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RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Styles  Jun 2016
Kitty
Styles Jun 2016
Wetter than any weather
the better the wetter
deeper than any sea
shaved perfectly; lovely
lips that tightly squeeze
my hard rod and pleasure me
plush gush running a stream
delicious taste; fulfilling my need.
Poetry by MAN Dec 2014
This Poetic Seduction
Will be fulfilling its function
Building up to an eruption
Pure ****** destruction
Lets play..All night and day
Wont be sleeping anyway
Exploring shades of grey
Rock and roll you in the hay
Dom to your Submission
Set up every position
Tie you up bring pleasure is my mission
Hair yank feel the spank
Pledge to respect and thank
Cheeks turn red
Ultimate pleasure in your head
Ease in just a tease
Pound you as I please
Have you on hands and knees
Show you the world of D/s
Lubricate your gate
Feel my tongue vibrate
Like a spell you levitate
Savor this moment we create
Room steaming..Bodies start creaming
Reality shifts wonder if you are dreaming
Theater of thought supplies the word production
Scenario set for this Poetic Seduction...
M.A.N 12-9-14 I wrote this for my Scorpio *** blog..♏
Styles  Dec 2015
Fantasy
Styles Dec 2015
When I take your world by storm,
I promise to never do you harm.
Just force you to fall in love,
and catch you in my arm.
Use my body temperature
to keep your body warm.
It wont be long before you are,
in love with the way I perform.
How I kiss, how I charm.
set your body on fire,
ring your bell like an alarm.  

Doing bad things to you baby,  
enjoying taking them too far.
I saw that you want me,
now it’s time for you to come and get me.
Fell in love with you from the start,
now we are at my favorite part.
making your head swirl.
Flipping your world,
stripping your clothes off
as we get it on.
Getting you going,
until we are both gone.
make you feel my body,
the way your eyes are touching me
is really turning me on.

Teach you how to love me,
fulfilling my fantasy.
This is more than just ***,
I want you to take your time
blowing my mind, give it to me
like you want it, like I am what you need.
like I am you dream and you are my fantasy.
John MacAyeal May 2016
I'm happy to have a fulfilling job
The only time I'm not happy
Is when I consider how so many
Have unfulfilling jobs to
Support my fulfilling job

Like for instance
There's the guy who shines my shoes twice a day
That's because I have to kick things
And I need good-looking shoes for that
He shines my shoes with a smile
On his face or somewhere on his body
But I can't believe he finds his job as fulfilling as I find my job
When I get to kick something

There's also the guy who looks after my health
At first he was just my taster
Making sure no one poisons me
But then his duties were extended
Up to including reading
The Possible Side Effects
Of all my medications

And there he saw it one day:
And said
“It says here that one possible side effect of this medicine is the delusion that you have a fulfilling job when you don't have such a fulfilling job.”
And then it all went ****

And I found myself back to working an unfulfilling job
Now I just hope I can remember how to do it
Because a long line of angry customers is forming somewhere in relation to where I am positioned now
To lessen liabilities,
to lower costs and
make the world more,
more productive; exacting...


To make everything easier,
a life more fulfilling...
...more predictable, perhaps,
more equal than now.


To eliminate sadness,
anger, depression, anxiety.
To work less at everything,
they will do it all for me.


The planet will be saved by the extirpation of human activity...

...for who needs humans to trade stock?
...who needs humans to make widgets?
...who needs humans to clean things?

Who needs humans at all?
I find it humorous to ponder the state of capitalism when A.I. becomes self aware and makes it's own decisions. Poor poor capitalist's will be crying Communism.
The half moon shows a face of plaintive sweetness
  Ready and poised to wax or wane;
A fire of pale desire in incompleteness,
  Tending to pleasure or to pain:--
Lo, while we gaze she rolleth on in fleetness
  To perfect loss or perfect gain.

Half bitterness we know, we know half sweetness;
  This world is all on wax, on wane:
When shall completeness round time's incompleteness,
  Fulfilling joy, fulfilling pain?--
Lo, while we ask, life rolleth on in fleetness
  To finished loss or finished gain.
Haylin  Apr 2018
Kitty
Haylin Apr 2018
Wetter than any weather
the better the wetter
deeper than any sea
shaved perfectly; lovely
lips that tightly squeeze
my hard rod and pleasure me
plush gush running a stream
delicious taste; fulfilling my need.
There is no more painful love
than unrequited love
A heart that is open
pouring out to another
but an empty space
like a vacuum
with nothing in return

Like giving a gift
‘Tis better to give than receive
And the heart offers freely
all of its wonderful presents

Free of expectations
when truly filled with love
It blindly releases itself to another
With a simple creed
‘I am for you’

Like the wall of a dam
suddenly letting go
A deluge of emotions
Thoughtful, interest, caring, warmth, love
A flowing waterfall
of Niagara proportions

However, without intention

which goes without saying
since the truer the love
the blinder it be

The vacated space
creates a sudden vacuum
A sharp, deep pit left
where once all of itself was housed

For a brief time
the heart is unaware
still glowing in the warmth
from the happiness and joy
of the love it gives

