The noise of the night now comforts me. The stove creaks as it cools, jets decend to the airport and the traffics throng wains.
The day unwinds, its events now memories already. Each event, each thought like a train on its own little railroad, disapearing into the depths of the mind. When morning comes a clean slate. Then within seconds the thoughts that dwell, stress and depress, once again tear along the tracks till they overwhelm you. They just circle the mind on little railroads. No journey to speak of.

i am sitting and pressing green paint in misshapen swollen dots on my nail beds and thinking what if i mess this up? i am notoriously bad at fingernail painting and i ruin it and i am also afraid i will ruin myself by loving you.

yes, yes i hear you like a train. my head is all railroads and oceans, but i hear you puffing and whistling he does not love you, he would not love you, he loves her. long hair hazel eye i am not her i cannot be that girl i do not want to be his girl

but i want him to want me
oceans
trains

By the East River and the Bronx
boys sang, stripped to the waist,
along with the wheels, oil, leather and hammers.
Ninety thousand miners working silver from rock
and the children drawing stairways and perspectives.

But none of them slumbered,
none of them wished to be river,
none loved the vast leaves,
none the blue tongue of the shore.

By East River and the Queensboro
boys battled with Industry,
and Jews sold the river faun
the rose of circumcision
and the sky poured, through bridges and rooftops,
herds of bison driven by the wind.

But none would stop,
none of them longed to be cloud,
none searched for ferns
or the tambourine's yellow circuit.

When the moon sails out
pulleys will turn to trouble the sky;
a boundary of needles will fence in memory
and coffins will carry off those who don't work.

New York of mud,
New York of wire and death.
What angel lies hidden in your cheek?
What perfect voice will speak the truth of wheat?
Who the terrible dream of your stained anemones?

Not for a single moment, Walt Whitman, lovely old man,
have I ceased to see your beard filled with butterflies,
nor your corduroy shoulders frayed by the moon,
nor your thighs of ****** Apollo,
nor your voice like a column of ash;
ancient beautiful as the mist,
who moaned as a bird does
its *** pierced by a nedle.
Enemy of the satyr,
enemy of the vine
and lover of the body under rough cloth.

Not for a single moment, virile beauty
who in mountains of coal, billboards, railroads,
dreamed of being a river of slumbering like a river
with that comrade who would set in your breast
the small grief of an ignorant leopard.

Not for a single moment, Adam of blood, Male,
man alone on the sea, Walt Whitman, lovely old man,
because on penthouse roofs,
and gathered together in bars,
emerging in squads from the sewers,
trembling between the legs of chauffeurs
or spinning on dance-floors of absinthe,
the maricas, Walt Whitman, point to you.

Him too! He's one! And they hurl themselves
at your beard luminous and chaste,
blonds from the north, blacks from the sands,
multitudes with howls and gestures,
like cats and like snakes
the maricas, Walt Whitman, maricas,
disordered with tears, flesh for the whip,
for the boot, or the tamer's bite.

Him too! He's one! Stained fingers
point to the shore of your dream,
when a friend eats your apple,
with its slight tang of petrol,
and the sun sings in the navels
of the boys at play beneath bridges.

But you never sough scratched eyes,
nor the darkest swamp where they drown the children,
nor the frozen saliva,
nor the curved wounds like a toad's belly
that maricas bear, in cars and on terraces,
while the moon whips them on terror's street-corners.

You sought a nakedness like a river.
Bull and dream taht would join the wheel to the seaweed,
father of  your agony, camellia of your death,
and moan in the flames of your hidden equator.

For it's right that a man not seek his delight
in the ****** jungle of approaching morning.
The sky has shores where life is avoided
and bodies that should not be echoed by dawn.

Agony, agony, dream, ferment and dream.
This is the world, my friend, agony, agony.
Bodies dissolve beneath city clocks,
war passes weeping with a million grey rats,
the rich give their darlings
little bright dying things,
and life is not noble, or sarcred, or good.

Man can, if he wishes, lead his desire
through a vein of coral or a heavenly ****.
Tomorrow loves will be stones and Time
a breeze that comes slumbering through the branches.

