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On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Ali Nov 2016
I watched you walk away
From me, with all your lies
You didn't even look back once
So I knew this was the last of our goodbyes

You used to call me your princess
Said we were living in a dream
Where one day we would find our castle
But I guess reality wasn't as good as you made us seem

In our story there's no glass slipper
It's just as poisonous as an apple
To think of what we could have been
Had we made it to the chapel

I thought our love was a fairytale
But in the fairytales the prince stays
To live happily ever after
For the rest of the days

I could build a house of straw or sticks
Or build one of bricks in red
That wouldn't protect me from realizing you were just as bad
As the wolf hiding in grandma's bed

For this pain there's no magic kiss or spell
And it cannot be cured by laughter
No one will save me with a magic flying carpet
This is our unhappily ever after
Dr Sam Burton Sep 2014
Life without a wife
Is like a knife
So strife
For a better life.


Friends,

Life is short, but it is so beautiful. Make use of every minute. Do not waste your time on something worthless. Be always good and wear a smile all the times. Give a hand to all those who are in need of it and always expect the unexpected.

Sam

Today is Thursday, Sept. 25, the 267th day of 2014 with 98 to follow.

The moon is waxing. Morning stars are Jupiter, Uranus and Venus. Evening stars are Mars, Mercury, Neptune and Saturn.

A thought for the day:

Jim Henson, creator of the Muppets, said, The most sophisticated people I know -- inside they are all children.

QUOTES FOR THE DAY:

I don't like being told what to do.

------------------------

I don't need a lot of money. Simplicity is the answer for me.

------------------------

I think hard drugs are disgusting. But I must say, I think marijuana is pretty lightweight.

Linda Eastman McCartney

Half of the American people have never read a newspaper. Half never voted for President. One hopes it is the same half.

Gore Vidal (1925 - )

"Don't worry about failure; you only have to be right once."

Drew Houston


POETRY


MANIC PANIC

Marisa Crawford


Live fast
and dye your hair.

That's what I wrote on my
Converse in 8th grade.

Maybe it was the way
the feeling pulled me

like a girl
pulling a ponytail.

Maybe I didn't get the job
cause of the polka dots.

Maybe I don't care
cause of the wave.

Today I'm blue.
Tomorrow I could be anywhere.

All these pop songs about dying young
like it's gonna be so epic.

The only difference between 8th grade
and now is the blowing up

the use of color
& perspective.

Things that are with you
when you wake up

& you feel like
someone's there.

Same rainbows
under her eyes

clouds floating in the air.


About this poem

"When I wrote 'Manic Panic,' I was thinking about mass violence, about being a kid versus being an adult, about our culture's obsession with staying young forever contrasted with the reality of dying young in some form of violence or tragedy. There's so much focus all around us on the power and allure of youth, on 'stopping aging,' for women in particular, but this poem is about what happens to that power as you keep on living."
-Marisa Crawford

About Marisa Crawford

Marisa Crawford is the author of "The Haunted House" (Switchback Books, 2010). She lives in Brooklyn, N.Y.


*
The Academy of American Poets is a nonprofit, mission-driven organization, whose aim is to make poetry available to a wider audience. Email The Academy at poem-a-day[at]poets.org.


(c) 2014 Marisa Crawford.
Distributed by King Features Syndicate


A TIP FOR WOMEN


Change your pillow case

What does changing your pillowcase have to do with health and beauty? Everything! Think of everything you use in your hair and on your face ... where do you think it goes at the end of the day? Change your pillowcase often -- about every other night is good -- to prevent breakouts.


JOKES


Barbecue?

As the coals from our barbecue burned down, our hosts passed out marshmallows and long roasting forks.

Just then, two fire trucks roared by, sirens blaring, lights flashing. They stopped at a house right down the block.

All twelve of us raced out of the back yard, down the street, where we found the owners of the blazing house standing by helplessly.

They glared at us with looks of disgust.

Suddenly, we realized why.........we were all still holding our roasting forks with marshmallows on them...


Swimming Lesson

A member of the Country Club asked the lifeguard how he might go about teaching a young lady to swim.

"It takes considerable time and technique." replied the guard. "First you must take her into the water, then place one arm about her waist, hold her tightly, then take her right arm and raise it very slowly..."

"This is certainly most helpful." said the member. "I know that my kid sister will appreciate it."

"Your sister?" said the lifeguard. "In that case, just push her into the deep end of the pool. She'll learn in a hurry."

Tidbits

"To celebrate the 30th anniversary of the moon landing President Bush met with Neil Armstrong. There was one odd moment when President Bush said, 'I hear you're doing well in that Tour de France.'" --Conan O'Brien

---

After examining a woman the doctor took the husband aside, and said, "I don't like the looks of your wife at all."

"Me neither doc," said the husband, "but she's a great cook and really good with the kids.

---

"My son's into extreme sports, my daughter's into extreme makeovers, and my husband's into extreme denial."

Insurance

A client called to report an accident and ask if her insurance rates would go up.

"Our underwriting department determines that", I said. Then I asked for her license number. Verifying her information, I asked, "NMF? Is that N as in Nancy, M as in Mary, and F as in Frank?"

"Well... yes," she said. "But could you please tell your underwriters that it's also N as in Not, M as in My, and F as in fault?"

Computer Virus Humor

Recently, the "Love Bug" Virus circled the globe, damaging computers in it's path. There have recently been some new mutations or variationsof this virus that you should be aware of.

* The "I Love You, But I'm Shy" virus never actually invades your computer, but collects data about it worshipfully from afar.

* The "Love The One You're With" virus hangs around your computer, but the whole thing is just temporary until it can find the computer that it really wants to invade.

* The "Happily Married" virus invades only one computer and stays with it for life.

* The "Unhappily Married" virus spends a long time negotia- ting with a computer, finally invades it, and then strays to other computers from time to time.

* The "I Want A Divorce" virus sends repeated, hard-to-read messages that your computer isn't working and takes half of your computer's best data in an ugly network session.

* The "Stalker" virus spends unnatural amounts of time monitoring your computer, collecting data your computer has thrown away and tries to record all of its functions. And it writes rude messages to any other computer with which yours connects on any regular basis.

* The "Forever Single" virus causes your computer to focus solely on other computers with which it is totally incompatible or prove generally unavailable.

* The "Deadbeat" virus invades your computer, spawns an entirely new database, then refuses to help update it as it grows.


HAVE A DAZZLING THURSDAY!
[Greek: Mellonta  sauta’]

These things are in the future.

Sophocles—’Antig.’

‘Una.’

“Born again?”

‘Monos.’

Yes, fairest and best beloved Una, “born again.” These were
the words upon whose mystical meaning I had so long
pondered, rejecting the explanations of the priesthood,
until Death itself resolved for me the secret.

‘Una.’

Death!

‘Monos.’

How strangely, sweet Una, you echo my words! I
observe, too, a vacillation in your step, a joyous
inquietude in your eyes. You are confused and oppressed by
the majestic novelty of the Life Eternal. Yes, it was of
Death I spoke. And here how singularly sounds that word
which of old was wont to bring terror to all hearts,
throwing a mildew upon all pleasures!

‘Una.’

Ah, Death, the spectre which sate at all feasts! How often,
Monos, did we lose ourselves in speculations upon its
nature! How mysteriously did it act as a check to human
bliss, saying unto it, “thus far, and no farther!” That
earnest mutual love, my own Monos, which burned within our
bosoms, how vainly did we flatter ourselves, feeling happy
in its first upspringing that our happiness would strengthen
with its strength! Alas, as it grew, so grew in our hearts
the dread of that evil hour which was hurrying to separate
us forever! Thus in time it became painful to love. Hate
would have been mercy then.

‘Monos’.

Speak not here of these griefs, dear Una—mine, mine
forever now!

‘Una’.

But the memory of past sorrow, is it not present joy? I have
much to say yet of the things which have been. Above all, I
burn to know the incidents of your own passage through the
dark Valley and Shadow.

‘Monos’.

And when did the radiant Una ask anything of her Monos in
vain? I will be minute in relating all, but at what point
shall the weird narrative begin?

‘Una’.

At what point?

‘Monos’.

You have said.

‘Una’.

Monos, I comprehend you. In Death we have both learned the
propensity of man to define the indefinable. I will not say,
then, commence with the moment of life’s cessation—but
commence with that sad, sad instant when, the fever having
abandoned you, you sank into a breathless and motionless
torpor, and I pressed down your pallid eyelids with the
passionate fingers of love.

‘Monos’.

