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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
JR Rhine Oct 2018
High above dear Maple Street
There looms a cold iron curtain of fear
That dares to drop and let all the monsters
Unleash their dreaded promise of chaos
As in Europe despots gift a new World War
Trembling parlors hug the radio

Hallows Eve: the radio
Begins to sing throughout dear Maple Street
The Seventh Trumpet declares all out war
And that heavy iron curtain of fear
Eclipses the sun and invites chaos
In vacant hearts of men into monsters

Halloween Night: the monsters
Now dance to the tune of the radio
Raiding the stores, jumping bridges, chaos
Entombing the stretch of this blood strewn street
Parlors gorging on endless waves of fear
Riding hysteria, imminent war

O great catalyst of war
Twisting the minds of men into monsters
Diving your hands in that great pit of fear
Now throbbing with screams from the radio
No fences nor faces can save Maple Street
Now plunged in the throes of sweet sultry Chaos

And we call it Chaos
This boiling of minds all stewing with war
Once masked with humanity on this street
Now reveals good neighbors make great monsters
Skies of martians (n)or men, the radio
Hissing, twists the knobs and tunes in to fear

And when that curtain of fear
Draws, and shadeless light casts on the chaos
And the broadcast fades on the radio
And mere fiction rescinds the throne of war
What will we make of all of these monsters
Scattered about in a daze through the street

Where there are minds of fear and war,
Chaos reigns and calls to the sleeping monsters;
Tune in to Welles’s radio on Sterling’s street.
All Hallow's Eve, 80 years ago today, Orson Welles gave his "War of the Worlds" radio broadcast to an America terrified of war, enveloped in fear. I tied it into one of my favorite episodes of the Twilight Zone by the same name, where a neighborhood becomes engrossed in fear, resorting to an animal-like defense that eventually tears apart their humanity.
Morsi stands among
his people as an expression
of Egypt's democratic will

democratically elected
his feet are rooted in the
constitutional right to rule

Morsi has one foot on a
pillar of secular democracy
promising to uphold Egypt's
journey to an egalitarian future

this pillar advances the
republican ideal that
safeguards diversity
and a people's liberty
to express free will

this pillar brought him
to office and justifies his
right to rule

ironically it’s also a pillar
that Morsi's guiding philosphy
find impossible to suffer

Morsi's other foot is firmly
planted on a pillar of
Sharia sympathies
upholding the divine
foundation of his rule
over this earthly principality

Muslim Brotherhood’s
cardinal principles
undermine the pillar
of secular precepts
that equally enfranchise
all citizens

Sharia Laws allows no standing
to equal rights of women,
religious minorities,
LGBT civil liberties and
advocates suppression
of atheistic and
progressive political groups

this has riled the
democratic sympathies
of the Egyptian people

Morsi's actions
threaten to tip the pillar of
secular democracy back
into the Nile’s murky waters

Morsi's stance
is precarious and as his
feet slip he realizes
he is not the
Colossus of Rhodes
he believed himself to be
discovering it impossible
to bestride the pillars
supporting incompatible
structures

the generals have declared
a road map for stability that
rescinds the constitution,
dissolves the parliament
and places the military
as sole protectorate
of the nation

is the preservation of
a democratic republic more
important than the return
to the rule of a military junta?  

is it more wise to place
principles before personalities?

Morsi’s next steps are
uncertain

The pathway of the
people’s democratic
journey remains unclear

the sound of the military’s
marching boots grow louder

Music Selection:
Sweet Honey on the Rock
Marching Off to Freedom Land

Oakland
070313
jbm
That boyish heart rescinds,
Others call it growth,
What of worth has he,
If not the love he's known?

Now here stands the man,
Or that is what's supposed,
Whatever happened to,
His storybook betrothed?

The way we touch no longer lingers,
With butterfly tipped and desperate fingers.
We kiss here on the dotted line,
Rent will pay in full on time.
This is not what he has read of love.
So simple to refuse,
The art of growing up.
Would be nice to be 15 again kissing a love for the first time but alas, life only goes forward. (I usually ****** it up anyways. /shrug)
Lora Lee Aug 2016
Morning has broken
but she has not
it had been a long night
sinister fraught
the stars were cut
in lacerations of lace
          stains of tears
                      mark trails
                   on her face
mascara in circles
mocking panda eyes
multiple moments
of almost self-demise
wrists bound to
          sadness, heart
trussed to trust
pain from crumbling
illusions, plus
that constant,
          searing lust
Now, on the floor,
lying face down
in what seemed
              like blood,
she starts to
                 move around,
as realization pours over
in a thick, viscous flood:
She can move her arms;
for they were not
                really bound
That gag in her mouth?
it has dissolved into sound
The sound of her voice
as she gets up
        from the floor
opens the window
bringing light
            to the fore
guttural noises
escape deep
                 from her throat
and before she
knows it, the
room starts to float
furniture circling
as the energy takes
        and she lets in the air
             fresh as new fate
her cuts balmed over
         winds whipping up her hair
marks from taut ropes
smoothing over to bare
and the light bursts in
          in a blast, in a whoosh
like bursts of starlight
cutting in with a push
they seep into shadows
pulsing over the dark
the howling rescinds
          in an explosion of sparks
blocks of pain that held
her chained
are knocked over
and the lightstorm
                keeps coming
her inner percussion
just doesn't stop drumming
      And as she flies through that window
and unhinges the door
            from its frame
freedom
            is now hers
            forever to claim
Finally feeling good/peaceful after an intense emotional period


To fit the mystical occasion:
https://www.youtube.com/watch?v=fhI5T_NKYxc
(a little Massive attack ;)
also listened to during the writing: "Burn the Witch" by Radiohead
John Reilly Apr 2017
I had hoped for spring
Impatient
For its promise
It's warmth and light
An insurrection of color
To finally topple grey
Such color
That my eyes are transfixed
Quince
My mind knows the name
But cannot contain
So much color
It burns
But the sky opens
Winters wrath
Cold and grey
Merciless
reminds me
Of the frailty of things
And rescinds hope


You had hoped for spring
A new awakening
A promise
Fraternity over fear
Independence instead of
Autocracy
We were transfixed
Arab spring
Our mind knows the name
Yet does not grasp its meaning
We watch warily
As the sparks
And the ambers catch
But the winds change
And you are but
A faraway fire
In a faraway place
So much apathy
Reminds you of the frailty of conscience
And rescinds hope

I wanted to write of spring
Of quince
Such color
That it hurts
The eyes
But the skies opened
And the rain burned
And through the tears
My eyes are transfixed
Such evil
I can no longer see spring
But see children
Side by side
Who will never
Be self determined
Or feel warmth
Or know spring
Again
And this is the frailty of
Humanity
And we must not rescind
Help
The title doesn't even come close up to naming what is happening in Syria. I struggled with the title, but didn't want to leave it  unnamed. I struggled with the poem, but didn't want to leave it Unsaid.  I don't want to  trivialize others suffering,   I didn't write this to make myself feel better but there is no calculus equals the sum of what we have seen. I wrote this so I do not forget .
Alan S Jeeves Jun 2022
The winds come to me from the fields of sleep
Where dreams are blown out of the shallow hills
And I, in my solitude, do rejoice
As I take my comfort within their voice
Which visits me as the cool evening stills
And is rinsed by raindrops that mildly weep.

