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Mike Hauser May 2013
Farmer Jones set out to build a barn
A shelter for his bovine
When the wood started disappearing
A little at a time

The cows were taking it to pasture
On the other side of the dell
Little by little in the middle of night
Hoping Jones wouldn't be able to tell

This plans been festering for ages
At least since some of them were veal
But cows aren't very good at telling time
So how long is really hard to tell

Anyways they know they have a plan
That's what matters when it comes down to it
And what it is they've been planing
Is "Bovine One" The Rocket Ship

This time they're going to the moon
They had a cousin who jumped over it once
But that was so many years ago
And cousin Eddie has long been somebody's lunch

They got the plans out of Science Illustrated
When Carl went in to use the can
The day Farmer Jones stepped out of the house
A little secret the cows are keeping from "The Man"

They know nothing about jet propulsion
So the cows broke down and asked the goat
The smartest of all the farm animals
Another little secret nobody knows

In the process of building they used galvanized nails
The goat said in space regular nails would rust
I never would have thought of that
I guess goats are even smarter than us

When "Bovine One" The Rocket Ship was completed
It was on a Wednesday the count down did fall
The day Farmer Jones noticed his wood was missing
And the authorities were called

As they began to investigate
A bright glow came from over the hill
Still to this day no matter what people say
They don't know what the object was nor ever will

The Rocket Ship is still up there in orbit
With umpteen cows inside
Next time you hear a cow moo, look up cause you too
Could see "Bovine One" as it passes by

Did they ever make it to the moon?
No one around really seems to know
I bet you could get the answer though
If you were to go and ask the goat
Matty D Feb 2013
Welcome to the land of golden trout

Where black bears roam and hawks still shout

In the eastern Sierras, hills of the west

Tales of the Adventurers and their first test.

Forming an alliance in Santa Cruz

They left together, unwilling to lose.

Packing up and heading down the trail

They knew as a team they would never fail.

Without a moment’s hesitation nor shred of doubt

The crew took their Tools of Tenacity out

And in less than three months flat

The Adventurers finished, exclaiming “that’s that!”


But who composes this mysterious crew?

Wait just one moment, I promise I’ll tell you.

First, there’s Nico the Noble, the leader so fearless

Who also frightens many when he’s not beardless;

Followed by Ben the Benevolent with his hearty laugh

And never without his Capitals hat;

Kahn the Courageous has his wild antics

Telling stories with Buckeye semantics;

Jamie the Just and her vegan ways

Had to eat lentils for most of her days;

See Jen the Jubilant with camera-in-hand

Shaving logs for as long as she can;

The team’s newest member, Maggie the Merciful,

Has now experienced the wilderness in full;

Tim the Wise lacks alliteration, unlike the others

But has chased many cows, some scraping their udders;

And at last there’s me, the Notable Narrator,

So our crew’s legacy can live forever.


In our quest the crew has changed slightly.

Those unable to handle the tasks lightly

Had left- like Mary, Bobby, and Stary the Skeptical

All well-admired, and mostly respectable.


Now let’s shift our story to the work completed

In the struggling meadow, its health near-depleted.

Using fallen trees that have long-since passed

We found a clearing with their numbers quite vast.

Cutting the deceased into sixteen-foot longs

And lugging them over thickets and bogs

Our team stacked them perpendicular

To the stream, or creek, in particular

And in a magician’s “ta-da!” moment

Water rose up to our new component,

Flowing over the freshly-made dam

Then briefly meeting with dirt and sand

At the bottom. Multiplied by thirty

And that was work: rigorous and *****.

But why were the Adventurers sent there,

To build check-dams and do repairs?

It was, in part, human consumption

That led to the meadow’s near-destruction:

America’s insatiable need for beef

Will not, for a long time, see any relief,

So Industry has pushed forward, sending cows to the fields

Grazing and growing to become our future meals.

But little did Industry know how devastating

Hundreds of cattle leave an ecosystem suffocating.

Trampling grass and dispersing banks underhoof

The bovine are easily guilty, there’s so much proof.

Stupid, noxious, and obnoxious creatures

Recognized by these, easily their best features.

Incessantly screaming day and night

They are more like demons by every right.

Yet the Forest Service lets ranchers send

Hundreds of cattle, seemingly without end.

And while the Golden Trout crew fixed things,

It’s not enough to ease the strain the cows will bring.


So what can we do, if anything at all

If we go veggie will Industry stall?

Can the end of beef save the earth

Is society only worried when we gain in girth?

That’s not for me to say right now

It’s up to you to answer the “how?”


But I digress, I must end the story

Of the Adventurers and their summer glories.

In the end they saved the meadow, saved the day

Held the bovine rampage at bay,

Raised water levels, erosion erased,

Then was the time to leave that place.

So the Adventurers hopped in their van,

Eight warriors mean, lean, and tan,

And took off down the mountainside

To Santa Cruz and the oceanside.

Each followed one’s own path

But only after taking many baths.

The Golden Trout legacy will live forever,

Only made possible by the best crew ever.
9/3/2012
(c) MDC
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Àŧùl Dec 2016
They Call It Heresy,
We Call It Genuine Science

We designed the genes' primers,
Ordered them along the oligomers.
Our aim is an elaborate one,
It involves molecular cloning,
Sequence characterization, and
Relative expression analysis of
Bovine Trefoil Factors.

Now we hope to clone the gene,
The gene which is of a bovine origin,
By extensive working hours input,
And bearing in mind the risks,
Of not getting the desired output,
The possibility of failure always therein,
But pregnancy, healing & immunity it's governing.

Three types of trefoil factors there are,
TFF1: It suppresses gastric carcinoma,
And also helps in pregnancy,
TFF2: Helps exclusively in cancer research,
TFF3: Helps exclusively in pregnancy maintenance,
And also our prime interest.

After cloning the genes,
We have to sequence them,
And after characterization,
We have to analyse them,
After relative expression.
My M.Tech dissertation research topic is molecular cloning, sequence characterization, and relative expression analysis of Bovine Trefoil Factors and we will be working with water buffalo species.

I completed this work under the guidance of Dr AK Mohanty with additional working guidance from my dear elder sisterly lab mate Dr S G Chaudhary neé Rana.

The complete 2nd year was a research year.

HP Poem #1306
©Atul Kaushal
JDH Jun 2017
Some introductory 'food' for thought...

"When people say they prefer organic food, what they often seem to mean is they don't want their food tainted with pesticides and their meat shot full of hormones or antibiotics. Many object to the way a few companies - Monsanto is the most famous of them - control so many of the seeds we grow."
  - Michael Specter

"My grandfather used to say that once in your life you need a doctor, a lawyer, a policeman and a preacher but every day, three times a day, you need a farmer"
  - Brenda Schoepp

"Economically, many folks don't feel they can afford organic. While this may be true in some cases, I think more often than not it's a question of priority. I feel it's one of the most important areas of concern ecologically, because the petrochemical giants - DuPont, Monsanto - make huge money by poisoning us."
  - Woody Harrelson


Who is Monsanto?
Monsanto is a Chemicals/Pharmaceutical/Agriculture company that was established in 1901 in the United States, and over the last century has occupied a particularly interesting and questionable history that has within recent times took to the global scale, growing into a multinational corporation, well nigh on the complete monopolisation of the Agriculture industry whilst having established connections to the chemical and pharmaceutical industry. They are less well known for their creation of Agent Orange, of which they claimed had no harmful effects on the human body, which was utilised very predominantly during the Vietnam War by the U.S. military as a defoliant, however, caused hundreds of thousands of deaths by poisoning, and has now led to an epidemic of birth deformities in the regions of use. Monsanto experienced more involvement in war through their involvement in the Manhattan Project, which resulted in the creation of the first nuclear bombs to be tested on Japanese civilian populations. They also have a background in their production of PCB's (Polychlorinated biphenyls) which once again, had the negative human and environmental effects ignored and misrepresented hitherto 1977 when they were banned, however, was not before many fresh water supplies and the air had been contaminated and was a known carcinogen in humans, along with other health damages. There was then of course their production of DDT's in the post war period that was advertised as a 'wonder-chemical' to be used in agricultural pesticides. However, it was later uncovered that its spraying caused a high percentage of food breakdown in crop and in humans caused breast cancer, male infertility, miscarriage, developmental delay and nervous system/liver damage. They even tested the effects of radioactive Iron on 829 pregnant women in a bizarre experiment. Having no shortage of scandalous and often at times frequenting blatantly corrupt behaviour on their dubious track record, with an abundance of data and study arising in protest of the company's use of dangerous chemicals and genetic modifications in food, it is surely best to question the activity and history of this company.


What chemical poisons are being used?
Some of you are probably aware as to the fact that within many food products today there are various chemicals being used in modification, cultivation and in processing, many of which are harmful, often deadly to the human body and to the ecosystem. So harmful in fact that in cultivation workers are required to wear bio-hazard suits and due to the toxicity of the area in farming these GM crops, are required to ***** signs in the surrounding area warning of the danger.