One word first, my Una, in regard to man’s general condition
at this epoch. You will remember that one or two of the wise
among our forefathers—wise in fact, although not in
the world’s esteem—had ventured to doubt the propriety
of the term “improvement,” as applied to the progress of our
civilization. There were periods in each of the five or six
centuries immediately preceding our dissolution when arose
some vigorous intellect, boldly contending for those
principles whose truth appears now, to our disenfranchised
reason, so utterly obvious —principles which should
have taught our race to submit to the guidance of the
natural laws rather than attempt their control. At long
intervals some master-minds appeared, looking upon each
advance in practical science as a retrogradation in the true
utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most
enduring importance could only be reached by that analogy
which speaks in proof-tones to the imagination alone,
and to the unaided reason bears no weight—occasionally
did this poetic intellect proceed a step farther in the
evolving of the vague idea of the philosophic, and find in
the mystic parable that tells of the tree of knowledge, and
of its forbidden fruit, death-producing, a distinct
intimation that knowledge was not meet for man in the infant
condition of his soul. And these men—the poets—
living and perishing amid the scorn of the
“utilitarians”—of rough pedants, who arrogated to
themselves a title which could have been properly applied
only to the scorned—these men, the poets, pondered
piningly, yet not unwisely, upon the ancient days when our
wants were not more simple than our enjoyments were
keen—days when mirth was a word unknown, so
solemnly deep-toned was happiness—holy, august, and
blissful days, blue rivers ran undammed, between hills
unhewn, into far forest solitudes, primeval, odorous, and
unexplored. Yet these noble exceptions from the general
misrule served but to strengthen it by opposition. Alas! we
had fallen upon the most evil of all our evil days. The
great “movement”—that was the cant term—went on:
a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and once enthroned, cast chains
upon the intellect which had elevated them to power. Man,
because he could not but acknowledge the majesty of Nature,
fell into childish exultation at his acquired and still-
increasing dominion over her elements. Even while he stalked
a God in his own fancy, an infantine imbecility came over
him. As might be supposed from the origin of his disorder,
he grew infected with system, and with abstraction. He
enwrapped himself in generalities. Among other odd ideas,
that of universal equality gained ground; and in the face of
analogy and of God—in despite of the loud warning
voice of the laws of gradation so visibly pervading
all things in Earth and Heaven—wild attempts at an
omniprevalent Democracy were made. Yet this evil sprang
necessarily from the leading evil, Knowledge. Man could not
both know and succumb. Meantime huge smoking cities arose,
innumerable. Green leaves shrank before the hot breath of
furnaces. The fair face of Nature was deformed as with the
ravages of some loathsome disease. And methinks, sweet Una,
even our slumbering sense of the forced and of the far-
fetched might have arrested us here. But now it appears that
we had worked out our own destruction in the ******* of
our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis
that taste alone—that faculty which, holding a middle
position between the pure intellect and the moral sense,
could never safely have been disregarded—it was now
that taste alone could have led us gently back to Beauty, to
Nature, and to Life. But alas for the pure contemplative
spirit and majestic intuition of Plato! Alas for the [Greek:
mousichae]  which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since
both were most desperately needed, when both were most
entirely forgotten or despised. Pascal, a philosopher whom
we both love, has said, how truly!—”Que tout notre
raisonnement se reduit a ceder au sentiment;” and it is
not impossible that the sentiment of the natural, had time
permitted it, would have regained its old ascendency over
the harsh mathematical reason of the schools. But this thing
was not to be. Prematurely induced by intemperance of
knowledge, the old age of the world drew near. This the mass
of mankind saw not, or, living lustily although unhappily,
affected not to see. But, for myself, the Earth’s records
had taught me to look for widest ruin as the price of
highest civilization. I had imbibed a prescience of our Fate
from comparison of China the simple and enduring, with
Assyria the architect, with Egypt the astrologer, with
Nubia, more crafty than either, the turbulent mother of all
Arts. In the history of these regions I met with a ray from
the Future. The individual artificialities of the three
latter were local diseases of the Earth, and in their
individual overthrows we had seen local remedies applied;
but for the infected world at large I could anticipate no
regeneration save in death. That man, as a race, should not
become extinct, I saw that he must be “born again.”

And now it was, fairest and dearest, that we wrapped our
spirits, daily, in dreams. Now it was that, in twilight, we
discoursed of the days to come, when the Art-scarred surface
of the Earth, having undergone that purification which alone
could efface its rectangular obscenities, should clothe
itself anew in the verdure and the mountain-slopes and the
smiling waters of Paradise, and be rendered at length a fit
dwelling-place for man:—for man the
Death-purged—for man to whose now exalted intellect
there should be poison in knowledge no more—for the
redeemed, regenerated, blissful, and now immortal, but still
for the material, man.

‘Una’.

Well do I remember these conversations, dear Monos; but the
epoch of the fiery overthrow was not so near at hand as we
believed, and as the corruption you indicate did surely
warrant us in believing. Men lived; and died individually.
You yourself sickened, and passed into the grave; and
thither your constant Una speedily followed you. And though
the century which has since elapsed, and whose conclusion
brings up together once more, tortured our slumbering senses
with no impatience of duration, yet my Monos, it was a
century still.

‘Monos’.

Say, rather, a point in the vague infinity. Unquestionably,
it was in the Earth’s dotage that I died. Wearied at heart
with anxieties which had their origin in the general turmoil
and decay, I succumbed to the fierce fever. After some few
days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain,
while I longed but was impotent to undeceive you—after
some days there came upon me, as you have said, a breathless
and motionless torpor; and this was termed Death by
those who stood around me.

Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a mid-
summer noon, begins to steal slowly back into consciousness,
through the mere sufficiency of his sleep, and without being
awakened by external disturbances.

I breathed no longer. The pulses were still. The heart had
ceased to beat. Volition had not departed, but was
powerless. The senses were unusually active, although
eccentrically so—assuming often each other’s functions
at random. The taste and the smell were inextricably
confounded, and became one sentiment, abnormal and intense.
The rose-water with which your tenderness had moistened my
lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of
the old Earth, but whose prototypes we have here blooming
around us. The eye-lids, transparent and bloodless, offered
no complete impediment to vision. As volition was in
abeyance, the ***** could not roll in their sockets—
but all objects within the range of the visual hemisphere
were seen with more or less distinctness; the rays which
fell upon the external retina, or into the corner of the
eye, producing a more vivid effect than those which struck
the front or interior surface. Yet, in the former instance,
this effect was so far anomalous that I appreciated it only
as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark
in shade—curved or angular in outline. The hearing, at
the same time, although excited in degree, was not irregular
in action—estimating real sounds with an extravagance
of precision, not less than of sensibility. Touch had
undergone a modification more peculiar. Its impressions were
tardily received, but pertinaciously retained, and resulted
always in the highest physical pleasure. Thus the pressure
of your sweet fingers upon my eyelids, at first only
recognized through vision, at length, long after their
removal, filled my whole being with a sensual delight
immeasurable. I say with a sensual delight. All my
perceptions were purely sensual. The materials furnished the
passive brain by the senses were not in the least degree
wrought into shape by the deceased understanding. Of pain
there was some little; of pleasure there was much; but of
moral pain or pleasure none at all. Thus your wild sobs
floated into my ear with all their mournful cadences, and
were appreciated in their every variation of sad tone; but
they were soft musical sounds and no more; they conveyed to
the extinct reason no intimation of the sorrows which gave
them birth; while large and constant tears which fell upon
my face, telling the bystanders of a heart which broke,
thrilled every fibre of my frame with ecstasy alone. And
this was in truth the Death of which these bystanders
spoke reverently, in low whispers—you, sweet Una,
gaspingly, with loud cries.

They attired me for the coffin—three or four dark
figures which flitted busily to and fro. As these crossed
the direct line of my vision they affected me as forms;
but upon passing to my side their images impressed me
with the idea of shrieks, groans, and, other dismal
expressions of terror, of horror, or of woe. You alone,
habited in a white robe, passed in all directions musically
about.

The day waned; and, as its light faded away, I became
possessed by a vague uneasiness—an anxiety such as the
sleeper feels when sad real sounds fall continuously within
his ear—low distant bell-tones, solemn, at long but
equal intervals, and commingling with melancholy dreams.
Night arrived; and with its shadows a heavy discomfort. It
oppressed my limbs with the oppression of some dull weight,
and was palpable. There was also a moaning sound, not unlike
the distant reverberation of surf, but more continuous,
which, beginning with the first twilight, had grown in
strength with the darkness. Suddenly lights were brought
into the rooms, and this reverberation became forthwith
interrupted into frequent unequal bursts of the same sound,
but less dreary and less distinct. The ponderous oppression
was in a great measure relieved; and, issuing from the flame
of each lamp (for there were many), there flowed unbrokenly
into my ears a strain of melodious monotone. And when now,
dear Una, approaching the bed upon which I lay outstretched,
you sat gently by my side, breathing odor from your sweet
lips, and pressing them upon my brow, there arose
tremulously within my *****, and mingling with the merely
physical sensations which circumstances had called forth, a
something akin to sentiment itself—a feeling that,
half appreciating, half responded to your earnest love and
sorrow; but this feeling took no root in the pulseless
heart, and seemed indeed rather a shadow than a reality, and
faded quickly away, first into extreme quiescence, and then
into a purely sensual pleasure as before.