Gone is the rainbow and tincture of day
Lost in the clouds as they swim in the air
And I, in my quietness, drift afar
By merely the light of a silver'd star
Where only the souls of the sleeping dare
Seek a place that is distant - far away.

In the deepest of night, the dead of dark,
When the silent shadows hide from the light
For, shadows are secrets mellowed by age
And, ages are timeless, robbed of their rage,
And rage is bewildered, lost in the night
Yet, still sighs its echo deafingly stark.

Where is the morning to dazzle and glow ?
Where are the sunbeams to fever the heart ?
Yes! morning will come, as sure as the winds,
When the grey of the dusk slowly rescinds
And the fields of sleep will fleetly depart
And the dreams of the hills aimlessly go.
Akemi Mar 2013
Tying off every sentence
Before formation
You leave so many knots to develop
Forming a physical
Representation
Of deeper ires and darker fears
Than that which crosses
Daily paths

So many rescinds
It begins to feel
Ordinary
To reject and pull out
Of living these
Daily paths

Soon the ache transcends
Mentality, emotional core
Shivers itself down
Strips and tears itself out
Emerging as
A surface twitch
Developing to
Repetitive kinks
Growing cancerous hives, you carry monstrous minds
Hulking demons that force you
From daily paths
11:41pm, March 1st 2013

Too fearful to utter what’s on your mind, you let all your hates, discomforts and fears brood.
You create such terrible burdens, forgetting how to relax; tense 24/7.
Knots form in your back.
These are thoughts that weigh heavily; dark futures, dark pasts, dark presents in the world.
You brood and brood and brood.
Closed up for so long, you forget how to reopen.
It is more ordinary to be isolated, alone.
These cruel and terrifying thoughts shake your core;
Emerge themselves as dark words and cruel whispers.
You grow so very bitter, unreasonable.
You've forgotten how to speak in soft tones.
Every knot is a curse to utter,
Veering you off from living life in happiness.
You've become as bad as what you hate.
Tom McCone Nov 2013
from the balustrade, the canopy,
comprised of leaves and rooftops and
a diminishing colour-set above
tastes of retreat. familiarity.
she came down to my level,
spelling out instabilities and inscrutinabilities,
like a vague ruffle sent through
harmonious and imperfect hairlines:
this slight haze of separation,
a delicate circling
lust, the vulture of the ninth;

lying in wait, i sit, still,
in the corner, watching the
ceiling for hours,
singing sadnesses like,
oh no, it won't happen this way,
when have i ever learnt?
winning's a single blackout, but
i'm still awake,
still stuck stuck stuck stuck,
already given up and out.
still awake, seven
hundred and fourteen days,
a list of crimes, a handful
of loose opinions, a
devastating need;

never had i felt as if
i couldn't live, without
something i never meant to
want, this much.

with rainfall, she rescinds,
she's discovered i am but dust.

from dust, i'm made rain.
Marshal Gebbie Mar 2020
Jottings from David Bagerow's "Quickie"

Shame on she, the selfless *****
Who caused your temperature to fire,
caressed your sandy, sweated brow
To rivers of desire,
Tho she fled at poignant time
To leave you in the lurch.
Best you weave your magic touch
And promise her, the church.
Then woo her and caress her
In your happy, carefree way
Then at that moment of exultance,
Laugh and run away.

David Lessar's "To an Unread Poet"

Dave, You are right ,of course, once committed you raise an expectation and once that expectation is released to the world you are obliged to maintain face...but that damnable thing called "Life" intervenes and totally stuffs up the programme. Take the current interlude of coronavirus...the whole world has been taken by the scruff of the neck and jammed, inconveniently and complaining, into seclusion, all systems ground to a halt, production lines vacated, malls and city centres deserted, blown newspaper cascading across the deserted pavement...a testament to mans ultimate frailty when his house of cards collapses, without a whimper.
So you see, as life intervenes...we are excused from maintaining face.
But fear not, like McArthur, we shall return.
Cheers mate M.

Fawn's "Happy Trails"

Were it not the touch profound
That doth caress my feathered ear
Would thou wish a thousandfold
That I should shed a tear?

A glistened tear suspended there
in iridescent light,
While you, my love, with parted lips
Await, the ruby night.

Victoria's "Wherefore Art Thou"

Strides, he does, through corridors of lust bound lessers,
through forests of small penised dwarfs, through canyons of would be's who could be.....just to countenance the promise within your words....Dear Vix!

Terry O'Leary's "Sweet Butterfly"

You enter the portals of entomology where bugs, flies,butterflies and moths are the true rulers of the planet.
A world vastly magnified by compound eyes, of lightening lifetimes and vivid, saturated colour. A world where life and death are synonomous with the culmination of a single ****** union and the reproduction of a batch of precious pearly eggs. Yea Brother thee hath entered the portal...rejoice!
M.

Fun with Terry O'Leary

"Buried in the Sand" by Terry O’Leary

A beggar clump adorns a dump, his pencil box in hand -
With sightless eyes upon the skies he’s lying there unmanned.

He’s fallen down in Shantytown, his knees too weak to stand,
With no relief and bitter grief too dark to understand.

The Bowery blight is hid from sight, it’s covered up and bland,
And Robin Hood and Brother Hood lie buried in the sand.

"A Rebuttal" by Marshalg

So Hood lied low, despite the show ensueing without help,
One would have thought a British sort would spring forth with a yelp!

Would spring ***** to help deflect contusions which occurred
When beggar Clump adorned the dump confusing all deferred.

Whilst sister Ant, attired in scant, ran forth on spindly legs
And brother Frog with shaggy dog said "****" and drank the dregs.

It all became too much, as such, a meelee did ensue,
So all called HALT and as one did BOLT...to the local for a brew!

Phew...that was FUN & hard work!
M.

