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Grahame Jun 2014
A  MOONLIT  KNIGHT.

Fern rises and looks out of her window.
Silver shards of moonlight lick the lawn.
She who once felt gay and oh so joyous,
Now feels oh so desolate and lorn.

Will she ever find true love again?
She before has never felt so low.
Should she, for love, continue searching?
Or give up by ending it here and now?

Outside, all is monochrome and still,
Inside, Fern is still and very sad.
Will she feel happiness again?
Who knows how long she’ll feel this bad?

At the stroke of midnight, there’s a change,
There seems to be a disturbance in the air.
Gradually something seems to materialise
On the lawn, a shape, come from where?

It is a knight, armoured cap-à-pie,
On a horse, for war caparisoned.
From his saddle hangs a jousting shield,
A silver moon on it is designed.

A white plume is mounted on his helmet,
On his lance a white pennon is tied.
The knight looks at her, at her window,
Silently he sits and does bide.

He raises a gauntleted hand and beckons,
Should she stay in, or venture out?
In her white nightdress she goes downstairs,
Deciding to see what it’s all about.

Cautiously she opens up the door,
And putting her head out, looks outside.
The knight still sits, patiently waiting.
Fern wonders what might now betide.

Slipping on an old pair of shoes,
She slowly walks over to the knight.
In her wake she leaves a dewy trail,
And as she nears, the knight fades from sight.

Fern wonders what this all might mean,
Is she dreaming or is she awake?
Is, what she has seen, been real?
Or has she made a big mistake?

Then, whilst standing there in wonder,
She happens to look down at the ground.
Where the knight was, the grass is trampled,
As though a horse has curvetted around.

Then she hears a sound from behind her,
And startled, Fern quickly turns round.
Her house no longer seems to be there,
In its stead, a keep there is stound.

The sound she hears is a woman calling,
“My Lady, please come back here inside.
You shouldn’t be alone out in the dark,
Please come back and in your chamber bide.”

The woman, from a window, looks at Fern.
“Excuse me, are you addressing me?”
Fern directs the question at the woman,
Who replies to her, “Of course, my Lady.”

“’Tis not safe out at this time of night,
And you are in your night attire dight,
So if someone, of you, catches sight,
You’ll not be seen in a good light.”

Before Fern can think of what to say,
She hears the sound of a galloping horse.
It is getting nearer in the dark.
She hopes that things will now not get worse.

“My Lady, quickly, please get you inside,
Do not just stand there as if dazed.
Hurry now, before it it too late.”
Fern, though, does stand there amazed.

Approaching through the night is a horse,
The one she’d seen before on her lawn,
The same knight is seated on its back,
Though now the pennant on his lance is torn.

The horse stops right next to Fern,
And caracoles to bring them face-to-face.
The knight lowers his lance to show his pennant,
Which Fern sees is a torn fragment of white lace.

The knight again does sit in stilly silence,
He waits, and does not make any demand.
Then lowers his lance to touch her nightdress’s hem,
When suddenly, Fern does understand.

The hem of her nightdress is lace trimmed,
So Fern bends, and seizes it in hand.
Then with a sharp tug she tears it off,
Removing it in a single strand.

The knight raises up his lance higher,
The old lace, from the lance, Fern does remove.
Then ties the furbelow on very tightly,
Saying, “Please take this favour with my love.”

The knight dips his lance in salute,
Then turns his horse, back down the road to face.
His spurs lightly touch the horse’s flanks,
Which straight away gallops off at pace.

Fern walks across to the keep.
The woman opens the main door wide.
Fern steps across the threshold,
And now, in her own house is inside.

She turns to look back across the lawn,
Which is still lit by the silver moon’s light.
The lawn is now smooth and unblemished,
With no marks caused by the steed of the knight.

Fern goes upstairs to her bedroom.
Has this all been a dream ere now?
Then, as she gets back into bed,
She sees her nightdress lacks its furbelow.

Fern remembers her nightdress has a pocket,
And into it, her hand she does place,
Then, to her utter amazement,
She pulls out a fragment of torn lace.

Fern wonders at what’s just happened,
Was it real, or only in her mind?
If it was just her imagination,
Why has she been able, the fragment to find?

Eventually Fern drifts off to sleep,
Waking with the chorus of the dawn.
Although she doesn’t think she has changed,
She no longer feels quite so forlorn.

“Why does the knight appear to me?
Why has he only come at night?
Is he trying to find out if he’s wanted?
Is he trying to make something right?”

Later on that day Fern walks to town,
And heads for the library to find,
If there are any references to knights
That might help to ease her troubled mind.

Fern does find a story of a knight,
Who had a moon device on his shield.
He was very brave in the fight,
And to a foe would never yield.

He had been commissioned to take a message,
To a lord, by order of the king.
It was to be delivered urgently,
And he was not to stop for anything.

He was nearly there when something happened.
By the side of the highway lay a maid.
Being a chivalrous knight, he should have stopped,
Instead, he carried on, not giving aid.

He delivered the message to the lord,
And later was seated, drinking in the hall,
When there entered in some serving men,
Carrying on their shoulders a shrouded pall.

They lay down their burden on the floor,
And without having said a word,
Reverently uncovered the face of a body.
It was the lady of the lord.

Then entered in another knight,
Who stepped up to the lord, and said,
“On our way here, we found your lady.
She was wounded, and now, alas, she’s dead.”

The other knight continued with his story,
“Seemingly, she had been robbed and *****.
There was no sign of the perpetrators,
We think they’d been disturbed, and then escaped.”

“Perhaps if we had managed to come sooner,
We might have been there to prevent this crime.
However, it seems the Fates conspired against us,
So we were not there to help in time.”

The Knight of the Moon sat there horror-struck,
He knew if he’d not been so keen to arrive,
Though helped, as his conscience had dictated,
The lady might yet even be alive.

Instead of speaking up, he stayed silent,
And never about this matter spoke a word.
Then he rose, and gave his condolence,
And went out from the presence of the lord.

The lady was removed to lie in state,
The Knight of the Moon went, to look at her face.
He knelt there in silent prayer awhile,
Then, from her dress, removed a length of lace.

He accoutred himself in his full armour,
Then rode from the keep that very night.
He left a note, stating his omission,
And of him, no-one ever saw a sight.

Fern is very sad to read this story.
What had then been in the knight’s mind?
Had he ridden off to end his disgrace,
Or the perpetrators, gone to find?

Fern now makes her thoughtful way home,
Hoping he’d found surcease from his torment,
Wondering what to him had befallen,
And if, for his lapse, he’d made atonement.

Fern reaches home rather tired,
So lies down on her bed, then falls asleep.
She dreams of knights in armour and fair damsels,
And jousting in the grounds of the keep.

Eventually, Fern wakens from her slumber.
She lies for a moment in her bed.
Yet again she thinks about her dream.
Was it real, or made up in her head.

“Perhaps,” she thinks, “I’m just on the rebound,
Because I’m still in mourning for my love.
And being of a romantic nature,
Dreaming of knights this does this prove.”

“Knights should have been chivalrous and kind,
Treating damsels in distress with care.
Except, when a knight I truly needed,
As it happened, there was not one there.”

“On that night, if we’d had some help,
My husband might still be alive.
Now, he has been taken from me,
And I feel that alone I cannot thrive.”

“However, life must go on as usual,
I should carry on, if just for him,
And so, perhaps, I should cease this moping,
And try to get on with my life again.”

So Fern gets up, refreshed from her nap,
Then decides, after eating, to go out.
That she must now get herself together,
Fern is not left in any doubt.

“Perhaps a short drive into the country,
And to stretch my legs, a gentle walk.
However, I will get on much quicker,
If I do not, to myself, talk.”

Fern puts on her coat and gets her bag,
Then goes out and walks to her car.
This is the first time that she’s driven
Since losing him, so she’ll not go too far.

Fern unlocks her car, and sits inside,
Then she is overcome with fear.
“Suppose, now, I am too scared to drive.
Perhaps I’d feel better if help was near.”

“Come on Fern, pull yourself together!
Feel the fear and do it anyway!
If you don’t do it now, then when?
Start the car, and let’s be on our way.”

So having given herself a little lecture,
Fern belts up, and pulls out of her drive.
Then, not really knowing where she’s headed,
Off she goes to see where she’ll arrive.

Fern motors out into the country,
And following a lane, drives up a hill.
At the top she parks and gets out.
Everything seems peaceful and so still.

She aimlessly ambles round the hill top,
And reads a notice saying it was a fort.
Then, Fern drifts off into a daydream,
And views the panorama without thought.

In her mind’s eye she sees a castle,
Decorated with many banners bright.
A tournament seems to be in progress,
And the winner is, of course, her moonlit knight.

Eventually, Fern becomes aware,
That she has gone some distance from her car.
So she slowly makes her way back to it.
She hadn’t meant to walk quite so far.

The shades of night are now falling fast,
And everything is starting to look grey.
So Fern unlocks her car and gets inside,
Ready to be getting on her way.

Slowly, she starts off down the hill,
The lane is very narrow with high hedges,
The moon is hidden behind some lowering clouds,
The track’s overgrown with grass and sedges.

Somehow, she’s gone a different way.
In the dark, everything seems wrong.
Fern is now starting to get worried,
And wonders why the track seems so long.

Eventually, she debouches onto a road,
Though she is not sure exactly where.
Fern is by now really anxious,
Then suddenly, gets an awful scare.

It looks just like the road they had been travelling,
When her husband lost control of the car.
It had skidded, spun and then rolled over,
The door had opened, and Fern had been flung far.

Her husband had still been trapped inside,
When it suddenly erupted into flame.
Fern could only stand and helplessly watch,
All the while loudly screaming his name.

No-one was around at that moment,
Perhaps someone might have pulled him out.
Then, as other motorists arrived,
They phoned for help, while listening to Fern shout.