And now, from the wreck and the chaos of the usual senses,
there appeared to have arisen within me a sixth, all
perfect. In its exercise I found a wild delight—yet a
delight still physical, inasmuch as the understanding had in
it no part. Motion in the animal frame had fully ceased. No
muscle quivered; no nerve thrilled; no artery throbbed. But
there seemed to have sprung up in the brain that of
which no words could convey to the merely human intelligence
even an indistinct conception. Let me term it a mental
pendulous pulsation. It was the moral embodiment of man’s
abstract idea of Time. By the absolute equalization
of this movement—or of such as this—had the
cycles of the firmamental orbs themselves been adjusted. By
its aid I measured the irregularities of the clock upon the
mantel, and of the watches of the attendants. Their tickings
came sonorously to my ears. The slightest deviations from
the true proportion—and these deviations were
omniprevalent—affected me just as violations of
abstract truth were wont on earth to affect the moral sense.
Although no two of the timepieces in the chamber struck the
individual seconds accurately together, yet I had no
difficulty in holding steadily in mind the tones, and the
respective momentary errors of each. And this—this
keen, perfect self-existing sentiment of
duration—this sentiment existing (as man could
not possibly have conceived it to exist) independently of
any succession of events—this idea—this sixth
sense, upspringing from the ashes of the rest, was the first
obvious and certain step of the intemporal soul upon the
threshold of the temporal eternity.

It was midnight; and you still sat by my side. All others
had departed from the chamber of Death. They had deposited
me in the coffin. The lamps burned flickeringly; for this I
knew by the tremulousness of the monotonous strains. But
suddenly these strains diminished in distinctness and in
volume. Finally they ceased. The perfume in my nostrils died
aw
Kunzite Hewitt Aug 2010
First, I would like to introduce Grayasety. She was a young girl, had soft strands of medium-short caramel hair, and she had green-blue eyes that looked like miniature earths. She was indeed a pretty girl and she was of average height, and had a healthy body. She also had a slight southern drawl; her mother was from Texas. She loved going on boat voyages as her father was the captain of a ship named Gray Asety, named after Grayesty, so she was often training to go on voyages.
                  One morning, just like any other ordinary morning, Grayasety left her house for the next-door stable with her baby sitter, Kinberly, which was part of her father’s crew.  Today was the big day, the day when Grayasety was going to go on a voyage with her father as an official crewmember. Today was Grayasety’s 13th birthday; today was the day when she was old enough to work on her father’s ship! Therefore, she gaily whistled and skipped along the road. It had always been her dream to work on her father’s ship, and today, finally, her dream was coming true. When she got to the stable she blew her small, pink whistle that, to human ears would make no sound, and like every morning her best friend, (which had the ability to morph into animals) trotted tiredly out of the stable in the form of a beautiful brown mare. The huge animal yawned and said, “Morning Kin!” And then addressing Grayasety she said, “ Well, well, little missy what do you want me to be today?” Today Grayasety wanted Mila to be a green parrot, Grayasety was obsessed in the color green, and Mila had reluctantly obeyed, the trio set off for the fresh smelling bay.
Kinberly, and Mila worked on the Gray Asety. Mann Forumest, or Captain Daddy as Grayasety called him had met Grayasety’s mom working as a crewmember on the Majesty, a steamboat. Grayasety’s mother, Magnolia Scott Forumest was the assistant cook. They married, but kept their jobs until one day when Grayasety was about five, the Sea Bandits, a notorious group of pretty woman stealers, kidnapped Her mother.
                        While on sea, Grayasety shared a rather large suite in the ship with her father. In the Bedroom were two desks, one big and one small, and in the corner was a bunk bed, the top bunk badly painted in green and the bottom bunk still bearing its natural mahogany color. Grayasety was sitting in her little green desk, scribbling madly in her deep green diary. Grayasety *** a liking of scribbling and those who have know her long enough could read her scribbles like one would writing. She could read and write although she was nowhere near a strait A student.
                   After a while Grayasety decided to bother her father and, forgetting to switch into her lime green boots, shinnyed up the main stairs to the deck in her faded fluffy mint green slippers. Mila, perched comfortably on Grayasety’s shoulder, started telling her that she was wearing her slippers when Grayasety shoved a faded green pacifier in Mila’s mouth; Grayasety often did this to keep Mila quiet.
Mila, not enjoying the dusty, stale taste of the pacifier unhappily decided to keep her mouth shut until Grayasty got in a better mood. In truth Grayasety was in a marvelous mood and rather liked shoving pacifiers in Mila’s mouth. As the girl got closer to the deck, she started to hear chanting from the kind crew. She especially heard Kinberly’s familiar raspy voice chanting,” Laaa dee daaa, the Gray A rolls along,” and as she emerged to the *****, wet deck she noticed that her father was talking to someone else already. “Botherin’ will have to wait some,” she whispered to Mila. Then she took the pacifier out of Mila’s mouth and scolded,” why didn’t you tell me that I was still wearin’ my slippers eh? Wanted to make me look like an idiot?” Mila simply rolled her eyes.
                    Right then, Captain Daddy, apparently finishing his conversation, came over to the pair and said affectionately, “How are my darlings doin’ today?” Mila especially enjoyed this for Captain Daddy always gave a loving stoke on her back and a whole chocolate chip cookie if he had one. Although Grayasety always stole some of the cookie Mila was happy enough with half. Grayasety, on the other hand was happy with a whole cookie so she begged Captain Daddy to give her another one. Captain Daddy gave her another cookie but chided her not to steal any more from Mila.
                    After the lecture on not stealing other people’s food, Grayasety clambered up the crow’s nest and almost knocked over Franz, a tall, but gaunt boy a couple years older then Grayasty getting in. ”Anythin’ unusual yet?” asked Grayasety hopefully. “Nope,” answered the calm boy quietly. ”Hi Franz. Do you have any cookies?” asked Mila mockingly, Franz just laughed and said,” If I had any I would of eaten it by now! Gray, can you get me somethin’ from the kitchen?”.
                   Grayasety got Franz a basket of food and got her self the same amount; Grayasety was basically always hungry, and had a little picnic on the roomy crow’s nest. After they finished their meal Grayasety decided to let Franz rest and did lookout. Franz had a small room to himself, which was about the size of a normal bathroom with all the stuff taken out. In the corner was an old, squeaky army cot and next to it was a rotund desk with a stack of blank paper, a jar of Indian ink, and a fountain pen laid precariously on it.
                    Franz was quite a writer and he spent his free time eating, sleeping, or writing and unlike Grayasety he actually wrote not scribbled. He was working on a story about gargoyles that came to life at night. It was an interesting story, really. He would of loved to stop working on the Gray Asety and go get his books published but he stayed for his family was a poor one and needed his help to make a living and also, Captain Forumest provided free paper. And, his daughter was the first friend he ever had; Franz was convinced that she was the best one.
                   Grayasety enjoyed being on ships. She liked feeling the cold air rush through her hair and she enjoyed the great view of the vast sea that surrounded her. She even liked the feeling of being so small compared to the humpbacks that swam by. She thought that the ship food was good, and she felt that the sea was truly where she belonged. Grayasety was very cranky when she was not at sea, (though she did like their big, ocean green house), so her father tried to include her on as many voyages as he could.
                     Captain Daddy, or Mann as I will call him spent most of day in a booth on the deck. He often worried about his daughter’s mental health (even though it was completely unnecessary). He talked to Grayasety’s doctor about this and Dr.Metalos, Grayasety’s doctor, gave them a list of mental deceases she could have, but none of them seemed like some thing she would have. Mann was sure that his daughter did not have one sickness; Much Too Much Time At The Sea Syndrome. If any one knew where Grayasety belonged it was Mann and he knew perfectly well that his daughter would go insane if she wasn’t at sea for too long. For one thing she preferred to sleep on her uncomfortable bunk at sea rather then on her fluffy green bed as soft as a feather at home.
                        Right then the ship did a tummy- flopping lurch and knocked off the map and compass from Mann’s desk, which interrupted his thoughts for a while. Below deck Franz’s desk toppled over, and Franz accidentally made a long and ugly scribble across his writing and on the crow’s nest Grayasety was having trouble standing up and she almost vomited right onto Kinberly’s hair. This was rare for Grayasety for she lived on the sea and was used to lurches; she had once survived a shipwreck, which explains her golden earring on her right earlobe.
                   That night as Grayasety lay in bed Mann quietly crept out of his bunk and scurried up the stairs to the deck. He wanted some time to himself. Ahead was Cape Horn; a very dangerous place where so many ships had sunk it could fill the biggest port in the world, but more personally, this was near the Sea Bandits main head quarters, 8 years ago the beautiful Magnolia Scott Forumest was captured here. Even though it was impossible in the foggy mist, Mann tried to make out the cave that marked the entrance to the headquarters. Only few people knew this entrance, and publicity stated that it was a “mere mystery” why most captives were capture near Cape Horn. Mann felt a chill run down his spine and then he thought he felt someone’s hand grab his shoulder. He looked down and saw what he dreaded most; a hand tinged with brown firmly held his shoulder.
                      Grayasety woke up feeling wonderful but apparently Mila didn’t. She kept screeching something about Captain Daddy being kidnapped and soon she found that what Mila had just screeched in her ear was true. She stormed into Franz’s cabin and told him what she discovered and they soon agreed to do what no one else wanted them to do; steer the boat right into the Sea Bandits’ headquarters and take back what, and who was theirs no matter how hard it could be.
                      Grayasety had Franz steer the boat and she herself navigated, Kin was lookout and the rest of the crew helped out. Franz dropped the passengers off at Puerto, and Mila morphed back into a human; what she really is, and helped out. Separated from the frenzy, Grayastey was quietly thinking to herself. She wondered why the Sea Bandits captured her father. They were well known for capturing pretty woman but not average looking men. Just then she heard a knock on the door. “Grayasety?” said the raspy voice of Kin. “There ya are. I just thought ya might wanna know why ya daddy was captured.” “Can you please tell me,” asked Grayasety, trying not to sound too eager. “Well rememba when ya daddy would be gone when ya woke up at mid night an’ I told ya that he had gone to the store to get some groceries? Well if you had thought some you woulda noticed that the store was closed.” Grayasety interrupted Kin in mid-sentence and said irritably, “Of course I rememba. Just get to the point Kin!” Kin flinched at Grayasety’s frustration and mumbled,” Well ya daddy was a spy. One of the best ones at that. He did all he could to stop organized crime, an’ he specialized in the Sea Bandit’s. They captured him ‘cause one less police the better for them.” Grayasety sat with her mouth hanging wide open. She never imagined that her father was a spy. But now every thing made sense. “ Sorry I didn’t tell ya before. Ya fatha simply wouldn’t allow it.” Kin apologized. Grayasety managed a squeak and then Kin left her.
                      After she repeated this to Franz and then Mila, Grayasety went down to her bedroom, she hated having to be near Her father’s belongings but she hated having people see her crying much more and cry she did, leaving her father’s mattress a soggy mess. Then she decided to clean that mess up for if they rescued her father she was sure he did not want to sleep in a soggy bed. Noticing it, she picked up her dad’s picture of her dad and mom’s wedding and became suddenly aware of how much she looked like her dad. The hair, the eyes, the quirky grin, every thing. Her mother had soft blonde hair and violet eyes that almost made you smell the pungent smell of lavenders and had a beautiful smile with bright red lips. All in all she was the most beautiful woman Grayasety had ever seen. She almost made Grayasety feel jealous.
                     “Hey! Gray. So are we gonna bring any weapons? Kin was a whole chest full of ‘em!” Said the distinctively low voice of Franz. “Well, I dunno. I suppose we should bring a couple guns. Always nice to be well prepared.” Replied Grayasety.

