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Nat Lipstadt Aug 2017
the undulating structure of the sea, woman

~for Megan Sherman~

you message me a brief, sweet like of
my poem's structure,  describing it as
"undulating like the sea."

you deserve much more that I can now provide,
the hour late, yet your succinct observation
engages my retinas deeper into oceans of imagination.

but told to "turn off the light,",
a standard life intrusion,
so for once in my life,
perhaps brevity, may here gain the upper hand.

but probably not.
no, this poem does not undulate.

I live by the sea, and its habits, guises and habitués,
her stockings and high heels, and come hither looks,
well known to me. Ha! most nights it even feeds me.

as I compose, she hides quiet, fifty yards away, no more,
causing no trouble tonight, yet seen it don and unmask
a schizophrenia of multiple personalities most terrible
in minutes as short as seconds.

rage and frothy spit, begging she be allowed to
swallow whole men and ship, harboring monsters,
that populate the nightmares of one called Jonah me.

her murdering riptides and lunar tricks
that are mathematically calculable and therefore predictable,
even then, wise man still most helpless charmed by
the fake news of the surficial, gentile, ladylike, curtsying, cutesy lapping, waving oh hello waves,
drown us with the greatest of ease,
which is what I think you mean when you say
the sea **** be undulating, performing its best and finest trickery.

yes, the sea is a women and its fluidity, nonpareil.

Have you ever seen a woman undulate?
see my notes below;

when the sea or a woman undulate,
things too oft die.  

this poem is unstructured, its heartbeat,
arrhythmic, and now, well, lady past midnight,
indeed, unhappy, unsure of the why of this poem,
its purpose undefined but you said:

                          un   
du
                    lat
           ing
~~~~~~~~~~~~~~~~~~~~~~~~

causing the sovereignty of my un
-conscious
to see a ballerina, her arms, moving unnaturally,
laying herself down to die

did I forget to mention
this poem was born on the ferry crossing the sea,
required to reach the island keep where
the home that I now lay prone in bed now writing
almost, soon enough,
"the end,"
having read your words, felt a poem instant birthing,
as the bow cut thru calm, undulating waves
while a storm in my eyes, the rancor of experience screamed,
my aminotic fluids joining the waters beneath my feet,
your words caused

and a ballerina waving arms swept me low,
asking, imploring,
watch me undulate unto death


and better now I understand the why of you,
for we both ****** addicts,
enslaved by the undulating
arms of our muses, and this then,
the nature of our
shared genius

so be wary of the sea, and writing, the ****** of poetry addiction,
given half a chance,
you will quite happily drown
when they both beckon,
come hither.


<•>
8-19-17 ~ 8-20-17
11::04 pm - 3:24am
https://m.youtube.com/watch?v=G_LHgXxz9VE

an amazing thing to see
howard brace Feb 2012
Inconspicuous, his presence noted only by the obscurity and the ever growing number of spent cigarette stubs that littered the ground.  It had been a long day and the rain, relentless in its tenacity had little intention of stopping, baleful clouds still  hung heavy, dominating the lateness of the afternoon sky, a rain laden skyline broken only by smoke filled chimney pots and the tangled snarl of corroded television aerials.

     The once busy street was fast emptying now, the lure of shop windows no longer enticed the casual browser as local traders closed their premises to the oncoming night, solitary lampposts curved hazily into the distance, casting little more than insipid pools mirrored in the gutter below, only the occasional stranger scurrying home on a bleak, rain swept afternoon, the hurried slap of wet leather soles on the pavement, the sightless umbrellas, the infrequent rumble of a half filled bus, hell-bent on its way to oblivion.

     In the near distance as the working day ended, a sudden emergence of factory workers told Beamish it was 5-o'clock, most would be hurrying home to a hot meal, while others, for a quick drink perhaps before making the same old sorry excuse... for Jack, the greasy spoon would be closing about now, denying him the comfort of a badly needed cuppa' and stale cheese sandwich.  A subtle legacy of lunchtime fish and chips still lingered in the air, Jack's stomach rumbled, there was little chance of a fish supper for Beamish tonight, it protested again... louder.

     From beneath the eaves of the building opposite several pigeons broke cover, startled by the rattle as a shopkeeper struggled to close the canvas awning above his shop window.  Narrowly missing Beamish they flew anxiously over the rooftops, memories of the blitz sprang to mind as Jack stepped smartly to one side, he stamped his feet... it dashed a little of the weather from his raincoat, just as the rain dashed a little of the pigeons' anxiety from the pavement... the day couldn't get much worse if it tried.  Shielding his face, Jack struck the Ronson one more time and cupped the freshly lit cigarette between his hands, it was the only source of heat to be had that day... and still it rained.

     'By Appointment to Certain Personages...' the letter heading rang out loudly... 'Jack Beamish ~ Private Investigator...' a throat choking mouthful by any stretch of the imagination, thought Jack and shot every vestige of credulity plummeting straight through the office window and amidst a fanfare of trumpet voluntary, nominate itself for a prodigious award in the New Year Honours list.   Having formally served in a professional capacity for a well known purveyor of pickled condiments, who  incidentally, brandished the same patronage emblazoned upon their extensive range of relish as the one Jack had more recently purloined from them... a paid commission no less, which by Jack's certain understanding had made him, albeit fleeting in nature, a professional consultant of said company... and consequently, if they could flaunt the auspicious emblem, then according to Jack's infallible logic, so could Jack.  

     The recently appropriated letterhead possessed certain distinction... in much the same way, Jack reasoned, that a blank piece of paper did not... and whereas correspondence bearing the heading 'By Appointment' may not exactly strike terror into the hearts of man... unlike a really strong pickled onion, it nevertheless made people think twice before playing him for the fool, which sadly, Jack had to concede, they still invariably did... and he would often catch them wagging an accusing finger or two in his direction with such platitudes as... "watch where you put your foot", they'd whisper, "that Jack's a right Shamus...", and when you'd misplaced your footing as many times as Jack had, then he reasoned, that by default the celebrated Shamus must have landed himself in more piles of indiscretion than he would readily care to admit, but that wouldn't be quite accurate either, in Jack's line of work it was the malefactor that actually dropped him in them more often than not.

     A cold shiver suddenly ran down his spine, another quickly followed as a spurt of icy water from a broken rain spout spattered across the back of his neck, he grimaced... Jack's expression spoke volumes as he took one final pull from his half soaked cigarette and flicked it, amid an eruption of sparks against the adjacent brick wall.  Sinking further into the shadow he tipped his fedora against the oncoming rain, then, digging both hands deep within his pockets, he huddled behind the upturned collar of his gabardine... watching.

     It was times such as these when Jack's mind would slip back, in much the same way you might slip back on a discarded banana peel, when a matter of some consequence, or in particular this case the pavement, would suddenly leap up from behind and give the back of Jack's head a resoundingly good slapping and tell him to "stop loafing around in office hours... or else", then drag him, albeit kicking and screaming back into the 20th century.  This intellectual assault and battery re-focused Jack's mind wonderfully as he whiled away the long weary hours until his next cigarette; cup of tea, or the last bus home, his capacity to endure such mind boggling tedium called for nothing less than sheer ******-mindedness and very little else... Beamish had long suspected that he possessed all the necessary qualifications.  

     Jack had come a long way since the early days, it had been a long haul but he'd finally arrived there in the end... and managed to pick up quite a few ***** looks along the way.  Whilst he was with the Police Constabulary... and it was only fair to stress the word 'with', as opposed to the word 'in'... although the more Jack considered, he had been 'with' the arresting officer, held 'in' the local Bridewell... detained at Her Majesties pleasure while assisting the boys in blue with their enquiries over a minor infringement of some local by-law that currently had quite slipped his mind at that moment.  Throughout this enforced leisure period he'd managed to read the entire abridged editions of Kilroy and other expansive works of graffiti exhibited in what passed locally as the next best thing to the Tate Gallery, whereupon it hadn't taken Jack very long to realise that it was always a good place to start if you wanted free breakfast, in fact the weeks bill of fare was tastefully displayed in vivid, polychromatic colour on the wall opposite... you just had to be au-fait with braille.
                            
     No matter how industrious Beamish laboured to rake the dirt there always appeared to be a dire shortage of gullible clients for Jack to squeeze, what would roughly translate as an honest crust out of, and although his financial retainer was highly competitive he understood that potential clients found it bewildering when grappling with the unplumbed depths of his monthly expense account, which would tend to fluctuate with the same unpredictability as the British weather, the rest of Jack's agenda revolved around a little shady moonlighting... in fact he'd happily consider anything to offset the remotest possibility of financial delinquency... short of extortion... which by the strangest twist was the very word prospective clients would cry while Jack beavered around the office with dust-pan and brush sweeping any concerns they may have had frantically under the carpet regarding all culpability of his extra-curricular monthly stipend... and they should remain assured at all times... as they dug deep and fished for their cheque books, and simply look upon it as kneading dough, which eerily enough was exactly the thick wedge of buttered granary that Jack had every intention of carving.

     Were there ever the slightest possibility that a day could be so utterly wretched, then today was that day, Jack felt a certain empathy as he merged with his surroundings... at one with nature as it were.  The rain, a timpani on the metal dustbin lids, by the side of which Beamish had taken up vigil, also taking up vigil and in search of a morsel was the stray mongrel, this was the third time now that he'd returned, the same apprehensive wag, yet still the same hopeful look of expectation in his eyes, a brief but friendly companion who paid more attention to Jack's left trouser leg than anything that could be had from nosing around the dustbins that day... some days you're the dog, scowled Beamish as he shook his trouser leg... and some days the lamppost, Jack's foot swung out playfully, keeping his new friend's incontinence at a safe distance, feigning indignance  the scruffy mongrel shook himself defiantly from nose to tail, a distinct odour of wet dog filled the air as an abundance of spent rainwater flew in all directions.   Pricking one ear he looked accusingly at Jack before turning and snuffled off, his nose resolutely to the pavement and diligently, picking out the few diluted scents still remaining, the poor little stalwart renewed its search for scraps, or making his way perhaps to some dry seclusion known only to itself.
  
     Two hours later and... SPLOSH, a puddle poured itself through the front door of the nearest Public House... SPLOSH, the puddle squelched over to the payphone... SPLOSH, then, fumbling for small change dialled and pressed button 'A'..., then button 'B'... then started all over again amid a flurry of precipitation... SPLASH.  The puddle floundered to the bar and ordered itself a drink, then ebbed back to the payphone again... the local taxi company doggedly refused to answer... finally, wallowing over to the window the puddle drifted up against a warm radiator amidst a cloud of humidity and came to rest... flotsam, cast upon the shore of contentment, the puddle sighed contentedly... the Landlady watched this anomaly... suspiciously.

     The puddle's finely tuned perception soon got to grips with the unhurried banter and muffled gossip drifting along the bar, having little else to loose, other than what could still be wrung from his clothing... Beamish, working on the principle that a little eavesdropping was his stock-in-trade engaged instinct into overdrive and casually rippled in their general direction...  They were clearly regulars by the way one of them belched in a well rehearsed, taken-a-back sort of way as Jack took stock of the situation and was now at some pains to ingratiate himself into their exclusive midst and attempt several friendly, yet relevant questions pertinent to his enquiries... all of which were skillfully deflected with more than friendly, yet totally irrelevant answers pertinent to theirs'... and would Jack care for a game of dominoes', they enquired... if so, would he be good enough to pay the refundable deposit, as by common consent it just so happened to be his turn...  Jack graciously declined this generous offer, as the obliging Landlady, just as graciously, cancelled the one shilling returnable deposit from the cash register, such was the flow of light conversation that evening... they didn't call him Lucky Jack for nothing... discouraged, Beamish turned back to the bar and reached for his glass... to which one of his recent companions, and yet again just as graciously, had taken the trouble to drink for him... the Landlady gave Jack a knowing look, Beamish returned the heartfelt sentiment and ordered one more pint.

     From the licenced premises opposite, a myriad of jostling customers plied through the door, business was picking up... the sudden influx of punters rapidly persuaded Beamish to retire from the bar and find a vacant table.  Sitting, he removed several discarded crisp packets from the centre of the table only to discover a freshly vacated ashtray below... by sleight of hand Jack's Ronson appeared... as he lit the cigarette the fragile smoke curled blue as it rose... influenced by subtle caprice, it joined others and formed a horizontal curtain dividing the room, a delicate, undulating layer held between two conflicting forces.

     The possibility of a free drink soon attracted the attention of a local bar fly, who, hovering in the near vicinity promptly landed in Jack's beer, Beamish declined this generous offer as being far too nutritious and with the corner of yesterdays beer mat, flipped the offending organism from the top of his glass, carefully inspecting his drink for debris as he did so.

     A sudden draught and clip of stiletto heels as the side door opened caused Beamish to turn as a double shadow slipped discreetly into the friendly Snug... a little adulterous intimacy on an otherwise cheerless evening.  The faceless man, concealed beneath a fedora and the upturned collar of his overcoat, the surreptitious lady friend, decked out in damp cony, cheap perfume and a surfeit of bling proclaimed a not too infrequent assignation, he'd seen it all before... the over attentive manner and the band of white, Sun-starved skin recently hidden behind a now absent wedding token, ordinarily it was the sort of assignment Jack didn't much care for... the discreet tail, the candid snapshot through half drawn curtains... and the all too familiar steak tartare... for the all too familiar black eye.

     To the untrained eye, the prospect of Jack's long anticipated supper was rapidly dwindling, when it suddenly focused with renewed vigour upon the contents of a pickled egg jar he'd observed earlier that evening, lurking on the back counter, his enthusiasm swiftly diminished however as the belching customer procured the final two specimens from the jar and proceeded to demolish them.  Who, Jack reflected, after being stood out in the rain all day, had egg all over his face now... and who, he reflected deeper, still had an empty stomach.  Disillusioned, Jack tipped back his glass and considered a further sortie with the taxicab company.

     "FIVE-BOB"!!! Jack screamed... you could have shredded the air with a cheese grater... hurtling into the kerb like a fairground attraction came flying past the chequered flag at a record breaking 99 in Jack's top 100 most not wanted list of things to do that day... and that the cabby should think himself fortunate they weren't both stretched flat on a marble slab, "exploding tyres" Jack spluttered, dribbling down his chin, were enough to give anyone a coronary... further broadsides of neurotic ambiance filled the cab as the driver, miffed at the prospect of missing snooker night out with the lads, considered charging extra for the additional space Jack's profanity was taking...

     And what part of 'Drive-Carefully', fumed Beamish, did the cabby simply not understand, that pavements were there to be bypassed, 'Nay Circumvented', preferably on the left... and not veered into, wildly on the front axle... an eerie premonition of 'jemais-vu' perched and ready to strike like a disembodied Jiminy Cricket on Jack's left shoulder, looking to stick its own two-penny worth in at the 'Standing-Room-Only' arrangements in the overcrowded cab... and at what further point, Jack shrieked, eyes leaping from his head as he lurched forward, shaking his fist through the sliding glass partition, had the cabbie failed to grasp the importance of the word 'Steering-Wheel...' someone wanted horse whipping, and as far as Beamish was concerned the sole contender was the cab driver...

     In having a somewhat sedate and unruffled disposition it had fallen to Beamish... as befalls all great leaders in times of adversity, to single handedly take the bull by the horns, so to speak and at great personal cost, alert the unwary passing motorist...  Waving his arms about like a man possessed whilst performing acrobatic evolutions in the centre of the road as the cabby changed the wheel came whizzing around the corner at a back breaking 98 on Jack's ever growing list... and why, Jack puzzled, why had they all lowered their side windows and gestured back at him in semaphore..?  Rallying to its aid, Jack's head and shoulders now joined his shaking fist through the sliding glass partition and into the cabby's face, "Who" Beamish screeched with renewed vigour ,"Who Was The Man", Jack wanted to know... *"a
Jasmine Luna Apr 2014
who knew that in about
4 years time,
or maybe
10,000 years lost in
10,000 multi hued tears,
id be on the same trip-
dancing to the same
shimmering inner grove as before-
braiding fresh cut
flowers-
delicate genital-hands, unfolding in prayer
into my subconscious mind
or perhaps into my hair-
saving colored prism fragments
of knowledge or nonsense-
digesting intoxicating
incense smoke into the
deep throated green streaked
laughter chasms
that are my lungs-
spinning vinyl, spun mind
unwinding, undulating
through string music-
contemplating the sunset's sweet
immaculate form, reoccuring
and balancing itself right outside my window-
dressing in shells, bones,
and beads; kaleidoscope fabric dripping from
the ******* like mother Kali in a Fellini
flick-
peeping out at heads slinking down
the ****** pavement streets-
my hairy angelic form grooving
intensely, spastic-
body flung, strung out in
hot patterns of
mirrored arms and legs-
brain brew bubbling; wicked, fantastic-
limbs waving and grabbing at
tangible tasty morsels,
smelling strongly of indigo
and patchouli-
the East smiling on me and
my intrepid journey to the ocean city-
head thrown back in
tranquil madness-
pipe smoke curling like
ancient hound howls from the corners
of my lips-
smiles spread like insanity, a wicked disease
lost in the forgotten finger painted
confounds of creamy
****** milk consciousness-
basking in lamplight
of the golden glistening
                                  Now.
S S May 2016
The topography of my mind
Maps the beach at changing tide.

From low to high it's all washed clean
Footprints, castles and trails alike
Unetched slate of flat leveled sand
Grains aligned by blessed wave strike.

From high to low it's all exposed
Fragments, jetsam, seaweed entwined
Littered, scattered on shore amuck
The sting of empty shells combined.

Yes, the topography of my mind
Maps the beach at changing tide
From low to high and high to low
A gloriously exhausting ride.
WS Warner Nov 2013
Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.


Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.

Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner
To Eileen
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Stephen Parker Sep 2011
A trilogy of love: bared, shared, pared
Lust's shallow wave: crests, cascades, crashes
Deeper, emotive swells: rise, rumble, release
Conflicting currents form rip tide: tugging, tossing, tearing

Amor's undulating rhythms pulsate
Low tide, latent fantasies surface ego to ingratiate 
High tide, a endless churning of desires our longing cannot satiate
Libidinous breakers scour lecherous bottom; a brackish foam doth emanate

In the deeper recesses of our minds, a rational connection percolates
From the depths, a heart-felt ****** rises; a growing bond initiates
Two, constant minds mutually sharing space; each hope, dream resonates
Surface tension increases; two hearts mount each obstacle, common course navigates

Nearing balmy shore, strong winds of indifference blow
Into eroding channels untested lovers unwittingly row
Selfish goals drag the unstable pair into the undertow
Corrosive fears, unmitigated doubts sever trust placing love in escrow
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
Kafersuseh One-Dimensional Beams II; In this environment of preservation of links and communication with each other, Raeder, Petrobus the Pelican and Alikanto were in a state of maximum stillness and complacency, they were enjoying the reality that was experienced with the child. Raeder unexpectedly leads Petrobus out of the barn and begins an exploration of the rolling nativity event. Here he takes hold of the gold-jade rings and takes flight towards the upper part of the stable, where he can see from above that it did not look like an ordinary stable, rather it seemed like a seat of the Faith where he observed that some prowling on the roof cherubs, they jumped and crossed mimicking the same gestures that Joshua made in his manger. Impressed, Raeder approached them and began to share with them, flying over where they could do it with their new friends. After a while, Alikanto joined them, who also enjoyed these games precisely, but did not see the Cherubim. He only saw how the two of them jumped but was surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogenies a new bonding relationship between species that were appropriate and endemic to the region near the stable at Bethlem to be inter-inseminated on banks of the Gethsemane slopes, so that linguistics would begin to absorb Joshua and go for a closer shortcut towards the classification of the traditional and omnipotent variants that migrated through the Olive Trees, to renew and preserve the Aramaic or Aramaic languages ​​of a shared origin now, for the omnipotent salvific languages ​​that were to be redirected in Gethsemane. Once leaving for the city of the eight gates, Raeder continued to sway on the roof with the Cherubim, rather they were already inseparable until he received an order from Alikanto that they should hurry back to the stores. He leaves but some mischievous Cherubim follow them and escort them to the tent. The next day at dawn they stand in front of them serenely as if they were still in Kafersesuh. They prepare the camels and the belongings, to resume the return to the final grand opening of Judah; to initiate the trades of reintegration of Saint John the Apostle to the surrealism that predicted him to split poles in his former exile and reintegration, under an early departure to revive the cathedrals of constant ringing and constant vibrating in the bells of Jerusalem and Gethsemane. everyone rides, the Hexagonal Birthright and King David tighten the incisors of the camels heading towards the new door that they took turns opening once they arrived in Jerusalem. Raeder and Petrobus arrived late, flying from the top of the caravan alongside the Cherubim who now guarded them. While the Crickets consumed all the laws that were incommensurable with the litanies of Angels that waited to unroll from In dextro qui non ad altare. "On the boast of those who did not have to reach the altar"



Paraps XXVII

Messiah of Judah IV part

Miracle V- Gethsemane / Aramic Phylogeny

They leave Bethlehem undivided in the Giant Ungulates. Of the seven spaces in the column, the last one that was occupied was the seventh where King David went. Of the five remaining spaces, the Cherubs went, they were playing with Raeder and Petrobus; they showed off with their adventures flying towards elevations of the majestic Sun. The Cherubim tinkled with colors of Abrahamic angelic beings involved in the worship and praise of the Caravan. The Cherubim are first mentioned on the route back to Jerusalem with the large turnout of bumblebees, bees, and wasps all flying alongside Raeder, Petrobus, and Alikanto. They would all stay for up to half a mile before reaching the eight gates and resuming their course to the Garden of Gethsemane. They were surrounded by Debkas dancing in their Aramaic phylogeny. The bumblebees were encrusted by the hills loaded with echoes outside of man...., placing themselves to the east of the Garden of Eden in rows of Cherubim with a flaming sword that turned on all sides to guard the path of the tree of life. Ezekiel describes "four living creatures" as the same beings as the Cherubs, each having four faces that were like a man, a lion, an ox, and an eagle, and each one was tetra-winged. As for their appearance of them: "there was in them the likeness of man" These used two of their wings to fly and the other two to cover their bodies, under their wings they seemed to have the shape or resemblance of a man's hand that resembled the Aramean phylogeny that linked environmental and organic pollinations of Lepidoptera that were carrying the fertilizing spheres to reach the angiosperms. The Christic language was inaugurating the fringe of the frolicsome land that awaited the inauguration of Linguistic Phylogeny to attend to the decrees for the perenniality of the language that relates Gethsemane with the Olivo presses, the Cherubs beating their wings to reach Father Abba. With the flashes of the Apocalypse, the Cherubim danced happily, magnifying the presence of the Apostle in the Hexagonal Birthright with the holiness and power of God, This is one of their main responsibilities throughout the abbey and members mobilize to meet one of the twelve apostles with propaedeutic assonance attached to the twelve Giga camels, in addition to singing praises to Yahweh they also served as a visible reminder of the majesty and glory of the Messiah. The Apostle says by parapsychological regression: "A fascinating route on foot in Jerusalem begins at the top of the Mount of Olives and curiously leads us to the route that will be taken after the evangelical legs of the camelids that will take them to the Holy Sepulchre, Continuing through the Damascus Gate..., here the camelids became restless! Very close by, the topography of the top of the Mount between the route at the foot of Bethany and Jerusalem was perceived, the Garden of Gethsemane crammed with Angels appeared to us..., Joshua's prayers in Aramaic are felt slipping into camel snores as pleas are heard before his arrest in the Garden." Here at that moment, it happens that the flies arrested the apostle, taking him to a specific sector of the orchard where sacred water and humid wind continue to flow, having olive trees growing in the embossed garden with enormous oil press to border them by olive oil pipeline to grace the Lord in laurels from Daphnomancy such a holistic form of divination by which it is intended to make predictions using laurel leaves and branches chewing them before and then lighting them towards the crackle of the consecrated fire of Gethsemane Aramaic that lit paths and feet of Joshua. also carried on its four wings the Cherubim four laurels on each laureate wing.Thickened by palmistry energy, they walked towards the main entrance of the oil press, They arrive in the surroundings of Gethsemane surrounded by Daphnomancy of laurels carried on their wings by the Seraphim, Bumblebees, and others who would be in charge of inseminating the pollinating particles in the angiosperms, thus rescuing minimal words and verbal serial in the words that were transferred from the stable Kafersuseh in Bethlehem so as not to lose the Aramaic word, thus being redistributed to Gethsemane by the Lepidoptera and Bumblebees, wasps and bees. This inter-organic phenomenon would re-couple the verbalized accents of Joshua in middle age and in the unborn in such a way as to preserve the Aramaic dialect, to re-clone the same groupings and intentions as the environmental phylogeny of the dialect in a ritual culture that would redact with insects. and Cherubim, to re-enchant all the pluralities that would be arranged in the Garden to energize the salvific and appearing oil pipelines of the image of Saint John the Apostle, King David, Vernarth, Etréstles, Eurídice, and the rest that make up further from the seventh camelid until reaching the latest; the Fifth Cherub that will be the scribe present together with Pedro and the two sons of Zebedeo, only one with the one nearby in great courage, San Ioannis. His Holiness Joshua used to say: "Abba..., Father, all things are possible for you, take this cup away from me; But not what I want, but what you want. Joshua came later and found them sleeping; and he said to Peter: Simon, are you sleeping? Have not you been able to watch for one hour? Watch and pray so that you do not enter into temptation; the spirit indeed is willing, but the flesh is weak. Again he went and prayed, saying the same words. When he returned, he found them sleeping again because their eyes were heavy with sleep; And they didn't know what to answer. He came the third time and said to them: Sleep now and rest. Enough, the hour has come; behold, the Son of Man is delivered into the hands of sinners. Get up, let's go; Behold, the one who delivers me is approaching." From small lively henchmen lights were seen to greater discontent..., they were the executioner, attached to the broken hostile leaf of the laurel that fell on his back "In flames and crackling in all his offspring "The anticipated visions were fertilized by the Cherubs that anticipated events in the chronological life of the apostle having to do with his life as an apostle and evangelist of the new succession after returning from exile. He came close already entering through a path, that was a road where the rows of pipes were that crossed the Getsemaní subsoil. Fifth Cherubim of the Septuagint: "As a scribe of the Hexagonal Primogeniture I make reference to two hundred years before the birth of Jesus, a Greek translation of the Hebrew scriptures developed and became widely accepted as a legitimate (even inspired) translation. Tradition relates to how King Ptolemy II of Egypt established a vast library in Alexandria. However, it was not complete, and he wanted to have a copy of the Hebrew Scriptures in it. Ptolemy sent representatives to Jerusalem and invited the Jewish elders to prepare a new Greek translation of the text. Seventy-two elders six from each of the 12 tribes of Israel came to Egypt to fulfill the request. And as your Santiago, you will write with me the allegory that will shine brightest in Alexandria. Thus they were led to the lonely island of Pharos where at the end of 72 days their work was completed. King Ptolemy was pleased with the result and placed it in his library. When the task was completed the translators compared everything and it was discovered that each one was miraculously identical to the others. The result later became known as the Septuagint (from the Greek word for 70) and was especially popular with Greek-speaking Jews for centuries to come. Hebrew was displaced and Aramaic prevailed, which is the New Testament language that will influence the eclectic of Aramaic as a language that was also ascended with Joshua to heaven to communicate with all the preaching of his Father in the sacred phylogeny with Lepidoptera and his entourage "I am sitting on the last camel, and I know I will be the first."