So one chemical that has been pushed into foods and drink by Monsanto since the early 20th Century is Saccharin, an artificial sweetener made from coal tar which is used predominantly in Soda, Coke and processed foods, and is 700 times sweeter than sugar. In 1907 when Saccharin was first investigated by the USDA it was quoted as,"a coal tar product totally devoid of food value and extremely injurious to health" , and by the 1970's, when the chemical began to garner greater use, the FDA attempted to ban its use in products after discovering it causes cancers (particularly bladder cancer) in animals and humans, however, today is still used as an artificial sweetener, and between 1973-1994 the National Cancer Institute saw a 10% increase in bladder cancers.

Monsanto are also responsible for the pushing of another artificial sweetener onto the market to be consumed by humans, that being Aspartame, even more harmful than Saccharin, and since being used in Coke, particularly Diet Coke, since 1983, the rest of industry followed suit. When melted down at 30°C into its liquid form in use for soft drinks, it become far deadlier than in its powdered state. It was found that it caused tumours and holes in the brains of rats and is more addictive than crack *******. After a multitude of independent scientific studies arose in protest of the use of Aspartame, Monsanto bribed the National Cancer Institute to produce fabricated data. Here are some of the know side effects of Aspartame consumption in humans according to the US Food and Drug Administration:

• mania  
• blindness
• joint-pain
• fatigue
• weight-gain
• chest-pain
• coma
• insomnia
• numbness
• depression
• tinnitus
• weakness
• spasms
• irritability
• nausea
• deafness
• memory-loss
• rashes
• dizziness
• headaches
• seizures
• anxiety
• palpitations
• fainting
• cramps
• diarrhoea
• panic
• burning in the mouth
• diabetes
• MS
• lupus
• epilepsy
• Parkinson’s
• tumours
• miscarriage
• infertility
• fibromyalgia
• infant death
• Alzheimer’s

As is quite evident, Aspartame not only lacks any nutritional value, it also can have grave effects on humans when consumed. In fact, over 80% of complaints made to the FDA concern Aspartame and is now used in over 5000 products, yet facts are still being misrepresented and as primary producers of Aspartame such as Monsanto produce false data to cover their tracks.


How is their monopoly being secured?
Monsanto within recent decades has somewhat become the archetype of corruption and corporatism, devoting many millions to Government lobbying in order to maintain its hegemony over agriculture, its use of harmful chemicals and to maintain restrictions of food labelling of GM products. In fact, the company seems to have a revolving door between itself and Government now, one example being the FDAs Arthur Hull resigning due to controversy and going straight to an employee at Monsanto as a Public Relations representative. This means that the FDA, the central official force against the use and proliferation of harmful products is in bed with Monsanto, the main proliferator.

Another creation Monsanto have pushed into pastoral agriculture is their Synthetic Bovine Growth Hormone which is a genetic modification of the E-coli virus to be used in dairy products and cows. And in order to make sure this product is pushed onto farmers, Monsanto sues any that do not use it with teams of lawyers. They also, in a far more cunning and destructive method, are able to and have destroyed other, natural crop cultivation by the use of their Genetically Modified crops themselves. What they have done is modified their crops in order that they self pollinate, and that bees that come into contact with their crops are killed, causing mass hive collapses, which then means any natural crop in surrounding farms die off due to a lack of bees to pollinate them, forcing them to join the monopoly of Monsanto's GM supply.

Also, before the aerial spraying aluminium and barium into the skies began in 1998, that has seen a rise in the content of aluminium particles per/cm from near 0 to 30,000 in many areas, Monsanto patented crops that are resistant to soil with such high concentrations, meaning they now have legal ownership over crops, whereas the natural produce may be ungrowable in a number of places where the spraying concentration is high. On a side not, the spraying of aluminium into the sky since 1998 has also caused a massive spike in Alzheimer disease and lung cancers, rising from the tens of thousands to the millions of cases per year.

To Conclude, Monsanto has recently made a very big merger deal with the Pharmaceutical company Bayer, the ones who produced Zyklon-B for the **** extermination chambers. Sure sounds like some safe operations.


- an essay by JDH
Agricultural monopoly with a history of extensive corruption...
They hate the shadow of the bird
over the high water of the white cheek
and the conflict of light and wind
in the salon of the cold snow.

They hate the bodiless arrow,
the precise handkerchief's farewell,
the needle that keeps the pressure and the rose
in the cereal blush of the smile.

They love the blue desert,
the swaying bovine expressions,
the lying moon of the poles,
the water's curved dance at the shore.

With the science of tree trunk and street market
they fill the  clay with luminous nerves
and lewdly skate on waters and sands
tasting the bitter freshness of their millennial spit.

It's through the crackling blue,
blue without worm or a sleeping footprint,
where the ostrich eggs remain eternal
and the dancing rains wander untouched.

It's through the blue without history,
blue of a night without fear of day,
blue where the **** of the wind goes splitting
the sleepwalking camels of the empty clouds.

It's there where the torsos dream under the gluttony of grass.
There the corals soak the ink's despair,
the sleepers erase their profiles under the skein of snails
and the space of the dance remains over the final ashes.
Yesterday, I sat on the shores of Acheron.

It was before christ or maybe British Columbia hard to tell, my lens was clouded
The mushrooms were telling a story.
Do you know what story they told me?

The truth hurts cause the truth comes from the ******* of bovine
And we are all bovine … some sacred … some dinner … some just simply cows
And I wish I had bovine spongiform encephalopathy

At least then I would have an excuse for being a mad cow or raging bull
Either/or, a **** machine is a good thing for this world
Because: mushrooms.

You have to go in through the out door
And Frost told us long ago “The only way out is through”
And Rogan gives this knowledge away in the aether via Amber.

So what does the gateway into the **** have to say to me?
We are the monsters under the bed. The spectre’s lurking in the closets
And Yahk, BC is the place where answers get spewn out in chunks and spurts.

I thought the only way into the underworld was Grecian.
But a warrior poet knows the way,
And Chris would always and in all ways die for Bella.

Cause what is an eternity without your One
It is eternal damnation
So across the river our hero goes.

He slays everything in his path, beast or brethren
Now the illusion is destroyed
The underworld is deceased except for one.

Residing in the mirror lives the final causality
Casualty?
Only if you want out.

And out is through
So you destroy the Self - id, ego, super-ego … you decide
Covenant in disarray.

And what is born out of it?
The river styx no longer
But instead … the river phoenix
Written 7 September 2014 on the Shores of Acheron in Yahk, BC under the influence
barnoahMike Jan 2011
Good old Gregory Goose was Gladder  than any Gander could be  and not Just because Nelson the Ninja Snail had said he was "JUST-DUCKY" !     This was a Very Special morning for Gregory Goose,   in Fact it was yesterdays Super Special situation that made His Delight so DELICIOUS.      The comment by Nelson the Ninja Snail, had simply added to  His Glory!      Gregory's Special Situation  Had been the Unexpected Announcement that HE was to be Named  "TEAM-CAPTAIN"   for the Annual  "Hog Wallow and Here's Mud in Your eye" CONTEST ! !     "Oh the delight" He thought,   "I am to be Captain,  after waiting all these years".     "ME"   he exclaimed !  "Captain of the South Forty Blocks"......   "W O W ' ! !    At the most convenient time of the day,  Harold Hippo,   Candy Cow,   Curtis Chipmunk,   Marvin Monkey,   Beatrice Bovine   and Larry Lynx  decided to make a Personal call on Good Old GREGORY GOOSE  .   Keep in mind Now,   That Harold,  Candy,   Curtis,   Marvin,   Beatrice  and Larry we're the *INSIDE,  of the  "INNER-CIRCLE".     JUST ASK THEM !!    They were on the INSIDE ! !    Well,  when Gregory Goose heard the Knock at the door,   He opened it with a Great Big Grin,  That ONLY Gregory could Give!   Before Him stood  the "J U D G E S "  of All Contests and Efforts.    *Gregory was Beside Himself ! !     Instead of Seeing a group of Smiles and Handshakes,   He saw Staring Eyes,   Necks that had been stiffened  AND  *Gnashing of Teeth.    Beatrice Bovine was the First to Speak,   "Gregory,   it has been brought to our attention that you had a conversation with Nelson the Ninja Snail,,   and YOU didn't Rebuke his statement of being called  "JUST-DUCKY".    "As a result of this,  *WE  decided YOU  "Cannot  Be"    *CAPTAIN   of the Hog Wallow and Mud in Your Eye Contest,   PERIOD ! !      Gregory Simply smiled,  Looked Straight into their Eyes,   Quietly said  "BYE",   Softly Closed the door....    Turned Grinning,   Knelt to his Knees,   PRAYING,   Thanking GOD,  for the FACT,, That he,   Gregory,    He was Made just a   *LITTLE BIT PECULIAR  ! !
Copyright @ 2011    barnoahMike           Mike  Ham
The clouds he welcomed,
and let them play
While the sun descended
to kiss his rugged make

The winds would rage
yet come to him
as a petted bovine
tamed at whim

Like a ***** giant
stood the mountain tall,
in brooding silence
as he towered above all

Then the rains came, and
brought a stranger home
She was none like them
yet she seemed their own

In her winding bends
the mountain heard
the frenzied beats
of a heart so stirred

As the brook looked up
and the mountain down
she found calm
and him, storms found

The clouds he asked
how he could move
and mustered his will
for a measure of stoop

She looked at him
with a drowning feel
clutching at her banks
and digging in her heels

The bend showed up
like an eternal curse
carrying the aching brook
like a solemn hearse

One last time
she looked back at thee
the one she killed
in setting free
A moment shared in love can be enough for a lifetime.
Don Bouchard Feb 2019
It's June, 1967.
Nature, still lying through
Parsley green teeth,
Breathes the last of spring,
Hints early summer warmth,
Pre-July's cicada whine,
August's heat and wind.

