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Deeba Mar 2015
To form a myriad of similitude
Thy were found in an ocean
following a flock of fish
without inferring the fact, that
only few shall reach the destination
who has determination
to follow the unendingly tiring
journey of self made dream

The rest shall only sashay half a distance
whenst thy realize their actual dream
On the beach at night alone,
As the old mother sways her to and fro, singing her husky song,
As I watch the bright stars shining—I think a thought of the clef of the universes, and of the future.

A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets, comets, asteroids,
All the substances of the same, and all that is spiritual upon the same,
All distances of place, however wide,
All distances of time—all inanimate forms,
All Souls—all living bodies, though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes—the fishes, the brutes,
All men and women—me also;
All nations, colors, barbarisms, civilizations, languages;
All identities that have existed, or may exist, on this globe, or any globe;
All lives and deaths—all of the past, present, future;
This vast similitude spans them, and always has spann’d, and shall forever span them, and compactly hold them, and enclose them.
MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects
PrttyBrd Jun 2014
Your jagged thoughts in crooked patterns remind me of....*

myself
10w
Mateuš Conrad Feb 2017
anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
later...
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs

noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
coordinate...
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?
THE PROLOGUE.

When that the Knight had thus his tale told
In all the rout was neither young nor old,
That he not said it was a noble story,
And worthy to be drawen to memory;                          recorded
And namely the gentles every one.          especially the gentlefolk
Our Host then laugh'd and swore, "So may I gon,                prosper
This goes aright; unbuckled is the mail;        the budget is opened
Let see now who shall tell another tale:
For truely this game is well begun.
Now telleth ye, Sir Monk, if that ye conne,                       *know
Somewhat, to quiten
with the Knighte's tale."                    match
The Miller that fordrunken was all pale,
So that unnethes
upon his horse he sat,                with difficulty
He would avalen
neither hood nor hat,                          uncover
Nor abide
no man for his courtesy,                         give way to
But in Pilate's voice he gan to cry,
And swore by armes, and by blood, and bones,
"I can a noble tale for the nones
                            occasion,
With which I will now quite
the Knighte's tale."                 match
Our Host saw well how drunk he was of ale,
And said; "Robin, abide, my leve
brother,                         dear
Some better man shall tell us first another:
Abide, and let us worke thriftily."
By Godde's soul," quoth he, "that will not I,
For I will speak, or elles go my way!"
Our Host answer'd; "
Tell on a devil way;             *devil take you!
Thou art a fool; thy wit is overcome."
"Now hearken," quoth the Miller, "all and some:
But first I make a protestatioun.
That I am drunk, I know it by my soun':
And therefore if that I misspeak or say,
Wite it the ale of Southwark, I you pray:             blame it on
For I will tell a legend and a life
Both of a carpenter and of his wife,
How that a clerk hath set the wrighte's cap."   fooled the carpenter
The Reeve answer'd and saide, "Stint thy clap,      hold your tongue
Let be thy lewed drunken harlotry.
It is a sin, and eke a great folly
To apeiren* any man, or him defame,                              injure
And eke to bringe wives in evil name.
Thou may'st enough of other thinges sayn."
This drunken Miller spake full soon again,
And saide, "Leve brother Osewold,
Who hath no wife, he is no cuckold.
But I say not therefore that thou art one;
There be full goode wives many one.
Why art thou angry with my tale now?
I have a wife, pardie, as well as thou,
Yet *n'old I
, for the oxen in my plough,                  I would not
Taken upon me more than enough,
To deemen* of myself that I am one;                               judge
I will believe well that I am none.
An husband should not be inquisitive
Of Godde's privity, nor of his wife.
So he may finde Godde's foison
there,                         treasure
Of the remnant needeth not to enquere."

What should I more say, but that this Millere
He would his wordes for no man forbear,
But told his churlish
tale in his mannere;               boorish, rude
Me thinketh, that I shall rehearse it here.
And therefore every gentle wight I pray,
For Godde's love to deem not that I say
Of evil intent, but that I must rehearse
Their tales all, be they better or worse,
Or elles falsen
some of my mattere.                            falsify
And therefore whoso list it not to hear,
Turn o'er the leaf, and choose another tale;
For he shall find enough, both great and smale,
Of storial
thing that toucheth gentiless,             historical, true
And eke morality and holiness.
Blame not me, if that ye choose amiss.
The Miller is a churl, ye know well this,
So was the Reeve, with many other mo',
And harlotry
they tolde bothe two.                        ribald tales
Avise you* now, and put me out of blame;                    be warned
And eke men should not make earnest of game.                 *jest, fun

Notes to the Prologue to the Miller's Tale

1. Pilate, an unpopular personage in the mystery-plays of the
middle ages, was probably represented as having a gruff, harsh
voice.

2. Wite: blame; in Scotland, "to bear the wyte," is to bear the
blame.

THE TALE.

Whilom there was dwelling in Oxenford
A riche gnof
, that guestes held to board,   miser *took in boarders
And of his craft he was a carpenter.
With him there was dwelling a poor scholer,
Had learned art, but all his fantasy
Was turned for to learn astrology.
He coude* a certain of conclusions                                 knew
To deeme
by interrogations,                                  determine
If that men asked him in certain hours,
When that men should have drought or elles show'rs:
Or if men asked him what shoulde fall
Of everything, I may not reckon all.

This clerk was called Hendy
Nicholas;                 gentle, handsome
Of derne
love he knew and of solace;                   secret, earnest
And therewith he was sly and full privy,
And like a maiden meek for to see.
A chamber had he in that hostelry
Alone, withouten any company,
Full *fetisly y-dight
with herbes swoot,            neatly decorated
And he himself was sweet as is the root                           *sweet
Of liquorice, or any setewall
.                                valerian
His Almagest, and bookes great and small,
His astrolabe,  belonging to his art,
His augrim stones, layed fair apart
On shelves couched
at his bedde's head,                      laid, set
His press y-cover'd with a falding
red.                   coarse cloth
And all above there lay a gay psalt'ry
On which he made at nightes melody,
So sweetely, that all the chamber rang:
And Angelus ad virginem he sang.
And after that he sung the kinge's note;
Full often blessed was his merry throat.
And thus this sweete clerk his time spent
After *his friendes finding and his rent.
    Attending to his friends,
                                                   and providing for the
                                                    cost of his lodging

This carpenter had wedded new a wife,
Which that he loved more than his life:
Of eighteen year, I guess, she was of age.
Jealous he was, and held her narr'w in cage,
For she was wild and young, and he was old,
And deemed himself belike* a cuckold.                           perhaps
He knew not Cato, for his wit was rude,
That bade a man wed his similitude.
Men shoulde wedden after their estate,
For youth and eld
are often at debate.                             age
But since that he was fallen in the snare,
He must endure (as other folk) his care.
Fair was this younge wife, and therewithal
As any weasel her body gent
and small.                      slim, neat
A seint
she weared, barred all of silk,                         girdle
A barm-cloth
eke as white as morning milk                     apron
Upon her lendes
, full of many a gore.                  ***** *plait
White was her smock, and broider'd all before,            robe or gown
And eke behind, on her collar about
Of coal-black silk, within and eke without.
The tapes of her white volupere                      head-kerchief
Were of the same suit of her collere;
Her fillet broad of silk, and set full high:
And sickerly* she had a likerous
eye.          certainly *lascivious
Full small y-pulled were her browes two,
And they were bent, and black as any sloe.                      arched
She was well more blissful on to see           pleasant to look upon
Than is the newe perjenete* tree;                       young pear-tree
And softer than the wool is of a wether.
And by her girdle hung a purse of leather,
Tassel'd with silk, and *pearled with latoun
.   set with brass pearls
In all this world to seeken up and down
There is no man so wise, that coude thenche            fancy, think of
So gay a popelot, or such a *****.                          puppet
Full brighter was the shining of her hue,
Than in the Tower the noble* forged new.                a gold coin
But of her song, it was as loud and yern
,                  lively
As any swallow chittering on a bern
.                              barn
Thereto
she coulde skip, and make a game                 also *romp
As any kid or calf following his dame.
Her mouth was sweet as braket, or as methe                    mead
Or hoard of apples, laid in hay or heath.
Wincing* she was as is a jolly colt,                           skittish
Long as a mast, and upright as a bolt.
A brooch she bare upon her low collere,
As broad as is the boss of a bucklere.
Her shoon were laced on her legges high;
She was a primerole,
a piggesnie ,                        primrose
For any lord t' have ligging
in his bed,                         lying
Or yet for any good yeoman to wed.

Now, sir, and eft
sir, so befell the case,                       again
That on a day this Hendy Nicholas
Fell with this younge wife to rage
and play,       toy, play the rogue
While that her husband was at Oseney,
As clerkes be full subtle and full quaint.
And privily he caught her by the queint,
                          ****
And said; "Y-wis,
but if I have my will,                     assuredly
For *derne love of thee, leman, I spill."
     for earnest love of thee
And helde her fast by the haunche bones,          my mistress, I perish

And saide "Leman, love me well at once,
Or I will dien, all so God me save."
And she sprang as a colt doth in the trave:
And with her head she writhed fast away,
And said; "I will not kiss thee, by my fay.                      faith
Why let be," quoth she,
Wen Ao Long Nov 2014
Hello snorer, I hope you didn't sleep any poorer
when I stayed up all night typing this not-poem
I meant you no harm, but I had to stay up
Because I couldn't make music out of your obnoxiously loud cacophony of windpipe crap, er "music".  Time to not-pretend to absolutely hate your snoring under the guise of being perfectly okay with it for the sake of setting the tone a bit nicer to all who must hear it, so they can BEAR to, for otherwise it would be absurd.  Not as absurd as anyone hating to have aural drills applied to all their chakras all night, but still absurd enough to get a chuckle out of me (I hope it didn't wake your fine specimen here). It was never my intent, though it was always my ethical concern (if only everyone could be as reciprocal as you and I).   Oh, my not-pretend hatred is very thinly veiled.  I wasn't totally defeated by your snore-sound armies so that I couldn't type words, but I may have lost some of my desired effect due to the sometimes wincing distraction they caused to my piece of mind at this or that time when I needed it the most (even though I was awake, which is no crime if snoring at night and keeping me that way isn't).

Well, I did ask you if you'd mind if I typed,
I did tell you that you could tell me if its quiet purr of clicks would bother your precious sleep
But I never felt a need to be concerned, because whenever I
was typing, I heard you snore, and whenever I was in the heights of
some new discovery or epiphany, your sharp sudden thunderstroke of near death
corrugated metal vibrating in the torrent of some sudden gale force gust of wind.

These were signs to me of your restful sleep.  So I simply didn't worry about your sleep.  I was certain that my electronic beeps were every now and then music to your ears, just as they were to mine.  This is because in the midst of these I heard you snore, and when you snored, I took you to be asleep.

Ah but then again, then again, these are fanciful constructions which simply say that what is wonderful for me should be just fine and dandy with you, at a bare minimum, and on those grounds of very unsymmetrical attitude about right and wrong I would have to begin my music tirade of words as well.  But I don't view justice and propriety along such selfish lines as these.

