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The one who faulter
Always see the misuse of clausal
In words other folks utter
But their own level of blunder
Is beyond semantic border

When people see the Faulter
Their voice’s got to come down
I mean; they’d got to mutter
Or else he’ll out-hauled ya
And make y’all feel like defaulter

Anyway; don’t bother
He’s just a wave; I mean disturbance
Who’s trying to put you under
And make you feel like you’re smaller
With the hurting words he utter

The one who faulter
I see; you get phrasal appraisal
For those you syntactically ******
And those that you make feel like you’re worth than
And for your ballyhoo blabber

The one who faulter
Always note the mistake of others
See; the one who faulter
Always speak to impress
When others do express _ themselves __ he jest
Aiming to make them feel less

The one who faulter
I heard your first name is grammer
You’re the top gammer; infact you’re the alpha
But; how far
Is that a reason for you to see others as gamma

The one who faulter
Always put on his shoulder
You know; a linguistic hunter
With his fanatic grammer
But listen to this word-art
Fluency is not the portal
To a successful life span

Let’s put that aside
Why’d you act like you can’t commit liguicide
When none is above grammatical suicide
So, why give yourself ah heart-attack
Or pro’ly ended-up berserked

You call yourself a philosopher; I wonder
Have you win a soul over
Or it’s fun making heart sober
And de-philosophising others
But unlike them; your psych cannot put me asunder

The one who faulter
Tell me; what have you achieved
Beside you being a criticizer
Brother; don’t that make you a freak
Coz your mind state ‘s been altar

Now listen
Even scientist like newton
And others who invented interesting new thing
Don’t need your linguistic-type English
To express their point of view
Hope that concept gets to you
*
Anyway Mr Faulter
The aim of language is to understand each other
So, leave the grammatical slogan
For the linguish brother
More important; English is not the language of my ancestral father
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Blissful Nobody Jul 2014
if silence is a barrier, i would break through it.

if the echoing sounds still didn't stop, i would scream aloud.

then i would hear nothing but my voice so clear.
if my murky vision is a barrier, i would break through it.

if the hazy illusions still didn't go, i would close my eyes so tight.

then i would see nothing but the visions of my heart.
if my unsteady feet are a barrier, i would break through it.

if i still feared that i would fall, i would stop a while.

then i would know perfectly where to go and my feet wont faulter again.
if my shivering hands are a barrier, i would break through it.

if i still feared that the task would go wrong,then i will close my fist so tight and engrave my nails till i felt the pain.

then i would know that even if i didn't carry on, i would still hurt myself somehow.
if reality seems a barrier, i would break through it.

if i still feared my past haunting me,then i would work hard to convert my dreams into reality.

then however may be the situations i would survive.
KG  May 2014
Nakedness.
KG May 2014
As she took off her shirt on a one way camera.
She knew he only wanted to see her nakedness.
"because you look good in clothes but you
look much much much better naked"
All this love he proclaimed, where
only sweet nothing to tear her clothes off.
Her bra came off, then her shirt.
She laid there staring into text.
Not his face, not his voice, just words.
Thinking to her self, he's using me,
but I'm allowing it.
because all we will ever be is cam buddies,
where she was the center of attention.
AS if her nakedness could make him fall for
her quirky, clumsy hopeless romantic self.
All her bare chest could ever do is let him blow off some steam.
because "it's really **** when I can see them bounce."
On and Off that's what he liked about her,
he could let her go and know she'd pick up the pieces
until he came back to make her faulter again.
She was his slave, because no one ever made her
feel more like **** and a princess
all at once, than he did.
He was the monster in her heart with the resemblance of Gods.
For R.H. I may be in love with you, but you'll perhaps never feel the same. I'll be your slave.
Carl Barton Dec 2012
When you feel forever
LOST
impossibly gone.

You won't be
FOUND
Its not that simple

Just look to the stars,
WISH
believe it will come true

To simply hope is
PROFOUND
silly to even think it.

If you run, you're a coward;
although to stay is to die.
You must find your own escape...
How easy, if only you could fly.
Running gets you nowhere
when you're locked in this maze.
Somethimes thoughts hit you hard;
knock you out for a minute, maybe days.
Determined, you keep looking...
assuming this soon will end.
Yet these prison bars just won't break,
they don't even bother to bend!

Just lie on your back
RELAX
forget all else.

Stare into the beyond, the
EMPTINESS,
the abyss.

Make your wish, make it
COUNT
don't blow it now, just think.

In order to get out, get away,
ESCAPE
you can't afford to faulter, to miss.
Admire FromAfar  Jan 2014
Eunoia
Admire FromAfar Jan 2014
I am Eunoia.
I do not faulter.
Let me in,
Enjoy the splendor,
Of this new state of mind.
Amanda Blomquist Jan 2013
In this tangled web of energies
emerges truth ,
lined with golden love.