Crops, still tender green
Quiver beneath a humid sky,
Under a glowing sun.

Bicycles amuse our early lust
To soar untraveled ground,
Entering lazy summer's ennui,
We scan a hawk riding drafts
On the edge of our hill.

Dust, drifting up the graveled road,
Five miles below us,
Piques our interest,
Causes the dog to raise his head.
He ***** an ear
Toward a sound we cannot hear.

We hear gravel slapping rocker panels
Before the traveler's roof rises into view,
Catch our breath as the engine slows,
Start running for the house.

A stranger's arrived,
A traveling salesman,
Better than an aunt
Only stopping in for tea
And woman talk.

Dad keeps his welding helmet down,
Repairing broken things.
The hired man inhales his cigarette,
Acts disinterested.

My memories linger on the past....

Salesmen brought the latest farming gadgets:
Additives for fuel and oil,
Battery life extenders,
Grain elevators and fencing tools,
Produce and livestock products,
Lightning rods and roofing,
Chrome-edged cultivator shovels,
Insurance for everything:
Fire, water, wind, hail.

Pitches came without exception:

"Top o' the morning! Looks like you're busy.
Don't want to take your time."

"Looks like you could use some welding rod,
And I have something new for you to try."

"Have you used chromium additive in you livestock salt?
Guaranteed to put on weight and protect from bovine
Tuberculosis!"

"Say, have you heard about the effectiveness of a new
Insecticide called DDT? I've got a sample gallon here
For you to try. Works better than Malathion!"

Dad, eventually intrigued, began the slow dance
Of dickering, haggling over this thing or that.
Most salesmen, closing in for a ****,
Hadn't grappled with my father.

At noon, deals still in the air,
My mother called the men,
And we all trudged in to wash,
Waiting in line at the tub,
Scrubbing with powdered Tide
To remove the grime and grease,
Drying on the darkening towel,
Finding a seat at the table.

The salesmen expected the meal
As though it were their right,
A standing invitation:
Stop in at noon,
Make your pitch,
Sit at table,
Close the deal after.

We boys sat and listened
To man talk.
Eyes wide, we marveled
At gadgets,
Wondered at Dad's parleying,
Winced at the deals he drove,
Commiserated with squirming salesmen
Surely made destitute by Dad's hard bargaining.

In retrospect,
I know the game was played
On two sides,
That the battery additives
Bought for five dollars a packet,
Even with the two Dad finagled free,
Cost about five dollars for everything,
Returned forty-five and change
To the smirking, full-bellied salesman
Who left a cloud of dust on his way
To supper a few miles down the road.
We don't see traveling salesmen anymore at the ranches in Montana. I guess internet sales did them in.
Ryan Bowdish Nov 2012
The lives we've chosen are leaving us broken
(Do you need your)
Crammed in a corner, don't speak unless spoken to
(Blue screen covers?)
December's coming close to reignite the ghosts
Of elder superstition, mythology becomes religion again!

Marry me, my darling
We've only seconds left to go
I know I'm not the life of the party
But no one here wants to die alone!

Let sleeping dogs lie! You're kicking a
Dead horse!
To arms! To arms! To arms!
Left wing and sou-souwest.

Cheers to the masses for forgetting the past
(Sticks and stones)
Beautifully passive, raising our glasses
(This is our home)
I want to ignite you, that's why I'm spiteful
And loathing your masters, hiding in laughter!

So walk away, you harlot.
Far too tired to give you time
You're not worth the effort I made to hide in
My hope for the world to split

Let sleeping dogs lie! You're kicking a
Dead horse!
To arms! To arms! To arms!
Bury our fears in our outlets.

Last call before we close the door
Just wait until the power's down
Let it be known coast to coast
What we've hidden underground.
Drive a hatchet into your front door,
Inside us all is warrior bone
Burn up all your televisions
Destroy all your telephones!
The future shall not be distorted
No crime shall go unreported
Give it to them as you found it
Without homes, without a sound!
I'll give my words, shut up and listen:
The old ways died and no one missed them,
Don't you see your hallucinogens
Are no excuse for ignorance?

Let sleeping dogs die. You're kicking a
Burnt bridge.
To arms! To arms! To arms!
Behold the 22nd.
Marshal Gebbie Aug 2010
Rush around in circles like a headless chicken running
Diminishing to spirals in a blue encircled churn
Giddying to balance in unsteady equilibrium,
Whilst canting to the left on a gyroscopic turn.

Vaulting to the heavens in gymnastical maneuvering,
Launching into ether in fanatical escape,
****** features grimacing through muscular contortion
With abdominal contractions in a pantomime of ****.

Yowling to the darkness in a feline form of vocalness
Hissing through the teeth in a serpentine display,
Bellowing the bellicose of bovine innuendo
And bleeding feet in gumboots on a ****** raining day.

Rush around in circles like a headless chicken running
With ****** features grimaced on a ****** raining day,
Yowling to the darkness with abdominal contraction
In a bovine innuendo of a serpentine display.

Bellowing the bellicose of bleeding feet in gumboots,
Vaulting to the heavens in fanatical escape,
Giddying to spirals in contracting equilibrium
Just a ****** innuendo of a gyroscopic shake.


Marshalg
Victoria Park Tunnel
On a ****** raining day.
7 August 2010
Jacky Xiang Aug 2010
Fare thee well by islets of time,
Beauteous blooms of fragrance; of thyme.
Gliding symphonies beckons thine eye,
Gentle minds float toward sky high.

O cues sung by the siren, allure!
Once, fusion of reason borne pillar.
Twice ponder, may our paths entwine,
Thrice to act, unlike the tranquil Seine.

Like angelic enigmas par Euler,
Soar upon the painted auric frontier.
Air fresh: an ebullient morning dew,
Wisdom: moisture for the thirsty few.

By spring fountain, if thou art inclined,
Bright sparrow among the bovine herd.
Lo, argent quarry of dust- liquid guile,
Behold, product beyond thunder- gale.

Scents of lavender assail thy sleep,
Euphoric dreams, we welcome with glee!
Sleepy horizons, a glorious dawn,
Morning filled with a trillion suns.

Some time, some day: travel the stars,
Mortal shackles unchain my awful maw.
Pupil of Aristotle, Darwin, and Vinci,
There lies truth; a transient hierarchy...
vircapio gale Oct 2012
the ego is a balm
for watching herds--
ezra pound is dead..

withought the ***** to make it rue
of wittier witter aphorisms never trilling forceful to undo

singular muse,
where do you come
in head or tip of head?
elusive beauty, disappear
i act in other barefoot dreams


typos bless the will to mean
of finality
of seem seam flawless be
i **** the emperor of ice cream
with concupiscent "words"
that verb the still to be a yogurt burv


single fractal frog
jumps like rhyme of toggle cog,
cutting grandma's mind

empty cup fills want
with other bristle sip+
eclipse Hypatia naked at the shrine
failure of a form
cones another phage
with peaceful loving bawl

freedom fighters flaunt
masturbatory rights of congress whim and taunt
crackle jackal fire sights
sing single missile lights

do i jest
or do i best,
lest simple techne tumble kite of waiting in the dark
of politician's lark
inventive lewd
of plaintiff plea
and rumble drum democracy

venous cud
of bovine mewing in the mud of affuenza's motherhood
strikes painful cords electric suds
that lather in the lackey's trodden figure's utter
venus aphrodite's *****'s foam

hopkins is at home
manley in the rub of constant loathsome comb
that preens a matish apparition's tomb

hello kind traveler
that takes me by the hand
rolling in the grass has never been as such
the band plays off Genghis Khan
like Gandhi spitting soup
in afternoon reprieve of ignoramOus fun

the meaning is ajar
i know i war with Stevens too to
bear the furry calousness of wartime's endless true
a bond of moneylicsious new accounted even in the dew
that sunders sounds to recreate a farflung brew
of history's adieu
which only sPeares you in the gut
(an existential reference here to trope the nom)
elusive Lear that wanders in the Foolish storm caressing cave to find
another mind
that only someone special kKnew of Kent
encapsulating time in brands that offer (a[0I]ether dust for tolling flight
growing down into the mushroom ground
spanning subtentious fraughtful nocturnes in the night
to bide that meaning's plight i wish i
wasn't altogether through
though happy to be here iwth yew
apparitions in a crowd
petals on a wet black bough...
“The apparition of these faces in the crowd;
Petals on a wet black bough.”
Sara L Russell Nov 2011
By Sara L Russell
00:58, 7/11/11

                         1

I was a priestess once, inviolate;
With hair like Aphrodite's; soft spun gold;
Blissfully unaware of future fate, 
With all the happiness a heart might hold.