                     Franz was on lookout when the carrier pigeon came. The note it had on its leg was from Mann. It said:

Dear Grayasety and friends,

Do not come to save me. I’m with my wife in their dungeon but they want you guys to come too. You see, I’m like a bait. You’re the fishies. They want to erase all traces of the Forumest family. That means they have to dispose of those who would remember them. I will manage okay. Kin, Please take Grayasety and Franz home and forget about me for you and the children’s sake. Grayasety, I love you. Dispose all of my belongings and try to tell yourself that Kin is your mother. Believe me. It’s all for the better. Franz, I meant to tell you but your parents caught tuberculosis and died the other day. Your sister committed suicide soon after. Please take care of Grayasety.

             Mann

                    The trio stood silent for a long moment and then without warning Franz burst into tears, and scrambled to his cabin. Kin and Grayasety looked at each other sadly and went to their cabins themselves. Grayasety tried to sleep that night but images of Mann and her mother strapped up in chains kept her staring into the darkness with wide eyes. She reached over and got her personal music player, trying to distract herself but after a few seconds she turned it off again, for she could not bear listening to the lyrics; “It’s past midnight and something evil’s lurking 'round the dark” of Michael Jackson’s “Thriller”.
            The next morning, Mila and Kin steered the boat near the cave that marked the entrance to the Sea Bandits secret headquarters. Mila then morphed into a seagull and flew into the old, damp cave. From a safe distance Grayasety and her crew awaited Mila to return with some news. After swooping into the creepy cave Mila found the opening to the headquarters and perched on a ledge near it. There, she morphed into a rat, and scurried up into the opening.

                 After crawling along several hallways, Mila came across a steel door bolted very firmly marked “CELLS”. Luckily Mila was small enough to crawl under it. Scurrying along the bureau of prisons, Mila finally saw a cell with Mann and a stunningly beautiful woman captured in it. Mila slipped between the bars and trying not to gain the woman’s attention for fear that she would scream, climbed the steep hill of Mann’s arm to try to reach his ear. “Mann?? Don’t make any sound OK?? I’m Mila. I’m the rat on your shoulder. Kin, Grayasety, and Franz say they miss you a lot.” Whispered Mila. Then she saw a humongou
A short story instead of a poem, but I hope you enjoy!
Any corrections, edits, suggestions etc. and greatly aprecciated!
Tired with all these, for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimmed in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disablèd
And art made tongue-tied by authority,
And folly doctor-like controlling skill,
And simple truth miscalled simplicity,
And captive good attending captain ill.
    Tired with all these, from these would I be gone,
    Save that to die, I leave my love alone.
july hearne Oct 2018
i like to listen to bobby womack
sing "fly me to the moon"
while thinking of jeff's blue origin rocketship
exploding in the air

all his pride
crashing down in pieces
recorded for the whole world to see

because i have walked
unhappily down the streets
of soulless south lake union
where clueless people walk by
dumbly raising rents
congesting traffic
thinking they are off to change the world

crying about peter dinklage
yellowfacing herve villechaize,

their stupidity knows no bounds
always hard at work in south lake union
producing nothing that won't be obsolete
the second it is completed
purposely designed to make our lives unaffordable

**** jeff and all his tech bro henchmen
who do nothing but steal the sun from the poor
a white european actor
a white european actor
ReluctantFantasy Oct 2012
You proposed when we were 6.
I never forgot you.
We dated when we were 17.
I blew you in a park.
You blew my mind
and my heart away.
We drifted into separate lives
when we went away to college
but dad never
gave me the messages.

Now you're married unhappily.
5 years of fantasizing about me.
You found me
on social media.
We've chatted for months.
Yesterday, you told me
about the dreams--
the ones I haunt.
You tell me your dirtiest thoughts.
You tell me about the pedestal
you where I reside;
I could never live
up to your fantasy.
And I don't want to.

I've thought about you
my entire life.
I gave it up when I found out
you were married.
Then you found me.
Now you're in my head.
I'm the unwilling mistress
of your mind.
I never injected myself there.
So why do I feel so guilty?

I want your friendship.
You still make me laugh.
This isn't fair.
There's nothing in it
for me.
You have everything
to lose.
How did this become my ***** little secret?

Why did you have to get married?
Why can't you get a divorce?
Why can't I quit you?
S O P H I E Dec 2018
a bird ***** its wings in Rio and there is a tsunami in Tokyo.
there is a tsunami in Tokyo and your father takes your mother to bed, calls her beautiful, does not raise his voice at her, does not leave her alone in a ***** motel room. she unpacks her suitcases and never leaves Missouri.
you do not form in her womb and she stops screaming.
a tsunami occurs in Tokyo and you do not exist and there is a break in the violence of our bodies. you disintegrate before me and I melt back into the earth where I belong and you never stopped loving me.
we unbecome the casualty of our own flaws.
we were never here. we were never gone.
a bird becomes road **** in Rio and you crawl into the womb of your mother, you are the 7th of 7 and the cause of your mother's stress. there is no tsunami in Tokyo and your mother packs her suitcase and leaves for Texas, she unhappily marries your father and stays with him to the bitter end.
there is no tsunami in Tokyo and your mother dies of lung cancer, your father leaves you in may, does not kiss you goodbye, does not look back at you, you pack your stuff and he sends you away.
the birds in Rio do not sing, Tokyo bay does not roar to life.
you are here. you cannot leave.
i got the inspiration from another poem although i do not know who it's by or what its called. if you know comment down below
Drew Diligence May 2010
I

I took a walk with a ghost today;
Through the forest of my mind.
I found him wandering all alone…
Trailing my grief behind.

I could see his hallowed pall of sorrow,
And my heart had stopped its beating,
His visage recalled a painful musing…
…Terrible and fleeting.