What I see is that duplicity is your thesis.  I have anecdotal accounts which are marvelous to behold first hand, but the details of the absurdities cannot be done justice in the language of men, for the intensity of such insanity can only be borne lightly by the frailest frayed ends of my sanity for having lived through your acoustically maddening inanity.

You didn't ever admit to me that my noises were not music to YOUR ears.  Indeed  you claimed never to be bothered by them because you never voiced up against them.  I suppose you might as well voice up against them in the street as well if it turns out not all of you snorers-go-a-viking types like to hear my mouse clicking away like a tapping noises on a metal plate in your skull.  Sorry if it is another non-snorer-who-must-stay-up-late-and-so-be-occupied person whose nocturnal joys were misinterpreted as direct assaults on the dignity, spirit, or just basic mental viability of your wounded snoremonster troop of anti-late-stayer-uppers, because in fact, we used to be sleep-at-night-entities like you, but that was before you showed up, thoracic marching band in tow.  Marching bands are musical also, to some people.  And for some all hours of the night are perfect for a marching band.  Who am I to tell them otherwise.  

Well let me know the next time a marching band is given special permit to come through your neighborhood at night, and I'll be glad to point out to you the first Snorer'sville, because only they should be expected, in all justice to live with the macroscopic manifestation of their personal narcissistic paradises.

Let you all go to your own place and form your own nation, and see if you can consistently demand everyone else find music in your ****** and accursed racket!  But until then I expect some of you will have to take the damage returned by the growing number of people who are very much tired of living under the horrors of your infliction upon us, your demonic and evil tyranny of mind-crushing hate that is your ****** noise.  We will do yoga and breathe, and stretch, and some light calesthenics to relax and seek some focus and composure, whenever our spirits require, and this will be unchallenged by you so long as you are asleep, and it will be unchallenged by you so long as you are awake too.  For in the latter case you are already awake (and so still are we, usually) while in the former case it is far quieter than your snoring, both in its valleys and peaks.  And moreover it has not kept you up, but in fact I have noted that you wake yourself up with your own music when it reaches a certain crescendo.  

Unless you want to say that those crescendos are some sort of involuntary complaint about MY crescendos of spirit, when I start typing about 20% faster than normal, with perfect focus and accuracy while reaching an aesthetic pleasure approaching ****** as I realize that it is almost unerringly in the midst of such an experience that I hear your crescendo resound. And since it was no more intended to be a distraction for me, then surely my music must have also gone undetected by your ears, as well as your spirit. Or is it fairer to say it was the very cause of your crescendo, or at least its inspiration?

Therefore I needn't worry that it is I that is keeping you up, even if for only brief stints at a time, especially by comparison to my all-night vigils.  Not so, but it is you who are so enraptured by my occasional laughs or giggles as I edify my weary, sleep-deprived mind on some bit of morale boosting entertainment.  With headphones on of course.  It's also courteously plugged into the computer to prevent my favorite bit of Judas Priest from hurting your ear drums, or else overstimulating your music appreciation centers, which are verily attached to your ear-drums by a nerve bundle (and what nerve you all have there).  This means I've spared you too much distraction from any already-abundant music of the spheres effect you may be savoring which might have emanated from my bumbling around in the dark (to keep the lights out of course, after all people are sleeping).

Yes but that is a minority of you perhaps, who would lie about that and in fact who ought to say that our nocturnal emissions are not what you'd call restfully mind-relaxing crickets in the dead of night with an occasional hoot in the distance...  But they are a minority, the rest of you are so definitely in good faith.

But then why do I always run into those of your tribe who have strange and unethical habits, such as destroying others' lives by ruining their one perhaps most preciously personal and inalienable need second only to air and water, and that is sleep.  It is, in terms of acute necessity, in many ways more needed than food, though in the long term food catches up.  But food catches up only because not eating food is a  lot like not getting sleep, but just a lot more intense on the body when it drops to some critical point because we know from experience it is on raw nerves that we can go for a while in search of food, but if the food can't be found (perhaps because of our lack of sleep ruining our cognition in some way), then we will not eat, nor sleep, because we'll be dead.  

But either way, we'll be dead, for lack of sleep kills, both directly and indirectly, if suffered over a short time and/or in a diluted form over a long time.  That would be poetically commensurate to the sadistic similitude of the types of snoring sounds with the types of ways to die from being deprived of sleep according to two modes (acute and chronic), over many keys of incident, accident, lost opportunity and ill-stared fate, all of which can be mapped in some way back to that auditory persecution of our very souls of which your kind are in some swelling numbers quite proud.  Just think of all the car accidents, work accidents, altercations, fits of rage, inability to concentrate well or sometimes at all, and other life-damaging conditions of the mind, and also of the body, which accrue from lack of proper and healthy sleep at night!

Good thing for most of you though, right?  Because surely our music is also sweet, and I really hope I've inspired many to face this need for equality, and be on their guard against any unjust whining or groaning from those who seem in point of fact to value their sleep just a good deal more than they value anyone else's.  Not only because they really really love to get those zzz's but because they think that in the natural order of things, before people suddenly went mad and evil, people went to bed and slept well even partly BECAUSE of this brachio-esophageal orchestral lullaby.

But we'll be on our guard against those complaints, because we know you have plotted to take to the streets against us to defend your noisiness-all-night-every-night rights.  So we'll be on guard to defend ours, TO THE LAST FIBER OF OUR BEING.

Because you insufferable ******* are cruel, and cruelty no one should abide.  No one in my world, in my society of people, will be allowed to inflict cruelty on another person, nor be callously prejudicial in their own favor when injuries do occur because of their actions merely on the grounds that the damage it causes coincides with the fulfillment of a need on their own part, even while that fulfillment is of a need which is obstructed from satisfaction in the other part, and by THAT VERY SAME REASON, so that your sleep depends on keeping others awake.  UNLESS you can somehow con or coerce them into developing some form of Stockholm Syndrome and confuse the torment you inflict upon them with a sign of your love and wonderfulness to be around.

Yes, I know you hear me typing now, through your well-behaved proxy.  I feel it. If not he per se, then in a parallel universe not too far off, there's a version of him who does.  Perhaps not the one I know now, on day one of having moved into this room, but perhaps one represented in this universe by someone who has found himself in some sort of circumstances found later on during his stay, this mixed with the fact that familiarity breeds contempt... He'll start making some righteous demands of some kind, and I might not be in a such a good mood about that due to lack of proper sleep, and this will coincide with said contumacy against my own rights (such as to breathe, type, surf the net, or do other nocturnal things other than snoring which might keep others up).

As to that last point in parentheses, snoring is an activity which you perform in conjunction with your getting sleep, and it therefore means not well for your notion of fairness to say things as they are, and simply say the truth, which is that your getting sleep deprives others of theirs, but it can be logically deduced.

It can also be logically deduced that the don't give flying **** if you don't like the fact that we don't like your ear-**** night after night, which is a good name as any, but should perhaps at times be amended to body-demolishing soul-****** of a mortally sinful nature, and with an ethical incongruity to good character of a person to maintain it, all the more to sings its praises to us and call it "good poetry".
My tirade is intended to be expressive of a sincerely felt Truth, manifested in this which is only one of many forms, where things are never neutral, but divided neatly and perfectly into either Good or evil, so that no thought, word, or deed can be trivialized as mundane, neither in its innate import nor in its exported impact for others.  This is of the essence of ethics and has many metaphysical groundings which can be rationally demonstrated, but only to rational people.
Mateuš Conrad Feb 2016
i find the 2nd generation migrants to
be the most racist
they may well treat a 1st generation
child with equal measure to
an adult, they'll be olive skinned
and act like far right white mate
of a ship when all the rats sung
in dive unison: find the next shore!
they 'ave a motto: british, born and bread...
they also think that social criticism
needs censoring but suicidal vests don't....
what would you rather have, harmless
social criticism or an insurgent suicide vest
in the depth of shooing i.r.a. (shaira)?
i guess neither.
but the bright smug of 2nd generation
migrants tried to defeat a 1st generation migrant,
i still write whole english sentences for my father,
he only writes pen tapped against the neck of me
getting anger out of poems...
2nd generation migrants are the filth i need to wash
off my skin... they think all 1st generations
are readied for only hammer and the manual skill...
high and mighty dwarfs... lawyers and terrible
doctors... the 2nd generation are... dwarf filth
the 2nd generation are... unable to speak a mother tongue...
dwarf filth! get this maggoty and sweaty ***** sack
out of my face... get it out of my face!*

i dare say... i understood orthodox dissection,
everything was automaton inanimate,
cardiologist heard the constant heartbeat,
the neurologist the constant electric current,
dissection like that makes sense,
automation of a thing to a near inanimate
consistency of animate makes us clever enough
to study it...
but this psychological dissection?
suddenly Oedipus turned into Ego,
and both complex:
one ******* his mother, the other simply thinking,
but upon dissection, so many non-existent
limbs created... subconscious and unconscious etc....
it's dissection as you go along, cut open the arm
hinduism's deity arms spawn into a threefold ratio...
psychology dissected but at the same time created...
and how can you dissect a creative process that
is a multiple that keeps on adding?
if you started dissecting and only kept adding,
how will the ego ever manoeuvre a thinking kidney,
a thinking liver... all these organs, defined by thinking
as governable by thinking only provide pathology:
liver (alcoholism), kidney (dialysis) -
the collective unconscious of pathogens;
i don't understand why psychology decided to
make incisions into animate thing, when an inanimate
thing under sedation carefully laboured by a medical
butcher took to cut and scalpel opening...
when such incisions only showed constant change...
it's hard to replace the ego with oedipus and allow
both a similitude of thinking, leaving the former
with no analogy and the latter with too much analogy
to only create false analogues?
Mateuš Conrad Sep 2015
it's not the case of irrationality with the usage of pronouns as a way of being assertive away from the existentialist dittoing of the pronouns; even if i utilise the pronoun to be a noun or a verb via dittoing, with the framework of an esp. exemplar "irrationality," i am still, after all, the speaker of the noun and verbs, and the keeper of them; i am not irrational to the extent that i ditto myself outside of other categorisations of words, since dittoing myself within the pronoun category opens the accusation that i use all other words with ambiguity while allowing no moral ambiguity into my actions - but there is a clear morality to the use of words as the worthwhile exchange of meaning, in newtonian sense in the least and foremost not going beyond the dropped stone or insinuation of passerby engagement into games - but clear crisp cut - silk scarf tagged twelve quid was sold on the haggle for ten quid - so that haggling wasn't an ambiguity, but the price of the scarf was! so how many sexualised insinuations have i heard with impromptu to no action?! too many! all of them declassified from furthering action because of too much innuendo and nuance of that famous disguised dialectics lost - known as the death of god. cartesian in existentialist terms, thinking presupposed as the notation via "i." thought no longer as an existential certainty... but because of the dittoing of pronouns... an... ambiguity! well it was originally an ambiguity, but why excess pausing to counter? the english are a nation of shopkeepers... yes... and the french are a bunch of nosy café patrons with rude lovers disguised as bartenders muscle aching to munch the next croissant in drag and feel sexed up gagging.

