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Nat Lipstadt Jul 2013
Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
tranquil Nov 2013
once upon a stolen time
skies swore love to the earth
in a sight where all flew past
the splendor of a sailing romance

a passion so pristine

ever gentle as morning dew
which surrenders to the first rays
of a yawning sun toddling into
the laziest hour of day's fabric

when hope glittered as stars

and as formless light of souls relieved to be
strewn into the lap of merciful
enchantress content with her creation
whose world shone inspired on its own

an era where people breathed felicity

where foamy seas bent into a restless
swell of dreamy clouds
and smiling rainbows melted into perfume
drops of silver rain

when a grand pearl was born

the child of deepest seas
a gleaming myth so pure and unreal
born in nethers of the grand ocean
a spheric orb of life itself

whom the heavens embraced

as a savior of those lost within
the fading embers of abstraction
frolicking amidst solemn tranquil stars
shiny bright on the celestial parapet

the mortals named her moon

and furnished their barren lives with
colorless spread of her golden hair
traced along the milky laugh of joy
kissing tender skins of lovers asleep

but pinched upon by shores of neglect

lay the boiling heart of a forgotten god
leaning into the envious whispers of venomous deceit
sprung out of flaming ego of the great sun
overpowered by hate for his adversary

and the grand ocean who birthed her

so he raged upon like a nebulous explosion
drying up colossal seas and rivulets alike
while mortals bore the brunt of a deity
beneath all fiery blunders of infernal damnation

they all gazed in horror

to what became of once cerulean infinite ocean
now a volatile geyser of bloodied soup
a serene cradle of life incinerated by jealousy
amidst the dying cries of mercy

laid upon the ears of great mother

who rushed to her frightened children like
an avalanche of uplifting spells
as solace from the obliviating torrents of heat
above a crumbling earth

veiled in her merciful majesty

she called upon a parliament of beasts and men
starry denizens of the shivery black sky
ghostly natives of burning forests
restless roses of ashen hearts

as so were they all summoned

"for all ye did defile
with strength i lend to thee
reduce to shadow dust
spread thy cruelty
dispel a coat of fire
upon my hallowed sea
betray the rule of stars
but so mercilessly

for 'gainst the eye of war
ye sinned with hateful fright
and shall be doomed to hell
till life's last surmise
but if there be some more
ye need to speak awhile
speak aloud thee must
for this be thy time"

and so the mighty sun bared his heart

"for if i had a choice
sin i shall again
to breathe a demon's soul
engrossed with deathly pain

as when i saw her first
the light of purest love
allure of million songs
beaming anthems of

poetry set in sight
in fountains of her sleep
amid the faintest wish
of day we two shall meet

i ran and ran across
the length of starlit skies
in search of moon again
her burnished sheeny smile

only to learn the sea
would mask her in the day
in frigid soundless depths
until i fade away

spiralled across the space
i burnt to nothingness
a billion years in wait
perished to longingness

for choice was what i had
i chose to hate the world
one that does have no heart
one that does know no love

for if i had a choice
sin i shall again
just as the ocean sinned
and bring my soul this pain"

seeking out for the shattered cascades of his mind

the great mother did reach to the floundering soul
of a sun craving for one more sight of his beloved
all so distant as a tale of treasures lost
to the perpetual labyrinth of time

"of what shall thus be named
the blush of myriad glows
beneath the noble day
before the nights of pure

let there be a spell
where sun may see the moon
chisel his heart through clouds
scroll upon his tune

a time where them two shall
be one as dew and morn
ripple across as love
through dusky silhouettes long"

sweet scents of eager hope resurfaced

followed by the serene lush of a green symphony once more
while the sun bent down to touch the topaz glint of water
his beloved emerged riding upon whistling winds from east
once more piercing the restless swell of dreamy clouds

and just as day sank below a border of horizon
two lovers soared into the dreamy sight of each other
for hues of their daring glances tinge every twilight
again with a dream to have their love fulfilled

every day until the end of time.
Leal Knowone Feb 2016
There is romance in ever action, reaction, every stair, and every breath. shivery is not dead, there is just barely anything left.
Love how you want to love, Just don't hurt yourself or others.....unless that is what they want ;)
jhssn Feb 2015
There was a girl.
A girl I once  knew
who never felt cold.
Never felt cold when
taking a shower in
freezing water.
Never felt cold
when she would stand
at the bus stop in 6
degree weather with barely
anything on. Never felt
the slightest bit of cold
even when she layed down
in the snow for 5 hours.
In fact, she loved the cold.
She embraced it; she loved how
cold the winter was in
Michigan. She loved feeling
the icy wind hit her face and
body when she wasn't wearing
much. She loved the
way it made her hands and face feel
anesthetic . It made her feel alive, refreshed
even, and
that’s all she ever craved for.
But she still never
felt how cold it actually was.
But why?
Why did she love
it that much?
Why couldn't she ever
feel frigid like everyone else?
Why love something,
something  you cant really feel?
Because even though she couldn't
feel how shivery cold
it was on the outside,
maybe that’s how her heart
was. Maybe that’s how
she felt on the inside.
**Numbing cold.
Esfoni Oct 2015
As rain's catching its breath
on the wings of a howling wind
cowering through the leaves
of a whipping willow

encountered a shivery hummingbird
“why are you crying?”: asked the rain
“she's rattled by my yowling!
or, could it be the thunder?”: said the wind

“she's soaked and cold
might be hunger
or a broken wing
can it be a fever?”: said the willow

if and only if, the mute bird
could utter a single word
as the wicked snake slithered
through the branches, to reach her nest!

