The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night

#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.

#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?

#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.

There castles fair as a moon of June
Despite denizens 'neath a pit of despair
Like a night lit not by stars or moon.
Sweet is the silent whispers of a zephyr
When falls dew at the peep of dawn
Upon meadow boughs of emerald fair.

When heaven's ever fair golden eye
Doth sprinkle her very last fiery ray
To pave way unto maidens of the sky
That evermore bedeck heaven's bay,
In woods strange lonely things dost cry
In lament of the sweet melted olden day

Now 'neath the vale of time: In fairyland,
Where days once colorful and bright,
Where novelty gems bedeck each strand,
Where lofty towers shine than star light,
There naught remains that doth stand
And there dawns never but endless night.


Kikodinho Edward Alexandros,
      Los Angels, California.
             20th/09/2018

I had a forest tryst
with Amanita,
after it rained,
I went to see her.

Dank and slain,
suited to decompose:
her bed; and as I sank--
in ballet bare-toe
the white angel arose.

She was flawlessly pale,
and 'round her neck,
still, a wedding veil.

She slipped the straps 'round her neck,
befalling her gown at my request,
she slowly turned in place,
for her suitor to inspect,
never did comely beauty,
on Jerusalem bedeck,

On her head sat,
a white knit -cap,
to it her veil was attached,
I could not gaze on her form,
till I got past this piece she worn.

I asked my love,
to doff her bridal wear.
" My love, my groom
wears my chastity belt round my hair."

Then I could not resist,
I brought the veil up,
and gave her a kiss,
a gentle curse,
she spoke to my lips,
in great thirst I sipped,

Alas, then I saw the ring,
she pulled back,
and deep in my eyes she looked in.
through her gown
in the mire I started to sink,

I felt her gown moving through me,
with the poison of her Gothic beauty.
On her spectral white,
not even the fly alights,
I commit suicide twenty times over,
by taking a bite.

She smiled to my fear,
in her eyes, heaps of bones,
and whispered in my ear,
to whom she was betrothed.
"death"

In a land beyond the rainbow
Stands a dark decrepit wood
Where monkeys glide between the branches
And witches live, both bad and good

There within its tangled branches
Lies a path bedecked with gold
Leading brave souls who do not blanch
On to wonders yet untold

Near this path of yellow mortar
Stands an ancient half hewn tree
Missing wood, about a quarter
Standing **** for all to see

In this wood there stands a hatchet
Once beloved, now fraught with rage
Just another rusted gadget
Cast by in the wake of age

On a gnarled and twisted root
Centered in a mushroom ring
Stands ***** a metal figure
Frozen ever in mid-swing

There he stands through frozen winters
There he stands through summer's heat
There he stands through April showers
Standing ever on his feet

Once he glowed a gentle pewter
Once he moved with solemn grace
Lines of rust bedeck his figure
Streaking slowly down his face

Once he stood a man of flesh
A simple hewer of the wood
Who held a cabin near the creek
And loved a maiden fair and good

In the village near the forest
There he sought to win her hand
A debt of love he'd pay with interest
If beside his side she'd stand

In the woods he sought the bride price
Needed to start their new life
In the trees he found the journey
Soon to be defined by strife

By an elm his axehead sundered
Cleaving cruelly through his arm
Through the boughs his loud cry thundered
To the heavens in alarm

To the ground his lost arm plopped
Landing softly with a thump
To the town the woodsmen hopped
Grasping at the ****** stump

There he found the village tinker
And roused him roughly from his bed
Dragging him out to the workshop
Leaking out a wake of red

There he begged the wizened workman
'Make a new arm from your cans
For i marry in a fortnight
Let my bride take a whole man'

So the old man plied his trade
To make a limb of springs and gears
Twisting tendons in a braid
To move his fingers through the years

Now renewed to former vigor
The Woodsman went back to his trade
Returning to the morning's rigor
Back into the ancient glade

Little did the doughty hewer
Know his axe contained a curse
Stricken on unknowing users
Causing their limbs to disperse

By an oak he lost his left ear
By a beech he lost the right
Hazel took him down a peg
And by a yew he lost his sight

Through the week the tinker labored
On in a rush to replace
Just enough of the woodcutter
To accept his bride's embrace

On the day his nuptials dawned
The woodsman clanged into the square
Passing through the crowd with awe
On to meet his maiden fair