verum, ego scribere similis rumi*; scribbles and similitude -
worth an afghan worth of eyes in syria for an afghan girl
saying to her loved up something or other:
see it come back, god forbid you hear the calculative laugh
of augustus on the way back, just while europe resigns from involving
the remnant slavs like libyans or syrians or hebrews in the original format
of strength: let the hebrews deal with them
in their own vatican - we need to curb north africans
and the mid-middle-eastern olives
when taking over the northern peoples for economic harvests.
but then the madman laughed without ordinance and impunity -
he laughed augustus' rationalism into the grave of choking chock fudge brussels
with spare tonsils eating nothing but cauliflower and lard -
elsewhere in movie via ghent; or was it in bruges or
was it in brussels starring jean claude van damme?
i call it... writers went mad on excess phonetics never readied
or introduced - except with magritte wearing a diaper
rather than a full james bond when painting.
i heard it was a proper heist to keep the police numbers handy,
i had it all tanned in argumentation for hued brown in the nordic
special; oddly enough no nordic special sailed for a sinking of the vasa
with predestination - airport was nice - we argued then -
we're not a continent of north harmonicas with jokes
between mythological four lead clovers and oak real canada threesomes.
well i was a continent with croatian and scandinavian,
i'm not originally a mc donald continent - although that 'MADE IN CHINA'
helps to resolve all future wars with the silkworm beginning:
rodeo in the haven of horse's burp and fall of the cheap spain due to tourism -
old continental had corrida - new continent has rodeo -
somewhere between the ****** and maidens came oceans elves for a bet on
who could write a horse out from riding into a blunt metal clasp of stirrup eager sounds:
or a twenty aged colt sounding like an eighty year old nail wrinkled with rust hammered.
blunt metal won, horse gasped for air, the ***** was taken home with stitches,
the maiden was taken home with a groom in stitches also, although
stitches of old age prior asked for in her meringue dress to suit: wrinkles;
but hey! there's **** in between! who's the loser, the aviator or the aqua puncture of thought?
but still augustus laughed it off with nero on the waiting list of possible re-encounters;
israel received the southern cicero of the roman empire,
while the rekindled empire got the north-eastern and northern part of
the unexplored without saints travelling elsewhere,
and for that it got implosions, with the schengen approval reminded
to cloister the leftists eager to holiday in syria on unesco cruises in sand and sheep ****
of kept marble - for that cocktail party convo, and next day article in the new yorker;
shame on you for using children to ploy en masse morality of guilt
to later reproduce the hydra with so much racist cribbing
of a seahorse riddling perpetual dynamos
as to imagine the future cot rock-a-baby-jihadi saladin:
the fire is in his own house, runs with a
              flaming matchstick to his "neighbour's house"
to start the fire rather than trying to put the fire out in his own house.
honestly? sounds a bit binary in bangladeshi.
Carlo C Gomez May 2021
~
atop the Manhattan skyline
her similitude descends as rain
we see her wonderwork
we see her water-standing
her very abandonment of draperies
unassuming and artless
where the heedless moths settle
with bodies of mystic warmth
colored with rose and a dash of flame

~
– for Audrey Munson
Audrey Marie Munson (June 8, 1891 – February 20, 1996) was an American artist's model and film actress, today considered "America's First Supermodel." In her time, she was variously known as "Miss Manhattan", the "Panama–Pacific Girl", the "Exposition Girl" and "American Venus." She was the model or inspiration for more than twelve statues in New York City, and many others elsewhere.
Tell me, O tell, what kind of thing is Wit,
      Thou who Master art of it.
For the First matter loves Variety less;
Less Women love’t, either in Love or Dress.
      A thousand different shapes it bears,
      Comely in thousand shapes appears.
Yonder we saw it plain; and here ’tis now,
Like Spirits in a Place, we know not How.

London that vents of false Ware so much store,
      In no Ware deceives us more.
For men led by the Colour, and the Shape,
Like Zeuxes Birds fly to the painted Grape;
      Some things do through our Judgment pass
      As through a Multiplying Glass.
And sometimes, if the Object be too far,
We take a Falling Meteor for a Star.

Hence ’tis a Wit that greatest word of Fame
      Grows such a common Name.
And Wits by our Creation they become,
Just so, as ***’lar Bishops made at Rome.
      ’Tis not a Tale, ’tis not a Jest
      Admir’d with Laughter at a feast,
Nor florid Talk which can that Title gain;
The Proofs of Wit for ever must remain.

’Tis not to force some lifeless Verses meet
      With their five gowty feet.
All ev’ry where, like Mans, must be the Soul,
And Reason the Inferior Powers controul.
      Such were the Numbers which could call
      The Stones into the Theban wall.
Such Miracles are ceast; and now we see
No Towns or Houses rais’d by Poetrie.

Yet ’tis not to adorn, and gild each part;
      That shows more Cost, then Art.
Jewels at Nose and Lips but ill appear;
Rather then all things Wit, let none be there.
      Several Lights will not be seen,
      If there be nothing else between.
Men doubt, because they stand so thick i’th’ skie,
If those be Stars which paint the Galaxie.

’Tis not when two like words make up one noise;
      Jests for Dutch Men, and English Boys.
In which who finds out Wit, the same may see
In An’grams and Acrostiques Poetrie.
      Much less can that have any place
      At which a ****** hides her face,
Such Dross the Fire must purge away; ’tis just
The Author Blush, there where the Reader must.

’Tis not such Lines as almost crack the Stage
      When Bajazet begins to rage.
Nor a tall Meta’phor in the Bombast way,
Nor the dry chips of short lung’d Seneca.
      Nor upon all things to obtrude,
      And force some odd Similitude.
What is it then, which like the Power Divine
We only can by Negatives define?

In a true piece of Wit all things must be,
      Yet all things there agree.
As in the Ark, joyn’d without force or strife,
All Creatures dwelt; all Creatures that had Life.
      Or as the Primitive Forms of all
      (If we compare great things with small)
Which without Discord or Confusion lie,
In that strange Mirror of the Deitie.

But Love that moulds One Man up out of Two,
      Makes me forget and injure you.
I took you for my self sure when I thought
That you in any thing were to be Taught.
      Correct my error with thy Pen;
      And if any ask me then,
What thing right Wit, and height of Genius is,
I’ll onely shew your Lines, and say, ’Tis This.
WS Warner Sep 2011
The night becomes you -
hair coiffed in fashion
illuminated eyes reveal attraction,
the scent of body oil
pervasive,
ambient music evolves
persuasive
savory rhetoric,
cabernet erodes my inhibition
no contrition, turn the ignition.

The night becomes you -
you wear it well  
an amalgam,
ardor and insouciance -
redefining glamour,
ephemeral moments
dial down the sunlight,
I am slain - voice and accent
weave their spell;
black dust coat, white hat,
a pair of posh boots
they live to tell.

The night becomes you
rhyme scheme -  lyrical poetry
sophisticated venue, table for two
ensconced, the
leather lounge,
similitude within difference;
undulation - cadences of
counterpoint -
poise and peril of duality
we inhabit the floor.
Postprandial, conversation extempore;
machinations of intoxicating discourse,
I could drink your words -
artistic milieu- beguiling imagery,
sonant susurrations
penetrate my being.

The night becomes you -
theoretical locutions
phrasing depth and humor,
undiluted amour, tensions resolve
frame by frame,
solidify the affair
and validate the rumor
subsumed in sequence, pulsating,
igniting the sapid interior flame
silver screen ending,
effusive reviews
two hearts collide and form one;
the cherub's arrow finds its aim.

©2008 & 2011 W.S. Warner
AmazingsanPoetry Apr 2020
It's  a similitude quite like none other I have composed...

I was like a bird, upon which back there is a burden which limits it's every movement and pull it down everytime it try to take off, yet unable to relieve itself of the burden cause he feared the outcome of laying off such a burden.. It was a Burden of quintessence to him,  for it might make or unmake, destroy or bind the very home it cherished, adored and not ready to give it up for anything not even this burden, but the moment, though it required much audacity needed for a forceful abduction of ..."Donald Trump. From the White House".. he choose the option, to let down the burden.. And now with the God given broad wings and the much enthusiasm from the outcome of the relief, it will take a flight like never before, so high it will put all beholders in wonderment..
Relief,  enthusiasm, burden.
Mateuš Conrad Dec 2016
allowing for a two part volume
of Proust's À la recherche du temps perdu...
is unforgiving... it's asking a meat-head
to read such a body like exploring a woman's...
a gay-man's psyche is pretty much a woman...
or what a woman thinks in secret,
gay men merely vocalise what a woman does
not say... and yes, that a with a diacritical
mark... that grave above the a? the à?
it works like a comma... à! a surprise kindred
an eureka that's not really original,
an: ah! and then you say the rest of the title...
iconic pause: in search of lost time...
          it took me about five minutes to figure
that one out... lost time, but occupied a space...
  and so much political vanity is consecrated
upon the reverse.. ineffective space:
thus gained time... for all that protests are worth.

