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Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Terry O'Leary May 2013
AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores
PROMETHEUS (alone)

O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,--
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day's woe and the coming morrow's
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul--and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule's brim, and manward sent
Art's mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, 'neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain--
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings--
And all life that approaches I wait for in fear.
Stanley Wilkin Jan 2016
Into the crimson surfeit
lust enters
a burst of borrowed intimacy
until the blanching rust
of familiarity
slows the soft flow of love.

into all lust enters
dying with the first light...............
Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.

On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller's joy beguiles in autumn
Hearts that have lost their own.

On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;
Or beeches strip in storms for winter
And stain the wind with leaves.

Posses, as I possessed a season,
The countries I resign,
Where over elmy plains the highway
Would mount the hills and shine,
And full of shade the pillared forest
Would murmur and be mine.

For nature, heartless, witless nature,
Will neither care nor know
What stranger's feet may find the meadow
And trespass there and go,
Nor ask amid the dews of morning
If they are mine or no.
I tell you hopeless grief is passionless,
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God’s throne in loud access
Of shrieking and reproach. Full desertness
In souls, as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute heavens. Deep-hearted man, express
Grief for thy dead in silence like to death—
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet;
If it could weep, it could arise and go.
refresh mesh May 2015
my story starts in North Carolina morning at 5:32
where I was excavated from my mother's womb
2 weeks past due
and immediately taken to an emergency room
because of a minor disfigurement called
ulnar polydactyly
where they laid me down and cut flesh & bone away

value your days and spin on a tire
at the bottom of a tree, twist the rope.
cut away any fray and pickle your desire
it's not a noose, it's not your hope.

i was born differently than peaks explained
i was told medical bills were a blessing obtained
so that my fingers would not continue to grow
so that fortunately, none of us will ever know
where those bitty bits would want to go
where would I go?
if I hadn't been bound
by what I hadn't contained?

how do parents agree to cosmetic surgery on their newborns?

don't they feel sick?

when my mother explained why i had these scars
She didn't ask how they felt on my hands.
and when my father kissed the bumps crunched on cars
He insisted that I had intact, normal, nerve strands.
But I could feel phantom fingers
and devil horns

don't they feel sick?

now I spend every day
chewing all the rest away
Now I count months and men
Men, who will cut their brood out of their only mate
to slice off any disfigurements and hold its jaw in place
then ball those hands in fists so her fingers can rest in peace

please
Listen when I ask for help
don't Give up on my body, just
cut the hearts of those playing God, for
anything Or anyone can happen to a newborn child, or
else, not again, it's
off, not again, not
today, not again.

I'm 6 years old, alone and terribly
glad to be awake
free of the villain that I’d been
free to make
Chunky animated evil clouds and monsters
with human names
mistrusting my family from the
earliest days
imagining my parents were zipped up
in skin resembling mine
their starchy air force uniforms
finding me everytime
Then my baby brother was on time, cooked just right,
born perfectly
When I found out about his circumcision I stopped
feeling sisterly

Why were my sweet, placid parents so surprised by us?
Keeping their secrets and distance from us.
Give us the answers, show us history!
why take me to Sunday School if you
won't sit through all of it with me?

there is nothing more disturbing than weekly church hopping.
there is so much to fear if we do not plan on ever stopping.
when I look for friends
i do so excitedly
looking for their ailments
and finger ******.
wondering who else
is in horror
of their size,
of their capacity.

"Look at these baby spiders in our garden,
Look, momma. They're so tiny.
The pumpkin nearly squished-
There's a centipede!" I'd be whining.
But, oh,
It's gross. I hear "eww" and "oh my god" and
"throw it away, bugs belong outside!"
I can do that. We all belong outside. I can do that.

From Santa Monica to Rapid City
I turned 8 and avoided depression
I plagued every single bookstore with
my ridiculous obsession:
ecology
Tornadoes, forests, food chains and chemistry
already fascinated me

I loved that;
the atmosphere of creation.
Shapes alive
with Movement and
centrifugal Force,
stopping motion, Pressure,
inertia and Speed.