Ellipsis Prophet Elijah: "They were on Mount Carmel when I summoned the faithful of Baal, Asherah and others. I summoned them to seal a new pact on the slopes that pointed to the howls in Jezrael from where a prolonged and accursed drought was lamented. At the moment all the congregants were absorbed before the imprecation that he made before Ahab asking for the abandonment of Baal and finalizing the 450 pagan prophets, they called Baal in several days and nights and did not answer, Elijah, mocked him saying "Call him with all your might Maybe he fell asleep and needs someone to wake him up." The people gathered on the mountain and then Elijah told them: "You have to decide, If Jehovah is the true God, follow him But if Baal is the true God, follow him. Let's do a test: the 450 prophets of Baal must prepare an offering and call their god, I am going to prepare an offering and call Jehovah. The god who responds by sending fire is the true God." The people accepted. Elijah put his offering on an altar and poured a lot of water on it. Then he prayed: "O Jehovah, let the people see that you are the true God." Immediately Jehovah sent fire from heaven to burn up the offering. The people shouted: "Jehovah is the true God!" Now Elijah said, "Let no prophet of Baal escape." That day, They killed the 450 prophets of Baal. Then a little cloud appeared over the sea, and Elijah said to Ahab, "There's a storm coming. Get your car ready and go home." The sky was filled with black clouds, the wind blew and it started to rain very hard. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The ground shakes and initiations of the Aramaic roots appear after the intervention of the fifth Cherub and the prophet Elijah on Mount Carmel, the Phylogeny is testified with links that flow between subterfuges of re-dogmatized civilizations for ignoring their pagan languages ​​and creeds. In this genealogy were the bumblebees, bees, wasps, and Lepidoptera scattering all this stormy rain before they all reached the arenas of Gethsemane with the perfect connection between the idiomatic form, and the interspecies communicated with the vivid expressions where so many times the strings of Joshua circled the Gethsemane tapestry. No doubt here these species will establish the DNA and molecules for successful genetic derivation in an evolutionary environmental testament to the establishment of pollination in the Garden.

Phylogenetic dogma: The coincidences in morphological and embryological themes will be located in the orchard with a great genetic relationship and evolutionary resemblance. to that of the orchard to eternalize the concatenations of both topographical niches, in such a way as to root the Aramaic in all organic elements and not to provide the great prevalence of an eternal pacifying-luminous discourse in creation that does not perish, but rather is reactivated with these procedures in a new phase that the Apostle and Vernarth will inaugurate by reestablishing the premature hegemony of the garden, as a link between birth and resurrection. From the ratio Nazareth – Bethlehem / Kafersesuh – Getsemani. Of these diversifications, the key to the trees and their adaptation to the environment and the new Methodist dogmatics will appear, to adapt it to the material and immaterial elements as a paradise habitat in Judah with adequate species aware of their own self-preservation and self-evolution at the service by Joshua, Says Vernarth: "In Greek mythology, Ilithyia-Eileithyi is our Hellenic goddess of births and midwives. In the cave at Amnisos-Crete, she was associated with the annual birth of the divine child, and her worship is connected with Aeneidaon the earth-shaker who was the chthonic aspect of the god Poseidon. My divine child has similar "Behold the Fifth Miracle" coincidences both in a cave or stable. Ilithyia is seen with the torch-carrying light for the children to come to the world of the Messiah. Now we will shake the garden from its nascent oil ducts, we will have the salvific light that will flow from the hypos secretion of candlesticks with olive oil, anticipating a new messianic verdict, where we will populate the abyss of the earth as a great similar light that will accompany us in Shemesh philosophy. Sun, witnessing to the Messiah and conciliating ourselves with his instructions as it was in Jezrael and now in the garden". Bern Aramic Element from Bethlehem is felt in the messages from the fields of Moab, after the death of Elimelech and Mahlon and Chilion's children, leaving Naomi alone, Alone among the ears of grain. Lepidoptera would begin to fly throughout the lands of Judah after this distressing event. From the separations of the fields in the hot afternoons, Ruth could be seen in the fields and in Hera firmly united to Naomi, where each fence after another will go into the other in the name of Jehovah. Ruth gathers the corn and ears on purpose with the sheaves among the reapers and overgrown sheaves to make the sustenance of a past life of famine brought by Naomi's cries. Then Ruth, after gleaning the grasses, thanked Boaz, looking into his eyes intently, being able to see in him how to lift the hay and run it to the world of the midwives to feed the newborn children anointed by Ilithyah as well, so everyone will eat the pottage and They will satiate until they are very satisfied. From this land of spikes will come the celebrations of Shavuot and good grace for the stay of the Hexagonal Birthright in Gethsemane. The histrionics and ranchers of these lands are making a great contribution to this phylogeny (with the consolidation of the Aramaic language in the garden). Ruth appears saying: "Look at the field, we are all in it, we have water and enough heat from the Shemesh ignition, to give the spikes to grow here is the refuge of Jehovah who gives us his protection making us an equal part of his children to sustain us. I feel great pride in being respectful to Noemi, she will help me with ears of corn that will migrate to Gethsemane with the imminent visit of the Apostle Saint John. The Bumblebees, Bees, and Wasps will be satiated, they will provide the nutrient food to those who will have to make the communications in the garden. "Blessed is the food that she gives you by harvesting it, preserving it and lavishing it"A great archaeological hereditary axiom begins to be evidenced in this agriculture transmitted from the field to the expression of epistemic-emotional areas that represent endocranial and buccopharyngeal molds of sheep that intervene with tillage and weevils. Here the beloved rhetoric of the weevils will intervene with personal wings from the basic strut of their emotions, attracting signals in the fields and images described by flocks of insects that migrated from this passage in the Book of Ruth in order to relay them with phonetic signals that go beyond the spike that is rather a settlement or a current Kibbutz, to mold or settle archaic civilizations under an idiomatic link that will attend the phylogeny as cephalization of invertebrate animals with those of kind of support,

Phylogeny in Gethsemane: The **** Erectus crossed paths with multiple pieces of evidence of adaptive pro-evolution beings, Neanderthal/**** Sapiens. The children of Israel wrote parables, epistles, verses, stories, and books..., their phonetic vocal tract spoke of storms and environmental factors between heaven and earth "Great noise outside of us, but little silence in us." What is elemental is the larynx that has only pronounced the image that denounces a concept evoking the minimum sound in the different positions of its instrumentalized mega sound. Speaking to us how language varies according to history and the civic-environmental environment, instructing us on its threshold and caste as it detaches itself through aerial effusions from the statement at the laryngeal level. It authoritatively collects the intervals of vocalization and relationship with agriculture in all its dimensions descending through its internal panels but rising through our parietal emotions outside of herself. The little of the air that the world has left to continue digesting temporarily have it to let air flow that is possessed in mechanically inert particles, and not in sanctified prophecies with corollaries of miracles. Inherences have made of a super existence of those who still do not perish by the hand of a monarchical mandate, even the mute swallow air is suffocating and contaminated halves while others redistribute them for those who need to sit at the table to collect the unleavened and share it with what the rest. "Here resounds the echo of my Christic body". That in Aramaic will syndicate much more than the phrasing in its blood, grapheme and phonemes or stylistics that is the commotion of vibrating beyond the deep ground reverberating with the grace of its divine statement". Joshua resists spikes and olive leaves simultaneously disposing of us in his arms as his children, he is a sheep in his arms lactating hydro-milk of sustenance from his creative verb. "a strict fact of preserving Aramaic and not misleading them by turning the pages of history". The Aramaic must be incorporated so that Joshua, after more than two thousand years, can see that He is still here walking from one place to another to tell us that He is still here, only suggestive of your walking, plagiarizing your larynx in the sound of His expression and shepherding. The sheep are quadrupedal..., more mammalian than a man because its statement is always reflected in the bases of its skull for the rest of its offspring as a biblical expression, under all the rainbows of the cherubim, together with the children surrounding them in identical intention. **** habilis–**** Sanctus, which is a process that has a charismatic base and peripheral anatomical volume for the exposed part of the sternum by confusing them with each other, not altering their structural or functional complexity. From the potential of Lepidoptera and winged weevils, the phenotype will emerge that will relate and relativize the mechanics of Aramaic or the Aramaic method of not losing the gibberish because it is divine, as well as it is exalted and laryngeal torque to those who possess Aramaic blood and body, since its motorized mysticism is to devour minimum words with maxims in a whole of ranges and sounds of the field, dialoguing: "Come to my field, here the ears of corn and weevils will speak more than the mechanical potential of Your Voice". They continue through the Ruth field integrating phonemes in small verses that go from the shelter of words and that refer to settlements of which they do not speak only suggest the presence of Jeheová without being present, but if after being with his stomach satisfied parodying activities in the field with his plectrum made a reality in a transgenerational poetic-hydric whole of ancient peoples who no longer speak..., "They only express wisdom in ****** agro-phrases of spikes and olives in all their songs." After walking through cobbled and narrow streets that are now full of runes with Bedouin fumaroles..., it is such a walk through an avid heart of alkaloids and lipids; touring synagogues and evoking an outstanding barrage of pilgrimages without knowing how many more will escort them in our attempts. The walls that protect Jerusalem are witnesses to many battles that have been fought "in the name of God". As well as the ground that speaks for itself, without a doubt the Mount of Olives can be seen from Jerusalem beautifully but not, in the same way, the other way around. The forests whose fruits contribute positively to the economy of the region, in addition to symbolizing strength, security, and prosperity, give hope in the journey of history the same as nothing that tires of the same. The Garden or Garden of Gethsemane, a name that alludes to the olive mill used to extract and process the oil according to the Gospels, The Lord came to Gethsemane with his disciples to dedicate some time to prayer, but since the atmosphere in Jerusalem was one of hesitation and high tension due to the celebration of the Jewish Passover festival due to the context of the political and military occupation of the Roman Empire, Jesus was very saddened and began to get distressed...holding on to the branches every time he felt an olive near his denoted fingers. Etréstles says: "All the physical, exalted and psychic forces of Jesus here stink digging into the organic tissue, experiences that go beyond the intellect..., it is the proper and unequivocal admissibility of military feet walking on the ground after meditation and recollection. From today when the lights between shadows will fill the limits of the orchard with connection, They will have to graze on the Gigas ungulates when the atmospheres have to make the tribune grass grow on their idyllic evangelizer to have it for tomorrow in the meditation of dawn. All the pros and cons will have to get lost with prayer guests that will inhabit spaces that will not intervene in human reason. Meditation with the Cherubim in the hexagonal primogeniture and weevils interpenetrating divisions of time that is obtained at the end of a calm, and being able to offer with imagination the inclemencies of having everything just beginning. That is prayer, it begins cyclically and then returns to the beginning, without leaving us comforted to finish what the circle of lapse of the meditative circumambulation does not enclose. Saint John the Apostle expounded: More than pain and concern, After praying, he regained his strength and courage to face the vine with disappointments and betrayals with the courage of hopeful dignity. But more than this atavistic-anthropological complex it is salvific integrity that the verb saves the term, through the vibratory prayer of sound and perception of words and more with the Aramaic sound that narrows like the streets of Jerusalem, to distinguish biases in praising essence in the elements of noise almost to the harmonic limit of a sound perfecting itself in a psalter or a parable, which emerges from its oropharyngeal fret, leaving without expiation the abrupt change of Hebrew thought and doctrine, together with the external sound emancipating in the perfect cacophony of its inner vibratory howl beyond the ritual that pleases our insufficiencies by having an Abba. He sanctifies and purifies because he is substance and the dawn of a new earth that lies in the garden of prayer, and all the times that they have to get up to grab the Bible and watch as an indivisible interloquy in me prostrated each time I get up and speak with my Abba being attentive to lock me in his dimension. The food that returns and feeds back is the lineage provided with justice to inhabit the body that synthesizes its protean oratory, the food that you go there from a breeze and from revelry puts all its outfits on the tables to sit around is the lament that smells of seeds that evaporate from the hands and the heat of the holy field. The food that speaks of inviting so many to sit next to us is the one who was least thought to be lacking in love and should not be prepared, being the indicated one who would eat everything until he was satisfied, leaving nothing in the compote or in the yeast, because from it the food that satisfies will persist only for those who have the excessive spirit of the famine of those who can be quenched. Gethsemane is a flowery field where intoxicated Lepidoptera and Angels who only have one mission fly; "Give food to those who owe the desire to eat and nothing else because the rest that suggests it is abstention, and this will be procrastination of the verb that ceases to create endowment even wanting it, because all the sustenance of life can cease by risking bread and came more than to consecrate Health! Rather, it is due to the nourished devotional circle of the action of lavishing the circle of Son-Father granting the establishment of hunger-satiety to forge genetic and paternal seeds to recirculate them in the chain of procreation. Eurydice speaks: "My body undulates like a peg towards my beloved Joshua, I come from the figurehead of a ship. I went to Jerusalem to look for flowers that pour aromatic to bring and exalt their words tied to their feet. I was late and I lost my way, unable to find my way back. I only saw that from afar some lights in the northern area of ​​the orchard lit up like olive cyclers exploding in the air in nocturnal fireflies that swarmed together with the Lepidoptera..., they guided me here. But I repeat, when I saw the lights it took me back to when I was little in my distant Greece with Orpheus when he managed to sleep on Cerberus near Lake Styx. But I reiterate..., beyond the lights I have been able to see how the weevils are framing and plotting your words, my beloved Joshua, that the auditors will be able to help the square and interpret for many more than thousands of years, taking us with pre-recipients that allow us to feel their voice and hear it as far away as if it were closer than the olive branch that caresses their face. But I reiterate, I never thought I would get lost, I am even arriving as if I were from the figurehead of my ship, I always wanted to be close to the world of light of the Olivo of Barnea genetics like this one that has led me to meet it" Eurídice heads to the holy place, when it approaches, the Fireflies and Lepidoptera come out to pick it up, they allied themselves with the twisted shadows of olive trees, sharpening in clear harmony with the mirror archetypes of the dark foliage reflecting the green shadows on the wild fruits,

Just eleven days before the ekadashi of the full moon, the phenomenon of the harvest took place, which happens after a year of the abundant harvest of olives and another in which the harvest is small, here the change of nuances and corrugated textures is evident in the countenance of the olive trees without it being possible to think that this phenomenon will necessarily take place on a biennial or triennial basis. It was suspected and was known that the developing fruits would go to this event through their hormones and substances that intervene in their growth, acting as inhibitors of the differentiation of the buds, for which many of them would change when they were transformed into flowers to make them into the wood, from this process it was deduced that alternate bearing occurs when grass and gospel are lacking. The actions aimed at promoting ascending harvests in years that correspond to load, through the care of the planting of meditation and the abandonment of it in the years of discharge contribute even more, to accentuating the vecería in the doubts of faith. Some varieties of olive trees are more frequent than others, so it can be guessed that a genetic component is generated in this phenomenon. On the other hand, there will be the Christian cultivation technique, reducing the frequency of rotation, such as irrigation or the early harvesting of the olive for the tables that need to have it on their tablecloth. In such a way that this phenomenon will help the genetic phylogeny to reinsert lost expired words of antiquity in the emanation of the wisdom of God, through the universe acting as a great Drupa or peach that will assimilate being the amygdala that will allow sent vibrations to nod when they connect with the soil plagued walking and retraced the Messiah bringing us to his land with words in Aramaic of sacred salvation and his ancestry of word surveyor worker; which will allow us to transfer some appropriate spirit possession from him to Patmos when we return. Says King David: "as the Olivar de Barne species of the old husk will serve us for the Morning harvest with its fat percentage helping us to sustain the Shemesh fat of the new Sun to brandish winds that will hide the nocturnal haze of the waning moon. All as kings we have been baptized with oil in our solemnities, also coins traded in Kar to pay their benefits with the allegory of Yotam, in the Book of Judges to choose the king of the trees..., refusing the olive tree because it had to produce oil in the Menorah are the two tiny but large olive branches that illuminate the great temple of life. Now we will need it because the eleven days come before rescinding the cessation of Aramaic as a lost language, rather reimposing it as an entity of its channel with a gesture-light and space that hears or listens in repeated Aramaic oropharyngeal systems, and voices when lamenting in Hebrew happily the passages of the Torah with the same meaning and channeling source of the Pentateuch, to repast in the Barne species and transcend in its science together with its Katapausis phylogeny in the monastic cell of San Juan in Patmos next to Vernarth." Euridice kept giving atomic spouts and impulses at his feet to get to Gethsemane soon. Upon arrival, he insinuated how the Cherubim were pruning the Olive Trees next to the Hexagonal Birthright. Everyone was preparing for the olive tree festival in the Garden. He almost reached the end of King David's itchy speech among the Roses of Sharon, more than the cobbled one that a Cherub was replying to him so that nothing would waste being heard by his listeners on the Prow figurehead. It arrives and carries the odoriferous trans-essences in Astragalus, to begin with, intuitive adoration for each barefoot step that each petal and particle of its essence took, revering the base of the invested Messiah, reaching the perfect triangulation of balsamic acid and thorns with increased Aramaic of reviving the Barne Olive Grove Trail,



Paraps XXVIII

Mashiach of Judah V part

Miracle VI- Gethsemane / Maasefa

In this chapter preface, in particular, the revelation of three fundamental phases of the outcome of this chapter of Judah by the will of the god Aiónius in all real events and not, because the submithology that concerns us is of living relevance and is not experiment. Here Ezpatkul will enter Dóntiakul or prominent Augrum or Oro teeth turningScarabaeidaedemarcating the Vóreios Vóreios throughout the Horcondising region bilocating it in Encinas de Patmos borers, with such frenzy...!, that from there they would draw the strength of the north winds and the Olivos Barnea.

a) The subsequent phase after the Stable in Bethelem (Kafersuseh) will entail the neurochemical conformation of energies subtracted from visions of the stable, exclusively from the roof incontinenti of the intervention of the Cherubim with their four wings like the Lepidoptera (butterflies) incurring an original nexus messianic equipped with pheromonic sensitivity and chemical activation in the pollinations of bumblebees, bees, and wasps to regenerate the species of Olive Barnea consolidated the language and perpetuate it as a dialect of Messiah-Abba.

b) Phylogeny is subtracted from this phase itself as a relationship between species or taxa in general of tree species and wild plants. Although the term also appears in historical linguistics to refer to the classification of human languages ​​according to their common origin, the term is used primarily in its biological sense. The symbiosis of both interactions will intervene in the juxtaposition of "Joshua is born-dies in the interval" when he is born in the stable" but his analogy with Gethsemane and Golgotha, the two "G" will recreate the salvific miracle and anticipation of the Scourge that he will suffer but the Hexagonal Progeniture (Men and animal and insect species) will intervene with salvific action from the caves to rejoin the dry bones of Maasefa humanity. It also saves us from Shibboleth, identifying the members of a group in a kind of password) that appeals to changes in the use of phonetics in terms of difference and aspires to reorder social disagreements, caused by conflicts even of lost concomitant civilizations and their socio-cultural niche patrimonial, therefore from Aramaic as an anticipated signal thread of a beginning of communicative intention and preservation of messianic language)

c) The physical, mental, geophysical, and spiritual elemental energies will mutate the adherence of the Aramaic dialect with the pollen duct generated in the Barnea olive species, creating a relationship of chemical change in them deified in favor of a new "Bern of Vernarth" with the interaction of the isotope that will generate the inclusion of a proton that will mutate the chemistry of divination and connectivity with him (Heavenly Father-Abba in the Garden) in such a way that the methodological lines of anticipation will prosper on the night of the abduction by Sayones before being taken to the Lithostrotus to be flagellated to interpret the power of his gospel.

d) And for a consequent and emeritus synchronization of caverns in conjunction with dry bone Maasefa, triggering the awareness of the awakening of protection before, during, and after the events that occurred at the culmination of his death. This will delve into the three chemical sediments interacting with each other, the Aramaic language enchanting the univocal and eternal root to always have it in Gethsemane, the revelation of phylogeny as a determining entity for the consolidation of the geophysical-animal world, and the transcendent soul that intervenes between the stars of the everlasting creation on Crescent Moon eleven days earlier with Sun-Shemesh astonishingly at the debasement of the human species and all of its feelings of unconfessed loss of existence.

e) Experiencing and surviving indecisions and fears of recognition of exposing and externalizing the calls of caverns have allowed us to escape from threats, but from there towards a reverberation in the same tune of Calvary, in the sockets of a skull sheltering you to serve and look from the optics of shining with the flow of ears of wheat in your dreams. Gethsemane and Golgotha ​​are the set of double "G" that generates endo-trauma in the throat and in its global skeleton bone set wanting to revive the call of the Messiah, from the Neck of Heaven rising roughly up your throat, forever and for the Centuries. of the Centuries.

