own father. Would that I were
son to one who had grown old upon his own estates, for, since you
ask me, there is no more ill-starred man under heaven than he who they
tell me is my father.”
  And Minerva said, “There is no fear of your race dying out yet,
while Penelope has such a fine son as you are. But tell me, and tell
me true, what is the meaning of all this feasting, and who are these
people? What is it all about? Have you some banquet, or is there a
wedding in the family—for no one seems to be bringing any
provisions of his own? And the guests—how atrociously they are
behaving; what riot they make over the whole house; it is enough to
disgust any respectable person who comes near them.”
  “Sir,” said Telemachus, “as regards your question, so long as my
father was here it was well with us and with the house, but the gods
in their displeasure have willed it otherwise, and have hidden him
away more closely than mortal man was ever yet hidden. I could have
borne it better even though he were dead, if he had fallen with his
men before Troy, or had died with friends around him when the days
of his fighting were done; for then the Achaeans would have built a
mound over his ashes, and I should myself have been heir to his
renown; but now the storm-winds have spirited him away we know not
wither; he is gone without leaving so much as a trace behind him,
and I inherit nothing but dismay. Nor does the matter end simply
with grief for the loss of my father; heaven has laid sorrows upon
me of yet another kind; for the chiefs from all our islands,
Dulichium, Same, and the woodland island of Zacynthus, as also all the
principal men of Ithaca itself, are eating up my house under the
pretext of paying their court to my mother, who will neither point
blank say that she will not marry, nor yet bring matters to an end; so
they are making havoc of my estate, and before long will do so also
with myself.”
  “Is that so?” exclaimed Minerva, “then you do indeed want Ulysses
home again. Give him his helmet, shield, and a couple lances, and if
he is the man he was when I first knew him in our house, drinking
and making merry, he would soon lay his hands about these rascally
suitors, were he to stand once more upon his own threshold. He was
then coming from Ephyra, where he had been to beg poison for his
arrows from Ilus, son of Mermerus. Ilus feared the ever-living gods
and would not give him any, but my father let him have some, for he
was very fond of him. If Ulysses is the man he then was these
suitors will have a short shrift and a sorry wedding.
  “But there! It rests with heaven to determine whether he is to
return, and take his revenge in his own house or no; I would, however,
urge you to set about trying to get rid of these suitors at once. Take
my advice, call the Achaean heroes in assembly to-morrow -lay your
case before them, and call heaven to bear you witness. Bid the suitors
take themselves off, each to his own place, and if your mother’s
mind is set on marrying again, let her go back to her father, who will
find her a husband and provide her with all the marriage gifts that so
dear a daughter may expect. As for yourself, let me prevail upon you
to take the best ship you can get, with a crew of twenty men, and go
in quest of your father who has so long been missing. Some one may
tell you something, or (and people often hear things in this way) some
heaven-sent message may direct you. First go to Pylos and ask
Nestor; thence go on to Sparta and visit Menelaus, for he got home
last of all the Achaeans; if you hear that your father is alive and on
his way home, you can put up with the waste these suitors will make
for yet another twelve months. If on the other hand you hear of his
death, come home at once, celebrate his funeral rites with all due
pomp, build a barrow to his memory, and make your mother marry
again. Then, having done all this, think it well over in your mind
how, by fair means or foul, you may **** these suitors in your own
house. You are too old to plead infancy any longer; have you not heard
how people are singing Orestes’ praises for having killed his father’s
murderer Aegisthus? You are a fine, smart looking fellow; show your
mettle, then, and make yourself a name in story. Now, however, I
must go back to my ship and to my crew, who will be impatient if I
keep them waiting longer; think the matter over for yourself, and
remember what I have said to you.”
  “Sir,” answered Telemachus, “it has been very kind of you to talk to
me in this way, as though I were your own son, and I will do all you
tell me; I know you want to be getting on with your voyage, but stay a
little longer till you have taken a bath and refreshed yourself. I
will then give you a present, and you shall go on your way
rejoicing; I will give you one of great beauty and value—a keepsake
such as only dear friends give to one another.”
  Minerva answered, “Do not try to keep me, for I would be on my way
at once. As for any present you may be disposed to make me, keep it
till I come again, and I will take it home with me. You shall give
me a very good one, and I will give you one of no less value in
return.”
  With these words she flew away like a bird into the air, but she had
given Telemachus courage, and had made him think more than ever
about his father. He felt the change, wondered at it, and knew that
the stranger had been a god, so he went straight to where the
suitors were sitting.
  Phemius was still singing, and his hearers sat rapt in silence as he
told the sad tale of the return from Troy, and the ills Minerva had
laid upon the Achaeans. Penelope, daughter of Icarius, heard his
song from her room upstairs, and came down by the great staircase, not
alone, but attended by two of her handmaids. When she reached the
suitors she stood by one of the bearing posts that supp
Reece Sep 2013
You couldn't relate to my life if you tried
Degenerate pride, in my pride, the family all died
I took a trip, slip from the front door
Walking to the house of a man with some more
Of the poison of my mother, the mater, my pater, the father
My brothers and sisters slumped against a wall, injecting
It gets harder
I'm a martyr
But I fall farther
Brown brings ardour