i know i go on about this a lot, surprise surprise,
i'm actually engaging in systematisation...
once you enjoy writing as much as walking
you get to reach a systematisation,
     it's a painful process, i'd never do the editing process
of a Hemingway... write something: shoot some
camels and reindeer and go back and revise a piece
of writing: drink a *death in the afternoon
-
a shot of absinthe inside a champagne glug
or the modern: shot of Jägermeister inside a glass
of red bull... (yay-gay-mr.) -
                       or how do you make snakebite?
half a láger half a çíder - and a head of blackcurrant
squash... scoot meine good look.
  but diacritical marks are what punctuation marks
are... it's only that they've become elevated,
and unlike punctuation marks governing paragraphs
and sentences... they govern the words,
         they are syllable incision indicators...
  i mean: i don't revise something i've already written,
unless it's a spelling mistake... i just write
something new... it's sadistic in my mind's eye to
revise and revise a single effort of writing...
                i'd rather centralise a theme of the paradox
of re-, in the year 2018 i will still experience
the tetratempus - containing four seasons -
         and i will never return toward making a piece
of writing become a morbidly corrected statue...
     what's done is done, let us move toward another
circumstance of being able to acquire a new kind
of observation... i can't be a sadist in terms of also
being a perfectionist... i break a leg, i break a leg...
if i write a ****** poem, i'll write a ****** poem...
but i won't be bothered like human history has been
by preoccupying itself in forwarding the drama
on Golgotha Street...
    the newest addition to the vogue scene is a corset
paired with a waistcoat...
   the snooker championships are taking place,
and i says to my father: 'a bit like chess, ain't it?'
   'sure is', he replies, 'you have to think 3 moves ahead.'
and it is... a smart sport, actually the most intelligent
sport there is... ****** boring obviously,
unless you fake the boredom and think about angles
and triangles and Newton...
   and cover the game with such congestions of
pretending to hallucinate it all...
                or take to thinking about rebellious
Saturn spinning out of orbit and doing a Mike Tyson
to Jupiter...
          but it's very much like chess...
                   it's sporty chess... snooker is chess...
  and it definitely ain't pool...
         you could actually have a ******* on a snooker table...
while either doggy or missionary positioning on
the snooker table... so what are the odds?!
         but i'll tell you one thing... snooker beats golf...
i don't know why... but once colour televisions came into
existence: it made much more sense for both
spectator and commentator... and how dare you
not cling to the 20th century if you were born in it
to translate to the 21st androids how we experienced
an evolution of technology, that made much more sense
after what i just heard...
      so there's this woman in the U.S., and this is before
president-elect and whatnot...
  and she's 22, and it's all over vice news,
and she's scared, and she's a mother of a 1 year old...
    and then this picture emerges
(don't worry, it's not anything like playing the Sims
   and moving your Sim to play computer games
and seeing a wormhole, or the infinity mirror effect)...
and there's a scene when she's talking Donald Duck
to the child... there are no meaningful words being
said... merely sounds... onomatopoeias...
and yes... this makes perfectly good sense when
stressed as a cut-off capsule...
because Darwinism doesn't really provide much
history... Darwinism is a historical erasure:
the past 2000 years could have happened,
but not really...
  but it just fascinated me...
         when did we learn or who did we learn it from
given we were placed at so many different
plots of the globe and became convergent -
anyway - the woman is teaching the child
words via the onomatopoeia of a hoarse quacking
of a duck! i probably will not find an answer
(primarily because i'm not supposed to,
if i am to perpetuate what Aristotle taught, i.e.:
be wrong and continually circumstance being in awe,
given the mundanity that nonetheless
everything keeps repeating itself over and over again,
for sustenance, and you are not sustenance bound
as corrected by your language deficiency to
ever merge into an unconsciously organised module
that might also argue an ego) -
    but i wonder how difficult it must have been
to extract something beyond the minimalism of animals
that identifies a duck with a quack, a cow with a moo,
an serpent with a sss... a cat with a meow, a dog with a bark...
    i cannot conceive how difficult this explanation
will be... but given the timeframe, i'm more awe-stricken
by this than merely being awe-bound by the time-scale...
which becomes the least affordable option of being
struck by awe, because one becomes merely awe-bound
by it, and therefore apathetic towards such a time-scale.
       how did we suddenly extract an understanding
of an onomatopoeia to distinguish our own ontological
basis for making a sound by infusing a sound that
doesn't resemble us? when did the first ape bark like
a dog? but then again, looking at the canvas already
apparent to us... what was the point of such an adventure?
hippy culture says: monkey accidently ate a mushroom,
monkey suddenly was blown away and reasoned of
a higher purpose other than a tree and a coconut...
     mudvayne quotes the guy on l.d. 50...
what's the guys name... uggh! not Timothy Leary...
ah ****! Terence McKenna! that's it!
        am i high? nope... my respectability of argument
comes from the mystical properties of... whiskey.
hmm...      that rarely happens to people.
                   it's what's called being earthbound, or gravity
prone... sink like a skipping pebble across the lake...
          and like a tonne of lard.
             tomorrow i'll wake once more and still
think about how we encouraged the discovery of
onomatopoeia to teach our children the multiplicity of
sounds, and later deconstruct such a multiplicity to
create meaningful words that go beyond knock knock! jokes
and grunts and barking...
                     but i will never know the man who
created the fermentation process from potatoes to make
*****...
                or the guy who brewed the first pint...
or the guy that smoked the first marijuana bush ensemble
while clearing the land for a place to harvest wheat...
   all the fame that exists is simply scholastic...
  schoolboy fame... which is why so much attention
goes into becoming famous in school...
                        but still that woman teaching her child how
to speak by going down into the blobby-gurgling
  tongue of the toddler, stiffening it,
      and tightening the **** and bladder too...
  by talking Donald Duck to it...
                        i probably could have had a family myself...
but can you imagine someone writing this load of
******* and having a family? there wouldn't be any time!
           still (god, what a need to repeat!)
         how did we progress from saying ape-****?
surely if we started to imitate other animals they'd join us
in our need to usurp those ******* lions!
  lo and behold... we managed to pet dogs (so they were
in on it all along)... and cats (who came from Japan,
if **** sapiens came from Africa... cats came from Japan...
bonsai frocked and all) -
                            but you have to admit...
from what is written history, to what is history and
a gap in history going back to a similitude of form -
      you can write as much historical fiction as you want...
    and you'll never have to write a bestseller about
some centurion in the Roman Empire...
   or a quo vadis by Sienkiewicz (nobel prize winner)
for the depiction of emperor Nero...
                               ******* Sesame St. giggles...
still, the question beckons... if animals can behave in
an ultra-intuitive way as if fashioned by a telepathy...
then telepathy can only exist upon a very simple,
atomic, terse vocalisation of an identity...
   a dog barks... a man can bark too...
                                but we have completely lost our
intuitive talent (if it can be called that)...
          to have sacrificed intuition is to have created
cults or counter-intuitive hierarchies...
  so a 1000 blah blahs later i still prefer to write what
i like... than write what people "might" understand
and talk to a girl about...
                                     a bit like a woman discovering
you faked writing a poem 20 years into a marriage...
                  obviously the setbacks to boot...
                            dyslexia is an optical dimension...
no one dyslexic says a word they don't understand
a meaning of... dyslexia seemingly came from
finally having enshrined the "secret" to the monopoly
of writing sounds...
                          nonetheless... at the end of the day...
it's just too much history... there's too much of it...
            there was never going to be a world
where carpe diem ruled it...
                               it was a question how we clung to
certain things, within a framework of
                                             salmon dye omni:
sure sure... piglet pink and innocent for the rest
of our lives... once Darwinism pointed at the ape,
and once physicists dropped the bomb and the bang...
no day has had any significance at all...
   + the 24h news channels...           snuggle up to a hog
             and say: fog over Heathrow... all flights are grounded.
solenn fresnay Mar 2012
Je voulais tout supprimer et puis me pendre
J’ai préféré écrire
J’ai marché dix kilomètres dans un Paris assommé de tristesse
J’ai vu des enfants aux crânes ruisselant de sueur, des vieux puant l’***** flétrie et des amoureux aux manches rétrécies par l’infinie similitude de leurs journées d’hiver

J'ai erré dans le froid glacial d'une banlieue endormie
Failli tomber trois fois
Souri à une gamine en manteau couleur rose bonbon
J'ai pas mangé, ingurgité un litre de vin sur le balcon des enfants morts
J'ai pas parlé, je me suis juste évanouie

J'ai voyagé dans vos souterrains les yeux rivés vers les étoiles                                                                  
Le lapin suspendu au fil à linge de la cave se vidait de son sang dans la bassine rouge  
Tu peux ****** sur moi, je ne dirai rien du tout
Tu peux me fracasser la tête contre ton sale radiateur poussiéreux, je ne dirai rien du tout
Tu peux me cracher dessus, je ne dirai rien du tout
Tu peux tout me dire, je promets je ne dirai rien du tout
Tu peux me frapper encore un peu, encore plus fort, tu peux te venger sur moi, sur la tête de ma sale conne de mère, je te jure, je ne dirai rien tout
Je ne dirai rien du tout

Embrasse-moi et puis après si tu veux, je te laisserai faire tout ce que tu veux
Tu fais quoi, là
Fais quelque chose, fais-moi quelque chose

T'es une jolie fille, intelligente en plus, tu fais juste un peu peur de temps en temps, quand t'écris, tu fais peur
Alors coupe-moi les mains
Je t'en supplie, coupe-moi les mains
Je promets je ne dirai rien, je ne dirai rien du tout

Tu peux ****** sur moi, je ne dirai rien du tout
Tu peux me fracasser la tête contre ton sale radiateur poussiéreux, je ne dirai rien du tout
Tu peux me cracher dessus, je promets je ne dirai rien du tout
Tu peux tout me dire, je promets je ne dirai rien du tout
Tu peux me frapper encore un peu, encore plus fort, tu peux te venger sur moi, sur la tête de ma sale conne de mère, je te jure, je ne dirai rien du tout
Fais- moi mal
Fais- moi très mal
Je ne veux juste pas y aller.
(Alors sauve-la)
Mateuš Conrad Oct 2015
and while adam inherited the sunrise of eden, the devil inherited eden's sunset;
so that writing about something is less satisfactory
than what was never really envisioned, but otherwise handed
with the befriended samael away from library or cocktail party,
**** writing i suspect, but the feeling is too immense for words
to capture the images that were sequenced in that frailty, because they were fleeting moments; thus the night's former admiration for the eyes to behold, the lowered horizon of the moon in such bulging yellow as might encompass the frozen one of winter's heights.

how can language be made believable in the sense of
creating images out of words?
here is an example,
and man did his "buddhist" bit under a tree in the
night, on the field he fancied himself a stranger
but a place he forgot to frequent.
upon return to civilisation from equating
******* of sexuality as that of the ******* cut
before being able to be experienced
laughing about it,
he walked down the hill,
a herd of deer made it onto the darkened streets and pavement,
the stag died, the harem was in disarray,
but the youngest one did not follow the herd
and turned into the street the man was walking on,
in lightning momentary genetics of similitude via atoms
the man looked at the young deer mare
and told her: run! with eyesight.
then came the sight of the harem herd at the crossroads,
and thus this same man started galloping, wild at heart,
herding the deer mares back into the forest.
be warned, i had witnesses who would vouchsafe that
they saw and that i too had eyes.
this is the equivalent of heideggerian expression of this one
remaining truth: man, he who herds animals,
he who domesticates animals also.
i never write from fantasy, i experience my sickness
as a woman weeping in my mentioned care for mentality;
it's simply... the misery of not being with me, being near;
thus i reside writing from experience,
nothing more, nothing that could make me give into
the modern twist of fashion and fame:
only fictional characters elevate any mention of realistic fame,
all the real people are journalistic target practice;
fifteen minutes are up! time to create fictionalised celebrities,
and that time is upon us.
thus the problem with fiction, given this poem.
i imagine the women after muhammad's death, just
to make it easier for you to imagine a man with this harem (otherwise herd)
of deer mares; i frequented populated places too often
in winter, now spring's passing deflowering comes sepia-like,
thus i can unbutton my need to cherish human interaction,
and return home, forest bound.
thus we say, unto clarice lispector, wild at heart,
thus we say, written out of parring against images that haunt
the schizoids' arable need to see in colour and phantom; i cannot;
take it or leave it.
if this is my best itemisation of events
then i didn't run the deer off the street to allow the traffic to
pass, but because i wrote it like picasso drawing 90º metered
into hammer blows in architecture class
doesn't mean it didn't happen, it only means i wrote
it like the remnants of a child in an ageing man - which suits
the quote by him, be an artist by remaining true to childhood,
ensure there's no precision no schooling
in the work you try to vogue, because it won't vogue
after all, given you're still encrusted in imaginary befriending
and dreaming, just remain true to childhood
and your art will not become overladen with itemisation
of *** being the last remaining frontier away from
the antarctic, the alps and buddhism;
indeed all children are born artists, but only a few
make it art in adulthood, most make it to jealousy
and marketing or sleepwalking into selling furniture
with hope to buy it back into self-employment,
that's why art is borne from those who cherish childhood
and think less and remember more.

so ardent me within her deer-like to her prance jesting happy
jump-over invisible fence-like structures content
with the *** so full of life, and her, the *** of so much potential for death
ably being guarded to return, out of man's sight;
i didn't even bother to count them to a number;
i hate it, beauty cannot given the righteous expression,
letters are nothing but skeletal compared to the muscle of images.
Imagine a world without terror outer
and inner, sans famine of food and water,
where every soul is well-sated; a world
sans sickness and disease, not by the cord
of morbidity and death held; a place
where huts are mansions, every shack is
a castle, and each flat a grand manor;
where the roads are built with pure gold
and the bridges with resplendent diamond;
where the day does not change in colour,
except when full moon in its full array
once in a month has its  own display.