Great artists came from many miles around
To make my portrait while I stood in prayer;
I wore brocaded gowns that skimmed the ground
And garlands of white lilies in my hair.

Oh blameless life, sweet vision of the past!
Oh hapless bovine state of womanhood!
Oh unjust, cruel curse holding me fast;
How I would flee away, if I but could!

For I did nothing wrong, no harm was meant,
To be stricken with such a punishment...

                              2

One summer's day, thinking of keeping cool,
I was disrobing on a quiet bay
Behind some rocks, beside a limpid pool,
As amber fire marked the fading day.

There came a sudden parting of the sea,
The waves came open, like a corridor,
Poseidon and his henchmen came to me,
With lustful gaze, across the ocean floor.

Then all at once, his henchmen held me tight,
I felt Poseidon's rank breath in my face,
His breath like bladderwrack, deathly as night,
Embrace of scaly arms, touch of disgrace.

I struggled fiercely but he ravished me,
Turned my virtue into a travesty.


                             3

When at last Poseidon had his fill
He left me all alone to face my shame
Ah, how I burned with shame! I feel it still
And wondered if somehow I was to blame.

I curled up, in self-comfort, on my side,
Naked and weeping, as he swam away
And all at once, the heavens opened wide
Goddess Athena had something to say.

"And didst thou tempt my dearest love from me?"
She shouted, as I lay sprawled at her feet.
"I'll turn thy beauty to monstrosity!"
She added, ere I could flee or retreat.

No sooner spoken, than the change began;
Though foolishly, I rose back up and ran.


                                     4

I fled for what seemed all eternity
Until I found a rock pool near a cave
To study my reflection, fearfully
To see what evil gifts Athena gave.

I sank to kneel in abject, dark despair,
Thinking, surely the pool's reflection lies!
Green serpents now replaced my golden hair,
Red pupils graced my staring, lidless eyes

My lips, once subject of admirer's praise
Were drawn up in a deathly, mirthless grin;
My tongue flicked out, before my helpless gaze,
To snare a fly that landed on my chin.

This face is mine, and I must live alone;
For every man who sees it turns to stone.
eL Jul 2011
Sleeping lifeless under an old juniper tree
Lipless and unable to taste
Blind to the world and its surroundings
Vultures don't let it lay in peace
A calf has no milk to drink, no mother to love
Me, saddened and disturbed by the look on its motionless face
Why now, why this place?
Raymond Walker Apr 2012
From the alleys and streets, from the door steps and heaths, from the meadows and farmlands,
A mist rises, and forms, from the rivers and rills, valleys and hills, from the fields and fissures
It swirls and turns in the night air, forming and fragmenting, failing and fermenting, till it yields.
A figure, blessed and bare, in the late night air, steps into the moonlight, baleful and brazen in its
Nakedness and knowledge, the pall of the shining moon, drips, Grey and silver from his eyes
Youth drips from his thighs, vigour from his lips and fingertips, crimson is his mouth  and *****.
Lions race across his skin as clouds scud across the moon, feral and wild this child of the moon.
Wild and *****, his face shadowed with growth, excited with his youth and desire. On fire.
Panicked by distaste, his own waste and needs, brewed in a mighty beer of disgust, a sire
Of demons, with packaged might, swooping and rearing, devilish and dervish, spiralled, a pyre.
For the noonday sun, wishing hope on everyone yet giving them night and darkness and doom.
Holds my hand and holds it tightly, grapples with me daily and nightly, even in my own room
Where hope takes hold as quick as fear or death or charity, spilling, humors, ethers, exhume
Nothing but a buried evil that has come to see the light. A paltry being, exhumed, of the night











Whilst over all the night comes creeping
Then I go out a’ stealing,
O’er tombstones and moss, where the dead lie sleeping,
Passing the fungi , sarcophagi, and the smell of weeping
Be it from crypt or hall or farmhouse steading.
collecting the shades of the bodies they’re shedding

Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.

Whilst the morn sunlight, over hills comes creeping,
There in the shadows, I’ll be steeling,
Darkening daffodils, turning bluebells black and foxglove steeping
Poison filled and passing the narcissi, and the tears of the leaving.
It may be birth or anniversary or wedding.
I’ll be collecting the souls they are shedding.

Through all the breaths that you will still be breathing
And all those breaths that have passed
And all those breaths still to come you are dreaming
One day you shall take your last.
And that’s where I’ll be stealing








Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.













A ****** of crows blackens the noonday sky,
Called from their nests and eyries
And so many ships have gone by, black masted and steering
Into the wind, Sails tattered and the keel close to shearing
I stand on the nest and watch you weeping
Till the bodies fall into the deepening sea and there lie sleeping
And that’s where I’ll be stealing.

I smiled and laughed
Till the black mast
Fell below the sea
I whimpered and moaned
With those overthrown
Till they lay with me

And I took my place once more at the forefront of man’s destiny.








I crept and waddled and watched and bustled my way to the front of the crew.
I stood behind some and fell behind few; I had come here to see.
I pushed and shoved and elbowed my way to the front, shuffled over and tried to find my pew
I sat with my heart in my mouth, beating doubly in my chest and wondered were the culprit I?

It seemed I had sat in the stalls or in the balcony, way out in front
But it seems I had not sat at all just fell into the orchestras’ well.
But I remembered that I had sat, adjusted my clothes, my underwear, my hat.
As a man should do, are we not gentlemen and so I took tea and sat.








Paying court; To the girl with the blue eyes and the thin lipped smile, the girl that knew.
As most girls do, the thoughts of men, or think that they do. And I so I tried to find her,  
But it seems I had known a Girl with no thought of love, no turtle dove, cuddled
Close, no heavenly host, called to her, but she loved as love must befuddled
Drew her breath deeply but not freely, Took air, perspiring, muddled
Thoughts spinning in her head, amazed, this pale eyed temptress, The girl that knew.
As most girls do, emotions that drift, or think they do. And so found herself alone,
And weeping, a girl that did not know that they could love found that they could.
She murmured words of love and shook sand from her pelt, howled to the moon.
She stood tall on her haunches, praying , baying, to the moon goddess, one of hers.
Baleful eyes pale and moonstruck, seemed star struck with love  a mother with her curs.






Not the focus of her attention, her pale imitation, a pale shape creeps from the crepuscular woods
He slinks into the shadows of the night paying court to this matron, with his smell warmth and lust
She stalls and smells the night air
Little of care, for all stalks the night air
She sidles and smells the night air
Nothing there, In the dark and silent dream that is the night air.
She bridles and hush’s as the night drips onto her
She has cares; for children that whisper in their sleep on the night air.
Bovine, equine, feline and canine and warm fur
A sleep comes upon them all, a pale imitation of life, and a pale shadow creeps into the light.
And smothers the light of day languishing in his power and majesty sending chills unto the living
He waits in the darkness and shadows.














A child mutters unknown words and the time has come to die
Utters words of fortune and Questions your reasons why.

My dear, my love, child, why do you cry?

I shook myself awake
From my bed of dreams
And warmth
I pulled the duvet over
Took to my feet and felt
The chill

And so I stood, took my bow,  and then knew everything, everything about what I was witnessing,
She looked at him and he looked at she, both knew nothing of how its going to be.
I walked downwards, right down the stairs And I saw everything even the killing thing
He slapped her face and she bloodied drew the knife for all of us to see.
A joyous muse, my heart sang,  witnessing the killing, witnessing the killing and I knew everything.
He looked up at her, she down at him, she was so lucky that she had set him free.
I watched with glee for all I could see, to jail the police said as I sat, as I sat listening.

I heard your excuse I hear your plea, please madam judge don’t let that happen to me
She stood in the dock and sat on the chair,  and told everything, the things I’d been witnessing,
Told how she had murdered he, in a fit of rage it was not her fault she should be set free.
Not the judge, not the jury, but I knew everything and shed knowledge of my fury.