Quite soon, a fire-engine came,
Closely followed by an ambulance.
The fire was eventually put out,
And Fern driven off still in a trance.

That had been several weeks ago,
And Fern has not since passed that place.
Now, it looks as if she is there,
And will, her darkest moment, have to face.

Then, to her horror, she sees a shape,
Dimly lit by her headlamps’ light.
It is a fallen motorcycle,
And the rider’s lying by it, just in sight.

Fern stops her car, and runs up to him.
Perhaps she can be of some aid.
As she approaches, the man gets up,
While a voice behind her says, “Don’t be afraid.”

“You just do exactly as we tell you.
We only want your money, and some fun.
Then, you can be on your way.
Do not even think of trying to run.”

The first man picks up the bike,
And pushes it to the road’s side.
The other man comes up close to Fern,
Who wonders again what might betide.

The wind blows the clouds across the sky,
Bringing the bright moon into sight.
The road that ’til then was hidden in darkness,
Is now lit with shards of silver light.

Fern then hears the sound of a horse,
Approaching through the wild and windy night.
The jingling of trappings can be heard,
And Fern thinks that now all will be right.

The courser slowly comes into view,
With the same knight seated on its back.
His lance is not couched, it’s held *****,
And the reins are loosely held, and quite slack.

Casually the steed comes to a stop,
And lowers his head to nibble at some grass.
The men, uncertain, both watch the knight,
While each wonders what might now pass.

One of them goes up to the bike,
And opens up the box on the back,
Then takes from it two crash helmets,
And a length of chain, which dangles slack.

He throws a helmet to his crony,
And they each fasten one upon their head.
Then they both turn to face the knight,
Who has not a word utteréd.

The one with the chain lifts it up,
And menacingly starts to whirl it around,
Then slowly walks towards the knight,
Who casually sits, not giving ground.

The other man reaches into his pocket,
Pulling out a wicked flick-knife,
And then, letting the blade spring open,
Prepares to join in with the strife.

He circles round the knight to the rear,
As the other man comes in from the side,
When the knight drops his lance into rest,
And suddenly, off he does ride.

He charges away from the men,
And gallops right past Fern at full speed.
Then, his lance aimed at the motorcycle,
He urges on his racing steed.

The lance pierces into the fuel tank,
And knocks the bike over in the road.
Petrol gushes out in a torrent,
And soon over the tarmac it has flowed.

The lance is broken in twain, the knight drops it,
And very quickly turns his horse about,
Then as he gallops back past the bike,
Both of the men start to shout.

Sparks from the horse’s hoofs come flying,
Igniting the petrol on the road.
Fern gives a shrill scream in panic,
Thinking that the bike might now explode.

The man with the chain wildly flails it,
Desperately trying to hit the horse’s head.
The knight strikes the man with a morning-star,
Who drops down, just like one who’s dead.

The knight then dismounts, drawing his sword,
And silently strides towards the other man,
Who flings away his knife, and starts running,
Fleeing just as fast as ever he can.

Fern sees the fallen man get up,
Rising groggily to stagger to his feet.
He looks at them, and then he turns away,
Slowly stumbling off, not yet too fleet.

Suddenly, the night becomes quite dark.
Clouds again, do the moon obscure.
Fern turns to try to thank the knight.
He’s gone, though she now feels secure.

Confidently she walks towards the bike,
And sees the lance by the fire’s light.
Fern bends and unties the lace from the lance,
And slowly walks back with it through the night.

She reaches her car, and gets inside,
Then starts driving off to get back home.
Belatedly thinking of her husband,
And wondering what next to her will come.

Safely arriving home, Fern parks the car,
And getting out, she sees on the lawn,
A pavilion has there been erected,
Turned rosaceous by the coming dawn.

The horse is also there, grazing tackless,
And by the entrance hangs a well-known targe.
Fern carefully goes and looks inside.
The pavilion’s quite small, not very large.

She sees the knight, kneeling on the ground,
His head bowed, as like one in prayer.
He holds his sword in front, just like a cross,
Of her, he seems not to be aware.

Quietly, Fern withdraws from the pavilion,
Then thinks, of the horse, to get a sight.
It’s nowhere to be seen, she turns around,
The pavilion’s now bathed in golden light.

As Fern stares at it in wonder,
See thinks that she can hear an ætherial sound,
Like a choir of heavenly angels singing,
And the pavilion vanishes from the ground.

Fern sees only a sword, stuck in the lawn,
And hanging from a nearby tree, the shield.
Then reliving what occurred in the night,
To tears of relief, Fern does yield.

She wonders if the knight has been translated,
Having now atoned for his mistake,
And Fern hopes that he’s managed to find peace,
For risking his life for her sake.

Fern hangs the sword above her bed,
And fastens the shield over her door.
She feels much more confidant now,
And is able to do so much more.

Sometimes though, when the moon is full,
Fern goes outside at midnight,
Carrying in her hand a strip of lace,
And seems just to vanish from sight.

At that time, if anyone was around,
They might then hear an unusual sound,
As though a fully accoutred
Erin Suurkoivu Sep 2016
Night lowers its curtain of silence,
my only time to steal away, and
**** the flavour out of every
lovely rind.

It is its lime
bitterness,
mine to enjoy.
If only I could taste it.
Featured along with other fine poems in my poetry collection, "Witch", available on Amazon or through Lulu.
Irony Aug 2015
Yes, sir, I want you to spank me
With that hand I know so well
It is more than just five fingers
It’s the reason I rebel

Yes, sir, I want you to clank me
In bonds of silver and gold
Chained, I’m a precious gift to you
Unwrapping me never gets old

Yes, sir, I want you to yank me
Down on the floor to my knees
My gaze lowers at your command
I’m eager to do as you please

Yes, sir, I want you to flank me
Punish me from every side
I know I’ve been a naughty girl
Needing discipline you’ll provide

Yes, sir, I want you to crank me
Up to writhing ecstasy
Don’t stop ‘til I ******* beg you
Your tough love is what sets me free

Yes, sir, I want you to thank me
For being your precious pet
Even though I disobey you
It’s clear you love to see me sweat

Yes, sir, I want you to spank me
With the implement of your choice
Make it hurt to make me happy
In your dominance I rejoice
Psychology says, the more loving you are, the more painful it feels when a person fails to realize how much you care for them.
.
2. Psychology says, being able to instantly respond with sarcasm within seconds of a stupid question is a sign of a healthy brain.
.
3. Psychology says, people usually leave because it's easier than working things out. People lie because sometimes it's easier than being honest.
.
4. Psychology says, being angry and bitter destroys you mentally, lowers your IQ & can literally shorten your life.
.
5. Psychology says, the person on your mind while you're unable to sleep is usually responsible for your happiness, pain or both.
.
6. Psychology says, kissing causes a chemical reaction in the brain which lowers a woman's risk of suffering from depression.
.
7. Psychology says, we seem to ignore the ones who adore us & pay more attention to those who ignore us.
.
AGREE ??
Karijinbba Apr 2020
Not a poem,;