I studied
legs. I watched the
long propelling jumpers, the
tool-like structures, of
insect tarsal claws, and
the spurs like knives.

Then aquatic mammals came to me
Where I first learned about ***:
the whale's hip bone, a mystery.
To the history of earth, it was
Big males, powerful females.
and evolution seemed to be the cause.

Then arboreal anthropods,
Where I first asked about distribution,
toes and fingers,
and counted
on hand
the numbers
and suddenly
deplored extinction.

It was a hot knife in my belly that never went away
I want to ask their god all the questions that besot me
why did they agree (twice!) to cut away that which is not rotting?
If DNA is best selected among genetic diversity, why must we all look and feel the same?
Blanching at any difference, hating on new names.

is it such a disaster
to expect variation from your master?
why are 2 extra phalanges
such ******* calamities?
Why do we observe differences
as an excuse to mutilate newborn babies?
Americans slice ******* off intact baby boys
Americans slice ******* off intact baby boys

A doctor deemed my extensions useless
but left me my brain and heart
which began to terrorize me
from the very simple start

I dreamed of all of us:
scary islands with giant magical
flowering
who was poisonous
to the population of anyone and
anything
who was dangerous
printing off the battle plan which was
escaping
Yes, I dreamed of all of us
Where is my gold star and my participation trophy
Mirlotta Dec 2014
The woman holds a letter
crumpled and crumbling at the tip like insanity taking its first few licks at calm
and liking it
brushing black-inked words beneath her fingers
like she's contemplating some black haired deed
like anger
or hate
or ******
and maybe she is.

The woman lifts her hands unto the skies
crying for help from a darkness that won't help her at all
but she wants it
banishing her innocence and taking up home
in the old, abandoned shack of spite and malice
wanting blood
wanting love
wanting power
but not just for her.

The woman meets her husband
taunting and teasing and twisting his words into a sadistic mockery of what they were
and he believes her
with a slap across morality he agrees with her
takes her outstretched hand to show that
jealousy is married
determination binds
it was his idea first
and weakness is sin.

The woman turns and faints
blanching so white it's like the evil wasn't ever there
it's hiding
waiting, longing to consume her whole
she'd thought she'd washed away the deed
with just
a little
spot of
water.

The woman enters the banquet hall
hanging off her husband's arm like the weight of the crime that holds her down
she's shaking
trying to hurl off all the lonely isolation
as her husband lo and talks to ghosts
and kills
not just
men but
her as well.

The woman walks and talks asleep
scratches skin and tries to scrub away the sticking-plaster guilt
but still it stays
forces of darkness she invited
staying long past their welcome and
not just
eating all
the food
but her as well.

The woman recognises blood
splattering the deceased's names across her arms in swirling crimson lines like marker pen
that won't wash off
maybe she'd be better off dead than praying
wishing she could drown her err
in just
a little
spot of
water.
Nirali Shah Mar 2014
Amongst an array of dusty old recipe books
And a micellany of utensils
Stood a thin silhouette
Of the Sleepy Old Man.

Conducting a show
Of his culinary orchestra
Stirring,Blanching
Baking,Frying
Seasoning and Tasting
With that grace
Like a ballerina
Dancing
As he prepares the glaze.

He packs the orders
Takes another 10
And tosses a biscuit to a dog.
Writes a message
At the back of the bill
While drinking Chocolate Eggnog