f) The plectrum led me to write this paradisiacal essay in this chapter (it is the same depressive unconsciousness of having a body already abandoned without a Soul, but in my own without understanding anything), this tends to describe how history teaches us that there are phenomena difficult to capture with certainty, the masque of extra mediumistic sensitivities emerging from where our conscience does not discover what spiritual power does canonically the intuitive divine exponential or the external machine of multiple systems of serial spirits that besiege us and show us their Ether and that rarely can we actually be able to enter them from deep inside from their activation data to our hyper cognition, and their level of travel leading us to abandon our abstraction.

They were all stationed on the northeast *****, Eurydice arrived with her essences full of little birds surrounding her, she could not hold them due to the invasion of these surprising birds. They were all sitting on the stones of the garden, they were all leaning their heads on the Svein Tzora stones. Says Vernarth: "The stone of Gethsemane", on grains and crystals they are soaked with spheres of the stone of the Mashiah. She showed them meekness in the face of the hardness that could be distinguished compared to limestone or clay, full of sedimentary grains that devastate igneous from where some voices of her holocaust were left over, compared to marrying corporeal materiality in the Aramaic syllable embedded in a stripped bustle and silent, of everything and little petulant organic element coexisting in its amorphous figure. This graphs the consonance with the demonstrations of passion for his followers by embedding himself in a stone with multiple and sharp cuts like taking out the atoms in a grenade with his law of 613 grains that are enough to stipule them and to break the lithosphere of the messianic referendum in his sacrificial law. in the lithostrotes. No barrier will stop us to overcome this lithosphere that separates us so coldly from the rebirth of a body that takes root beyond the cracks of Gethsemane since the olive trees grow on the same stones, pretending to be in a mansard. The will of destiny under a stone, admits arrogant worries to startle that "He was there, and his destiny condemned him", but "My Abba, if it is possible for this cup to pass from me; but let it not be as I want, but as You want...", equivalent to telling of stones for all the cups, as long as the will is of the Abba", thus the stones are lightened, and our pride weighs less than the subterranean immortality. Saint John says: "Which is agony, it is nothing more than holding in our dreams the heavy shadow of its burden. The stone does not fit through the interstices of dreams but its image weighing in the symbology of being part of it, more than all hailstorms being the scene of sin near the disciple family and their despondency that runs where a curtain circulates towards the Resurrection. The large drops are large grains of the pomegranate in the Via Dolorosa, being large stones falling from the universe rubbing against the Sun and the Moon, falling on Him as well. Today on this day that he confesses tribulation of an eternal night that he never clarified..., It will start to rain, interrupting itself for days running backward, since several syllables remained un catechized before rising from where the wind of Elijah called him Mashiach. Revered Mashiaj, always close to you jumping from the red sea such a pomegranate as the food of a Father between waves of his sea! Again we are in the celebration of Holy Week and we have thought it appropriate to write this work on the stone of Gethsemane with a gifted scene that was his arrest, caused by the petty betrayal of all the Treacherous in the world. Mashiah, lonely in his full youth of thirty-three years in Aramaic verses succumbing to the arms of his Abba, .. He takes him and wraps him in his arms to defend him from the darkness shedding blood and tears on a cracked stone, beyond the skies that predecessor grenades in his hands revealing will that surpasses the levels of being rescued more times. There is a bitter taste of fruit, of course, but it tastes like a red planting of the dry red rock that is not emanated from anything but that if it brings us the generous hand that ceases pain and affliction, that produces sweet sleep even having wrought iron entering through your carpals and tarsal feet. With the pantomime of our morbidity we stretch our arms on your crucified cross but without awareness of the ******* test of not experiencing the iron in our questioned soul, without crucified skin in the epidemic that the beast of punishment gave to his skin between screams and hoarse cries that if they slip towards him, rather under the acíbar of a hammered heartless glass inert and stone that runs towards the west looking for the voices of his pious mother. The sip of the sunset was ingested in the sadness of my life that begins to be reborn every time it was lost and lifeless without feeling it as mine. I sleep vigil on the flames of the stand in the stones of the fire, and I sleep because others will not wake me up on the edge that cuts my game in flames. What cowardly courage accumulating in a depersonalized spilled heart..., what hours will have to pass without feeling them to date the entrance into his body of burning iron towards the sacrifice and not the sacrifice. "Let it continue here in this pebble with the shape that bears fruit because it will not burst with impatience, but rather with tears of pomegranate grains." What stronger aloe than seven days in a row turning to my usual sweetness sin to finish them abandoned without savoring it. For the first time since I returned from exile, I understand that his Aramaic smells like wisps of fruit and hundreds of syllables that are..., whipped like mega words that smell like his upright trunk in solitude and abandonment. Its trunk like mine is stone of tree bark, of vile whips lost in the frieze of its temple breaking its head bark, weeping its moans in full reconverted hopes of a hidden Ziziphus crown. They are nailed to a purple wisp of pomegranate, defeating the ailment of those who dared to martyr him in the pain that runs through his icy strata..., not sifted even by brave poor people; as it is to say by the voice of the wealthy spirit helping you. "Being prepared and No,

Maasefa Stone Powder: "You are made of stone and you will become stone" were the words of communion in Gethsemane of the stone of the Mashiach's prayer, indicating the expression of freedom and cessation of the oligarchy of belonging to the doctrine of the world of dimensional physical slavery, and its intertwined solidity of stones that the priests elaborated in the catacombs in times of consecration of loved ones towards a centile universe of Orthodox spirituality. Here are the stones carved like the Sanhedrin that met in the building known as the Hall of Carved Stones (Lishkat Ha-Gazith) for this purpose it will be the conservation of ossuaries of the high authorities and common citizens, having the prerogative of the Maasefa that has to consist of collecting the bones of all those reduced after a year in complete secrecy in the assigned catacombs. Through this immediacy of low and recondite spaces grows the vague wandering of precepting in approaching the salvific redemption awaiting the projection of the expired ancestors in the source of eternal life accepted by the Mashiach (Messiah), to shelter us in his illusion in beautiful brotherhood before to be resurrected. The Hexagonal Primogeniture would go by way of making the nucleus of nearby songs of the oratory of the orchard towards an honorable mention of elaborating concavities in the geology of the orchard, so that the alliance of the Aramaic verb of cloistering and devotion of the members in each stony cell, and the explosion of the Aramaic verb speaking infinitely of the Father-Son analogy. In such a way that translucent particles will be spread by the rhizomes of the Olivos Barnea species; deriving to Bern for the posthumous tribute of Vernarth considered Champion of conservation and cenacle of living and extinct organic bones, such as the aforementioned case of the Apostle before gathering as elemental dust of Joshua's Maasefa prior to the completion of the withdrawal of the Garden of Gethsemane. Shofar, sistrum, harp, and cymbals resonate for the wise night and its star sign before starting the excavation works in the nearby veins to conclude the Maasefa. They all sleep together that night touching each other's heels in the matrix phase to start a day with the strength of the stonework from left to right for the allegory of the Menorah that never leaves the magnetized night. They rise at twenty minutes to four to begin the ritual, an hour and a half before sunrise they were in the stratum of purple dawn on layers of divinity tinged with the conscious subtlety of the creator in our levitating being. Its consequences arise before their bodies continue to evolve towards the hegemonic process on the stratum of the nascent mineralogy that was going to intervene, being oratory of the Mashiach or synchronic Messiah. Beneath it, Vernarth would begin to pierce looking for the dimensional spaces of the search for his physiognomic extension adaptable to everyone's and evolutionary memory that separated the entrance of the Shemash and Selene over the glasses waiting to be filled and drunk at noon. Eleven days before the Ekadashi (full moon) began. Thus, in this way, they would sculpt the poked catacomb in twelve simultaneous rocks that were in a perfect limbic diametral circle of the plotline of the orchard with their physical displacements in congruence with the moon and consciousness that agrees with it, like that alert of that fateful night in which was kidnapped. In perfection with the oscillating vibration that is expanding in front of the dorsal cold of the stone analogically when the Mashiach vibrated in physical magnitude and in the absence of alert, more emotional if after talking with his Abba. The tremulous line she encompassed was widely displaced further since she was transported into the Edicule isotope as an element of flight, escape, detonation and resignation, being able to find nature configured in the fuss of a great variety of isotopes of different mass. the one in a large part will exceed in the cumulative gasified reaction, and in cathartic events that will occur at fifteen o'clock on Good Friday when the prophetic events and the mischievous changes of evidence of the cataclysm expire on the cross and hands. The eclipsed sun, storm with depressing losses, and tragedy for a world that will sleep more than seventeen hundred years to the right create the consciousness of being in more than two conscious places, with the minimum and childish aspect of the remaining second that is divided between the before and after the physical and physiological abandonment, beginning a final episode and conclusive torment that precedes a culminating beginning. All this transformation of the enclave and energetic dimension allowed them to synchronously pierce the sedimented rocks that were thus sustained in the timid energy, generating higher will field electromagnetism. Thus, in the sinkholes, everyone was drilling, they would be of the same mass category as the isotopes to manifest the energy and its dynamic charge, such an occlusive energy mass that would explode on the day of Golgotha's martyrdom. Preceding this energy phenomenon underlies the symmetry of the magnetic field created synchronously with words emitted in comparative Aramaic words with reminiscences that must serve in the twelve caverns of the garden in conversions and exchanges of exhalations of bees, bumblebees, and wasps of the curved universe that transits in the explosiveness of the lines that approach the dislocation ratio of the vibrations and their sound frequencies. Globally pollination as a genetic element of the fresh chlorophyll macerated as kinetics in elytra of Lepidoptera with the indications of connecting the clan with the aforementioned electromagnetic energies. The interaction of the fields within the system will be induced between Golgotha ​​and Gethsemane, they will establish here electric charges that will produce gases and liquids that will intervene in the entire lithosphere that unites both portions of soils, this created the interaction of particles establishing the undermining of rocks with basin-shaped Calota de Calavera, due to the geological conformation of the radius that surrounds both predicted areas. From this standard, the caverns will be improvised in the garden, magnetizing the vibration areas that depend on each other. The search Interrelates a magnetic and electrical phenomenon between both zones; the impulse to anticipate the premonitions of the Mashiach is derived, and how he was going to endure such torments towards his illustrious body in such a way as to retransmit it electromagnetically between the transmission bridge of the Garden and admission to Golgotha. This will unleash all subsequent supernatural and geological phenomena during the day of his torment and delicacy that will be glimpsed by decree of an execution damaged humanity exposed to orthodox fanaticism, causing a sensitive correspondence between the transmission of faith and the dogma of attending to the work physical and mystical legacy to protect for successive generations in the species Berna Olivar, ratifying correlation of the majestic and axiomatic cultivation of preservation under the catacombs and unalterable progeny of concelebrations of the eternal relation of a coalition of prosapia united to the shock and conscience of Christian Eternity. This gravitational potential energy will associate the Aramaic multi-effect towards all the attendees to confer, dialogue, assimilate and consent towards a supra lingual organic and historical heritage dynamic channel, on the basis of a monumental act of consanguinity in front of all will, "Here are all alphas over omegas." Creating complex harmonic movements between the caverns of impiety, but with a perfect and renovating equation with the redeemed Prayer in Aramaic towards the universe in quasi-face-to-face degrees, but not verifiable until the ritual of saving prayer is concluded. The chain reaction of this divine particle will be the opposite reaction tax of the active consolidation work area tensioned between the pilasters, Golgotha ​​and Gethsemane, both are started with "G" and if you turn it in any direction surrounding it you make a perfect skull of no more than twelve kilometers, whose distance in a direct line would certainly be crossing the eternal vision through ocular concavities, demonstrating levels of analogy and esoteric analysis. The extended reciprocity and supra value of divine consciousness are latent, from where the emission of the word and the will is born "the Calota or head skeleton" in the sense of reduced material and the corpuscle of antimatter that would come to be where the universes intersect in the elite of direct mercy (one has already happened, but another sphere of the difficult concavity has yet to travel..., only a Messiah will have to cross it when it returns to us again). This Eclipse of the Messiah of the Sun is a dark aspect of anemic light, torment, and three Maries, vindicating itself in this token of superficial passion in the Garden and antimatter rooted in the anti-particle, which evades this great event by lavishing its blessed spiritual figure with a charge of ambivalent theological antimatter; of egregious trust and bipartite univocity but fainting for the dark mercy on Golgotha ​​and light in the Garden of Gethsemane. "His body trembling and the Earth also" Shibboleth was getting up to distinguish members of a group such as the tribe of Ephraim, whose dialect lacked a sound (S), unlike others such as the Gileadites, whose dialect did include it. Shibboleth is a spike and also celebrates the fertility of the wheat crops and all concomitant species of the natural and endemic species of central Judah. And the Gileadites took the fords of the Jordan River to Ephraim, and when one of Ephraim who had fled said, Shall I cross over? The Gilead asked him, Are you an Ephraimite? If he answered no, then they told him: Well say "shibboleth". And he said shibboleth because he couldn't pronounce that luck. Then they laid hands on him and cut his throat. And so died forty-two thousand of those of Ephraim. however renewing when released by the contending magnetic forces that made Virola a whole that surrounds Gethsemane and Golgotha ​​as a magnetized tunnel of great mystical conversion for purposes of adaptability and preservation of renewed fertilizations of bumblebees, bees, and wasps in view of a commonwealth conforming and spreading in all spheres of faith and apotheosis from the pre-act of the Messiah's refuge to the judgment and punishment of his truth. After expunging their scourge in a dazed journey, they will fall with great similarity to the verb "Betrays and Forgives", the Universe in its creation renews everything, because that is how it has been written since the beginning of the Universe and by whoever dictated it." Shibboleth, will reconcile differences of understanding without prejudice and differences of geographical, anthropological, lingual mentions, cultural and divine verticals. "Our informal culture is preserved within village houses by resisting the scourge of victorious death, within the cave that protects us in its infinite mercy and commiseration" Maasefa and The Valley of Dry Bones collide at the appointed time the Svein Tzora, "the flintstones", to kindle the fire of the Messiah. The thunder was such that it made the seas decant for rivers and thunder on the terraces of the houses and fire on the banks of each unfulfilled prayer! Everyone gets up, each one leaving each cave of his ordeal, and goes to the meeting of the Dry Bones. The tradition of gathering the bony componential that has no soul all deviates towards the request of the flesh for its soul. As the account of the Prophet Ezekiel, five hundred years BC There are many outstanding remains of bones, this would resume in Gethsemane for the offspring of the Messiah's son caste, the Cherubim with the Lepidoptera twenty meters from the Svein Tzora donating light and heat to begin the ritual of dim moonlight. It is already a crescent moon and dim green lights shine through the beautiful dim green branches that light up the dry land of the beloved orchard on the face of the wasteland Calvary. The advantageous meats that began to butcher the bones raised the desire to start ultra fast in the oropharyngeal area, to endow solemnity and fulfillment of the prophecy of the sacred language of the Aramaic lingual group in tune with the vibrations of sound waves of the wind in romance with the blows of the fire towards their faces. In this way, the spirit of Jehovah was adhered to reunite the primary words of reunion of the edicts of Bethhelem, with the visions of Joshua so that the stable in its language emits the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled, The valley of olive trees was reconverted and prayed complacency, everyone tried in the attachment of clan and twilight in the accidentality of the event, the new reason will not deprive of anointing the past-present in the realization of the joy of remains with bones, of laughter with laughter, of a patriarch with veterans, of offspring with their offspring, with the greatest thing than a hand covered with a great spirit over a valley where only distensions and candles should fit in each one of them. with Joshua's visions for the stable in his language to issue the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled.



Paraps XXIX

Mashiach of Judah VI part

Miracle VII- Gethsemane / Meshuva Basics

The kicks of the feet begin. The twelve Giga camels stand up with their paired toes beginning to peel off the fat deposits of the remaining six camels with hoofed nails. They tore the epidermis with their fingernails to spread fat and oil into the lamps of light they need to distribute from the Full Moon in each palm of each component. The moon was in cacophony, it walked everywhere and imagined itself in the court of King David, drowsing in cubicles at the first light of the second sleep in the morning. Undivided they walked in procession through the source of the change in the socio-religious paradigm that kept them united, they were Raeder and Petrobus, Alikanto with a golden mount on his small back, the Lepidoptera, bumblebees, bees, and wasps, they tiptoed silently over the first level of damp wind at dawn, many of them perched on the backs of immune camels to ride with them to the reestablished Gethsemane starting point. In their phylogeny they collaterally impute the taxonomy that belongs to the camelid genus, which is a taxonomic category that is located between the family of Judah and the Middle East in the buried ecclesiastical species; thus, a genus of a group of organisms is propitiated, which in turn can be divided into several species. As ungulates as well as strictly herbivores, their musculature differs from other proboscideans in that the legs are attached to the body only at the upper thigh, instead of being connected from the knee up by skin and muscle, therefore it will be very easy for them to connect with flying insects so that they do not have to kneel. While the six sectioned the tanks of another six, and so they will continue to be stationed and intervened until their superficial wounds heal before leaving for the return to the port of Jaffa. On this long journey until dawn, they must stand on their footpads to resist the final farewell cult of the twelve caves, as they emerge from the placental sites they had developed with the Primogen to empower the vestigial area of ​​the rescued Aramaic word. This will be to grant and scale prosperity by having the signs of vitality intertwined, with each reminiscence of calls and responses of messages for the "Propitius Esto Humanity" that is projected in the secular future. This will be generated by external stimulation each time the intention to communicate with the ceremonial of existence-life-deaths-fullness is presented, thus the voice of the greatest incisive devotional forces will resemble, grabbing or grabbing the smallest voices that can even be overlooked or not understood when the Golden Gate of Jerusalem is inaugurated. From the very top, the Gigas species can be seen walking with six candlesticks, these species cross their artiodactyl locomotion towards a fluctuate on the flames of the candlesticks towards the rock of Mashiaj. While the other camels were recovering from their wounds, they looked with their calm eyes and were very aware of the proselytizing nunciature that channeled the reactions of the Hexagonal Progeniture, thus being absolved of the commitment of the prayers for the new launch with the atmospheric ordering ceremony in Getsemaní with the voices of the Messiah, with the framework, volume, and reverberation to flood with light and sounds in all the geographical areas that have not had a subscription. As the Giants trod the grounds with their hoofed nails, Vernarth and Alikanto, Saint John the Apostle, King David, Eurydice, Raeder, and Petrobus (The Hexagonal Primogeniture), made solemn vows before such an episode. It was not long before dawn and even Selene disputed with other stars of the envelope to shine more for such a great event..., as it is surprising at the moment that everything would seem of stillness and gestation of winged embryos appearing from the top of the Bern Olive trees near the Cherubs. They came with the Mashiaj who brought them new charities..., he could be seen in a deep field in two light bulbs of his white tunic, full of gold and blue lace, with Lepidoptera around him throughout the journey distilling crimson celestial radiosities.  Meshuva white cloak descended through the fronds of the olive trees lit and previously illuminated by the northeast ***** of the orchard, the Cherubim and Archangel Miguel and Gabriel came with decided parallelism by six-folding the interpretations expressed by the Lepidoptera, for the purpose of consolidating the institution of the north side of Gethsemane as a sanctified area of ​​Aramaic prayer and devotion of absolute naturalization of the classification of the Cherubim and Lepidoptera as winged tetras and Cultivators of the phylogenetic transmission of the pollen-orchard on the opening of the gynaeceum of the Olivo Berna, in the Valley of the Olives, and taxonomic choice by hierarchical order of the species and geo-referencing of the asteroseismic corridor of the narrow pass between Bethhelem and Gethsemane. On the tops of the olive trees were the Cherubim and the Lepidoptera, they fluttered through the flowery ramifications intertwined with the Messiah's tunic that came descending with an accent of graceful Torah, then the dawn of pre-dawn fireflies re-blooms on his face..., they brought a million beams of another thousand groups of beams to be born among the first luminaries of the day. The Lepidoptera ascended through an oval interval and in a spiral path through the petiole until the fifth generation of Rapa or Eskimo with forty flowers with four white petals in phylogenetic synchrony with Cherubim and Lepidoptera with four elementary portions to deliver the fundamental membrane that will generate the physiognomy of the Messiah between the transposed ones, and blond, ruddy lights of the Messiah's face with the cross-like texture of themselves on their shoulders of Capernaum dew. The Esquimo or the flowers would grow in clusters of between ten to forty flowers in perfect series depending on the variety, each flower would also have four white petals, a little pulpy facing each other in a symmetrical cross, and the flower will bring in the center an orange-yellow hue of an arboreal sphinx that would be filled with clusters that will transform the appearance of the oil-bearing tree, giving white brushstrokes to the olive grove before stingy gallantry glances. Each flower will supper from its captive pollen for approximately one week, so the flowering phase of the olive trees will turn before a brief duration, but of a messianic lapse with the cyclical lives of their idyllic Syriac Aramean. The female and hermaphrodite caste will bring you the biblical universal pollen with tremulous stamens and surcharged pistils traveling more than nine and a half kilometers from Bethlehem of the "Kafersuseh" to the orchard. Before the majestic pollination, the archangels Michael and Gabriel will invade two percent of the gynoecium of the flowers, giving way to the Meshuva candid cloak, full of white apotheosis petals. Vernarth rushes to the ground and rolls around between the petals filling his entire body and face with thousands of them, leaving many of them transfigured in the oily fruit of the Palate Universe between the ring finger and the index finger with an accent of Purification of the Mikveh, floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals.  Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly: floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals. Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly:

Mashiah: "Only you..., in each one of these white cells you are..., and in those that you are not in my remembrance, it is reborn as the fruit of the Bern Olive Tree. Over the cup of this species I heard your prayer, I know who you are and gratitude for resisting this lymphoma so nobly, I took it out of your soul when it was confused with the fresh breeze of the grass that feeds the fungi of pain. Immerse yourself in this Mikveh of columns of white petals from Bern, here the voices and words of Aramaic will run in a row to the right to sip white in my thoughts of the Gospel, with your miraculous grace by returning to me John the Apostle being exiled by Domitian. Come to me walking on this unleavened bread with Bern olive elixir and let's drink Hanukkah wine and its vital dawn that boils with each sip of the glandular thymus and your sore chest in between. I am tired, I come from far away, but I have taken this road from Emmaus to lift you up. Arise and come to My Vernarth." Vernarth erects his purified column with the petals emulating the Mikve "Purification", he predisposes himself to the Holy path of the Meshuva "Return to God". So from today Vernarth is born and revives to continue his journey back to Patmos. Mashiah says: "The why of the naive deviation will **** them and the complacency of the fools will destroy them. Your own wickedness will correct you, and your apostasies will rebuke you; Know therefore and see that it is evil and bitter that you should forsake the Lord your God, and the fear of me be not in you." Vernarth says: "We will be loyal and under these leafy trees Bern I will proclaim to the north saying; that we walk towards merciful fidelity and declare all together! We know that  My Lord will heal us of our infidelity, that is why we have come here because You are our Lord God." St. John the Apostle replies: "The lion, wolf, leopard, will **** us, destroy us and tear us to pieces because transgressions and apostasies have invaded in great numbers..., my beloved Mashiach, we have already got rid of the deception and we want the Meshuva back to your ether. of the accomplice desert with the aromas of the flying weevils that the Aramaic lexicons bring us from Kafersesuh to re-graft them into the eternity of your word that crosses the entire universe. The world has sinned against you, the apostasies are innumerable, and we are here to lovingly honor your name. So my people were determined to push me away even though they call them to the Highest, none at all exalts him. I will heal his apostasy, I will love them freely because my anger has departed from them" The Garden was eclipsed by the cardinal points, it was delineated by a Cherub from South to North, for the main border that passed through the zenith where the Mashiach would order the promontory of the dependent rock of the placental rocks that coexist with the twelve inhabitants who had erected them with their eyes closed and opened by the light of Faith. The border that Vernarth and the Apostle nominally saw, was connected with the new division of the world of the stagnant word, and in the new route, it revived in a perfect cross from west to east towards the paleo trill of the Palestinian Eagles loaded with incense and sawdust from the felled Olive Tree for the furniture that they used as input in the lavish boasts of the Romans. The magnetized needle will crack the back of each of the members,"O Kýrios tha epistrépsei se mas, tis rízes tou Kósmou, ópou krémetai ta skoupídia tou" (The Lord will return to us the roots of the World, where its concrete debris hangs). Then this voice takes from the inconcrete state, aligning the excellence of the north of the Messiah, together with the iron of the blood plasma of Vernarth and the Apostle to be magnetized towards the north in the sublime magnetized cardinal. Shemesh-Sun King order of cardinal parallelism is thus established; north: north or boreal ruled by Vernarth and Saint John the Apostle, South: Meridian or Austral by Etréstles and Eurydice, East: East, rising or rising ruled by Raeder and King David West: West or West. In this way, the insects and animals, declaimed the sunrise of the Sun to the Levant before each cup of the Chalice synchronous with the intercession of the cross to the tangential of the horizontal that extends to the west when both phases of the solar cycle are aligned with the departure of the Bread and discharge of the Messiah from his time in the cloister. The Alikantus and Petrobus animals will be ruled by the Northeast and Northwest, while the flying insects will be ruled by the Southeast and Southwest.