In the haze of detestable days, bus journey raves
To the estates, I'm in a state, I hate fate
Try and place blame, struggle to get straight
But straight to the point, you're a mate
Pass the plate, and the joint
I'll do a line, get straight
Straight to the point...

Where was I?

Back in the house, forgot how I got here
The emptiness too much to bear
I miss my family being here
My mother the seer
My father drinking beer
I close my eyes, open, hope they appear
The loneliness of the kitchen feels so queer
I pop a few pills and realise its been a year
Since I saw them here

Fading to black and I awake in a wrack
Fiending for some smack, panic attack
Light up a pipe, smoke some pale crack
Keep me going on this lonesome track
So I pack my bag, down a glass of Jack
And get back on the beaten path

To the corner where I find her, solemn in a slump
Hard night's day, I give her cash and we arrange the jump
Pump pump, I dump my junk and feeling drunk
Walk silently in a grump, she re-adjusts her skirt
and returns to her bunk
To her lifelong funk
before being packed into another John's trunk

The streetlights are cruel in the winter night's haze
What beautiful days, in a daze, feeling amazed
Clasp my hands and I pray, am I crazed
or is this mournful delay
A year ago today,
my love took my family away
Styles Dec 2014
While these groupons cutting coupons I mean and croutons with Grey Poupon with the flight crew on an Islond off Moulin Rouge -- these dudes calling me rude, how I took'em to school. went from second hand shoes to licking silver spoons eating delicious grapes, in luxurious estates, and plush lagoons. Leaving the monkey business to the buffoons. Instead I'm watching CNN news being amused. LeBron making his moves on the tube, setting screens, and running schemes, on the big screen, HD clarity got me taking three, I'm catching charges too. This is the life. I'm just manifesting what they said I couldn't do -- nothing new.
Neon Robinson Oct 2016
Forgetting about that uptight blight.*

Emanate apathy
Unapologetically.*

Cheers to you Baby Jesus,
I'm all jacked up on pink Moscato; by noon.
Without a clue of what to do

Retreat to a beach
For a gala beset by an erubescent sunset.
What marry monarchs,
All clinquant, in gold light
All turn to heathens, in the night.  

Perpetually transfixed
By a curious mix of
Rhythmic eruptions & fevered delight
Like fairies & nymphs
Amidst the moon of misbehaving.

Wondering eyes are tantalized
You are luxurious, feral, **** boy personified.
I was mystified by the wild & eroticized by the style.
A Huckleberry Finn identical twin, ohhh but of course
— You had a Porsche.

But we were far from bonafide.

All is well,
Who really gives a ****, about a relationship cuff…
I was inherently drawn to the effervescence, of your soul.
Together in disconnected bubbles
Like a glass of champagne,
Sparkling to the surface effortlessly.

Daytime friends and nighttime lovers;
Nympholepts in retrospect,      
Carefully tip-toeing around
Blossoming curiously & compromising cantor.