A smile
Always a smile
He wears as his armour
Leading
A Red Army
Delivering not only food
But also a message to mankind
Feeding not only their mouths
But also their mind.
March 29,2014.
This poem is inspired by a restaurant owner,who's old and very kind.
He feeds dogs around his shop and also happens to deliver on his own.At times he writes small messages and sends along with the food.
How cool is that!
Debra A Baugh Feb 2013
even from afar I could feel

his eyes on me; he seem

to mouth, come love let

me breathe my essence

between your lips;

allow my effluvium

to fill you with my misty

enchantment inhaling

my sweet aroma as it

floats from the snowcaps

of yesteryear so, I can melt

between fertile breast;

branching out stem to stem

affecting every capillary upon

entrance to your portal; I take

a double take blanching from

his stare, I cover my olfactory

senses; masking disdain

with every whiff of assault;

letting him know my lungs

are clearly off limits
this is related to a contest regarding cigarettes
a snow falls upon us
blanching our being
in throes of starkness

silently we shiver
as crystallized tears
slice our eyes

icicles of
random fate
pierce our
hearts
shredding
the last strongholds
of youth blessed hope
draining reservoirs
of love into tepid
pools of blood
growing at our feet

our prayers fail
to keep the deadly
blizzards at bay
bearing this days
daily pestilence
ravaging the
fragile semblance
of our crumbling
humanity

what winds
bring this snow?

these terrible
clouds descending
upon us

drowns us in groaning
waves of desolation
with such startling
finality

for the children, teachers, parents and community of Newtown CT
Music Selection: Prokofiev, Peter and the Wolf

jbm
12/14/12
Savannah, GA
South City Lady Feb 2021
pain is temporary
still I crave its fuel
feeding hunger, burning
through darkness,
wafer moon teases
naked trees
blanching sleek limbs
running away
from desperate crowds
that sting my senses,
from curses singeing
midnight nerves,
I am
a warrior
in No Man's Land
Fey Sep 2020
I am a dream dancer.
My strings are taut
over the vaults of the sky so soft.
Like a quiet muse I hear
the silent night breaking in.
Like marble, strands of clouds shine brightly,
in shades of rosé and nacre here,
those anxious sounds are getting lost,
now blanching in rust  and debris near.

I am a dream dancer,
staggeringly floating in the sea of the world,
wobbling and falling on thin ropes,
spoiled in nothingness and oh so empty,
despicably holding the here in fear.

I am a dream dancer.
And I fall
As an eternal bliss truant
To the ground.

© fey (28/12/17)
Onoma Oct 2013
...With much ancestral barking, and
loaded quieting, the ghosts sat down
to paint.
Color renounced the spectrum...
blanching their translucent shrouds
as the firmament flailed maniacally,
bludgeoning the telltale signs of lives
painted by number.
A fractal engorged upon itself...the
ghosts foisted their vision.
As refracted tunnel lights upon the
cyclopic eye of a subway train...from
front to rear.
Went through both ends of The Tunnel,
broad daylight...broadening, and
broadening--till the ghosts sat down to
paint...tethered color snapped loose.
Jim Hill Feb 2017
High upon a basalt cliff,
carpeted round with lily fields
and blanching poppys' lips,
high upon a basalt throne,
Persephone sits.

Frail as lily wands,
lithe as Syrinx songs upon a reed.

And there, below,
grim Sisyphus,
and there the Centaur-sire
spins upon a wheel of fire.

And there, Tantalus sits grinning
mumbling prayers of sin and sinning,
hunkered down to steal the peach
which quickly leaps beyond his reach.

Or there, a hundred weary sisters
with a hundred leaking jugs
and a cistern dry as bone.