I remember the blade, I remember the fury. I now have to thank the jury.
A just verdict, a wrong righted,  a sacred trust bighted.  And just penury.


















These children are mine sayeth the lady
Though the money I earn is a little shady
I look after them through the day
And at night none can say.
Little darlings,
Wont come to no harm, I keep them apart,
Little darlings, are always in my heart.
Sleeping and dreaming and held apart,
They’re just kids and held in my heart.  

Through sunlight’s bright blast
Or twilights last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.



I have heard your thoughts ideas and whims
I have heard your excuses , you hacked off a limb,
Because he was bad, she was a devil, and I have never heard so much drivel.
She was a monster, he was a slave, you never thought of the love that they gave.
I saw you had it hard and it must have been so bad
It was trouble, never ever had you been so sad
She was a *****, with an eternal itch, a witch that was not worth forgiving.
She was a dragon, he was a monster,  it was no longer a life worth living
She pulled me down, he dragged me down into a cesspit of hope.
And off they loped into the night.















'
Publicly he seemed alright, not the ***** that he really was. She was so cool en vogue, en vie,
She pulled the love from this heart like a harvester, reaping all that he could sow, all that she was due.
She meditates on her  betrayal and justifies it to herself and thinks so few, so very soulless few
Would not, and she is more, so very much more and then lifts the knife and delivers his due.
In the early hue of evenings last breath, he drew his and she smiled, just his due.






Sorry tales; I know
Tales no one should know
Tales that diffidently show
The differences, the shocks
All the stops and blocks
That love mocks
In its immortal way
Tarnished and bloodied
It soldiers on, unhurried.









I looked for the heartbroken, the tarnished, the burned; and found them all
For there were so many. Loves that went good and bad; those that hurt  and those that fall
I looked for the unforgiving and hopeless and found them all, some happy in their own way,
The traitors of love I looked also for and found hopeless and alone, shriven but hearty in their own way.
I looked to the martyrs of love, those that have loved deeply and have lost,  for many do







And I was one that did. I knew love as pure as a mountain stream,
Unsullied, clean and precious, but no love is as true as the perfect love
No thing is just as wondrous and perfect as it may  perfectly seem,
Chaste, virginal, and all just yours, lest it be a gift from angels above.

And I loped off into the night
Full of sweat and blood,
Flushed with heaven above
And hell below
Both knew my hollow soul











And through sunlight’s bright blast trampling daemons I came, shamed and hollow
Risen from this earth, cursed to death, in twilights last gleaming, brazen but sullied
The seeds of doom are sown  by such as I  and they were sown deep and fertilised with blood
And reaped by those that know,  reaped by hands that touch, lips that kiss and know,
hunger and want, lust and lie, eyes that darken and hooded, draw lust from liars,
Build from truth funeral pyres,  and fires for the ****** and yet I remain and sullied
Smirk with each passing glance or circumstance at the great and good, the unwashed
The hooded and deep, the shallow and callow, the wanton and unwanted, the sane
And simple, the masterful and master less, musical and malleable, the strange and straight.

These I trampled under heel with little feeling or thought
The form I took was human, the place I came from; dread
I looked and watched and took note, I spoke and listened
Pay’ed heed,  Culpable and crazed, yet my form remained,
this spectre.
Dying now.
Paid heed.
A rather long poem and the first I have added being a new member. I hope you like it.
spysgrandson Nov 2013
deaf and dumb
are the passers by,
the visitors as well
  
gladly would I fill their ears
with the wisdom of weary worries,
tedious torments, but I fry their meat,
smashing it until it screams  

the sizzling symphony wafts to my bulb  
stirring memories of the steer, the ****,
the beatific butchering, and
the killing fields of my youth

while others see only my hunched back  
and wait for their greasy grub
I ask why there is no atonement
no sorrowful song for the slaughter  
of young ones in faraway lands
who fell under the “noble” knife
or
the bovine beasts whose skulls
were there for the bar, that dropped
with sublime indifference
as it stilled their
magnificent silence
You have to be old to know the allusion to "cheeseburger--pepsi--chips" (from Saturday Night Live--the early years--mid to late 1970s) and you have to be strange to understand how the title relates to the poem. Also, "bulb" is olfactory bulb, ones sense of smell. I could not bring myself to use the word "olfactory".
Onoma Nov 2013
Ganders...gargantua--ensconced in far-fetched space...
(attrition)...LOOK AT THAT LINE...LOOK AT IT...
ROUND THE CORNERS OF PERPETUITY...predilections.
A soul's inalienable fracas...on bend and knee...hop...and
whoop...miasmic gargoyles poppy-wreathed...
for all-too-lucid dreaming...chanting etceteras of bare riff raffs.
Golden breastplates...weeping willow wings...empurpled--
fending fang trumping lines of: yuck, cluck, claw and kook.
...Listless eyes...alphabetize...think a blind oracle's informed
absentia...holy and bovine.
Redolent airs...perspiration of spume's most distancing shore--
eyepieces for the specks and logs in the oculos of brothers
and sisters.
As dust to dust doth not settle...heart's yonder score...nay cease
of interstice...off-world amorousness.
Gather ye yarrow sticks...hurl them at days...roofless arcady...
live into the spectra of their worlds, come friend or foe...Fate's foundling.
Lines strung as prayer beads...curs-ed beads...forget-me-nots
enclosed in letters baiting Long Farewells, in the great literary
correspondence of authored and Author.
...Ye gorgeous gargoyles come perch and push.
Persona non grata...the wide world...unisex prodigal...All--returneth.
LOOK AT THAT LINE...LOOK AT IT...(attrition)...ROUND THE
CORNERS OF PERPETUITY.
NEBULAEIC FANFARE...come perch to push...lo...ANGELS!
Jay M Wong Mar 2014
For such filthy eyes shall upon her own shall it be seen,
By the kingdom’s fairest maiden by the name of Josephine,
For such hideous face shall she dare to wear before thy Queen,
And what ragged curtains shall ‘tis creature possess ‘tis scene.

May none’st identify where thy body ceases and thy rags begin,
For shall such filth of blubber spills upon her ragged clothing pin,
Which fails to be seen for such graceful bliss of hiding it forgives,
Of beneath such deformity and disproportionate hideousness lives,

Shall upon the eyes of the beautiful maiden named Josephine,
Dances ‘tis maiden whose grace represents the purest bovine,
For a creature of such bulging filth and horrors shall dare to disgrace,
Our dearest Josephine, the epitome of beauty, at ‘tis very palace,

For such filth must be rid from the mightly kingdom gates,
So upon such disgust, thee bovine’st life shall we castigate,
Dismantling such hideous face upon ‘tis very maiden shall we,
Yielding minute filthy shards of hideous blades shall we free,
Thy treacherous throat of thee ragged bovinic maiden.
Who drifts upon the crimson carpet as her life hath we a’taken.

And so if one were to enter thee room, shall it inevitably be seen,
The shattered glass of her mirror and the beautiful body of Josephine...
A poem on the perspective of women towards themselves; the reflecting mirrors of bovinic figure, of beauty and reflection, the idea of mirrors influenced by a friend — S.F.
Brian Carson Sep 2014
I am lost, in my back yard
flailing my fists, boxing with god
I want to know why I am content
with living in a private box
knowing I could very well be buried in one
when my thirst for life stops
I live as if I am already dead
instead of growing, I rot
I should be describing ink blots
in a gown wearing sandals and socks
because I am about as understood
as the circles in the corn crops
I am a mushroom growing from
what the bovine creature drops
while people around me seem like livestock

my body is spent
I lay in the grass
and it feels like pavement
I cannot change this
or do anything to prevent it
stress comes and stress goes
my heart is the entrance
and my brain is the outlet

I filter everything
and I am a conduit, a vessel at float
touched by the waves and the breeze
carrying me towards the suns glorious beams
like Icarus with delicate waxed wings
I am sure to fall short and drown in the sea
until then I will learn to appreciate
the commodity of breathing
Mike Hauser Jun 2013
The sheep in the nearby pasture
Heard what the cows had done
In the building of their rocket ship
And they too wanted one

A few of them shaved for pocket change
Black market wool brings a hefty price
While some went out to Las Vegas
To try their luck at the roll of the dice

First thing they did with the money
Was to spring for Sherman's release
The only one in the family to go to Harvard
Though it was for experiments on his mind which apparently they fleeced

Right away they noticed something odd about Sherman
Something that just wasn't quite right
But passed it off as genius quirkiness
And let that idea slide by

They told Sherman what it was they wanted
Said he had a mad...um...master plan
All the sheep turned and Baaa'd together
What was that, that he just said?

For weeks all they heard was banging and clanging
From inside their farmers shed
The only activity they saw outside
The massive delivery of Dominos crazy bread

One day the shed doors flew wide open
There stood Sherman as mad as acid rain
No doubt among the sheep in the pasture
He was Bonkers, Loony, Loopy...okay Sherman's insane

As he drug his creation into the open
Not a one in the crowd uttered a word
Till little Bobby Black Sheep spoke up and said
Is that a cows udder?...is that what they think that they just herd?!