10/06/2015
Annie Feb 2017
Once upon a thyme
In an herbed house
Their lived a witch
Whose ripe rampion
Was so overpowering
That the neighbors
Left bottles of febreeze
On her doorstep.

The witch didn’t care
- But
In the flat-ironed town
Of Lunch time lipo
Where you were defined
By your eating disorder
She looked like
An Omish escapee
With hips that wriggled
And ******* that jiggled

So her cell phone number
Wasn’t in anyone’s top five
-Except
For one confused neighbor
Who never made it to college
And got to experiment
Like a true Gemini.

Now imagine the witch’s surprise
When this neighbor confides
That she would love to eat
Her ripe rampion.
- Naturally
The witch agreed.
It was nice to have something
That somebody else wanted
Though it was exhausting
For the neighbor
Who munched day and night.

And if one surprise
Wasn’t enough
The witch discovered that her
Neighbor was pregnant.
Now the witch had many powers
But that wasn’t one of them.
It appeared that her neighbor
Found her husbands
Carrot patch to
Quite esculent also.

And the witch
Being a picky Virgo
With a jealous Scorpion moon
Thought that her neighbor
Should not
Have spun around the vegetable
Color wheel quite so fast
And so in a fit of temper
She stole her baby
And locked her away
In an ivory tower.

Initially everything worked out
Until the oil crisis
And then the witch couldn’t
Visit Rapunzel quite as often
As she would have liked
Not with gasoline
Being so expensive
And so Rapunzel became bored
And started chatting to
Prince charming
On her face-book wall.

The witch took all the hopeful Trojans
That the prince had left
On previous visits
And tied them together
To form a rubbery step ladder
And when she heard him shout
"Rapunzel, Rapunzel…let down your hair!"
She threw this at him…angling it
With just a little thread of hate.

Prince charming grew all shivery
And put on his worst
Austin powers "Oh behave" accent
Thinking of the delights
That awaited him

However, his shivery-ness
Soon became a full body tremor
When the witch met him
On the top rung
And he knew quick enough
This wasn’t a
Ménage à trois.

The prince spent many months
In traction
Recuperating from his fall.
Rapunzel was sent off
To boarding school.
And as for the witch…
She dropped twenty pounds
And got her own reality show
*Housewives of Salem county.
I let myself in at the kitchen door.
“It’s you,” she said. “I can’t get up. Forgive me
Not answering your knock. I can no more
Let people in than I can keep them out.
I’m getting too old for my size, I tell them.
My fingers are about all I’ve the use of
So’s to take any comfort. I can sew:
I help out with this beadwork what I can.”

“That’s a smart pair of pumps you’re beading there.
Who are they for?”

“You mean?—oh, for some miss.
I can’t keep track of other people’s daughters.
Lord, if I were to dream of everyone
Whose shoes I primped to dance in!”

“And where’s John?”

“Haven’t you seen him? Strange what set you off
To come to his house when he’s gone to yours.
You can’t have passed each other. I know what:
He must have changed his mind and gone to Garlands.
He won’t be long in that case. You can wait.
Though what good you can be, or anyone—
It’s gone so far. You’ve heard? Estelle’s run off.”

“Yes, what’s it all about? When did she go?”

“Two weeks since.”

“She’s in earnest, it appears.”

“I’m sure she won’t come back. She’s hiding somewhere.
I don’t know where myself. John thinks I do.
He thinks I only have to say the word,
And she’ll come back. But, bless you, I’m her mother—
I can’t talk to her, and, Lord, if I could!”

“It will go hard with John. What will he do?
He can’t find anyone to take her place.”

“Oh, if you ask me that, what will he do?
He gets some sort of bakeshop meals together,
With me to sit and tell him everything,
What’s wanted and how much and where it is.
But when I’m gone—of course I can’t stay here:
Estelle’s to take me when she’s settled down.
He and I only hinder one another.
I tell them they can’t get me through the door, though:
I’ve been built in here like a big church *****.
We’ve been here fifteen years.”

“That’s a long time
To live together and then pull apart.
How do you see him living when you’re gone?
Two of you out will leave an empty house.”

“I don’t just see him living many years,
Left here with nothing but the furniture.
I hate to think of the old place when we’re gone,
With the brook going by below the yard,
And no one here but hens blowing about.
If he could sell the place, but then, he can’t:
No one will ever live on it again.
It’s too run down. This is the last of it.
What I think he will do, is let things smash.
He’ll sort of swear the time away. He’s awful!
I never saw a man let family troubles
Make so much difference in his man’s affairs.
He’s just dropped everything. He’s like a child.
I blame his being brought up by his mother.
He’s got hay down that’s been rained on three times.
He hoed a little yesterday for me:
I thought the growing things would do him good.
Something went wrong. I saw him throw the ***
Sky-high with both hands. I can see it now—
Come here—I’ll show you—in that apple tree.
That’s no way for a man to do at his age:
He’s fifty-five, you know, if he’s a day.”

“Aren’t you afraid of him? What’s that gun for?”

“Oh, that’s been there for hawks since chicken-time.
John Hall touch me! Not if he knows his friends.
I’ll say that for him, John’s no threatener
Like some men folk. No one’s afraid of him;
All is, he’s made up his mind not to stand
What he has got to stand.”

“Where is Estelle?
Couldn’t one talk to her? What does she say?
You say you don’t know where she is.”

“Nor want to!
She thinks if it was bad to live with him,
It must be right to leave him.”

“Which is wrong!”

“Yes, but he should have married her.”

“I know.”