That's why I don't raise my voice, old Walt Whitman,
against the boy who inscribes
the name of a ******* his pillow,
nor the lad who dresses as a bride
in the shadow of the wardrobe,
nor the solitary men in clubs
who drink with disgust prostitution's waters,
nor against the men with the green glance
who love men and burn their lips in silence.
But yes, against you, city maricas,
of tumescent flesh and unclean thought.
Mothers of mud. Harpies. Unsleeping enemies
of Love  that bestows garlands of joy.

Against you forever, you who give boys
drops of foul death with bitter poison.
Against you forever,
Fairies of North America,
Párajos of Havana,
Jotos of Mexico,
Sarasas of Cádiz,
Apios of Seville,
Cancos of Madrid,
Floras of Alicante,
Adelaidas of Portugal.

Maricas of all the world, muderers of doves!
Slaves to women. Their boudoir *******.
Spread in public squares like fevered fans
or ambushed in stiff landscapes of hemlock.

No quarter! Death
flows from your eyes
and heaps grey flowers at the swamp's edge.
No quarter! Look out!!
Let the perplexed, the pure,
the classical, noted, the supplicants
close the gates of the bacchanal to you.

And you, lovely Walt Whitman, sleep on the banks of the Hudson
with your beard towards the pole and your hands open.
Bland clay or snow, your tongue is calling
for comrades to guard your disembodied gazelle.

Sleep: nothing remains.
A dance of walls stirs the praries
and America drown itself in machines and lament.
I long for a fierce wind that from deepest night
shall blow the flowers and letters from the vault where you sleep
and a ***** boy to tell the whites and their gold
that the kingdom of wheat has arrived.

HUNTINGTON sleeps in a house six feet long.
Huntington dreams of railroads he built and owned.
Huntington dreams of ten thousand men saying: Yes, sir.

Blithery sleeps in a house six feet long.
Blithery dreams of rails and ties he laid.
Blithery dreams of saying to Huntington: Yes, sir.

Huntington,
Blithery, sleep in houses six feet long.

When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man's dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and ***** seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
   Freedom.

Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.

Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it's the U.S.A.

A long time ago, but not too long ago, a man said:
        ALL MEN ARE CREATED EQUAL--
        ENDOWED BY THEIR CREATOR
        WITH CERTAIN UNALIENABLE RIGHTS--
        AMONG THESE LIFE, LIBERTY
        AND THE PURSUIT OF HAPPINESS.
His name was Jefferson. There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
        NO MAN IS GOOD ENOUGH
        TO GOVERN ANOTHER MAN
        WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
        BETTER TO DIE FREE
        THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.

With John Brown at Harper's Ferry, Negroes died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
   Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
    Keep Your Hand On The Plow! Hold On!
Out of war it came, ****** and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.

America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man. Together we are building our land."

America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don't be discouraged, builder!
If the fight is not yet won,
Don't be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
        ALL MEN ARE CREATED EQUAL.
        NO MAN IS GOOD ENOUGH
        TO GOVERN ANOTHER MAN
        WITHOUT HIS CONSENT.
        BETTER DIE FREE,
        THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
   FREEDOM!
     BROTHERHOOD!
         DEMOCRACY!
To all the enemies of these great words:
We say, NO!

A long time ago,
An enslaved people heading toward freedom
Made up a song:
     Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
     KEEP YOUR HAND ON THE PLOW! HOLD ON!

From the 1880s into the 1960s, a majority of American states enforced segregation through "Jim Crow" laws (so called after a black character in minstrel shows). From Delaware to California, and from North Dakota to Texas, many states (and cities, too) could impose legal punishments on people for consorting with members of another race. The most common types of laws forbade intermarriage and ordered business owners and public institutions to keep their black and white clientele separated.