Over winsome side-long looks
The burgundy hardtop drops down
Into my body & out of my mind

Tipsy daze were just foreplay
For the passionate midnight sexcapades.
A midsummer’s night moonlit dream
Manifested midst the trysts of Spring.

Every Sunday
Drinking champagne,
Not practicing self-restraint
Sneaking into private estates
Dive into the grotto pool.

Worshiping the Sun, not the saint.
My late night lover show me your wicked pagan birthright.
Two lonely hearts bonded over confessions in the dark.
enticed, take flight, in flight, sensationalized, ignite satisfy
377

To lose one’s faith—surpass
The loss of an Estate—
Because Estates can be
Replenished—faith cannot—

Inherited with Life—
Belief—but once—can be—
Annihilate a single clause—
And Being’s—Beggary—
Joseph Burley Sep 2012
The Lung.

The broken bone branches hang heavy off knuckled tree. As cold and uninviting as wrapped meat in cellophane prison cells and those sweating milk bottles left on doorsteps. Women cry with the blackbirds as day breaks, rousing their reluctant nests.
As the shadows trawl in from chicken farms and slaughterhouses, across the squalid estates and past a debt collectors party. A ***** drinks his soot like coffee and waits for another years tide to retreat. Holding pith less ambitions and unmentionable qualifications, stewardess pass, uniformed thoughts and averting faces..
The rusty playgrounds sink into the fermenting wood chips, and a plastic bag runs through the scene; only to commit suicide in the oil ribbon canal. The chemical clouds thicken into a duvet of sky whilst  arrows of a natural sun run home with tears of fear on their hot faces.
Down here the street lights flicker, and the patched uniforms drape off children sick with the flu that hit the school like a plague. Herding like cattle into the classrooms, to learn about the natural world
that is most unearthly to there reason.
Lunch bells ring from factories and the sky has drained to a sick -off white. The chip shop sells butties with no sauce nor bun, which machine like men guzzle and slurp.
The car parks lay stagnant in the distance and pigeons too fat to fly lay droppings on the bronze statue of a crying hero. As the roaring stops from the factories and high visibility coats are hung,  the sky bruises and the men fill the pubs, until wives with children hung on washing lines drag there sweat soaked frames to the table, only to indulge them in a row.
Night creeps in, bringing with it the hooded figures that flutter along the streets. Music plays from a vacant building and seems to brighten the night.
A silhouette is seen standing on the edge, watching the busses bellow run like migrating snails, filled with the elderly and too young.
Cigarettes infest the streets creating a carpet of ash and litter. The city survives, remaining grey, never blinking, never heard.
DieingEmbers May 2013
With these eyes
I've watched
woodlands become housing estates
wetland drained
it's wildlife killed
fields plowed by roads
and hedgerows and ancient stones
torn down
and
with these eyes
I've wept
for the village
of
my childhood.
Reece Feb 2014
Four pigeons sing-song, nine hours the day long
Menial and manual, this warehouse life is annual
Lonely industrial estates on a hazy morning
when the ecstatic eastern winds are horning

Where I count boxes, load lorries and dodge bosses
Listen to the birds coo and a phone playing blues too
I give names to them all, the birds in the rafters
and sing a nine hour song of all their ever afters

Dirt under my nails, from a day of insulation sales
The solace I find of an eve is the fantastic words you weave
You who write to live, you who my soul I will give
The ghost of my future self, a rambling poet
working for money, I'll be you I just know it

Simultaneous afterlife, generational satellite
The energy we possess, is transferred with every breath
You are me and I am you, together, nothing we can't do
Some day I'll run wild, a leader of a literary mob
but right now I just dream of such things on the job
Even when the days run long, the wild willingness to wander the world was implicit in her eyes.

Do you know that there's an irreversible truth in the way handsome leaves rustle in the Autumn folly and when that crazy tide spells messages in silt and shells on the beachfront, you will know those truths? For within them, the ringing and reigning of unspeakable notions is one that envelopes your eager heart and gives you the undeniable strength to hold mountains in your hands and to maintain the vast skies in your soul.
So when you look into the mirror on some lonesome evening and those cold cobalt eyes of yours are cataracted and fluttering; please know that you are the divine, the Om, the last of the enlightened and the corresponding soul to that which I so sadly possess today.
JR Potts Aug 2015
The Atlantic Ocean and I sigh
in unison against the shoreline
of Amagansett Beach
and as she inhales;
she drags the land above below,
one grain of sand at a time.