“The strain’s been too much for her all these years:
I can’t explain it any other way.
It’s different with a man, at least with John:
He knows he’s kinder than the run of men.
Better than married ought to be as good
As married—that’s what he has always said.
I know the way he’s felt—but all the same!”

“I wonder why he doesn’t marry her
And end it.”

“Too late now: she wouldn’t have him.
He’s given her time to think of something else.
That’s his mistake. The dear knows my interest
Has been to keep the thing from breaking up.
This is a good home: I don’t ask for better.
But when I’ve said, ‘Why shouldn’t they be married,’
He’d say, ‘Why should they?’ no more words than that.”

“And after all why should they? John’s been fair
I take it. What was his was always hers.
There was no quarrel about property.”

“Reason enough, there was no property.
A friend or two as good as own the farm,
Such as it is. It isn’t worth the mortgage.”

“I mean Estelle has always held the purse.”

“The rights of that are harder to get at.
I guess Estelle and I have filled the purse.
’Twas we let him have money, not he us.
John’s a bad farmer. I’m not blaming him.
Take it year in, year out, he doesn’t make much.
We came here for a home for me, you know,
Estelle to do the housework for the board
Of both of us. But look how it turns out:
She seems to have the housework, and besides,
Half of the outdoor work, though as for that,
He’d say she does it more because she likes it.
You see our pretty things are all outdoors.
Our hens and cows and pigs are always better
Than folks like us have any business with.
Farmers around twice as well off as we
Haven’t as good. They don’t go with the farm.
One thing you can’t help liking about John,
He’s fond of nice things—too fond, some would say.
But Estelle don’t complain: she’s like him there.
She wants our hens to be the best there are.
You never saw this room before a show,
Full of lank, shivery, half-drowned birds
In separate coops, having their plumage done.
The smell of the wet feathers in the heat!
You spoke of John’s not being safe to stay with.
You don’t know what a gentle lot we are:
We wouldn’t hurt a hen! You ought to see us
Moving a flock of hens from place to place.
We’re not allowed to take them upside down,
All we can hold together by the legs.
Two at a time’s the rule, one on each arm,
No matter how far and how many times
We have to go.”

“You mean that’s John’s idea.”

“And we live up to it; or I don’t know
What childishness he wouldn’t give way to.
He manages to keep the upper hand
On his own farm. He’s boss. But as to hens:
We fence our flowers in and the hens range.
Nothing’s too good for them. We say it pays.
John likes to tell the offers he has had,
Twenty for this ****, twenty-five for that.
He never takes the money. If they’re worth
That much to sell, they’re worth as much to keep.
Bless you, it’s all expense, though. Reach me down
The little tin box on the cupboard shelf,
The upper shelf, the tin box. That’s the one.
I’ll show you. Here you are.”

“What’s this?”

“A bill—
For fifty dollars for one Langshang ****—
Receipted. And the **** is in the yard.”

“Not in a glass case, then?”

“He’d need a tall one:
He can eat off a barrel from the ground.
He’s been in a glass case, as you may say,
The Crystal Palace, London. He’s imported.
John bought him, and we paid the bill with beads—
Wampum, I call it. Mind, we don’t complain.
But you see, don’t you, we take care of him.”

“And like it, too. It makes it all the worse.”

“It seems as if. And that’s not all: he’s helpless
In ways that I can hardly tell you of.
Sometimes he gets possessed to keep accounts
To see where all the money goes so fast.
You know how men will be ridiculous.
But it’s just fun the way he gets bedeviled—
If he’s untidy now, what will he be——?

“It makes it all the worse. You must be blind.”

“Estelle’s the one. You needn’t talk to me.”

“Can’t you and I get to the root of it?
What’s the real trouble? What will satisfy her?”

“It’s as I say: she’s turned from him, that’s all.”

“But why, when she’s well off? Is it the neighbours,
Being cut off from friends?”

“We have our friends.
That isn’t it. Folks aren’t afraid of us.”

“She’s let it worry her. You stood the strain,
And you’re her mother.”

“But I didn’t always.
I didn’t relish it along at first.
But I got wonted to it. And besides—
John said I was too old to have grandchildren.
But what’s the use of talking when it’s done?
She won’t come back—it’s worse than that—she can’t.”

“Why do you speak like that? What do you know?
What do you mean?—she’s done harm to herself?”

“I mean she’s married—married someone else.”

“Oho, oho!”

“You don’t believe me.”

“Yes, I do,
Only too well. I knew there must be something!
So that was what was back. She’s bad, that’s all!”

“Bad to get married when she had the chance?”

“Nonsense! See what’s she done! But who, who——”

“Who’d marry her straight out of such a mess?
Say it right out—no matter for her mother.
The man was found. I’d better name no names.
John himself won’t imagine who he is.”

“Then it’s all up. I think I’ll get away.
You’ll be expecting John. I pity Estelle;
I suppose she deserves some pity, too.
You ought to have the kitchen to yourself
To break it to him. You may have the job.”

“You needn’t think you’re going to get away.
John’s almost here. I’ve had my eye on someone
Coming down Ryan’s Hill. I thought ’twas him.
Here he is now. This box! Put it away.
And this bill.”

“What’s the hurry? He’ll unhitch.”

“No, he won’t, either. He’ll just drop the reins
And turn Doll out to pasture, rig and all.
She won’t get far before the wheels hang up
On something—there’s no harm. See, there he is!
My, but he looks as if he must have heard!”

John threw the door wide but he didn’t enter.
“How are you, neighbour? Just the man I’m after.
Isn’t it Hell,” he said. “I want to know.
Come out here if you want to hear me talk.
I’ll talk to you, old woman, afterward.
I’ve got some news that maybe isn’t news.
What are they trying to do to me, these two?”