Examples of Jim Crow Laws

Nurses: No person or corporation shall require any white female nurse to nurse in wards or rooms in hospitals, either public or private, in which ***** men are placed. (Alabama)

Buses: All passenger stations in this state operated by any motor transportation company shall have separate waiting rooms or space and separate ticket windows for white and colored races. (Alabama)

Railroads: The conductor of each passenger train is authorized and required to assign each passenger to the car or the division of the car, when it is divided by a partition, designated for the race to which such passenger belongs. (Alabama)

Restaurants: It shall be unlawful to conduct a restaurant or other place for the serving of food in the city, at which white and colored people are served in the same room, unless such white and colored persons are effectively separated by a solid partition extending from the floor upward to a distance of seven feet or higher, and unless a separate entrance from the street is provided for each compartment.

Pool and Billiard Rooms: It shall be unlawful for a ***** and white person to play together or in company with each other at any game of pool or billiards. (Alabama)

Toilet Facilities, Male: Every employer of white or ***** males shall provide for such white or ***** males reasonably accessible and separate toilet facilities. (Alabama)

Intermarriage: The marriage of a person of Caucasian blood with a *****, Mongolian, Malay, or Hindu shall be null and void. (Arizona)

Intermarriage: All marriages between a white person and a ***** person or between a white person and a person of ***** descent to the fourth generation inclusive, are hereby forever prohibited. (Florida)

Cohabitation: Any ***** man and white women, or any white man and ***** woman, who are not married to each other, who shall habitually live in and occupy in the nighttime the same room shall each be punished by imprisonment not exceeding twelve (12) months, or by fine not exceeding five hundred ($500.00) dollars. (Florida)

Education: The schools for white children and the schools for ***** children shall be conducted separately. (Florida)

Juvenile Delinquents: There shall be separate buildings, not nearer than one fourth mile from each other, one for white boys and one for ***** boys. White boys and ***** boys shall not, in any manner, be associated together or worked together. (Florida)

Mental Hospitals: The Board of Control shall see that proper and distinct apartments are arranged for said patients, so that in no case shall Negroes and white persons be together. (Georgia)

Intermarriage: It shall be unlawful for a white person to marry anyone except a white person. Any marriage in violation of this section shall be void. (Georgia)

Barbers: No colored barber shall serve as a barber [to] white women or girls. (Georgia)

Burial: The officer in charge shall not bury, or allow to be buried, any colored persons upon ground set apart or used for the burial of white persons. (Georgia)

Restaurants: All persons licensed to conduct a restaurant, shall serve either white people exclusively or colored people exclusively and shall not sell to the two races within the same room or serve the two races anywhere under the same license. (Georgia)

Amateur Baseball: IT shall be unlawful for any amateur white baseball team to play baseball on any vacant lot or baseball diamond within two blocks of a playground devoted to the ***** race, and it shall be unlawful for any amateur colored baseball team to play baseball in any vacant lot or baseball diamond within two blocks of any playground devoted to the white race. (Georgia)

mean beam bottom ***** without reluctance.
\ air above \
since forever baby boy: since forever liquid sparkler.

he has sense
& peanut butter jelly geography to his page.
his romance is of the west.
his eyes are of dandelions kicked & to the wind.
he moves like ancient turtle migration.
reaches feet to sidewalk \ sand to depths \ ride \

night:
velcro-tightened mind withstanding.
party lights, ***** willows, retro punch, he
is orpheus descending: with all the elements positioned just so.
\ jellyfish electric \  
he says he likes the loneliness.
he says it’s the water.

& so he moves \ wills himself into the next measure.
liquid resolute bits.
so move \ orca \
curl of eye \ so ride \ black rollo wave \
basilica \ & \
coral reaches below \\\

he likes to tell it, with warmed exaggeration.
slow-motion buffalo stampede. ride the railroads free & easy.
orange glowing bars of elsewhere. oscillating seal calls.
oily portland hipsters howling on the beach. those
juno cheeked rosy-red lips.
somewhere, sister getting married.
spring, summer, fall, winter, spring.
africa ******* a branch of a tree of a forest, overlooking elephant burial grounds.
color & white material:
plantations, gas stations, diners, & sharks.

this is the morning lunar \
sweet blue beach of the old & awakening.
he crawls out & into her breaks.
her deep heights & bombora reef. the serotonin
functions twice, exposed between thin tissues of warm-blooded neurochemistry.
human, shown.
he is as a raw page, blank, yet
dipped \
\ so ride \ bulbous waves of air mother agua \
ride \ &
\ ride \ &
brew by light these occurrences forever.