In a few generations
she will have devoured this entire beach,
eventually the whole Island
and with it the multi-million dollar estates
which decorate its topology
like an effigy to human vanity.

I would say never before in history
has there been so few with so much
who have done so little
but that would denote
some kind of significance
and they are hardly worth noting.
1.
Mother, my Mary Gray,
once resident of Gloucester
and Essex County,
a photostat of your will
arrived in the mail today.
This is the division of money.
I am one third
of your daughters counting my bounty
or I am a queen alone
in the parlor still,
eating the bread and honey.
It is Good Friday.
Black birds pick at my window sill.
Your coat in my closet,
your bright stones on my hand,
the gaudy fur animals
I do not know how to use,
settle on me like a debt.
A week ago, while the hard March gales
beat on your house,
we sorted your things: obstacles
of letters, family silver,
eyeglasses and shoes.
Like some unseasoned Christmas, its scales
rigged and reset,
I bundled out gifts I did not choose.
Now the houts of The Cross
rewind. In Boston, the devout
work their cold knees
toward that sweet martyrdom
that Christ planned. My timely loss
is too customary to note; and yet
I planned to suffer
and I cannot. It does not please
my yankee bones to watch
where the dying is done
in its usly hours. Black birds peck
at my window glass
and Easter will take its ragged son.
The clutter of worship
that you taught me, Mary Gray,
is old. I imitate
a memory of belief
that I do not own. I trip
on your death and jesus, my stranger
floats up over
my Christian home, wearing his straight
thorn tree. I have cast my lot
and am one third thief
of you. Time, that rearranger
of estates, equips
me with your garments, but not with grief.

2.
This winter when
cancer began its ugliness
I grieved with you each day
for three months
and found you in your private nook
of the medicinal palace
for New England Women
and never once
forgot how long it took.
I read to you
from The New Yorker, ate suppers
you wouldn't eat, fussed
with your flowers,
joked with your nurses, as if I
were the balm among lepers,
as if I could undo
a life in hours
if I never said goodbye.
But you turned old,
all your fifty-eight years sliding
like masks from your skull;
and at the end
I packed your nightgowns in suitcases,
paid the nurses, came riding
home as if I'd been told
I could pretend
people live in places.

3.
Since then I have pretended ease,
loved with the trickeries of need, but not enough
to shed my daughterhood
or sweeten him as a man.
I drink the five o' clock martinis
and poke at this dry page like a rough
goat. Fool! I fumble my lost childhood
for a mother and lounge in sad stuff
with love to catch and catch as catch can.
And Christ still waits. I have tried
to exorcise the memory of each event
and remain still, a mixed child,
heavy with cloths of you.
Sweet witch, you are my worried guide.
Such dangerous angels walk through Lent.
Their walls creak Anne! Convert! Convert!
My desk moves. Its cavr murmurs Boo
and I am taken and beguiled.
Or wrong. For all the way I've come
I'll have to go again. Instead, I must convert
to love as reasonable
as Latin, as sold as earthenware:
an equilibrium
I never knew. And Lent will keep its hurt
for someone else. Christ knows enough
staunch guys have hitched him in trouble.
thinking his sticks were badges to wear.