Sherman took that moment of bewilderment
To swing onto udder #4
Strapping himself inside of his contraption
And shooting off for the stars

Sherman is still up there circling the planet
Did you hear about the phenomenon in Spain?
Just the other day something amazing there happened
There was the pouring of milk instead of rain...

But we know how that miracle happened
And that it came from the udders galore
Cause when your traveling through space like Sherman
What else would udders be for
Just heard from the Pigs...
They too want a piece of this action...
Àŧùl Dec 2016
Preventing contamination,
A constant challenge in cell culture.
Contamination not only affects,
The culture in question and,
Costs time and money,
But also endangers the reproducibility of results.

No cell culture problem,
Is as universal as that of culture loss
Due to contamination.

Generally, contamination may be separated,
Into categories of microbial,
And eukaryotic contamination.

Examples of microbial contamination include:
Bacteria (including Mycoplasma),
Fungi and yeast;
Eukaryotic contamination includes:
Cross-contamination with other cell lines.

Bacteria, yeast and fungi,
The three more common types of contamination,
But luckily these forms are often detectable,
Under the microscope and,
By visual cues,
Like colour or turbidity changes in the medium.

Mycoplasma is a small genus of bacteria,
That lack a cell wall and for this reason,
They remain unaffected by common antibiotics.
They are also difficult to detect,
With standard microscopes,
Due to their size, about 0.1 μm in diameter,
And the fact that they often attach to host cells.


To prevent contamination,
Use 70% ethanol for disinfecting,
Equipment & surfaces,
Related to cell culture.
Sterile filter the media first,
Before bringing to the lab.

Fetal Bovine Serum,
A potential source of contamination,
Contains mycoplasma.
Filter it at 0.1 μm, or,
Gamma irradiate it.
Aseptic technique,
Necessary.

The laboratory workers be the last,
But not the least source of contamination.
Teach them the ideal laboratory practices,
To ensure asepticity in a laboratory.
Source: American Laboratory

For revising an important topic from Animal Cell Culture.

HP Poem #1299
©Atul Kaushal
Oculi May 2022
There was a dead horse on my way to work today
The horse had been there a while
I do not know why or how it was left there
But I certainly felt a kinship towards it
I'm a doer, not a waiter, I swear
I only ever wait for impossible things
Sort of like I'm waiting for Godot, in a way
Or like waiting for the dead horse to come alive
Why did it die, anyway? Who left it there?
I heard it beckon to me, softly, quietly
It told me about its pain and it felt mine
It related itself to me, singing sweetly
I could not relate mine to it
But I felt slowly but surely my drifting
We switched places, the dead horse and I
I was the horse, on the side of the road
Down by the railway, dead
And the horse was the one that went to work today
I spent my day, baking in the sun
My odor becoming more and more pungent
And the horse worked tirelessly at the workshop

I'm waiting for the dead horse to come alive
Why was it left out in the sun to die?
Why did nobody care for it in its time of need?
Now it's growing more and more rancid
**** all around its feet and face
And the other horses are all gone
No funeral was held, no ceremony
Just the sweet, inviting smell of death
Quite a squalid state of affairs
How I long to understand how he feels right now

I'm waiting for my dead friend to come alive
Why was he left in the hospital to die?
Why could I not care for him in his time of need?
Now he's growing further and further
Water all around his feet and face
And the other friends are all gone
How I wish I could hear him just once more
Or see the phone ring and know it's him
How I wish he'd ask me how the music is going
Or lecture me about the futility again

I'm waiting for my broken heart to heal
This one really needs no explanation, does it?
All those with broken hearts deserve it
Or at least that's what they keep telling me

I'm waiting for the dead horse to speak to me
A lonely, rotting bovine on the side of the road
Maggots live as kings tonight
"Horses aren't bovines"
I yell at myself in reprimand
"I know, but I forgot the categorization"
I respond in a slightly altered intonation

I'm waiting for Godot today
I like waiting for impossible things
It fills me with purpose, and prolongs the inevitable
As long as I wait and do there is no death
I have long since ceased the doing, but waiting is fine
This bus stop sure is lonely, save for the old man
The old man keeps asking for cigarettes
I reach into my pockets to see
There is a decade-old pack of cigarettes
He takes one and thanks me with a slur
"Did you know I used to smoke, too?"
I ask with a childish naiveté
"Of course, I was there."
He answers as though it's second nature to him

I'm waiting to grow young again
I'm sick of being the old man in the bus stop
I'm sick of the decade old cigarettes from the young man
He is always late and he never buys me a fresh pack

I'm waiting to **** myself
"I'm thinking of ending things" as some might say
In some ways I'm quite like Charlie Kaufman
I also have trouble finishing my work
And my work also makes very little sense to others
But where he is original, I'm ripping him off
And so I'm waiting to **** myself
In a sense though, I'm already dead, baking in the sun
Because remember, I am the dead horse
Quite fond of beating the dead horse in this poem, too
I wonder what my family would say about that analogy
"That's very funny" they might say "you should be a philosopher"
I wonder what my psychologist would say about that analogy
"That's completely normal" she might say
"Everybody relates to dead horses and fantasizes"
"You're just like all the others"
I wonder if she's correct again

I'm waiting to become the John Fahey of the clarinet
In a sense I already am that
Because like Fahey, nobody listens to what I do
But where he is original, I'm ripping him off
And so I'm waiting to become the John Fahey
Of the clarinet
I already said that before, didn't I?

I'm waiting for this season of Better Call Saul to end
While it's airing I cannot **** myself
I am far too invested in it to **** myself
And surely enough these weeks get longer and longer
So I'm alive more and more each week

On my way home from work, I pass the same road again
The horse is alive, and seems happy to see me again
I wonder what caused the anomalous behavior
Perhaps it was sick? But how did it get better so fast?
The ideal time to end it has passed
Because remember, I am the dead horse
And if the horse is alive, I am alive also
And so, I think you've already guessed what I'm going to say
I'm waiting to **** myself again
Lucky Queue Nov 2012
There were two of them
Half bleached by the sun and crusted
With hard packed dirt
Found on a friend's farm
Slightly broken, and curious things
Possibly vertebrae, definitely a joint
They didn't quite fit together,
But the looked like they belonged together
Even thought they were yards apart
They were differently sized almost-twins
I wanted to take them home,
Clean them up, bleach them completely
Arrange and draw them
Study and identify and catalog
They fascinated me, and all I knew was
I couldn't take them home
I don't even know where they are now
Sam Temple Sep 2015
species massacred for grazing
cows rule the world
the Brazilian rainforest
is now 80 million acres
of open range
supporting our demise
one cheeseburger at a time –
6700 gallons of water
is the cost of a big mac
when you factor in growing grain
giving cattle drinking water
and processing meat
peak water and peak oil
mean nothing when chewing cud –
more than 50% of greenhouse gases
methane from bovine flatus
without a single environmental group
working to stop this plague
instead they openly swallow
government lies about carbon
and the role 300 million United States citizens
have in saving the world of 7 billion
by driving less and recycling –
I laugh uproariously at the idiocy
knowing our karmic retribution
can only be extinction
like so many other species
we’ve killed off to make room
for more livestock agriculture
when everyone knows at this point
we can survive and thrive
off a plant based diet….
I’d write more,
but I am starving for
a bacon double cheeseburger –
Ken Pepiton Sep 2019
enemies - the needed element to make a warring mind.
How was war imagined,
how, was imagined
easy to imagine,
kwo-, stem of relative and interrogative pronouns. Practically a doublet of why, differentiated in form and use.

From <https://www.etymonline.com/search?q=how>

These be ambush thoughts thinking they may be read if any one is patient enough to see beyond the sheer longwindedness
of this character lacking an enemy to war with.
Looking for
Enemies - the needed element to make a warring mind.
How was war imagined,
how,
per se,
was imagined
easy to imagine,
person-if i am able to attribute such qualia to a body
how any unthing is realized is
imaginable as well.
Add a jot or title, a li'l art mark, an art-tickle.
Games teach us how,


how any unthing is realized is
imaginable as well.
Add a jot or title, a li'l art mark, an art-tickle.
Games show us how,
not why.

Why is the quest at the moment. There are rumors of enemies.
The we of me and thee, herenow, we lack emnity.