Hog Butcher for the World,
Tool Maker, Stacker of Wheat,
Player with Railroads and the Nation's Freight Handler;
Stormy, husky, brawling,
City of the Big Shoulders:

They tell me you are wicked and I believe them, for I
have seen your painted women under the gas lamps
luring the farm boys.
And they tell me you are crooked and I answer: Yes, it
is true I have seen the gunman **** and go free to
**** again.
And they tell me you are brutal and my reply is: On the
faces of women and children I have seen the marks
of wanton hunger.
And having answered so I turn once more to those who
sneer at this my city, and I give them back the sneer
and say to them:
Come and show me another city with lifted head singing
so proud to be alive and coarse and strong and cunning.
Flinging magnetic curses amid the toil of piling job on
job, here is a tall bold slugger set vivid against the
little soft cities;

Fierce as a dog with tongue lapping for action, cunning
as a savage pitted against the wilderness,
Bareheaded,
Shoveling,
Wrecking,
Planning,
Building, breaking, rebuilding,
Under the smoke, dust all over his mouth, laughing with
white teeth,
Under the terrible burden of destiny laughing as a young
man laughs,
Laughing even as an ignorant fighter laughs who has
never lost a battle,
Bragging and laughing that under his wrist is the pulse.
and under his ribs the heart of the people,
Laughing!
Laughing the stormy, husky, brawling laughter of
Youth, half-naked, sweating, proud to be Hog
Butcher, Tool Maker, Stacker of Wheat, Player with
Railroads and Freight Handler to the Nation.

my polygamous relationship with you distances me from the monotony of monogamy and makes me feel lonelier than the loneliest mundane monogamist. my mere apologies for my misendeavors, the malnutritious morals of my miseducation propose metal mirrors and castaways controlled by cutting carvers, craving crazy letters and loyalty from lengthy lies and lonely lives. lethargy overtakes and vowels reign, raining drops like rainbows and rocks in rivers, rusting relationships, rusty railroads at intense intersections entwined in everything inside and nothing on the outside anymore except these
muscles. we are back at the beginning.

my mind marvels in the magic of the memories, the madness of the morbidity and the hesitations of your reaction. his, I take, is misunderstood as my misfortune, but it is not a miss, my fortune: it is a fox in feathers colorful like friendships 'fore their forfeited and feigned approval, forced for fear of polygamy tho' it promises the purest pleasure, the most personal independence and precious pearls of princes, princesses, powerful, plight-less

poetry.  peace surrenders,

souls surprise themselves, surprise their cells, call for curious catastrophes to take place. colorful and calm they coincide with cooperation that can not contain the context of truth, of teases, of teasers and targets and tonal dualities and we endeavor, we endear you, we dare destroy the darkness of the devil in its disguised diamonds.

words lie at my feet like pebbles of poetry and I promise personal demise, deterioration and ridiculous obsessions- there's madness to be had and fragments to be written and I play with silly alliteration instead!

serious and serene you stare as if my sanity has slowly faded and I sternly helplessly smile shyly.  I suppose you are sincerely offering me your blessing before parting, so stumbling slightly I surrender…


if this is the prevailing promise of mere mortality, I'm graciously aware I was worthy of words.

The IRS, King George and United States Connection

 