“Did you die well dear friend”?
Asks my soul from deep despair.
As all the tears catch my eyes,
To dance their misery there.

His spectral boyish hand,
Stretched out through passaged time,
And guided me to a place
Of distant, aching clime…

II

The hills around have a speckled snow,
And the valley stream runs swift.
The clouds about, hang their sadness low,
And casts my mind adrift.

A young boy who knows no cheer,
Strides happy at my arm.
A life of strife and constant fear,
Are for the moment calmed.

The day blows cold and dim,
But we are warm and light,
He with me, and I with him,
In our walking; take delight.

Oh what a happy sight to see
That freckled smile of old.
And how well I remember… that melancholy he,
Lost that day… in the darkness and the cold.


III

My inner heart smiles warm,
At the memory of that day.
How as friends we walked together;
Two young boys at play.

“Do you remember when we were ten”?
Begs my inner mind.
As I feel his phantom presence,
Steal up from close behind.

...”I remember”

He whispers unto my hidden ear.
And I am sought to weeping,
At the sadness that I hear.

“What can I do, dear friend,
That will bid your spirit well”?
His ghostly form comes close,
And sighs…

“Deliver me from hell”.

IV

The daylight shadows play long,
And our thoughts have turned to hope;
But I sense that fate has crept along,
And we teeter on its harrowed *****.

We part at the usual place,
At the park under the tree.
Our social sense forbids embrace,
And we divide unhappily.

He is unhappy to be returning,
To a home that has no hearth.
There is no love, nor fire burning,
The house is free of hope and mirth.

A timid soul kept timid,
By the biting force of hate,
A burnished light, shed amid,
The coal black storm of fate.

V

“What hell do you dwell in”?
Cries my mind from wretched keep
And the torture of my heart,
Implores my soul to weep.

“The hell of your misery”,

Whispers nothing from the dark.
I live within your heartache,
Under the sycamore at the park.


We parted unknowing at that tree
No idea, what fate had in train.
No kisses, no hugs, no parting words,
Just wind and biting rain.

But I know that you loved me,
And you may know, that as I rest;
Of all the souls in this dark, dark, world,

…”Know that I loved you best”.

          VI

A shot rang out amidst the day,
Though it was silent unto me.
And there you died, and there you lay,
Under the parting Sycamore tree.


Did you die well dear friend?
Or was the pain and fear too much?
How I wish I could have held you then,
To soothe and bless and clutch.

I could have eased your dying,
And lent comfort to your soul.
But instead I lie here crying…
Untrusting, and unwhole.

It was not my fate, nor yours,
To greet eternity as friends.
I know no state, and I know no laws,
That gives solace to our ends.

         VII

“I have a son now John,
He is nearing ten.
Shall I tell him of you and me,
And how we were back then”?

“Shall I tell him that I loved you,
And what a dear, dear friend you’ve been?
Or shall I keep a silence,
Unknowing , and unseen”?

A whisper comes from nothing,
So soothing in its tone.

“tell him…
That I always had a friend…
Even when I was alone”.


“Tell him that I reside,
Within the confines of your heart.
And never was I happier,
Than when we walked…

By the Sycamore at the park”.
Jade May 2014
She
stops at the isle of gold lane and haze
holding her head up whine and gaze
that haughty look wander in space

She
Frowns
unhappily
on a bench across the street
intense perplexity
under her clouds
in a dark city

She
pouring arrogance
egocentric maiden
fear her own imperfection

He
"She's in manufacturing business"

"What does she manufacture?"

**Unhappiness
Because she wants to touch him,
she moves away.
Because she wants to talk to him,
she keeps silent.
Because she wants to kiss him,
she turns away
& kisses a man she does not want to kiss.

He watches
thinking she does not want him.
He listens
hearing her silence.
He turns away
thinking her distant
& kisses a girl he does not want to kiss.

They marry each other -
A four-way mistake.
He goes to bed with his wife
thinking of her.
Sher goes to bed with her husband
thinking of him.
-& all this in a real old-fashioned four-poster bed.

Do they live unhappily ever after?
Of course.
Do they undo their mistakes?
Never.
Who is the victim here?
Love is the victim.
Who is the villian?
Love that never dies.
Josh Apr 2014
I just saw a movie.

One of violence, ******, and fear.

Why am I so lucky?

I live in a safe environment.

Opportunity rings everywhere I go.

Trivial problems occupy my mind.

Self centered,

spoiled with my luck,

I live unhappily.
Where's your lady?
asked the chimpanzee
the bear looked askance

the tiger growled
zebras rolled
macaws looked in trance.

Where's she
your lady pretty
queried the lone rhino

it's not good
this solitude
roared the lion with raised eyebrow.

Did you lose your way
this November day
when the sky's blazing blue

this fair weather
you aren't together
how come asked the shrew.

Your face it shows
shouted hippos
this fine day of November

boars did grunt
scowled elephant
you're lost without her.

They were so true
alone at the zoo
emptiness surrounded me

daylight though gold
sky blue bold
I roamed unhappily.
ZL Sep 2014
the blood of bulls
runs through my body
anger, sadness,
and confusion,
swim throughout my cells

miles away my friend
cries tears into wishing wells
she too is slowly dying,
her faith has gone astray
strength is slipping away

selfish me
full of life unhappily
dying to get to heaven
living in hell

selfless her
dreading heaven
desiring hell
dying of sickle cell.
Olivia Tierk Oct 2010
Words fall on my hearing ears
Yet I am deaf to their sound
Letters jump at me from the page
Yet their meanings are still paper bound
I feel the blankness settling down
I feel the emptiness all around
The hollow spaces filled with void
The lines are blurred, and all destroyed
I hear the silence screaming out
My voice wants to, but I cannot shout
The nothingness is a chaotic riot
I want to yell and crack the quiet
I wish for silence
I wish for sound
I wish to fly
I feel only the ground
Third Eye Candy Feb 2013
you cannot finish need.
it fiends in wretched globes of dwarf
swelling to tremendous  steam
a Bacchanal of vineyard borscht
a moonlit morsel of demolished dreams...
we serve at the pleasure of the absurd
gilding shadows with clay confetti
and the nictitating membranes of blue crocodiles.
and blank verse.

felling the Yggdrasil, by all means; you maraud the larder
in the night kitchen; nicking blackbird-pies and pinky-russet salamanders
[ the loose farthing ] and the hard liquor... all gone now
your potato sack, rakishly slung from the shoulders of an Atlas, entitled ' Promised Land; betrayed '.

a new map shrugging off old kings from dead valleys
revealing the hour of your worthless estate,
in-lieu of the boundaries of your lost holdings. unhappily -
you inherit the unripe peach
in a hound's mouth.
you slouch rough,  slowly
to your beast
of a couch:

there, to remain unholy and due South.

there, to remain unknowing
by all account.
Senor Negativo Jul 2012
When, in the graceful misfortune of a woman's eyes,
you are never alone, rejoice your beloved state,
without troubles blind to hell with the song of our lives,
without hearing crying, and rejoicing at this fate,
Content with you, unlike anyone else is your hope,
Hidden unlike her, unlike her with enemies dispossessed,
Wanting nothing of that woman's science, without this woman's scope,
Without what I less bear unhappily most;
Yet out of those feelings of you I am never despising,
Sorrowfully view her, after your state,
Unlike from the mockingbird after the repairing of night sets
To joyful waters, from listening to the lament at hells wall;
For my bitter hate forgotten such poverty discarded
After this I would gladly switch places with peasants.
Terry Collett Dec 2013
Della walks
with her father
onto the beach.
Sand, sun,

sea going out.
Sea,
she says
love it.

Her father looks at her,
takes in her smile,
her well kempt hair,
the tip of her tongue

resting there
on her lower lip.
Did your mother
pack your swim gear?

Packed it in my bag.
Where's the bag?
She looks back
towards the car

parked by the road.
You must try
to remember
these things.

I did, then I forgot.
It doesn’t help.
Angry sounds.
He sighs.

Stay here, don't move,
he says
and walks back
towards the car,

over the sand,
hands in the pockets
of his black jeans.
She watches him walk.

Angry walk,
she thinks.
She sees him
most Saturdays,  

sometimes Sundays,
since
the divorce.
He gets to the car

and takes out
her pink bag,
locks the car
and treads back

towards her,
his face dark
and unsmiling.
Like smiling faces.

There you are,
he says.
She takes the bag
and they

walk down
towards the sea.
He gets out
a large beach towel

and lays it down
on the sand.
Here we are.
Sea smells salty.

It does.
If you sniff it
it gets up your nose.
He nods,

gets out a book
and begins to read.
Makes your nose feel salty.
She looks at her father,

he stares at the page
of his book.
Can I go into the sea?
Be careful.

She stare sat him.
Shall I get on
my swimming
costume here?

Yes,
he says,
turning a page.
People will see me.