High upon the basalt cliff,
still as infant breath upon the air,
Persphone, sits and stares.
1983-1986
The typical person—
Strives to become better and good
Will always see that they have some advantage in the matter
Enjoys art, in some form (the species-specific expression of humanity)
Seeks comfort, and pleasure in its way,
Seeks love, a bare necessity for flourishing survival
Gives love, by instinct, causation, or personal values
Would give much to have the answers to everything and all
Still, in the exhaustion of panic unearthed,
Constricted chest muscles, proverbial blanching ache
And anguishing doubt
Just them same—
We will only partake
In beliefs without pain
Bryan Gewickey Apr 2013
Calm clam
                       I command you
                                                               DANCE,
                                                for all the world is shivering
                                                       and your foot
is a fire
                                                     a-tingle
with wood and
                                   what some say sorcery
                                         others say forgiveness
                                            and Blood like mine
                                          is far from wine,
but made for blanching
                                                    snow, - -
to fall
                     deep
-lee
                             into ropes,
oh       stretching
                                                                         cords wrapped deepened
                                                                from my lungs,
                                                              all my organs build a latch,
                                                             a gate, a sink,
                                                        a house,
                                                                        a humble mansion
  for a crumble-man:sinned
and
                 tor
che
                             d///     to spirits
                                                              of
                                                                     a
                                                                          liquor.
                                                  To build again a fire,
                                                    not flames,
                                                       but a W(Holy)
                                     consumption,
                         "I am not dead yet", but once soon I will.
Was it a divine sign amongst the creation –
A revelation so lightsome and pregnant –
That a blanching feather’s unforeseen descent  
Made my poetic soul blench for evocation?

Surely, t’was from some celestial spheres, –
Angelic wings of cherubs and seraphim –
So long been soaking in firmamental affairs
That human mental senses but morphine.

A feather if eatable, a matter of addiction –
Plucking and plucking without satiety –
If been drinkable, a matter of intoxication
Leading humans into ever inebriety.

                               ---

O’ glorious feathers who hover with mystery –  
Over skyey dreams and unearthly visions –
Which land on the earth with vice and misery,
Lending the haver only vain aspirations.

O’ one-time ornaments of the seven heavens –
Brightness and whiteness of all times –
Have you no shame on the dirt of your pens
Writing worldly prose and heretic rhymes?
By-the-way, your heaven is no heaven but a sky –

As well as not every brightening is holy –
Just as Icarus has fallen from and by your high
As others are mystified by your fake glory.

                               ---

Whether art thou the sinister poker of Iblis –
Leading by a dancing feather in the hand –
Human arts like the one that let fall Ibn Idris
Calling with fair words to the Fallen’s land?

Whether divine inspirations in form of an aura –
Blown on the poor’s brow as enlightenment –
Art thou as the freshening science of soul and soma
Kindling the minds’ muscles as a tea of mint?

Oh, Only God knows of Ma’at’s Hall of gloom –  
If one’s deeds worth a feather morrow –
So, I seek only Deus’ forgiving, life-giving plume
To pardon my feather on the mortal pillow.
Published in Magnum Opus - Universal Oneness 2019, New Delhi

08.04.2018, Algeria
Mia Mehnaz Mar 2019
There was one one question, that would not leave my side.
As though when you left me, you gave me this question,
And with it you wanted me to flourish and to grow
But instead, with the weight of this question
I am drowning
Breathing self-doubt,
Inhaling self-loathing,
Exhaling fumes of venomous disappointment.
“Who am I now?”
It plays and plays and plays in my head,
A broken record,
An anthem of ugly truth.
“Who am I now?”
It lives in my shadows,
Stalking me at day,
And it fuels itself with my sleep,
Plaguing my nights.
This burden of a question,
Yet sickeningly,
It is where I find solace.
“Who am I now?”

I could be like her,
Kind, compassionate,
Charismatic and defiant.
I could.
Yet I can't.
“Who am I now?”
Because I am all but what she was,
I have this awful habit you see,
Of making every aspect of me,
A colossal- unmistakable- dissappointment.

There was one one question, that would not leave my side.
As though when you left me, you gave me this question,
And with it you wanted me to flourish and to grow
But instead, with the weight of this question
I am drowning.

Blanching,
at how I **** everything up.
I should be better,
I must be.
But in my wake,
In the wake of your death,
All that remains is chaos.
Carnage.
Anarchy.
Inside,
All is lost,
There is no hope.
I have no hope.

My mind is a map that's been
Scribbled over by a child,
With a black crayon-
No. Charcoal.
Everything I saw to be my future
And the happiness of the past
Is going up in flames,
Roaring flames of burning sunset
And I am sat by the fire
Warming my icy fingers,
The blood drained from each one-
And I watch my life go up in a hazy smoke of blackness
Why?
At least now,
I can bask in the glory,
In the self-doubt.
I don't know who I am.
I don't know who I am.