A Repost:
Stay healthy beloved readers. I send you all my healing love:
~~~~~~~~~~~~~
Use apple cider vinegar or any vinagar asap even if you feel no tickle add sea salt gargle gargle gargle every hour if possible before and after eating! Or blend garlic and add vinagar gargle it!
men please do it! Go bathroom kitchen sink and look up at the ceilling open mouth wide gargle deep it shall burn a bit spit it out  do it sgain many times until it hurts no more.
Acid gets virus hiding in throat to come out and avoid getting the bicho nano bug into your lungs!?

A healthy immune system begins in the gut with a healthy balance of beneficial bacteria.

For far too many Americans, Candida overgrowth compromises the immune system, as it is constantly fighting the battle to keep Candida in control
If you do become ill, DO NOT feed the virus or the Candida with sugar. Yes, you need to drink a lot of fluids, but don’t drink sodas and sugary juices at this time. Cranberry unsweetened read lable cocktail has sugar get unsweetened one or grandberries fresh into blender or lemonade with stevia is a good choice. Try it warm or cold.

Gargle. Gargle. Gargle. Gargling lowers the viral load, leaving your throat body with fewer invaders to replicate.

So sip on this Mother Earth Organic Root Cider warm. Cold’s and flu often start in the throat or the nasal cavities.
At the first sign of a sore throat or sinus infection, sip on the root cider! If you don’t have it, use apple cider vinegar
Also flush your nose deep each side lean over sink to right and left sides flush nose for God's sakes alternate sea salt baking soda or use vinagar to nose too!? Rubb garlic on your nails eye bows.

Also, remember that a fever is one of nature’s means to fight infection.
Of course, you don’t want it to get too high (higher than 102) and drink plenty of fluids to prevent dehydration.
Filtered apple juice has boron brings down fever fast 4 to 6 onz every hour or if too sweet delute it half water half juice!
Vitamin A, vitamin D, vitamin E, and vitamin C are all vital nutrients for the immune system.
If you have any lip mouth sores you need to ballance minerals too much vitamin requires minerals fulvic humic

If you take high doses of vitamin C to fight a virus, remember that you should not abruptly stop taking vitamin C.
You should titrate down.
Vitamin C is needed by the immune system to make interferon, which the immune system produces to protect healthy cells from viral invasion.!!!

Zinc has been proven to be effective against the common cold and to be effective as a topical treatment for ****** sores.
ZINC It is believed to be effective due to preventing replication of the virus.
The immune system needs selenium to work properly and to build up the white blood cell count.
Berberine is an alkaloid compound found in several different plants, including European barberry, goldenseal, goldthread, Oregon grape, Phellodendron, and Coptis chinensis.

It has antibacterial, anti-inflammatory, antiviral, anti-parasitic, and immune-enhancing properties.
It’s been proven effective against a vast array of bacteria, protozoa, and fungi.
It can be used topically on cuts and other wounds, and it’s perhaps most commonly used to treat gastrointestinal issues.
Probiotics are always helpful in maintaining gut health, especially when the body is under a viral attack that involves the digestive system.
Probiotic foods and drinks without added sugar can help maintain a healthy balance of bacteria.

Garlic is anti-viral, anti-fungal, and antibacterial.
You can take garlic in a tonic or if you can handle it, chew raw garlic.
It not only will help fight the virus, it will help **** any secondary infections trying to take root.

Echinacea not only supports the immune system, it also has been proven to reduce the severity and duration of viral infections.

Colloidal silver is believed to interfere with the enzymes that allow viruses (bacteria and fungi as well) to utilize oxygen
A double-blind trail showed elderberry extract’s ability to reduce symptoms of influenza and speed recovery.

It also showed elderberry’s ability to enhance immune response with higher levels of antibodies in the blood.
It is believed to inhibit a virus’s ability to penetrate healthy cells and protect cells with powerful antioxidant S. Elderberry has also been shown to inhibit replication in four strains of ****** viruses and reduce infectivity of *** strains.

The flavonoids in green tea are believed to fight viral infections by preventing the virus from entering host cells and by inhibiting replication.

Though double-blind clinical trials are needed, olive leaf extract has been shown to inhibit replication of viruses. In one study, 115 of 119 patients had a full and rapid recovery from respiratory tract infections while 120 of 172 had a full and rapid recovery from viral skin infections such as ******.

Pau d’arco has been used in indigenous medicine for generations. One of its compounds, lapachol, has proven effective against various viruses, including influenza, ****** simplex types I and II and poliovirus. It is believed to inhibit replication.

Studies have shown that glycyrrhizin, a compound found in licorice root was more effective in fighting samples of coronavirus from SARS patients than four antiviral drugs. It reduces viral replication, cell absorption, and the virus’s ability to penetrate cells. It is also being used to treat ***.

St. John’s Wort has been proven effective against influenza, ****** simplex, and ***.

If you’re prone to viral infections or are dealing with a chronic infection like ***, as mentioned above, the first step is to get your gut in shape. This is absolutely imperative. The best article to do that with is Best Supplements To **** Candida and Everything Else You Ever Wanted To Know About Fungal Infections & Gut Health. Everyone who is chronically ill has an abundance of Candida. Yes, everyone.

Provided your gut is healthy, or if you just feel the need to skip that part, here are the supplements to take in order to make sure your immune system is able to fight off viruses:

While there are most supplements listed above, the combination of these listed here is more than enough to balance out the body and ward off viral infection.
~~~~~~~
A Repost By Karijinbba.
love kindnes helping one another
call neighbors help or ask for help...ask.
(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Theresa M Rose Oct 2015
The Midnight Dawn: The ship begins to dock.
A woman stands, looking down, silently. Black waters swirl salty white foam; Icy waters move through flapping rudders; The sounds of shifting motors pound; This is a beckoning scene for one in feelings of immersing self-isolation; And, Lora stands at this very edge. Lora stands completely unaware of the true beauty that surrounds her at this very moment.
         The ship’s docking, at Dearing's port, in the Kotzebue Sound... Alaska's pre-dawn dark blue skies with it’s tawny orangey gray clouds; A  panoramic view of white snowy peak mountains surrounds the port. And yet, the only thing Lora has on her mind … is a small Inuit village that will soon make her isolation complete.

    Out onto the deck Jeff calls, "Lora!"

Lora turns towards her husband's voice; But then, turns her eyes back to the whirling water over the stern.
  
    "Sweetheart?" Jeff places his hand on Lora’s arm, "I called the shore; The transport will be waiting… as soon as we're finished docking."
Jeff's voice becomes serene.
“ Wow. Lora, I can’t believe it. It’s been eight years since I been home last."
Jeff places his hand on Lora's.
“ It’ll be good for us to be with family. We'll leave the ship before the sunrise and we’ll arrive in the village just in time to see the final day of Tribal Awareness Week. Lora, I wish we were here a couple of weeks ago. I think my mother would have been happier meeting you when she wasn't so busy...."
  
Lora turns…, "You know, Jeff; I do wish you would just shut the hell up!”
Lora pulls her hand away.
“ Please, just keep still until we get up there.”
Her teeth clench.
“ It's another four and a half-hours, to get to  where we need to go. And, quite frankly, I think it's going to be hard enough for me to what needs to be done; And, I’d much rather get through this without having to listen to your mouth all the way up there."

"Alright.", Jeff says in a somber voice.  He turns to walk back inside but then he sees a new flicker of hope.
"Lora, I see the biplane. It's pulling in..; See it? See it, down there, at slip four, on the pier?!” Jeff smile’s pointing to the small transporter; As he does he grabs Lora kissing her cheek. “ I'm go get the porter to help me with our bags and we'll meet you down at the clearing, All right?”
"Fine.” Lora,…with a strain in her throat.
"Fine, let's just get this over with..."

    Lora stands at the clearing;… She watches the ships crew set-up for a day of helping  passengers board and depart the ship.  Jeff arranged for the two of them to leave the ship two hours earlier than everyone else so they could meet up with their connection.
As Jeff and the porter comes down the ramp a man comes down the dock waiving.
“ Jeff!”

    Jeff calls out. "Lora, here comes Gabe!"
“ Gabe! Gabe!”
"Gabe?"
"Honey!? This is my cousin, Gabriel." Jeff says to Lora as they started down the pier to the biplane. “ He runs our local transport."
    Gabe turns towards Lora.
" Yeah, I run everyone from our village up and down the river; Sometimes, I think this little craft here thinks she's just another boat! She so seldom has a chance to be airborne.”
The luggage is placed on board, Jeff and Lora settle into their seats and Gabe starts moving up the sound; Then, after about fifteen moments the little plane begins to lift, up and out, off the water.
  
    Lora becomes startled, "I thought the plane wasn't going to leave… I thought we were not going to be airborne?! I thought we were riding up the river?"
  
"Yes, Lora." Gabe states with a giggle,
"Yes, the Koyukuk River! I'm sorry, I thought Jeff would have told you?! We'll be airborne for just over an hour then we’ll reach the Koyukuk River and then, from that point, we’ll be riding the river for another three hours till we reach the village."

"Oh."
Lora sits back… and begins to stare out at the enormity of the Alaskan skyline. For her, it seems to have no end; And yet, for Lora there seems to be, nothing, nothing at all but endings on her horizon.

    The procession begins...
The parade comes down the main road in the small Inuit village. The local people are all playing drums, jingles and bones and they’re all wearing traditional ceremonial attire.

    Lora starts looking around to find her husband but Jeff is gone. Lora thinks, angrily.
‘ This is so senseless!? Why did Jeff ******* up here? I can't believe this; Here I am at The Koyukon Festival to tell his mother we're divorcing!? His mother never wanted me in his life. He was just suppose to finish his studies and come back home. I'm sure she'll be relieved to see me gone from his life.’

    Jeff comes up behind her, smiling.
"Honey, Honey isn't this wonderful?! I remember my parents and I participating all together in these events when I was small.”
Jeff points down the road. “ Hey Hon, look!" He places his arm on Lora's waistline.

    Lora turns to him with a grimace," Remove that…!"
    Jeff moved his hand and Lora turns to see where Jeff is pointing.
Lora sees, her mother-in-law, PaKaSuk; PaKa begins down the road dressed in her traditional Inuit tribal clothing.
    She has on a headdress made from the skin and skull of a coyote, and there’s a pair of small antlers imbedded on it. And, she has on tall boots made of polar-bear fur that are adorned at the rims with dangling teeth from the hunts of the past.
PaKa sings long mournful notes as she plays a soft singular beat over and over again on a drum-snare of  sealskin and whalebone.
    Jeff waves to his mother; As she sees her son, she begins to call out,


” Come fellow me one and all…;

Come fellow me to the place of the great hall;

Come to hear a tale that must be told;

Come hear the words from the time of old.”

As PaKa reaches the doorway she gestures to Jeff and Lora.
"Please come, sit here near the fireplace."
    As everyone-else  finds seat’s; PaKa kneels down, she looks deep into Lora‘s eyes; She smiles and then hands Lora a small long rectangular box.
Speaking softly, "Lora, please, hold this… But, do not open it right now; Wait until I’m done with my story. I'll return and we will talk."
  
    Lora stares at PaKa thinking…
‘She is an odd woman. To give me a gift? Looking down at the small rectangular box. She makes a huff, ‘ It's probably a brand new pen to sign the divorce papers with. She's probably…; But wait!’
Lora remembers, ‘ Jeff hasn't told her anything about the divorce yet. ‘
Lora places the box on her lap.

    The show begins...
    PaKa hushes the assembly; Cues the drums to play.
    The drums start. It is a slow, low singular beat  beating over and over…; Over and over. beating  slow low beats; Over and over... Again.

    Jeff bends down; He whispers, "Lora, the crowd is so much larger then I ever remembered it being before."
    Just then, a woman comes and sits right next to Lora and the woman has a baby sleeping in her arms.
Lora closes her eye and thinks,…
‘ Oh God… Why couldn’t this woman find somewhere else to sit; Anyplace other than here?’

    "Welcome! I am PaKaSuk...I am the Coyote-woman for my people…, now! But my story is of a Coyote-woman of long ago. Her name,… GaTraRa; The Coyote-woman Who Lost Her Tears.
Come one and all close your eyes. We shall breath deep the air and hear the drums beat…; And, we shall go… into the past.