But slowly the glow fades
And the presence of the empty space
becomes more obvious
and apparent

A coldness sets in
An addict looking for a fix
The heart desperately seeks
in return what it has given

Never intending to give with strings
but so it finds itself
now tied to another
with the strongest of bonds

The intense fulfilling feeling
once experienced
Replaced with anguish,
longing, loneliness and pain

The mind and heart begin
an epic civil war
Feeling the torment
and seeing the destruction
the mind invokes all its resources
to break the bonds
the heart has created

But with hope that is
almost sad and pitiful
the heart refuses to let go
So sure of the ties it made
And fighting back with all
of its might to defeat
any attempt
the mind has
to remove the bonds of love

A man at war with himself
will find himself at war with others
And so, the inner conflict
resonates outwardly
displayed aptly with defiance
and destruction

Like a pebble in a pond
each action creates ripples
Slowly at first
but then with exponential speed
a life is destroyed
leaving only a broken
and beaten shell

And after all the destruction
and loss
All of the pain and suffering
The tears and sorrow
At this moment
standing on a pile
of nothing but debris
The mind,
with a sense of arrogance
and certainty,
confronts the heart
and pointedly asks,
“Do you see now?!
Do you see the
error of your ways??
Look what it has cost us!
Do you see the
mistake you’ve made?!”

Without hesitation or waiver
the heart responds
with a steady certainty
that is calm and cool in nature,
“No. Love is a risky venture.
One always, ‘takes a chance at love’.
But I will not admit
fault for trying.
When I love
I love freely and openly
I offer all of myself
without expectations
It’s only when you get involved
and create conflict within
that we have problems
To love is to love
It brings joy and happiness within itself
If it is not returned
then it is not returned
but an open and loving heart
can not feel emptiness and pain for it is filled with love
And there is no greater reward
than finding that love in another
and having another
find that love
in you
Written: March 4, 2018

All rights reserved
Styles  Jun 2015
Lustful Thinking
Styles Jun 2015
My skin illuminates your body with my touch,
your body quaking from the rush.
My aching ***** -- eager with lust,
paying dutiful attention to your pearly gates.
With zeal they await,
to invade your presence with my grace.
filling split with my space.
in one fulfilling embrace.
Your tender folds aroused,
enclose my arousal.
swollen with desire,
swallow me whole like a mouthful.
legs spread -- wide open and exposed.
your plush lips,
blush with lust.
as your body erupts.
mannley collins Jul 2014
Is such a big and impossible to miss step for a scribbler
of poetry free poems to trip over.
A step that cannot be ignored, except consciously and conscientiously.
Such a person as a scribbler of poetry less poems would be a person who cannot tell the difference between truth and truthfulness.
A person whose sole raison d,etre in pretending to be a poet is their lifelong angst in being unable to escape from being under the control of  their mind and its operating system --the Conditioned Identity.
The Conditioned Identity,which is the facetious and morally dishonest "I am a poet" mask that is the consciously adopted Conditioned Identity--the operating system for the Mind.
In the great scheme of things becoming just another member of the human GroupMind--one who doesn't count--not even on the fingers of one hand-.
One,who,in the grand scheme of things,never has counted and never will count-call them countless.
Shadows that flicker and dim on the walls of the Prison of political, racial,national,familial and religious conformity
And these worthless scribblers of poetry less poems do have an all consuming conditioned habit  of consciously ignoring truthfulness and integrity and substituting pathetic sub-teen lower middle class emo whinging "truth"--about their "art" and "insight"and "vision"and their "truth"--always their worthless "truth".
Sitting and mourning the fulfilling love that always evades them and always will evade them--unless they let go of the conditioned identity and the Mind--consigning them to the dustbin of history--where they rightfully belong.
Angst ridden whingers all--in love with their image in the mirror of Minds oh so believable deception.
Scribbling about a conditional possessive love that would have been a valueless truth but never can be the essence of truthfulness.
A conditional possessive love that never was and never will be unconditional and non-possessive.
Whinging about nothing more than conditional love and a truthfulness that never can be for them--- as we see openly here and there and everywhere there are scribblers of poetry less "poetry" who use sites such as this to scribble their pretentious infantile nonsense.
Poverty of values and integrity,orphaned from the Isness of the Universe, children of worthless technological consumerism and followers of false oligarchic hopes.
With their greedy gobs open for any crumbs falling from the rich peoples tables,like baby chicks in the nest--feed me feed me they screech.
Colluding with like minded betrayers of truthfulness,groupminds of
limp wristed bombastic poseurs.
Deluding themselves by babbling media made inane celebrities
empty insights and twisted conclusions--purveyors of puerile pettiness.
Oligarchic media celebrities noted only for the illusions between their ears,and the beguiling way they collude with each other to delude themselves.
Ludare!
Oh how they love to play mind games
Lives spent colluding with these babbling worthless celebrities who know the price of everything and the value of nothing,
Pompous posturing pretentious pissants of aesthetic poverty.
Bound together into a worldwide consumers Groupmind,
persuaded by perverts of PR into believing in the Illusion of Wealth and Demockery that the Oligarchy sells.
To step over the truthfulness threshold is,indeed, to  leave behind their
security blankets of "truth and beauty and revealed knowledge"
and the concomitment meaningless verbiage about "veracity" and "existence".
Shallow and unrequited attempts to own another that the weak and unwanted call "love".
Stomping through the quagmire of conditional love
up to their necks in the **** of consumer garbage.
The Conditional love of possessing another and grasping at thin air
as they submerge slowly in the seas of righteous stupidity .
poets cling to their misconceptions religiously,
poets cling to their ignorance avidly,
poets cling to their proto-fascist politics squeamishly,
with each word and stanza that they write.
Pouring out such pleasant and elegant and flowery and "deep"
words and verses(rhyming or not) that,at their core,
have only one meaning and aim.
Which is!.
To divert and confuse their readers with the"shallow beauty"
of endless strings of meaningless associated but fine sounding words .
To create a groupmind for their poetry business products.
Admire me--buy my product--join my groupmind--eulogise me,
let me rip off your energy--I need your praise,I need your lifes energy
gimme your money honey!.
The Publishing Oligarchy will bestow rewards and honours,
medals and diplomas--critiques fit only to wipe your **** on.
Book sales and the summer Poetry festival circuit--reciting and signing scribbles of narcissism--casting lecherous eyes over dripping **** or stiff wobbling **** in the adoring crowd of sycophants.
The  Media will fawn and adulate and cast its sly net
to entangle your desires in ---infamy awaits.
Come admire me and my use of other poets stolen words,
my criminality in even daring to think the word "poet" has any value.
These are my words about my inexperience and unknowingness they scream possessively in jaundiced teeny remembrance.
Remembrance of mediocre middle class homes and attitudes
of ingrained ignorance and wilful imagined self victimisation.
Eating societies poisoned dishes--.
Serve me up a burger of roasted babies on toast
from Vietnam--live on Channel Whatever.
Or chargrilled peasants from Afghanistan
with breathless commentary from
our "reporter on the spot".
Or homeless mental wrecks from the streets
of any Amerikan or World city big or small,
trailing acerbic criticism from the immoral majority.
Or dead celebrity  consumer junkies in 5 star hotels
complete with PR handouts and **** licking "friends"
positioning themselves for increased sales.
Or the children of the Oligarchs with their "I" newspapers
and inbuilt fascist attitudes.
Who spend their shallow lives hoping for the kind
of meaningless and worthless Honours and Validation
from those that do not have honour or validity..
Or the not just lame but crippled duck presidents with their finely crafted speeches that say nothing but I am a beard wearing  failure,
looking forward to penning lies and calling it a frank memoir
while holding out my hands  for the Oligarchies pennies.
Can anyone tell me where to get a bucket of truthfulness?.
A glass of honesty?.
A tumbler full of veracity?.
A beaker of back breaking honest labour?.
Can anyone tell me where I can find
a peaceful man or woman,of any of the 5 colours.
Not those merely observing a Cease-Fire
while they rearm their weapons of the lies of beauty and truth.
Oligarchy allowed social commentary.
Is there just one decent truthful man or woman out there?.
Judging by the world Id say not.
No Id say not.
Not.
There Ive said it.

