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blushing prince Jun 2017
What is literature to a convict?
with his name erased from his shirt, his memory
sitting in a warm chair
his only poetry is the girls he sees from across the glass
with jargon hanging from their sweaters
hem untied, tongue tied
“I want to live in a hotel” he tells his social worker
“all the way on the last floor at the very end of the hallway
I want the privacy in every suburban bedroom to be a joke
and I’ll laugh so ******* loud”
this prisoner has never killed a man
but his gums always bleed, like boiled beets
what is lost to a convict?
nothing, if you’ve searched long enough for it
“I don’t read, I have the best works inside my head
not memorized by pleasure, but by force
like a bullet to my knee, like a birthmark
not small enough to hide.”
“baby, I used to be a free man sometime”
and he was. He was free but he was also alone
a felon in his own right, grew a mustache
when he was only 15 and lonely
Walking alone one night he stumbled upon neon signs
upon god’s fruit, not everything is dressed in flowers
but a woman with caramel legs doesn’t need such luxuries
under dim lights, under smooth songs
this man found heaven to be boring
but the malaise in the gates of paradise
made candy melt down tight skin
“so this is fair. to be accompanied by hell
I could almost buy you a drink” he tells her
he tells her
he tells her
he tells her again
she smiles
this is not indulging
this is business
she used to write those words
on cigarette wrappers
until she could say it in her sleep
no love for poor men
and why does he wear a suit with a stain on it?
What a fool, she thinks
but this suit
this calamity of an accessory
was worn by that man’s
best friend
before, before the world turned cruel
before he knew what the difference
was between justice and closure
“sit down, tell me your bravery
spill it as easy as your skirt,
***** it as quick as the
dirt that’s been thrown on your face
you’re more than just
lemonade on a summer night”
but she swings her hair
and she asks for more
than a mortal man can offer
she wants the world
she wants the money he doesn’t have
and she calls him a thief
and she calls him a liar
and he’s left in a room
some bodies are nothing more than consolations
“I wanted more than a taste of life”
so he searches for her
but he gets lost in yellow taxi cabs
can’t decide whether he
should be in a hospital
or a cemetery
but he goes to a cathedral and
speaks with a priest
he beckons, he screams
he rips his hair off his head
in clumps they fall into his faded jeans
he clamors about the ****** he’s never committed
about how he just wants to be a famous writer
or a composer everyone cries to
he wants god to give him a bruise
he grabs the priests’ collar and kisses him violently
as the priest gasps for air, clutching nothing
all he wanted was a little peace, a little passion
why can’t you understand? None of this is carnal
none of this was made for the intention to be ****
he was sick of feeling ***** without ever being unclean in
the first place
and as he sat on the curb of that church, that solitary step
after being hurled by meaty altar boys
he wanders once more  
his crooked feet knocking posters and people
with closed eyes
until he reads the paper, until the obituary has her name
but it’s not her name he recognized
But her picture, the brutality of the night being exposed in daylight
he sees it everywhere, in the subway’s screens,
in the dry mouths of old men
there’s his ******, the one he’d been looking for all along
not committed by him
but a ****** nonetheless
set a flame for unforgiving service, for
inexplicable excess of satisfaction
set on fire like Salem witches
he wants to hold her hand one more time
it’s not the absence, but the obsolete
revenge, a platter served medium rare
what is vengeance to a convict?