I want to make you proud.
I want to stop,
Stop hurting,
And still-
I will not let the pain go. In the pain lives,
Your truest memories,
Your purest form.
I will not let go,
I promise.
This **** question,
Will not let me go.
“Who am I now?”

Inside all is lost.
I am groping and grasping,
Clasping and scratching,
At thin air,
Making a humourous, feeble attempt,
At finding,
Peace. Maybe?
Real happiness.
My hands turn up empty,
Tired of trying so hard,
To just be alright.
It's alright.
The happiness stays
At a safe distance
Knowing if it comes too near,
I will pounce.
And I will crush it in my palm,
Because a voice inside screams
I don't deserve it
And I listen
Drunk on painting myself to be,
A colossal- unmistakable- dissappointment.

“Who am I now?”
I know,
I know now.

My mind is a map that's been
Scribbled over by a child,
With a black crayon-
No. Charcoal.
I am the child.
I am the charcoal,
I am the fire,
That is devouring everything I love,
And that includes my sanity,

I am she,
Who pulls the first brick in the wall,
The wall labelled me,
Watching myself crumble,
Basking in the anguish-
I am she.
The enemy avowed,
The snatcher of my peace.
I know who I am now,
I know,
I know.
I think this reflects the confusion aspect of my journey through grief, and how it has been damaging
Olivia Kent Jul 2016
As if  pair of faded curtains my life draws to it's end.
Hopefully not too soon, I guess.
Bearing the wind through the overt windows
Teased by blanching sunlight,
Ripped by pulling fingers.
Dated tassels hung from saggy hems.
Wrinkled, in need of ironing.
Life is but one pressing engagement, leading to another.
Long fringe dresses my brow line,
Curtains that inhibit future vision.
Time for a hair cut perhaps.
Lighten the load.
(C) LIVVI
My retinas severed one weary, darkened night,
I could no longer stand in my own fright,
My cuticles lost to some melancholy lore
Flipping through pages I used to adore,
The blanching of the atoms, each and every cell within,
I could not hope to pursue what lies therein,
Some weakened, hollow shell of the man I used to be,
I would keep looking for you,
But, alas, I cannot see.
I once thought that my mind would eat itself,
Every forlorn synapse, fighting amongst themselves,
When the doubt came clouded, and my head gave in to rot,
The rain became too crowded, each drop is what I sought,
The creation of this December, so cold and without morn,
Gave birth to iced embers somewhere inside to scorn,
I personified malice and yet still my hatred grew,
All but one living thing I wanted to undo,
I wanted you to see me at my most evil worst,
I wanted you to breathe my name as curse,
But now that I have seceded to the inner most retainer,
I see how worthless the person is your body keeps contained here,
Your **** heart locks love like loose lace,
Spilled wind chills fill your killed embrace,
The frail, pale gales pierce your assailed bones,
As your ****-shining ship sinks, think of home.
Donall Dempsey Aug 2017
ONE SMALL STEP

The moon delights
in its shadow play

wantonly displays herself
now coyly hides

behind the flimsiest of clouds
making light of dark...dark light.

Teases
our senses

acts out
our romantic notions

as if a poet
had hung her there

suspended in time
and thought

created only of words
& our desires

this orb
an actor

in our play
THE ART OF LOVE.

She belongs
in songs

exclusively the month
of June

a banal rhyme.

Here
on our honeymoon

men walk
across her face

bringing her back
to reality

as if she had gone
insane

believing she was
a poet’s plaything.

Blanching now the wood:
“I have also relied on the kindness of poets!”

All her reflected glory
lost

amongst dust and rocks
little steps and giant steps.

Was it just a tale
I heard told

of Persian storytellers
suing NASA

for spoiling how
she should be seen?

Behold!