Etymological ellipsis of Ancient Nordic Civilizations: The east-west perimeter is considered as the axis of the abscissas in a geographic coordinate system, the axis of the ordinates would be described by the north-south line, which corresponds to the axis of terrestrial rotation. This composition generates four angles of ninety degrees that in turn are divided by the bisectors generating northwest, southwest, northeast, and southeast. Thus the Rose of the Winds is demarcated by the Esquimo del Olivo flower in perfect harmony with the circumference of the horizon. This will attract the lines that intersect verbally and non-verbally, by the abscissa that delineates the guideline of the Rock of the Messiah overflowing with total generosity to shine in the caves at dawn, to sprinkle them with the rays that they lack due to the supposed static latitude. In order to parody the line of the lethality of the Norse Gods by being tangential to this new alignment of the earth axis and laterality coordination, only through the Apples of Asynjur can they hope to revive until the final destiny of the Gods. This Nordic parallelism goes back to us in the chapter Vernarth Chapter II - Animal of War in Tel Gomel, where Asgard is mentioned, which in Norse mythology is the one conceived on earth, it is a rainbow bridge, Bifrost, which connects it with the paradise. This etymology will cross the genesis of the plotline of the entire Hellenic epic in the first chapters until it is reiterated here in this Messianic epic with the demarcation of the limits in Gethsemane, that marks the guideline that intersects the exact point of the Aramean Prayer Rock for the diction of the words and cosmogonic interrelationships of cultures and the sparkling use of the atavistic language before the year 332 BC and even after, to project with the temporal line of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane"



Gaugamela

Palace of the Camelids

The roosters of Persepolis sing again. Its disloyal resonances and deadly gloom came from seventy kilometers from the Iranian city of Shiraz, province of Fars, near the place where the Pulwar River empties into the Kur (Kyrus). The Rooster specters came mounted on the houses of the twelve Giga Camels..., recovered from the remaining six. They came to withdraw to take the path to Jaffa. The House of Camels began as preservatives of the immunity required to be in accordance with the sanitary ellipticals and adaptation to the exit of Judah. They were bound for the hemicycle of the Lepidoptera consorts united with the specter camels Giga and the Early Birds that will give the first row in the game of the Primogen, after seven weeks in Judah. Knowing that the phylogeny of Animalia is of wide versatility of this super being of the desert Animalia that will agree on the departure of all and repatriation of the hexagonal Primogen except King David who will enter the Celestial cenotaph in Jerusalem escorted by the Cherubim. From Tel Gomel came reverberations of sonorizations of the last metallic rattles of swords and howls of Macedonian infantrymen colliding with each other with their pernicious weapons. While these screams reverberate like an anvil falling at ninety degrees on hailed pieces of perspective of the Achaemenides..., their families already had to say goodbye to their family plains, since many lost their souls cracked from inhaled mutilating curses. Today a miraculous event would occur from the high sky a Dorus Hetairoi would fall that came flaming with fire. And from the northwest side, a Sarissa spear fell that intercepted in the immediate vicinity of Joshua's stone-forming neat Cross lit with the brightest star. It was nothing less than the vehement fire of Meshuva that brought with it drops of water from the Jordan with the Image of the Baptist, to make the hierarchical gravitation on the ponies of the Camels that at this point had all the dominance of the plague of the sufferings that They could cause a great impact on the twelve camels due to an endemic outbreak as a result of some leprosy in the surrounding area, causing higher contagions to those who ride them. The panorama was one of total rhetoric consonant with Tel Gomel, "Gaugamela Palace of the Camels". This paradox came to resent the reciprocity of magnificence of these camelids in the perfect analogy with Gethsemane, for this purpose to agree with the ghosts of Shiraz shortly before the great battle of Gaugamela began in 332 BC. C. equating the lands arranged before the plantar areas where these divine species continued to bring the sense of war around sensitized, converted into battering rams of mustangs crossing the auscultated portals of the Garden in an agony of interlude. Over the soft roar of Tel Gomel came maidens in white tulle with semi-cross dresses, serene and chaste from the plain of the Palace of India were the wives who married the commanders of Alexander the Great. They were from the war lineage that also came to concelebrate the farewell of the Animalia and Hexagonal Primogeniture. Today the seven miracles come together in a perfect line of the Apeiron, which of all things identifies this first principle with the "indefinite" or "unlimited." Considering that the constitutive principle of things was the Apeiron, which is neither water, nor earth, nor fire, nor air; It has no concrete form, it is infinite. The cosmos is born, develops, and perishes within that "ápeiron" in Gethsemane. This existential infinity of the beginning of the world is born from this feat in Gethsemane, affirming that only this immaterial element nor any other of the so-called elements will bring the ápeiron nature of the Garden in flames of love from which all the heavens and elements that are in them are generated in Gethsemane renewed towards the infinity of love of Joshua. Now, starting from where there is a rebirth for things, reconstructive destruction is also produced there, giving rise to needs; in fact, they pay each other by blaming and retributing for their injustice according to the disposition of time speaking of these things in rather pastoral terms, these maidens come in their feathered chariots from Sisellas of Tel Gomel for the blessed ones who club the underground of Tel Gomel and Bumodos, among cosmic rinsings of the Apeiron of the Messiah beyond its origin in the Kafersuseh (many births under a single great multivalent spirit among thousands of stables of origin and powers of Dimensional Beams, where the master lord worships from the trapeze hanging from beam to beam). The fireflies, bumblebees, bees, and wasps, resemble the profiles of the hollows and hills that were hidden before the figure of all this nascent profane world, more grandiloquent than migrating and fitting the engineering of the great beams that support the structural sky predominantly on supine and flexion. The World, after decompressing, dragged the linear orographic cords of Gethsemane, puncturing the cords of the rocks and its messianic average lithosphere, in this way it opened twisting in the inertia that toward the rock puckered a fist of guidelines that distilled in later moments and of adaptation of the inertia to adapt with the dynamics of the Aramaic emerging from the mouth of all the olive trees Bern after yawn and slime of trapped dust. Vernarth says: "With my Xiphos I will establish life beyond the burning of wounds, come worms to snack on your meat Hoplites, come now..."I am Hetairoi..." and I usually die several times over the worst pains in the jaws of ambrosia with Hestia but I do not tolerate that others suffer pain beyond my control. In the minutes that the horns of the wind besiege, the living Garden of the jailer will be freed from us, constrained to uncover the insidious and opaque sphere of solitary confinement, that deprives us of knowledge even being embarrassed about the same death and not attentive to it that blooms on the plethoric thorns of Saracen alcohol" On gigantic dimensions, the insects copulate the shadows directed on the shadows of the Giant Camels thus beginning the departure of the Aramaic Huerto converted into the new palace of the Animalia, despite contending pretense of pollen on each particle of the Mashiach's concretions now on the platform of the Palace of the Camelids and on the Holy hummus of the Garden of Gethsemane. The Apostle Saint John says: "anxious urges to go to the other side of the evocation and have to look at other tree species with water from the universe that irrigates the world in the swamp"... He appears sitting on his golden Petrobus cloud with Raeder... Raeder says: "I will go with miraculous airs and terrified of themselves of our own miracles, bathed in the water from the flow and from the head of Petrobus, we will supply water where there is none, but he has no mention, only the instinct of those who need him. I have to hang myself from his Jade Ferrules that carry his web-footed legs. Now is the time to continue at some point in the line of the twelve ungulates after these seven weeks in Judah" Eurydice intervenes: "I will get on the camels and talk with them about why the line that leads us will never separate from Gethsemane. We know that we have to return from Jaffa to Limassol to remove the Mariano gold medallion that was bathed in the bottom, and that Procorus awaits us immersed in the aroma of the Garden. I keep a crack in my heart where a Bern Olive tree grows, and that of its sprouts that are populating the houses of Skalá and the heights of Patmos" King David: "I will proclaim over the baptismal airs, and that the ghosts of Shiraz will raise Olive trees from the balusters of the avenues of Berna, to raise the props of passageways that lead to the heights of Agamemnon creating the kingdom of Mycenae in mythology that will propitiate the sovereignty of all of Argos. This was ingested all of a sudden in the triad of the Hebrew, Aramaic, and Hellenic worldview, to triumph over the excess of external knowledge that they had and will have to be kept in my cenotaph full of wandering aromatic weevils" Etréstles states: "the emanations of the Sun and progression of other suns will always be the adjective that will make us be part of every particle of land here in the Garden, Messolonghi, Limassol, Rhodes, and Patmos.

Also after this episode appears Campaspe, one of Alexander the Great's concubines. She came on behalf of all the maidens and concubines who were betrothed to their commanders in India. The beauty of this noblewoman is renowned. Campaspe says: "We were all going to be Sovereigns, but the face of expiration was always in front of the Commanders of Alexander the Great. The outfits we wore were only black and had scents from Palacios de Gaugamela. The cold that is born from another leads me to possess those of others that are not the ones that bring me here. I was given into the hands of a painter who portrayed me but the true meaning of the warm mustard lands of Gaugamela is in the heat of the wasteful pleasure of the solitude of spaces, there is no greater striking and curative good than the one that has come from Vernarth to Tel Gomel, paraphrasing the sensuality and sadness that continues to manifest here in the hovering hoofed hands of the ghosts of Shiraz, bringing to greater confusion to unite all the forces of the world for all the blood that has not been emancipated or renamed" The gray mist of the Garden on gum resin mourns, the insects moan the test of the triangulated pollen that Campaspe disseminates in its nascent genome, and the twelve camels begin to turn on themselves along with their insulting long and prolonged snores. The hillsides snort in procreation in the whistles of the fresh air disputing the attire of the Bern Olive Trees that ebb from the elongated bands of their white dresses *******. The Mashiach was leaving between the gray strips of naked nubiles. The weevils followed him out of the caves of the previous character of Golgotha, and the Lepidoptera emitted voices in ancient Aramaic similar to the event of Bethany in the hands of Lazarus contracted to immortalities in the shreds of his shroud turning green in the hardened olives in an epitaph never chanted. Gethsemane became a mezzanine scale of Persian architecture, but of a channel of the affront of a high premium measure, Mashiach in each of the four wings of the Lepidoptera and Cherubim, frolicking in the emulsion of the phrases exuded by the aerial rounds of the insects that were compressing the new cycle of language, together with the candle overflowing with pearlescent matches running through the thin flannels of the Mashiach's farewell together with the foamy secretion of the Olive Tree and with the dominant beam of Kafersesuh. Vernarth and the Apostle close their eyes already mounted on the camelids, they take a slow walk on the mezzanine that suggested walking through rocks and desert lands. Everyone was already mounted on each of the Giga camels, leaving Gethsemane flooded with insects, birds, and blades, clouds of Pollen over the fumaroles of the quantum.



Paraps  ***

Ghosts from Shiraz to Jaffa

VII part -Mashiach of Judah Miracle VIII

They leave Jerusalem with the mountebanks of Shiraz, they were ghosts of the plectrum, the wine, the roses, and the fireflies sleight the path of the twelve camels until the intersection with the Cenotaph where King David will stay with the Cherubs of Kafersesuh. They were Epi ghosts that basked in the footsteps of the camelids. They went in the cessations of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were tightrope walkers with water wheels of wheel balances with tutelary ropes, some with a stilt of opprobrium from the monetary wealth of Judas Iscariot and the last propelled by a caper that governed all the others on the wings of the Fireflies. Removed from the road that leads to the Kidron valley falls on them all two thousand five hundred years with clay tablets from Persepolis, they were phonetized with the plaintive nightmare of the tortuous poem of Tirazis; which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers.

Hydro Saltimbanqui: "I come from Roknabad (also known as Aub-e Rokní), an underground canal that brings spring water to the city from a mountain ten kilometers northeast of Shiraz. Here I have to mend propellers and water ropes to do my acrobatics on the water with general songs from the poems of the Poet Hafiz. When we bite our tongues we repair it with the verses of Hafiz's Koran, there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gifts of the rivalry of Black Mount and White Mount to overestimate the vividness of the caravan that trembles with uncertain doubts on the way to Jaffa" Saltimbanqui de Báscula utters: "We are Epi ghosts, greened in reverie with tutelary ropes to jump through the trapeze of photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look from the same that will be boarded on the barge that will take them back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swaying of the sea and arms of Anaximander in a new awakening from the lethargy of superstring theorizing, here is the intrinsic speculation of science since this is not only purely empirical research." Anaximander says: "First..., we do not have the agreement that string theory is not ultimately correct and in the future in some verifiable way. Second, we propose a purpose of the order of string theory that is necessary for science and its importance going even beyond the scientific to also project on the metaphysical and the religious, right here in this order of greater what to do attached to the string that leads me to Patmos. Saltimabanqui de Báscula responds: "metaphysical and religious legitimacy, here we are making knots in the tow rope that will inaugurate a new masonry in the verifiable futuristic gaze. Here is the original fiction of continuing to raise the necks of the ants above our optics. We will jump over these two ropes but we will fall on intervals of physical placental caves that were born from the neo-embryo in the Twelve Caves of Gethsemane in a late primordial germinal process. The micro phonetic vibrations will have to raise us above the hunger to continue and leave King David in his cenotaph gored on his hips by the Cherubim marking his holy horns that are confused by the blunting of the cuneiform scratches of his epigram. Between theoretical magic and exotically as associativity of substance causally of poetic song and multiverse, believing in the ghosts of Shiraz, such dreams injected to sublimate Aeneids that lamented in the stones of the bottom, even being independent of their material origin. Multi universes, multi paraphrase for those who have to adorn the word "Rosa with the noble long dress of him to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Charioteer from Messolonghi. Rested and resolved to head for Tel Gomel, He comes with his horse Kanti to keep him company on this crusade. Kanti braved the Cliffs of Crete, and was subservient to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi-Xlibris USA), until in the afternoon he approached from a herd of beautiful stallions to the. This was heard by Etréstles and he seized His horse to have more than a Life from His company, more than a lost lost aroma of His natural mother to reach the indicated one who treasures it". The ghosts attribute quantitative passages before leaving King David, and then proceeding to Jaffa and getting ahead of the ship back to Cyprus; Limassol. They were all hyperkinetic bowls leveraged by the terrain that went on the **** of the histrionic mountebank presaging contours of the temporary filigree that each one made them smile at the carriage with oxidizing wheels, still being immaterial beings but alive in their vapors of portent wading the serous bile that they emerged from the glasses in their allegories. They did not stop their footsteps or their phonetic figures undulating over the caravan that had already passed Jerusalem. The areas, volumes, and lengths were fully covered by the Ghosts of Shiraz, the mountebanks ran along the banks of Ramallah and it was winter, the city received them with winds and inclement weather from the southwest alternating with cold and dry winds from the northeast. The mountebanks went like master geometers to condone the fuss of the caravan by devising a dodexagesimal system. (Twelve Centuries of Ultra Nocturnal Geometry, and Shipwrecks in the Lighthouse of Alexandria).Positioning the number 12 as a base, to measure the times and angles that they needed to avoid the voluminous rains that lashed the caravan. Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that turned without stopping at any anti-circumferential radius, turning some clouds into a wicket that enclosed them like a quadrilateral of the flock of God in the high semicircle of the waters that pretended to fall as axiomatic staffs in the beard of Euclid tempering his elemental construction. The linear position of each of those who were mounted was a perfect ergonometric based on the Muladhara pressing four purple petals on pressing Vernarth's Achilles heel that was dimensioning the triangulation of Ramallah with the lichens that were housed in his sword Xiphos at the apex jet that carried the dodexagesimal cartography. In the same position, it seemed the Apostle Saint John carried the rosary in his left hand in geometry that stretched across his nose and feet in a thirsty adonis triangle of one hundred and twenty degrees of the sextant widening his spectrum to align with this Primogen. This is how the stars and planets are positioned in celestial spheres with the gravitation of the Olivos Bern revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the mountebanks did all along the road, even further than those on the withered oil road purposely unquestionable systems that the Ghosts of Shiraz intended to establish. Ghosts of Shiraz; These Persian Epi ghosts started from the axiom and ideal abstract entities relating models of austerity and lyricism that fluctuated in the lines and planes of movement of the clouds, with the counterpoint of the plantars of the Gigas leaving marks in the sand like Morse point, Vernarth diluted his bones to settle them near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals) making a sub-technical geometric function to preserve the plasmas of darkness that were also diluted to arrive at night near Jaffa in the surroundings of the isometric fire existing in each one and in two dimensions..., but being born from a common one. Raeder and Petrobus had their rims floating full of dusty and dense mania on their faces with rubber from shards that had been released from one of the stunts of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducting spaces that undulated like snakes. within the isometric fire that dazzled them with white-hot humor of the last drops of the Shemesh codifying in absolute intuitive measure, more distant from any dimension that is Consciousness destroying planes and spaces that multiplied each other as members of another geometric conscious dimension. Arriving at the Ben Shemen crossing, everyone suffers collective hypnosis, the ghosts manage to embodied in each of the components of the Birthright but omit a great factor. They relegated the Hexagonality of the genetics of this caravan, the ghosts not knowing how to calculate the area once they were being intracorporeal within the members, thus having to leave before the last dislocated Shemesh ray threw the ashes of the Gehenna, for this supposed reason of leaving them condemned to recycle the human species for the purpose of reproducing sacred human beings, but being servile to whims beyond the immortality of the miscalculation that led them to Karim Khan's citadel, surprised with their image of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a plot by this beautiful odalisque trick that attracted the guide of the ecstatic and bilocated ghosts, in a bad moment of extradition towards a bad context of epi ghosts not yet defined in foci of apprentices boasting of laurels of weak and doubtful ideas that still swarmed within his white heart, trying to reach Vernarth's as a former Hetairoi commander, today turned into mystical servile. In such a way they are complicated as "Sufi" ghosts, being, in reality, the genetic spectrum of the double ax that carries the double-cut of today..., of the sacrament of Medea in Abdera. Pro says a ghost from Shiraz (embarrassed): "The Universe is a sea that longs for dry shores, without sea, and without other wet longings..., no possible maiden could Try to dry it with her hands of stars... Who calms the crying of the Universe ...even so..., a simile remains floating like a verse among his dreams" "How can I make of my dreams another dimension of the universe if he is silent and does not make me float in his sea...how can I make it possible for the points of his stars to fill the spaces that have revealed him...and that have made circular shores without a sea between fogs" "I walk alone and nobody sees me... I do not wake up in candles that smile and accompany me... between days that turn into mornings on the shores of the solitude of the universe, that nobody embraces him..." "Now the days tremble with almost falling on themselves, they come out alive from their own loneliness of satiety and fullness... of whoever appreciates them in the mist... being able to surrender in attentions in Ben Shemen".