Singing the Devil's Song*

There is no Makers formula
This life depends on chance,
The way you play your given cards
Depicts your daily dance.

Oh dogma flows in utterance
From pulpits far and wide
From those who claim to understand
Eternity's vast hide.
From those who hold damnation
As a weapon from on high,
From those who claim a judgement
As their finger points to sky.
The good, the bad are absolute,
The right bedevils wrong,
Redeemed shall live eternally
The bad shall singe for long.

Old men stand in pulpits
Across this Sunday's land
To threaten with damnation
If you should cross God's hand.
"Belief" is now their catchword
Abomination's wrong
Is to seek to proffer proof of claim
....to Sing the Devil's Song.

So gather all ye faithfull
Go listen to your man,
Sing the Gospel loud and long
And pay your tithe, as planned.
...But should you find you're dying
From cancer's frozen claw
And the the Godly fail to sweep you
To eternity's gold door?
Remember my clear message
Your life depends on chance,
You live within your own good sphere
....There is no Maker's Dance.

Marshalg
After an overdose of Pulpit hogwash.
10 March 2013

Singing the Song of Angels:
A Response to Marshal Gebbie's "Singing the Devil's Song"
By Luca Anselm
There’s a church in the city with pillars of stone
And windows like sea-glass, still and alone,
A fountain, and cloisters of ivy, away
From the noise of the street, and the hum of the day.
There my father would tell me of Christ, how he died
Surrounded by soldiers and thieves, crucified,
How he wept for the women, and fell in the sands,
And loved those who hammered the nails in his hands.  

Marshal, dear poet, you have heard the priests tell
Of a god who left heaven to walk into hell?
Of a god who wept softly for men he had known?
Of a god who dripped blood in a garden alone?
Of a god who sent men with book and with sword
With eyes bright as fire for love of their Lord,
With limbs dressed in black, on altars of stone
By windows of sea-glass, still and alone?

So they give up their lives for a lie, as we say,
And toiled for centuries, long as each day--
And our money built palaces, lofty and tall
With frescoes and candlesticks, gold on the wall--
They preach with words awful and deadly and free,
Of gorgons and hell-fire, worms and the sea,
Of the last day of judgment, and mankind amassed
By the wailing of angels and bright trumpet blasts…

But Marshal, they preach something sweeter and kind--
Of a mother’s soft love, of a father resigned,
Of a still, soft voice, that comes with a light,
And gives hope to the hopeless, and conquers the night.
Of charity, piety, sweetness and love
Like fiery ***-cakes, but soft as a dove,
Spicy as Christmas, solemn and grand--
(Like throne-rooms or magic or the roar of the strand)
Then you wake, and the house smells of peppermint-pine,
And a child is laid in the crèche, now a shrine.  

And all that I long for, dear Marshal, you see,
Are the gold-blooming gardens that soar by the sea,
The mountains and dragons, the prophets and kings
And Icarus falling with fire-fraught wings,
The grey-shifting sea-lanes, the flutter of sails,
Temples on mountaintops, graves in the vales,
And Dido who bleeds from her breast as she cries
For her Love, and stares helplessly into the skies.
But more than the shadows of worlds that might be
Of fairies or phantoms or rocks by the sea,
Dear Marshal, I long for who made me a man.
And would love and give glory as best as I can.

But these days oh! sad days, the loss and the shame
In which all of my loveliness falls into flame--
Where gardens have withered, and sails have been furled,
And kings plodded off in the dust of the world.
Our cities rise higher, and burn through the night
And rear into heaven with noise and with light,
The palisades echo with horns and sound
And the churches with voices and quarrels resound.
But the statues sit silent, and some say they cry
For the shame of the sins against children. Oh! My God, Why?

And those old men—well—they taught me the loveliest things
Of my gardens of gold, and the sunsets of things,
They told me of kindness, and honor, a way
That winds to the West, where the end of the day
Breaks bright like fresh bread, and crimson like wine,
And the sun sets to purple and green in the brine.

And still I remember their words and their songs
And the churches which taught me so well and so long--
Though I’ve turned my head, to the lands where the sun
Will rise again brighter when starlight is spun,
Somewhere fresher and pale, where the cold and the air
Spreads the dew like a lawn paved of crystal, and there,
In the meadows of silver, with light in my eyes,
I will honor my god in the dome of the skies.

Marshal Gebbie's poem "Singing the Devil's Song" inspired this. It's in anapestic tetrameter, for you metric buffs. If you haven't, you should absolutely check out Marshal's stuff--it's awesome and poetry-inspiring--seriously amazing. Thanks again, Marshal!

Sepia Sown

Sepia sown as best it can
Where you and I, as one, once ran
Across, beyond a savored sea
Where lust became reality.
Where spiraled lust, entwined, entrenched
Left you gasping, pale, en benched...
a figment of a thought, now lost
Forever..at what cost, what cost?
M.

Addenum to "obituary" by V

So no one notices, at all
When golden greys of aged fall?
Except perhaps, for those who stay
To blend with every ordinary day

Plus you and I as time flies by
And too, those starlings flocking high.
That old man loitering in street,
Who eyes the million passing feet.
And she too at corner store,
Toothless face and wrinkled maw,
Exchanging cigarettes for coin
(With surreptitious scratch of groin).
Mailman, fat, long, loop mustache
Complaining long and rather harsh,
That they, gone, without a word,
Should vanish into air...absurd!

Someone in their every day
Feels the absence in the way
Details don't fall into place
And warmth is absent from the face.
M.

The Kraken Arises

From blue tranquillity where turquoise waters wash white golden sand, where brilliant fish school in myriad colour and shape, where magnificent squadrons of sleek tarpon and barracuda dash in perfect formation, grazing schools of silver mackeral through diamond flecked deep green shallows, to plunge vertically down to the depths of the black abyss and security.

Calm tropical waters which shimmer like aqua blue glass in the mid day heat and turn to simmering,red fire at the setting of the enormous, ovate, orange sun.

Sea birds flock above wind blown waves, their sharp cries a symphony of the sea, to suddenly wheel and dive en mass, to dine amidst teeming schools of flashing, shiny minnows.

The idyllic picture of a calm blue infinity of ocean framed, in brilliant sunshine, by white sands and gracefully bowed coconut palms.....and suddenly, at the horizon, a thin black line appears, It approaches with steadily, mounting speed, the coastline surf recedes dramatically seaward leaving exposed coral, mountains of seaweed and frantic flapping, beached fish everywhere. A sudden, oppressive silence becomes a distant roar. The sea birds, as one, take panicked flight... and a massive wall of water rears up and rises like a giant beast, to rush headlong, raging, at the coastline.