There she stood beneath a trellis
Sky blue ribbons through her braids
Oh, she was a sight to rellish
Worth the trial of the glades

There he stood forever altered
A shadow of the former man
In this form forever haltered
To this shell of springs and cans

The cutter broke into a dash
To wrap his woman in his arms
On the cobbles his feet clashed
Causing her no small alarm

From the altar his bride fled
With screams of terror in her wake
On the day  he should have wed
Became the day his heart did break

Suddenly devoid of purpose
To the copse the woodsman flees
Never ere' again to surface
From the shelter of the trees

Months went by the woodsman toiled
Day and night, no pause to sleep
Day and night his kettle boiled
Over with the urge to weep

Till the sound of April thunder
Rumbled in the cutters ears
Bringing rain that tore assunder
Dams he'd built around his tears

So between his swings he wept
Of loss and of abandoned trust
Trails of tears in his joints crept
And hardened slowly into rust

Now he stands in frozen duty
Saplings rising all around
Dreaming of an ancient beauty
Long surrendered to the ground

Till the day another maid
Returns to bathe his limbs in oil
On that day he'll leave the glade
Moving on to other toils

Then the rust begins to part
Then the magic starts to slake
Then the woodsman finds his heart
Then the Tin Man starts to wake

On the heap,
Thou dangle and screech
And bedeck, for I seemingly espouse.
The anecdotes and myths:
Engaged in a mutual pose.
There comes the hymn,
And the sway and the hum;
The abnormality and the deform
Halted on a single stance.
To dozen of the tokens
Whom I prejudged;
The prevalence of the chaos
That sleeps merely on my tongue.
To all the estrangements
From which I refrain,
Within the bawl of the tantrum, upon the hook of the day.
Farewell to all, farewell the haze
Farewell the cluster,
To the resolution found within a fane;
Where rituals confuse,
Where the practice becomes a fame.
There thou taketh solely,
A hymn and an interminable haze.
Whats the sense of the ovation
When no screen displays
A mourning motion
For which no motion craves?
I sigh, and mumble
To which mere consciences giveth
To me only, mine solely.
His to hear and his, keenly.

Six-armed things of Asiatic trances,
temple belles entwined in temple dances:
mantra in one hand, the other holds naan.
One holding chutney and the other, paan.
Two hands left (befitting of deity):
one offers curry, one incense.  Aseity
signifies self-contented wonderment.
(One wonders as well what that mantra meant...)

Note the third eye in the figure's forehead:
a spare one in case left or right go dead?
But really—how freakish these idols look:
a ******-pantheon from a nightmare book.
(Outdone only by the Aztecs for fright
along with demons born of tribal night.)

Cobra-crowned elephant-headed mutants
sickly-sweet incense, divine pollutants
mix in with the stench of bodies burning
alongside the filthy Ganges churning
flowing with ashes from funeral ghats
excrement, corpses of humans and rats
that swarmed humble hovels of Hindustan
where gods are mass-produced for fallen man.

Maidens in saris with red tinted lips;
glossy vulgarity, loose at the hips
now growing more arms; an insect vision
enough to make one gag on religion.
The ubiquitous trident looms, a sign:
the eternally present un-divine.
Instead, it ought to stick some sacred cow
in its bovine buttocks, and so allow
beef curry for a hungry avatar
craving fresh meat in his juggernaut car.

Turn from this antediluvian scene
in sincerity, ask: what does it mean?
Were you created in these gods' image?
Is anything real behind their visage?
Blue skin and sick smiles, anointed with ghee:
exotic... but wrong theologically.
Till lingams are yonis I'll spell it out;
these Aryan idols should merit your doubt.
Such weirdness deserves some analysis
(as did old Diana of Ephesus).

Would you tingle if such a god showed up
and offered to refill your soma cup,
sending siddhis up your spinal column
with you in full lotus, clueless, solemn.
Would you offer puja in their temple,
bedeck your soul in a robe to sample
veggie-masalas, chapatis and dal,
peruse the Upanishads, and enthrall
your mind with the mystic old Rig-Vedas
fall for idolatrous sin conveyed
as spiritual truth when it's just a big lie...
bow before a multi-armed freak?  Not I.
Not for all the visions in Satan's world.
Better to call B.S. than to be hurled
to hell for living and loving this lie
embracing monstrosities. By and by
the books will be opened. The Lord will judge.
Consider this your transcendental nudge
toward something less false, less fearfully fake
than the idols Antichrist nations make.