an eye for an eye, a soul for a soul
he can smell the **** in everyone he crosses
he taps his foot in the downstairs
of the neon signs where he smells
nothing but sugar
and as they whisper in the dark
of the man responsible,
of the sentenced ready for his execution
he can almost taste him, running in shadows
and riding in comfort
Until he finds him at the bottom of a hotel
with his tie sloppily tied around his neck
and his eyes bearing the wicked semblance of a vulture
he goes upstairs
all the way to the top floor at the end of the corridor
and as he walks he can feel his steps amounting to something
this is what he was born to do, since birth these
were the footsteps he was told to follow
the death he was meant to document
savagely prepared for him to feast
he taps his shoulder after this ******, this sadist
has opened the door, ajar
clean and astute, clean cut
our inmate throws him into the
blow of hardwood floors, lamps flying
make his eyes go wild
his spit falling into the carnivore’s mouth,
he asks what is solitude to a slaughter
he trembles, he’s alive in this moment
wiping his mouth with the sleeve of his suit
digs his fingernails into the whites of
this ****** body and he cackles,
he’s a raven, ravenous
he’s a ghost ******* nothing but hot metal
grinding his teeth, blood flows out of sockets
the shrieking echoes, pain splinters the walls
but nothing is heard because no one is there
this is love, this is the romance he
always wanted
gouging the egg yolk out of another man’s eyes
our hero cries a primal cry
and repeats her name over and over again
like a prayer told too late at a sermon
and as he drown this poor man, who is
no vulture anymore, but a wet parakeet
he recites the words he had written into a paper napkin as a child
and if the first apocalypse ends the world in flames
the last Armageddon will end in a deluge
he watches the criminal’s head swells
drunken with happy fervor, he celebrates
by resisting arrest
what is literature to a convict?
his life told in verse
the catharsis this sad existence could never offer him
until it did
and he smiles
like a man that has known freedom only could
blushing prince Jun 2017
My father’s name is Adam.  As in apple, the core stuck to a throat halfway, jutting seed.
This is the middle name that the business world has no whereabouts of. It was bestowed upon
him, this name, I imagine like all things; deliberately searching the scaffolds of the bible with apprehensive sweat trickling through brown sugar colored foreheads. However there’s nothing
biblical about this man. He has six children, the most unlucky of all numbers.
Thus, I have 5 half-siblings. Each with identically strange sunken eyes and tired skin.
The same kind of shared headache. Like being submerged for too long. Like too many mistakes and too little oxygen.
I am unlucky number 6. An omen-child. Not the settling of dust but of the silent movement before
it was ever frazzled by frantic feet. The calm you don’t want to realize exists.
3 daughters and 3 sons because he was compulsively articulate and clean; a nasty habit of OCD that was coddled by the women that washed their hands twice and bit their nails until they bled.
You see, I never speak of them because they do not speak of me.
Memory is tricky. Sometimes you remember the smell of fried pork in hands that have known hard
labor and other times you recall perfectly the pirated DVD’s sold for a dollar down the street of your neighbor’s apartment. The distorted graphics on the front, the headline in Spanish and despite how many people are there buying these illegally distributed films you wonder why you feel ashamed and embarrassed when you tell your friends, if you tell your friends but you don’t.
I know of their existence, of where they are located and could be found easily, their names and what they do but if one was to ask me, I would not know their personalities, how they react to bad news or if they are fulfilled, whether they know that our psychological genetics are cloudy and erratic and that is why Sundays always feel sacrilegious. They are faces in a picture that I never had a need to frame.
Despite having the same father, we do not call the same man, dad.
There is a brother that lives by the beach with a guy twice his senior.
They share martinis and aged bottled wine talking about social movements and Bill Clinton.
You see, he chooses to cohabitate with a man he knows is living his last few years and not a person that tied his shoes until he was 7 years old because he was too busy making time for other kids, stretching himself for everyone else that he had time for no one. There are certain unforgivable things a parent can do, like leaving too early, taking off 5 minutes before when he could have waited 10, turning the lights off when they should have stayed on, always. Yet there is a certain kind of pressure that is put on someone that is no less human than anyone else. Someone that can draw architecture and buy ice cream on days when limbs are too heavy to go to school can’t be all bad. Despite the entire trauma, you still pray and rescue wounded animals and that is something that can only be taught and not learnt.
So as these estranged family members disintegrated and gathered informative pieces about me through loose lips curious to see if I would fail, ravenous to know inevitable tragedy.
I unflinchingly understood the arbitrary imaginative reel of what is to be alone. To grasp all things violent and horrific to witness and endure it with closed fists and well-aware eyes. To go on vacation trips and enjoy the sunburnt noses of tourists waving their flyers in the air like flamingos flapping off the insects from their pink wings. Instead of playing in the sand with a second pair of hands and having inside jokes there was a long inspection of scars and the way adults consulted with other adults by trying out different words like masks hoping to impress and even humiliate the other with their colorful lyrics but after all only jargon.  
My father’s name is Lazarus. As in open tomb, cheating death with the sweet victory of another pulse.