Bold as a newly minted
wife

I unbind the moon
set her loose

let her run free
again in the wilderness

of
imaginations

free from scientific
discourse

as I dance with
my newly acquired husband.

A mariachi band plays
MOONLIGHT SERENADE

in our chiaroscuro
of love

the moon
smiling down on

our dreams
( our dreams ).
OBSCURANTISM

PRONUNCIATION:
(uhb-SKYOOR-uhn-tiz-uhm, ob-skyoo-RAN-tiz-uhm)

MEANING:

noun:

1. Opposition to the spread of knowledge.
2. Being deliberately vague or obscure; also a style in art and literature.

ETYMOLOGY:

From Latin obscurare (to make dark).
Annalise Dec 2020
I am a little too alone.
I feel breath on my neck, maybe grateful for the force of his hand around my arm, Because I am lost but he knows where to go.
We’re tucked away, it’s quiet in the pink, pink in my eyes, it’s all pink, black.
Hand still around my arm, tighter this time. Now I’m spinning.
Can someone help me stop spinning?
His body forces mine against rocks, blanching the delicate skin on my back.
I watch the crimson trickle slowly down my thigh and onto his hand.
His raging breath dances out and is caught in my hair.
It smells like cigarettes.
I’m shaking from the chill
He doesn’t like that. Twist harder. Hit. Hit.
My tongue is met with rusty sweat as his hand covers my face.
He can’t look at my face.
His fingers press deeply into my chest, squeeze.
Smells like cigarettes, his teeth meet my neck.
Nimble fingers paint my skin pink, red, purple.
As my eyes submit and drop closed I tear away from his grip in the pink and black.
But my limbs are sand, at once heavy and delicate,
As though a breeze might send me crumbling. I’m trying not to crumble.
And as my eyelids flutter his body is still tangled in mine
My body sparkles with pink, red, purple, more vibrant with each parched breath.
Am I crying out?
Tastes like cigarettes.
I’ve never had a cigarette.
My chest bubbles with panic so turbulent it courses through my body like
A wave, he crashes into me, neck damp as his trials have spent him.
He pulls away from me, his hands tighter around my thighs
My pillars of sand give way and send me to the ground
I wrench my eyes up towards the pink light and find his instead,
Weak blue moons that glow without feeling.
He reaches down and shoves my face into the concrete,
He doesn’t want to see it, varnished with hot tears.
Outside the pink and black it is still too loud.
Pink and red, and purple and blue perfect hands on my legs, arms, face.
My sand-filled limbs carry me to the street and into a cab.
The driver's eyes search my own and then drop, ashamed.
He says nothing.
TW! - implied ****** assault
Evan Stephens Oct 2023
Someone I could kiss
Has left his, her
             tracks
             A memory
            Heavy as winter breathing
            in the snow

-Elise Cowen


A white cloud caul brooms back
from the blue jeans baby above,

& a lemon blotch veil settles
over a moss-pocked branch facet.

Slow and chilly the afternoon
peels into memory fingers -

pleasant and strange, like sugar
stuck under the tongue.

I audit odd thoughts:
ephemeral *** reflections

are gauzy in the middle distance,
trapped in a basin of lost things;

grief is colossal, a leviathan
washed in from yesterday

to blight the snubbed beach slant.
In between are a thousand thousand

blacknesses between starry points...
Speckled with desire, I am witness:

the blanching cloud caul is broken
& a day-head blooms from a glass.
TJ Struska Mar 2020
The yellow stained blinds
Lead to the alley with no breeze. As I watch hookers,
Predictors, victims,
And the other lost cling
To railings drinking what they have.

The women are once again
Ready to feel the pulse of the bar, bleeding red and purple,
The back door open To the swelter. Bob Segar And Stevie
Nicks, Pasty Cline and Elvis.
I laid above the heat blanching the small window with the yellow blinds,
Beautiful and ******.

I stiffed what I could on the rent, pawned what I could,
Cigarettes and coffee,
A piece of toast,
The only meal for the day.
Sometimes a sandwich or a Hostess pie. A burger after
Two days hunger tasted like
Heaven on Earth.