            GaTraRa became a coyote woman when she was young. Much younger than the old custom....The old Coyote-woman would chose a young girl to replace her and she would teach the girl all of the knowledge  needed to help her people; She would learn all the wisdom of the herbs that cure and when ready she would take place. GaTraRa was chosen… And with great pride and joy of all the tribe.
She had learned much in a small time working at the side of the old Coyote-woman. But, a great sickness came to the people; Nearly half the tribe were lost...
The old coyote woman was lost…  GaTraRa was now The Coyote woman; …without knowing all the wisdom  the old coyote woman needed to give…

    Lora, sits there listening to her mother-in-law; She starts feeling cold beads of sweat against her skin. She starts feeling a slow low ache in the pit of her stomach.
    Jeff looks at Lora, "Are you alright?"
    "Leave me alone!” She swats at him. "Just go away! I'm fine. Leave me to hear this..."

    PaKaSuk continues "By our old traditions the Coyote-woman is not to join with any man; It was said… She’s to care for all the people of the tribe; But…, for GaTraRa;  GaTraRa was highly favored in the eyes of the council, And, especially by the chief elder's son, NeKraRa.
NeKraRa, who wanted the tribes very young new Coyote-woman to be his spoke a plea to the elders; GaTraRa wanted to be his as well. But she knew a Coyote-women was not allowed to join.  GaTraRa was surprised and overjoyed when the elders told her that she and NeKraRa being allowed to be joined...She felt the spirits were pleased.  And, soon after their joining they were blessed...They had conceived a child.
  
    The drums begin sounding faint and far away to Lora. The scent from  the smoke seems to be making her feel hazy.

Lora feels a low dark ache in the pit of her belly; It begins to grow; Her head lowers and her breath begins to labor. The pain is so deep Lora's eyes feel full of heat and she holds-back a feeling to cry out...
  
    PaKaSuk continues…, "It was the time of the hunt!”
  
    Eyes tighten. The pain becomes overwhelming to Lora; From a deep place within … A howling cry cries out!
"AAAAIIIIEEEEE"


    GaTraRa pushes; A baby’s cry fills the room. Her beaming sweaty body falls back onto the bedding.
    "It is a boy! You have a son!” mother-in-law smiles while wiping off the tiny crying new born.
"My child, he is a, strong, healthy boy! And, look, look see how his face shines like dawning light. NeKraRa will be pleased when he returns."

    As her husband's mother places the new born into her waiting arms, GaTraRa thinks ‘ No woman could ever be this happy.’
She looks up and says, "This day is the day of my greatest joy,"
  
Several weeks come and go. It will soon be  time for the men to return

Several weeks come and go without the young men.
The sound of drums call out from the distance; The time  for the return has come at last.
Many come to the Great Hall to greet the men when they arrive. The young Coyote-woman lefts her baby and runs happily to show her husband, NeKraRa, his fine new son.
Looking out, beyond the path, the men could be seen; They look weary of their hunt; Not all who left seems to be coming… The elder  hunters  may be a day or two behind bringing the treasures of their travels ;All the trades made with the outsiders.  The younger men come with the new pelts to cure and with the fresh meat and fish for the smoke.  As the men come closer the young women gain sight of their man; They run to walk with them to the Great Hall. But, but GaTraRa could not find her man. Her husband, NeKraRa, was nowhere among the men.
“ NeKraRa; NeKraRa !“ The young Coyote-woman begins thinking…’ He may be with the elder hunters; But why?’ She calls out several more times “ NeKraRa!”
Grabing at the men as they pass she asks,
"Where is my husband?"
    None of the men would speak to her or even look up at GaTraRa They’d just keep pass by her and enter the tribal council. Leaving her standing there holding her small baby.

    NeKraRa's father comes out of the council hall; He walks to GaTraRa and places his hand upon her arm.
"My child, our NeKraRa met his death over the ice on the very first night of the hunt."
  
    She looks down into the face of her small child.
"That was the night his son was born..."
Softly, sadly she speaks to her sleeping child cradling him in her arms,
"You will hold your father's name, my sweet boy...and his spirit.“
She walks home.

    Her mother-in-law meets her at the door, crying.
In a deep mournful tone, "My child!"
    GaTraRa just stands there with a void look on her face. Then, she looks at her baby. She lifts him up and hands him to her mother-in-law,
"Here mother," in an increasingly laboring tone,
"Here, here is our NeKraRa."

    The next day, mother-in-law waits for the baby to wake. She waits, long…, but there is no cry. She goes to lift him up and to wake him but as she pulls the blanket back she sees the baby's body is still, motionless. The baby is cold, blue and silent,
She lifts him and lets out a long wailing cry, "No...!"
  
GaTraRa runs…, only to see her baby in her mother-in-law's arms; A face full of tears and crying out over and over again, "He's gone...He is gone!"
GaTraRa falls to the floor; She begins to rock, repeating
"No…! No…! No…!"
But yet, now, not a single tear falls from her eyes.
  
Weeks pass since the death of her baby. Her duties as coyote woman become harder for her. Whenever others seek out her help she becomes angry. She says, "The spirits curse me; I went against them with family and now I have nothing; They will allow me no peace!"
All she does is watch the doorways; it is as she is waiting for someone or something...

    The council watches GaTraRa closely. Mother-in-law brings her worries to the elders.
“GaTraRa‘s sadness grows. “
Mother-in-law tells them, “She must be watched. Our Coyote-woman has felt the brush of the Raven’s feathers; Her tears are stuck within… No tears fall.”
Mother-in-law pleas to them, “ Her sorrow grows, silently! I fear, if we do nothing, she will be taken from us as well.”

    The women of the council gather together; They decide to have the grieving ritual for GaTraRa. But, none them has ever done this ritual. This was something the Coyote-woman would do.

    Days pass, the men are preparing to leave for the last hunt of the season. And, the women begin to prepare the council hall. They gather up all the things they could remember from having watched the ritual done times before.
    The chief elder sees the woman; And he asks, “What are you women doing?”
Mother-in-law tells him of what she and the other women have plan.
Shaking his head, “For as far as back as my memory takes me I have never seen a Grieving-Ritual done during this season before; And, without the young men being around. Do you really know what you are doing?”
All the women said, “ We must!”

    The men are gone…

    The women take GaTraRa to the council hall. They place her near the fire. GaTraRa watches as women gather herbs and place them in bowls.
She speaks out, “You don’t know what you are doing!?” Then, her voice saddens.
” …or maybe you do.”

    The women do not listen; Without a word, they begin to place the bowls in all the places they have remembered seeing them before…Recalling, all the men would play drums all night, during the vigil, they each pick up a drum. They gather around the fire. They stand and surround  the fire with their drums; The woman slowly begin to play.
GaTraRa, motionless, looks to the women thinks to herself, ‘Why are they doing this…I did this…to myself. They should not care
As always, I enjoy any and all  feedback you could give me.
JJ Hutton Aug 2012
In the stands, down 35-3 with two minutes left in the fourth,
Fred Carson picks at the sticky, white remnants of a Coke bottle's label.
He leans over to me,
"Do you mind if I talk to you again?"
I don't, and haven't since kickoff.

"You know, I played running back on this same field."

"Oh yeah?" I say, allowing the story to commence.

"Started all four years. Rushed 1,000 yards as a freshman."

"Wow."

"It took five guys to bring me down by my senior year."

"That's insane."

"I probably still hold the record for most rush yards,
but I doubt they keep up with things like that."

He takes a sip from his drink. It's half empty.
His hair -- greasy, most likely on its third unwashed day --
parts to the left and clings to his skull.
He's wearing a long sleeve, plaid dress shirt.
The shirt is buttoned to the top.

"Hell, that was back in 1968," slows, "I graduated in 19-68. Jesus."

Fred retired from the post office six years back.
He claims he's never missed a game of Blue Jay football since 1970.
The high school band starts playing in the section next to us --
a misshapen cover of "Louie, Louie".
Fred raises his voice,

"You know, I've been to every football game since 1970."

"Yeah, you mentioned that last week."

"I apologize. Yeah, if it wasn't for that first year of college.
I got a scholarship to play ball at Florida State.
Couldn't be there and here at the same time, you know? Kinda hard."

He runs his big-knuckled right hand along his khaki'd thigh, checking his pocket.
He checks the left thigh -- nothing.
Reaches into his shirt pocket and reveals a lighter.
Then a soft pack of Marlboro Lights emerge.

"You know, I ran the fifty in less than five seconds."

To the dismay of cheerleader moms sitting behind us,
he lights the cigarette.
He stares at the Bic lighter with some NASCAR driver -- number 88 --
I don't recognize.
The cutout of the NASCAR driver's scraggly face
sits atop a navy blue and spiraling purple backdrop.
He starts to scratch at the label on the lighter.
A screech from a clarinet rises above the rest of the band,
Fred grimaces, takes a drag, continues,

"The coach at Florida State said I was the fastest boy he'd ever seen.
He said I was going to go pro. Sure thing, he said. I rushed for nearly
300 yards in the first game my freshman year. After the game,
the coach was like, see boy, I told you. You are going to tear it up
this season."

The NASCAR decal comes completely off. Under that purple and blue label,
Fred uncovers a white lighter.

"Would you look at that. I wouldn't have bought the **** thing if
I knew it was a white lighter. That's bad luck, you know. Hendrix and
that--uh--Janis Joplin lady both died with a white lighter in their hand.
Bad luck. A white lighter is bad luck."

"What happened at Florida State?" I ask.

"Well, we were playing Notre Dame during the second game that season.
Down by five with three seconds left on the clock.
We were on our own thirty, and the coach of Florida State was like,
run the hail mary play. But in the huddle, I look the quarterback
square in the eyes, and I say to him, captain -- he was team captain --
I say, captain, I'm hungry for that ball. He knew I could do it.
He took the snap, the receivers rushed down field, and I bolted toward
that line of scrimmage, took the handoff and I was gone, baby."

The crowd begins to cheer as the Blue Jay quarterback throws a long pass
to a wide open receiver. Fred freezes mid-story.
The cheer blurs into a silence, as each person in the bleachers
watches the ball ascend.

For the first time all night, the band lowers their instruments from their lips.
Just a ball floating.
The buzz from the stadium lights becomes audible.
One person gasps.
Then like dominoes the stadium follows suit.