Tentacles grasp and hold,
striving to keep smiles alive and well.
Forcing back negative entities.
We rebel primal ways,
expanding facets of creativity

To push forth,
To push off,
To find yourself somewhere in between.

Sunken in the sidewalk’s crevasse.
***** and beautiful, the lotus blooms in harmony

We’re here waiting;
seeking.

Trying to balance this chaos we’ve created.

Calming minds and steadying tides,
the ocean pulls by Luna’s force.

The subtle aspect,
when we have no control.

The moon rises.
Bending blood;
bending minds, bending emotions.

All subjected to planetary reactions
and protractions.
Measured by our willingness to flow.

Desperately trying to find solace.

We cave.
We faulter, and give in to the moonlight.


Taking in all it has to offer
and becoming reborn within the sun.

A new birth in the light.
Refreshed and retrieved,
we emerge from our reckless physicality
and burst through in spirit.

Gods.
Beings.
Light bodies.
Humans.
Tangible, broken and beautiful.
Admire FromAfar Jan 2014
We'll synchronize our hearts,
And play sweet music to the beat.
Our love will be forever,
In our souls and in the sheets.

We'll bump and sway,
To that rhythm in our hearts.
And we'll never faulter,
To where it ends, from where it starts.

We'll listen to that melody,
Coming from inside.
And you'll know in your heart,
I'll always be by your side.
S Smoothie Dec 2016
unmotherly love envelops you in all your childish ways
snickers and jealousy
emotional vampira
vacuous hole holding love at ransom
unmotherly mother
narcissim reigns over your sadistic ire
never satisfied
manipulation and cunning
pander them to exact perfect cuts of pain from me
but this is the last heart bleed
this the last compassionate faulter
I am no longer your prisoner
my babes are safe in bough of my loving arms
a million miles away from your strategic abandonment of me
your Radom spates of visitational cruelties
it spread a generation too far
you went too far
It will no longer reign
My humility is gone I am the best version of every dream you ever had
and I did it on my own
despite the cruelty of your cold
a lesson must be learned
now I'll show you a mother with a fierce love
the mother you choose not to be
a lioness crouched over her cubs guarded by claws
though capable as my other siblings seem to attest
you only have interests for their best
no more last
no more future
no more past
you don't hurt me anymore
my progeny will rise to all they aspire
challenged and sheltered  
all equally loved
a child can not be her own mother's mother
you are nothing I need, now nothing I want
my only regret is, that I didn't leave your black hole sooner.
Oculi Sep 2022
Falling
Sinking
Drowning
Redemption

Steel
Blood
Exhaustion
Black­ness

Suppose to me for a second that you ignore the cultural barrier between the man standing in front of you and yourself. This man was raised in a far away land, whose people are PECULIAR in many ways, not quite fitting into any group you have heard of. He has, in the past been referred to, sometimes affectionately and sometimes derogatorily, as an alien. He is PONDERING. You can see it on the blank, nearly expressionless face that he posits towards this unblinking world he considers void of redeeming qualities. In his land, there is a PECULIAR saying, that he keeps repeating to himself, as though it was a mantra that could somehow save him from what seems, at this point, impending. He is PONDERING this saying. The way he recites it, sometimes quietly within his mind's eye and sometimes out loud, much to the dismay of those hearing him, is "Acting with the peace of the dead." which is an approximation of the way he heard it once, when his father said it to him as a child. He is unsure what this PECULIAR phrase has been doing in his mind for the last week. He is in a tall building, on the top floor, and he considers jumping out of a window every free moment he allows himself. He has, on occasion, realized his consciousness left him during the day, only to be roused back from his PONDERINGS by the sounds of objects and people that no longer exist. He hears the voice of Him, the man who swam before him, despite not knowing how to swim. He fears that his knowledge of swimming forbids him from joining Him. He does on occasion realize that his fear of not being able to swim with Him is what some would call PECULIAR. Some would explain that he needs to let go of these foolish endeavors and let the 4514 swim along the coast, soundly. His father would have told him about the days he PONDERED the window of his tenth floor apartment as well.
He deems long enough has passed. He opens the window, and manifest before him is a bridge of RAINBOW. He steps onto the bridge and loses control of his conscious mind.

Swallowed by the dread
Swimming with the dead
The station is unmanned
The operator's ******

Let they who art one with the endless ocean
The black and glintingly specked sea of tar
Encroach you and grasp at what you hold

Let them hold you down, down under
Suffocating the life out of you
Holding your throat until you drown

Let ye, fettered traveler, join us
We are a merry lot down here
This void, this black space we inhabit
It really isn't as scary as it sounds
There is love and joy and celebration
There is camaraderie, feasts
There are memories, in many which ways
There are dreams, and no nightmares
Let ye, shackled traveler, join us
For we have sang of your exploits
For we have cried for your sorrows
For we so desire to meet with you (again)
Let ye, battered traveler, join us
We miss you.
Your hugs felt nice.
We miss seeing you grow up by our side.
Even when far apart, we would always think of you.
We love you, and we wish you were here with me.