What once was blue and serene is now a huge cascade of violent black death and destruction, gigantically it destroys the coast, snapping huge trees like twigs, surging ashore, a tsunami of unimaginable violence it obliterates, housing, streets, bridges, vehicles, shipping, aircraft and people, thousands of panicked, helpless, struggling people, killed in a titanic, black, swirling maelstrom of inexorable violence. The wave is followed by another...and another, extending right along the coastline and beyond. Each wave larger and more violent than the last...surging inland for miles  until defeated by the accident of gravity in rising land.

Those who have survived, on high land, on tall buildings, in treetops....cling to each other and look on in horror and utter helplessness. They can only wait, in fear, for the monster to retreat before venturing down to the devastation below to render help where ever they possibly can.

Twice in the space of the last forty thousand years the Kraken has awaken and risen from the depths of the Tasman Sea to the west of New Zealand. It has risen to gigantic proportions and driven right across the Auckland isthmus to the Pacific Ocean. It has twice flattened gigantic primeval Kauri forests laying them waste, all lying in one direction, each time beneath twenty feet of debris and black mud.

Born in innocence from a natural tectonic adjustment of the earth plates, the Kraken doth arise at any time, in any place to wreak it's dreadful work upon we, who reside in our comfortable, seemingly secure and beautiful coastal idylls.

Marshalg
Dedicated to all the coastal population exposed to the threat of inevitable tectonic induced tsunami.
JAPAN. WEST COAST, USA. WEST COAST, SOUTH AMERICA. ALL PACIFIC ISLANDS. NEW ZEALAND. INDONESIA. AUSTRALIA. SOUTH AFRICA. EAST COAST, CHINA. MALAYSIA.
KOREA. THAILAND. PAPUA NEW GUINEA, VIETNAM. PHILIPPINES. TAIWAN. BURMA.

Part of My Job (A love Poem) by Nat Lipstadt

A little embarrassed by all the attention but great to hear from you Sweetheart...all fine and dandy, here...except for being forbidden to go to the beach and the park..and anywhere else except in cases of dire need..(And on punishment of prison time if caught out!)...but hey, I'm not really complaining...All for he common good, aint that right?
M.

Bridges Burnt....

Bridges burnt in Winter rain
Holds a saddened felt refrain,
Holds a touch of muted horn
Blown in passion unadorned.
Blown away in errant winds
Where no truthlessness rescinds,
Where a lie begat the night
Interceding lost love's plight.

Bridges burnt in Winter rain
Sacraments of loss remain,
Sacraments fragmented drift
Redemption clad in bloodied shift,
Redemption worn as wrong slays right
Till wrongfulness blots out the night,
Till no return this path can be
Until they torch eternity.

M.
SE Reimer's words float before me in his impassioned poem "Bridges"
allowing me to wallow in this, my own dark tangential refrain.
M.

Perchance, in a Bus Shelter

Here I sit amidst the ruin of a white winters' day
Convulsive rain and harsh wind outside, contribute tumult.
And in here, in this small shelter, there is a tension in the air.

We two sit apart, uncommunicative, remote and quite detached.
Not for any reason other than the fact that we are strangers,
We have never met, nor are we ever likely to.
She has an elegance and a stylish angularity whilst I am bald, bearded, unfashionable and somewhat overweight.
She is singularly indifferent to my presence, whilst I am uncomfortable with the circumstance that placed us in this small proximity.
We would, in truth, rather both be elsewhere.

I break the ice in throwing her a small smile and complain about the weather,
Her eyes flick across my face and immediately resume their distant focus on the rain,
She adjusts her seating to face,ever so slightly, askance.
Her choice of course, to assume an air of indifference or superiority...or adopt a measure of defense..or perhaps a combination of a bit all three.  
Regardless... I wipe my backside in exactly the same manner as does she, I  am definitely no less a person for my dumpy demeanor and friendly overture
And I really feel that I don't have to share my space with coldness and impertinence,
Better, I think, to be wet and content with my own company
..So, donning my cap and jacket, I stride out into the deluge to leave the remote and uncommunicative young woman alone and dry with her thoughts.

And then....
Howling rain and shards of wind
Pelt me as I walk
Along the foreshore wild and white
As hovered seagulls squark.
When all at once she's by my side
Walking pace for pace,
Her linen suit a sodden mess
Hair plastered to her face.

"Thought I ought to make it right"
She told me with a smile
I threw my coat upon her back
And walked another mile.
We called into a coffee shop
And sat down by the fire
And sipped a steaming latte
As she told her story dire,

"The cancer's all but killed me
My husband's left the home,
The baby's gone to mother
And I'm facing death alone."
We quietly spoke for ages
I held her hand in mine
Then suddenly she stood to leave
And thanked me for my time.

I sat there in a stupor
Recalling how it played
And felt the guilt impact on me
For judgements I had made.
Those callow, shallow judgements
Made in ignorance, my friend,
Will haunt me as she girds herself
To boldly meet her end.

Marshalg
On a bleak and blustery cold winters day.
Titirangi
5th September 2010

The Old Café by Steve Yocum

It's my go to place,
has been for years,
The Wildwood Café,
an eclectic tiny place
with a mix of old dinette
tables and mismatched chairs.
the cutlery also unmatched
and well used, old photos
and signs adorn the walls
and there is usually a line
of people waiting patiently
on benches outside.

Best of all there is this pleasant
girl, always wearing a welcoming
smile, who seems to know us all.
She knows my order by heart,
Ham and eggs over medium,
a half ration of potatoes, home baked
slice of bread, well toasted, well buttered,
home made salsa on the side, a cup of
"hot" Black English Tea. Tall water no ice.

If I arrive between the busy times, she may
sit down at my table and we talk a while,
It's not a big thing, just chitchat, I'm old
enough to be her grandfather, it's the
dessert before my meal served with genuine
friendliness and unforced civility, not often
encountered in these strange days and times, it's a slice of small town America at it's purest best, she and folks like her help sustain my belief that basic human decency is far from dead.

The food is always good, but it's the comforting embrace of familiarity and
simple warm kindness that assures my frequent return.
It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those.
written by Steve Yocum

It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those

Marshal Gebbie
  That old world touch suits you Stevo,
When I come visit your beautiful state of Oregon, We shall partake this delightful repast in the company of your fair maid.... and we shall tip her well!
M.

Scoot the Streak
One must believe in something be he misanthrope or gambler
In tomorrows omniscience or the future proof of God
The penance in a drunk's decay sets self destruct's imposer
Wether speaker phone's on disconnect or cellphone's in the bog.