The high arc of the ball betrays the distance,
and the pigskin plummets sharply.

"Interception!" the announcer cries through the speakers.

"That's a **** shame. I thought he was going to have it.
What were we talking about?" Fred asks as he drops his
finished cigarette into the nearly empty, naked Coke bottle.

"You were talking about Florida State. You were down five and--"

"That's right. So, I break up the middle. I dust that noseguard.
I stiff arm a linebacker. I looked like a Heisman trophy in motion.
I travel 69-yards down the field. I'm slowing down at the endzone,
thinking nobody is around, and sure enough -- plow -- the cornerback
dives right into my leg. I broke all kinds of bones and tore all kinds
of muscles. The doctor told me, he'd never seen anything like it."

The band plays the fight song as the clock winds down and the Blue Jays lose.
I try to disappear in the sea of blue and silver exiting t-shirts,
but Fred slows me down,

"It sure was good talking to you. I'll have to tell you more about Florida State
next week. Be sure to sit by me."

"I will," I say as the band director, Mr. Morton, steps in front of me.

"Hey, Fred," Mr. Morton says. He looks at me, then back to Fred.
He's trying to decide whether or not I'm of relation.
"Son, I went to Seminole State Junior College with Fred here
when we got out of high school."

"Really? Did you guys play football together?" I ask with innocent inquisitiveness.

"No, we weren't really into that. Though, we were at all the games.
We were in band together. Until Fred's wild streak got the best of him,"
Mr. Morton laughs, "am I right, Fred?"



The fight song came to a close.
With a lowered head, Fred walked into the silver, blue crowd
with a plaid dress shirt buttoned to the top.
Ignatius Hosiana Apr 2015
She knows exactly how I feel
She swept me by me heel
She stares into me charmed eyes
She must be seeing paradise
She holds my arm to feel me pulse
She instead feels something else
She sees a lad with much affection
Feels fragile warmth that needs attention
She holds me tenderly in her embrace
She places my arm about her ***
She raises hers and lowers me head
She steals a bite of me lip instead
She then whispers words like magic
She probably senses me past is tragic
She slides her arm 'neath me shirt
She asks "was it so bad, the hurt "
She has her reply before I give it
She guides me through to her room
She believes it beautiful I assume
She starts for me lips soon as we sit
She has her way with me and I obey
She pauses for breath,eyes bright as a ray
She holds me firm, can't keep me calm
She sighs as I go above and on I turn
She's a ****** afraid I might do her harm
She obeys when I tell her it'll be a balm
She sees it'll soothe as I take off her dress
She shuts her eyes in honey grace
She screams as I cut to the chess
She sheds a tear, maybe she's badly hurt
She clings on when I lose my hope
She turns me down, she's now ontop
She whispers, "started it, I'm the one to stop
She's something from far outer space
She takes me up on a slower pace
She knows I'm her car,carefully she drives
She's a good swimmer,how perfect she dives
She then disappears soon as I'm on the crest
She leaves me in the dark, can't stop the rest
She's no Angel, I have to deal with the cream
She's an illusion,they call it a *******
She's just a nightmarish dream I honestly hate
She leaves me cursing my pants,they're wet
A Mareship Jul 2014
He sits next to me in the waiting room, his breath labored. He’s good looking, in his late twenties, wearing a red vest.
“Hi.” he says.
“Hello.”
His face is suntanned, but one electric white spark splits the colour of his forehead like a bolt of lightening. It confuses me for a moment, until I realise it’s a frown line that hasn’t tanned.
“Listen, mate...listen, mate. What’s your name?”
“Arthur…”
“Listen Arthur, can I call you Arthur?”
“Of course - Art if you like.”
“Listen Arthur – what are you in for?”
I put down my copy of ‘Perfect Home’ as the water dispenser blows a great gasping bubble.
“Bipolar.”
“Yeah? You being sectioned?”
“No, no. I’ve just come out of hospital. I’m having a review.”
“Right.” He chews his lip. “Do you reckon I’m gonna get sectioned then, or what?”
“Well - I don’t know. What are you here for?”
He sighs darting his eyes sideways, and his frown deepens.
“When I was sixteen I was at this party, right…”
“…Right…”
“And I was drinking. You know how it is. Few beers, bit of fun. You know how it is, right?”
“Yeah.”
“Yeah, so I’m at this party. And I feel sick, ok? So I go to the toilet. Nice toilet, friend’s house, pink bath, air freshener, nice. And I’m sick all over the place. What do they call it? Project summat...”
“Projectile vomiting…?”
“Yeah yeah, projectile vomiting. And then I gotta take a ****.” He lowers his voice, leaning into me. “So I’m all beery and I feel kinda terrible y’know? And I unzip my jeans and go to pull the old fella out…”
“Uh huh…”
“But there’s nothing there.”
“What do you mean there’s nothing there?”
“Exactly what I ******* say. My **** is just…gone. And I realise, right, that someone at that party has chopped it off. One of my friends. One of my friends has chopped my old fella off.”
I lock eyes with him.
“Jesus.”
“I know. One of my ******* friends.”
“And this was…?”
“When I was sixteen. Anyway. To cut a long story short – I went to Thailand a few years ago and I took this drug over there, some party drug. And my **** grew back. Everything’s been fine since then. But on Monday, well, you can imagine can’t you? I wake up and my **** has been chopped off again. Again. God knows who did it, but I've got a good idea...”
“And that’s why you’re here.”
“I’m here because I want them to find out the name of that party drug, the drug I got in Thailand, the one that worked. It worked. It actually worked, mate.”
“Was it ******?”
“**** knows, but it worked.” He rubs his face with both hands, sighing. “So, what’dya reckon? Do you reckon they’re gonna section me?”
Of course they’re going to ******* section you.
“I don’t know, mate. But I thought that my neighbours were poisoning my cat, and they weren’t too pleased about that. Do you get what I’m saying?”
My psychiatrist interrupts to call my name, standing at the mouth of the waiting room with a smile. I shake the man's hand and wish him all the best.
I look over my shoulder as I go down the corridor, and he picks up my copy of ‘Perfect Home’.
He puts his hand down his jeans, adjusting something.
Grey Feb 2016
We link our minds
you are our mother
Direct us to the sun
Art, Love, Music, Rebel
a Warrior, eyes open
Wide mouth muse, give us our religion
Moon salutation, give us new praise
Reconnect, Brothers
Sisters, Reconnect
All the people of the earth
come greet your creator
The sun made stars on her cheeks
and eyes as dark as her skin
Sweet fire of the spirit
you give us rebirth
you give us ***** baptism
Shake free your slave name
follow the beat of the drum
the universal rhythm
She screams and blood runs hot
She lowers herself to the ground
She stand high with the masses
A teacher of humanity
of jazz and blues
hip hop rimshot soul
Culture that may not be ours
Still welcomes you
if you learn to feel
please listen to Erykah Badu sing The Healer live in Jakarta. It's life changing.
(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.

Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..

A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices

Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?

Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers

Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.

The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.

                (2)

This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,

The high, dead, toeless foot of this priest
Who plumbs the well of his book,

The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,

******* and hips a confectioner's sugar
Of little crystals, titillating the light,

While a green pool opens its eye,
Sick with what it has swallowed----

Limbs, images, shrieks.  Behind the concrete bunkers
Two lovers unstick themselves.

O white sea-crockery,
What cupped sighs, what salt in the throat....

And the onlooker, trembling,
Drawn like a long material

Through a still virulence,
And a ****, hairy as privates.

                (3)

On the balconies of the hotel, things are glittering.
Things, things----

Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.  Why should I walk

Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,

I am not a smile.
These children are after something, with hooks and cries,

And my heart too small to bandage their terrible faults.
This is the side of a man:  his red ribs,

The nerves bursting like trees, and this is the surgeon:
One mirrory eye----

A facet of knowledge.
On a striped mattress in one room

An old man is vanishing.
There is no help in his weeping wife.

Where are the eye-stones, yellow and valuable,
And the tongue, sapphire of ash.

                (4)

A wedding-cake face in a paper frill.
How superior he is now.

It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;

They are browning, like touched gardenias.
The bed is rolled from the wall.

This is what it is to be complete.  It is horrible.
Is he wearing pajamas or an evening suit

Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?

They propped his jaw with a book until it stiffened
And folded his hands, that were shaking:  goodbye, goodbye.

Now the washed sheets fly in the sun,
The pillow cases are sweetening.

It is a blessing, it is a blessing:
The long coffin of soap-colored oak,

The curious bearers and the raw date
Engraving itself in silver with marvelous calm.

                (5)

The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,

The hollows in which rock the thoughts of the wife----
Blunt, practical boats

Full of dresses and hats and china and married daughters.
In the parlor of the stone house

One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.

This is the tongue of the dead man:  remember, remember.
How far he is now, his actions

Around him like living room furniture, like a décor.
As the pallors gather----

The pallors of hands and neighborly faces,
The elate pallors of flying iris.

They are flying off into nothing:  remember us.
The empty benches of memory look over stones,

Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here:  it is a stopping place.

                (6)

The natural fatness of these lime leaves!----
Pollarded green *****, the trees march to church.

The voice of the priest, in thin air,
Meets the corpse at the gate,

Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.

What is the name of that color?----
Old blood of caked walls the sun heals,

Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,

Necessary among the flowers,
Enfolds her lace like fine linen,

Not to be spread again.
While a sky, wormy with put-by smiles,

Passes cloud after cloud.
And the bride flowers expend a freshness,

And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.

                (7)

Behind the glass of this car
The world purrs, shut-off and gentle.

And I am dark-suited and still, a member of the party,
Gliding up in low gear behind the cart.

And the priest is a vessel,
A tarred fabric, sorry and dull,

Following the coffin on its flowery cart like a beautiful woman,
A crest of *******, eyelids and lips

Storming the hilltop.
Then, from the barred yard, the children

Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,

Their eyes opening
On a wonderful thing----

Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.