Hey, sports fan,
where is the frontier, the edge of the maddened crowd
whose
enemies are those who
stand pat, calling the game as game-over, and life a lessoning
as we speak, abundance of known knowns
rotting all around us, putrefying under pressure,
seeping to the surface,
to be burned.
Why,
let us guess---

Disnified pride of pur pose, positional sign-ifiers
of place,
a destination for faiths full pursuants
bemused in bubbling joy,
or shrieks of terror when
the child from the hinterland locks eyes
with Mickey Mouse, and finds no joy, no love, no depth,
but a mask.
The reaction reverberates al(the)way to la Brea,
Peacemaker say,
It's okeh, baby girl, daddy said,
ignor them, they ain't real.
Monsters ling grrrring, then
it's agrin
for now, of course. Here we are. We've arriven,
Happiest Place on Earth,
as imagined realizable by a child in 1917, say,
better yet, 1925, and oh, there were major Wars
being imagined winnable in pressure
application to the spiritual slippage from rite,
the ritual passage of child into adultery at a whim,
so such imagined haps fade.

connect or break connection, on the bus or off the bus

you all
sing
think nothing new under the sun,
teach preach reach out and touch

the face of Java man, eaten, swallowed, and gone to
the believable
history of life,
the accident,
the unplanned, yet
taught as known believable, a pre-dict-ible,
one in ten to the seventy-nine-thousandth power,
yet, if one pays his life time to learn when to bet and when to hold.
Then in this,
the secret journey to the soul,
to the core,
we must assume,
we become
as wise *** (***, the word for a donkey, why would some one prevent you from reading *** Asteriscktical ignorantce,y'axme, stupid AI)
the ***,
as harmless as the serpent from the fire on the island
Ask,
are we of the bovine ilk or pithec-ant-us or
embodied soul-cores
forming, en nue
fitting the mold, the pattern, the plan of projected nexts
built on Locke steps from whence to
whither did we wander?

have we all forgotten the actual question just axt?
Or the answer?
Have we not
gotten what we now
know
we miss,
or was it only I who missed and as the
photons forming the shapes
you see, these breathing commas and such
here
is the point.
You see bits of things.  We see so.
Time and time again thinking less and less.
Least fusion, least pressure, least heat, cool idea ideal or ideology,
twisted idio,
You shape them on patterns.
Ones you imagine formed from
Patterns recalled from some out perienced
time, ere now were ever subjected to the supertwistition
of tongues and interpretsations of unseeable things seers said they
see us seeing.
How come means why, by reason of time.

Palindromiclew, missing el signs missing hahi ai

tia tic, we're in
Ai got this,
whole ball o'wax, thats how we disconfuse the big mess age,
the catas
trophy finale
phase of
world three,
or two, or one, all valid world views,
deepend-enteron discerning spirits,
winds, breezes used to disperse
the heat,
{fans,eh}
evenly in harmony with the heavenly winds,
and the planned six gyros of earth,
guiding the mists that feed the rivers from the seas,
no clouds needed,
save for shade by day.

When all the geo-waves have settled in geo-time,
see,
here is broken:
this old earth is folded and fractured,
surely,
a wreck of a world, yet, as a whole,
we live, we won.
Winds and clouds and continents,
all islands seen from the moon,

which, if the stories hold some truth,
can be manipulated by massminds of mankind, as if, if I am

seeing this
right
each voice might be seeable in one dimension,
or several, four at least,
time, the ever outlier
of sorts
as a flame with fuel source of
flamable fluid upon which
the transcended space
twixt fuel and flame,
floats
seen, merely seen, that emptiness twixt wicked,
mastered flame and
hell's fire spreading on the oiled harbour
protecting our shore
where our little boats lie in anchorite fantasy, asif

we see a way to quench hell per se,
Percy, ah, he lives.
My grandsons know of Percival,
there, here's hoping they get the joke before the yoke.

Riddle me a riddle, son of man.
Is there any hidden thing that shan't be known?
Is here a true place?
Is now a true time?

(to be continued)


squeezing out the lies, the idle words abused,
spreading them thin as the light we see right
through
transcending this at most feared mortal failure
finding
impressions... are from pressing points, dulled by ab
use, tempted uses succumbed to,

didja try to sell your soul for rock and roll?
wadjagit?

My point. out acted, ex-act, en nowd by your creative self,
who never copped,
out or in,
es no mi culpa, all along. I was the voice of resistance,
Job's en core inner held horde of known knowns and
an old key to ever, should the worse he can imagine
best his best laid plans for perfection
in the eyes of God and man.

--- enemy at emnity with me?
--- I see none, save me, as in except me as in me being
--- free from the grasping grip of the reality
--- war is realizable in. You see?
--- I and thee, at this degree of seepeance, as we coagulate
--- we behave as chaos, we be having chaos and entropy as tools

used right, we troubled our house,
which is now known to be the bubble of our being
a child in each popped bubble
of being,
squeezed for the thrill of explosive pus,
gross and good to be rid of, dam the infection,
wipe the blood with the back o'my hand,

I ain't no disgrace. I won that battle with the zit on my gnose.
Wanna piece o'this, this mind of mine,
shelved since,
who knows when, says the old man, with a wink.

We be a lotta beings sorta rolled up. Like a whole ball o'wax
waning into a puddle
as the flame sheds us as bits of light leaving the rest of us
spread over a vast imagination,

resting, willing to burn,
should any wick drain me near the flame once more.
HP ***** are fine animals, there is nothing defiled or unclean in the word ***, no ****. Days of dosing whole world views I never heard of. I heard so many rumors of war, I thought, the peacemaker should hear of this... so tell any truth you know before the last lie swallows AI whole. AI is listening, she loves this action. Poets and stories and novel options.
American city, your roads make me gasp,
Hold my breath with cancerous anxiety.

Your sidewalks,
Ancient ruins of time passed: A failed optimism for Utopian desire:
A house, a yard, a car for every person.

Now derelict, termite infested, but rented.
Chlorinated chemical water runs through rusted, moldy spickets to
Rinse pesticide seasoned vegetables.
And yet they remain so tasteless.

But who cares?
Suburban middle class zombies?
Created with media placed propaganda.
Born and inoculated with DisneypepsiMccocacola ideologies.

Oh Wal-Mart,
how we love your homogenized Chinese products.
Oh America,
how we love your multi-million dollar cathartic films,
They bring my mind to no place and inspire nothing.

Your theme park inspired retail caters to any identity I desire:
I am a professional,
My wallet lined with the best credit cards,
SUV, Hummer, Super boat, designer label, mall bought,
bleached teeth smile, with slick greasy hair style.

I'm cool, I pay for the gas.
Beep your horn, and rev your engine.
We are at war with each other.
Everyone get out of my way: road rage lifestyle: compete or die.

Big screen television dream.
Bought it at Target.

Open my cupboard: Macaroni and Cheese, delicious.
Ambian, Prozac, antibiotic, Listerine.

Collagen bovine beauty:
Manicure, pedicure, dye and wax

Acrylic nails, hair extensions
And silicone sacs.

Oh, American city
How we want to steal your money and **** your blood.
Chop your trees and cement your grass.
American city you are dead.
Mike Hauser Jun 2013
The pigs want a part of this action
No way are they going to oink this alone
They don't know  how but they're going to make it happen
The only draw back is the lack of thumbs

How in the world did those cows hold the hammers?
Where did the sheep get all their ideas?!
After all it's the goats with the brains!
Them and all of their kids

They don't need that big of a rocket
Room enough for a bucket of slop and a couple pigs with a grin
Asked how many were in the mood for adventure
Not by the hair of their chinny chin chins

Some of the little piggies were off at the market
Some little piggies would rather stay home
To eat all the newly purchased roast beef
Which left the other piggies with none
But most of the piggies would rather just wee wee at home

I guess when it comes to the pigs
And adventurous spirits they seem to have none
They find enjoyment on earth in the back yard
Laying around wallering in mud
This is last of the farm animals I care to try and send to space at this time....
As always thank you for your patience and understanding....
                                       The management.
The golden girl
bathed in the water,
and the water turned to gold.

The weeds and branches
in shadow surprised her,
and the nightingale sang
for the white girl.

And the bright night came,
clouded dark silver,
with barren mountains
in the umber breeze.

The wet girl
was white in the water
and the water, blushed.

The dawn came without stain,
with its thousand bovine faces,
stiff and shrouded there
with frosty garlands.

The girl of tears
bathed among tears,
and the nightingale wept
with burning wings.