Conveyance of a threat to adherents of St Selfwise
Show atheist's are proof here, in belief of disbelief,
Haunted by the images painting painful retribution
Picture sympathetic **** star's allocated hand relief.

A moments allocation of a syllogist abstraction
Shows perspective of the caliber we now reserve for Saints
A paradox regarded as autistic fascination
In a one act play of living disregarding all restraints.

Deliberately indicative of fraternal heat's expression
Notebook at the ready and deep frowning at the brow,
Question definition's collage of confusion's contribution
Do we sit it out pretending or just catch the late bus now?

Marshalg
13 February 2014
© 2014 Marshal Gebbie
Marshal Gebbie
Written by

victoria  Intriguing work...so I search the comments for help... Ah
0
Feb 2014
Terry O'Leary  Marshal, I kinda like this (I read it several times since yesterday)... but I'm still not sure what it says... maybe I'll down a shot tonight and try again... ;-)) Terry
0

3 replies

Feb 2014
Marshal Gebbie
Marshal Gebbie   A confession Terrance.. I was half cut when I wrote it!
I have no idea what it means.
Feb 2014
Terry O'Leary   :-)) Great... I'll be back in a bit... T
Feb 2014
Terry O'Leary   Well, in the meantime I've had a few shots... now I think I know what it means... hic°°.... hope I remember in the morning... ;-)) Terry
Feb 2014

Pradip Chattopadhyay
Residues
By the night one long dark road
the houses are deep in slumber.

Lucky I'm alive and awake,
can see the stars
in their vast magnitude of silence
gentle and not drunk
have love to count upon
filled with a will to live
feeling I'm almost done.

Having a life is a great reward
and with the residues
gets more valuable.

I won't cry over the lost years
would rather think
have been blessed with enough.

The stars grow blurry dots
as I slip into dreams.

I had a once upon place
and I'm grateful.

With dewy eyes
I hurry to the warmest space
beside her.

You slip into your years well, Pradip.
Your woman must relish your peace, your contentment.
Cheers mate
M.


Tony Grannell
Autumn's Sonneteer
Behold, upon yon ivy bunch, my darling blackbird sings;
I know not why nor shall I try to understand such things.
For born this morning on a song, pray hark, her sweet refrain;
to chance a sigh, oh, dare not I, for this is God's domain.

Out of the night the art of song in tuning in the day;
unknowed afore or evermore such music on display.
'Tis love begad, a lover's song, a diva, I declare,
in soaring o'er both vale and moor, this morning's love affair.

In wonder's charm, this precious bird in song to comfort me.
Alone I stroll, no proffered soul to share my company.
Yet rare this morn, in splendours all, true love like none afore;
let passions roll, in song extol, in verse the morn's rapport.

Be succour in such music found for autumn ails me so,
when summer's run, the harvest done, to rest my scythe and ***.
Of idle lands and nowt ado, to wait without employ.
Yet, hail the sun, my kingdom won, when sings that bird of joy.

Behold her charm and charmed, I am while autumn leaves still fall.
'Tis life anew, a sweeter brew when hear the songstress call.
Though winter’s nigh, with strength and will, we’ll bear our pain and fear;
'tis all to do, good hearts and true, sings autumn's sonneteer.

Written by
Tony Grannell  62/M/Spain

Marshal Gebbie  I stood out at the rock wall and gazed at the splendour of Autumn in Taranaki, as I read, aloud, your sonnet.
...and my heart sang.
M.

Dr Peter Lim
When?
When is the when
of when?  
rampant still is the ravage
which will not relent-

the claustrophobic shut-in
hearts toward gloomy moods they bend
no happy voices of kids heard outdoors
the green fields do not comfort lend-

the downcast look, the sinking feeling
are the joys and delights of yesterday years all spent?
the spectre of pain brings bitterest tears
in the faces of every continent-

oh, when is the when
of when?
such a wash-down
we could never comprehend.

Marshal Gebbie:  But isn't that the way, Dr Pete? Mankind builds his castles in the air, thrusts out his chest and proclaims himself, King of all!
...to be decimated, in an instant, by a microbe of infinitesimal stature. Oh! the fragility of it all.
Life cometh, life goeth....but somewhere, down the track, life shall come again.
M.


Al Drood
The Merman of Orford Ness

So long ago in King Hal’s time, our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.

Entangled ‘midst our dripping catch, with eyes that stared all hellish green,
enscaléd like some creature deep, a Merman writhed as one obscene.

All webbéd were his hands and feet, his body dripped with ocean bile;
upon his head the ****-wrack grew, green-bearded was this demon vile.

Fast to the shore with awful haste we sped before the wind and tide;
Lord Glanville for to summon forth, the Merman’s fate all to decide.

Upon the quay his Lordship stood with men at arms and shriven priest,
and all did cross themselves in fear before this strange unholy beast.

“Enchain it,” cried Lord Glanville loud, “then to God’s Kirk with all good speed!”
The shriven priest prayed long and hard as to the church we did proceed.

With Holy Water, cross of gold, with candle and with testament,
the priest then exorcised the beast, who knew not what was done nor meant.

To all’s dismay he would not bow before the Host on bended knee;
and so to dungeon was he dragged to dwell upon his blasphemy!

The silent Merman beaten was, and hung in chains in for seven weeks,
and fed was he on fish and shells, yet never did he sleep nor speak.

And so at length his Lordship said, “Across the harbour tie a net,
and we shall see how he shall swim, but by his ankles chainéd, yet!”

The net a-fixed, the village folk came down to see the Merman’s plight;
into the sea they threw him then, with foam and wavelet flashing white.

He vanished ‘neath the waters like some seabird in pursuit of prey,
then surfaced laughing, chain in hand, and to his Lordship he did say;

“You thought to make me such as you, who walk in blindness o’er the land!
You’d punish me for difference!  You thought to treat me like a Man!”

So long ago in King Hal’s time our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.
Al Drood
Written by
Al Drood  M/North Yorkshire

Marshal Gebbie:  Tones here of the Rhyme of the Ancient Mariner.
An original work in time honoured rhyme and metre.
I devoured every syllable..Bravo!
M.

G Alan Johnson
Kafka's Bug

When I shed the last skin
last year
there was left a hardened shell
protecting a patched up heart
and a petrified husk
of a soul.

You can throw your bombs
if you wish
and they will hurt inside
but I will just eat them
and **** them out
flushed and forgotten.

Sometimes my antennae
come out in a social setting
and people look at me
with an odd expression
or look off into space
a kind of awkward acceptance,
(the ones that know me).