They do.
Mum holds the towel
up around me.
He sighs and gets up

and gets out
a large coloured towel.
OK then,
get your gear on.

She takes out
her swimming costume
from her bag
and drops the bag

on the sand.
She looks at him.
Mum puts the towel
around

me so people
can't see me.
He sighs
and puts the towel

around her,
stares out
at the beach.
She takes off

her cat patterned top
and drops it down.
Then she removes
her skirt and underwear

and quickly,
but awkwardly
puts on her costume.
He looks at ships

on the horizon.
Seagulls,
bathers,
families and lovers.

She pulls at the costume
to get it comfortable.
Done it.
Good.

He folds the towel,
puts it beside him
and begins to read again.
She stands looking at the waves.

Mum walks me to the waves.
Why?
In case I slip.
You're a big girl now.

What if I slip?
He lifts his eyes
from the page.
You won't.

Mum holds my hand in case.
Your mum does
a lot of things
I don't.

He reads on.
She stares at him
for a few moments,
then unhappily

walks down
towards the waves.
She has her hands out
like a tightrope walker,

to balance herself
over the sharp stones,
here and there.
She reaches the area

where the waves rush in.
She stands there looking out.
She sniffs the air. Salty.
People around her stare.

A child laughs.
Two boys whisper.
She walks into the water.
The sea is warm,

rushes over her feet.
She clutches her hands together,
looks at the boys.
Warm water.

Wet, too.
The boy grins.
She's a Mongol,
the other boy says.

Funny features,
the other says,
big lips, and tongue.
She looks back at her father

reading up on the beach.
She paddles deeper.
Leaves the boys behind.
The waves rush against her knees.

She claps her hands,
hugs herself,
feels hers small *******.
The sea is crowded

with bathers.
Noise, laughter
and shouts fill the air.
She stands still.

A boy splashes her.
She puts her hands
over her face
to keep the water

from her eyes.
He rushes back
towards the beach,
laughing.

The water rushes
to her thighs.
Best not get out too far, deary,
a woman says nearby.

I'm Della,
not Deary,
she says.
The woman nods and smiles,

well be careful, Della.
The sea can be  dangerous.
Mum says
be careful.

Yes, you must.
Mum's not here.
Who's with you?
My dad's with me.

Where is he?
Della points towards the sand
where her father
is reading his book.

Be careful, Della,
the woman says.
Be careful, mum says.
Yes, be careful,

the woman repeats.
The woman gazes at Della.
Sees her vacant expression.
Her daughter died

the year before.
Drowned.
Della  looks back
at her father

sitting reading.
Mum watches me.
So she should.
Dangerous place the sea.

Della stares
at the incoming
rush of waves,
loud shush of the sea.

Your dad should watch you, too,
the woman says.
He reads.
He should watch you.

Della hugs herself tighter.
Best not get in
much deeper, Della dear,
the woman says.

Deep.
Gets to my thighs.
Yes, higher
than you ought to go.

Frightened.
Let's go back,
the woman says.
Della clutches

her arms tighter.
I fell last time,
and got salty water
in my mouth.  

Sickly.
Was sick after.
In the car.
The woman smiles.

Let's walk back  
to your dad.
The woman holds out
a hand.

Della hesitates.
Her father
is reading his book.
She puts out her hand

and holds
the woman's hand
and they walk up
towards the beach.

The warm hand holds her.
Far from
her father's sight
and the deep sea's reach.
L B Feb 2019
I spent some time writing a response to a poem that someone had written on commitment-- then lost it on this wonky site.
I'm learning to copy and save all my longer responses.  This one was worthwhile, I think.  Here it is with no apology for its content or its being prose.
____

The Other Woman

In so much of this thinking, I disagree with you.  Love involves so much more than  commitment.  My parents were married almost 60 years.  They were not in love for a long time toward the end though they were committed and attached. I was around to watch the steady loss with only the family loves and interests held in their surroundings-- to keep them sane?  

I watched the woman who came to my father's wake alone, weeping quietly by his casket.  I knew there was a deep love between them even though they were both "committed" to another.  My mother, as always, distracted by the "social," the appearance of it.  My father's honors were her claim to any personal worth-- His well-known name, his courage and heroics, his whole-hearted service to others, his children his wealth...these were the things she wanted from her commitment to him.  Too busy with her dementia at the end and all the attention lavished on her, my mother seemed to have lost my father years before.  I do not blame her.  I think we live too long for most of our “commitments.”

Truth be told, my father had several women  latch on to him in their loneliness and need to have their cars fixed and stuff a woman has no knowledge of, a widow and a divorcee, one unhappily married.  I know they loved him too--and in a sense, he them.  Not sure if there was anything physical between them. I would not have blamed them though.  But commitment-- certainly, yes. They were often at the house, devoted in their care of him in the worst crisis of his life, caring for us, supporting my mother through it too.  One knitted sweaters for us, gave me her family's violin; the other left us everything she owned.  My mother accepted this, unquestioning.  We used to joke about my father's "other wives."

This last woman-- was the smile of his old age, his Red Sox and drinking buddy, the one with whom he shared affection, knowing looks; the porch, their yards, the lawn chairs, coarse jokes-- a drunken wheelbarrow ride home, and all their troubles, aches and pains. My mother's church and chatter, puttering, annoyed him. This last woman kept him company.  Their love--so deep, so entire....  I could see it in their eyes when they were together despite their 30-year difference in age.

Now by his casket, propriety could not allow her grief its full  expression.  Only family ordered flowers, met after-- for "the dinner,” unrolled the pall over his body, paid the last tributes by his grave."  She was treated with loving appreciation as a faithful, loving neighbor.  My sisters hugged her, whispered grief.  When my turn came, I hope she heard me, felt me--as I hugged her, repeating,  “J_, I know, I know...."

I know I've gone on here too long, and I'm sorry.  I write all this to say that whatever commitment is, I don't think we understand the half of it.... Relationships, faithfulness, expectations, decorum-- fall apart in the face of true love-- which never needs to explain itself.
Jazleigh Walker Aug 2012
Look at you trying so hard to be tough
Look at me holding back laughter
Look at you having it rough
Now look at me have my happily ever after
Look at you trying to scare me
Look at me saying whatever
Look at you living unhappily
Now look at me surviving the bad weather
Look at you trying to break me down
Look at me laughing at you
Look at you and your nasty frown
Then look at me pray that you make it through
Butch Decatoria May 2016
I

Behind his eyes of Laser Blue
I have a history as brief as titsi-flies

Behind a furrow or a dormant smile's bloom
I am indentured
by his manipulations,
                                lessened by his education
and I am supposedly the one he loves...?

So, there in the bear-hug of his lies
I am mute in delirium
copulation cranked to carnival speeds

Because he has power in the unspoken
as vaporous as white smoke
incantations & sorcery
                          fish hooks my love into my doom

I understand that gaze
I commit to its kaleidoscope
variegated faces
for every season and holiday
each hour etched is an emotion
pretend and pretense

Splayed

Muscle, toned,
limbs limned in liquids
arms of a giant squid
the transparent center:
a cluster of homosexuals suckling...

He is Captain Nemo, submariner
mad haired scientist,
testing each concoctions' mixed diversions
and perversions / replete to repeat
                               how we all un-burden ourselves
to him, patience
is an old man with an oil burner...

I am transfixed
a lobotomy experiment of chopsticks
and peppermint schnapps

who's time has misplaced it's tick.


II

I am aerodynamic...

Because the laws of attractions
commonalities not flesh on flesh
or polysyllabic meals of kisses
none are removed from him

He weaves his wizard's wand
fantasia music to magic  ***
to a whistle's whim,
while I chimp out puzzles complex
just to gain praise and admiration.

(As he vanishes to rendez vous
another grinder, another victim,
another name game)

For behind his hood
and hat of tormenting's tricks
I have glimpsed his true nature

like Midus whose touch once harsh straw,
rumpled in his still-skins
complete with fanatical flaws
I witness an aging ram
horned, silver haired satyr...

I am a deer in headlights
every time I am shocked by my own
naievette
like sheep to a herder
steering a flock,
a troop, a school, a ******

unguided paths that shape themselves
by the traffic of every foot.

I have grown blank
no mirth or self-contrition
this rat retreats into moist dark spaces
to converse with paranoid shadows...

Behind his eyes
even when he mistakes his conjuring
excuses tangled among false & fallacies
but stupidity is
the only spell he never casts
upon my helicopter spinning mind


III

He has transformed me not to a toad
with a swollen desire
to croak / a burp

but turned me
into a boomerang...

Flung high with speed
inaccurately to flee blind
uncertain as wind-shears in Chicago
but still returns to suffer

A beaten Benji,
and still an Ole' Yeller defender of truth
I remain

knicked, knocked, chipped
licked - not yet
but seemingly to his soul's spotlight
dead.