I mean a planet steeping in love
unfeigned, bristling with true hospitality
of the soul; a world bereft of danger,
and of every mind-and-heart breaker;
a world with the similitude of the garden of
Eden, hung on the shoulders of harmony--
where man at another cove's lovely dove
will not leer, where there are
no split and divorce. The genre, stuff
of life where one's pigmentation is
not the cardinal, but the inner essence.

A sort of society where ******, Hussein
and Laden-like fellows and all their
coterie of killers do not have a lair
of habitation, i refer; where besetting sin
has no confederacy with the rotary heart
and mind of man; where the leagues
of villians are non-existence. An earth
where conglomeration of wicked cliques
is non-operational: where everyone be
holy--no child soilder, nor forced labour;
where women are not ravaged in cruelty
of acts, and is void of conflict and war.

Such a place "the world" is not called
but "heaven: governed by the Almighty Lord.
Nat Lipstadt Feb 2023
Compare and Contrast (the foliage of the heart)



<>

My work is loving the world.
 Here the sunflowers, there the hummingbird - 
equal seekers of sweetness.
 Here the quickening yeast; there the blue plums.
 Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
 Am I no longer young and still not half-perfect? Let me
 keep my mind on what matters,
which is my work, which is mostly standing still and learning to be astonished.
The phoebe, the delphinium.
 The sheep in the pasture, and the pasture.
 Which is mostly rejoicing, since all ingredients are here,
Which is gratitude, to be given a mind and a heart
and these body-clothes,
 a mouth with which to give shouts of joy
 to the moth and the wren, to the sleepy dug-up clam,
 telling them all, over and over,
how it is
 that we live forever.


This is the first poem in Mary Oliver's collection Thirst, titled,
“The Messenger."

<>

Ruler of the Universe, grant me the ability to be alone; may it be my custom to go outdoors each day among the trees and grass among all growing things - and there may I be alone, and enter into prayer, to talk with the One to whom I belong.

May I express there everything in my heart, and may all the foliage of the field - all grasses, trees, and plants - awake at my coming, to send the powers of their life into the words of my prayer so that my prayer and speech are made whole through the life and spirit of all growing things, which are made as one by their transcendent Source. May I then pour out the words of my heart before Your presence like water, O L-rd, and lift up my hands to You in worship, on my behalf, and that of my children!


-Rebbe Nachman of Bratslav

<>

too early on a Sunday morning for a trick or treat question,
still bed-bound @ Nine AM, browsing the internet state of the world,
it’s pre-my-walk on First Ave., in my Manhattan
concrete habitat pasture, where it’s gray and grayer
reveals of raggedy grass, certainly no sheep, and the only flowers
arrayed will be those with price tags fronting the bodegas
that are busy preparing breakfast for thousands of New Yorkers

trick question?

indeed! there is NO contrast, save the compare the kinetic similitude
of three kinfolk prayers, amidst frightfully unchanging headlines of
the dreary state of the world - weather report prototypical,
war, death & destruction, whiny celebrities and sports “heroes,”
editorials preaching, a vast quietude of no one’s mind changed,

but, always the but…

my work is loving the world, the grimy solitary blades of grass, true survivors, hosted & sprouting in dirt cracks miraculously,
letting the foliage of my heart blossoming in early morn warmth within my body’s extremities, clothed coverings of wintery wool,
confess my facts (“no longer young and still not half perfect?”),
filling the styrofoam cups of begging, wretched yearning refuse,
planting sprigs of mint green dollars in blanched froze hands,
wondering to myself, which one is
the masked messiah?

these are the growing things in my fields, 70 years familiar,
the fruits and flowers of my life, are street crated>corners,
a panoply of vest corner garden-parks,
and the people!
people of every color and shade, what variety hath man wrought?


my eyes lack
not for anything, plenty the stimuli joyous within the astonishing spirit and life of all things blooming in hostile soil and you
may yet see the mark of
Abel joy upon my forehead, in my eyes, and see lips whispering this prayer~poem while being birthed, but in a word, a single word,
a pouring, best summarizing of a rebbe’s blessing
shouting out, anointing, appointing:


~Hallelujah~


Sun Feb 19 2023 9:15 AM
NYC
lipstadt
Mateuš Conrad Jul 2016
transcript from a cult movie

bolec: O! zobacz bracie! spójrz jak oni sie ruszają; nie sądisz że polskim chłopakom też by sie przydało troche luzu? przykómaj te kocie ruchy! mogliśbymy sie od czarnych wiele nauczyć... koko-dzambo i doprzodu! to moje hasło, dobre nie? czasami żauje że nie urodziłem sie czarny. hej! chłopaki! a może macie ochote objerzeć film? ja ogłądam po kilka filmów dziennie: pościgi, strzelaniny, wojny gangów, to mój chleb codzienny... mam nowy zajebisty film... "smierc w Wennecji", nieźle brzmi, co?                spokojnie, zaraz sie rozkręci...

fred: ty jak ty sie nazywasz bo zapomniałem? kolec? stolec?

bolec: bolec.

fred: no, więc posłuchaj mnie teraz uważnie, bolek... byłeś w stanach?

bolec:  nie...

fred: no właśnie... a ja znam kogoś kto był... i opowiedział mi to i owo... w iesz skąd przyjechali czarni do ameryki?!?

bolec:  z afryki...

fred: no właśnie... handlarze niewolników przywieźli ich z Afryki... A myślisz, że to taka prosta sprawa wysiąść na plaży w Afryce, złapać w siatkę zwinnego, silnego murzyna i wywieźć go za ocean?!?

bolec:  chyba nie...

fred: no jasne, że nie... udało im się to zrobić ponieważ wywozili tylko takich co albo nie potrafili spierdolić przed siatką, albo byli największymi głąbami z plemienia i wódz sprzedawał ich za paczkę fajek, bo i tak nie miałby z nich pożytku. i ci wszyscy nieudacznicy pojechali do ameryki. pożenili się, porobili dzieci... świat poszedł do przodu... pojawiły się komputery, amfetamina, samoloty, ale co z tego, jeżeli ich serca pompują tę samą krew, są potomkami człowieka, który na własnym podwórku dał się złapać w siatkę, więc nie uważam, że naszym chłopakom brakuje luzu... kapujesz?!?


and it takes just another big **** to have a one night stand,
and a big enough heart to have a relationship
so the soul enmeshes the juices - that famous
W.D. 40 moment - and a cheap U.B. 40 moment too -
it's a drag like that, he can run a 100 metres in under
10 seconds, but when he swims you just hear
dolphin cackling in the background - not **** aqua
for sure, that's me, with the myth of Atlantis -
orderly, please! line up! take your badges and disperse,
we'll be back here again at the fire-evacuation point
in the the near future - in the meantime do whatever
it is you do, and do it. shame really - you ever see
the fire equipment of 1666? a large water bucket...
people either had a lot of common sense back then
or had magnanimous airs about them
(see how many lawsuits were made in the past decade),
primitive technology - i guess people thought a lot
back then... no talk of dementia - they were hardly literate
but they thought a lot, becoming literate meant
becoming aristocratic degenerates - excess wine, *******
***, scab and crawling ***** on the cranium
intended as barbers - then too many synonyms came,
you said barber and he knew the beard and moustache
was an extension of the head - sure, softer keratin, the harder
version being - i've ***** on my face! i've ***** on my face!
short and briskly - freshly mowed lawn... mm, nice -
fiddle the other part, i'll take a Sikh's beard and make a
violin's bow on the sly - see how Mozart sounds after
that. the Mongol stank and conquered the Alexandrian
Dream - before the arrows pierced, the stench overpowered.
it's just a dreaded affair - in order to give pleasure
i have to give my inner life up - the Greeks called it
barbarism the over way round - words from a *******
as if implying i get really jealous and bring out a knife -
the wonderful phenomenon of the schizoid condition,
or as prior worded, premature dementia, yet such people
continue to be fully functioning in a sense -
language debris - a meteor's tail - politicised psychiatry -
the easy route - say the noun hammer and you know
exactly what to do, unless it's Heidegger's hammer
and you realise he's implying two labourers talking
philosophy while working manually - in that
the ego (nail) should be hammered into a plank
of wood (thought) as easily as the reverse - the reverse
being the hammer (extended into the profession that
uses it frequently - i, carpenter) utilised (being, a) -
i.e. i, being a carpenter, nails, hammering in.
i didn't think this through - what's bugging my certainty
in how to explain it without conversation between
two carpenters discussing philosophy, which never happens,
is not what i'm bothered with, the real issue is i have
with the inherent negativism of subjectivity in English
interpretation of philosophy, crudely:
subjectivity is bad, wrong, self-indulgent, pseudo -
this stress in English thinking with its glorification of
objectivity is, to be honest, strange...
it comes from a book review of Wagner's Ring of
the Nibelung - equatable words: banal and subjective -
banal - trite - well given the "success of the human species"
i'm surprised it's not a universal truth that
we've come a bit trite given the numbers - i've seen
cucumbers fresher than people, we're bound by
an approximate of 70 springs, cucumbers are bound
by 1 spring, you get fresh in a supermarket,
you don't get fresh in books, what with the third butterfly
species σκoνιςμυγα (skonismyga - so not -muga?
up Saigon? i thought you cut off the bits you didn't
want and put the other letters with the cut offs together?
no wonder - upsilon [u] isn't said - just like in Latin
in English we have why - iota not y - dust-fly, i guess
Babylon did survive, in the variations disguising "dyslexia")...
but why is subjectivity so horrid? i thought
we all had our take on things and none of us wanted
to speak for the whole of humanity? Nietzsche warned
and defended individualism like that - who
would want to speak for the entirety of humanity?
in the political realm in the west subjectivity is defended
rigorously - because if you begin championing objectivity
in politics the Iraq Invasion was a bit stupid -
despotism, d'uh - yet in England the tradition is to
have a culture of literature that shuns subjectivity
and champions objectivity - why is subjectivity so
negatively perceived? oh, you're afraid someone is
so ardent on their choice of interest they they might
by accident speak-spit into your face?
subjectivity can't be so ****** negative, it's an expression
of an escape from what objectivity already
defined in the pinnacle by Descartes: res cogitans,
(a) thinking thing - we only write subjectively because
we've been caged in that little no. 2 of a waiter's james
bond tux - we staged an escape, a self-worth fanaticism
on the subjects we love rather than "have to" investigate
without passions, just hubris - which is what
critics use - hubris, disdain - the study of language could
have a similitude to the math of
1 (hubris) and x 1 = hubris, 1 and x 2 = audacity, etc.
in the synonymous table - the lubricant factor.
so, anger over, back to Heidegger's hammer -
nail (ego)            plank of wood (thought)
hammer (therefore)                   a table (existence) -
so why need proofs? why do i need to prove i necessarily
exist (when i don't) or that god unnecessarily exists
(when he does) - why prove something?
so another million schmucks can come along and
prove it either way? it's the nonsense attributed to
Descartes - he stressed an impossible objective-subjectivity
(grammatically more understandable, rigid:
noun-noun doesn't work, ah, objective-subjectiveness -
noun-adjective, pencil-sharpener, pencil-needs-sharpening)
in terms of others - hence the existential other -
well impossible for anyone else to have thought it up,
the impasse of wanting to plagiarising it - a real cul de sac -
well, that's me done on the topic - sonic -
as far as i'm concerned most people keep rigidity
a tight collar of using language not coming across a speedy
suggestion to not think about:
the speed-game of preposition juggling and contras etc.,
the acquisitive use of a language v. the inherited use of a language,
two different ballparks - what i acquired i thus express,
what the organically-historic entity inherited he
will primarily convene to call Poles vermin - a little
perplexed by a more labyrinth style of language used -
it gets personal day by day - but of course the ******* are
a protected species due to their colonial roots - at least
with skin-shallow discrimination you have the obvious bang,
and the immediate retort... this **** is swelling, slowly...
slowly... slowly... those were 8 million or so
Polish-Jews... also vermin... this **** already imploded...
it hasn't exploded... it's a dummy bomb... it imploded...
it's swelling... slowly... slowly... slowly... and when you
won't know it... BANG!
Mateuš Conrad Jul 2017
my cat loves watching cigarette smoke
in the night,
while i love watching clouds,
but what consecrated us
      within a similitude
was:
   being brought into this world,
finding humanity, fast asleep,
   if not in the least: lost to sleep,
as if they were beyond medical
attention, comparing dreams
   to automations of imagination,
imagination become rampant;
for why would dreams be a mystery,
is they are only un-inhibited
representations of imagination?
why do dreams deserve a respect
to be treated as something mysterious,
when they are nothing but robotic
forms of imagination?
   robotic? yes, in terms of being
lawless...
    beyond conscious control...
there is nothing mythical, nothing
freud-orthodox about them...
       they are rampant imaginings
that never tread the path toward
fruition... it's not that they are
repressions...
              they are natural inhibitors
of what day-dreams are...
                            the real inhibitors...
let's talk about enzymes...
there is no worth interpreting dreams,
unless you're poised to craft
a trade with your *******...
           dreams = inhibited imaginings,
infectious, when the mind
is at "rest", posit coordinate 0,
which sleep ought to be...
             a denial of all conscious
activity... dreams are, ergo,
comparable to *******,
   i.e. a self-****...
                             it is better to treat
dreams as an omni-nonsense
   than a labyrinth with a minotaur...
i hate dreams...
           for what's it worth
i also don't believe in the western
diatribe of
   a subject-object dichotomy,
let alone a dualism...
to me dreams are akin to any other
virus infection...
                  esp. when people note
having recurrent dreams...
             i came into this world
and found humanity fast asleep...
  toward not asking,
but nonetheless writing this,
i asked for one "virtue"
and one "virtue" alone...
                 please, bar my infectious
capacity to dream...
          since then,
all my dreams have become nonsense,
for how can i trap light
     and then create a cinema
from exposure to this light,
in my sleep?
                       i appreciate
that i can stare into a light-glorifying
orb, and then see a geometric form
x-rayed onto a blank slate of focus...
but the complexity of dreams...
the narratives...
              there really isn't an
interpretation of dreams,
        to be a disciple of freud...
                      unless you have a lot of
time to waste and be bound to be
looking up your own ****...
                  to me dreams are
            like a sun within a black-hole...
there's light coming from the ultimate
recess...
    dreams are like the rebirth of a star...
light from the most hidden
    darkness,
         that is bound to originate in sleep...
i simply find dreams exhausting,
and too juxtaposed, to find a worthy
narrative, and subsequent interpretation;
at loss, to begin with,
   if ever to begin with,
         should genesis = zenith,
  if not, given the expression
                and regressive attitude
                          it not be: genesis = nadir.
Mateuš Conrad Oct 2015
i’ve learned all my trickling tricks of puppeteering from philip augustus of france early on in my schooling, richard the lionheart never came close, i was in similitude with philip augustus, that i even bought jim bradbury’s book to read and essay with.*