“Do go along with him and stop his shouting.”
She raised her voice against the closing door:
“Who wants to hear your news, you—dreadful fool?”
Filmore Townsend Feb 2016
take some time to count, to verb
some syllables for some wrecked
page. a Lostman's book in ****-
tered thought; nature, and death,
and sole body. then, when she talked
about her better years as those of
drug-induced past-life. younger than
yesterday kinda years. that which finds
metronome slowing, the Universe energy
vibrating weaker while growth found in
apathy, and solid death of purposeful
movement.
                         then a shot,
that moment to break from wretched self-
criticism -- that post-idyllic criticism --
that which hinders forward movement.
           the shot,
which finds contentedness thru some
repetitious mentality . .
                                                 [lost it]
         . . repetitious fallacy?
              [got it]
let's leave some break for transmigration
in thought to prelude of forward movement.
understanding now is not enough; but
agreement in hast. but dissolution to that self-
efface hit rapid. brought back, her thought
of the younger than yesterday years; now,
now is the greatest point of any a count-
less past-life. from them, no matter a sweating
season, the Long Dark, or the cycle-seasons,
             all is now. and never
did she or i talk of the past again.
                   our foci,         [one second]
drawn to point of second and next second upon
following and on for another. now, shivery
wine-drunk, reminiscent of tiny furnace and
woolen blanket apartment. that now,
that was true striving of second successful ***** Den.
        a great thought downfall; she's been long gone.
            [next second now]
she complained of the wind. her eyes were freezing,
she said; her life has begun to bore her, she said.
we moved to playground and climbed in the
slide; a nice dampening. cold plastic barely felt for
her. this Long Dark, and in it, an always fleeting
warmth.                  [break
                        ­to **** for concision in thought]
now then, a diner, of course this face is known. they also
know a companion vacant. asked of, pleasant enough;
responded, well enough.
       [disheartened, well enough]
and then, wholly intrinsic with a blasphemous self-
Oralee while passing time trying to think. unable,
if only for sole point of trying. and epochs worth,
thought and gone; now compulsive, now unres-
ponsive, now chewing lips because they're part gum.
Alan Maguire Feb 2013
Her words stabbed me,
her shivery frosted words,
gouged my  eyes out,
scooped them out with the grace of
an armless ***** on steroids and
spilled my guts on the ground.

Then she left me to die in the desert of forgottenness.Where the scavengers stripped me to the bone
and the sun bleached moon, gazed upon my essence then drank deep and loud.

My mind is now vulcanized.
my mind has been treated with sulfur to enhance it's durability.
So, you can stretch it,
and say what you want baby
cos I don't give a ****.
Timothy Mooney Feb 2011
I stepped outside for a moment, simply to catch a breath on my porch,
and I saw that slivered Moon scooting behind those shivery clouds.
In a brief half-second I felt Her eons,
Her aged gravitational tumble,
Her pained and painted-on pagan sins of yore,
Her holy rejoinder of light against the darkness,
Her catechism of magic,
and the cold
empty doctrine
of Her orbital destiny.

I closed my eyes for a moment, to shut out Her history...
to try and catch that breath...
But She would not relent.
She was insistent, pulling my eyes open and up
and She offered me her memories
and begged in Her dry eternal voice
to allow me Her touch.

     I accepted.  Felt Her fear as our rockets bruised Her dusty flesh
     upon their uninvited landings
     and scarred her with their burning departures.

     When I had taken it all in, She disappeared behind one of those
     shivery clouds
     and I was able to
     catch that breath
     I had almost forgotten
     I had meant to take.

I watch for Her nightly now.
Even when She is obscured by clouds
or maybe just on the other side of this earth-she-cannot-touch,
Her eternal dance partner.
I open my eyes and gaze up.
With awe and wonder and respect
to let Her know that in my small gravitational way
that there is at least
One son here who thinks of her
and who understands and appreciates her tidal Motherhood

who smiles  beneath Her transient reflection,
holding that light dear,
and who, in turn,
reflects some of that light
back to Her,
with promised eye.
Seema May 2018
As I walk my way along the path of goodness...
Shattered moments linger through the loneliness...
As I get closer to the destiny, I'm pulled back by the unknown forces...
Feeling scared as I fear for the invisible tortures...
I'm striving my way through, each time I stumble...
Trying to spit words but in vain I mumble...
Fighting my way through the nights wickedness...
Hoping when will I get out of this wilderness...
Perhaps a whisper from above will give me the strength to keep going...
My instincts leap up and positivitates my knowing...
The path is clear but as I start my walk again, the path is blurred and I stumble again...
Soon day breaks and I am left awake soaked in pain..


©sim
Spilling imagination.
Lawrence Hall Jan 2019
This site does not permit the caesura divisions at all and I will not post the poem without them. You can find "Antihistamine Dreams with a Little Touch of Grendel in the Night" at my own not-very-well constructed site,

https://reactionarydrivel.blogspot.com/2019/01/antihistamine-dreams-with-little-touch.html

where the divisions are merely botched, not forbidden.

(I think it's rather nice, shivery little poem, especially if read around a campfire at night)




“A little touch of Grendel in the night” is a takeoff of “a little touch of Harry in the night” in Henry V.
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.


Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
Jimmy Solanki Jan 2014
Blinding flashes
I know them now
They are your sparks
Baby, they are your sparks

You sparkle
at night and in light
You wonder
But I shiver
in awe and in fright

You've stunned
my unshakeable beliefs
You've loved
this moronic relief
You rose
when I fell
You fought
And I can tell
Those shivery thoughts
From dreams apart
I know them now
They are your sparks
Baby, they are your sparks

The brilliance of your stalwart smile
The moonlight on which your feet tread
Though I may bend or I may walk
A thousand miles beneath the sea
Where my love stayed, frightened of
Of missing you and misery

And all those stupid memories
That you ever gave to me
Had meant I loved you more and more
Till it became an ecstasy

You've revived
My long lost dreams
You've loved
This stone cold fiend
You rose
When I fell
You fought
And I can tell
Those shivery thoughts
From dreams apart

I know them now
They are your sparks
Baby, they are your sparks
Ashlea Daune Sep 2012
I might not have the words to describe how I feel about you
But I hope you can see it in my eyes
The way you make me feel
and the smile I can't help but have when you're around
The shivery feeling I get whenever you touch me
And the way you set my heart flying
You're always on my mind
And I get distracted by you so easily
When we're not together I count the days until I can see you again
The way you hold my hand,
so gently, yet tight enough to never want to let go
The way you kiss my cheek,
just a tiny little peck, and I see stars
The way you wrap your arms around me
please never let me go
Forever in your arms
and Always in your heart
I want to be your forever
Severe Siberian shivery stinging
Below freezing, bitter, bleak, brisk
Painful, penetrating piercing
Frigid frosty frore
Icy intense inclement

Copyright 2014
All Rights Reserved
A Louis Peta Aug 2012
This is possibly
the stupidest idea in
all of literature

“one becomes
forever
responsible for what
one
captivates”

nonsense,
and it was not written for you

(I knew it all along)

don’t steal me
from us

              don’t forget there is always
                                                 something
              beyond you

I was there
(since the beginning)

I am also
entitled
to the blame

and I COULD have done
otherwise.

But why should I

when
you have
the loveliest weaknesses
                   &
you
have the most
charming
flaws
                   &
your shivery hubris
was the thing I most closely touched

that resembled love?

Be happy,
dear,

be kind to yourself:

(You’re adorable
                                              when you break.)

don’t be so possessive
about beauty

and pain.
Bluelips Feb 2013
As the green fields of desire turn to dust,
And the shining armor is covered in rust,
Cynicism catches reality with her embrace,
While hope takes one last bow in grace.
All that is left is a harsh, crooked grin,
Served by despair who knows he’ll win.
Though his diamonds will leave you shivery,
He is now your finest piece of jewelry.

When taking that frightening leap in tears,
You hear the cries of devotion so near.
In the dark, misgiving cradles your head,
They are dying, these words you left unsaid.
Faith is the light trying to break through,
Yet the choir of doubts still leaves you blue.
Anger and bitterness will claim what’s yours,
Forcing patience to leave these shores.

Looking upon someone you wish you were,
You turn your head away from the blur.
Sweet affection held your hand for a while;
Now regret will walk you down the aisle.
But you request oblivion to stroke your mind,
Yet his stubborn being is not too kind.
Emptiness however is such a fine gentleman,
In him you find your trust to be genuine.
The title for this one is just a working title until I can come up with something better.
Keva Minus Mar 2013
Great ***** of fire, dart through the bones.
That muscle pumps ridged ****** stones.
The bitterness won’t leave her alone.
Alone, the bitterness left her home.
Home could not be found for help.
In search she went beyond herself.
Beyond her thoughts, she started to yelp.
She yelped until emotions no longer were felt.
Out of the blue, she felt this soothing breeze,
That cooled her bones that danced like trees.
Her blood streamed rivers flowing into seas.
No longer in confinement her minds at ease.
Hugs and kisses, I felt those before.
Moon lit dinners, chocolates roses at the door,
The dreams sold were sweet to the bitter core.
You sold me no dreams, yet gave me more.
How is it that you took this loneliness from me?
Destroyed my sadness, made bitterness flee,
“U” figured me out to the “T”.
I feel happy; I am blissful to feel free.
Through my unfathomable heart beats love.
It’s not broken or dead, a lively hub.
Peaceful and serene like the shivery white dove.
Chivalry, “I adore thee like the stars above”.
I was under the world, and now I’m on top.
Twinkling eyes, from the stars rain drops.
You dried the flooded garden like a mammoth mop.
I have someone to depend on, and my dreams they would not stop.
You’re the rush of excitement that cured my lifeless streak.
With your tenderness and care you clogged my tear ducts leak.
I have found what I longed for; I no longer have to seek.
Gone are the rain storms, the breeze blow by my silent creek.
By: Keva Minus ©


Inspired by Nikkito ( My Friend)
Bianca Reyes Mar 2016
I carry the
cruelty of Winter

Bleeds through all
of the seasons

Stops at your
heated Summer lips

My frostbitten lips
fear a kiss

The cold follows
with no reasons

Warm shivery sensation
like a splinter

On my mind
At the thought

Of both seasons
Meeting at once
Shared on Hello Poetry on March 21, 2016
All rights reserved

Enjoy....maybe!
Estefannia, Estefannia;
A past t'at is mine, a poem t'at's gone;
A censured love impaired and sourly torn;
A carving of my soul, of my early years;
A sonata and melody t'at hath passed by;

Estefannia, Estefannia;
A drama t'at canst never lie;
Even in illness and dark hysteria;
Thou breathe and liveth on inside of me;
Thou forgivest and forgetest me every single day;

Estefannia, Estefannia;
Our stories are one and so is our poetry;
Whenst I writest, and so wilt thou;
Thou art part of me, a twin to my flesh;
Thou gigglest and wakest me up to a morning dew.