4.
Spring rusts on its skinny branch
and last summer's lawn
is soggy and brown.
Yesterday is just a number.
All of its winters avalanche
out of sight. What was, is gone.
Mother, last night I slept
in your Bonwit Teller nightgown.
Divided, you climbed into my head.
There in my jabbering dream
I heard my own angry cries
and I cursed you, Dame
keep out of my slumber.
My good Dame, you are dead.
And Mother, three stones
slipped from your glittering eyes.
Now it's Friday's noon
and I would still curse
you with my rhyming words
and bring you flapping back, old love,
old circus knitting, god-in-her-moon,
all fairest in my lang syne verse,
the gauzy bride among the children,
the fancy amid the absurd
and awkward, that horn for hounds
that skipper homeward, that museum
keeper of stiff starfish, that blaze
within the pilgrim woman,
a clown mender, a dove's
cheek among the stones,
my Lady of first words,
this is the division of ways.
And now, while Christ stays
fastened to his Crucifix
so that love may praise
his sacrifice
and not the grotesque metaphor,
you come, a brave ghost, to fix
in my mind without praise
or paradise
to make me your inheritor.
All that I owe the fellows of the grave
And all the dead bequeathed from pale estates
Lies in the fortuned bone, the flask of blood,
Like senna stirs along the ravaged roots.
O all I owe is all the flesh inherits,
My fathers' loves that pull upon my nerves,
My sisters tears that sing upon my head
My brothers' blood that salts my open wounds

Heir to the scalding veins that hold love's drop,
My fallen filled, that had the hint of death,
Heir to the telling senses that alone
Acquaint the flesh with a remembered itch,
I round this heritage as rounds the sun
His windy sky, and, as the candles moon,
Cast light upon my weather. I am heir
To women who have twisted their last smile,
To children who were suckled on a plague,
To young adorers dying on a kiss.
All such disease I doctor in my blood,
And all such love's a shrub sown in the breath.

Then look, my eyes, upon this bonehead fortune
And browse upon the postures of the dead;
All night and day I eye the ragged globe
Through periscopes rightsighted from the grave;
All night and day I wander in these same
Wax clothes that wax upon the aging ribs;
All night my fortune slumbers in its sheet.
Then look, my heart, upon the scarlet trove,
And look, my grain, upon the falling wheat;
All night my fortune slumbers in its sheet.
606

The Trees like Tassels—hit—and swung—
There seemed to rise a Tune
From Miniature Creatures
Accompanying the Sun—

Far Psalteries of Summer—
Enamoring the Ear
They never yet did satisfy—
Remotest—when most fair

The Sun shone whole at intervals—
Then Half—then utter hid—
As if Himself were optional
And had Estates of Cloud

Sufficient to enfold Him
Eternally from view—
Except it were a whim of His
To let the Orchards grow—

A Bird sat careless on the fence—
One gossipped in the Lane
On silver matters charmed a Snake
Just winding round a Stone—

Bright Flowers slit a Calyx
And soared upon a Stem
Like Hindered Flags—Sweet hoisted—
With Spices—in the Hem—

’Twas more—I cannot mention—
How mean—to those that see—
Vandyke’s Delineation
Of Nature’s—Summer Day!
Let's
Go for a walk
Down the higher spheres
And I word to show thee the estates and isles
Of the heavens
For
Thy name shall I crochets in their capitals
And let the
Unheeded and hidden secrets
Of each one of them in thy palms

Let's
Go for a walk
Down the higher spheres
And I word to buy thee the charms of castles
Lying cuddly on the cosmics
For
Thee shall be my god and thy servant shall I become
And perform all thy whims to the very last syllable

Let's
Go for a walk
Down the higher spheres
And I word to clad thy soul with garments of the rainbows
For
Thee shall gloss and *****
The sights of crafts
Running on golden asphalt
And make them collide with the pillars of the rays

Let's
Go for a walk
Down the higher spheres
And I word to get thee the finest jewelleries
That sparkle better than the figurine of the stars
And on thy finger
Shall I sit the most piety of all diamonds as my theme of love
And make the angels glower with chagrin

Let's
Go for a walk
Down the higher spheres
And I word to teach thee how I brew the storms and weathers
For
Your care shall I leave the whips
Of the recalcitrant thunders
And make thee assimilate them with thy counsel

Let's
Go for a walk
Down the higher spheres
And I word to lay thee on the hallowed beds I nursed
There
Shall I leak the ***** of my prowess
Into thine ears
And lick thy feet,showing thee the heavens

A Word For A Walk
To You Getrude
So much love❤
©Historian E.Lexano
I dedicate this to Getrude
she is golden
glass can Aug 2013
Everything is too soaked in wine
for me to comprehend why

why
why

they'd be so cruel
in misunderstanding

— The End —