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My talisman was destroyed
by a sorcerer, who, much annoyed,
bade me worship only him.
I worship not a lowly man
who lacks the power to understand
beauty beyond the realm of man.

Plato’s archetypes are real
in our creations and what we feel.

The innocence of childhood play
The setting sun at end of day
The work of every artist great
Brings me to a better fate

My talisman returned to me
Resurrected, in a different guise.
There is somewhere of no lies,
only adamantine ties.
Where love is indivisible from art
and only death tears us apart.
Jan 2
Crimson veil, in strands of velvet,
Shadows holes so deep, yet full,
Upon and through clear clouds englobed,
Hold all the meaning, thought; and mull.

Pointed stripes up, cutting darkness.
Peachy border down below:
Well, closed up by ivory planks,
Forever to prevent its blow.

Gape of paradise, extended
Past the limits of what's forth.
Riddled thoughts with whispered feeling,
To now be learned of its full worth.

Beige earth, smooth, fake, yet still soothing:
Paleness, spread on pleasant mounds.
It is what always sets apart
And into fading visage wounds.

Crimson veil, in strands of velvet,
Shadows holes, deep, never dull,
Into two lunar suns engraved
Is where I stare, for they will lull.
This is about what felt like a lost once-in-forever experience: perfect place, time and person, but I let it go as if flowing away on a river, to only move farther and not come back.
Each stanza is built upon the same structure: an 8-7-8-8 meter and ABCB rhyme, with the general metrical foot of the first half made of trochees and the latter one made of iambs, although that is only the suggestion for it and you can take any freedom on accents and pauses.
Zoe taylor Dec 2024
A seraphic grand piano, besmirched with blood and fervent,
Scattered across old alabaster keys, Ichor stains scores of parchment.

Stewed passion runs wildly across the docile tempo,
Mellifluous effervescence lingers in the gored vestiges of a crescendo.

Memories of artistic vigour shrivel and regress,
Our blissful felicity of mellifluence, slaughtered by organic evanesce.
The poem I have written is a metaphor for art (of any kind), and specifically about how much effort and passion goes into curating pieces of music, literature etc. and how easily/quickly we as people discard and forget the works of others or our own once we find something we deem better. (P.S The blood on the piano is meant to show the sheer effort put into the previously performed song, due to the very fervent and fast motions of the composer it caused their fingers to bleed and leave stains the piano. Also I've tried to use structure in my poem in order to make the piece mildly resemble the keys of a piano so I'm sorry if its hard to pick up on)
Zoe taylor Dec 2024
A sagging Gladius wallows inside me, limply,
It's rotting in its own wretched flaccidity,

I see others around me nurturing bounds of fruitful irises,
Some even mother sycamore, burgeoning with vigour, effortless as chaste kisses,

Tender fertilizer blots my chin in a bloodied marling,
I ingest the stolen soil, even when I feel the white sting of my innards' snarling,

So I'll inject myself with litres upon litres of putrid compost,
Only for my gladius to continuing shrivelling within my innermost,

It's stem-deep in nutrients, and is none the less decayed,
Atop the valley, even in the passing June, it stays, wilted withered and frayed,

Now, all I'm left with is the curdle of wetland moss festering in my blood,
Weighted with this fetidity, I let my gladius go, dead, in peace and clotted mud.
Feel free to interpret as you please, however my poem is originally written is about your potential/inspiration dying and no matter what you try to do to keep it alive (Basically its about Burnout). Even when you attempt to steal ("I ingest the stolen soil") and use other elements of another's work, you still feel uninspired and are not driven to be creative at all even when people around you seem to have the ability to do it so easily.
Zoe taylor Dec 2024
Disassociating in the ebony mirage,
I called your name, knee deep in that tender visage,

You didn't answer, so I sung to the fireflies at my windowsill,
I kept crooning, but I knew they never really cared for my fill,

Serenading until my throat was limp and hoarse,
I left it bruised indigo with mellifluous force,

By both the luminescent bugs and the Empyrean sky,
My ballad was left, bound and dry.
An allegory for loneliness, and being unable to make new connections. The fireflies in this instance being potential friends or lovers but fireflies die young, they don't last very long, neither do connections made in disparity.
Zoe taylor Dec 2024
Baby's breath kisses the merlot tide of disease,
A brindled sea holds the white orchid of blanched dittany's.

Moonflowers scintillate with each cradle of dusk,
While Stars marl the sky, veiling over in cosmic musk.

During quietude, swans tread the ichor in a pearlesque flotilla,
The poison ripples beneath them as they thread between silk lilies and ivory scilla.

The gore strewn water continues to fester with pulsating, ripe, bile,
Despite all, the huddle of infancy will remain ever fertile.
This piece is a metaphor for beauty coexisting amidst evil and corruption, feel free to comment I'd love to hear what you think of it
Zoe taylor Dec 2024
Dripping with wild rafflesia, our home's halls reek,
As she walks, the stench interlaces with her, thick, fetid and bleak,

She reaches the dead-end, bringing the corpse lily to her lips,
I lurch an arm, but she's too far from my fingertips,

Now all I can do is watch as her teeth slowly, slowly, gnaw,
I'm there while her skin wrinkles like lapping sewage at shore,

Petals seep from her mouth in ****** clumps, gathering at the fold,
The dulcet caress of chewed flora blot her chin like gilded mould,

Her coughing tethers to the tantalizing ticks of the kitchen clock,
With no choice but to watch on, I stay until the final tock.
This piece is written is a metaphor for realizing you are probably going to outlive a person you love in your life and bare witness to their death. The consumption of the parasitical flower vocalises death and the speaker tries to knock it out the others hand, only to fail as death is not preventable. The speaker, after realising this, accepts it and stays, watching as the inevitable plays out
Zoe taylor Dec 2024
Oh, Moon vine,
Always sleeping where you bud.
I knew you couldn't wake,
Too lost in your fantasy's of pallid dittany's.

Do you wish to be stirred one day,
Or would you prefer to dream forever?
To chase the void in longing disparity,
To live in your own mind eternally?

When you wilt do you think, Moon vine,
You'll keep dreaming?
Up for interpretation, I'd love to hear how you personally see this poem, no wrong answers
Zoe taylor Dec 2024
Canines in her mouth, Tongue licking,
Sobs in my throat, Subtle pricking,

Though she was distant, I wanted nothing more than to hold her close,
Carding through fur, I was trying, pleading for the inmost,

Wanting to make my touch a tender thing,
Longing for her to tether over anything

I trusted her yet she writhed in my cradle,
Thrashing at fingers, soft as sable

When she clawed at my shoulder, hitting the carpet with a hiss and a thud
She left me with only fragile cuts embraced by the sheen of supple blood.
This piece is about comfort fleeting when you need it most but you can interpret it as you please <3
Zoe taylor Dec 2024
Crocus will continue to wilt and Shrivel in the nursery,
Its too late for the primula, necrose to clockworks decay,
Ghost of baby's breath can you please tell me,
What happened to your infancy?
A piece written about the death of childhood naivety
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