My mandibles will at times
spit out a divine stupidity
a slacker kind of opinion
and no amount of saliva
can dissolve it
so it sits in the heavy air
stinking like a butterfly corpse.

It was an attempt
at transformation
that failed
(I'm too weak with ego),
and I'm glad that I tried
otherwise I would always wonder.

Vincent Price in a cheap suit
and a lost puppy daydream
a world full of flies, wasps and failed caterpillars
patient spiders and polished leeches...
and all I can do is write.
Written by
G Alan Johnson  65/M/USA

Response by Marshal Gebbie

Pelting rain adheres to soil
As spiders sprint and earthworms roil,
World in turmoil stinkbugs, stink
And Satan beetles disgorge ink
But thee, my budding, sodden flea,
Hath entertained quiescent....me.
M.

Nat Lipstadt
Pandemic Poems: Unclaimed bodies, There’s ain’t no anonymity in heaven.

There are more poems inside me, but I intuit it is longer fair to impose on you by sharing more.  The deep seeded infection of my spirit waxes and wanes, and there is no antidote, and unlike the virus itself, there never will be, a future cure, an inexpensive replacement cost for the spirit spent, the time and futures spirited away.

Perhaps you recall I was one mile away from Ground Zero on September 11th.  Rarely do I walk there.

The coronavirus poetry inserts itself unaided, never asking permission, a like minded, but a contra-cousin to the coronavirus.

I live in New York City, the epicenter where now, close to 800 die daily.

Normally, about 25 bodies a week are interred on Hart island, mostly for people whose families can't afford a funeral, or who go unclaimed by relatives.  In recent days, though, burial operations have increased from one day a week to five days a week, with around 24 burials each day.^^

Each dies with no last words, no Kaddish recited, Last Rites, too late, no Ṣalāt al-Janāzah or Om Namo Narayanaya.  Each one, a numbered pine coffin, and each one will have at the very least, a poem of their own, so help me god.

Buried side by side in large trench, room plenty for new arrivals,
I hear the banging, protesting, resisting, this is not the way, I was promised, my ears left pounding!  Hillel, the great scholar in this dream, reminds that “the time is short, and the work is great.”          

He paraphrases, though, “the bodies many, the poems too few.”

There ain’t no anonymity in heaven, but I’ll reconfirm that with you later.

Written by
Nat Lipstadt

Marshal Gebbie
God! It's harrowing to feel the raw spirit in a New York City man's soul.

You speak for the dead, the ailing and the fearful.

You speak for beggar in the street, the broker, quaking in his plenty, imprisoned on the 14th floor.

You speak for the cop, in face mask, on 24th and Vine, doing, as always what he must, with authority.

And you speak for the White Clad Angels who carry the dead to Hart Island and who forgive you, your fear and safer seclusion.

You speak also for we, who watch and sorrow from afar your agony, in our own fear and seclusion.
M.

Nat Lipstadt
raw is the word, oft need to lie down midday to escape the the viral infection of every outlet we use to pass these days. don’t know when i’ll go outside again, because the virus kills and wounds in horrible ways... thank u MG for the kind appreciation natty

Sally A Bayan
Conduits
In distance and in proximity...in despair
and joy...in existing and in dying...in the
bliss of love reciprocated, and in the pain
of love unrequitted...verses dance and call,
awaiting......

poetry has its own pulse, its own heartbeat,
it calls, taps the shoulders any moment,
awake, or adrift, it just can't be ignored...
even in a tangled, or weird circumstance,
it sparks like a bulb or a comet, curving
in a rainbow...riotous some days, teasing, fleeing,
then, turning up at unexpected times and places.

in every bit and breath of life, in every seed,
in every drop of dew, in every ember burning,
there is poetry birthing, growing...

deep within us flows green, purple, red,
glum gray, darkened inspirations...fleeting,
but, when time is ripe, they linger long,
giving us time to capture them all
.............................................
we sense them...we give space
we speak them, or we write them,
:::::::we are conduits:::::::


Sally

©Rosalia Rosario A. Bayan
February 11, 2020

Marshal Gebbie

  A touch, so light,
So sensitively slight
As to be caress,
In dead of night


Don Bouchard
And then
We become old men
And old women, and

We look back wistfully, and
We look forward hopefully, and

We wonder....


Written by
Don Bouchard  60/M/Minnesota

Marshal Gebbie
  Slipped betwixt the then and now
Methinks, with finger on the brow,
Thee needs a shot of earthy ***
And a wanton ****, to rub your tum.
Thee needs a cheery pick me up,
Some hairy mates to help you sup
Elixir from the joy of life
To salve tomorrows' threat of strife.
Cheers mate M.
0
Tommy Randell
From a young man's parlance, tripping from an old man's tongue; Right On, brother, Right On!
C Davis Jan 2015
As awareness rescinds, (pulls back like the tide)
The screaming grows louder.
(Attention seeker, like a child).
As feet are lifted (atop hardwood
over concrete over bones)
Further from the earth we grow
(And feel.)
How can you hear them? Them, the beasts that protect life, over
All the static ringing electric currents
Flashing lights
?
Still, the water trickles.
(your Sun, still will he rise)
Whily heavy eyelids divert eyes.

Tantrum habits cry dry tears (those who've not been shaken to their core),
Beg for excess shave down years (this is not what it's all for)

Harvest season for the poor
Reaps more than plenty score for score.

Comfort now lies in divisions, don't cross my line! Come, clean my floor!
Up-nose scoffs toward open doors
(You're still welcome forevermore

Earth is not sorry for
Her mess.
You should  
Be sorry for all of yours).




And the world
The world, it spins.
Tonight's tag team match:

Modern Society and Materialism VS. Universal Love and Mother Earth!