Thrown out
to welcoming skies so blue

still there's an anger behind his eyes
I understand / it will be the end of me

I am unable to discern
our story - where dying heroes lay
when they realize
tragedies end unluckily...

But a boomerang
knows not reasoning to leave
and be victim
to its own nature's treason,
it does not question why
nor weep helplessly

yet it also does not sing
celebrating when in its master's hand
yet comes home
unhappily half alive
I suffer like the boomerang
still my own company
without
compass or wayward destination
give in to it's predestined
abilities
in high flight always returning,

whistles to the joy of living

you see, a yo-yo can not fly

I have become acquainted with heaven's sky
kingdom of light
familiar to it's shine
delight in my unforeseen
demise

(my magic kiss kiss
imagination bang bang!)*

I am a divine toy of life,

be it

a boomerang.
For TTH Farewell.
Lawrence Hall Jun 2019
A Poem for June


Just why a cucumber should be so cool
Eludes the logical; a cucumber’s just
A vegetable a-lying on the ground
Awaiting consumption.  But let’s accept
This vegetarian cliché’ simply
To get on with this cool descriptive task:

Whatever’s cool in the falling June sun
Descends through oak leaves, dark and summer green
And dancing down the air falls happily
Upon this cool cucumber cave where sits
Upon a wooden bench a lazy man
Who should be taking now another turn
With lawnmower, shovel, or shears against
The wild greenness of happy midsummer.

But, oh!  Persephone surely won’t mind
If her allotted garden tasks are paused
By her appointed minion rustic who
Takes now his ease in her delightful shade.
For summer after all is more than work;
She calls for dozing too, and dreamily
Watching busy bees buzz among the flowers,
Like fussy matchmakers arranging marriages,
And hummingbirds humming in and out of leaves,
Their sanctuary leaves, to argue at
The nectar-feeders, as if there weren’t
Enough for all.  The squirrels in the trees
Would never condescend to chitter there;
They glare at humans disapprovingly,
Like old teachers unhappily aware
That, oh, somewhere, somehow a child might be
Enjoying life, and that would never do!

Even the ribbon of smoke from the morning’s
Trimmings and cuttings and sawings appears
To be taking a nap in the summer noon,
There gently snoring up wisps of ashes
Instead of roaring, hissing manfully
As it did in the early hours.
                                                     The bench
Along the fence where the tired old man sits
Creaks as he shifts his weight, and watches
His backyard world doze in the leaf-laced sun;
He lights a well-deserved cigar, and sees
Its soothing smoke join with the ******* fire
Ascending heavenward with peaceful thoughts.
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.

Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
Words bolt out but no ears hear,
Bending vowels of drained attention.

She smiles in racing blossom intervals,
the atmospheres of bending bludgeons.

But still I am in love with her, fool me.
He who talks without lips moving.

See the juvenile mouth extrapolating
to judgements faulting into aching.

I wonder, well sometimes I do think,
what fashionable jungle I'm to be?

After all, she finds life too busy
to wonder long about such as me.

Immobile with soundless ambition,
the rocks grow but not in splendour.

So this is how it must convert to action,
that she succeeds where I blunder.

Oh well, so that is how it will coexist,
with words drained and solitary existing.

"Be robust" I murmur to myself, with
heart closed and cognizance brooding.

"Goodbye, my former fellow traveller!".
I am off to request novel occupations.

You your way, and I, unhappily waving.
Exhalations the only sound which cheapens.
Dave Robertson Aug 2020
Pan - all
Demos - people

Everyone touched and fiddled with
tricked, cut, broken and hauled
across coals that hurt directly
or by degrees

More pernicious than a novel virus,
exposed to the utter selfishness
of folk who won’t even cover their mouths to cough
or at best will wear a cloth across their mouths
but leave their noses to bleed casual indifference

I want to love my fellow man and see them as allies
so I struggle to suppress my surprise
that too many would claw and fling
sad corpses of different colours or origins
to the rising tide
just to stay unhappily dry, never mind alive

Disposable gloved hands stretched out with open hearts,
basic ***** hygiene and an even playing field
are a tiny ask for all

Take a deep (covered) breath,
be deaf to the filthy fear peddlers
who try to cling to power
by screaming vitriol and division
one tweet and cable TV show at a time
and reach instead for the sublime and silly brilliance
of being human
Sydney Victoria Mar 2013
The Waves Restlessly Lapped Onto The Coast,
As Hungry Seabirds Hollered From The Shore,
My Minnesota Skin Burned Crisp As Toast,
The Frost Offically Gone From My Core

Palm Trees Sleepishly Loomed Over The Sand,
As Tangled Kelp Gets Beaten By The Sea,
My Body Is Not Used To This Warm Land,
Or Reoccuring Sights Of Honey Bees

Flowers In Every Shade Bloom Happily,
As The Sun Reaches The Ground Where They Stand,
Storms Wander The Skies So Unhappily,
Because They're Aware This Is Summer Land