never become the alcoholic that denies his alcoholism,
you can’t hide an addiction, better embrace it,
when addiction enters the stage as the acted upon acting
there’s no point hiding it,
enter the realm of the full embrace, hiding it will only make it worse
than it actually is, i embraced it, and i think
the piggish commons are getting their tax payers’ money’s worth
with my poems, if you think otherwise... you stand
happy-idle at the supermarket check-out and tell me
the football scores from the big weekend
when a northern monkey team took a thrashing
from a southern fairy team.
the question is different thought - forget the beginning and end
planned - we already have the diapers and the coffin,
make what the middle ought to be, clueless narration, spontaneity,
off the streak of the river currents not expecting change
but having to accept change...
michael greilsammer’s la ville blanche
cream’s white room
or cat stevens’ into white?
none of them... moody blues’ nights in white satin...
but a funny emerged from trying to sing greilsammer’s la ville blanche,
i speak no french,
and in my mumble i managed to see the other imagination,
the skeletal one, not the technicolor one of images and walt
and the housewives sleeping beauty and snow white
(although i appreciate the other walt, the whitman),
i mean, through my “un-imaginative” mumbles i tried
to skewer the words of the song, i couldn’t,
i could usher in a single perfect word
but beyond this i was trying to imagine the god awful spelling excesses
of the french tongue... i mean bordeaux when you only say bore’s door /
boarded up door - no x oh... xylophone, yes, no? no...
oh no wonder dyslexia and spelling mistakes...
these letterings are phonetic approximates,
anyone can make the visuals complicated
and retain power... but few to own up and say:
1 + 1 = 2, but the priestly order said: e + ' = é
as jumpstart ready on the trampoline... but e + ' = è
means you get a sudden attack of the mute & mime.
that’s what happens with a missing diacritic that’s blatant in english,
you get to spell a french word like bordeaux with a zed and look at it and qualify
the tongue to say: yep, bored door... needs oiling... oil up oil up!
then spontaneously play a harp of unconscious snorkelling
(also known as snoring... boor hiccup shush... bore hiccup sheen):
it’s the last stronghold of the imagination, this invested in english
from mother tongue slavic... it’s like trying to sing to a song
without spelling glaring at you...
so you start imagining this blessed primitivity...snakes and matchsticks
to flare up... turn it all into a 1970s disco...
it makes sense to mumble then... for ****’s sake... bordeaux?!
who adds so many letters in between definite lettered sounds
to make it look more uglier than the pretty riviera? huh?!
monaco? oh... well that explains it: why vaduz (capital of liechtenstein)
doesn’t have a grand prix.
SøułSurvivør Sep 2014
sleep is in the
similitude of
death

silence
is

oblivion


10W
Soul Survivor
Be careful to
say what is important to the
ones you love
WHILE THEY LIVE!
Mateuš Conrad Jun 2016
by evolutionary criteria we've found ourselves bankrupt, staccato, science fiction ahead but in actual science stalling: due to ethics governed by monetary involvement rather than a chance for a second adventure trail akin to the Conquistadors - and this is talk of a contained environment of pristine vacuum... not the ****** Amazon hay-fever arithmetic chancing-it to recall Portugal via carrier-pigeons!*

once we could aspire to something,
a Samurai's code of honour,
a Hiroshima in terms of the ends
of scientific endeavour....
but now we have nothing to aspire to,
we keep the pope pristine in
a Lenin mausoleum while shoving
our elderly into a Marquis de Sade nowel
(know well, i misspelled novel for a ******* reason,
same reason for the r = trill, even though
the English do the Japanese on it,
so much to remember and so much of it being
utterly insignificant - sprechen like killing
a fly) - we have undermined the heroic that's
100 years apart from us bewildered by the very
existence of it like practising atheists ought to mind...
i wished i'd live back when it mattered, not now,
not now, now seems bound-up by ingratitude,
the prospects of our "last resorts" end up being
dementia patients ******* their own beds...
i'd prefer the other way round -
a relativity question, 10 minutes of agonising pain v.
10 years of agonising wait...
which too choose? the pain, or the wait?
we invented so many failures of the rekindled past,
so many counter fictions that we simply lost the point
of fictionalising it all, we found counter-fiction,
simulation, we begged for simulating the past,
we begged so much that our begging misguided
writing fiction... poetry the eternal crow,
poetry the eternal hyena, poetry the eternal wolf, vulture;
poles aren't vermin, they're vultures...
we wait for the softened part of the body
become protruding and peck.. Scotland is our entry point...
it has become softened post empire building,
a nation in it was a sleeper, it waited...
but we crave the adventure so so much,
that we've lost it, once a psychological endeavour
now nothing more than a zoological signature;
i think of my fathers and see that i have nothing of
a similitude among them -
i see my contemporaries and see that i have nothing
in common with them -
i think of, i see - but neither are similitude havens for me,
i rather quest an identity among  beasts,
whether eaten, ridden on, or feared thus poached -
than among those i might call a claim to
experiencing a daily household of preparing meals
or knitting - since after that plateau of the everyday,
i might still be preparing for war
that escaped me digestive concerns.
Babe, how the similitude of an angel
Thou hast from thy sole to thy crown!
Unblemished art thou in frame, I so can tell,
But can't guess what in thine heart's sown.

Luscious is thine outer body, which can make
A sane fella hellfire choose to gladly go,
When he God's Law doth foolishly break;
Yet I shall fly on cloud nine with thee--no.
Jim Davis May 2017
Symbolism, metaphor, similitude
whatever for
Why not just come
right out and say it?
Well,
it's
been said before!

©  2017 Jim Davis
Wendy Cox Aug 2015
Two
pools
of green in deep yet shallow
storm filled waters churning up
sands of waves that have already reached their shores...

How is it
from the moment green met green
that two pools of darkly swirling currents would
churn and twist into whirlpools of retreat?

I want to feel your pull, your elemental
slithering past all thought all consciousness,
into the eddies and hidden coves of my dream states.

I know if I look, I will find you there.

How could I have lasted so long
in this existence without you?
Mistaken and settling for transparent echoes...
saccharine kisses and bitter aftertastes?

I feel you in the very air
around me. In the space that I occupy, I feel a shift in the atoms as you come
Near enough to taste, to sense, to breathe you in.

I am in the moment. as you are, wanting to occupy the very space you take, at one with you.

Needing to want
yet wanting to need you in all the ways that needing
you makes me want you even more than I do now...
An impossibility in it's similitude.

Not as much a minus,
a void that needs be filled, as an amplitude
of the very vibrational undercurrent of...

Life.

Throbbing as we circle
then yet again, come together in the way that
is as old... as time itself, yet a genesis in each cohesion

Of souls.

Let me breathe...into myself
your breath, melding skin on
skin and feeling you within

the very...Id...of all that Ego cannot say

Lying spent... two
yet one. Still feeling the shuddering aftershocks and ragged breathing
as the spinning of the globe slows for a moment

and the Universe narrows to one small cosmos, here within this shared delusion, this moment suspended.

Let me look at you for the instant it takes
And in that instant I pray that that moment takes life and you realize that there is no Other
There can BE no Other than You...For me.

Suspended until I find you again
and pools
of green look into deeper pools of green and the faintest flicker
Of the soul recognizes a piece of its own.

True and pure waters move deep beneath the surface for those who aren't afraid to hold their breath...and dive.