Thus she pulled tautly
Against his well worn jerkin
Free of woes and clothes
And skin without sin
Removing the veil of enchantment until she rose
Like a full ripe moon high
Upon his radiant earthly body

The welkins were pleased
Sighed with relief
So silken was she within
His richness and majesty
They adorned her with
Their supernatural jewels
To symbolize her graceful submissive gentle nature

They removed from her the chains erasing her paint
This transforming her scars
Into bejewelled stars
To bedeck the ashen midnight of her past with dawns beauty and light
Presenting them both
With a present of eternal
Passion and fulfilment

Mary C Puls
Thus she pulled tautly
Against his well worn jerkin
Free of woes and clothes
And skin without sin
Removing the veil of enchantment until she rose
Like a full ripe moon high
Upon his radiant earthly body

The welkins were pleased
Sighed with relief
So silken was she within
His richness and majesty
They adorned her with
Their supernatural jewels
To symbolize her graceful submissive gentle nature

They removed from her the chains erasing her paind
This transforming her scars
Into bejewelled stars
To bedeck the ashen midnight of her past with dawns beauty and light
Presenting them both
With a present of eternal
Passion and fulfilment

Mary C Puls
Vashti Ayla Miria

There was a time when I was sane
when I used to walk among daffodils.
When they used to open up and sing
their unadorned song from hill to hill.

There was a time when I was sane
when the trees used to sway
and the leaves used to rustle
just to lay their flowers in my way.

When I was sane,the eagles
from their eyries,used to fly high
and block the sun with their wings.
Just so it wouldn't be in my eyes.

The clouds would come at my call.
And the rain would fall only for me.
The diamond drops would break
and bedeck the ground at my feet.

Looking at the night sky,
at the star studded lanes,
I would see the moon smile at me
and know that I was sane.

I used to create new worlds
with living words from my pen.
Full of marvels they used to be.
But that was all then...

Wrapt I was in fantasy
while the world moved on.
It has moved away from me
while,impassive,I looked on.

People said I was not sane,
told me that where I lived
there were no daffodils;
No promise in how I lived.

Now that I'm cured,I see
that I'd been but a fool
who believed Horton really lived
in the Jungle of Nool.

No magic rings in reality.
No wonderland or wicked witches.
No Elves nor dragons.
Not even Quidditch and snitches.

Now cured,I see reason.
The flowers never did sing.
Nor did any eagle fly for me.
Reason came but relief did not bring.

All those words I created,
All those worlds I cherished,
All too soon yea all too soon
All have but perished.

Now I see people toiling away
in richness,poverty and ignorance.
I see children bent with age;
In their eyes,everything but innocence.

Reluctantly now moves my pen
as I try to make new worlds.
Stringing letters together it desponds.
As lacking life,they are but words.

Everything used to be wonderful
when I knew I was sane.
Now that I've seen reality,
I know I must be insane.

It rained last night while he slept
in the chair, waiting for her -
I mean for the rain to bedeck
the olive tree with her silver perls
and cause a stir
in his reason and imagination -
a spur.
But the rain came while he slept.

She came and came and came -
for nothing.

© LazharBouazzi, Carthage, May 17; revised on July 30, 2016

Seven New Poems For Seven Days # 5: Summer Girls In Their Summer Clothes



Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

*Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

Fair rose, now that thou art picked in the prime
Of thy breathtaking splendour to go bloom
By strands of pearl of very far a clime,
Upon roads of life I deserve no room
But as the wind bids adieu unto hills,
The lonely woods, the indignant still cloud,
The silent vales, the gently rolling rills,
As such, I must vade to another world;
But hark! Fair star, though snowy angels fair
In countless numbers bedeck heaven's shore,
Eternal flames of brightest love so rare
By my soul shalt blaze for thee evermore.
  So, until then when we shall meet again,
  My love for thee as fresh as summer rain.

© Kikodinho Edward Alexandros, Kampala, Uganda. 13th.July.2018.