Sometimes running out of smokes, you search the ground for half smoked butts,
Coming up empty.
No soup kitchen where you lived. Survival of the fittest friend.

And I let my poison arrow fly,
Finding it's trajectory through juke joints With women and music.
You lean into the bar, and the
Glint of the mirror provides the harsh ambiance to the racket inside the Black Rail Lounge.

You rode its tide to the one room above with the yellow stained blinds soured by
Still air and stale clothing.
And the small window let's
In yellow light and little air.

And you must rise this day
And go to work.
But you cannot rise from the bed. You can only groan
As the room spins, and shut
Your eyes to the bloated morning, with hot plates and coughs from other roomers down the darkened hall.
And the Black Rail beneath
With Janis Joplin and Fleetwood Mac, and the steady beat lulls you insane.
And you cannot rise to the task at hand.

But you must.

Marshalling your forces to
The bus and the El down
The ghetto streets of Chicago.
Past tenements and junkyards, hock shops and winos taverns, where you made rubber plates for box stamping. And the winos And barflies line the taverns along Skid Row. Mostly black,
All poor.
Beautiful and ******.

And the hand of God reached down touching my ravaged soul.
Lifting me in Love.
Beyond the Black Rail and the one room. I've since drank an ale on this first night of vacation, watching
The nightfall to sounds in the meadow, As the first firefly
Lights my Window in a time of Passion and Passing
This poem was difficult to share.
It was a deeply tragic time of my life. But the God I love saw to it I didn't stay there. O am thankful for every moment of life...TJ
a house without gossips nor gonifs with the missus

Maybe a pair of stray eyes
will alight on my post
might subsequently manifest destiny
as a positive force
to help me secure
a moderately roomy dwelling place
whereby we hang figurative hats
(the writer of these words,
and his partner in rhyme - ha),
would feel ever so grateful
carriage house, domicile,
pied-à-terre, et cetera

to till and sow the land,
(a manageable sized garden patch)
harvesting the fruits and vegetables
blanching, canning, pickling,
preserving, et cetera
experiencing collective soulful
labor of love
witnessing a bumper crop
(of so called weeds - ha again)
sharing with family and friends
that which gets produced
videre licet sweat of our brow.

After moving out
from 324 Level Road
(after overstaying welcome, -
and wearing out welcome mat
which parents of mine made
quite evidently clear
as their second born and singular son
struggled acquiring
and maintaining gainful employment
as well as hopscotching
from one college/university o another
plus qualifying to get enrolled
into various and sundry
county training programs.

After the then girlfriend (eventual wife)
blithely forewent using birth control,
no surprise when she
discovered herself with child,
which expedited shotgun wedding
and necessitated us
to seek out accommodations,
which we luckily
found in Hatfield, Pennsylvania
only to quickly discover
the presence of water bugs
that did congregate underneath the sink.

Though yours truly rented
that first said apartment
than when lease did NOT get renewed,
a few other different units
within southeastern
Montgomery County, Pennsylvania
throughout livingsocial
on this oblate spheroid
threescore and five orbitz
around the sun,

nevertheless a homing instinct
wired into these lovely bones, who recalls
with fond memories the residence,
where this sexagenarian spent
his growing up years
(long since razed
and replaced with vinyl city -
cookie cutter place of residence courtesy
Gambone brother building contractors.

An electronic SOS broadcast
on a wing and a prayer
if for no other reason
than to offer a doodling yankee
the pleasure to craft
a wish upon a star poem
but stark realization
raises an ugly head
reminding self proclaimed
(Shakespearean scribe - ha a third time)

hemmed in courtesy
severely pinched financial circumstances
in tandem whereby sole income,
and affordability to move into
other than low rural development
low-income housing facility and most likely
(bereft of life insurance)
unwittingly saddled
with fees associated with cremation,
the least costly to wallet and environment.

— The End —