Suppose to me for a second that you ignore the difference of corporeal worlds between the woman standing in front of you and yourself. She inhabits a world of very little LIGHT. (Though there is some.) It is the middle of the night, which she is able to infer because even though her eyesight is as SHARP as ever, there is still absolutely nothing visible in this world. Though her other senses are, for lack of a better expression, quite attuned to this world, and therefore she can easily sense her way through the room she usually wakes up in. This, however, is not that room. She stumbles immediately, and falls, to a floor that feels much different, courser to the touch. The feeling of her heart welling up the usual anxious thoughts is not as LIGHT as it was a moment ago. She is in a deep state of panic. Of paranoia. Of fright. Of terror. The darkness feels all the more encroaching, all the more terrifying, in this new, unexplored room. White specks begin to cloud her vision as she stumbles around, wounding herself constantly. Bruises, cuts, trauma. She stays down, this time. There is a distinct coldness to the floor where she lay. She gropes around, and yelps in pain. SHARP. It's a knife! She grabs the handle of it. Quite LIGHT. She decides to test out the SHARPness of this knife and stabs at the floor. Nothing happens. Her heightened feelings of panic bring back memories, unpleasant memories, similarly involving darkness, knives and unfamiliarity. She can only see one possible way out, and concurs she'd like to see LIGHT at least one more time. She falls into a deep sleep, clutching her knife at her chest and dreaming of those folks of merriment.
She wakes, still as panicked as before, but sees that specks of brightness now form around the horizon far outside her room. They don't bring any joy to her, she just wanted to see them one last time.
She deems long enough has passed. She cuts into the flesh of her body that, through the darkness, she has never seen before, and manifest before her is blood. It is a stark, crimson color, a shade she has never once beheld. Then, as her senses begin to faulter, she looks again and sees more shades, all those of a RAINBOW. She brought herself joy by managing to create color in a world with none before her. She lets herself lose control of her conscious mind.

The woman and the man meet
A clashing of two different worlds
Two different times, yet at once the same
They both open their mouths to each other
No sound comes, they stand silent

THEY PONDER THE RAINBOW, ITS PECULIAR, SHARP LIGHT.

They stand together in the space that the choir mentioned in passing previously. Waves crash against them both, yet they stand unflinching, trying and failing to scream, yell, shout, anything that would make the other one understand. Their duality frightens them both, as though they know something the other doesn't. Finally, a voice booms, it is both of theirs and yet it is not. It asks the question that they both mean to phrase:
"I'm very happy to finally be here, but... where is everyone?"
Kaitlin Evers Nov 2018
Surpressed and hidden from my sight
God I need your voice and light
For distant memories and forgotten blight
I've been weak and shut them from sight
Easier for me to hide
And pretend, in no realm, do they abide
Kept secret so long it's hard to confide
I fear they'll excuse my faulter's side
Ignore my plight
I'll feel contrite
Convinced I've shown a twisted light
But NO! My words are not twisted
Though my eyes they have misted
My heart is a knot
The truth is rot
They may hide their face but I will not
I ache to stand and say, at least that I have fought
Seán Mac Falls Dec 2013
Rain dapples in fens of the marshland brooks,
Among the rue hillocks of the sapling woods,

What little peace may fall to drop the shivering
Leaves, rood of the sun, a crop, kestrels quiver

In midair, to keep as they sway into the stations
Of all minions moused who faulter in formation

And bright is birth, when night clothes the day,
As all the mornings long, song of hope, in May.
Bibhu  Oct 2013
Fear
Bibhu Oct 2013
Lips move in frenzy and I start to drift.
All fall out of sync and the loudness is swift.
A train passes by as mine derails.
I pull the brake but the friction fails.
I see many faces alive but they bleed.
They still shout with an unfathomable creed.
Back in the mass again where I was,
I feel uneasy to know that there’s no pause.
A cloudless sky runs with haste.
I see people eating with no sense of taste.
Surrounded with the filth I begin to wonder,
If in this storm there ever was a thunder.
I lock my jaws and unlock my mind,
with numerous toungues spelling curses behind.
I infer, I dceree and I pass my chance,
leaving my inmates with a courteous glance.
Now I am happy and I kiss my luck,
blaming the noise with which I was stuck.
I see a doctor to ask for a cure.
He sounds pretty sound and he knows it for sure.
In his words he tries to be quite precise,
”They talk a little crazy disproportionate to their size,
of things they know and out of their sight.
They run with a torch that bears no light.
They laugh, they mock and hinder your way.
They bet their back as much as they may.
They mumble, they chatter, they faulter and sigh.
They look back a lot to disguise a lie.
To hide their faces they wear those masks.
They’ll answer to all even if no one asks.
Their demeanor to you looks absurd because
according to them, ‘the effect precedes the cause’.
They always get paid to wear and tear.
It’s in silence they die. It’s loneliness they fear.”

— The End —