Estefannia, Estefannia;
A poet like me now and in th' past;
T'ese memories of thine shalt ever last;
Like twists of fate t'at shalt ne'er halt;
Like a feeling t'at shalt stay e'erlasting.

I combeth thy hair and feelest thy lips;
I touchest thy skin and walketh by thy feet;
My past is one, and too is thine;
Just like thou owneth half of me and of mine;

I liveth and breatheth by thy soul in me;
I hath my veins wherein floweth thy blood;
I and thou shalt ne'er be apart;
Thou art with me, in flesh and in my heart.

Estefannia, Estefannia;
A poet of life and love and hatred;
A seer into wintry and sunny days;
A speaker t'at ne'er be portrayed;
A lonely soul at night and in broad daylight.

Estefannia, Estefannia;
A mystery lover one hath yet not found;
A fine artist shattered by her grounds;
A midnight and morning and afternoon poet;
A wanderer cursed for even her own good;

Estefannia, Estefannia;
One betrayed by her own gown;
Detested by night and its hazel dystopia;
For all sirs wanteth her t' be alone;
To die in her weeps and moronic hysteria.

Estefannia, Estefannia;
Still a lily blooming in yon rotten air;
With cheeks too balmy and sickly and fair;
Ah, so w'ere is love, w'ere might t'is love be?
Might t'ere be not one love for she?

Estefannia, Estefannia;
Alone in her dreamy gardenia;
Longing for love and admission;
In a ruptured world and academia;
Within a dry, and sour dream of oblivion.

Estefannia, Estefannia;
Clever in her poems and fantasies;
Witty in her charms and parodies;
Ah, but such a soul is often forgotten;
T'ey wantest her to fade and be gone in seconds.

Estefannia, Estefannia;
Ah, what a despised, poor honest soul;
Tangled in a planet filled with filth and foul;
A name t'at a gent shalt ne'er call;
A soul t'at one e'er seeks to fall;

Estefannia, Estefannia;
A soul a gent shan't bot'er to remember;
A love a prince destroys, and swaps, and shatters;
A patience ****** into many calls and delays;
A poem t'at finally hath no more to tell of and say.

Estefannia, Estefannia;
A poet with such abandoned peace of mind;
A dame uncloaked in storms and pouring rain;
A lover whose poems t'ey wishest to slaughter;
A diligent soul every gent longest to ******.

Estefannia, Estefannia;
To whom life hath become too pitiful;
To whom such worlds hath been greatly sinful;
Who seeks a love t'at not even exists;
Who is mocked and smothered by such beasts.

Estefannia, Estefannia;
Whose labyrinth of love is lost somewhere;
But whose patience sounds sweeter and more beautiful;
Perhaps th' right time's to come, and thou'lt see an heir;
A young poet both legitimate and thoughtful;

Estefannia, Estefannia;
Within thy heartbeat recall my whisper;
Amongst the suns' rage and maleficent thunder;
But whenst love becomest two-faced and atrocious;
Thou art still a laugh t'at stays with me;

Estefannia, Estefannia;
For love is hateful, it is unfair;
For love ne'er smiles, nor shalt it care;
For thou art too pristine for its world and itself;
For thou art as pure and prone as pearls.

Estefannia, Estefannia;
Perhaps fate shall unburden thee of what thou beareth;
And relieve thee of thy worried breath;
Ah, Estefannia, love shalt be a sign to thee tomorrow;
I hope it shalt be raining and see some snow.

Estefannia, Estefannia;
Almighty is awake t'ere, and listening;
His verses are clear through such birds singing;
Singing and gliding and singing and gliding through th' suns;
Lurking by th' clouds and t'eir shivery Friday afternoon.

Estefannia, Estefannia;
For thee a love is riding through th' air;
A love carried by a magnificent persona;
T'at shalt emerge once thou finishest thy painting;
And hovering again through thy writing.

Estefannia, Estefannia;
Let's now see night and its fatamorgana;
O'r past poets art all t'ere, watching and guiding thee;
So let not t'is love make thee fear;
For 'tis to arrive whenst thou may not hear.

Estefannia, Estefannia.
One shadow and one fear,
One laughter and one tear.
And t'ere is no mimicry in th' sky, my dear,
For all is one past, a past we canst no more hear.

Estefannia, Estefannia
Spells blew through thy fingers,
Just like t'ese archaic written words.
Like hasty clouds t'at run not off water,
Thou wert once trapped, within t'ese sullen words.

Estefannia, Estefannia
A song of thy voice t'at rings in my ears;
But a song of love, of slumbering vice and hate.
Ah, Estefannia, I am thy soul and still here;
For life is not yet over, and turning back is not late.

Estefannia, Estefannia;
Write all again tomorrow and after;
For poems and thou shalt e'er be together;
For love is t'ere, as thou shalt still seek;
As a breeze t'at flows, whilst it cannot speak.
August Apr 2013
While you were gone,
          I was dreaming fantastic dreams,
                    that make you seem,
             ordinary.

And in these dreams,
                        So it seems,
                             I met the ocean deep below,
      He grabbed me hold and told me he'd never let me go.