Creating a sequence that bends the heads of the ghosts filling translucent physiognomies between a cold past and super frozen future, from a classic mechanic that from now on would depend on dice thrown by the Third Ghost of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from the splitting of both parts of the archetype of today as a subdivided clash of several times that allowed the remaining phantasmagorical specters to be integrated, taking over history on a plural axial axis that prevailed in the time of a supposed number line from a vector aligning itself towards the compass of distance, that shines between both hemispheres of the north and of the minutes that go to the right and the solid-gaseous seconds that almost burst in the walls of their own liberated beings. The four Shiraz ghosts had time differentials before this event with the caravan verifying the simultaneous strut between the two pairs of ghosts between four dissimilar but idyllic ones that made them here at this point be ignored and annulled between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the epi-ghosts would make the database that Saint John the Apostle and Vernarth will accumulate with their eyes closed, each surpassing himself in the debatable areas that concern estimating the occupation of physical spaces in some of them at their consent so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line encloses events and quadratures of spaces in the cinematographic space of parapsychological regression, such a link of physical images slowed down in evolutionary and cognitive memory, passing from the conduit of memorizing events to expectations and their set of absolute figures not pigeonholed but if approaching the universe in prehensile scales of those who value them. present and future more as a pattern of departure to the unique future "today" by space of spaces. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the adjoining camelids of the ghosts of Shiraz for ownership of time among all with a single identity that cries out for an unequivocal will to rearm, although the winds of the partition that separates The word of God and the believing observer towards the ***** with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and handcuffed in dependent systematization with great causes, although the static feels isolated from the dynamic, asking it to unite with the ghosts and the others, even though they are inferior forces under the line of the generous gaze and parallelisms of the attentive viewer that suggests more openness received, delegating circumstances to all physical, emotional, spectral dimensions and mental-spiritual, flexing the hierarchical emotional states of night and day. They all fall asleep embraced in quilts and lamb saddlebags, making it possible for them to approach the Ghosts and sleep next to them, embracing each other with strength decanted from some frames that hang from their masks, showing the vibration of being favorite children of the Mashiach, absorbed in the Kidron Valley. Quadrupled and cloistered in self-consciousness scattered like an iceberg behind the submissive thoughts that aspire to be tied to more invaluable time. Our Abba has us more tied to an absolutist past and future, looking at his calendar divided in such a way that the day that strikes the shadows of an incisive past always fits so that it always smiles at us in the best light signal of who and with whom repair damage of varied wounds that travel through the times of times always hurt, to and from borders of a remote anachronistic. The ghosts are always tetra fast they are marginalized to the sound of greater acuity, fleeing in Rishon Lezion to wake up a little further from the rays of the stationary Sun that from now on always surfaced in the degraded eyes of the mountebank prowling around the fairs of those who know how to wait, to make a treat under the pretext of Faith and hope that exempts the Cardinal turned into a flower decorated in white. Shvil of the Angels; The fast epi phantom tetras were emaciated they lost their north and could not walk, they were energized by the radiosities of the earth that rules over those who lent divine graces if their feet rested on the tapestry of those who threw their footsteps at them in winter now near Jaffa. The Shvil Angels were angels who were on the route that cordons off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowery Bernese Olive Trees that served as floral arcades at the entrance to this thousand-year-old port. They were three, when they walked, they always spread out so fast that they seemed to be six but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of that one day they will have to dissipate the rhombuses of the fragmented beams of light on the way to the sky so high, in the name of the phrases that never tire of looking eternally at the incautious years, which belong to our father through Exo galaxies in the total company of invisibility and cautious time relativity. This beautiful Semitic sea shore indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with their hearts in their hands when foreigners appear in the name of plausive phylogeny. That brings them a bearable piece of the farmhouse from the Universal flood, for this is that the ancient Canaanites have to receive them with the table served to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa who was the daughter of ******, god of the wind. Where Vernarth locked his shield Áspis Skoilé to shine in the bilges of the Eurydice under the pentagons of his shield's bronze layer whenever he approached the Dodecanese when the Auriga descended from Andromeda on the back of an oarsman battered by storms away from his home galaxy. Thousands of years BC its merchants glorified themselves with their baskets full of goods and merchandise for its inhabitants who today pretended to be pharaohs who contributed to the marine corners along the coast that today seemed to open with more new waters reborn from the capers of the swells founding thus the omens of embarking to attack and submit to the omens of sovereignty between Judah and Hellenic lands, to work with noble trees in their armories and utensils of which they traversed an honorable part after the maintenance of the emblem of the last portion of Alexander's libertarian triumph pole Magnus on the Phoenicians at Tyre. gazelle) in Joppa (Jaffa) and later how near this city he has a vision in which Yahveh told him that one should not distinguish between Jews and Gentiles while ordering the removal of ritual food restrictions (kosher) followed by the Jews. The Shvil of the angels distanced themselves from the appetite of this station without reaching them and not making them drink salt water from Jaffa, so they resorted to Petrobus, which a few meters before reaching the port summoned a large number of Dodecanese Pelicans who were waiting for them in great celestial flocks that hovered happily over the sky welcoming them. The pelicans levitate from a risky juggling act on the caravan and headed out to sea collecting saltwater, then they went through the initiatory path of Shvil and reconvert the salty water into sweet with hazelnuts so that they would have holy water to insolate it and serve it in canteens of the temple guards of the Canaanites who were waiting for them to distract them, making them believe that they were other Syriac lands as in those of Asherah that in this act perhaps it would be good for them to sponsor the Hexagonal Primogeniture. But the trails of angels confederated before the noisy crowds and Ptolemaic lemurs that scrambled into the empty spaces that remained. After this grave siege, Vernarth shouted to heaven with the force of Phalangist tradition himself, and hailed heaven for the good of freeing them from their definitive income to Jaffa summoning the Hypastists; elite warriors, and spearmen so that they would hem the portal at her Jaffa entrance for others who were never from nowhere and out of nowhere, only blocking her from her perfect theological heritage and memorial conservation plan upon return from Judah exit, to embark with destiny through the sulfurous ponto that will scald them in temporary waters towards the Cyclades and then to the Dodecanese, succeeding in inhabiting them wherever they were and whoever arrived with foreign promise. At nightfall in its first nubile shadows, the Shvil appears to them with these three angels dressed in ivory white, each one with a book in each hand and in the other a candelabrum giving signs of ultra-interpretive catechesis, allying itself with silica in combination behind the vision of the charms of propagated knowledge. Earth and sky in the second angel washing off the Semitic dew of Jaffa anguished with teachings of sleeping well and waking up, to walk in the lands that wish to seize the senses of those who are called not to be oppressed, behind bars of the morbid and illiterate Panavision of angles of hasty entertainment of the angels when they were called by the Regent Angel, simply relaying information easy to take to their hearts in faint powers and paradisiacal punishments, before falling into a thorny forest plowing their tongues into furrows of afflicted human charges and then earnestly redeem them with the judicious power of Hashem. Vernarth agonizes over the matter of seeing them so tender and so fragile allowing her to gently row towards him. Finally, these three rules of the Shvil Hanael are presented; "talking to them about hindrances stuck in the literary cabal of grateful fulfillments for all". Vernarth alludes to a desensitized subject and is also far from any Sub Yogic disciplinary doctrine. This led him to stand behind San Juan, frightened protecting himself from everything around him, he was seeing in front of the upper left side that Zebedee was, San Juan's own father calling him! Saint John the Apostle says: "Justice allows us at this time to alleviate ignorance if the riddles allow us to only seek the answer, Hashem will not be here..., it will only be an emotional catharsis due to a Shivil or merely ideological passage, which moves our prayers without sense taking us definitively to the coffers that are rearmed one after one after the mistake. We are faithfully interpreted by them but we detest our regencies with the Eschaton when we all try to follow its light of resounding density towards the sky, prophesying to follow it without getting lost in It..., held on its glossary shoulder. On the claws that are released from the dazed angelic prey correcting its wavering vision, unraveling the living presence of damnations or salvations in Eden with your bare feet or hell with no departure time "Inexplicably some Praetorian soldiers of Domitian appear, who would be restricting the departure of the triacontero bound for Limassol, curiously they were the same ghosts of Shiraz that continued to represent such a bad event, just like when he was expelled to Patmos by Domitian in 95 BC, of size was the hubbub produced by the Shvil angels with impracticable ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another fellow Hellenic who wanted to embark for Patmos, the other members were fully incorporated into the ship that cavorted on pirouettes as it carried them proudly to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board the same ship that brought them from the beginning of arrival from Limassol to Judah, which transited from Lepanto. They reappear in the plenipotentiary chapel offering a ceremony that would return the messianic hindrance to the Angels of Shiraz, to return to their former positions within the itineraries of biblical characters that tend to become adulterated in the game of the loss of consciousness of the Escaton, probably requiring that everyone has to make pilgrimage routes for all humanity confined and liberated by themselves. The Saltimbanqui finally manage to jump on the boat to sail to the Dodecanese but the Shvil of the Angels remained where other celebrities will require them to redirect them to the Shvil Escaton.



Paraps XXXI

Second Hijra to Patmos

VIII part -Judah's conclusion

What can be perceived by the Universe of Judah would be in a Universal Eye of photochemistry within the phosphorescence of the spectrum of the Jaffa bay that magnetized the visible sprinkling electricity, within the visible field of the photon in the same bay, which is responsible for elementary particle guarantor of quantum manifestations of the electromagnetic phenomenon. Carrying electromagnetic radiation of gamma rays over the entire atmosphere of Jaffa, X-rays, ultraviolet light, visible light, infrared light, microwaves, and radio waves, causing the ellipsis of Radio Moscow on October 29, 1929, right there presenting itself from the future to the present before hijra to Patmos.

Ellipsis Radio Moscow 1929 – Parapsychological Radio Regression:

"Radio Moscow went on the air on October 29, 1929. And this, its first broadcast in a foreign language, would be in Greek to be heard by everyone in Jaffa. Radio Moscow bulletins expressed great unease over the recent rise to power of the dictator Adolf ****** in Germany during the 1930s. An unintelligible visionary fumble of daphnomancy was considered, predicting the persecution of the Hebrews and extermination of themselves for which Saint John Apostle immediately tuned in common with Vernarth the instant he was hit by this radio wave of number twenty, nine of Jaffa's exit edict. The visible fantasy of this would make the audio listeners uncomfortable towards the behavior of certain intermittent swings that made the natural light of Jaffa intermingled with luminescence, with the waves and photons in presumptuous duality to dominate Vernarth's behavior when invaded by this flash of prophetic invasion. The Apostle's observation spheres made it faster to climb and try to sustain this invasive radio wave that crossed time thousands of years from the year 1929 to the year 165 AD. C. approximately that it traveled with a great speed of infinite wave to a great percentage of microseconds. All this information alerted the native son of Capernaum, worrying too much about this ethnopolitical situation. Here the microwave was refracted, undergoing a change in direction that collided with the ship, in its floating basal portion, due to the fact that this wave propagated at different speeds considering that the medium in which they were moving was clearly wood, but propelled by a large transmission vehicle through the winding water to the massive hull. Doing and plotting what would make them move immediately to go to Cyprus; Limassol. The speed of the radial wave was parked on the sails and that of the hull due to the chromatics of the water that lightened its refraction through the facets of the sails, and the cap bizarrely acted as an exponential concave angle propeller motor and overheated. A quick brawling radio wave appears in Vernarth's tongue; Says Vernarth: "Anti-Semitism is a matter of ******* benefiting from slavery and vast insubstantial ethnic resources, not allowing to relate the advance of ancient and primitive civil social immigrations that migrate to sociopolitical statuses, already pampered since their arrival in the Rhineland during the Roman Empire. The Jewish community prospered until the end of the 11th century after the First Crusade, having to go through a long stormy period marked by massacres, accusations of ritual crimes, various extortion, and expulsions. Their legal status was degraded and Jews were prohibited from exercising most trades. In the 18th century, Enlightenment philosophers such as Moses Mendelssohn were outraged by this miserable condition and launched a campaign to denounce it. However, the road that led them to Emancipation was long and lasted nearly a century, after which the Jewish community was integrated into society. Their assimilation allowed an economic and intellectual success that aroused suspicion in certain sectors, also giving rise to anti-Semitism with the coming to power of Adolf ******'s oligarch in 1933, putting the Jews on the margin of German society. Extensive persecution was followed by deportation and then extermination during World War II. After the war, the Jewish community slowly reconstituted itself thanks to the support of the German federal government." This time enchanting with lamb's blood coined on its cornices to sprout them for all those who had to endure the enigma of departure towards the straight desert as a property of the radio waves exhibited here as a dogmatic whole dusting in the geometric regime, which testifies to a whole "That the Robe of the Savior shakes all the structures of critical-political thought and brilliance of race." Producing objective intellectual blood, which would join the Social Christian party in Germany in 1930. But every elementary thesis would promulgate the emphasis on the centrality of social democracy, of bringing to Patmos a great task of dividing by time by traversing the timeline providing Joshua's solid One-Dimensional Beams at Kafersesuh, for the protectorate of the holocaust and sacrifice and introduce premises of emancipation and abolition of the subterfuge of marginalized social fields, devoid of interethnic social guarantees and the heel of Semitic roots. This natural property is excepted by the breed of San Juan Apóstol; Zebedee's son consists of carrying this to the most informative substantiality up to Patmos to keep them organized. From this dialectical propagation, great shadows arose, interposing opacities that showed many Jews falling into concentration camps at the exact moment of expropriation of their real estate. Naked bodies can be seen only with dark shadows with small signs of imperturbability on their cut faces, staying in the gloom of Conviction, with some photos of their children in relative proximity to the deadly impression of last death rattles and undermined fading pointed expressions, appearing in the rictus of their wives with narrow condemnatory anguish falling on them from the same Cell of the stormy Escaton, that transcended under semiotic history; the resurrection of the dead, divine judgment, heaven and eternal happiness with God or damnation and hell. Here is a perfect archetypal case of the disconcerting radio wave pouring novelty and satisfaction before the curiosity of the listeners, but it was a "newest Revelation at the same time, being objectivity for the cell of San Juan and for the immanent protectorate", which designates the dimension mundane and temporal opposed to transcendence. Because many Christians have become incapable of conceiving the "other world" as a consistent, real reality, and have transferred to this world the hope of a full and happy life. In this "immanentization" evangelical theologies of prosperity incur both, which see in the Christian faith as the means to achieve material well-being, Vernarth closes a blind when they were already walking on the magnetized corvettes of the sea, without feeling how the sea besieged them,...saying himself: "I keep looking through the hole of my ignorance, and I manage to see the dictators in monochrome displaying their diffraction banners lights, a key to ethnic oppression "in black and white" and the turned ones going through the crack in the trails of the Hebrews with their suitcases and belongings, lost and surrendering to laments united to the Messiah. In holistic combined, centered to the extent of a third screen produced in alternative light and dark bands, in the Lepanto nave when everyone learned vox populi about the radio phenomenon in non-transistorized tubes in frank romance with the old age of their practices. End Ellipsis Radial Radio Moscow. The phenomenon of interferences of a natural nature continues, bringing joy to their ruined hearts, they all sang Christian songs that made vertical lines appear on their faces between both melted cheeks. Leaving them incidence of fasting light to signal as thrones of lighthouses that illuminate the skies of the Messiah's seas, putting themselves before them millions of light-years from the side that now they could see him. The angles disperse and affect the light of the Messiah of the Our Father at twilight, falling on the others like the same conclusive Gethsemane leaf of the Bern Olive Tree. Flowing the light on the matter that sheltered the ship to Limassol, industrial energy was constituted in all the directions of the superficial optics, generating reflections in weak interferences that oscillated like immobile remnants of radio waves still active. This phenomenon made Brisehal appear from the bottom of the sea; the giant of Dasht-e-Lut, approaching to protect Vernarth and the Hexagonal Birthright. Generating a dynamic global hetero internal light in the navigation radius of the ship, in a more parsimonious speed than in a more relative one, frustrated to try to synchronize the flashes of the Xiphos sword of Vertnath Hoplite that allowed him to use it as a sextant, to arrive at the Cypriot destination. In this void of energy by another replaced, a speed imprint of the same void arises with lengths of movement of underwater waves caused by the giant Brisehal, to displace them in washings of the Adonis in accordance with the Sword of their master Vernarth ephebe. Dispersing evaporated droplets from the desert of Dash-e-Lut that remained in the cloacal zones of his ears polarizing defensive crystals from the hyperactive environment, and in force of the Phalangists scourged in Gaugamela who still writhed on the diaphanous immaterial land that continued in heated conflict, until the coexistence of the oppressor ceases. The parallel rotated worlds follow each other unrotated, being disturbed in another dimension mediated by the aware consciousness, which lacks any neutral rationality. They would be only attempts going through crystals of the Faith..., mastering projectile salutes of malevolent brotherhood, immersed in a maximum intensity of breakage and crystalloid rupture, which flows from the Messiah's lens in angles of subaquatic darkness. All of this atmosphere self-absorbs, leaving divine rabbi light tele-transferred into stored energy reaction levels, whose capacity would exceed one billion cubic meters due to the rupture between the chemical bonds caused by radiant energy, dissociating molecules by the effect of sublime light from serious sounds of immanence, and redefining itself as the interaction between one or more cells of mass of light against a molecule nomad target. Also appropriate for the extreme radicalization that marine plants would suffer, which also sailed expelled from the disturbed radical seabed of Jaffa.



Hellenic Existential Hypnosis

Arriving at the central retention of the Aegean Sea between parallels 36-38 of latitude and meridians 24-26 of longitude belonging to the periphery of the South Aegean, an abduction of an amnesic trace of the Alexandrian magnetic period occurs, which made them realize the that they had deviated from the Limassol-Cyprus destination, having to turn degrees to redirect to Limassol. This was exercised and subdued by the Alexandrian period that in its immanent chronology sought to remake an existentialist stance, which descended from the limits chained by the depressive effect of the aura after their death of his sister Cleopatra. This whitish aristocratic parapet of Zeus invaded them not auditing to govern the schizophrenic supply, having to redirect the course to the other side of the Cyclades. Sovereignly Vernarth takes the helm with great Greek breath, creating shields of redemption in arts and sciences of the Hetairoi aristocracy, under meso-urban science-politics replaced by Christian devotion, making the Hellenic language a romantic Aramaic in the potential to prevail the existentialism of the hypnotizing oneiric dream of a silly banquet served by the hordes in all the slopes that transported them between the enigmatic underworld of Panhellenic language, and with re culturization of ephemeral uncrossed lines that subtracted their dramas of disturbing knowledge depriving them of the neuro-motor and adjective of the main return value for the origin of the reconquest of the Triacontero in Limassol. This Hypnosis brought consequences of the Leagues called Diádochos 'successors' of the ancient generals of Alexander the Great, and of the sons of the general hegemons (called epigones,) that at the unexpected death of Alexander the Great in 323 a. C. distributed their empire, disputing power and hegemony over their brothers with various pacts and six wars that lasted twenty years. A political system was then established until the start of the Roman Empire in the eastern Mediterranean in the early 2nd century BC. C. Prone to this contingency, Vernarth turns to Hypnos and one of the thousand children he had with Pasítea, who urged them to cohesion this Hellenic Inertia, quantitatively making the immortality of the image of Alexander the Great to bring each of the ex faithful commanders thus refounding Vernarth his Hellenistic Encyclical, for the purpose of escorting them to Limassol and protecting the lineages and infants who were in their puberty in Greece asleep soon to be an Agoge, after great war campaigns and abandoned agreements as an example of the snowy lineage in his Mother Olympia, and Sister Thessaloniki and children waiting passionately for him. And also in the Empire of Sudpichi-Chile, Luccica with the court of her familiar stoic resistance ingests the opiates until her Vernarth takes her in those arms, from her own and imaginative marshland lagoon gathered at the Itheoi Gods. The disintegration of Macedonia and Greece into subregions catapulted again the appearance of Clovis who says...: the river Lethe in the underworld liquefies your memories, and cleanses your mind permanently. That is the branch of a poplar tree from the underworld, from my father Hypnos. "Lete is not a place where you want to go swimming... but if you change the rudder for your honorable mind". This achieves that one of the sons, among thousands of Pasítea, committed himself to Clovis, to dissipate this existentialist contingency, claiming the appeal of family reunion and imperishable Hellenic constituent ancestry, under the hypnotic and hegemonic phenomenon that polished banners and panoplies in Greece, Macedonia, and Asia Minor. As a subsidiary exception, they will satisfy what was reissued by Ptolemy, one of Alexander's childhood companions of whom some authors venture to say that he was the illegitimate son of Philip II. He wisely quickly seized Egypt and hastened to create an enduring state by declining imperial ambitions that he considered unrealistic. He was one of the main opponents of the imperial cause thus becoming one of the founders of the Hellenistic world. Unusually, the commanders of Alexander incontinent to his excessive dipsomania of glorious hierarchical power, demystified Hetairoi's harangue, generating in it a Hypnotic counter-conception, making these sedative steps to delegate the religious Vóreios Dei..., which had only known how to redirect itself later in the classic tonnage Gaugamela of his great Hoplite Commander Vernarth. This grayish super mass of uncontrolled winds and increased lightning proto idolatrous forms salivated in the same Hellenistic family, whose postulate was to multiply the family over its geopolitical dominations in other nations, unifying them as a family geo-clan rather than in the seas that do not divide the water-land, Rather, they unite moralistic and cultural hydro-parental resources of the world that is a concomitant part of "The devouring cyclone of mythological dignitary entities, and other races that flee from the honest chronogram of historicity and its reconstructive past-present." Square meters of great cyclops mouths were floating in the air, it inspired Vernarth to make the green grass of the sea reborn like plankton that made a compulsive propensity to exalt Chloé's presence; being an Epi Phantom that always sparkled among the nebulosity as a reserve of Universal Consciousness, geo-measuring the Hellenic consciousness with a black bandage over his eyes, so as not to sully more sprouts of green chlorophyll and photochemical mass of the phenomenon, amassing only Cyclops electrogenic beasts that had to burn on the bolts and runaway embers of dissident light to leave in some memorable way, or beg some Sanctus to do his bidding wandering into acquiring the square feet of tiny, almost unidentifiable beasts that appeared simulating the viscous green water of the river Lethe in the contracted underworld. The existential holistic in the ship produced depressive lags, lack of self-esteem, and factors of loss of the ego, therefore each one who pointed with his index, distended from some silos in the hands of opiates that would denigrate the oneiric in those who tried to flee from their own collective weeds..., fleeing from himself, stagnating and freezing in stretches of dreams of gross loneliness and indelible fantasy..., what the extravagant hypnosis sought to occupy in them with its decrees of mortality is a beyond adulterated in some benevolent indications and psychic reactive alertness. When the soft brilliance of the same flash was shown on the faces of Alexander the Great and Vernarth in the six wars that took place with the Diadocos without flashes for twenty years..., only in twenty seconds would Alexander the Great appear on the deck of the Lepanto ship, dressed in a crimson red costume, covering his Hellenic silhouette up to his allegorical half-torso. From here he urged them to culminate the hypnosis in a deep world in an unbreathable statue of colloquial rhapsody..., pay attention to this... everything continues normally, and Vernarth leaves the helm to honor him with a hoplite Khaire and as a congener of Christian Shvil, so philanthropic and deferential as was Ptolemy, and Vernarth himself in Tel Gomel and Bumodos herding greenish glosses to open them towards the new Magno-theological empire. Metaphysical of the profile of the wise dervish that appeared in Limassol as a sapphire rosary entangling itself in physiognomies and rises of hope in the average Gen, when approaching the latent peninsula of Eurydice's gold medallion. Judah was suspended in the Giant Ungulates munching on the bags of herbs that thickened in their Palestinian snouts, the sphinxes of the birds continued to grow with their wings to shelter blasphemies from their prophets, and Judah wailing in the intraosseous of those who traveled leaving Judah, but never departing from the Aramaic cells of Gethsemane lost from Hellenic Existential Hypnosis.

Vas Auric conceived himself judicious before Spílaiaus when observing that Vernarth was leaning towards a practical meeting of a feared Hellenic crisis based on omnipresence, and all the material-immaterial face that is bloodily arranged in ****** foundations stipulating its very Submythological constitution. All that was a trend within the similar horizon that should be imposed with the appearance of Wonthelimar; as a direct seer of practice continuing the pre-ontological process, and why not say it of someone who does not even think and totally excludes himself from its composition or being part of... rather being a ration of the subjective segment and correction similar to the god Spilaiaus articulating its dynamism under the predominance of the concept of the sapphic verse where it puts knowledge at risk, and speculate on each component of the Itheoi gods, possessing themselves within the torrent of theology under ethical evaluation, differing from the mythical leitmotif, as dissipator of contention and beings that think organically of the material ethereal substrate. Vernarth silently concurs and prepares to postulate the anti-ethical Submythological existence; tending to demystify their Ethos or Conduct, aspiring to envision structures of undervaluation of the same, and flaunt visions of what originates from superior and then yearn for the hierarchy that is not imposed, but rather is a consequence of subsistence apparatuses that put essay its longevity and validity in sevenths, missing four to reach Sapphic foundations, and scaling Mythologies that could facilitate being under the position of the Demiurge or poet cultist of verses, perhaps superior to the crimping of any system when a judgment of true root or incautious origin is put. All this Hellenic atmosphere relied on the ethos links between Vernarth and his lord Spílaiaus, after rearranging pre-ontological (vorontologischeas Heidegger says) knowing his skill and tenfolds as he conforms to the ascending tenth of the eleventh of the sapphic. After this, Wonthelimar would appear to be the object of transcendental challenges and interpretations of the world that give rise to the same thing after not being in Spílaiaus' speech with sapphic verses.

The statement of becoming will be the cause of the gods of the Itheoi after the physiognomy that will spoil the Vertical of Gaul in the very genesis of Wonthelimar. Undoubtedly there will be chilling events of axiomatic transfers and metempsychosis that will be elucidated from the helminths that Spílaiaus will spill through the bark of possession. This mysterious orphic enchantment will be billed by Wonthelimar from the separation of Valdaine emerging alienated over the mountains of Ardeche, transmigrating euphony and reduced justifications that were united with the Helminth reminiscent and reincarnated by Vernarth. Perhaps it was a verme-worm that was classified on his arm moth-eaten in elongated elder veins to parasites of certainly commendable colonies and vehement and lyrical idiomatic apogees. The balusters will continue to be amatory componential in Vernarth for being composed of Heidegger's plinth and imagining oral linkages with the patronage of his eternal mother Luccica who will awaken as always in all presumptive psychophysical and atoning Zionisms with eloquent perspectivism and millionth re-trance, consisting of the putrid ***** arm of his Abrahamic split physics, dissociating in his body, separating and alternating with the dexterous spiral Aorion bracelet existing between the armband of Sagittarius and Perseus, liquefying in indissoluble modular stratagems for three bodies, plus the one that accompanied them dealing with their posthumous individualities in triplets. Singular unconscious metempsychoses brought their dexterous arm picking him up repeatedly from the discursive hives of Wonthelimar, to convince them and tell them that they had not seen the Hexagonal Progeniture for some time, unimpeded that brought him from Ardeche in lasting ensembles and concerting grays senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. Its expiration was reborn from the appendages of the water lilies that were seized by embedded lumbar powers, and mentalized in related memories that subsist in digressive reincarnations and longings, re-advancing with revived intelligence to indoctrinate themselves with the elevation of an emetic absolutist consciousness free of greater breaths of judgment is constant waste and reciprocity of cabinets, which were started from an initial discipline already transmigrated,The transitory glow of Exomis hung over some stones that were close to the Perivrachiónio or metal armband that multiplied in the three brazils of Vernarth, Wonthelimar and finally Spílaiaus that was bordered by the Acacians and Nothofagus that were covered with water lilies and peduncles cordoning off the livestock, full of thrones to conquer them almost after having lost calculations of the plasma that was innovated from a Hetairoi by reformulating itself from an incendiary bullfighting essence to its deltoids by detonating hatred in its croaks. All this clairvoyance was veiled for the clothing of the Exomis that was automatically placed in transition when the leaves of the deciduous led him to temporize in Wonthelimar in tender attachments. Distorted would be achieved with ****** healings next to the brave tributary, leaving in the vanguard and with starts from all the carriages that took the condemned to Halicarnassus to be truncated together with infallible Canephores in disgrace to their executioners, browsing all the oak branches of the Wonthelimar joint that had been sheltering from its head, sticking to ancient ruts of souls in pain over the sleeping Nyons. the brawl symbiosis of the Megaron was exhibited with the "M" united with two inverted "Vs", Wonthelimar conceptualizing himself on the eve of early buildings and phobias fragmenting into numerous odes in Thessaly, which were already beginning to re-agglutinate attracted from a majestic image of Hellas, under the pretext of Hellenistic consummations as a vocational and primitive institute race of Alejandrino Magnus derived a few nautical miles to board towards Patmos. The ship crossed the sea conceptualizing itself as the most universal being that revived in the Triacontero, appearing among all the waters as a nubile surf that spoke to each other with words Mageireméno Kefáli Votánon, "Head cooked with herbs". Speaking in primitive erudition alternated and swells with forty feet in territorial Argonauts making similar corvettes like the Gulf of Tarnetino, possessing distant comparisons with sixty miles of the base that colonized Wonthelimar for new sources when encrypted in the Megaron. They persevere leading the Immaturas Polis that would be documented in Patmos and in town halls of the assembly with ****** ceased battles climbing to a great height from the cogitative of the Megarón temple and Theater of Epidaurus, under three shadows of adjoining water lilies and the Spilaion Apokalypseos.