I often dream about his funeral. The day when there is no father to blame, no man to pin my overzealous heart of anxiety. To face a family that is neither welcoming nor reproachful but is always silent. Just dagger glances, fang and hiss.  I wake up in sweat. Sometimes it is because I am there and the casket is open but he’s laughing and no one showed up, there is no wind and my legs feel like a tube of jelly, microwaved honey. I try to say the things I’ve always wanted to tell everybody that has ever had anything to do with me, the apologies I shouldn’t have handed and the truth I should have had memorized anyway. But I just end up spitting seeds, a million of them flowing out of my hands dragging me out like a million wingless flies rejecting the tears that I cried for all the wrong reasons.
Other times it is crowded with people I didn’t know about, wasn’t aware of like searching through a private drawer and finding *** toys or things you wish you hadn’t discovered and the casket is empty, there is an imprint of a body but no one resides inside until the floor drops and there are stairs I’ve seen before, somewhere at some point. When I get to the bottom there’s a whisper
“where can I find you if not in here, on skin that is my own, on a forehead where no one asks if it remembers Chinese food and the pinch of birth.”

I love my father but I would never tell him no not directly.
I love him to death and am relieved to know
I will never be a dad.
Never be a forced hero.
Never proof of something that wasn’t trying to hide in the first place.

This is a letter to strangers, a dissertation, repertoire
to people I have known but have not fully held
to the ones that I am bound by blood but would not
recognize in a crowded room
out of all these ambiguous characters
I am unlucky number 6. An anomaly of chance girl. Not the settling of dust but of the silent movement before it was ever frazzled by frantic feet. The calm you don’t want to realize exists.
blushing prince Jun 2017
The man who wears a leather belt and uses sensible words
loves her in cobalt violet, in the streaks of a hazy violent sky
after a storm has passed and she lets him
he claims that the egg people are coming, they’ll bring with
them handful of gifts of glory, of the things people hide
in the crevices of sidewalks, in the spaces where identity cards
are devoured by the teeth of the unknown
the television is always on and the static that surrounds them
is the serenading music she listens to before she falls asleep at night
she pretends that love is painting one’s nails while the other
loses their mind
as he laughs at the invisible neighbors outside the window
his bones can smell the coming of the apocalypse
and it’s not in the form of a swarm, or a flood
it comes in the bodies of girls with strawberry blonde
hair and that’s why he’s so drawn to her
and why his mother was swallowed by the earth
she learns that illness comes in permanent mauve
the walls of her room are covered in that hue
the boy she sneaks cigarettes from at the diner
in his car the color is almost a tangible personification
the smoke blows out into the crisp air like a bag of potato chips
the lungs constrict and expand
the thoughts hindered from years of yielding to the yellow sun
with the ****** robe
the child, the woman, the human lives in ****
but the thinker manages to escape years later
and live in the suburbs on an easy paycheck from
foolish strangers that believe that gasoline is a cheap party trick
and a fantastic high
she doesn’t recognize touch anymore besides
the harsh graze of asphalt hitting her knees
people seldom realize that freedom is not in
the way your toes curl but in the way they finally unfurl
how curious you can spot patterns where there are none
to be rescued does not always come in the way of clean arms

She loved him in transparent maroon
the grasp of warm sand kissing you gently
blushing prince Jun 2017
you’re a shy hiss
her voice echoes, whispers through the
stringy hair of green overgrown grass
I’m not the sister you knew all those years ago
the gods have been dangerous to me
in the city of root rot in between the cashmere sweaters
you stole from heaven, from shopping windows
the harvest is unfinished, as the gladiolas bow in prayers
for the follies underneath my petticoat
you wanted the birds to sing but now they scream
for the arrival of summer in the veins I consider
abused blue but have always been crimson sugar
I want to reach out and hold your hand
but it’s foreign now, the youth like creeping vines
that we clung to have vanished
leaving residuals of a wasteland that we once considered
home, manicured to remind you the letters you
threw out of your mouth from the roofs of
sunset apartments
the drugs you hid in the eye sockets of boys
that would eventually be murdered in ally streets
in downtown LA  
adulthood didn’t come in a red box
it came as mother death, knocking her meaty hand
on the door, uninvited and unintentional
as she rubs her temples with the bones of