Who will come crumbling to destruction first? Tune in at 8pm Eastern this Doomsday to find out.
Reece May 2013
It was a wild alto-wielding sax man, screeching with halted notes and dissonant disregard for the folks and their fortune that awoke the birds, and the unyielding flock would mask the sky as two lovers kiss on a bench with flaking paint. The shores are prevailing, the yoking eggs would seep through cracks in the counter while children squeal and leave stains on the walls. Walking through forsaken habitats and dingy rats are bastardising the progression of time and in turn, they confuse a poet as he composes the castigated texts of his forlorn memories.
It was here that piano keys shook the core of the Earth with trembling recompense, and furthermore would eventually seek to unify the tribes of long suffering lands into the rambling herd that stampede through river basins, with alphabets falling from their back pockets. Ah black sky, with your inherent displeasure and disquiet, why are you crying on me tonight? The stars are as despairing as I.
I take your hand and lead you through green-light flickering corridors, as the rats are congregating and confusing us once more. Water drops overhead and we fall into chasms of disparity, holding onto piping that scolds our waning fingers, leaving us foreboding and dumb. Numb to the illicit sirens and the implications of urban living. And your body is sullen, as the Antelope are liberated, but with woe I could feel the icy chill that radiates from you and your once heated body.
Tire tracks, hurried, and the rats find no suspect, so with wringing hands I step into the sunlight and feel the blue sky ramifications and remember your name.
Gravel track buried, the flocks would return to nest in romantic trees, and I find myself alone as the sun rescinds its gaze, placing me in darkness once more.
And the alto-man continues to sing through tubular declaration, as the steadily raging war provides rhythm to the desolate streets and I feel disconnected.
W A Marshall Apr 2014
it is either/or
spiritual or material,
sophisticated cultural compliance
or young blind revolution,
those are the lenses however;
somewhere in the middling
an abandoned idiot pawns both understandings
with such stark irresponsibility
consciously acknowledging (all) his blunders
greeting good and evil, shadow and light
and those around him laugh and snitch
behind their masked pillar
because his way, his reality
is much different from theirs,
his position rescinds all human meaning
not as tender he seems, he is perhaps closest
to the borderline
a poised vision - a place where
no divisions exist,
of what is transferrable and true
the other side of wilderness.
Butch Decatoria Apr 2016
...1

Oh Middle Kingdom! Forbidden kingdom! Middle Earth!
The In-between


and Afterward, Within and Outside
this world's physical berths

Spirit realm and beyond the Further

Oh Heavenly and Cosmic

Mother/Father,

Imperial ruler of All creation

All us living,

Oh where are you?!

Ohm

Middle Kingdom, Forbidden Kingdom,

Goddess Love / God my King?

I am your word your fire your son

Awaiting for kingdom come

Our Universe of infinite Light

and Peace

not yet begun,

Oh kingdom! All that is One!

Life is yours and all below the stars

belongs to none and only you and yours!

Oh middle kingdom, oh middle earth!

Reclaim what was, is and further more

all of time, all of Truth

upon this shore and beneath this sky

we belong within your Light!

Oh Kingdom! Oh Heaven!

OHM Shambala Oh!

Ohm Valhalla Oh!

Ohm Forever Oh!


___________

...2

Ohm Shambala!
in shambles
Shangri La contained
conquered by fists
ample weight
of walls of stones
another wonder
on hill of bone
Tourists and their Sherpas
'Tch 'Tch lost histories
when once
cloud city and magic
was laughter on the chicory
and wind

Oh peaceful wisdoms
my middle kingdom hence
rescinds to lifeless
beige and damning Greys
it appears it feels
like Hell ever since

The halls are unremembered ways
empty of God's good love
or wonder light of Day...

Oh Middle Kingdom!
Ohm Shambala!
Xin Nian Quai Le!


(You're a beautiful day!)
Robert Zanfad Jun 2010
crickets whisper secrets to evening's breezes,
there where grass ends and trees begin.
limbs sway, heat of day rescinds
its sentence of old madness;
cool air invites to breathe
once again, and deeply,
sweet in flowers unseen
twilight descended;
mingled fragrance
renewed stale blood
coursed though veins;
and firefly flashes
now understood,
as brilliant as stars
that shine overhead
when stopping for rest
on an outstretched arm,
if only for a moment mine;
while starlight, never invested,
remains always at distance, and silent.
those unanswered questions, tonight, less pressing
Amid hushed murmurs of insects and thrushes at home in the wood
Justinian May 2010
Across the beaten path of time,
Up the river bank dressed in thyme.
A broken soul waits to be met,
Complete only by the love I’ve kept.
She waits for me to sing,
a sonnet that speaks of everything.
Of deep kisses and late night phone calls,
Of adoration, joy, or nothing at all.
She can taste the words I speak,
She’s been swept right off her feet.
The breeze picks up,
Daylight rescinds,
Trees begin to dance in the wind.
I step towards her,
Hoping to feel her embrace,
I'm captivated by her unfaltering grace.
Suddenly,
The winds stop.
The trees stand still.
The water quiets.
The night is chill.
Back down the river bank dressed in thyme,
Back across the beaten path of time,
I’ve returned from the forest and the soul within,
With more energy than I can hold in.
The soul returns with me from above,
and she has become an outlet for my love.
Mariam Nov 2013
Life, oh life. What is this life? But
A flickering ember from a flame
So brave the wind that caught the coal
To light my heart which burns untamed

Why torture a passionate soul as mine?
With convolution, betrayal, lies
Steal dreams far from these innocent eyes
Instill fear and doubts that long remain

Each day that passes, each hour floods by
Sinks what once shone brightly from within,
While none feel this fading light, such as I
Whose silent anguish my jaded mind rescinds

The tortured wrestling, each ripping shred
Of the stitching of my soul, as she collapses in defeat
While each flaming ember my youth once held
Cools to greying ashes amidst my frozen feet

For none can move this queen of ice.
Trapped beneath her struggle with virtue and vice
Longing for her freedom, but afraid to pay the price
For the wings that would break this treacherous deal, in time

For this phoenix to ignite herself
Unfold her flaming wings, take flight
Turn every sordid speck of ash, into a burning life

Life, oh life. What are you life?
But time seeping through my grasping hands
Wish that I could hold you life
Know your secrets and bury within,
Your very center your hollow core
Where all is silent and nothing is known,
Where I can hear my hearts beating once more
The truest sound, begin again.
Shin Nov 2013
Up on the hillside the lone tot recants
The vow made in lust to the one who's free.
For love is not real when all's blood and plants.
A reality this boy can now see.

He looks to the left to the horizon,
a confederacy of dunces say
or so his tools claim, a false liaison.
Nothing is true without the light of day.

So the toy soldier was one with the wind.
This heart that he holds his spirit rescinds.
Marshal Gebbie Jul 2016
Bridges burnt in Winter rain
Holds a saddened felt refrain,
Holds a touch of muted horn
Blown in passion unadorned.
Blown away in errant winds
Where no truthlessness rescinds,
Where a lie begat the night
Interceding lost love's plight.