For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
Saul Makabim Aug 2012
Few freaks
have such impeccable taste,
Singing Pagliacci, smoking a Cuban cigar,
And sipping L'Essence de Courvoisier,
As he lowers you into the shark tank,
To feed his hungry pet.
Forget appearances
He cloaks himself in affectations,
And feigned cordiality
But he will take you down at the knees,
And kick your face until he can hide his shoe in your skull
Or put a bullet through your brain,
Before you can ask why he has an umbrella
When the weatherman said
No rain
Cobblepot
A name as Gotham
As Chapman and Wayne
Always dressed to the nines
He drinks the finest wines
But he can humiliate four thugs
Who try to mug him
In an alley
Cut the fools down in a fury
Steel shod umbrella,
Razorblade shoes,
And a gun up his sleeve
Appearances deceive
The definition of The Penguin
Mark Penfold Aug 2018
Round and round we go, two and thrice in throw,
Whilst hand in hand in fairy land.
We dance and prance around the rockpool,
Until the last one cannot stand.

I lay down in that busy rockpool and finally open my heart unto the floods,
This once impregnable fortress finally lowers its rusted and seized port cullis one last time.
With the moss of ages and the barnacles uprooted and torn away it lowers its decaying  drawbridge,
To let the tide wash in and carry out on its ebb, all of its ache, sadness and regrets far out into the vastness of the ocean.

The soul and spirit is empty you see,
The heart has now been opened for the waves and tides.
There is no fire nor fuel left in the furnace,
Not even a dying ember nor spark, but only a withered rose stem which finally succumbed to the dark..

All that resides left in incredible depths, Is fine *** ash,
Only good for shovelling up and scattering on the fields to maybe start again.
And those vines of that crop which fed once in abundance will grow strong, tall, fine and straight like youthful men,
Feeding off of the nourishment of past memories.

In time when these mighty vines look back to their roots,
Their hearts will ache to find their mighty benefactor.
Once again they will return to that ancestral home,
To *** some ash and plant a striking red rose in that tended bed.

Without their knowing a buried ember disturbed is glowing,
and forgotten roots, soon shoot and expand.
To once again become the source of wisdom, the all knowing,
Soon to bring life back to this long lost forgotten land.
Carlyy Sep 2022
I’m on this ship,
A ship for one,
Out at sea,
It’s beautiful yet nerve wracking,
I search and I see where I’m going to be
Optimism is key,
“No. Bad. Thoughts.”
I tell myself, almost constantly,
But it’s just out of my reach...

This anchor is attached to my heart
There it lived.
Then, ripped from my chest,
Leaving my body, weak, pained, dragged,
Into the dark gradient ocean
It lowers, as I twist, wind, and fight,
above sea.

Though, I find myself tired,
At times.
It wins.
It keeps me still.
Can I stay here?
It’s nice in theory...

Sometimes I’m triumphant.
Sometimes I win.
I am above the darkness,
There’s the veil,
I am no longer down there,
I see and hear signs of
Happiness.

So
Close.
Up, I must bring my heart.
Sew up my chest,
Wipe my tears,
More than once,
This cycle is done.
Look ahead,
Go. Forward.
And don’t look back.
But never forget.
i wrote this a long time ago and am just now publishing because i want to let yall know im still alive lol
We gather in Old London town,
the time is getting late.
The fog is slowly coming down,
the year is eighteen eighty eight.

The Leather Apron stalks this eve
ladies of the night beware.
Such things he does you wont believe
and for your welfare he’ll not care.

Hello Mister have a heart,
a girl has got to earn a crust.
A shilling for this fine old ****
for you look like a gent to trust.

In her hand the coin doth shine.
Does she lead this toff astray?
Here’s a quiet place that’s fine,
as she walks up the alley-way.

Face to face and eye to eye.
The victim happy to be plied
with vigour she lifts up her skirt
but now her hands are occupied.

Seizing strongly at her throat
he strangles her till unaware.
Unconscious although not yet broke
he lowers her by head and hair.

Now insentient on the ground
the Ripper sets about his work.
In the dark without a sound
there is no detail he will shirk.

He keeps the body to his left,
her throat is sliced from side to side.
The woman’s family now bereft,
whilst she lies here without her pride.

Left to the nights illumination
Jack executes his deadly art.
Performing such skilled mutilation.
and leaving plus one body part.

Daylight opens up commotion,
"Whitechapel Murderer", strikes once more.
The peelers haven’t got a notion
who it is that killed this *****.

Scotland Yard are in despair
as they try to Investigate
their credibility beyond repair
for they cant find this reprobate.

Eventually the death toll, five,
the murders now come to an end.
Folk are free to live their lives
but could you trust even a friend.

Over an hundred years or more
professional research is far to late.
Jack, can we ever know the score?
"No... All you can do is speculate."
1st August 2011 Jack the Ripper series. poem 1.
DaSH the Hopeful May 2016
I stop in my tracks,
          Listening

  A hollow
clinking in the darkness.
In an alleyway, somewhat familiar,
Vacant and forgotten in the twilight hours
Except for the lingering cigarette smoke
And the scent of frigid, dehumanizing hate

  And a
clink
Low and somehow beneath the dense, dank dark

  A sound disillusioning and honed to a fine point, like that of a blade meant to harvest death

  A
clink
And another
clink

                           There is a man sitting near the end of the alley
                           At the back of the throat of Hell itself
                           He has his head down
                           But through the thick black smudge of night
                           I can still see the base of a brown glass bottle tap the bottom of an upper row of teeth

He stops, and looks up at me with eyes that resemble mine a little too much for my comfort

                                    He brings the bottle down, and lowers his head, gazing at it as if for the first time
                                    Suddenly he snaps his eyes up to mine, instantly staring into the deep void of apathy that looks back.
                                    He smiles a knowing smile, and slams the bottle against his teeth.
  


              It does much more than *
clink.
Carlo C Gomez Aug 2022
tonight the sky.

dark palette.

the stars are projectors.
the paintings of them are in
perpetual motion,
carry the zero.

conflicted still life.
of spathodea.
of pomegranate.
of her own folded-up *****.

it's all in how you interpret
the brushwork.
girls can tell.

a reassuringly dull sunday
turns to intrigue.
the busy girl buys beauty.

people are places and things.
lost affections in a room
in need of images
or at least explanations.

she looks for it.
she listens for them.

the sound of existing.
the sound of a quiet room.
a rainstorm or possibly the sound
of someone taking a shower.

blind little rain.

autosleeper lowers her head.
the economy of sleep patterns.
and little else celsius.

tonight the sky.

tomorrow a place where
one can ruin oneself,
go mad, or commit a crime
with paint.
Steel Blue Eyes

His eyes watch her
Cold, harsh like steel
She trembles her belly quivers
She starts to say something
His eyes flash fire
She stops
Not wishing to anger Him further
She stays silent
Her green eyes warm
A look of sadness radiates from them
He stares harder
She realizes she has done nothing wrong
She raises her eyes glancing at Him
The warmth replaced by what
What does He see
Is that definance
He glares at her
She lowers her eyes filled with venom
Silently daring Him to chastise her
She waits
He watches
She hears the slamming of His hand hitting the table
She jumps
He smiles knowing she still trembles from Him
He lifts her chin
His steel eyes look into her definant green ones
Dare you He says
She so wants to say it
Dare you again He says
She lowers her eyes in respect
Knowing she cannot defy Him
His touch controls her
His voice causes her to become weak
Her desire to please Him
overcomes her desire to defy Him
He smiles
Laughing at this predicament in her eyes
He whispers you are beautiful
Brushes the stray tear from her cheek
Then softly kisses her forehead
His steel blue eyes become grey with passion for her

Niyahlove
all rights reserved
acacia Aug 2020
let this view be for him: how it must—
the echo draws the lingering soul out of me
but it stays for it whirls and it makes me cry
but the hour of the day to impress you sings the joy
of the One —he stops and I come towards the rain,
and an impressionable glow of horn creeps into the sauna,
and it lowers my body, giving me the “immeasurable” chills:
but still these are words: god is in here, yes, god is in here—
god is way inside the violins and the dreams of these chords
he hits these notes and these horns play as if it was a cliched night
my aching god, my body falls in line with his movements on the drum roll; my neck moves, my hips sway, my waist penetrates the other day into the next morning for it is ephemeral :
the little windows of babes that twirl in these sounds in this rhymes in sight of his horns—filled with city nights

they sound like city nights like lurking blackness over trees and buildings lit up with windows of orange-yellow-opaque and she dances in the background—
this trumpet-woman: she dances, she does a spin she is trying to get her spin; she is trying to get her tap, she is trying to get in the door—she is stuck in the door
the key, she is fumbling with her key—little flails, a higher flail, she flails, she heightens—
she is close to opening the door
she sticks the key, jamming it in there— she turns she turns, she twists she twists: the keys
she takes a breath. — . she turns, she twists, she turns, she twists—
she walks away from the door, the key stuck in there
she staggers trying to learn how to walk again; drunken, she blares out, she blares out in the city coughing and her saxophone belting—she squeaks, she slurs, she blares, she whirs, she slurs, she blares, she sings, she screeches, she whistles through the day and the night