Why choose land when you can have the sea?
                        I'm just a summer's breeze
                             Rippling the water occasionally
    But he admired my company (that's enough for me)

So I'm diving into the deep dark blue
                   To the parts of him no one knew
                           Purely encompassed in wavy conversation
    The shivery conversations made of vibrations

*"And I asked myself about the present:
                  how wide it was,  
                                         how deep it was,  
       how much was mine to keep."
© Amara Pendergraft 2013
Mike Essig Apr 2015
How To Speak Poetry**

Take the word butterfly. To use this word it is not necessary to make the voice weigh less than an ounce or equip it with small dusty wings. It is not necessary to invent a sunny day or a field of daffodils. It is not necessary to be in love, or to be in love with butterflies. The word butterfly is not a real butterfly. There is the word and there is the butterfly. If you confuse these two items people have the right to laugh at you. Do not make so much of the word. Are you trying to suggest that you love butterflies more perfectly than anyone else, or really understand their nature? The word butterfly is merely data. It is not an opportunity for you to hover, soar, befriend flowers, symbolize beauty and frailty, or in any way impersonate a butterfly. Do not act out words. Never act out words. Never try to leave the floor when you talk about flying. Never close your eyes and **** your head to one side when you talk about death. Do not fix your burning eyes on me when you speak about love. If you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. If ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.

What is the expression which the age demands? The age demands no expression whatever. We have seen photographs of bereaved Asian mothers. We are not interested in the agony of your fumbled organs. There is nothing you can show on your face that can match the horror of this time. Do not even try. You will only hold yourself up to the scorn of those who have felt things deeply. We have seen newsreels of humans in the extremities of pain and dislocation. Everyone knows you are eating well and are even being paid to stand up there. You are playing to people who have experienced a catastrophe. This should make you very quiet.  Speak the words, convey the data, step aside. Everyone knows you are in pain. You cannot tell the audience everything you know about love in every line of love you speak. Step aside and they will know what you know because you know it already. You have nothing to teach them. You are not more beautiful than they are. You are not wiser. Do not shout at them. Do not force a dry entry. That is bad ***. If you show the lines of your genitals, then deliver what you promise. And remember that people do not really want an acrobat in bed. What is our need? To be close to the natural man, to be close to the natural woman. Do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. The bombs, flame-throwers, and all the **** have destroyed more than just the trees and villages. They have also destroyed the stage. Did you think that your profession would escape the general destruction? There is no more stage. There are no more footlights. You are among the people. Then be modest. Speak the words, convey the data, step aside. Be by yourself. Be in your own room. Do not put yourself on.

This is an interior landscape. It is inside. It is private. Respect the privacy of the material. These pieces were written in silence. The courage of the play is to speak them. The discipline of the play is not to violate them. Let the audience feel your love of privacy even though there is no privacy. Be good ******. The poem is not a slogan. It cannot advertise you. It cannot promote your reputation for sensitivity. You are not a stud. You are not a killer lady. All this junk about the gangsters of love. You are students of discipline. Do not act out the words. The words die when you act them out, they wither, and we are left with nothing but your ambition.

Speak the words with the exact precision with which you would check out a laundry list. Do not become emotional about the lace blouse. Do not get a hard-on when you say *******. Do not get all shivery just because of the towel. The sheets should not provoke a dreamy expression about the eyes. There is no need to weep into the handkerchief. The socks are not there to remind you of strange and distant voyages. It is just your laundry. It is just your clothes. Don't peep through them. Just wear them.

The poem is nothing but information. It is the Constitution of the inner country. If you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. You are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. Think of the words as science, not as art. They are a report. You are speaking before a meeting of the Explorers' Club of the National Geographic Society. These people know all the risks of mountain climbing. They honour you by taking this for granted. If you rub their faces in it that is an insult to their hospitality. Tell them about the height of the mountain, the equipment you used, be specific about the surfaces and the time it took to scale it. Do not work the audience for gasps ans sighs. If you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. It will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. It will be in the data and the quiet organization of your presence.

Avoid the flourish. Do not be afraid to be weak. Do not be ashamed to be tired. You look good when you're tired. You look like you could go on forever. Now come into my arms. You are the image of my beauty.
Not so many people are familiar with this one.
Batman Jan 2019
I wake up with birds chirping,
Is it spring already?
NOOOOOO, I am freezing
The cold, it is still shivery.
Orlando Colon Nov 2013
What a charming liar
As dangerous as a wild fire
Avoid falling in these webs of sin
Don't be victim to a wrongly desire

I've seen it ******
I've let it run loose
It's such a shivery feeling
Wanting to hang from a noose
Damaré M Feb 2013
Aching...
Aching in a place where I only thought love was generated.
Frustrated...
Frustrated in a area where I thought, my thoughts sought and fought for understandings

Chilly, shivery, nippy, bitter,
Like the runt of a litter

Tired; not drowsy
Tired; not sleepy
Tired; not sluggish or slumberous

Tired as in worn, burned-out, weary...
...Done

It is not only that you do not feel the effects,

You don't even see them on my face

You look at me everyday,
I just look back
If you don't have a clue
If you don't ask, or don't care
That's a clue
That's my Q
Dont ask Y
When you become my X
...
At night I've been losing Zs
I have to start paying more attention to I
I gave up all of my energy, and now I'm running on E
So now I don't give a F

LOL (Lost Our Love)
You lost it too; I'm J/K (Just Knowing)
I'm glad IDK (I Didn't Kneel)
Now I have to B.S (Block Sensitivity)
And ***** (LET MY ******* ANGER OUT)
Fay Slimm Sep 2010
Up from the deeps of darkest corners
my soul sees lightning
then hears a call
and as long fingers of love begin falling
from shivery heights
they start to distill
love's sweet nectar so I may be fulfilled.

A far ether-star loads and then installs
me in new time with
such awesome
style, my sky-boat takes its mooring
to line's full length
as now it hates
any but non-ventured high places.