As will be seen in this demonstrative synopsis of the hemicycle Theater of Epidaurus working in the stars for the nations of Asclepius together with Wonhtelimar, that is how migrated melodic sessions and Parapsychological palmistry sounded with burdensome marks of intervenors expectorated in vast when impelling on the Koilones and softened bleached bleachers where each one was shouting to all the winds the advent of all the auditoriums absent by past and future generations, acclaiming lives in salvific voices. Here Spilaiaus from his stomáchi or visceral will point out the stinging nettle that he will invariably scheme whenVernarth continues to weave the plot of transmigration to the CartesianUnderworld as an apocryphal late Aristotelianism, mechanizing the existential dualisms of Hades with formulas, psychotropic and geometric tricks, granting them permission to bequeath habeas corpus theologies, coexisting in the first instance with Etréstles de Kalavrita, who would establish the term of definitive transmigration of Alexander the Great so that the Diadochos andWonthelimar would contend the final and disciplinary action of revocation of the high arrest, trans humanizing the sovereign as a Macedonian next to the hexagonal Primogeniture finally very close to Saint John the Apostle andVernarth in the vicinity of the Megaron Spilaion Apokalypseos. Spílaiausinvokes: "Neolithic alloys, they corresponded to the Medea and Hypnos eras, among all of them being aerial, visionary and northern lights that traveled to my redoubt to sprinkle them in river waters on the night of Agios San Ioannis.From here the Kanthillana with Greco pilgrimage, portentous gusts where the wind is amazed when entering the concavity that is lost in nature of time and qualitative content, unusually being an organism of outburst and cytological drama together in trickery and radiocarbon tricks due to vicissitudes, and actions that have dated my radiation from the radioactive carbon in these caverns and insulted carbon spaces fourteen in more than fifty million radiometric years. From here, my Vernarth, everything becomes insignificant and all the levels of expression slide down the armband, differing three levels from where I have been able to hear the truth of your sound kingdom, which emits gestures that are neither music nor harmonious directions in any worldview where it should place everything that no one can perceive by the senses of nature more enormous than any resurrected mortal. This is how the Itheoi genres are a drastic irrationality that is responsible for restoring forgotten beings, almost Hellenistic humans who speak through languages ​​of their gaze, and museological splendors of which they only reprimand metaphysics as an understanding of the Void such as the Judaic Kli or Hellenic Kenosis, which goes evidencing immersion by transferring futile understanding and hermeneutic pontificate times of Kantillana and Olympus, Patmos and Horcondising. Thus all beings when referring to Vernarth will be nothing more or less than the same in the company of the science of a future that will eternally coexist with the constitutive past of an active present called "Submythology" everything that does not contain parental relationship in koilones and of his greek spiritual stratum, It will be kenósis and Kli of parental pairing with the significance of erratic mobilities in what is interpreted as sporadic mourning, given the universal change, therefore, atmospheric. In the second Trilogy, the Triacontero goes through the Othónes of Naupactus, to Limassol. The ship was attached to the Ziziphus of the Moshiach's crown back from Jaffa, Walking the deck of the ship getting exasperated to revisit Kourion. As the adrenaline subsided, he crashed the port side keeping them in retinas of spheres of fire that came out of the ponto, enlarging such crapulous spheres that they had traveled to the sea through the Kouris River, but been kidnapped by Brisehal who assaulted them and put them on his back esplanade to swim to the peninsula of the current Akrotiri where the ogre carried him as floating globules to inhabit the sands of Cyprus. A tremolo mortar and sinewy essences of the Falangist faction will be established. Together they walk through the arena with Brisehal, being able to observe that it was coming from above and from a great Alikantus glide to meet him. Now, this trilogy of distinguishedAnimalia superheroes was made up of who would escort him to listen to the legions of Greeks from Mycenae who besieged Kourion. When they walked along the edge of the beach, several artists crossed in front of them carrying Avant-grade instruments in their hands, accompanied by miners and forgers of goldsmiths. Everything says to prosper in the Aegean and Greece for a new Paraps ***- Forests of Hylates, Gold Medallion Second Hegira to Limassol. Spílaiaussensible in his necromantic arts would be immersed in an absolutist language of relatives to welcome Vernarth, shelter him, and feed him after Highs and Lows that commemorated all the possible truths and falsehoods that he had to avoid from the final Prolegomena or final speech of the Trilogy, aiming to be located in the highest part of the Kanthillana to face its Greco-American world lineage in wetlands or taigas that would move great cycles of the Caucasus with the Meltemi towards all the grasslands and steppes, bringing vast multitudes of gregarious Hoplites to live together by the floods of the Paleolithicstragglers, to go back to the sinister prehistory that is based mainly on the names of the towns with writing they gave to the "barbarians" who invaded them. Zeus-God (Jovis in genitive) that is, Zeùs patér in Greek, Jupiter in Latin, Dyauspita in Sanskrit. He is opposed to mere demons or secondary gods (Sanskrit devas, daeva Avesta, Lithuanian devas, Gallic Devo, Latin Deus-divi), who derive from the "luminous sky" (the day = dyu,dyo, dies, diei). He will make the sacrificial background of the coming euro-American scene, thus creating the liturgical syncretism of survival by venerating all those who dwell in soulless bodies in the latitudes of Kantillanaand Olympus. From this gregarious candling emanating primary physical forces of submithology; in which man (****) lived. Man is mortal (Marta-, martya- in Sanskrit), son of the Earth-Mother (Mata-prithivi in ​​Sanskrit, Gê-méter in greek). This dualism, only outlined at the level of the primitive into-Europeans, gains consciousness overtime when the mature age of evanescent humanity (Jaspers' Achsenzeit) is reached. In discrepancy of mythological root antagonism, it is bringing chronological and obituary rhythms that will live to delight us with their own gesture from Hellas and Anatoliamainly to Patmos and Horcondising, Sudpichi, Chile. The conductive cycle will have a great impact on Spílaiaus, dimensioning itself in Aristotle, regenerating the first signs of infra spelean humanism in cultures that have nowhere to lodge their vast parallel heritage in more than a distant pre-classical and classic threshold, procreating the only dissolute world striving aggressively in Vernarth Hellenic's Trilogy II.
Messiah of Judah
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Pagan Paul May 2018
.
Snow drifts down
     laying a lawn cold sheet
across the frozen ground,
          creating art reliefs
like acid etching glass,
open space rolling and undulating,
in small hills and depressions,
     bedecked in a veil of white.
The silence is deafening,
quiet having been enjoyed
     and surpassed,
briefly punctuated by the call of a bird,
     A sharp whistle that shrieks
and attacks the silence.
The fresh smell of snowfall wafts up
     as it settles and glistens
in the light of silver moonbeams,
randomly peeping through clouds.
The taste of peace,
                     tranquility,
in the frigid air,
sends imagination soaring
from the desolation of isolation
to another time and place.
          The snow falls,
     falls,
in a relentless race for the ground,
               all is still,
               nothing stirs,
as the moor welcomes its quilt
and sleeps with a cold heart,
     dreaming,
                       of being kissed by the Sun.



© Pagan Paul (28/05/18)
.
Aarya Oct 2015
The morning after I killed myself, I woke up.
I splashed myself with cold water, and walked over to my dollhouse kitchen to make a cup of hot green tea in my favorite green ceramic mug. I cut myself avocados, laid them across my toast, and sprinkled it with pepper. My brother was still asleep, his covers crumpled under half his body and a leg hanging off the edge. He was dreaming of his favorite thing about the previous day, and that made me smile, as I tucked him back under the protection of his blanket.

The morning after I killed myself, I fell in love.
Not once, but many times. Not with one person, but with multiple. I fell in love with my mom and the way she looked like the happiest woman in the world when she laughed at us, and how from sitting behind her in the car it looked as if she was always smiling because her cheekbones were so high. I fell in love with the way she wiped her eyes with the top of her wrist, as the steam and aroma from the hot food she cooked, floated upwards. I fell in love with my dad and the way he walked through the backyard, moving his hands around as he played out important discussions in his head. I fell in love with my brother and the way he tried to talk to us about CNN news at over the dinner table every night. I fell in love with the way he would impatiently say my name as his eyes lit up, wanting to tell me something that excited him, or that he found funny. I fell in love with a little girl I caught dancing with her sister outside 85, on the way back from my math class. I fell in love with the curly-haired boy in my English class my freshman year, who sheepishly told me he switched back and forth from British and American accents from time to time, because it was just something that was a part of him. I fell in love with my best friend and the way she got so passionate about the importance of history and what she learned from her AP history class, over a Skype call after midnight. I fell in love with everyone I ever met, and saw them as entire galaxies, complex and burning bright yet simple at the same time. Because people are beautiful. People are beautiful.

The morning after I killed myself, I recognized kindness.
I recognized it when there were more than one million words in the English language to choose from, but every time, my neighbors chose the kindest ones. I recognized it in the mother I saw sitting outside the café on a bench, running her elegant fingers through her teenage daughter’s hair, who was telling her about her worries. I recognized it when a homeless lady gave another homeless man all the money she had made that day, simply because he had a daughter to feed. I found kindness in my friend when she ran to the Starbucks across the street to comfort a woman she did not know who was crying after her autistic son had a tantrum.

The morning after I killed myself, I took a walk.
I sauntered along the street, and I saw the bright green leaves of the sugar gum trees, that in a few months would turn gold and orange. The birds were chirping their warbling melodies, and the cool air was feeding my lungs. The sun was still rising, and the sky had a little bit of orange in one corner, and a little bit of pink in another. I sat down on the bleachers of my school, and waited for the sunrise to unfold.

The morning after I killed myself, I held my beautiful grandma’s hands.
I felt how small and cold they were, but what warmth they still preserved as her fingers tightly held mine. My fingers grazed the top of fists, the bumpy veins giving them a delicate texture. I saw the four golden bangles she had never taken off of her left wrist, and I wondered how many dishes those hands had washed, how many clothes they had folded, and how many meals they had made.

The morning after I killed myself, I watched a live symphony.
I sat dazed, in view of the wine-red instruments in front of me, from the contented mold of my chair. I listened to the beautiful wavelengths of sound being produced right in front of me, the music creating my sanctuary. The conductor created the loudest expression of music on stage, despite making no sound. His arms waved as wildly as the sea, but was no less graceful than an ebbing tide. I looked at the depth of the basses, the elegance of the cellos, the poise of the violins, and the dignity of the viola. The fingers of the cellists slid up and down, the strings undulating with every phrase. A pulse was beating within my own veins, and as long the piece lasted, I was the music.

The morning after I killed myself, I looked in the mirror.
I saw my almond-shaped eyes, and how my eyelashes outlined them perfectly. I saw the vertebrae of my spine, and how they looked like a line of marbles, across my back. I saw the curls on the top of my head that I’d hated when I was younger, because they stuck out as if I had my own atmosphere around my head. I saw my knuckles, and how they separated into mountains and valleys. I saw the beauty mark on my left ankle, and the dimple that formed when I smiled. I looked in the mirror, and I finally fell in love with what I saw.

The morning after I killed myself, I tried to get back.
I tried to talk sense into a girl who had made a horrible mistake. I told her about the avocados, and the valleys and mountains that appeared every time she crumpled her fists. I told her about how beautiful her mom was when she laughed, and how warm it felt to hold her grandma’s hands. I told her about how her brother said he always dreamt about his favorite thing about the previous day, and how her friends had so much kindness in them. I told her about the green leaves scattered over the ground, and the pink parts of sunsets. I told her about the orchestra where she would find peace, and the shy boy who switched accents.

May your tea be just the right temperature when you take a sip, and may you happen to glance through the window just when the rays of light are falling perfectly. May you lock eyes with someone just as they send you a warm smile, and may you turn on the radio just as your favorite song starts. May you love the ink pen you pick up, as it glides across paper smoothly, and may you pick up a novel to read that changes your thoughts on something important.
Inspired by Meggie Royer's "The Morning After I Killed Myself"
Spenser Bennett Feb 2016
There's an impossibility standing adjacent to the nearest star bound body
It waves and beckons with a sincere familiarity so unnaturally
I am the end of the undulating tunneled vision
I am become a silhouette of a dead city caught in the decaying story bones fiction

We are all emptiness and our emptiness is how we define ourselves.
But our emptiness will become a river into which we will find the world to be held.
The universe exists in the eyes of those who live without the sight to see
Those breathing, freezing stars that burn into the heart buried deep.

Constructs of will and portions of strength cut out the guilt of my youth
All roads lead to the sky but I will not seek to understand you
Futures are made in blinks and beats
Are they aware of the way we lay with our tangled feet under these threadbare sheets?

Follow the light of my darkness
A single shot of whiskey and a conversation whisks away my heart's hardness
All cool and breezy across the great green oceans
I'll meet you halfway between loss and a facsimile of dreamed emotions
Mio Seanachaidh Jan 2017
French kisses in the deepest places, pressing deeply into flesh, moist and trembling, lost in heaven

Twisting and turning my body into every direction, hungry for more of my quivering slick heat



I am submissive to all this pleasure - wanting and needing all given
I am silk against your body, growing moist beneath your fingers, sinking hands into the wet fresh Earth

You leave nothing uncharted, crossing and retreating into the deeper parts of my being

Heat ignites in time with rhythm, our bodies making music only naturally following a secret beat



We become nature undulating water, your hands digging into my Venus, pulling me towards the voracious heat - thrusting deeper

In the most blinding white heat ever known, our bodies meshed together going towards the unknown abyss, then  f



                               e



                                   l



                                       l, exhausted, in unbearable pleasure

We have surrendered to death only to resurrect and live again

Si c’est comment il est, je le veux pour toujours
French - Si c’est comment il est, je le veux pour toujours translates to English as If this is how it is, I want it forever
CA Guilfoyle Oct 2015
Sonoran desert
sacred, hot breathed
scorch of footsteps, blood red sands
sun bleached bones and skulls
this wash a hallowed holy ghost
an unnerving place of hiss and fire
molten sun to dry the water
a drowning fever of prickly sweat
last night the Yaqui man you met
undulating in a purification ceremony
lashing energy cords cut
he is laughing like coyote, wild eyed
green the velvet desert peyote
awakened you have come to understand
a universe within a fleck of sand.
Jack Trainer Jul 2014
She spies the ants in bewilderment
A linear and meandering path
Undulating like a wave on a flat ocean
They are deliberate and sure

The ant spies the girl with indifference
Her path is unknown and random
Undulating in and out of reality
Her scars are deliberate and self-inflicted

The woman spies the man
His path is like the girl and the ant
Undulating like a *** of boiling water
The wounds he exacts are deep and copious
Russell Douglas Feb 2010
A Verse In Time: A Trickster’s Alchemical Approach to Memory in Three Waves

(Warning: The following collection contains depictions of three waves
of the psychedelic experience—particularly with God’s allies, Los Aliados, the mushrooms—and like the psychedelic experience each wave possesses its own waves within itself.  Ride with discretion.)

.

Wave I: The Allies’ Nursery Rhyme

The Allies
came to visit
and take me
on a trip.
No need for boat
or bus
or plane
or even rocket ship.
The galaxy, as they explained
resides inside your mind,
The portals to the universe
are windows you call eyes.
Instead of always looking out
you should try to look within.
The ending you have always feared
is exactly where you begin.

Yes, all the spans of time and space
exist in you behind your face
and yet you cannot understand
that nothing is a race.

Oh wait, please be careful with that mirror
when we are here and you draw nearer.
Don’t let the face of everyone replace your face with fear.
You are Horus, Mary, Jesus Christ, Cervantes, and Shakespeare,
and all the men from beast to mice, from oceans down to tears.

And so they pried behind my face
and pushed me on through outer space
and soon enough I understood
there never was a race.

It all exists right here, right now—
the past, the future, the grass, the cow,
the vast, the nature, the cash, the house,
the king and the savior
the beast and the mouse
are all your creation,
your relation,
your spouse,
your Path,
your Bible,
your ‘Gita,
your Tao.

It is all
of your moment,
It is all
of your now.

For you are the mystery
of that which you seek.
You invented the minutes, the hours, the weeks,
the deserts, the rivers, the valleys, and peaks,
your digits, extremities, elbows, and knees.
You created the cure, you invent the disease.
The labyrinth is you and
You defeat it with ease.
To master the Minotaur just follow the string
Discover the dinosaur, discover the king,
discover this grandiose song that you sing,
and uncover the truth of the message you bring
when you ring bells or

Stroke piano keys
and make the doctor sweat.
The pranksters shifting shapes again,
it’s time to make a bet.
With silly laws of threes and fives, this riddle I repeat, replies
that by the time the rhyme is over, the trickster will arrive.
Gliding up in cycles by, the prankster grins and winks his eye.
He fabricates a fluffy fix with fuzzy snow white lies
to bring the doctor to a six then down to four inside
and bring the tempest to a wave
on which the four can ride.

Do we glide?
Do we slide?
Do we fly really high?
Do we bobble and sink
with the rise of the tide?

I remember the brink
the cellular stride, the following leap,
the primitive mind
I remember the dirt, the water, the fire,
the wind and the ether,
the passion, desire.
I remember that art
can never expire.

Do we depart?
Do we retire?

The answer is yes,
The answer is no,
The answer’s the same wherever you go.
It’s never too fast,
it’s never too slow
and you are never the last to not really know.
For the sun always shines,
the moon always glows,
the old always die,
the young always grow,
The seeds that you plant
are the trees that you sow,
from the bees and the ants
to the bulls and
black holes.

It is all
in your stance.
It is all
in your
soul,

When you follow your dance
the bliss
takes control.
Take your place
in the play
and master
your role.
The Aum
is your home
it’s inside
of your dome,
Whatever
you wonder,
Wherever
you roam.

And so it flows behind my face
the universe of time and space
Now I understand that time
is invented as the race

Yes, you are Borges, and Buddha, and Krishna,
and Lorca, and Vishnu, Dickinson, Lennon,
Eliot, Gandhi, Marley, McKenna,
Campbell, Picasso, Alpha, Omega.
You are your enemy,
your stranger,
your neighbor.
You are the peasant,
the king,
and the savior,
the mandala man,
the cosmic *******.
You are the taste
You are the flavor
and you are
the wave
the unwavering
Creator

Even us
as they explained
merely extend from you
A mirror to the macrocosm
for you to gaze into.




So when you get lost
within your lies
and cannot find
your rhyme,
Gather inside with your
Allies
and master
the maze
of
time.


Wave II: Contemplating The Allies’ Advice

Thunderbolts of cackling giggles
shutter through your vitals, shaking shoulders
and squirting tears from squinting eyes.
Exciting when dimensions hidden creep into your line of vision,
morphing mapping iridescence with a fleeting fuzzy phosphorescent
undulating elfin presence following your every contemplation.

Concentrating on a caterpillar crawling up the wall
how curious, this furry beast has fingers not to fall.
He folds into his fuzzy form, a sleeping bag to keep him warm,
a little home as still as lead.  He hibernates and contemplates,
waits and waits and transmutates into a gilded butterfly
that flutters through my head.

Violet translucent landscapes bleed through grass and trees,
focus on a precise place of time and space and witness the birth of the human race.  Projections made in fuzzy fourth dimensions quickly fade
if your gaze should wander.  Positioned to ponder,
you plunge into prepubescent wonder as a shooting star splits the sky wide open revealing heaven and everything under the sun is tune and the sun is eclipsed by the moon.  And once again, the music comments chronologically on your moments, as if all these notes and lyrics were cataloged to sync with the scenes of your epic voyage.

Destroying contemplation again, the sea ***** the wind through the trees
and blows a blue marine breeze through your hair.
Do you dare take the time to recognize the punctuality of the gale?
Should your frail and fragile mind be dangled from a line
to flap and fluff and figure out the nature of the rhyme of our mother?
You are your brother, your keeper, and your lover.

All the lines align and oscillate in cadenced flow,
the more you see with your mind the more your mind will know.  
A ****** brain may strain and throw a fit
if faced with the tricky truth of the third eye
Surprise! Who knew that Jesus Christ could sprout from cow ****?
Can you believe it?  Wow, Bob, wow.
Where do you think we got: ******* and holy cow?
Heaven is the here and now
and every time you try to leave
you lose what you have found.

(* All words in italics come from    
   various songs, films, works of        
   literature, etc. and are not the words    
  of the author.)


Wave III: Los Aliados Wake

An apple carries a story deeper than the tree,
More nourishing than the luscious skin,
More central than the seed.
for the apple gave original sin
and knowledge from within
and fell upon the head, announcing gravity.
Have you ever heard the tale of Johnny Melon seed?
(The apple is global, so I wonder why,
what could be patriotic of pie?
Is it not just a strudel,
a pastry disguised?)

The colors we create
distort. manipulate.
The fools who follow fear
are doomed to find their fate
between their ears
where the colors seem
to blend and stream
and almost disappear.
To wonder why we’re here
all colors must appear
and merge into the blinding light
that obliterates our fear.

All your dreams, your fantasies, your symbols, and beliefs,
all a compass pointing you to endless mystery.
The treasure that you seek
resides inside the Self,
A jewel within the rock,
A book upon the shelf.


I bought the ticket,
I’m taking the ride.
I’m spiraling miles through the bowels of time.
I’m spinning and laughing
and losing my mind
and finding
it always returns
just in time.
It’s right where it left me,
so I’ll leave it behind
and return when
I’m ready
to relish the ride
with a bite
from the apple
of my
holy
third
eye.
zebra Jul 2017
i come to you half mad
with desire
like slithers tongue
i wish
to have painfully stitched
to your silky ****
an act of desires supplication
my *** turned to poison
deprivations effulgent
obsidian flower salivating
your every smile
fleshy bells ringing
warping tintinnabulations
i am a starved incubus
drooling at your knees

behind me
a frothy junket of misdeeds
for loves sake
your feet the scent of lavender and salt
their shape evoking numberless poems
and begging adorations

your belly
a tender cauldron undulating
tummy ***** dancer
sacred *******
temple of worship
the site of your rounded bottom
naked red mouth calling
my sacred liturgy
your *****
velvet tulips for a tremulous kiss

I seed you a thousand times
a raging bludgeon
storming wounded gates Palisades
drenched and florid
fruit and milk ****
until jaws lock
and spire drops
turning me
to midnight cadaver
***** black hollows
a dark eyelid, blink-less
dead **** face down
a slumped snake

then soft dew
and cool ales
clear thickened muds saturation
lighten heat and peel
the warm palate
with agile caress
tender haunches wide and spiced
milk and butter thighs
her hair in mine
rushing river life
again i animate
an embryo id
dressed in fire
all vices and virtues
blood and sky
*** ADULT EXPLICIT
RAJ NANDY Aug 2015
Dear Readers, President Theodore Roosevelt wanted
to save this marvelous Natural Wonder for posterity! So
the Grand Canyon National Park was set up in 1919. In
1979 it was declared as World Heritage Site! With the
portion “Sun rises and sets over the Grand Canyon”, -
I have concluded this poem. Kindly take your time to read,
no need to comment in a hurry please ! Thanks, -Raj

CONCLUDING THE GRAND CANYON
STORY IN VERSE – RAJ NANDY

INTRODUCTION
Literature about great natural features include
two personal types of writing;
Description of things observed, and impressions
of what is known and seen!