#attempt at a Shakespearean sonnet
#decasyllabic
#iambic pentameter

मैं लिपट के रो लूंगा
तेरे यादों के साये से,
मगर संभव नहीं है ये
तुझे आवाज दूँगा मैं ||

मोहब्बत का प्रणय आग्रह,
प्रथम दिल से किया मैने|
तेरे हर नाजों नखरों को,
पलकों पे लिया मैने।
आज भी मुस्करा के तु कभी-
जो हाँ अगर कह दे |
तेरे हर एक गीतों को,
हँसकर साज दूँगा मैं ||
मगर संभव नहीं है ये
तुझे आवाज दूँगा मैं ||


जो दुख भरा ये गीत,
मेरे लब पे आया है।
एक एक हर्फ कहता है,
ये दिल चोट खाया है।
जिवन के किसी भी मोड पे-
जो मिल गयी फिर तु।
अपने सारे अश्कों का,
तुझे हिंसाब दूँगा मैं।।
मगर संभव नहीं है ये
तुझे आवाज दूँगा मैं ||

दिल तोड जाने क्यूं,
तु खुशहाल हँसकर है।
मेरे आँखों के कतरों मे,
तडपता मन का लश्कर है।
छोडो इश्क की गलीयों के-
पेंचिदे से रस्तों को।
तु सिधे कत्ल कर दे तो,
ना नाराज हूँगा मैं ||
मगर संभव नहीं है ये
तुझे आवाज दूँगा मैं ||

ईतर इन गम के चोटों से,
जिसे मैं रोज सहता हूँ ।
गुरूर तुझमे है गर तो,
टशन मे मैं भी रहता हूँ ।
अगर आबाद हो जाओगी -
तुम मुझसे बिछड कर के |
तो बर्बाद होकर भी,
कोइ सरताज हूँगा मैं ।।
मगर संभव नहीं है ये
तुझे आवाज दूँगा मैं ||

The translation is given by Karisma ji
Thanks to you dear

I’ll cry silently
Hugging the shadow of your memories
However, it is not possible
That I will call out to you

I first insisted at
The amour of love
I cherished all your wiles and tantrums
Even today, If you would but smile and say so
I will laugh and bedeck each song of yours
However, it is not possible
That I will call out to you


If this sad song has
graced my lips
each and every syllable says
this heart has hurt
If at any turn of life
I chance to meet you
I will give an account of
Every tear of mine
However, it is not possible
That I will call out to

After breaking heart
I wonder why you laugh happy
In the drops of my eyes
The tortured battalion of my mind lies
Leave the lanes of love
These backward roads
Even if you were to **** me
I would not be angry
However, it is not possible
That I will call out to

Differently from  the hurts of this sorrow
Which I bear everyday
If you have pride then
Even I have attitude
In the event you prosper
After separating from me
Then even after destroying myself
I’ll be a crowning glory
However, it is not possible
That I will call out to you

The clock was protected from change in your house.
No Daylight Savings Time admitted to your routines.
We who bordered your life had to adjust or miss your timing.
Your farm the antipodes of ours...straight and neat,
Everything where it ought to be,
No duplication or mess....
A feast for my order-hungered eyes.
I had not yet learned of obsessive-compulsiveness;
I only despised my father's clutter,
His refusal to wear time upon his wrist,
His stubborn old World ways.

I shoveled barley half a hot and muggy day
To load your truck,
Emerged tired, covered with dust,
Raging in a million itches
To receive fifty cents
"To take your girlfriend out."
Most ungrateful, I chafed,
Told anyone who listened...
But now, I smile,
Wishing my labor to have been
A gift, now long ago.

I fell in love with John Deere tractors, gleaming green,
Colored television,
Fresh paint, white and red,
Because of you
Standing in striped Osh Kosh bibs,
Penultimate farmer.

Lydia, your wife,
Danced to the metronome
Of your orderly life,
Escaped only in Harlequin novels
Stacked by her chair.

Until the day everything changed,
Pink drool trailing from your mouth,
Gears grinding as you lost
The memory of clutches,
Tractor care,
Crops to plant
Be ******...
A stroke was taking down another man.

A Saturday we moved your wife to town
Near where you convalesced;
Monday, the Baptist preacher found her.

You ordered mahogany, rich and prime,
For us to bid your Lydia farewell,
Then followed, true to form,
Within the month.

Your children ordered oak, solid and strong,
Wheat sheaves bedeck the top,
Inlaid and waiting,
Ready for the coming harvest.