You hold my heart.
Keep it close to yours and guard it well now that it has been stripped bare
of all artifice and hardened scars.
It isn't weak, Only tender and new to this world

Give me your care and I will grow with you,
as strong as I know my character to be.

As strong as the woman who is worthy of an Other and a chance at love.
Real love.
Worthy of Life.

My storms have carved a vast, stark, yet rugged shoreline
Not an easy place to land, but there are inlets and coves for those
who know the rocks and reefs of these... deep waters.

There is no lighthouse to save me,
only this Ship Master to face these storms and stand
Within the waves as they move around him. Around the vessel, he has crafted with his hands, his wits...his love of the Deep

The Deep green I see... when I look into your eyes.

I do not want to consume you and yet I can not bear to let you go.

And so I beckon to you...as I feel
the pull as old as the tides to be near you, to be OF you, all around you.
Pulling you to me ever closer until there is no you, no me... no Other

We just ARE.

And I know you feel it too.
For JC  Written Spring 2015.
JessyWrites May 2015
Beautiful eyes and sweet smiles.

Lively laughs and happy life.

People barely see her cry.

How could she hide in the glittering of fine mask?

When nothing feels right and everythings torn?

How could she hide in the glittering of fine mask?

When sadness dwells within her?

How could she hide in the glittering of fine mask?

When melancholy eat her all alone?

Her similitude to the moon shows she's forever alone and unwanted.

She's hiding in the darkness of light because she needs to pretend thus people will not see her tamed heart.

She shouldn't feel this way when people left her in her way.

She shouldn't pay heed to the criticisms that underrating her for they will fade away as doth the dye on her hair.

However she couldn't stop her self.

How could she unmind them when they are the fire that keeps her heart alive yet extinguish it by their own spit?

She is just a puberal girl seeking for a match that can light her candle and illuminate her sombre world.

Yet,

Moon seems has a crush on her for he dont want to leave his partner and keeps on pulling her back to where she really belong.

Darkness.
Follow me at wattpad for more poems @Jessy_Writes
Aditya Roy Aug 2019
I suppose because of the approach to poetry
I might not be taken seriously, and for
Such purposes, I venture on making a premise
A sudden purpose you may call it in similarity
To pellucid and amiable as a similitude
Mateuš Conrad Nov 2016
they say that 2000 years without Israel
will necessarily bleach your skin,
that ancient fable of the Mediterranean
olives, turning into haram pigmentation
that god forbade to eat:
     ask them: why so pale, so like us?
why are you so pale, brother?
                  too few of us have seen ghosts,
unless they be ghosts of our former selves.
everyday, people disappear with their
selfless acts - everyday: puff! gone.
i never write to entertain or distract,
i'm a non-oratory sort of guy,
i imagine myself like a larynx punching
bag that people speak into -
a persona non grata, but otherwise a
persona esse: that necessarily is.
grata... grata... grata... gratis means
free - i really don't have that vindictive
american woman, stay away from me
sort of attitude: one peg, two peg, three;
but i do like that ancient seemingly
under-used word - frajer -
whereas said in anglo: frayer -
or *******.       the whole bejesus
and           yacht debate asking for saintly
interludes in the general grime of ****
said, **** done - and of that inherent vice
in us? the part where the ants took to
the tarantula and impregnated themselves
with the venom: and turned on each other -
as any civilised thing ever could be.
          what's the difference between
blues and punk?
     an extra chord?      see me blink?
           white boy blues: punk -
three chords -            and so the Mongolian
horde hoarding skulls in Baghdad -
and that's me, sitting ever so lightly,
pretty orange like a peach: apathetic tongue
in the ivory bull terrier grip of a handshake -
a girl might have once said: with
the pulverising stare, he could sit on the pavement
and across the street a fox took to
goosebump nibbles, while a girl walked
past the fox and the fox didn't stir from the spot.
wet snare *****: that's what they called him -
but on top of all that: everyday, the world
crashes in: newspapers? i call them avalanches.
they have non-filter: condoms with a slit in
them - and every time she's gagging
for legislation into birth control,
the Chinese dicta has been revised,
     and she's thinking of honey honey feed
me homely snug and cuddle: scented lavender
candles on your way out, including
the autographs.
   i once claimed that the television is akin
to the Platonian anecdote of the cave -
       now i'm starting to realise it's the outdated
variation of a campfire:
               vatra: and soon our hushed
capacity to tell familiar stories -
once it was talk of whole bodies: now
dismemberment and disembodiment -
                         soon enough a *** or a Juan
in Spanish - soon too łen or when -
łej           or way - those are not: chiral twins.
from what i can remember i found it hard
forgetting my northern Swahili -
         ****** hard, i couldn't have that post-colonial
tattoo done on me -
            but it still haunts me,
how one man took apart the Pharisee Israel apart
and where people had coppery visage: dimmed
gold of the skin, and one has to compensate that
taking apart with his own ethnicity in a biographic
similitude - been there, done that,
off the Unesco map for a century or two,
a Napoleonic haven sort of bollocking,
       **** 'ed over 'ere: old MacDoogle e ah e ah oh,
ha ha. Catholic shortening Mc
         Protestant on a wild surf of St. Thomas' Gospel
and all things trans...
as it should be known: transphysics -
god is dead, poetry is dead, metaphysics, is dead:
nou vogue: TRANS! ***** slap that ****
across the knees: say gnostic (surd g), then say
diagnostic... seem: or properly understood.
******* wankers and cowboys and other
ulterior gunslingers; but the prima ballerina aesthetic
found when excavating the ęglish?
                never talk ***** in public:
really, really vocalise that Cockney bulldozer
vs. culture when vocalising more tongue and less
**** when ******* - appearances are everything
after all - talk pretty, talk lily -
talk rose: and when it comes to the knitty gritty:
slosh!        i mean diarrhoea slosh -
            i mean: not unbuttoning a shirt but
ripping it open: fanciful that: equating courtesy
and otherwise doing the Frankenstein to a limp
**** with words of encouragement...
        (oh the sarcasm i enjoy hiding in symbols)
but i never understand why we talk pretty
and play ***** - why not talk ***** and play pretty?
       this revised "aversion" / ~aversion toward
fascism is really taking hold of people:
        the only difference is that there are so many
charismatic sprechen pseudo Deutsche -
                   i'm starting to feel left out;
still though, concerning the first point:
they really are pale -
                 2000 years without Israel:
it will definitely take them 500 years to get that
Mediterranean hue back of palms olives and dates -
        understandably the siding with
balaclava Palestine:        'cos you're white and
you said ku klux sneezing - or from what i heard
of recent history, my fellow colonial thingy-ma-jigs
     are internalising inherent violence of
the past and shoveling it all at the young -
   many o' man's woes as nothing more than
an evasive self: kindred of the lunatic.
me too: i too wish to have been able to stage
a confrontational and subsequently condescending
conversation with my great-great-great-grandfather,
       but i ain't got the **** or the V, and
                                  not much about the Welsh-middle
of the longbowmen and Churchill's cigars;
funny thing... smoking cigarettes, you get this
taste flashbacks... just now i recounted the taste
of my first love's ****** juices mixing in with my
phlegm cough-up... surely memory is not cognitively
abstract, like tattoos aren't really abstract:
to prove a point i coughed up a memory
of wild strawberries yesterday: well... fair enough:
today it's a memory of eating out (as they crudely say):
Poseidon's pearl.
does **** have to be constantly floral or aquatic?
    oh the cascade into faux pas and cliche: endless!
Mateuš Conrad Feb 2016
half my horse was owned by a cowboy
with a lasso,
and half of it was owned by an apache
without the Huns' innovation of stirrup -
which was how Rome was conquered,
the Huns were standing
while the Romans had their testicles
smacked too hard against horse spines
for scrambled eggs.*

bob dylan makes purest sense
on a train,
heading from st. pesterburg to moscow,

anything else is called a cameo worth rendition
to clock in a chicken's clucking,
not that it was going to be bland throughout
comparatively alike beef, but unlike
comparatively chewy like squid rings
deep friend with onions...

i'm still up for raw herring and tartar steak
rather than an l.s.d. trip, i need the day
than pulverising colours in hyper-geometries
asking whether a leaf shape would be
assertive via the ****** addict's nodding
to what's a black hole in comparative venture
a similitude of tropism...
here comes the nod, here comes the vote,
here comes the nod, here comes the vote vote vote.

no, i mean, i have all the time in the world...
i was with an appendix that pretended to be an ******,
******* ****** kin, and ova like spermatozoa.
i get that german socialist nationalism didn't
work but built a vein / artery network of the autobahn
(arteries the motorways, veins the st. clement close,
culprit gardens, bypass avenues, etc.)
so will the other intervention be workable
e.g. gotta love ol' walt whitman?
am i about to **** statue of liberty's ****
for the sake of capitalistic nationalism working?
everywhere you go it's little america, mid-west america,
about as much cultural diversity as all the aardvarks
in the world on steroids put together...
i go to italy i'm in little italy, a suburb in new york,
i go to paris i'm in little paris, a suburb in boston,
i go to beijing i'm in little beijing, a replica chinatown
everywhere...
the same aardvarks on steroids started to snort up
the ants as a new feeding mechanism
leaving the tongue to lick their genitalia and ****...
the way i see, there's only one resolve,
go nowhere, dig into your vicinity,
make the villages big, Big, BIG....
don't go down the route of tourism,
everywhere is the same, the only change is
price-wise... which is odd that we're asked
to speak like abstracts, use all the pronouns
available, but avoid using nouns referring to ethnicity,
start the bleaching process, globalisation
doesn't allow such nouns as african,
or american, or european, globalisation just doesn't
identify with noun usage... it's all about abstracting
a syrian an african a european into compost heaps
of i, you, me, we, it, they, them...
identify beyond this realm... and you're in the troop
of supposed trouble-makers.
Mateuš Conrad Jan 2020
how soon... is... savannah brown,
to represent sylvia plath?
                                               too soon?
i say, too soon.
                  i have come across
my second fictional charioteers...
ragnar and athelstan...
   ivar the boneless and...
  bishop heahmund....
                      my "concerns"?
Αγνή Παρθένε...
              χασμουρητό:
   (χ) chi...
                   chasmonreto...
while i thought of?
the hungry only feed their
thought by usurping a freedom
from hunger!
                      how the first wave
of heathens learned to be humble...
while the second wave of heathens
aspired to be... noble...

   who, are, we, versed in
teutonic chants?
      de pacem domine?
            might i, site, a sing-along
to a kumbaya?
              replica?

             salvare mea dominus,
mea praesentia....
          quod iustificationem
   vestra autem praesentia et vestra
   salvus erit immoderata cuiusque
     luxuria subsequenda...

see... leftist intellectuals
always **** at the teet of islam,
in terms of the blinding lights
of "consciousness"...
but, what does, 'fathom', begin,
and end with?
                    
the antithesis of
a soul?
  the anti of a psyche?
well, there's
the yawn,
and only the yawn
to counter
the winds of breath.

          at each of these medieval
chants... i weep...
           i weep from a certain
presence of joy that cannot
find translation within the confines
of the modern world...
i cry, because i find the sort
of joy, that cannot be,
associated with the joys
of the modern world...