The story of the Grand Canyon takes us back
to the Pre-Cambrian Age,
When violent forces were unleashed from within
the Earth, during its formative stage;
When mighty forces of erosion began to sculpture
her undulating landscapes!
Therefore, I begin with a quote about Erosion,
From the great poet Alfred Lord Tennyson; -
“The hills are shadows and they flow,
From form to form, and nothing stands.
They pass like clouds, the solid lands.
Like clouds they shape themselves and go!”

TO RECAPITULATE PART ONE:
In Part One we have seen, how movement of
earth’s tectonic plates unleashed violent forces
from within!
It formed mountains and lakes, shaping our
landscapes, which now appear so peaceful,
grand, and serene!
Over millions of years the forces of erosion in
the form of wind, rain, sun and snow,
Sculptured earth’s evolving features creating
majestic, panoramic vistas as we know!
Geologists now opine, that the Grand Canyon
was carved out by the Colorado River, -
cutting through ‘layers of Geological time’!

THE COLORADO RIVER CARVED THE CANYON:
In the state of Colorado, from the high country,
Where snow and ice lasts well beyond the dawning
days of Spring;
There the majestic peaks of the Rockies form the
perennial fountain head from which springs, -
One of the great rivers of the world the Colorado;
Which travels 1400 miles through seven States
reaching the Californian Gulf west of Mexico!
Now during prehistoric days, the pristine Colorado
had flowed almost along the same path as today!
But after the magical rise of the Colorado Plateau
some five million years ago, (Refer Part One)
It had blocked the river’s path making it flow
south-east into the Gulf of Mexico!
Few Geologists now opine, that this diverted river
had formed the pre-historic Lake Bidahochi,
Which later drained out to form the Little Colorado
River, which today we get see!
But the cut-off western portion of the river (named
Hualapai Drainage) continued to eat away through
the Plateau’s southern portion,
Through a gradual process known as ’Headwater
Erosion’!
For the river flowing at a steeper gradient along
the ‘Grand Staircase’ of the Plateau, carried
stones, rocks and debris,
Which formed the cutting tools, deepening the
Canyon over countless centuries!
When the softer sedimentary layers of the Plateau
below the top rocky layers gave away, - it resulted
in several rock falls!
While flash floods and erosion continued to breach
the sides of the canyon walls!
Thus over millions of years the width of the Canyon
gradually increased;
While the gushing and untamed Colorado River
chiseled through the depths of those Cyclopean walls, -
running deep!
Now the ancient Lake Bidahochi which had breached its
banks, had captured our pristine Colorado;
And their combined power increased the volume of
water and river’s chiseling power, with its rapid flow!

ENDANGERED COLORADO RIVER :
It is unfortunate that today, the Colorado no longer
reach the mighty Pacific as in the olden days!
With the progress of civilization and the spawning
of big cities,
Like Denver, Las Vegas, Phoenix and Los Angeles;
And to cater for the agricultural farmlands and the
Industries,
Many dams got built to divert its water and to
generate electricity!
Thus over a century of overuse and abuse of this
precious natural resource,
Gradually choked up the great Colorado, as it
became a mere trickle at the end of its course!
Ecologists now debate, while USA has launched
‘Save the Colorado River Project’!
Let us now cheer up by getting back to our
Grand Canyon’s scenic beauty,
Before concluding this wondrous Canyon Story!

SUN RISES AND SETS OVER GRAND CANYON!
To see the sunrise from Mather, Yaki, or the
Hopi Point, - located on the Southern Rim,
Becomes a life time experience, better than any
surreal dream!
First a glimmer then a glow, when a faint blue-white
sheen begins to show!
As the sun gradually sprinkles its light, streaks of
crimson red spreads across the eastern sky!
Soon orange and yellow shafts of light, light up the
Canyon walls up high!
Squirrels scurry out of sight, and birds twitter in
the sky!
The Hummingbird hovers like a helicopter, and
Big Horn sheep are also seen;
The Hummingbird which can even fly backwards,
enlivens this early morning scene!
The sun now rising in its resplendent glory,
showers the canyon with its kaleidoscopic beams;
With streaks of yellow, gold and red, it chases out
lurking shadows from within!
Like a curtain lifting before their eyes, the tourists
view this panoramic sight!
As the Grand Canyon awakens to greet the day,
With cameras madly clicking away!
The great ancestors of the Hopi tribe, Hopi
meaning both peaceful and wise;
Had inhabited these areas some eight thousand
years hence!
Their scooped out granaries and tools found inside
Canyon walls, - have an ancient story to tell !
The Spaniards were the first Europeans to reach,
in search for gold which they never found!
But for the Hopis the Canyon remains, as their
sacred Holy ground!
When those Spaniards saw the Colorado way
down below, from the Canyon’s upper rim’s side;
They said that this thin blue streaked River, was
barely five feet wide! (In mid-16th century)
The average width of the Canyon is around 10 miles;
While the River at its narrowest point is 600 yards
wide!
The Condor the largest American bird, catching an
upward draft circles up high;
Like an uncrowned monarch he surveys his kingdom
below, nothing escapes his watchful eyes!
Temperature at the Canyon’s floor is 20 degrees
higher, when compared to its outer rim;
Supports an ecosystem of plants and animals,
With the river as chief nourisher of all things!
Evergreen pines and furs grow along the cooler
areas of the Canyon’s outer rim;
While cactus species are found on its arid floor,
Their exotic flowers bloom during Summer and Spring!
The Northern Rim a thousand feet higher, offers many
spectacular sites!
But the Southern Rim remains open throughout the
year, while the Northern closes during Winter time.
From the Hopi Point west of the Canyon, the visitors
enjoy the beauty of the silent, sinking sun;
When the sky gets diffused with vermillion red, as
darkening shadows engulf those Canyon walls!
The mighty Canyon with its Cyclopean walls,
perhaps the playground of the Titans from eons past;
Shaped by some mythical Vulcan, shall remain till
this World continues to last!

CONCLUDING THE GRAND CANYON STORY:
I conclude my Grand Canyon Story by quoting a
poem I had once read;
Written by an Anonymous author, whose name
I had failed to get!
“BUILT WITH PATIENCE OF ENDLESS TIME,
YEARS ERODE AND SHAPES DEFINE.
LAYERS YIELD THEIR COUNTLESS AGE,
EYES CAN SEE BUT CANNOT GAUGE!
STAND AGAPE WITH AWE INSPIRED,
IMAGE READS OF LIFE TRANSPIRED.
CLIFFS REACH OUT TO TOUCH THE SKY,
PATHS LEAD DOWN WHERE RIVER LYE.
COLORS, SHAPES AND SHADOWS MELD,
HERE, A PLACE FOREVER HELD.
WALK AWAY YET NEVER PART,
BODY LEAVES BUT NOT THE HEART!”
- Anonymous
……………………………………………………………
ALL COPYRIGHTS WITH THE AUTHOR RAJ NANDY
OF NEW DELHI, E-MAIL: rajnandy21@yahoo.in
KINDLY READ PART ONE OF THIS STORY IF YOU HAD MISSED OUT!
THANKS, -Raj Nandy
Fah Aug 2013
Sailing in a dhow at sunset after snorkeling off Mafia island, Tanzania.
'
SPILLAGE
The tree’s don’t sleep at night
they photosynthesize , by moonlight.
Leaves drink in the cool wise light
And give off dreams of softly fading starlight

Whispers of secrets , monthly unfurl
A single blossom falls at new moon
Hurtling to the ground, awake before noon
Ever noticed? The very word has the circle
Curled up in the centre , twice to make sure we remember , two full cups , not one.

Geko’s slip off old skins
And the croaking frog adds to the din
As thunder rolls in
Triggering the dogs bark
Guardian of the stark naked couple
Asleep in their parallel worlds
Together under the umbrella of ambient lighting
Not the natural kind either
But a shameless copy of pure sunlight
That emenates when their bodies collide
On the material plane.

Astral visions lead the way to headquarters
The address? Fax? Phone number?
I’m afraid you’ll have to dial again ,
Unless you’ve meditated on the vibration of emancipation
Then you would already know, you are already there
Doors are open , for those who care to try
No lock on this baby ,
Ain’t no safe to play safe
We bask in our humble glory
Under the shores on undulating tides
Rhythmic pulsations
no where to hide
The emanations come from within,
Without , a shadow of a doubt

There is a war coming , infact we’ve already been fighting for decades
Just like the change of winds, nature knows her stuff
Tip the seeds too soon and you’ll end up with a field full of fluff
But just in time and a harvest with enough to reduce every super market shelf to dust
Even though they already stock that kinda stuff
Clean up on Aisle 4, Aisle 3 , Aisle 2 , Aisle 1
Return the purchase , we’ve discovered the ****
In the cake
And we found the frog in the salad,
At least their habitat is intact
Or did you think I was still talking about the shops?

Ok , I’ll change tact
Change of pace.
No , no I will not join the Human Race
Running to where? Why all the running?
From what? To where? From whom , to whom it seems like we run straight to our tombs, without a second glance at perhaps the chance that legs can walk…
Wanna know where I’d rather be?

I want to be on a motorbike heading 70 miles an hour down empty roads
An island paradise , holding the hips of my dearest
To arrive at another home ,
where our friends relax to the forlorne strums of the blues
Tripping on love we depart ,
not without slightly heavy hearts
Peace , friends we’ll see you anon.

Pull into the golden arches , I tell myself ‘I can’t kiss those lips now they’ve touched that burger’
then I remember you’ve been working all day
before you came out to play , I wasn’t up for a dance I was too entranced in my own madness
But. Always the **** , walk up those stairs for me, softly you moan.
I agree in a semi tone. Secrets are meant to be shared,
we quietly told each other of love in the parking lot at 4 am. The pain in your eyes still wakes me up in the middle of thunderstorms.

Awoken to sorrows from the motherland, monsters creep to the door,
peep in the keyhole.
Oh,
I forget,
your door is activated by credit card numbers that spiral from lips of z-list celebrities.
So we’ll waste away the morning in each other arms,
you watch me as I dress. No underwear no less. Put on your bra properly, suddenly you get kinda frosty.
Not far from where we sat to have a Japanese lunch , pretty close to where I walked to meet you for tea , where you held my feet and handed me a phone I left in your brothers car.
Well that’s where we have breakfast coffee and papaya whilst tourists ogle at the dog guard.
Deaf to our calls , luxuriously taking his time. He didn’t find the secret beach either.
Although the sea was good for a float, and to hear the space journey’s musical manifestation
at every crash of every wave, the magnetic pull playing her crooked beat as she bypasses our feet.
Then, there are two nights with two Amsterdam gals , one smoked lucky strikes and had scars across her wrists , the other photographed trees for a living.
Both blonde , both fair , both with their own flair.

Expect the unexpected , beach raves full of people I don’t really want to be with , so we get tequila shots instead
and stand outside a shop selling knock off clothes when the bar needs to shut.

She took a break to the bathroom , we finally let out the kisses we’d been holding in all night,  
until she got back.

Who said we couldn’t control ourselves? Although to be fair, I could feel you reaching for me wayyy back.

Why should we be selfish? Why shouldn’t we? I still went home with you that night, there really was no two ways about it.
I had *** with you, slightly drunken ***, that was by no means gentle, by no means candle lit , by no means rose petals laid out on the bed, infact , if my memory holds true, there were no flowers apart from the ones on my dress.
I’d say you were lucky , but then I cried at home.
So much pent up emotion in that one act.
Enough to propel us in into another night and untold eons beyond, I’m skipping ahead now,
Where we drank red wine on the shoreline , I used the staff bathroom and noticed all the things that could be improved – seemed like work was wearing off on me.
Still, the best part was yet to come, yeah the *** was fun but nothing compared to the games we played. Dress up and salsa ,
mysterious temples
natures tickles leading to giggles at the foolish endevours of two ***** humans., smoke a spliff , enough to unwind the mind to a new point of time. A flash of something I’ve never seen before, nor have yet to be graced with again.
I guess that was divine. Well, wouldn’t you say….
It was about time.

So , am I still talking about the shops?
Or who wore what with kate moss?
No disrespect
she’s adept at her art but i don’t wanna read about boring old farts
Lets hear about the underground collective of conscious minds who are rewinding the clock , who won’t stop ,
warriors.

Well quite frankly

How long have we sat , year after year to be told the same **** and bull story.. my ears, my ears! MY EARS!!! They yearn for the sweet serenade of the truth

behind the crumbling arcade of rigged lottery tickets and games of black jack where the house always wins.
Fortunately we’ve been coming since we were five , we know the cards without seeing the faces, we hold all the jacks and aces, we’ve got time on our side

So…that’s why they are running , finding places to hide.

We’d only be stealing from the house to give to the houseless…
With the tools the house gifted to us…doesn’t it seem ironic?

I laughed until I cried the day I discovered the universe had a sense of humor. A dark , ironic , sarcastic tone that involves  a major chord. Maybe a G or a D.
For some reason , my first poem i ever posted here i cut short
i felt that the whole poem was too close
i thought i lost it on my old laptop
but seemingly here it is...

funny,

what i seek seems to be seeking me....
ryn Feb 2015
There once was a man
Whose livelihood was rubber.
He worked long and hard; and wore a tan,
He was a plantation tapper.

One night he packed,
In haste after a long day of toil.
Quickly had his belongings all sacked
Under light from a lantern that reeked of kerosene oil.

He was ready, flame from the lantern he did ****.
Overhead, the midnight moon brightly shone.
Bound his sack to the rack above the rear wheel,
Mounted his bicycle and soon he was gone.

The dirt trail leading back,
Undulating with gravel all strewn.
Almost treacherous this forgotten track
He only relied on light from the moon.

The air was cool just like any other,
But something was different about this night.
Squinting ahead he spotted a figure.
Flagging him down was a lady in white...
To be continued...

Based on a story I heard.
Perveiz Ali Apr 2018
Kashmir  

Known but uncertain.
A macabre aura in her lush green valley
Swirls along the lanes and the by lanes,
Humming the death songs, and
Mocking the mother's lullaby;
Inundates the spring of love
Reeling under the gales of remorse !

I- Pulwama

Pulsating pain,
Unbeknown to the servants of chair,
Leaches out the marrow of tolerance,
Wobbles the calmness of quiet sea,
And reduces the sane to stupors;
Mayhem clouds the canvas of peace
And ruins the crop of pride!

II- Shopian

Singing the songs of hope, but-
Hearth of ignominy blazes its zenith
Over the apple-bough bedecked contours.
Perforated is every bud that dares to live
In the middle of the 'dance of death'
Akin to the blind devastating tornado,
Nay, a fair of cherishing right to cease life!

III- Kulgam

Kind enough to lit the candle of austerity,
Unknown but to decipher abysmal cause of
Long lacuna in a journey called life;
Gog and Magog they name them
Arraying the apostles of deceit;
Machiavellianism it is, do they know!

IV- Anantnag

Amplified agony of terrorized souls
Nibble at the crumbs of shattered dreams
Along the periphery of devastated 'Lal-Chowk';
Nomadic but still the images find abode
Tethered with mournful sand of 'Sangam',
Nay, undulating terrain stands it firm
All denizens are but a reflection of
Galeanthropy!

V- Srinagar

Schizophrenic- An epithet
Round the clock they wear;
Illusionary clouds all around
Neap the momentum of ship
And strangulate everything in a fit of despair
Gushing out the marrow of patience
And leaving behind infertile soil
Regretting what it had?!

VI- Budgam

Beseeching to blossoms of almond-
Unlearn to rely on the artifacts
Destruction with their only aim;
Gabel otherwise bound to pay we are  
Along with the honour and digity,
Mundane- a certificate to be killed?!

VII- Bandipora

Beside the 'Wular Lake'
Antiquarian lot with over burdened brows-
Nothing to do but recollecting the days:
'Demons when were worshipped, and
Idols of falsity followed';
Pine high dreams kissing the ground
Over and above that can be documented;
Rolling is the agonising arid pain
Aching all the wasteland of wounds!

VIII- Ganderbal

Gloss of undulating terrain
Anguish in the paroxysms of swindle
Notches of which still bleed
Darkness of dark demegogues;
Eating up of the grey matter follows
Relying on the spoon feed, and
Blackout of the nursery of the intellect
Among the denizens,
Lost in sighs and sobs!

IX- Baramullah

Black and blue still explicit over
Amicable land of dreamers-
Roasted they are from decades;
Along the banks of Jhelum
Mutilated memories are hung
Under the hovering black clouds-
'Lost for words' is the expression,
Living souls visiting this garrison;
Alas! Caught we are between the deep sea and the devil
Heros we need in a land of sheepskin prophets!



X- Kupwara

'Kiss of death' is for the democracy
Unabsolved case of 'Kunun Poshpora';
Pacified unmarked mass graves
Welcome you to the countryside
Amidst the loaves of corpse, and
Roar of egos
Asking the citizens to prove their identity!
harlon rivers May 2018
(a travelogue)

He stared down through
the unbroken silence
lapping the shoreline
Water skippers dart around
the rocks and windfall driftwood
settled juxtaposed in cattail reeds
and emerging broadleaf sprouts

A petrified heartwood timber
lie fallow waiting bare barked,
hushed like a pining lover’s
     timeworn love seat,
     rubbed smooth as
     the crystalline waters
     of  half-moon lake

Lingering for a while  ―  
like a hidden stalker,
a perched wildcat waiting
for the full moon’s  
swooning spell to saturate
the thickening dusk quietude;
     arousing the urgent
     call of the wild —
exhaled from the held breath
of the wilderness nocturne
    on half-moon lake

The stillness was scattered
with the soft downy hairs
of the sleeping cattails,  and
the newly shed catkins
a spring gust bestrewed
from a tall resin birch tree
nigh the Sitka willows

     He  sat  quietly ...
     time out of mind ―

tossing his eyes up into the sky;
taking the time to read the stars ―
catching  them  each  again
as they fell into his gentle hands,
to show him who he was

Seeing their sparkly tracers  
trail-out above the cattails,
     from a distance
they resembled falling stars
unable to perceive their own renaissance ―
plashing lightly upon the still-water
     on half-moon lake

A lone shadow glides stealthily
near mid-tarn,.. swimming  
enchantingly with the grace
     of a blackswan
Appearing to glance shoreward
at the glowing low stars
rise and fall, as his eyes
twinkled skyward over
     the moonlit lagoon ―
heavenward of its moonlit ballet;
the lone sleek dark shadow
     slipping through
     a faint circular ripple
stirring the smooth as glass waters ―  
disappearing like a fleeting moment
     waning deep aneath
     a subtle silent wake.

When all the clear lines blurred,
he knew it had been so long ...

     but hearken !
… an interceding
     long drawn out wail  
     echoed  a feral ache
     across the stillness,
     breaking the silence ―

as the shadow reappeared;
     his tears surrendered
to the undulating call of the wild;
he felt the spirit of the sole Loon,
     as black and white
     as the moonlit night,
stir deeply in his wanting heart ―
     lay bare the silence
in lengthy yodeled psalms
to the god of the moon

Diving down deep yet again,
keeping the light he’d been given,
vanishing into the lifespring
sanctuary of half-moon lake


harlon rivers ... May 2018
travelogue: 4 of some more
Notes: i'm certainly aware i've not been here as often and active as i once was. **** happens and so does life, and it will ... so much so, the travelogue chronicles felt worthwhile for a moment, the first 4 were from the 1st 3000 mile leg of a 6000 mile and 6 month round trip road-trip journey ―

All apologies to those that found the length of my work tedious.   When i've tried to make the ink go other than where and how long it flows naturally ― i fail and stifle, paused in my own sown silence.   Too predictable to continue to ignore ― peace
zebra Aug 2017
in a taut black dress
you brush by me  

you are
dark summer fruit simmering hot
a sopping estuary  
i gather you into me  
you cascade like an undulating cat
giggles like trembling gelatin

cherry kiss lips  
agile muscle shifting  
pleating like soft furs
against my thunderous chest
your tremulous tongue rupturing
like spiced chrysanthemums from heaven  

i inhale your lavender breath  
your saliva melts stormy mouth up-leaping

i eat your soul
and paradise *******
licking honey rainbows
filling my mouth a thousand times  
and a thousand more

its never enough when some one has your heart

suffocate me in your drooling mouth
your body is my aviary
and hot house of man eating plants

i run to your teeth
beautiful cleavers gleaming
shivering with excitement  
from your dragging bites
my blood languishing at your feet

have no regard for me
eat my love  
i live to be swallowed by you  

i hold you through the night
all dire raptures
dark in mystic paradise  
tangled in your hair

may mourning never find us
torrid scorched from flames infernal
black candles uncrossing pasts
devils **** your adoring toy  
kisses never ceasing
hot weather nostrils steaming
your flexed body writhes
a royal contortion  
your heart cleaving
so that i may like a sun  
consume your darkest edges
bitter chocolate so sweet  
to fill griefs mouth with ecstasy
my heart aches like a siren of echoes  
calling to you  
shaking your gates down  

you are a titanic gravity  
and i'm forever tumbling  
like eternal burning ashes through cobalt night
it is a steep decent into heavens arms
as i crumble
all smashing diamonds
and hissing flames
into open wounds weeping glitter

your chin jutting
throat stretched
while pulling the roots of your hair
exposing arteries pulsing
stuffing myself on your marrow
you plume like a volcanic moon
showering me with spooling stars
and butter **** kisses

ill turn you into my glistening little *****
all swollen tears for more  
rituals of adoration
kisses like monsoon rains
i look up at your supple form
your haunches my temple  
worshiping you
smothered in heavens jaws
you cascading ******-less  
in a taut black dress
Dark Dream May 2021
Slide into me
Tight rigid flesh
Aching breaths hitting
Pulsing lips riding
Crimson cheeks
Lingering wet fingertips
Flayed and primitive
Grazing the surface
Ritual essence denied
Deeper base of purity
Carnal frames clutching
Erupting into form and shape
Becoming essential and visceral
Instinctive undulating
Reaching the orogeny
Cresting over solid embrace
Luscious tumbles
Twisting skin
I slip in you
Teetering on her baby legs
A newborn with a Solo cup
bombastic red with a few
undulating ribs
Held firmly in her hand
Is this her first or her third?
Somnambulant yet eager
And just a little out of place
In a foreign territory
On newly contested lands
She stumbles through a raucous crowd
Or was it just white noise?
She’s lost her companions
Somewhere
Although they could very well be close at hand

In the distance she can make out
Laughing faces
Bodies moving to and fro
Spilling forward, little messes
Throwing back cheap libation

She passes through a room and out the door
Into the out-of-doors
Someone following her unbeknownst
Watching her cautious, curious steps
And when she turns and sees the blur standing
She greets it
“Hail Fellow!”

Bouncing from variable to variable
Frequency to frequency
Confident and in command
Of a seemingly controlled chaos
He approaches smiling and holds out his hand
Anonymous

Having drawn her attention from the stars
That she could not find above
Leaning against the garage’s eastern wall
She takes it awkwardly
Tentative she smiles back reassured
Wobbling she returns standing alongside him
Or was she in front?