My soul rests amongst whispers and phoenix feathers,
I pirouette upon mellifluous petals;
My locks weave into sun-kissed cobwebs-
On a crepuscular moon my head does rest.

I chant lullabies with God's own angels,
And soar through streaks of ivory ocean;
My heart embraces minute wings-
I bedeck a dress of finest gossamer.

For a canvas I use the melodic night,
Whilst the smiling stars my paint;
And the alternative for ink is my laughter-
Of which I inscribe onto delicate parchment.

From my necklace dangles a thousand songs,
Within my eyes lock orbs of glitter;
And my mind is free to fly with the doves-
A diamond tiara is perched on my hair.

Dulcet dreams are conjured from these.


My soul battles a war with the devil,
I perform a dance upon a bed of nails;
Merciless hair twists round my neck-
Ebony beasts spy me in my slumber.

My refrain is released as a scream,
I glide up to zenith then plummet;
And my heart shrivels up to hide-
My outfit is creased with fear and smoke.

My ripped canvas is the rain-slashed hell,
My own blood comes in use for paint;
The sweet poison seeping from my heart is ink-
Engraved into my lucid flesh.


The tunes lie shattered at my feet,
My eyes clouded with tales of the voiceless;
The mind is trapped within a cage-
Surrounding my head is a crown of thorns.

Wicked nightmares are created from these.

The kitchen table, dimly lit, at which
Sit I, with book propp’d up upon the edge,
And in my hand, a mug bedeck’d with owls,
To the brim fill’d with sweet cinnamon chai.
The room as warm as summer, walls protect.
And I look out at the surrounding black
Becoming lost deep in the rain and wind
Which whirls without, just like a dancer wild
Would swirl a ribbon round and round their head.
But i sit in my isle of warmth and light.
While they are locked outside, in  fath’mless dark.

lemon and lime fill the air
bedeck the boughs with sunshine glare
deck the earth with golden stair
before Lord Winter lays all bare

Static crackling ecstatically; manic pop
Transistor hissing and spitting; sideboard atop
                                      First when there’s nothing…
                                      But a slow glowing dream…

Pirouette such as whirling dervish makes
Adolescent prancer twirls; leg warmer fakes
                                      All alone I have cried…
                                      Silent tears full of pride…

Breathless incantation; future forged in dance
Performance fascination; leap upon the chance
                                      What a feeling...
                                      Bein’s believing…

Neon flashes bedeck wrists and bonce
Peers laughter flash like fire; a ponce
                                      Take your passion…
                                      And make it happen…

The music shields, deflects. Antacid; taunts abate
Rhyhmic dreamer energized; blind to all the hate
                                      Pictures come alive…
                                      You can dance right through your life…



As Bergen-Belsen ghost yet still aware
Lost dreamer segues silently on fetid air
                                       Bruised and battered, I couldn’t tell what I felt…
                                       I am unrecognizable to myself…

Shuffling as garish Geisha; white but not with paint
Breathless as fifties bombshell; heaving sick and feint
                                      At night I could hear the blood in my veins…
                                      It was black and whispering as the rain…

With steel partner; straight firm and slim of hip
Rigid in rigor’d waltz; moving labouredly with drip
                                      I walked the avenue, ‘til my legs felt like stone…
                                      I heard the voices of friends, vanished and gone…

Faithless rusting engine combusts toxic blood
Failing sack of sinew lies where dancer stood
                                      Night has fallen, I’m lyin’ awake…
                                      I can feel myself fading away…

Monotone white noise; assuring beep
Dancer dreams in endless sleep
                                     There was a time when men were kind…
                                     There was a time when love was blind…

©pofacedpoetry (Billy Reynard-Bowness – 2018 – All rights reserved)

Acknowledgements:

1. Flashdance… what a Feeling (1983 – Giorgio Moroder, Keith Forsey & Irene Cara)
2. The Streets of Philadelphia (1993 – Bruce Springsteen)
3. I Dreamed a Dream (Les Miserables – Claude Michel Schonberg, Herbert Kretzmer & Alain Boubil)

Ever envisaged an island situated in the huge crater of a volcano?
That's Santorini - aptly fitting the description of a touristy soprano,
Fondly described by many as the supermodel of the Greek islands,
It's scenic location is as if crafted by Greek gods, in the uplands

