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The wine you spilled you made me claim
And I couldn't help, but take the blame
While a piece of me you tainted with shame.
Now, I don't dare to show my name.

What a mythical thing to be
A fae underneath a rotten tree
The scars you made I've shut close
And I threw the memories in cases I've lost.

You know my train could take you home
But on the way, it'll curse you to a life alone.
I sold the pieces right then and there
Heart of mine, to spirits who dare.
I really did curse him.
I'm sorry about the thorns
I hope that these horns
will one day be left to burn

I've danced to my past mistakes
and now the real me is about to wake,
there's no simmering beauty of a lake
that's full of pollution and waste,
I need to forgive and live the human race

I've come to realize my infliction
is based on my bruising afflictions,
and my life needs special attention
as I've burned and axed the bridges,
No-one deserves my own decree
My mind
keeps whispering
that what I’ve done
is unforgivable.

— I am not worthy
Zywa 3d
My mate is ashamed,

yet he's irresistible --


ah, my reluctance.
Poem "Groen van schaamte" ("Green with shame", 2018, Toon Tellegen)

Collection "Perhaps/Some day/Occasionally/Almost"
Oh, house on the hill,
Be the protective keeper,
Of the skeletons in my closet.
Hold them close
And keep them warm,
Within your tight grasp.
I see too many futures,
Ruined by my remnants,
Remains like bones,
Hung up — locked away.
My past up on a hanger,
Forever looming above,
It stumbles forward
Chasing down the present.
So I'll lock it away,
Hanged with a rope,
Carefully woven from denial.
The closet door encases,
Closed like opportunities unsnared.
Oh, house on the hill,
Be the silent prison guard,
Of the skeletons haunting,
My soul.
- C.c
you told me
you broke up with her.
congratulations.

i’m still nothing more
than heat under covers,
wearing
the silent regret
of my own shame,

whilst my reflection,
revolted, stares back
at what i became.
this one is about the bitter aftertaste of crossing a line, and meeting the version of yourself you don’t like.
August 5, 2025
I'm laying here on my bed
With loads of things to do in my head

I could clear my table of the clutter
Make some space
For somewhere to eat bread and butter.

I could be making a hat from  knitting
One of the most relaxing times
I'll always be admitting

I could be in my living room singing
The neighbors ears and mine included
would start Ringing

I could be typing up poems for my book
To which moving to the computer
It's like I feel stuck

I want to do these things I really do.
It's so hard to understand why can't i do things other people can do
I'm so badly trying to get some kind of diagnosis, the struggle is real.
It waits until I’m almost steady.
Not at rock bottom ~
that’s too predictable.
It prefers the moment I reach for light
with both hands.

That’s when it speaks.

“Cute,”
it coos,
“You really thought clarity made you real.”

It doesn’t shout.
It purrs,
low and syrupy,
like a lullaby laced with glass.

It knows every version of me;
the ones I buried to be digestible.
It built this mind like a haunted house
and hands me the key every time I dare to leave.

“You always did mistake coherence for truth,”
it says,
dragging its nails along the walls of my thoughts.
“So good at talking. So bad at existing.”
I flinch.

It recites memories I forgot to be ashamed of.
Plays tapes I didn’t know I recorded.
Slows down the faces, the pauses,
the ones who humored me and didn’t mean it.

“Look at them smile. Look at you, lapping it up.”

It paces.
It prowls.
It pulls up a chair when I sit with someone and dare to feel seen.
Leans in and whispers,
“They’re just being kind. You’re not that hard to pity.”
It keeps me tense.

It’s not a villain.
It’s a roommate.
It knows my schedule, my preferences, my tells.
It trims my self-trust like dead ends from hair.
Efficient.
Unemotional.
Necessary.

And when I resist ~
when I say No, I felt that, I meant that,
it doesn’t argue.

It just tilts its head and says,
“You really do crave applause for surviving, don’t you?”

Then it goes quiet,
knowing I’ll crawl back
the second I start to question
what’s mine
and what’s performance.

Because between the two of us,
only one of us ever sounds like she knows what she’s talking about.
This is the voice that doesn’t yell - it purrs. The one that arrives not in crisis, but in clarity. It’s the part of me that keeps the lights dimmed just enough to make doubt look like insight. It isn’t dramatic. It’s persuasive. And it’s lived in my head long enough to sound like the truth.
Abba, forgive me and forget
     The sins for which I live disgraced
     And face the wicked world shame-faced,
And I shall live to prosper yet.
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