Selection Criteria
We seek a person showing an authentic engagement with the culture of language. The applicant needs a broad appreciation of linguistic form and an inclusive approach.
Essential:
• Two good honours degrees from a top performing university - Or relevant experience as an autodidact or dilitante.
• A willingness to appreciate and engage in other people's expression of poetic form.
• Openness to the ways in which language is multimodal and able to blur the distinction between word, voice, sound, body and image, whilst being able to draw upon the conventions of each mode.
Desirable:
• Colourful life-history, and a keen eye/ear for human and natural dynamics, and the capacity to dissolve the distinction.
Please submit sample below:
There was a tree. Indeed, there was a tree... that night we played with Gertrude or some girl or boy or some other echo or other.
Had she not mentioned the issue with the fragmentary interjections by candidates? The capacity of evocation is lost with this fashion for modernism [Golden light of blue buzzard and some such and wot not before azure cream in winter time and crystalline glaze] and its reflexive interruptions. Perhaps she should start again. [Does it even need to be a word? And what is this anyway?]. Re: Start again - good lord we are forced to read some nonsense [in the steam rows and the bath cabin], often with a similar flow. What about the art of pleasing our palate? We bump our heads against the brackets, elliptical conjurings and compound punctuation: -
Oh! ... Out of time? Battery low? Well, this will have to be the submission then. Good luck.