:four trees breeze by her, black skirt flow and taxis pass by her:

lame sounds into the wind, she keeps going. lame sounds into the world—she turns, she twists, she falls slightly, she skips and steps and she turns the key! she inhales [ ] ankle twist her arm trips,
her wrist squeezes into her pocket; clad all black—the stars join her and she sings lamely into the night, her voice reverberating throughout the leaves
a car yells as she repeats the night:
she sings out lamely, blares and twists and turns and she walks to the door—crickets pray, the car yells—she rests her head against the door—cars yell and honk, driving through her door: the door is open: the walls talk to her, the stars all watch her—she limps through the halls, the trumpet, the saxophone limps; the doors watch underneath: peering into the skirt of the trumpet: the hosiery adorned legs cramped and relaxed: tension jarred and stirred, wiggling free: peeking at the shiny bronze in between the bridge the way the air flexes around her

it changes shape towards her daily repeat nightly motion of monitoring the trapeze\

the sky gives atmosphere and volume into her hair—the realm
of being stuck, she is stuck and repeats: she is stuck and repeats
the lame song and blares into the ceiling: the empty missing ceiling—she blares and croaks and lamely walks to the steps of the day. it is night.
her eyes follow the trail up their Stare, and as she goes up each stair she feels despair pouring out of her porous eye’s pores that are open, and eyes closed to the velvet touching her uvula-*****. . . she drowns on these stairs and stains . .  .
cannot make it up—lame song— cannot —blaring —despair
exhale ][ inhale [] exhale ][ inhale [] prana ... lame .. . prana ... prana ... sati ... samadhi... liberate citta ... drop the poor chord: lame, lame song . . .

she limps up the stairs, each foot hitting each stair twice:
up down down down down up up up stagnant stagnate up down down stagnate — up down stagnate stagnate — blaring blare — loud: cranky! — she drunkenly sings, sways up the handrail, pours out her drink down the roof, and watches it fall:

the doors open, all simultaneously, whilst she looks down the stairwell pouring her drink down there for all to have: "Share joy, turn the key! Share, it is stuck! Get it out of the door! Open the door..." she shouts, she blares, she levels out. she yells.
lame song, limping . . . drunkenly dressed. Sloppy. utterance, muttering, low voice, trembling, yet now repeat the motion of the night. — realistic night days of the sophened mind, she blares, she cuts, she blares, she lowers— accelerationist accrucianado — "Dressing me out : the worst way to die go figure:! The constellation shows you!" lame song, blare, drift, loud lame limp. she walks further up the steps—the same song repeat, quivering now, more gusto, more braggadocio: "drawers long. inhale. prana. paroksha. indirectly." she opened once  again: concerto opus *****: quiver, blare, blossom: the stars shine now, and she sings while they fall around her—

she refrains, they fall, glidely, she refrains. she refrains. they fall, glidely, she refrains. she refrains. they fall, glidely, they drop, lively. swiftly. sprightly, brightly—she drinks in her own drinks of drown, she goes down the octave. down. there, the sky changes waving around: now over the highway, she blares loud, floating in the sky, floating above cars, and the traffic below her . . . she blares out croaks: she croons to them the same truth of the heavens they couldn’t see and she refrains loudly, glidely:
whizzling up there—her drool drizzles down there—inside and outside—pumping in, the throbbing joy: thrusting divine, thrusting angels—hayorically she moves dizzily over cities—oceans above her—traffic below her—she cramps up, the stars guide her

her more sing move; she waves more,
to the passerby, the clouds drift by for love/ no love /she drinks more love/ to the god where she blares, she croaks, she wheels out there, into the world cries of a never harmed One:
of a One never divided into Many: and she and the ones in a 50 foot radius are hit with atomic blasts the size: bruised and battered flesh, heart is black and body is blue, but the spirit is incorruptible and the spirit remains when the body burns when the sun dies lamely flying, limply stars guiding—
drool stuttering from each pore on her, she drives away in her no-more vehicle: this is the last body, and she knows this: and she accepts this is her last body, as she flies over New York City,
drifting with the race cars, absorbing each and every person and being: crossing roads that never existed, singing songs to nobody
city noir -
John Prophet Dec 2016
Vivid red barn juxtaposed against a green pumpkin field.
Cloudless sky with bright sun hurt my eyes.
Starkness of the scene burnt into my mind.
Beautiful!
Time passes.
Sun lowers in the sky with fat orange orbs all around.
Bright reds, yellows and orange ornate the trees.
Hayride swinging through.
Artist easel in the field.
A painting just waiting to be alive.
Sun lowers still.
Winter, snow deep, cold white drifting toward the barn, glistening.
Snow Hare tracks everywhere. Black crows in the sky warning out their calls.
Mud season, sun moves higher in the sky banishing the white until next year.
Sun, still on the move.
New baby green in the field reappears.
Cycle continues year after year
Vamika Sinha Jul 2015
Wanderer.
From window to window.
Seeking
             something
in different glass scenes
from offices and trains and restaurants.
Like she'll see something or someone
or somebody.
And the world will no longer be
a tilted painting.

Clear spring cold
papers over
the scene of the city of her world.
She's freezing.

There is a cafe at the end of the
road
where sidewalk snow has mingled
with trod-on mud
from commuter's shoes.
It's called
'Les yeux qui voient tout'

She can smell coffee and cigarettes and paper and words
and smiles and wine all the way from Bordeaux.
She sits by the window.

Tendrils of hair cut
across her cheek
as she lowers.
The seat is cold.
Legs crossed,
                       arms clasped,
high-heeled shoes with straps
that cross,
head bent
over a crossword.

'Un cafe au lait, s'il vous plait.'

Last four-letter word pencilled in so
she crumples up the paper.
The eyes don't notice
origami birds dangling above her.
Somehow
they're all angled
towards the glass window
like sunflowers reaching for the sun.
Perhaps the casual
shuttered-open winds
are the birds' oxygen;
reminders that
                          something
like
sky,
air,
wind,
exist, beyond
coffee-smoked counters.
Reminders that
they could breathe, live, fly
in some other city of some other world.

Cup and saucer on a silver platter
hover over.
Idle fingers
and then a clatter.
She stares down into
the white porcelain pit,
teeming with hot brown
                                           alarms.
It isn't a portal
into
       something.
Just a cup of coffee.
Now that is an alarm.

Slow and
                shaking,
drip,
         drip,
                  drip.
The milk is poured.
Curling, italic, Persian carpet spread
from the cup's centre into warm-cream brown.
She imagines it is
blood in her heart.

She raises the little silver teaspoon
napping on the saucer and
stirs.

'Le sucre?'
Does she want it all
to be
sweeter?

Two packets, long like
Marlboros,
hastily, desperately dumped
into the mix.
Quick and
                  shaking,
she raises the little silver teaspoon and
stirs.
Little sugar grains ******
into a vortex,
dissolved and melted into
the city of the world of the cup.

With her little finger, she
dabs
stray sugar grains
on the table
and tries to bring sweetness
to her sleep-thick tongue.

Slow and
                shaking,
sip,
      sip,
            sip.

She's­ tricked herself
into feeling warmth.
Ticker-tape banner
pops up in her head:
'All of this will not
fix you.'

Porcelain clatter
as cup meets saucer.
Again.
She arms herself with
a cigarette case and a book.
Maybe now she will belong
amongst these people
with sad eyes and burning lips,
clinging on to cups and drinks.
So desperately-lit smoke
trails out of
her warm mouth,
steaming up her face
like a window on a cold winter day.
And meanwhile Camus perches
in her hand.

Her eyes swim
in the choppy seas
of French.
The cigarette dangles,
painting the air grey, grey,
tilting, tilting, tilting.
Slow and
                shaking,
she weeps.

Half-aglow in the white sunshine filter
from the glass window,
a woman is wondering.
She drinks her coffee,
wipes her smudged mouth
and leaves.

Nobody notices the wobble
in her high-heeled gait.
She's just a part of
another tilting painting,
another glass scene.

These simple acts,
           simple things,
define
the speaking soul.
In a scene of the city of the world.
It's all a metaphor.
oh no Apr 2015
the mornings are dark and you get into your car asleep. mist on the windshield and mist in your eyes. the night is not over and you are not yet grown. the grass is frozen in your headlights and you park your car asleep.

- clocks bigger than your face loom on the walls. they are all two minutes fast and they are faces too, somehow. (except the one down in the back gym. he is an eye and he strikes six every hour.)

- the thunder of footsteps. the thunder of bodies and voices and wind through open doors. you can feel them in your bones but when you open your eyes you are alone and the halls are dark. water rushes from the classrooms and you swim.

- your teacher says that god has brown eyes. when the lecture ends she bares her teeth. (you could swear they're pointed but you've never seen her up close.) her eyes are grey, like yours, she says. so you don't worry.

- in the art room your teacher draws circles on the whiteboard. one inside the other - ringlets, a bullseye. a girl in the back of the class has wild eyes and green hair. she smiles like she knows something and you drop your gaze.

- pencils break in your fists. the halls are a river and you don't know where it's going. your body is a raft so you close your eyes and you don't know where you are.

- you touch hands with the girl from art class. she smiles like she knows something and you shudder. she feels warm inside, like a song, like a comet. you take her hand and hope.

- you sit in the back of the class and the windows shudder but they hold. your teacher says that god walks on all fours and you grimace. books close around you as she lowers herself to the ground.

- your car is asleep and you are dead on your feet. your teacher is gone the next day and the substitute tells you beauty is in the eye of the beholder. you nod your head and you don't know where you are.
am I just a meme now
Seán Mac Falls Jan 2016
( Loki )

1
All ills you have wrought
Mischief maker in the dirt
No shower will cleanse

2
Poor Woolfy Spirit
******* in actuality
You ARE Beryl Dov

3
Thor is your new name
Psychopath reinventing
Same old *** trickster

4
Who is following
The fortune cookie writers
Such lame phony names

5
Fragile ego here
Pages of Wolf and Beryl
Drama queens reeking

6
Even as he leaves
Tireless self promoter
Lowers the banal*


Note:  
Wolf Spirit IS Dire Wolf IS Toreanus Pinwinkle III IS Thor IS Beryl Dov IS ******* ( aka ******* ) Rabbi IS soooooo many others - a many-faced pest and pariah, previously banned on other sites for being stalkers and sociopaths !!

