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Michael R Burch Apr 2020
Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.

I thought about titling or subtitling this one “A mini-ode to manicure” but thought better of it. Please note that this poem is not about female predators but the way the human race “glosses over” its predatory nature. We may appear to be “civilized” but what are we doing to the planet and its other inhabitants? Keywords/Tags: polish, nails, talons, claws, predator, gloss, loss, red, tooth, claw, pollution, climate change, global warming, mass extinction, genocide
Michael R Burch Mar 2020
The Harvest of Roses
by Michael R. Burch

for Harvey Stanbrough

I have not come for the harvest of roses—
the poets' mad visions,
their railing at rhyme ...
for I have discerned what their writing discloses:
weak words wanting meaning,
beat torsioning time.

Nor have I come for the reaping of gossamer—
images weak,
too forced not to fail;
gathered by poets who worship their luster,
they shimmer, impendent,
resplendently pale.

This poem was originally published by The Raintown Review when Harvey Stanbrough was the editor, then later by Mindful of Poetry. I wrote the poem out of dissatisfaction with the strange idea that poetry should consist entirely or primarily of concrete images. Would the “experts” who espouse this bizarre idea junk the great soliloquies of Shakespeare and Milton and the direct statement poems of A. E. Housman? It also bears noting that the twin titans of English modernism, Ezra Pound and T. S. Eliot, did an awful lot of “telling” rather than always “showing.” Keywords/Tags: Harvest, roses, images, imagery, imagism, meter, time, beat, rhyme, shimmer, gloss, perfume, reap, reaping, gossamer
Brynn S Nov 2018
Two small globes
Cover with view
Small and frail
See thy truth
Zeeshan Aug 2017
Told how to live, how to dress, how to talk,
Taught how to sit, how to eat, how to walk,
We buried our freedom beneath the gloss of life.

The savages lived happily after all,
Not caring about the gloss of success,
They enjoyed the hell hole, called life.
Zeeshan Aug 2017
beneath his flawless public facade,
coated by the veneer of composure;
and the gloss of success,
he hid tragic despair of his life…
Zeeshan Aug 2017
the love he needed,
the gloss of success he craved,
it was nothing but a masquerade…

blinded by the laminated desires,
of the mockery camouflaged as love,
he fell for a complete charade.

foolish he was to believe the travesty,
that brought upon endless misery,
he craved the love all too glossy to be real.

mockery or parody, perhaps,
he was a *******,
fell in love with misery.
Erin Suurkoivu Oct 2016
War paint I always found unnecessary:
Gloss for manicured lipstick commercial princesses
Not of my kind.

And though I walk with shield, I am without armour:
Ramparts mere cheekbones,
Bare skin impressionable as snow.

Boot-print,
The mark I hated. My characters:
Frail tree rings, exposed to the chill night air.

Gold inlay frozen solid.
The fairly bound dream factory
Lies purple with melancholy.



It’s the world’s bruise. It colours sudden,
Shadowing the other side of the room
Where it paused, rare moth

Lighted upon my dark reflection,
A Mona Lisa dressed in black
And reminiscent of bobby sox.

Beauty without fanfare.
Stuff of woods: we do not glitter.
We don’t call out.

Our tongues are both dumbstruck bells.
Shy rabbits, we fold within ourselves
And sequester our secret pulp.
Dumbstruck is a poem featured in my first collection of poetry, "Blood for Honey", available at Lulu.com and Amazon.
I'm the boss
I won't take a loss
Just the marks of her lip gloss

— The End —