Whimsy eats into my all-white awning,
because the grey cloud
which was on shore
has floated away, and the tallest
of rainbows is colouring
the past
out of my eyes, at long long last.
Alexander Rose Mar 2021
Your beauty was my aesthetic,
But your heart was made out of prosthetic,

And now I want to be out of this misery,
This pain got me all shivery,

All I can remember are those dreamy eyes,
And that soothing angelic voice,
Yes, that is all I need to suffice,

Darling, you are so far away from me,
These shadows don't let me heal,
Why do I think you are the only remedy,
Although, when I see you I can't reveal
the sorrow confided in me.

And now I want to be out of this misery,
This pain got me all shivery.
Liz Humphrey Aug 2015
You remind me of that boy down the street
who rode his skateboard
running chills along my spine
in the heat of a summer evening,
the boy who inspired my mother to pray--
Lord, please protect her from those
heartbreaker eyes that gleam with
too much laughter and not enough love--
the boy whose July birthday I still remember
because he was bad in all those good itchy ways
begging me to just scratch a little harder now
though I was young with blunted fingernails
so he never meant more than
the diary buried in a box in my garage or
an shivery afterthought on summer nights,
but here you are, the boy next door made man
you meet me, still that girl yet woman so
what's running along my spine aren't chills
they're flames begging me to just burn a little badly
now, inspiring me to pray--
Lord, please put the fire out before I am consumed.
Bad boys...
emily Sep 2013
hello, your baby-brown-eyes flutter rad vibes into my shivery heart a mess with unsung feeling, we will stargaze a thousand nights together, this i know, my beautiful.  your beautiful is torturous & seductive as hell, i long, i yearn, i spin, perpetuate circles my head bowed to your toes, tell me your gory & everything.  i will keep you secret, i will keep you safe.  summer's kiss bestowed upon our rosy cheeks, we will walk through winterland with hands clasped tight, it is salvation.  hallelujah your unabashed love, your brimming heat, your humanity.  connection to connection, we become live wires every time our minds marry themselves in electric emotion, light the night, so ******* beautiful.  feel the love i send to you even when i am gone.  together in entangled wavelengths, in constant thought.  together in conscious attachment ascending rhyme or reason, in knowledge & understanding, in open wounds.
Nat Lipstadt May 2013
The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write down any old notion,
A la de da rhyme of late and fate,
To write to garner points and pins of glory,
Is just, well, ****** awful....
And
Mocks us all who ache
To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poets true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.
Marrion Kiprop Jun 2015
My fainting heart,
Where is thy glee?
My shivery heart,
Where is thy solace?.
Is it love,
That thou must find,
or this queer abyss of solitude,
That thou must flee?.
Either way,
Thy hapiness lie,
On the juncture,
Between Love, Solitude and Anonymity
Jessica Wong Nov 2012
I'm a sinner, since I'm a liar
A hardly describable swirling, sickening, stifling feeling
Seething air in my lungs, and my diaphragm
I holler "I'm fine!" What a lie.

I stare at the white, flawless lambs on my sacrificial alter,
unclear about their place in life.
How was it supposed to know
that it would be scarred by something
supposedly mightier than a sword?

For now it lay half finished
stared at by me, a small girl with curious eyes.
Pessimism stood close behind me,
biting my neck and draining me of
Blood red love and inspiration
Shivery, sleety, snowy, stinging breaths of depression
Caused my ideas to slip between my fingers.

She thought, "Sometimes I wish I could right my wrongs
And fix all the broken hearts and evaporate the tears,
But for now all I think I can do,
Is write poems."
Coffeebooze does little
but make one shivery and shaky
          and full of regrets.  I believe,

after a long day of dizzying uncertainty
and tapping fingers,
that I am sober.
Deb Harman Aug 2014
Trapped


Buried in pain restless in fitful
restrict to lone upon oneself
as the smoke is prudent distil
surrounding the dark thistle
of night so unassertive by cold
                    Chill
Cold no comfort to hold shivery
glacial is the fear so sombre marrow
distant in the  stare seldom by hurt
trapped in the guard of one sorrow
sadness in vary the emotions dark
                 Aura
Dark the room is gloomy so drab
murky with the prudent smoke
lingering the surrounding mortar
house of trapped by the thrived
  soul do ache for tender parity        
                  Oxygen


Trapped
By Deb Harman ©
Dark Poetry
rory Apr 2023
shimmering silver bells
swayed through the shivery air
coming to an end
loisa fenichell Feb 2015
The two of us in a bed with sheets pulled taut as a sore throat. My underwear
was wet with your spit. We woke up everyday, early, to climb to the tops
of cliffs and scream, “THIS IS AMERICA!”

These are our highways, this is our weather, this our honor.

Our whole world was wet and shivery as a cool dream.
Your chest was covered in goosebumps, your chest was tight, your chest
was chattering. Every night I kissed your teeth with my sticky
and gummy tongue. We made love, once, atop a wooden dining room table
that lacked a tablecloth. It was the hottest day in August -- the 21st --
and we’d forgotten to go skinny dipping, but still we were stripped naked,
like newborns, or parents. Your back was arched like a boring joke.

Afterwards, we drank coke from silver cans. Still, us, on a porch, still:
“THIS IS AMERICA!” We often pretended that our house looked out
onto an ocean. We missed the waves, what they did with our bodies.
If I could have I would have stood in a field of wheat with you, mountains all long
and curved and ripened behind us. I never had the dream that I told you I’d have:
the one in which my nails claw at your face just because your face looks haunted,
like hunting grounds. I’d had the dream about every other boyfriend. It is no
longer summer, but I will have it anyway, and the next morning I will
wake up to a ****-soaked bed, sheets cooled without a fan.

— The End —