the misguided
I’m grown don’t you know, you exclaim
I know the difference between the red rose
and the sick serpent underneath it
sure the children would think you crazy before
but when you talk about the rats always clawing
at night at the ceiling of your mouth
you know to laugh, you know that the wallpaper isn’t
shifting for everyone but it’s the gift of
knowing that there’s always two sides of things
that keeps you grounded
in the ever shifting quicksand of this moderate
temperature room for the easy living
blushing prince Jun 2017
It’s no longer burn the witch
it’s drown the ******
purity only attainable when it’s served
as a death dessert, martyr Mary
do you understand TV dinners
made the housewife go extinct
or berserk, I think that’s how it goes
catching their heads in ovens as protest
but listening came in through the door
as a catcall, festering on ottoman chairs
smoking that new cigarette with a cautionary
tale at bedtime
the ends  being ground, like the beef
that we’re all guilty of starting between
sighs, or the coffee beans blistered
trying to come up with an excuse as to why
high heels won’t break that man’s spine,
and it won’t in that new suit he’s so possessive of
because he paid for it with the sweat of his back
as the gaggle of his fellow businessmen
scuffle over who gets to lick the perspiration
that earned him that respect, that bought
the privilege of feeling like a man that stands out
from the wolves in offices, waiting at midnight
for the froth to begin to foam and to
claw at reasons why the bed is always empty
when he’s everything everyone wants to be
and I think you begin to sympathize,
I think you begin to understand why
balancing a ballpoint pen between your
forefinger and thumb is equally as
drinking the cup half full
the modern man with his chiseled teeth
and overt way of speaking throws
up at the American Dream, standing
naked in the glory of publicity fame
there’s too much lights, the makeup
is too intense
the crown of jezebels
Belongs to the hardworking man
with the unkempt lawn, and the
natural features of a god
it’s no longer burn the witch
it’s freeze the *****
while they stand flirting
with the boondocks trapping
fireflies and weak Christians
in their hair
and will you listen to me now?
as the hordes of provoked
believers stand in crowded
bars and in your own home
******* themselves mentally
as they chew and spit
into each other’s mouth
what they’ve always wanted to hear
and the pleasure comes from
not knowing and not wanting to know
and will you touch me now?
that the fantasy is created in your own image
and will you worship me now?
that I agree with these shackles
telling me that they were always meant to be there
that ******* is next to holiness
and will you accept me now?
that the book has been rewritten
and the villain is not you nor me
but the refrigerator with the lizard
that tempted humankind and
banished them from ever entering paradise again
and will you **** me now?
that comedy is only worth in whoever
has the longest tongue
in order to understand you must first listen.
blushing prince May 2017
There are two types of secrets
the ones sworn under oath never to tell anyone
whispered in crowded hallways
and while getting cold water from the corner store
and the ones you weren’t supposed to hear
the ones tossed in the dark, the ones forbidden
under the fingernail sensitive
top of the tongue scalding, threatening to
taser your skin with the weight, the electricity
that these words hold suspended in thick air
every Sunday evening I would listen to the
perfect consonants through the wall
the sacred sermon my mother and father would ritualize
the stories from before child, B.C
it would start with a question, so daintily pressed through
gleaming teeth
and he would bellow triumphantly about the hero within him
the time he intervened between two bloodied men with
pulpy faces touching with the grace of dancing gods  
his fists gracefully gliding between a pool of face
and can’t we calm down, and can’t we breathe the hot asphalt
of the day, the gravel of car exhaust ******* out
our sweat, I think you can
and these men with missing teeth and missing souls
would spit but their heads would level and my
heart would soar up through the ceiling, flutter right out
through
but these fairy tales were also horror stories
about the time the man was a boy and his father would
chase after him with a crowbar never to return home,
running barefoot through the hot concrete of the streets
causing blisters to appear like water balloons
popping them like the lungs that burst that day
but nothing but tears exploded out of them
and I thought I understood
the legend of the damsel in distress
my mother waiting by the door, waiting for the burns to fade from
her skin, waiting for the roof to cave in like the feelings
she promised she would swallow with cough medicine
and funerals are only birthday parties when you’re surrounded
by death, oh to be young
but then the secrets started to venture out of the confines of