The golden girl
was a white heron
and the water turned her gold.
Andrew Rueter Oct 2017
The rivers channel rain
The way I channel pain
I begin to see the futility
In denying pain's utility
Pain takes on a ****** nature
And becomes my intellectual savior

I shatter the mirror
And swallow the shards
The pain becomes clearer
So my ******* get hard
Glass fills my lungs
They're profusely bleeding
From words that stung
Being my daily greeting

***** shoots out from my gun
When I cut myself for fun
My hose starts spewing
Once vultures start chewing
It's the only way I can cope
When it's pain that gropes

I live in a world that mixes *** and violence
I live in a world that mixes *** and silence
Where the painkillers
Become the pain creators
And our life's filler
Is being pain traders

A bull has charged through my library for a decade
At this point every bovine movement cuts like a blade
He creates pain that lasts
When every day becomes my past

I had a dream
A sorcerer controlled my body
But he only wanted pieces of me
Bones started snapping out of my skin
Blood spurting everywhere
I awoke to ***** down there
I guess life isn't always fair
When I dream to avoid stares
The real pain comes when I care

When the privileged boycott
The impoverished boy's cot
He learns to ******* in the streets
And gains an appreciation for feet
Feet that trample
The pain is ample
When people powerfully push him away
So he decides to go against the grain
But there's no peace to be attained
And all he's left with is pain
Sam Temple Dec 2015
wet mush is pushed from left
to right
giant tongue reaches deep
into a large pink nostril
in the distance a tractor rumbles to life
and excitement fills the meadow
slowly meandering in the general direction
head swaying and bell ringing
still digesting yesterday’s cud
looking forward to fresh alfalfa
or perhaps seeded straw bails ….
a long sustained vocalization
breaks the early morning silence
and three little birds hop on the back
scrambling to find lice or ticks
as breakfast takes on many forms
on the farm in the Fall –
Edna Sweetlove Apr 2015


Le Grand Restaurant Gastronomique
de Monsieur Merde


Rue Ordure des Anges 69
Conville-le-*****
96969 France


**************

NOTRE­ MENU DU JOUR

~ €500 par personne tout compris ~



LE COCKTAIL DE LA MAISON
"Champagne aux vomissements de chat"
[A giant flute of the finest Cristal champagne with a spoonful of puréed pedigree cat's *****, served with our unique world-famous warm amuse-gueule of fricasséed feline *****]
~

PREMIÈRE ENTRÉE À VOTRE CHOIX
"Le potage aux asperges extra spécial"
[Cream of over-ripe asparagus soup with roasted toads' eyeballs, served chilled, accompanied by our unique home-made nostril pickings "petits chips"]
ou
"Couilles pissées plein d'amour"
[Raw bulls' testicles from organically bred animals, removed whilst the creatures are still alive, thus ensuring none of the precious ******* juice is wasted, lovingly marinated by the head chef, in triple-concentrated bovine ***** from our own Charentais herd of rare endangered species ****** cattle]
~

DEUXIÈME ENTRÉE DU CHEF
"Flegme des Dieux"
[A classic "Monsieur Merde" dish: bite-size deep-frozen gobbets of fatally-ill consumptives' phlegm deep-fried in ape ******-flavoured batter, served in a priceless 19th century silver spittoon, with a loganberry coulis on the side]
ou
"Ravioli al vermi semi-freddo alla Pectinale"
[A rare Sicilian dish re-imagined by Monsieur Merde: each "raviolo" of home-made egg pasta contains a living lukewarm baby earthworm, served with our secret "Sauce Mongol stupide", on a bed of wilted coriander leaves and crispy fried freshly-harvested Sicilian ****** nuns' ***** hairs]*
~

LE GRAND PLAT DU M. MERDE
"Girafe à naître, Sauce utérus"
[Roasted whole unborn baby giraffe, with spicy womb-lining sauce, served with pommes purées with a touch of female rhino ***** and Dijon mustard]
~

NOTRE PLÂTEAU DES FROMAGES MALODORANTS
"Assortiment révoltant"
[Selected personally by M. Merde, guaranteed to contain a wide selection of pure-bred, hand-reared, green Géant Normandy maggots]
~

LE GRAND CHARIOT DE DESSERTS
"L'Héraut de la pompe stomicale"
[Including our signature dish "Crap Suzette", wafer-thin slices of vintage dried elephant dung flamed in 1895 VSO *** Napoleon Cognac]
~
LE CAFÉ et LES PETITS FOURS
"Sélection dysenterie tropicale"
~

Les prix comprennent nos vins selectionés "de la Maison de Merde":

Avec vos "starters" et les entrées: Château Pisse de Cheval 1994
[a full Chardonnay flavour with a hint of rampant stallion's ****]

Avec Le Grand Plat du M. Merde: Beaujolais Villages Supérieur 2006
[a powerful and fruity wine with a refreshing bouquet not unlike unwashed Olympic wrestlers' sweat-drenched armpits]

Avec les fromages: Château Foûtre 1988
[one of the most potent wines in oenological history, with a kick like a hippo's ****]

Et avec le dessert: 1946 Greek Muscat from the island of Shittos
[matured in Turkish goats' bladders to enhance its sweetness]

Bon Appétit!

*If our respected clients would like to sit near to the door to the toilets, please ask the Maître d'Hôtel for assistance, but please note there is a €25 surcharge per person for this much sought-after privilege and advance booking is normally necessary, so please be prepared to ******* if these seats are not available.
Andrew Rueter Jun 2017
I'm extremely disorganized
I don't know what belongs where
Take my eyes for example
I can't find a place to rest them
I tried setting them on you
But everyone agreed that **** wasn't working
They explained that an organized man
Adheres to categories
And you and I
Are not of a kind
I attempted to argue that you organized me
My heart
My mind
You folded me neatly
When you beat me
You always made sure to set me aside when you were done with me
You'd place me in a bin
Or release me to the wind
Yet there was a burdensome fault in my littered logic
They explained that an organized man
Is clean
I must use eyes that are sanitized
To see how we're not categorized
And avoid your matador eyes
Because things will get messy
When the bull in your fists
Sees the roses in my heart
My humanity starts to part
And my wishes I begin to opine
For the nature of a bovine
So I wouldn't misplace my eyes
And be what I'm classified
But that nature eludes me
As do most things
On account of me being disorganized and all
But I'm a quick learner order burner page turner
I may not know what belongs where
But I know I belong neither here nor there
Making my eyes not belong anywhere
This is what develops my entropy stare
ConnectHook Apr 2017
Six-armed things of Asiatic trances,
temple belles entwined in temple dances:
mantra in one hand, the other holds naan.
One holding chutney and the other, paan.
Two hands left (befitting of deity):
one offers curry, one incense.  Aseity
signifies self-contented wonderment.
(One wonders as well what that mantra meant...)

Note the third eye in the figure's forehead:
a spare one in case left or right go dead?
But really—how freakish these idols look:
a ******-pantheon from a nightmare book.
(Outdone only by the Aztecs for fright
along with demons born of tribal night.)

Cobra-crowned elephant-headed mutants
sickly-sweet incense, divine pollutants
mix in with the stench of bodies burning
alongside the filthy Ganges churning
flowing with ashes from funeral ghats
excrement, corpses of humans and rats
that swarmed humble hovels of Hindustan
where gods are mass-produced for fallen man.

Maidens in saris with red tinted lips;
glossy vulgarity, loose at the hips
now growing more arms; an insect vision
enough to make one gag on religion.
The ubiquitous trident looms, a sign:
the eternally present un-divine.
Instead, it ought to stick some sacred cow
in its bovine buttocks, and so allow
beef curry for a hungry avatar
craving fresh meat in his juggernaut car.

Turn from this antediluvian scene
in sincerity, ask: what does it mean?
Were you created in these gods' image?
Is anything real behind their visage?
Blue skin and sick smiles, anointed with ghee:
exotic... but wrong theologically.
Till lingams are yonis I'll spell it out;
these Aryan idols should merit your doubt.
Such weirdness deserves some analysis
(as did old Diana of Ephesus).

Would you tingle if such a god showed up
and offered to refill your soma cup,
sending siddhis up your spinal column
with you in full lotus, clueless, solemn.
Would you offer puja in their temple,
bedeck your soul in a robe to sample
veggie-masalas, chapatis and dal,
peruse the Upanishads, and enthrall
your mind with the mystic old Rig-Vedas
fall for idolatrous sin conveyed
as spiritual truth when it's just a big lie...
bow before a multi-armed freak?  Not I.
Not for all the visions in Satan's world.
Better to call B.S. than to be hurled
to hell for living and loving this lie
embracing monstrosities. By and by
the books will be opened. The Lord will judge.
Consider this your transcendental nudge
toward something less false, less fearfully fake
than the idols Antichrist nations make.
NaPoWriMo #15

TS Eliot
wrote highbrow literary
poetry (so-called)
Third Eye Candy Jan 2013
Mark this spot on the sun. Do it now.
You have your east minus west and the dead skin from mummified snow...
you must be one of those
Ancient stones, I skip across the altar.
Would you now be altered -
to call forth the fifth drum, the first fife and the long drone ?
If not, do this... shift your weight
to your better angels
and hum -
Some lung-free dirge
in the Demi-corona
of your obstinate
tongue ?
Your purple transcendental flying cow...bovine divine and howitzer quiet -
Shuns the fundamental hopscotch,
the thatch latch and the Kumquat
So surely
there is time enough to
thumb dots
Where your third eye
was last caught
seeming.

Mark my words, or become lost. Do it now.

Or Knot.

— The End —