Grab A Board, My Friend, Or Sit In The Sand,
The Beach Is Always Warm In Summer Land
Yay! I'm Happy I'm Back In California!
Left Foot Poet May 2014
~~~~~~~~~~~~~~~~~~~~~


that which used to take ten minutes
now takes an hour or
two

something's that used to take an hour or
two,
now take ten minutes, give or
take,
(mostly I do the taking)

(or as the little voice whispers, the mostly
faking)

betcha you'd like to which is what
and what is which being bewitched,

I ain't spilling no beans
cause I value my insanity's privacy,
and I don't got to give that up just yet

but if you want the worst of what little I got left,
unhappily I will approach the old muse
begging me giving me something to use,
bad she turns away bad she say

"You all tricked out,
you wares worn,
ye old styles from yester last month
you been styled by
  H&M;
30 days max,
then
ring in the new, and if all sold,
or none-at-all,
too bad for you


then you gotta decide:

wear a watch
or watch the wearing
with  small
pleasures sighed,
confirming,  night-moves,
gonna
Keep On Keeping On
Living
Heavy Hearted Oct 25
Alone

It Feels More Than It Really Is,

Desolate abandoment
The void left by, taught through
The faces I would turn towards
And truest love I knew;

Yet away from me, unhappily
Or indifferent, themselves have turned
Fixed, never to meet within my gaze
My life or their cautionary tale, decerned

Falling in love with many a friend
From very early on
Where nothing matters like they do,
No matter that they've gone.

No matter that the majority
And best parts of our live's real years,
Are spent relapsing in their memory,
As their aura disappears.

It Really Is More Than It Feels

Alone
Jade Emma Bronwen Chelsea Jack Noam Chris Zack Rebecca Kimia Sammy Debra Christina
Zelda Sep 2016
For 64 days I played a game of "Truth or Dare"
Cross my heart, beg to die
This is the confession of a broken heart
That sacrificed it's sanity for a steamy love affair

Now, I sit by the window wishing I had had a crystal ball
because it'd  have saved me a century of torment
Knowing I wasn't your knight in shining armour
It'd have saved me a century of screaming
Instead I watched Atlantis vanish
My pretty, perfect, paradise turned to ash

In my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope, so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

Hello, unhappily ever after
Thoughts that refuse me to let me sleep
I remember when I first saw you
I ran out of words
I lost my breathe as butterflies erupted
I couldn’t resist entering the maelstrom despite the warnings
This is my odyssey
I couldn't resist the enchanting music
I thought I could take it
I wanted to be imprisoned
I never knew something so beautiful could be so dangerous

But in my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

I still want to be your ***** little secret
The thing you write your love songs about
But I'm nothing more than a wilting February song
Lost in the bitter, biting, bleak winter air
Because you were never mine
And every day I woke up alone, lying to myself
That I could live with empty arms
Instead of a soft lullaby
I scream words of a banshee

Inject me with your love, baby
Give me your love, honey
Fill me with lush tender dreams
Make cotton, candy, clouds rain sweet sugars of incandescent ecstasy
Just give me what I need because underneath I’m breaking

But in my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

You need to tell me if you feel the things I do
Your hard exterior, your indecisions are making me wonder
If it’s worth staying up until 3 am
To meet you for our  little rendezvous
But I'm tired of sleeping with the enemy
A person I can't recognize  
Take off the mask, end this façade
Stop blaming me for losing yourself
When you got caught up in someone you invented

But in my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

I admit
It's over
Our masterpiece has crumbled beneath your feet
Turned to ash, you left the remains in my chest
Because none of it was real
It was just a game of "Truth or Dare"
But I was never given the truth
So I dare you to tell me the truth
But you refuse
But that won't stop me from sleeping tonight
Without nightmares, without shadows
In my fantasies
ARI Nov 2016
Anxiety has an army
She's marching through my head.
She's twisting up my body
I swear she wants me dead

She's climbing down my throat;
She's wrapped around my spine.
She whispers in my ear
"Your souls forever mine"

Anxiety has a song
Of harsh and dreadful laughter.
A voice that tells your story
As unhappily ever after.

She'll rock your broken mind
Until all you do is sleep.
She'll dig her nails into your head
For your joys she craves to reap.

ARI
ren Jan 2014
When I look at things I used to care about
(And I suppose I still do care about them,
In a way I could never be able to explain),
And feel nostalgia
For my old feelings;
For the way I felt about you,
I think of sitting unhappily
In the corner of the room,
Trying to read God's words
(But my tears blur them),
And I look up to see you there
You're still there
(You're always there),
And you sigh at me,
Not knowing how you feel
Because how could you possibly?
I make a face at you through my tears
Because I am brave
And I want to lose myself in making you happy
(Not only because I'm told it will make me happy)
But also because I genuinely and sincerely
Want you to be okay
Because I cannot imagine the way
You must be feeling
And all I do know is that
You are the sweetest thing,
Coming up to me and trying to make me feel okay
And we comfort one another
In an effort to feel okay.
Before I can ever truly feel upset
You're making me feel better
And I know that humiliation and self-hate
Have no power on me
When I feel the love God has for me
And for you.
What is it, exactly, that you don't get?
It has become apparent that I, maker of all,
which includes, unbelievably, you too,
must put all of my work on hold
just to come and check-in on you.

I have listened to you vehemently beat
with such astonishing regularity the dead horse
of your, lets say discomfort (?)
over your time alive being finite,
that I actually drew up plans to wipe
out of existence totally, all horses ever
just so you'd be forced to find a new topic.
I threw out those plans of course.
I decided instead to come directly to you and ask,
What is it, exactly, that you don't get?

Are you aware, last Tuesday, for example,
while you were writing that miserable little poem,
you know the one,
you kept rhyming 'die' with 'Why? Why? Why?'
Gahh. What a horrible read,
are you aware, that while you spent
four hours of your finite life unhappily writing
on your fears of death
a man much more adjusted to his
mutual, unchangeable lot
took out the very girl you write all your other poems about?
If you're curious, they had a great time.
Does that help clear things up?
If you're still confused, please, tell me while I'm here,
What is it, exactly, that you don't get?

Oh, how we both know that you have your words.
So ordered are they in your head.
So active in breaking life's happenings down
in a useless obsession to understand
even the tiniest subcategories of meaning
found within larger, though still insignificant meanings,
all of which you broke down before,
forgot, broke down again, forgot, repeat into ∞.
I'm amazed you ignore the one word which silences all others.
You act as a fool who refuses a warm blanket on a cold night
out of a dumb idea of strength through suffering.
You ignore the only word which covers all who are confused;
accept.
Accept.

I can tell you with some humor, that
most of life is not for thought to poke at
like a sexually incompetent lover getting
a chance at the town's *****.
Which you'll remember didn't go so well for you either.
I think Kim was her name? Anyways,
still, you have your words,
so I'll ask you again,
Maker to man,
What is it, exactly, that you don't get?

Perhaps, a simplified picture
will help you get an idea of my disappointment here.
Lets see, how to make this really basic for you...ah!
For me, you give off all the excitement of a cat staring
at a limp string on the ground, occasionally patting it
with its paw, claws retracted.
But I want you to be like a dog who ferociously bites
down on the rope I hold the other end of
and pulls with all his strength against me! For fun! For life!
For a right he assumed all on his own to have what he wants
and works to make that true.
But you,
you just sit there pawing listlessly at all I hold out to you.
So I ask you again...
No.
No.
Never mind. You're done.
Come with me.
Joseph Childress Sep 2010
Time
Has changed its course
Love’s no longer intermixed
The feelings
Are just not
As in
I bend
Blended
With a broken promise
One
With the lies
I told
Old news
Like my ways
You remain
Unentertained
Unhappily walking
In the rain
I used to
Run through your mind
Now I’m a rerun
A worn out cliché

This odd couple
Was actually odd
In it’s inaccurate
Portrayal
Of the oddities of love
We
Were a spark
With no fuel
Static
Statistically speaking
The odds of us
Even meeting
Is too rare
For me to bear
But the moment
Fate forgot
Was the moment
That we met
Now our
Trials and tribulations
Are a tribute
To our attributes
Our rude, brute force
That broke the rules
Of physics

The night
We made Love
Without the chemistry
To make it
Bottled up our emotions
As if we wished
To save it

Living
Lie after lie
Looking in
Each others eyes
We’ll appear
To have a passion
As long as our masks
Are tied

Cupid
Our crooked archer
Is to blame
For our misconnection
Our departure
Won’t be in vain
If we do it
For the love of love
And our disdain
For a false passion
Carried out
In it’s name
Jesse Salgado Jan 2012
I suppose for now this is how i will write to you,
to say the things i wish you were face to face to hear,
to list just what i loved about you,
and to be done with this once and for all.

I will admit I was out of my league.
So delicate was every word that passed through your lips,
so fragile was your inexperienced body.
A world of stars and memories, of laughing and crying,
collapses inward.

I will admit this is embarrassing.
I've contended with myself to forget your blue eyes,
To not sneak around the parking lot of your hotel,
If only each Chevy Malibu that caught my eye
were carrying you back to me.

I will admit I am sometimes jealous.
To see you with someone who cant love you like I do,
Why does such a shabby impersonator get to hold your hand,
When true authentic love is only finger lengths away.
******* the day I let you drive off with my heart.

I will admit sometimes I am scared.
What if I  never find someone who understands me like you did?
What if you never understood me at all?
Does our love end up like those in the movies?
Destined to reunite after a life of lessons, or not at all.

I will admit sometimes I don't understand you.
Someone filled with such potential, squandering life away
Behind a desk unhappily, waiting for an answer that never comes.
If only I could save you from the tyrannous claws of indecisiveness.
If only you would give me a real chance.

I will admit I was overbearing.
Using any chance I could get I traded action for words,
Clawing at any chance I had to keep you in my nest.
I wasn't as ready as I thought, I wasn't as confident as I thought,
I was small.

I must admit I hold regret.
we have become reluctant friends,
life happens and there is never a chance to go in reverse.
Everything is for learning,
Everything is made to let go.
Nat Lipstadt Sep 2013
July 3, 2011


These were the orders of the day,
issued by admirals
who monitor the lanes surrounding
this sea island and that now include
my desolated, desecrated, heart waves
that wash ashore.  

With beacon searchlight,
high powered, prowl,
be a coast guard on the bay
of humanity, following wakes,
intersecting misaligned paths,
undoing crisscrossed roads
on a plane of water,
forever search,
permissioned only
to never cease, tasked only to:

Save the young ones.

For there is no cost
we will not bear,
take our mind's light,                
our speech, the music from ears,
the fiber'd essence of
our tissue-thin life's weave,
but let us be, leave us,
to save the young ones.

Leave us not becalmed, baffled,
broken, discovering
what sound we make
when our throats are
grief engorged beyond bound,
so leave us the young ones.

When we fail, what it is,
I do not know,
how to name it, cannot,
for I am forever
star gazing, star lost, confused,
with every breath ruptured,
my own value to wonder,
and on and on to ponder:

Is there no end to the reservoir
of tears that accompany these
spilled and spoiled thoughts,
stained kisses on paper
where ink and saltwater connect,
and lay upon the surface of
memories that can't be blotted,
never be replaced or,
cry out, cry out,
be added to?

How many sad poems.              
must yet invade my fingers,
ripping my mask of reason off,
making me unhappily familiar
with jagged edges of the sea,
each drop - a tipping point
into places I wanted never know,
a rendering reminder of
these days of disorder,

Save the young ones.
How I used to write...hundreds of poems in dustbins, but like this I right no more.
Noname Jun 2013
Perfect lips
Soft skin
Rebbelious side
Drenched in sin
So new to life
Yet nearly adult
From A-Z
She's made it
Unhappily
Clumsily tripping through phases
She starts with liqour
But **** smoke is thicker
She picks up a habit
Marlboro 27's
She kisses them sweetly
While stealing they're soles
Such inocent eyes
With such manipulative goals
She cries at night
But lets it all go
in the sun light
A beautiful creature
To say, at the least
Young lady with no morals
And a pocket full of cash
I guess she'll die while she's pretty
And live life fast
She's at the edge of 17 blossoming nicely
But baby watch out the real world is nasty
Shanna Howse Jul 2010
Waited for today for months
You counted down eagerly
I counted unhappily
For today came too fast

So how will I function?
A drunken kiss goodbye
A kiss that meant nothing
That’s what I’ll remember

From you

I thought there may have been something
But I never really noticed
All along the tables were turned
Turned for always in your favour

And I was strung along
But I loved you so bad
I couldn’t get enough
I couldn’t understand

The day that you left and
Many days that followed
I didn’t want to live
To know that you are gone

And there won’t be that day
When you walk back here
Into my life one day
When I hope so much…
© June 25, 2010. Shanna Howse.

— The End —