my home, spilling out of my bed to become
real stories I told myself at school when I didn’t have
a Band-Aid for the scorching burn of sitting all alone
so I started living them, as I sat huddled in the bathroom
envisioning a toy cowboy stranded in the middle of the
bathtub, repeatedly soaked to make his clothes almost sun
bleached and his smile submerged, blotting, erasing
teaching myself that there’s no such thing as free will
when decisions are made for you
and this toy cowboy with his gun perched politely on his hand
Ready to deal some bullets or a handshake,
I never knew which but it didn’t matter
when there wasn’t conversation exchanged and
I wondered if he tried to escape when I wasn’t looking
did he feel like a goldfish in a bowl
his reality distorted, the glass too thick to realize
there was more than loneliness, more than
constant drowning, that being cold wasn’t a
state of being
no I don’t think so
that was the big secret you see
listening when one has nothing to say
you pick things up like lost puppies
or thumb tacks left on the floor
or you lose them like bobby pins and self-made money
my memories, my worst enemy
coming to an empty house at age 13
no home-made meal like pressing my face against
the carpet, being stealthy quiet
until I heard sound downstairs
the neighbors, the clatter of dishes being distributed
around the dining room table
laughter and television news about the ****** of a
teenager being shot outside his front yard
and this was my bread and butter
screaming of kids wrestling about who gets the
bigger piece of cake
the movement of chairs, the kissing of feet
walking from one room to the other
and although these mumbles didn’t tell their story
it told mine
the living room turning from bruised peach
to melancholy blue, solitude buzzing
through the creme brulee walls of my parents
studio apartment,
the tapping of a faucet, the slight erratic breathing
of a pipe leaking gas nearby but I survived
there are two types of secrets told
the ones you’re supposed to listen to
and the ones you forgot you knew
blushing prince Mar 2017
There’s a feeling one gets
oftentimes evoked when people wear clothes too tight for their skin
or hotels by the ocean that have pools
and you wonder if the pool gets jealous
does its’ hands get clammy
does its’ mouth quiver with wondering
why it tastes so much like bleach
and if it feels as exposed as a schoolboy’s battered knees after Sunday mass  
and the feeling is reiterated once more
this cramp of the foot, this skipped heartbeat you become so fixated on
As you watch the old man on the crowded subway
pick at his scabs, the ones he got when he was 23 or 24
he can’t quite remember anymore but it’s hard to remember
such fine details when your clothes smell like ***** and your
children don’t visit anymore
so now he’ll sit on anything that moves as long as it propels him forward
as long as he doesn’t have to see the wrinkles
in between the birthday cakes and the heart medicine that
he’s supposed to take but what’s a chemical to a heart
and what’s a heart to an electrical socket someone with
a medical degree keeps poking at  
so this feeling starts getting a name, starts calling cabs and giving them fake addresses
starts moving in and calling itself mister Al on week days and Sister Wendy on the rest
and now the soap stops cleaning and your hands becoming red with scrubbing
some internal message you were supposed to detonate as soon
As you graduated college but the degree was burned in a fire
and all the things you were taught were sold at half price in local yard sales
and so you stop eating dessert for dinner and stop living and
start recollecting, start rewinding the past, time traveling back to a
time when the sun would hit your eyes as you walked crooked streets
the pavement cracking like frost of a glacier in mid September under your feet
and as your voice gets low you smell the scent of lilac flowers in a basket
carried by a woman in threads of agave and cotton, colorful shawls draped
Across her bare arms, wearing rosaries in both her hands chanting words
that you could almost know but you don’t, asking if you’ll buy the flowers
made by the tears of god, crafted by the arthritic hands of mother Mary and
Don’t you just love the virginal white of martyrdom
but there are stones being thrown across the street by rude boys in t-shirts
long enough to be dresses, jeweled numbers on their backs like football players
or prison inmates and the distinction is not as clear
as they ricochet off the tough brown skin of the woman
you begin seeing embers of scarlet and it’s beautiful in the way
the slaughter of a thousand roses by the hands of scissors is beautiful
but the taste of disgust is not far behind,
and you wish the lilacs were a shield of ivory armor
And you wish the boys were boys and not men
there’s a feeling one gets
and I’m afraid you’ll always feel the feeling
like the peel of a peach
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