      to think... a pagan...
twice over...
         ragnar in athelstan...
the source of knowledge...
worth more than gold...
and ivar in bishop heahmund...
purity, truth...
          an antithesis of
pagan jeleousy...
  nobility...
            what man is not
allowed to cry,
in celebrating the slow...
snail like climbing
manifestation of
a conversion?

         if man is ever allowed
to cry...
       it's at this...
         that element of beauty
of a transvaluation of value...
   ragnar in athelstan: knowledge...
ivar in bishop heahmund:
                       value(s)...
to be of noble cause,
is to demand...
                           and what if...
sisyphus... didn't roll the stone
up a hill?!
  what if... he just let it sit...
and pretended the stone
to be a mirror...
  not so much a "mirror" adequate
for an image, reflected,
more.... a "mirror" of
his thinking?
  surely... thinking is born
from the existence of inanimate things...
rather than animation?
    thought surely has to
source itself in inanimate objects...
first... before moving into
the fog like argument of evolution
working from the ontological extensions
of apes...
              ex similitude rurus ut similitude
      (out of similarity, back into similarity)...
ad imitatio...
        (toward imitation)...
        et regressio
                     (and regression)...
          but... all the critique of byzantine
culture... once a convert to a byzantine hymn:
forever a convert... to a byzantine hymn.
even the ancients can't allow themselves
to convert the heart from allowing
the heart to absorb the conversion that has
a pristine fathomability of the mind:
in its state of being: thoughtless.

the conversion pilgrim:
from catholic,
                 to hebrew...
back, en route,
                 to Byzantine chants...
   was anyone ever, really,
worried out the metaphor: Byzantine,
to replace the word: bureaucracy?
i was more worried about
a conversion via sung psalms.
          and if it is music,
and i cry...
                   i treat that as
a worthy authenticity worth
investigating...
given... Ragnar valued the knowledge
of a monk...
while Ivar...
  the nobility of a christian
warrior bishop.

                    how may i ever repay
my slander...
       i will only repay that slander...
with my honesty...
i need not torture myself,
in fathoming the unfathomable
rites of repenting...
          i will cry, upon succumbing
to the sand psalm...
and if that is not enough...
then i will continue to renounce...
and slander...
   for what are the tears of the honest...
equal...
         to be equal made...
upon the lashing...
the "repenting"... the "pure"...
the liars?!
                   liars do not cry with
joy... liars cry...
to masquarade their hidden ambitions /
or whatever other hydra head
pops to mind...
                 guilt.
i cry... because beauty needs to be
celebrated... with the only worthy
and available alms... tears!
Andy Oct 2019
If there are wonders of worlds unknown it wouldn’t be found in this missive. All ingenuity and innovation of tenders and obscure precarious peasants in town are forgotten. A tailor-made war machine ingenious to no purpose, but disassembling of pragmatic purpose driven people by torts in similitude to lay-flat bacon with no flavor. Style was not the first itinerary as well, as reason and intellection more likely found slung out a window in the dark grey burdensome MOCO morning clouds to dry than the vestige of its unrecognizable token. At the day of the making of the great ingenious monstrosity of marvel the crown and the crowd were all in awe, awhile the people gathered in the halls giving pittance and lamenting what they saw. They were counted with their many items that they made not similar to the machine that they stood in obeisance for.

  October 28th broke darkness to a drab MOCO morning as brilliant light gives way to long pale grey cloudy skies of foreboding obstruction. What has come to pass fills the streets with unfriendly noises. Obnoxious street sounds of trucks and rude commuters in the morning melting *** of the county seat steered a drab venture for the driven. For some, the events of the day couldn’t come too soon. A sober male erected himself in an uncomfortable bed, eyes raptured into a day fore lorn by prophets of paisley drapes and trinkets once despised. Little left to vacillate upon he strikes his life for the fare he will need for the day without a meal and those owed are far greater than he can afford to pay. He deserves far worse. He makes his early drink in one thousand ways and questions the preliminaries that compulsory routine has degraded to utilitarianism as he is burdened by health of the sort the homeless are afflicted.

    Sitting undisturbed, busy rifling through an ordinance of papers, the judge peered out over his bench checking occasionally to appear meticulous and still aware of off-guard court officers and clerks. It’s a wonder how influential the long satin Khaki painted walls aligned with disheveled faces of the father’s of the 9th District were in forming his disposition. It might not be obvious by the look of his sparse schlocky beard or furry eyebrows but, his portrait was as predestined as the grain on the gurney he rode in on. A paladin in white, a fury fine form, ready to leave his post modern imprint in-line with the greats. This wasn’t what he loved to do; this was what he was born for.

    The tight soldier-course front-line of blue and teal is disrupted by our pocky pitched Siren dousing more among the brown of cross wood than the grain that red oak can display. Cordial banter in the echoes of the hall were far off despite the close good mornings and whimsical felicitations exchanged wittily without regard to fairness. Framed words are hard to come by in the sentence seat of the unjust. The fake philanthropic mating calls our Siren sounds before the wind are so grotesque in full sight they are only left for a sailors burial song or dirges in the dark by wearisome travelers and laborers neglecting the fear of their next day as they did the day before. Singing is a requirement in the back minds of the proud. of the proud.
Mateuš Conrad Jul 2016
Nietzsche once said: poets are shameless with their experiences: they exploit them. i think he was wrong, maxims aren't exactly atoms of accuracy and unchanging ontology... i see poets as shameful with their experiences: they don't exploit, they simply exaggerate their experiences - the oldest truth out of Eden was a lie... what poet could possibly reinvent such parameters as necessarily truth-worthy upon revision? the fear of telling a lie encompasses maximums, or truths untested / undemanding... the oldest truth out of Eden was a lie... the youth of refreshed Eden-like hopes is the ageing original, neither truth, nor life - but simply the unattainable regurgitation once fabled by Roman enforced bulimia and the Welsh long-bowman V wedged into the throat like an oyster into the world.

what they sold the ultra-left fanatics
and kept at juggling pace stalling
worth's of economics comes to bite back...
in my family?
the only ones readied for a coffin
are my grandparents, my parents aren't secure,
i ain't one for prawn cocktail starters either  -
i won't repay my student loan...
because i won't be working McDonald's till
dusk asking myself: so what was the point
of educating myself? i guess working at
McDonald's was the answer already
waiting for me once graduation time came.
me? i'm analysing the fears of living
on the streets... but as one homeless man began...
you're a diamond in the rough...
i just gave him a cigarette and talked with him
in Turkish akimbo.
oh pooh you, papa won't pay! how *sad
.
i hear you antagonising both left and right these
coming days.... of course the right you fear...
fear and shrivel and tremble and dust...
i came from a family of Communist party members...
you think the Vatican aid will suffice?!
i'm into the lessons of the founder -
i believe in forgiving your enemies,
but in a way that does not enact tribal satisfaction
of culprits kept in cages... i believe like yhwh believed
concerning Cane... roam free! lie forever more!
i don't believe forgiving a culprit once all the laws
were passed is worthwhile the message -
i don't believe in zoological jurisprudence -
i want the LIES... i want a person to exact their
role in society to a full potential... like the god
of the old testament i was the law of free-roam -
i want the lies to suffocate the culprit...
i can name him any day you like, but i like the odd tease
and fake of reprimand -
i want the culprit to roam free like Cain -
i want a zenith of lie to extend beyond a mere cage
and an environment of prison - i want the obsession
of the everyday life to encompass the term -
if forgiving is the lesson, then i will not want any laws
exacted - completely free, away from prison -
away from a similitude of criminality -
the "normal" person - oh sure, call me mad,
i faked madness a long time ago, so i could be granted
a quasi-diplomatic immunity -
Broadmoor Hospital is closing... care in the community...
oh wait... but you called me mad?
i sought my reason in Polish neurosurgeons and kept
them knit-picking lies and deceptions in a society
i once wished to integrate into, as prescribed
by my use of English; yet... left aside, i turned to Russia,
in the Axis tribunal i was least offended.
they can ridicule all they want... i know my weakness
when i see it, and subsequently utilise it in the staff gimmick.
their language undermines them - their language
undermines them... old Jack shredded the Union
in the 19th century... of course they're slow to pick up
the realities ahead - p.c.s.d. (post-colonial stress disorder)
mimicked in every soldier coming back from Afghanistan.
Why sail the sea?
why chase wavelets
flitting in front of the bow,
leading paths
into a vision of lonely solitude?

Because I see a lonely freedom
racing under the wind
fighting the sun and the stars

A vast delusion of similitude;
each wave follows in the wheeling path of another,
but it's never the same,
a difference,
a silent, unique verse
pulls the water of the rains along

Wind pulls me
in a different direction than my feet

This is a kind of chaos I can dance in
Mateuš Conrad Aug 2017
in existentialism, it's also called: "for lack of a better word", namely? : and the italics aesthetics; and that's hardly implying the thesaurus, it still remains a: "lack of a better word"; assuredly, half ambiguity, and half of laziness imparted, otherwise a loss of laziness, due to the quickened pace of concentrated vocabulary... a banshee vocab, than some mundane parliamentary corrective containment of: airs and socially-normative "pleasures"; existentialism proved one "thing" foremost: how to avoid the point of using a thesaurus, or thereof lack of a better word; and you can spot the disability of writers of fiction, for their certain use of words, sticks out, like an amputated limb.

and the second tier of the *pontius pilate
"effect"?
the beelzebub effect?
i've stopped washing clean my hands
on the matter,
the water's gone, my hands have dried,
now i'm rubbing them with a joyful glee...
just like a fly, rubbing its extensions together,
i know that i'm about to delve into
the piece of **** that's western society,
i know that i'm about to rummage into
this overtly science-based liberation /
            glorification
with all sorts of antis -
but i'm pretty sure you won't find
the nomad's songs from the album concentrated
album online...
        or steve wynn and the miracle 3's
...tick... tick... tick album...
regarding the nomad,
   well... new zealand is pretty hard to find...
brownie points on the guess points surpass.
a dialectical resolve is near impossible these days...
the subjective-objective dichotomy,
transient outside a dualism has crafted a sling-shot,
that's currently having a yoga lesson
in the most effective stretching poses,
implying churchill's V foremost...
my my, though,
how did pontius pilate ever become beelzebub,
in that wiping your hands clean
of the matter, was also a derivative of:
rubbing your hands with anticipation,
and a cheeky similitude of an ingressive smile:
i'll see to it, that things, rot,
my last supper, will be the last ask for the worth
of things to eat you might ask for; last.
   regurgitation of the forbidden fruit,
      for you to be tempted by,
  and of course, by description alone,
   the forbidden fruit, left, untouched,
                                                   via my gut:
you would not touch, via imitation of my
own concerns in method of digestion...
      will you taste this fruit, with me,
having touched it first? someone say,
that man is only worth his contraceptive will
upon seeing a sun-bathed body,
  with white turned copper... for some white
men grieve at feeling the african fold over bone
as being of sandpaper texture...
           excess of melanin, i presume;
well? oops.
              more mysterious is the fact that,
you can ask as many questions as you like,
but having done so, still be immune
to the ? "punctuation" mark...
            odd, isn't it,
               when grammar is hardly a worthwhile
mannerism,
      as it punctuation the hardly engaged with
diacritical focus, notably in english,
that doesn't enact the focus for such distinctions /
laws, being worth the orientation of
worthwhile "eccentricities".

— The End —