www.thefournobletruthsrevised.co.uk
Dark n Beautiful Apr 2010
The ******.
They say that beauty is in the eyes of the
beholder, however the ******
is a gold mine.

Women do not even know
what their possess
many a nation have gone to war,
because of this ugly beauty,
the seven hundred wives of
King Solomon and his three
hundred concubines
a great example of what
the ugly beauty can do.

Infidelity is on the rise,
so many lies,
since the ****** is an embarassing subject
why men lie and killed for it,
For this remarkable commodity

A ****** is like a Van Gogh painting,
it gets lot of attention.
A weapon so powerful
It can break a man down to his lowest
it has a language of its own.
silly words like sup, sup, sup. during loving making
However, that was supposed to be the primary appeal
of a beer to men.

The ****** and a beer have so much in common
they both get their men all the time,
a smooth transportation,
in addition, the lamentation,
****** you are surely number one!
Men incredible dreams,
No matter how destructive or fulfilling,.

.
Dark@beautiful/or Darknlovely
Eudora Apr 2015
Breathing in your alluring scent
Enjoying the ride, as the wheels go round
Cherishing the times we have spent
Smiling to our 'question', an answer we have found

This romantic attraction
So beautiful, truly spellbinding
An intimate connection...
That's what we are sharing

Having simple meals together
Indulging in chucklesome little talks
Laughing cheekily, we teased each other
Ambling along the smooth sidewalks

This deep affection
So beautiful, truly spellbinding
An intimate connection...
That's what we are sharing

Fulfilling your heart's desire
Appreciating your genuine kindness
Seeing you smile from ear to ear
Bringing back the long lost happiness

This sweet satisfaction
So beautiful, truly spellbinding
An intimate connection...
That's what we are sharing

Cuddling in your loving arms
Holding back my tears
Embracing me with your hidden charms
Taking away all my fears

This perfect expression
So beautiful, truly spellbinding
An intimate connection...
That's what we are sharing
#intimateconnection #answer #you #me #special
#beautiful #straightfromtheheart #perfectexpression

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