See:
http://hellopoetry.com/poem/1530102/wolves/
&
http://hellopoetry.com/poem/1516652/breach/
&
http://hellopoetry.com/poem/832663/beryl-dov/
&
http://hellopoetry.com/poem/1527822/not-a-poem-an-open-response-to-wolf-spirit-and-wolf-spirit-dire/

Basically anyone who follows these massive-ego predators is probably them !!
good riddance PEST
.
JJ Hutton Sep 2012
I stepped into the house and removed
my rain-soaked shoes on the grizzled entrance mat.

No one in the kitchen.
Though the aroma lingered, the coffee *** had turned itself off.
I touched the glass -- cool.
No one in the living room.
Half a pair of sequined flats were in the dog's mouth,
half a lady's pantsuit -- the black legs -- lied on the floor.
A soap opera on the screen, the volume low, the gold-tipped ceiling fan oscillating,
and Serge Gainsbourg's Histore de Melody Nelson played down the hall.

I followed the breathy vocals and wandering baseline to my room,
and there she sat.

The blinds open, veiny rain running along the pane,
on the beige carpeted floor, next to my unmade bed,
criss-crossed Jessica.

"Hey, sweetheart," I said.

Jessica smiled.
When she smiles, her cheeks go flush,
she lowers her head slowly, embarrassed,
but yet when she laughs,
she laughs loudly, boldly.
I've never understood that.

Jessica was wearing a white, spaghetti-strap undershirt
and blue cotton *******.
Her brunette curls -- down, reaching past her shoulders.
Her toenails -- painted purple and chipped.
Newspapers lied strewn about her,
with puddles of acrylic paint atop them.
In her lap,
a white canvas stapled to a wooden backing frame.
She sang,
"Princesse des ténèbres, archange maudit,
Amazone modern' style que le sculpteur,
En anglais, surnomma Spirit of Ecstasy."


as she painted two lovers growing together
like curious oak trees.

I sat behind her on my bed. Pushed aside the tangled sheets.
She craned her neck to kiss my cheek sweetly.

"How was your day?" I asked.

"Oh, who cares," she responded.
Her eyebrows lifted, her fingertips traced my thigh,
"Tell me something beautiful."

"What?"

She dipped her paintbrush in red, in white and applied them
to the lovers' lips.

"Tell me something beautiful."

"I can't think of anything," I said.

"Try."
gg Feb 2012
My teeth dig
Into my bottom lip,
And the sound hisses,
Finding the space between
My teeth
ffffffffffff
My mouth opens,
My jaw lowers,
The space between my lips
Is a lemon-shape,
My mouth open in surprise,
uhhh
And my tongue jumps
To meet my teeth,
To make that harsh sound,
Not exactly a scoff,
But somewhere close
kkkkkkkk
And the word falls from my mouth,
And it burns the ears of some,
But to others,
It tastes like candy
Connie Buchan Oct 2013
She turns on the water and tips the bottle of bubble bath. The syrup flows a slow stream out the end of the bottle and slides into the steaming liquid. The bubbles swell and fill the tub.

Returning to the stereo she picks a CD and hits play. James Blunt will be the man of the hour to serenade her in her sensuous delight. "All The Lost Souls" seems somehow fitting tonight and having felt the urgency in some of his songs and the wanton plea in others she believes him to be the perfect choice for tonight.

The cupboard is opened and she reaches for a larger than necessary wine glass, the romantic one she likes to use for a long soak, an indulgence designed solely for herself.

Striking the wooden match on the side of the box, 2 candles are lit; one for the counter and the other open flame to dazzle and dance on the edge of the tub. The glow is enough to light her way as her eyes quickly adjust. Pupils growing wider, breath growing slower, anticipation wets her.

Placing the glass of white wine in the corner edge of the tub she lets her satin robe fall to the floor. The white fabric puddles on the rich brown tile as she steps from its folds and into the soft awaiting bubbles that fill the tub to the brim. She slowly lowers herself into the billowing cushion and feels the searing heat torch her skin. She knows the heat will dissipate so she tolerates the almost too hot water in the beginning.

The bubbles are full around her womanly curves, engulfing her, tickling her skin as they break in movement. She sinks in fully, releasing a long relaxing sigh. Her eyes twinkle in the dancing candle light as it bounces off the bubbles and the shiny walls of the tub. Sipping the chilled wine her body finds relief from the hot water. Slipping it down her throat and resting the cool glass on her dampened breast.

As she slides and rolls in the water the bubbles weaken and break. The flickering flame exposes glistening skin as it is visible through the openings in the bubbled shell. A raised leg, the soft mound of a breast, the ***** of a shoulder, the curl of a lock of hair silhouette in the candle light. Knees bent she pulls herself toward the end of the tub and gently smiles as the water caresses her skin while she pushes away. She runs her hands over her body, silky from the bubble bath but her hottest parts slippery of their own accord. Wet before but more wet now.

She hears a slight sound and turns to the door. He is standing there, silently watching her. How long has he been there? What had his gaze enjoyed? Not that it isn't ultimately all his to enjoy anyway. But now that he is there she shall play out her private time to his audience. He loves how she is confident in her own sexuality, how she finds enjoyment with the body she has been given and how she freely gives it to him. It is moments like these that he could explode for her in lust but hangs on not wanting the magic to end.

He steps to the tub and hands her the glass with the last sip of wine, watching as it cools her and slides down her throat. He holds the over sized bath sheet open for her and she steps from the tub. Folding her in the soft cotton he wicks away just enough of the water to stop her from dripping. A breeze coming in the window skims her damp skin and her ******* harden, fully *****.

She is about to get ***** all over again. It's a good thing she is washable.
LC Jul 2021
at first, the thunder cracks my eardrum.
the rain punches the soft ground after
being held back by the clouds for so long,
and I cannot see past the blanket of darkness.
as the storm rages on, the thunder roars,
but my body knows best like it always does.
my hands carefully craft a cup of strong tea,
and my body rests in front of the fireplace,
and the obnoxious thunder lowers its voice,
and the violent rain's touch becomes softer,
and I finally see the light peeking through.
Jonny Bolduc Feb 2014
FISHTHOUGHTBLOOD                                                                                                            JON BOLDUC

When I was a boy,
Father taught me to ice-fish.
Here’s a memory;

Father drills a hole,
the auger bounces, vibrates, roars,
shaving ice– soon
the  blade connects with winter water,
           –the engine fades off.
I fish  floating ice chunks from the hole with a skimmer
while
Father sets the trap, ties the sinker, and hooks the minnow
thru its side.
He lowers the line
gently into the fishhole; the bait plunges to the lakebed.
Father reels up the slack, pitches the three legged trap
above the exposed black water
and we wait for a trout, or a snarled toothed pickerel.

Father,
I have learned

to fish for thoughts
with an ice–trap. When the flag
springs up, I reel
slippery ideas up from deep darkness.
As they flop, I pull the hook out from their lips,
knock them in the head,
throw them in a pail; gut them, I spill fishthoughtblood on the white snow.

After the low sun sets,
My friends and I fry caught fishthoughts
in my dim cabin.

Hughes,  Plath, Ginsberg, and Eliot
talk around the fireplace
as the pan sizzles, as the oil jumps. Soon
we feast on flakey poemfillets;
we talk about the  dark english rain,
the crowded zoos, electroshock therapy, bald mediocrity.

After we have eaten
and finished the wine,
and all my friends have gone home
I look down at empty plates

and somehow,
“the page is printed.”
KarmaPolice Oct 2015
Lying motionless, pretending to be,
As dead as the bodies, surrounding me,
Covered in blood, bits of dead skin,
Masking my aroma, as they close in,
----
Dragging of feet, hearing their groans,
A chorus of dead, no longer alone,
Clutching tight, the axe in my hand,
Looking for flesh, around me they stand,
----
Smelling the air, one turn's his head,
Breathing deeply, he can tell I’m not dead,
Rage fills my body, a fight to the death,
Swinging my axe, with every breath,
----
Cracking of skulls, I fight through the mist,
A figure remains, the one that I missed,
Anger turns to tears, my beautiful bride,
Killed by them all, now a Zombie resides,
----
My arm lowers, I beg her to leave,
Closer she comes, I fall to my knees,
She reaches out, as her eyes bulge red,
I scream out as I....
....put an axe to her head.
Seán Mac Falls May 2015
Even in comment place
Tireless self promoter
Lowers the banal
RMatheson May 2011
Corpse dangles from tree by snapped-twig neck,
innards spilled out from stomach like rotten raspberries,
nothing but stick-figure hang man.

Simon Iscariot's tears fall beside blood and water
that pours from your abdomen,
similar to the emulsion
from the spear-wound in Jesus. Christ
gave you the highest honor:

that of making all
ancient parchment
statements true.

They were then hidden away for centuries in dry clay pots
in musty caves of sheep-herders.

Father lowers you down
the greatest of care
to the arms of
Pieta' Mother.
Yenson Nov 2021
To the lowers
lower thoughts
to the lowers
lower do's and deeds
to the lower
lower talks and jives
to the lower
has to look up to the higher
in lower eyes
bringing pains in lower necks
which they blame the higher for
no swinging low
no sweet chariots
they are already home on lower levels
waiting for their leaders to leave the concessionary bars
where the movers and shakers all celebrate their high status
the lowers are waiting with neck pains
the lowers are playing checkers
and picking on brown men for their pains
in lowers' sensibility
in the land of the blind, the one-eyed man is king
ChinHooi Ng Jul 2023
When the moonlight
lowers
i see in the night
a tearful ghostly light
don't know where it came from
can't even get a whiff
but i know
the petunia is meditating
unperturbed
can't really read her heart
can't tell how strong
she actually is
though the frost and dew
have barged in
the angle of the fallen fence
is expanding
but this i know
when the morning comes
she'll be awake
she'll be something different
i know
it must be the sunrise
that is able to mulch and sprout
the most captivating smile.

— The End —