As an archipelago of five volcanic islands, it is located in the Aegean sea,
The island is a head-turner for scenic beauty that makes one scream in glee,
Multicolored cliffs and whitewashed edifices add to the panoramic grace,
Candy-colored houses and paved paths lend to a milieu that's hard to replace

Adorned with black, red and white beaches, Santorini is a waterfilled crescent,
The much pleasing hue of the clear turquoise sea is a tribute to nature's accent,
Volcanic pebbles, spectacular rock formations lace into impressive lunar landscapes,
The breathtaking caldera and the island's geomorphology are sheer dreamscapes

The blue domes of Santorini that bedeck the Aegean Sea are iconic,
As picturesque architectural marvels, they are superlatively masonic,
Perched atop whitewashed churches, they are picture postcard perfect,
The vibrant blue hue contrasting the stark white buildings, seems so correct

Tourists throng the narrow streets and pathways to soak in the photogenic view,
The agonizing wait to gain access to vantage spots is forgotten while in the queue,
The spectacular sight is truly mesmerizing to leave us in a state of awesome wonder,
That it is an incredibly popular Instagrammer's delight, leaves little cause for wonder

Viewing the sunset from Oia is an unforgettable experience that tourists savor,
The energy of the sweeping panoramic landscape is so palpable that one must aver,
The fiery sun sinking into the sea within the caldera remains etched in memory,
Its' the exclamatory chatter of the crowd's praise that shakes one out of a reverie

A visit to the archaeological site of Akrotiri merits high recommendation,
As Greece's version of Italy's Pompeii, it is of noteworthy consideration,
The ruined city sadly buried by a volcanic eruption, holds a lot of history,
As home to the ancient Minoans, now an embellishment of Greek touristry

The ruins depict how people lived in two- and three-storey houses in 1500 BC,
Replete with balconies, underfloor heating, indoor toilets that one can still see,
Remnants of the city's painted frescoes and sculptures are a visual treat,
That such conceptual skills existed in the then Bronze age, is no mean feat

The quality of furniture and ceramic wares bears testimony to Akrotiri's prosperity,
That the people were able to make their own wine, is testament to their dexterity,
Visitors will be impressed by the acumen and farsightedness of the Minoan township,
That was so cruelly terminated by volcanic ash engulfing the town, ending in hardship

Oia's promenade stretches along the whole town with the caldera's breathtaking views,
Rows and rows of shops on either side flaunt souvenirs, boutiques with lots to choose,
Jostling crowds interspersed with multilingual chatter render a touch of street glamour,
As people flood the shopping streets post-sunset view, be prepared to overlook the clamor

The island's capital Fira, is perched on the Caldera's top edge, above sea level,
Stunning views of the Aegean Sea leave visitors awed and a just reason to revel,
Recommended daytime strolls in the scenic alleys fill one with joy and harmony,
An array of restaurants, cafes, bars and clubs adds spice to the nightlife cacophony

Greek islands are in a league of their own when it comes to planning exciting getaways,
Without bias, one can claim that Santorini tops the list with several visit takeaways,
Greece is also famous for it's gourmet food, friendly people and charming hospitality,
By the end of the visit, you realize the multifarious reasons for the island's popularity

For I have restrained from the light above
Thou, in the ogling reflection, stood, awaiting
Amorphous reiteration of the rue singes the flesh
For I ,ere sewing the sin on my flesh, was inebriated from passion and from those I regret.

The eons of dust arched the back of the wind,
Integrating through, never did they collide, only swiveling.
For I missed the light flickering,
Beyond the hues of tears clear on my skin..

Only in this meandering path do I bedeck my complexion,
With sins ,adjoining skin over skin
I have never admired
The way they nestle over sin.

Thee; The patchy and rough branches,
Sew beyond the bones under,
Inexorably calling to terminate
This pain over and under

For i have sinned, please tune me out
Discerned from the peaks of higher mountains; Apart.
Though the stars shine upon solely a dust,
For a jiff, merely descends the armour, down

Caved in, clemency seems away in clouds,
Billowing up towards the luminary.
Did I crave it or did I not?
Does flesh ache a lot.

I stood in front of a mirror,
Abhoring the adversarial and metaphoric matter
Ethereality strikes over my flesh,
When I commemorate the sins I have flecked

My eyes capture a glimpse
of a Robin Red Breast
who lay at my feet
his breath labored
as is mine
I sink to my knees
my spirit crushed
as is his
we mourn as a pair

His wind ceases
eyes lock
I bury him
under a Sourwood Tree
with raw hands
and blanket him
with rich soil
Fall leaves flow
to bedeck his grave

The eerie darkness of the day haunts me,
Hence I know hell is an eternal abyss,
So I search my memories to find the key,
To begin new wonders with no remiss.