Purposeful and en route
Emboldened by his presence
And how the way was parted before her
Just by his being there.
By being so close.
She felt vaguely special
it showed in her half-smile
Cloaked in bangs
She held her head just a little bit higher

The co-conspiratorial glances
Met by boys eyes
And shes
Went unseen by the girl with the
Solo cup
One of tens upon tens upon tens
A coven would have known
It’s better not to

However.

She was shown a seat to rest
And her cup refilled
She takes a sip and smiles again
She takes another and then a gulp
That spills
He takes the cup away
And places it on the low table
Suggests she go to the restroom upstairs and get herself
Sorted

Embarrassed she is relieved for direction
Someone knows what’s going on
And his caring
Taking the time
His kind eyes
She’s usually alone
She waddles up the stairs to find
a toilet and a mirror
God she thinks
I look a mess
She tries to fix it
The hair
The eyes
The lips
The dress
The stomach
The *******
The thighs

She shrugs her shoulders at her reflection
Exhales and steps out again
To find him standing there
waiting for more.

She wants another cup.
She’s missing her cup.
I’ll get you the cup he says
In just a second.
Come.
Nat Lipstadt Aug 2017
for Harlon Rivers

the river potion,
the river portent,
the river potent

it is all of these and not one

he is bank sided,
observing the false idols,
the image mirrored
in the glass of the river

transfigured molecularly
he becomes something ferried frothily, forcefully

as if a twig
or a small thing of human manufacture,
an object tossed up airborne-repeatedly

his poetry:
the clash of particles at the many junctions
of objects and water, eddies and the currents,
ceaselessly circumnavigating,  
searching revisionary pathways

directed,
but randomized,
prisoner of the flows,
servant to the wind's directives and the
earths magnetic indivisible undulating waves

thinking,
this life,
its unsteady gait, 
the irreverent wavering of drunkenness
resultant from potent potions,
portents of inopportune position

in him,
my own histories, 
my poetic recordings
also become
water borne,
watermarked,
replayed back for me,
for erasure, censure, closure
and rededication

this River
is a tapestry,
a torn map,
drawn on broken shards
of slivered water,
living with all the others

but we,
are the untitled,
we,
are the un-entitled,
and he is the
Rivers

<•>
Oct. 20, 2016

harlon is one of the best poets here
if you are new to his writing, be sure to tell him honestly what you think...

his work can be found under
https://hellopoetry.com/harlon-rivers/  
Uncover him, and discover yourself within

2013
https://hellopoetry.com/poem/444023/dear-mr-harlon-rivers/

https://hellopoetry.com/poem/1020738/winter-whispers/

https://hellopoetry.com/poem/1913140/in-the-river-of-good-company/

https://hellopoetry.com/poem/1855694/the-slow-death-of-a-poet/

https://hellopoetry.com/poem/1995383/traces-of-youa-fathers-tribute/

2014
Harlon Rivers:
http://hellopoetry.com/-harlon-rivers/
my personal call sign, Poseidon
Poseidon was very fitting with Harlon River,
due to the symbolic nature of the water in their names.
I have only read few of this gentleman's work,
But I can assure you his work is very much a gift to the audience,
And like Poseidon that gift is fire to humanity.
Dawn of  Lighten

https://hellopoetry.com/poem/1833151/a-walk-with-tonya-maria/

https://hellopoetry.com/poem/1924604/ode-to-a-brimful-poetwith-a-twist/
and of course<
https://hellopoetry.com/poem/1954256/drinkin-mr-coffee-and-cheap-*****/
zebra Jun 2018
while deep deep asleep
a beautiful woman appeared
with silky black hair
shinning like licorice lacquer,
crystal blue eyes,
cherry plush lips
silver iced razor blade earing's
knuckled skull ring through her nose
and an undulating golden snake spiral wrapped around her throat
slinky like a spry kitten, and demure in form
with curving hips
in a slow-motion sway

falling up
i'm light like a puff cloud
in skin that fires the night
as walls faded and  symmetries cascaded into spiraled eddies

she whispered
high handsome hows it hangin
in a voice like cool jazz
come to momma
she called in a jealous growl

yes, mama, i said
trembling with love
as jungle vines
wrap like a circulating boa
inhabiting me

oooooowww
mama what a thrill
i wept
i breathe her in like dusty *******
garden roses and fertile earth

i've come for you my darling she said
you want me, don't you?
biting her lips
with big hopeful eyes

oh yeah i do
i'm in love with you
i've always loved that dark thing that limps within me
i whispered

she smiled rubbing my oiled ****
with long-fingered strokes glaring

well i love you too sweet boy

we kissed so softly, so warm, so slow, and fragrant
deliriously voluptuous
her tongue
like a fluttering wing in flames
her kisses
gleaming razor bites that excite with pain

she looked at me quizzically
muttering
there's something funny about you
crazy boy

what, i said
funny to  
Satan in a Red Crimson Dress?

you're not right, i cant find your soul
she exclaimed, panicked
oh that, i said
look closer my love  
i held her hard into me
like solder fuses metal
look  deep between my eyes

**
**
**
hole
holy
holeeee
****
she said
her eyes shapeshifted into black electrical tape
as her head exploded into flames

what do you see, i asked?
she studied the inside of my skull
like a Williamsberg
Jewish diamond dealer

thine eye is single
the self-effulgent light
irreducible and perfect
shining greater than a million suns
you're a ****** cyclops
with divine sight

**** me, she squealed
i've always wanted to **** God
i'm your
S&M
baby
queen snake belly dancer from hell
and there's nothing you can't do

so
we ****** like colliding  suns
brooding bleeding dying being born
born-less
tears fell like sheets of glass
constellations  gave birth to constellations
and
reanimated endlessness

we  missed each other
my sweet darkling Nuit
i groaned

oh yes
my beautiful lord
she sobbed

and we drowned in each other's embrace
in  tears that reunite
tears of enormous pain
tears of unfathomable love

i held her, our lips lept wild tongues
our genitals consuming each other like fire melts stone

cratered moons shook the worlds of men to pieces
and all creatures melded
all nouns became verbs
high and low fell vanquished
heads and tails faced each other
darkness and light clutched in copulation
good and evil merged
all spines of fire
and up through the skull
beyond the vails of paradise
convulsing in endless incalculable raging *******
quickening eternal multiplying force
giving birth to endless chromatophore's  of incandescent sky
that expanded both in volume and rectitude

dis-juncture became infinite smoothness
history stopped repeating itself
consciousness and subconsciousness became indistinguishable
three dimensions  became innumerable
cats  ****** dogs
planets ceased crossing each other
escalation heaped on  escalation
physics gave birth to trans physics
and everybody understood everything
without a single thought

we cuddled up sweet as candy
kisses never ceasing
and all of time disappeared
this poem is a metaphor for the ascent of the serpent power
Kundalini
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Danny S Nov 2012
Hello.
A turn of the head,
Lips parting in an easy smile,
And eyes,
Reaching up to meet you
Masterfully sizing my new opponent
While giving nothing away.

Secretly,
I let every sense indulge
In you. Each tiny receptor
Seeking your aura,
While images of
Conscious-losing pleasure
Flash casually
In my mind.

Outwardly,
Nothing has happened.
The energy undulating almost
Visibly between us—it must be
In your head.
You are granted no sign of my attraction,
No idea of the power you
Hold over me.
I give you no mercy.
I’m sorry darling, I know,
Teasing is cruel,
But very necessary, for nothing
Evokes sweet satisfaction like
A juicy bite of forbidden
Fruit, after lifetimes of
Starvation.

Without hesitation, I will deny you
Until you are weak, until
You overdose on desire and
Anticipation, for
I see who you are.
The universe has brought you to me,
To torture me, to
Challenge me. A worthy
Match against forces backed
By the Gods.
Together, we can soar to
The cascading highs
Of transcendent pleasure.

Challenge me.
ryn Mar 2015
my whispers,
they float over the currents
braving the undulating waves in our overture...
around their necks, hung time-worn pendants

whispers...
struggling to convey my sentence
like wreaths adrift perhaps with hope
like a requiem filled perhaps with remorseful penance
but more like weakened footholds on a slippery *****...

this dream...
only spoke grandly of sprawling blackness
where nothing did gleam
only thoughts heavy but...
oddly weightless

except for...
a repertoire of transgressions...
raucous and obnoxious
mischievous taunts that pull me back
caging me,
enslaving me,
smothering me senseless

that was my consciousness
where second chances exist...
in faint sporadic eruptions
through the heavy curtains of uncertainty's mist

finally awakened by hastened breaths
heavy and laboured
as like previous temporary deaths

I could hear my heart
thumping...
beating...
fighting...
to set its beats apart

breathe deep...
allow the new day's air sink in
rise fully from sleep
wake up
and...
let today begin
Based on a dream.
Lora Lee Nov 2016
There is a new fire
in my soul
           its curves  
                wrap themselves
               around me
                      sinuous
             like a hot
          slithery
sheath of flesh
snakes of pleasure
       twirling in my deepest
                         womanflow      
           pumping inside
    my veins of mesh
Those licks of flames
caress as they spew
  they **** in my spirit
        spit it out anew
                undulating hips
        matching my own
            a middle east song
                igniting my bones
        suffusing my blood
with the raw, the bare
filling me up
with sparkling lava,
                   so rare          
This combination
          makes for a recipe hot
               like a piquant ghost pepper
                  in my spiciest spot
Now let me weave words
Let me conjure your
                           liquids
let me drench colors
upon your eyelids,
my spirit's
proximity vivid
Let me drown you in
            madness
in frothiest frequencies
           of love
let this symphony play out
powers screeching above
and as this vivacity beckons
          the soul in your eyes
our stormiest spirals
       will spill out rainbow fire
           and rise
for as we grow and reach out
there is a death of limitation
              as freedom breaks out
                   in ocean-soaked
                 emancipation
Our mutual worlds
heal each other's hurts
as my tongue licks
your wounds
rejuvenation asserts
hot springs of
              lifeflow
filling up cells
sensations of textures
a ringing of bells
So
as I weave this spell
around you
            fear not that you
will disappear or
thine own self lose
for we have only to soar
as we
   coax out
        the muse
https://www.youtube.com/watch?v=2ZpXPwmbQvc
gets realllly going at 2:11

also
hwww.youtube.com/watch?v=5J8mvTWceO8
Laura Robin Nov 2012
Just Let It In

this
language,

the perplexity 

of this language, 

is damaging to me.

how can there possibly

exist such an impeccably

imposing combination of

words that still manage to destroy 

a soul as wasted as mine? somehow 

words discover these fine little cracks in 

my wall, as thin as the head of a pin. words 

are like water, rushing into whatever space they 

can invade, occupying whatever volume they discover. 

this water trickles through the fragmented spaces, traveling

all the way to my heart, transforming me in the way they seem to

alter us all. it is these words that i take with me. words reverberate in my mind,

disrupt me to my core, degrade me. your  words are the ones i perpetually carry with me...

any...all of them. yours are the ones that elicit the simultaneous firing of every
single neuron in my brain. there is something about the magic of your words
flowing together...whispered into my ear. they move through me like
a stealthy, lone snake, undulating in a field, stalking its defenseless
prey; slowly...at first glance, not appearing to be a perilous threat
...then piercing me all at once with fierce strength and
determination, devouring me without appearing to 

acknowledge that maybe i still...still want to be.

to be whole. and i do. my body craves 

the sensation of being complete,
not torn apart by the nonsense
of your  daunting words
disrupting my spirit
and making me
despise the
necessity
of language.

i wish i could
void your words 

from my brain, but
my mind is helplessly
inconsistent; i can never
forget what i long to,  
scarcely remember
what i must; and
my peculiar mind
*
certainly* will never
forget the sound
of your words, 

just like water,

flooding me.

taking me

over.
Josiah W Menzies Mar 2013
You grip my throat sporadically, erratically – not often.
And trickle in through passages and pores I can’t defend.
Treacle through fingers.
But you avoid me too, and I hate it just as much.

I wait for your hand to loosen,
I breathe cool air,
Then I feel your absence.

Your gloopy venom is addictive.
I tasted you once, and now my tongue yearns,
And eats itself –
It flickers and twists and spits its serpentine-self out. In vain.
A vague, dull shadowy lustre remains,
Undulating under baited breath,
For another foul injection.

In reality I fear you. I despise you. I hate you.
If you’d only never return,
I could spit you out forever,
And tongue sweeter, healthier, more benign stuff.
No more swilling,
No more idiosyncratic sways upon social norms,
High Society and empty smiles that stifle natural intentions.

You are a disease, and far from untreated.
You are the last drag, the last hit,
The very last dose that no one actually wants.

I rebuke myself wholeheartedly
At even entertaining the idea of having you in my company. Yet there you are –

In every message, in every ransacked draw,
In every turned out rucksack, every old coat pocket,
Every ***** shirt, every unstitched button,
In every visitor’s news, every car back-seat,
Every dusty notebook, every empty fruit-bowl,
Every old, long-unseen smile, every dowsed fire,
Every man woman and child I sit across the table from.

There you are. Somehow. In some form.
Turning my sweat cold like cheap wine,
In what is otherwise an already disturbingly depressing
Struggle to maintain some kind of equilibrium or serenity,
Let alone with your smug mug cropping up scornfully uninvited.

You ****** me before I recognise you.
Helping yourself to the food on my plate with a wink,
While I do nothing as if handcuffed, and chained at the soul.
Then I move to eat.
Hand to fork.
Fork to mouth.
And it tastes of you.
It reeks of you.
And if I were anything but human,
I’d spit you out onto the kitchen floor,
Stamp on the bile you’ve stolen from me,
Burn you with kerosene,
And wage a third world war on the very concept of you ever existing.

But I am a human.
And moments later you have me
‘******* and thinking of death’
As coy and Marvellian as you like.

I indulge in full-knowing paralysis,
Lapping up your unvanquished honeyed venom,
With a voraciousness that redefines Lovesick –
Giving it a whole new meaning
Going beyond the epitome of disgust.

Enslaved, you have me smash myself against the ceiling.
And eat myself over again from within.
Consuming me like the fire I found you in.

You have me rage and conspire against those I don’t know.
But I will conspire against you one-day.
You have me hate others, but I will forever hate you.
You have me search my soul and grate it upon street corners
And the pavement of city-centres,
While you gleefully, whimsically **** my past
Or polish vain, rose-tinted hopes that without you
I’d know were futile and unjust –
Until I ruin them myself, knowing all the while
That you are the author of my unnecessary devastations.

But I will smash your green demonic skull into obsolescence
In some back-alley where none will find your
Bubbling frothing corpse.
You will be utterly repudiated even by the rats.
And the flies will drop you,
Iota
By
Iota,
Onto the tracks at Dalston to be rendered into absolute oblivion.
And I will go, a man unshackled, about my business –
Whether it be of importance or not,
It will be with a conscience cleansed.

But for now, vile sham of an emotion that you are,
I do your inglorious bidding.
Zombified and putrid, my actions smell of you.
They reek of you.

You intoxicate what should be left alone
And endured with silence and rapidity.
Yet you elongate these private, personal trails torturously,
In some sensational Cold War.

It goes without saying,
The world would be well rid of you.
Yet godlike, you endure the ages
Just as we endure you.

Perhaps Keats was too afraid to admit it –
You are the original
La Belle Dame Sans Merci.
Pluto’s daughter in persistent disguise.
To be seen presently
‘******* and thinking of death’.
Ami Shae Mar 2016
I watched the trees dance tonight
and oh what a lovely sight--
seeing their limbs sway in the breeze
watching the caresses of the leaves
as the trees swayed to and fro
their undulating movements made me know
that the wind is music for the trees
as they dance to the melody of this unrelenting breeze
and--
While watching this strong, insistent southern wind
I had no idea how far down a tree could bend--
but as I watched it occurred to me
these trees were dancing just so I could see
the beauty and grace and splendor too
of the joyful life in nature pure and true.
#
It really did feel like the trees were performing just for me.
I loved watching them dance in the wind...
Hal Loyd Denton May 2013
They tell and show us about space debris this matter that freely floats in the vastness of space
There is a comparison to the inward being many emotional breezes come unannounced they
Live in these treasured sightings the wind undulating across the prairie grass it first is caught by
The eye then it is drawn down deep into the soul how much bigger and newer life it gets when
The great magnate of all life receives it invests in it truth value the outward being can never
Know take the common fire from a campfire the mystery rises from the crackle and the leaping
Flames no longer is it just chatter but it is soul talk produced in depths of wonder that emerge
At the surface level bestowing gold from common folds of life or the majestic views of
Mountain grandeur Vaulted sky
Shaded canyon breathtaking heights does the angry wind speak if so in a whisper the granite peaks austere and bleak seem to frown on the trees and lowly grass lands with their fertility and ease of growth. While he the monarch bristling with his cold barren armor of granite invites the stares the awe inspired gratitude of nature and mortal man he knows there dreams and thoughts how many have stood at the edge of wonder on his brow with fainted hearts. Their thoughts drift out and away ever upward reaching the clouds filled and clothed with mountain air brightly they are displayed in these untamable rays. Voices of the ancient ones still echo their wisdom still resounds in the summer thunder they visited and released many a tortured soul. Before Blind they stood before the closed door of their minds knowing there is a path but where can it be found. Riches unbound await the searcher who will go to any and all lengths to conquer unbelief freedom his guiding star he walks in great shadows. Mountainous men Jefferson Lincoln his stalwart companions stand with grandest stature takes from the mountain those teachings not found in musty universities. Thoughts born on creations morn formed and laid on this rocky foundation now for centuries they have bore the weight this colossus purified they are words more noble than gold. Share them invest them in the borderless world of human kind that circle the globe. Moses was familiar and consorted with mountains the angel made one his sepulcher. Waste not the golden hours they are the thread that sows life’s most exquisite moments together making a life. Turn aside seek the heights they will give you respect and honor words will flow that are uncommon they will fit any and all circumstances filling the empty void where hearts bleed without ceasing. Your voice will be like the cool mountain breeze soothing filled with substance and comfort
Is it molecular it is and so much more they tell us of the drive by shootings a wonderful place to
Draw this contrast is Los Angeles called the city of angels but the most beautiful is
Its Spanish interoperation Low hovering angels this loses if we say it but let a Mexican say it his
Inflection most perfect if he is saying it from love. Is there a seriousness here our blessing is not be in That crucible even New York is called the big apple but those in the know call it the volcano with all its Eruptions and pressures so does L A fall into this category in fact if you live on Pico Ave it’s a category Five tornado this is one of the most fought out streets in the turf war for space to sell the Bain to all Society drugs see the flame it consumes the guilty and the innocent view this common occurrence way To common how many small neighborhood chapels were filling with caskets instead of wedding Ceremonies look and listen a Mac Ten pistol grease gun thirty round capacity it has just started its Deadly chatter laying down a withering fire this isn’t battle ground conditions this is a neighborhood Strafing a car the widow’s blow out the shooter keeps the fire steady it starts plinking metal as it moves
To the front of the car off the car into a white small picked fence wood matching the spray of bullets as It Flies in all directions Chicago revisited instead of the Tommy gun chopper of probation you got a Crazed dope fiend punk without emotions the sight of fourteen year old Maria standing on the sidewalk Never registered or didn’t matter three red dots appeared on her bright blouse across her back the Center spot stopped her heart forever now these precious Spanish eyes closed never to  see her rightful Future instead of one day walking the Church isle in a wedding gown now she would lie in repose in White with the flowers not in a bouquet but neatly fixed in  her hair So robbed of youth and life her Budding life so filled with promise where angels hover yes this is the blackness the soul knows perpetrated by the evil one but
There exists a counter part to this evil the good gifts divinely wrought the walk by how many
Hearts have fallen to love by just the chance encounter of her loveliness just walking by you the
Hair flowing and glowing the face created in the throes of love and romantic overload
Spellbound was the creator what chance do you have a mere mortal we are not in casual
Observation the soul is processing this at deepest of levels magic is taken from theatrical
Surroundings to the open places of the heart and being of living two other places for instance
The sea shore a new vastness that overwhelms with delightful pleasure and promise

SeaThoughts

Oh stand thy great waters contained in thee is mirth and terror some you have beguiled and then
Have taken them to your depths of destruction but by your benevolence the sea breeze blows
Inland from this moisture rain is called from its dwelling place the earth is refreshed the tides
Have cosmic ties by gravity the lone solitary moon is entreated and responds one speaks if only
There was a love potion that I could give my beloved so she would respond to me favorably it
Can never be created it already exists go out into the mysterious night stand under a great tree its
Dark silhouette will be more bewitching than the days shade speak your heart as you do take her
Hand and stroll out into the moon beams that drew magic from the great waters as it passed over
Does not wonder advance in this light softer exquisite the hardness of life bows and retreats to
Wait the daylight hours where harshness has its intrepid way so it leaves you with the volumes’
Darkness of night every person desires excursions into intrigue shadows will touch your faces
As tender as the willow then the soft glare of the moons love the mind and heart as its signature
Equation that old crazy moon has moves that are centuries old that birth love every time romance
And her broadest throne follow and are attended by moon light to develop a relationship
Correctly don’t go to the artificial neon lights that are futile and tinged with wickedness but
Sea side strolls are the ultimate inducement a pure stimulus that thwarts the too often knotted
World that keeps everyone at odds with one another everyone knows a great deal of love and
Romance when they are younger to revisit those cherished memorable times that started your
Life of promise with your beloved is invaluable mature love needs to feel the saturation of sea
Breezes the moons ghostly sights will fill in deep shadows where hurts have collected they need
To be free so they can go back to the darkness that gave them life your lives shouldn’t be defined
by them But the deep calleth to the deep set sail for Trafalgar not to war with enemy ships but to
sign With tender’s hand a peace accord to stitch the soft fabric of love that life’s mean elements
can rend in this you will find the sea’s glory and the moons positive glow has become a true part
of your life it is time the spring of renewal is in the offing and it sways to love’s song this speaks
Of man and women’s love this speaks of God’s love they saw the works of the LORD, his wonderful deeds in the deep

Where God passes
The edge of forever where raw power is displayed
Walk the seascapes enter the story told in timelessness except for outer space it is the only place where man finds his mind freed so steep is the unending awe that without question he finally is able to present his self as the tiny speck lost is all ego all self importance he is open to the quest for ultimate truth. You perfect you’re thinking at the sea shore it is a storehouse that lends itself to grand thoughts no limitations hamper your endeavors aliveness engulfs you totally. Subdued moods excavate every shallow you start a down ward decent the deep cries out to your soul the part that never can be accessed on shore. The ground a foundation for raising up temporal structures your needs are served in waters that open as a mysterious gate the deeper the fathoms the more understanding is released. To abide in calm surface features of the sea what a waste take off the restraints become a voyager drift with churning twisting pressures they will give great reward for accosting your accustomed staid and uneventful living. Go deeper the mundane the so called important will be forced through your very pores as you continue calling the unknown manifest itself with great scrolls hidden beyond reach to those that plod along the sunny quiet banks. Life test all men you can face them unafraid armed with years not minutes of preparedness found alone in the struggle only found at sea. Pondered Plumbed in inexorable conditions that stretches changes a person’s character his stature tempered fired as steel in the caldron. We need leaders vibrant thinkers people who can and will accost hell in the very near future and come away victorious. They will have found their way through the untold deadly entanglements figuratively and real they’re not accustomed to ease and know perils at close quarters they learned them in great waters not in pools that have not the ability to stir you to your core you’re going to pour out your life in one form or another do it with sand and grit leave a scarred an effectual trail for others to follow not the light untraceable light footsteps of one who has never lived this just barely scratches the surface of the breezeless that tug and press the center and being of us all I wrote this to be another of the blessings that touch your soul

If there are any mistakes I will have to fix them in a bit I can only work at the computer for so long and I want to get this out

— The End —