Bridges burnt in Winter rain
Sacraments of loss remain,
Sacraments fragmented drift
Redemption clad in bloodied shift,
Redemption worn as wrong slays right
Till wrongfulness blots out the night,
Till no return this path can be
Until they torch eternity.*
M.
SE Reimer's words float before me in his impassioned poem "Bridges"
allowing me to wallow in this, my own dark tangential refrain.
M.
Jeff Claycombe Mar 2015
the early morning sunbelt
painted with a single brushstroke
gentle, faint, blending the unending spectrum
stubbornly, snow rescinds its grip
breaking into chunks, channels, and falls
speckled rain descends
as rays of resilience remain
an ancient fern undergrowth coats the jurassic forest
and the wild grass unveils the secret movement of the wind
in the dark
the solstice's soliloquy
pirouetting in blues and greens
allowing us to see
you can smell the life
and taste the purity
its genuine and guarded
just blink
and feel the serenity
7/3/13
Jack Trainer Apr 2014
A soul exalts a given day
Rescinds it all, the next
Why are yearnings fast forsaken?
Displaced by yet another
I promise that by day’s end
My love  will not depart
Denying the callous cycle, its prize
Replaced by mirthful spirits and thoughts
Simon Soane Oct 2015
A transient stay rescinds
fall by fall,
as it always would;
dropped what once caught
the full of the sun.
Julian Delia May 2019
A wide-eyed kid, aged nineteen;
Bottled rage, a kind unseen.
Then, a sudden light beam burst forth;
Like it was a song of ice and fire,
And the Mad Queen met the ******* of the North.

I was killing myself with drugs and *****;
I still am. But, back then,
I was permanently binging.
I had nothing to lose;
I was a soul running loose,
With no clues about all these blues.
Short-fused and self-abused,
And extremely ******* confused.

But then, she showed up;
I hesitantly slowed down.
I was a mine about to blow up,
Whilst she upturned my frown.
At least, that’s what happened, for a while;
It wasn’t long before vitriol and bile.

We were living wild, all functional survival.
Sharing shelter with a woman who was vile;
A mother twisted and snarled up with hate,
A completely ****** up fate complementing a ****** up life.

Somehow, amid the *****, unwashed dishes,
The stench of alcoholism and all the hitches,
The sting of a mother ignoring a daughter’s wishes,
This was when we were the happiest together.
We had nobody, nothing, except for each other.

Bonding over an enemy in common;
Us against the world, baby.
I felt like an angel had been summoned;
I thought I’d won the golden ticket,
Until I realised the paper was laced with a tracer of poison,
And we were getting sickened.

But, during that first year, we were alright;
Hell was around us, but not inside us.
Walking through fire, but not set alight.
We held on; for each other, we went soft,
Like I was Indiana Jones, and you were Lara Croft.

We struggled, we survived, although we never thrived.
We lost everyone around us; remember how I cried?
Our friends, gone with the wind,
They dropped us, or we dropped them,
Like a benefit one rescinds.

We clawed our way out of that black hole,
Said goodbye to the drunk skunk on the couch,
A merry day to get away from that blackened soul.
We had no plans, no real goals;
We were just running away,
And starting anew on our own.

Filled with hope, so open to the world;
So naïve, believing we’d be able to cope.
We’d give it a whirl, we said, holding one another’s hand.
We were lost, like wayward, wind-strewn grains of sand.
But, somehow, we slept fondly in each other’s arms,
Disarmed wholly by each other’s charms.
I loved you, and never wished you any harm.
I gave you all I had and all I knew;
I wish it was enough to get us through.
Simon Soane Nov 2015
When the last dream of you
I told you as soon as I could,
straight on wake;
the
tales
of
sleep
communicate.
Now
lay as a
closeness
rescinds,
oh,
the things we nearly did
with wings.
gus Jan 2019
What a strange little world
and what strange little people,
flying high in the sky,
over chimney *** and steeple.

To the eyes in the sky
upon the swoop of a wing,
banking and cutting through strange creations,
watch me“loop”and turn and sing!

What of your day! speak its name?
Tell me dear fellows of the “winds”
tell of the world, of my grass and trees
for the loser of the game rescinds!

Watch me fly, watch me turn,
To the sun yet “never” burn?
Do I not”amaze”your eyes within the winds?
Come tell me of the clouds, and the rolling seas?
For the loser of the game rescinds, Speak!
In a meadow stands a flower
Over whom most things atower
And he is subject to the wily wind,
A devilish thing which rescinds
Then blows again like fans,
Oscillating their hands

The flower crumbles under Emotive oppression,
The wind pressing on him to go north
He obeys the force which forces him
And he flings back

In a trough or in a peak
Rendered meek or weak
The flower subject to whim
Is put to death by the wind

Yet on another day still
The wind falls through a hill
Reaches the flower and
Uplifts him with its farther hand

And in either case the flower,
Broken down by the wind
Or built up by it,
Is nothing but a product thereof

Perhaps he could've grown stronger
Maybe a good day would go on longer
Perchance his dance with his oppressor
Could resemble fixedness lesser

The wind possesses him yet blesses him
It transfers its goodness and its malice
His petals will be gifted with oxygen
Or fly off, like ridden callous
an underdeveloped metaphor for feeling controlled by your emotions instead of the other way around
Kurt Philip Behm Jun 2017
“It’s almost time,”
  the Angel said

Last image dancing,
  in my head

“The gate unlocked,
  the pearls alive”

Both wings she opened,
  time proscribed

“Just one look back,”
  I asked in vain

“All past is gone,”
  her voice proclaimed

“Your place awaits,
  all time rescinds

My wings your gift,
—now fly within”

(Villanova Pennsylvania: June, 2017)
Kurt Philip Behm Jun 2017
Defaulting on all past
  and future sins

The weight of their debt,
—the present rescinds

(Villanova Pennsylvania: June, 2017)
Brandt Hott Oct 2017
The cold winter en clenches the land with its frigid grasp
leaving its reminder of how even in cruelty comes compassion
as the animals scourge for what little sustenance can be found
and for the weaker ones and older ones this will be their last

The days and nights seem to run together as if hope will start to  dim
and despair becomes the only breathe as a drop of sun teases warmth
but the creatures of the wild group together to survive the torment
and in their suffering find a common reason united to not give in

Then when it seems there is no way out of the endless wretched freeze
and all are doomed to never again enjoy the happiness of the moment
a sudden change comes upon the land as loves will shows its strength
and from the gloomy cold landscape emerges a new beginning to see

The spring comes with such great force, that winter rescinds in haste
and new life is created as babies are born, and breathe their first breathes
a joy enters the hearts of all, to once again have the opportunity to live
taking a lesson from the difficult moments to not let the good ones waste

spring is the rebirth of the spirit to live and once again learn to love
but if not for winter, there would be no chance to know the value
of what is lost and then regained, to have the chance to grow and change
the power to come back to life after death and fearlessly face all that comes

— The End —