The gleaming stars bedeck the sky,
So I gaze at the patterns to find my future;
It’s riddled with misery and the day I die,
Thus I surrender to a reckless adventure,

My heart lays latent as the echo blows away,
And the warblers dance in their chaotic throng,
Hence my heart wanders in a stormy fey,
The babel of discord ails my song;
I'm lost in the wilds with a broken compass,
As a zephyr blows my name into the rumpus.

The lake looked luxurious,
Opalescent folds of china blue,
Twinkling stars upon water,
Gold russet rushes gently swaying,
Lime catkins freshly woven onto dangling branches.
A Moorhen wades in the riverbed,
Diamond ripples orbiting its sillouhette.
Plump new leaves bedeck the low horse chestnut trees and their fingers stream in steamy shallows.

By green and windblown rippled slopes
where cattle graze in summer sun;
beneath blue skies when larks sing shrill,
and rabbits by the hedgerows run.
When meadowsweet and columbine
bedeck the lea like ocean foam;
we soft return like shadows lost
to seek our old ancestral home.

Within the tree-lined borderlands
we wait until the day is done;
‘til passing fancies leave us be
and once again our time is come.
When doors and gates are closed and locked
we slip within as night winds roam;
and talk in whispered secrecy
of times in our ancestral home.

No more within cold fireplace
do fallen logs burn bright and fair;
from panelled walls in sullen oils
dark portraits of the long-dead stare.
On bowing shelves of oak repose
forgotten tales in leathern tome;
unread by men for centuries,
hid deep in our ancestral home.

And through the marches of the night
we drift from room to balcony;
recalling days of childhood lost,
the laughter of sweet memory.
Yet all too soon we must be gone
‘ere birds again chorale the dawn;
and disappear like shadows soft
that fly from our ancestral home.

By green and windblown rippled slopes
where cattle graze in summer sun;
beneath blue skies when larks sing shrill
and rabbits by the hedgerows run.
When meadowsweet and columbine
bedeck the lea like ocean foam;
we soft return like shadows lost
to seek our old ancestral home.

Within the tree-lined borderlands
we wait until the day is done;
‘til passing fancies leave us be
and once again our time is come.
When doors and gates are closed and locked
we slip within as night winds roam;
and talk in whispered secrecy
of times in our ancestral home.

No more within cold fireplace
do fallen logs burn bright and fair;
from panelled walls in sullen oils
dark portraits of the long-dead stare.
On bowing shelves of oak repose
forgotten tales in leathern tome;
unread by men for centuries,
hid deep in our ancestral home.

And through the marches of the night
we drift from room to balcony;
recalling days of childhood lost,
the laughter of sweet memory.
Yet all too soon we must be gone
‘ere birds again chorale the dawn;
and disappear like shadows soft
that fly from our ancestral home.

The fine cuts on my legs
Glisten faintly like distilled dew
Enchanted by the torture inflicted by you
Small red droplets hang off the lines
Like rain fall on spider silk
The color dark enough to remind me of things I’ve killed
Birds and squirrels and bugs too
But included are my feelings, and my past that I couldn’t let continue

The jagged yet graceful pain looks like cracks
On my fragile, human glass
Reminds me of my broken mind
Twitching, flinching, all the time
But it hurts, and it’s sublime
A grim reminder that I’m still alive

Delicate scars lace my shoulder
Thin marks bedeck my legs
Anywhere that I could decorate
Without being noticed by anyone other
Then my own regrets

Waves of depression
That have no linkage
To the phases of the  moon
Ebb and surge
In a rhythm that confounds
The metronome by which
I calculate my moods
And face the horrors
That bedeck my daily life.

Winds of malaise
Appear from nowhere
On an otherwise
Still day
And rile the curtains
That protect
My fragile fabrications
From the vicissitudes
Of living on.

Claps of thunder
Rattle all the windows
Where I cower
In my futile hopes the rain
That they portend
Will not become a flood
And wash away
All the tiny flowers
That my hope has planted
In the dreary garden of my life.
ljm