1. The IRS is not a U.S. Government Agency. It is an Agency of the IMF. (Diversified Metal Products v. IRS et al. CV-93-405E-EJE U.S.D.C.D.I., Public Law 94-564, Senate Report 94-1148 pg. 5967, Reorganization Plan No. 26, Public Law 102-391.) <p> </p> 2. The IMF is an Agency of the UN. (Blacks Law Dictionary 6th Ed. Pg. 816) <p> </p> 3. The U.S. Has not had a Treasury since 1921. (41 Stat. Ch.214 pg. 654) <p> </p> 4. The U.S. Treasury is now the IMF. (Presidential Documents Volume 29-No.4 pg. 113, 22 U.S.C. 285-288) <p> </p> 5. The United States does not have any employees because there is no longer a United States. No more reorganizations. After over 200 years of operating under bankruptcy its finally over. (Executive Order 12803) Do not personate one of the creditors or share holders or you will go to Prison.18 U.S.C. 914 <p> </p> o wait theres more <p> </p> 6. The FCC, CIA, FBI, NASA and all of the other alphabet gangs were never part of the United States government. Even though the "US Government" held shares of stock in the various Agencies. (U.S. V. Strang , 254 US 491, Lewis v. US, 680 F.2d, 1239) <p> </p> <p>"SOCIAL SECURITY FRAUD!! SSI was made to monetize the soul of every human being</p> and to think it didnt even exist until 1935 and ratified by congress in 1936 well we pay homeage to private corporations and to think we live under this illusion called "freedom" <p> </p> 7. Social Security Numbers are issued by the UN through the IMF. The Application for a Social Security Number is the SS5 form. The Department of the Treasury (IMF) issues the SS5 not the Social Security Administration. The new SS5 forms do not state who or what publishes them, the earlier SS5 forms state that they are Department of the Treasury forms. You can get a copy of the SS5 you filled out by sending form SSA-L996 to the SS Administration. (20 CFR chapter 111, subpart B 42 2.103 (b) (2) (2) Read the cites above) <p> </p> 8. There are no Judicial courts in America and there has not been since 1789. Judges do not enforce Statutes and Codes. Executive Administrators enforce Statutes and Codes. (FRC v. GE 281 US 464, Keller v. PE 261 US 428, 1 Stat. 138-178) <p> </p> 9. There have not been any Judges in America since 1789. There have just been Administrators. (FRC v. GE 281 US 464, Keller v. PE 261 US 428 1Stat. 138-178) <p> </p> 10. According to the GATT you must have a Social Security number. House Report (103-826) <p> </p> 11. We have One World Government, One World Law and a One World Monetary System. <p> </p> <p>12. The UN is a One World Super Government.</p> 13. No one on this planet has ever been free. This planet is a Slave Colony. There has always been a One World Government. It is just that now it is much better organized and has changed its name as of 1945 to the United Nations. <p> </p> 14. New York City is defined in the Federal Regulations as the United Nations. Rudolph Gulliani stated on C-Span that "New York City was the capital of the World" and he was correct. (20 CFR chapter 111, subpart B 422.103 (b) (2) (2) <p> </p> 15. Social Security is not insurance or a contract, nor is there a Trust Fund. (Helvering v. Davis 301 US 619, Steward Co. V. Davis 301 US 548.) <p> </p> 16. Your Social Security check comes directly from the IMF which is an Agency of the UN. (Look at it if you receive one. It should have written on the top left United States Treasury.) <p> </p> 17. You own no property, slaves can't own property. Read the Deed to the property that you think is yours. You are listed as a Tenant. (Senate Document 43, 73rd Congress 1st Session) <p> </p> 18. The most powerful court in America is not the United States Supreme Court but, the Supreme Court of Pennsylvania. (42 Pa.C.S.A. 502) <p> </p> <p>19. The Revolutionary War was a fraud. See (22, 23 and 24)</p> <p>20. The King of England financially backed both sides of the Revolutionary war. (Treaty at Versailles July 16, 1782, Treaty of Peace 8 Stat 80)</p> ...and as history repeats itself, Prescott Bush, father of George HW Bush and grandfather of George W. Bush, funded both sides of World War II. The Bush family have been traitors to the American citizens for decades. <p> </p> "Sarah, if the American people had ever known the truth about what we Bushes have done to this nation, we would be chased down in the streets and lynched." <p> </p> George Bush Senior speaking in an interview with Sarah McClendon in December 1992 <p> </p> 21. You can not use the Constitution to defend yourself because you are not a party to it. (Padelford Fay & Co. v. The Mayor and Alderman of The City of Savannah 14 Georgia 438, 520) <p> </p> 22. America is a British Colony. (THE UNITED STATES IS A CORPORATION, NOT A LAND MASS AND IT EXISTED BEFORE THE REVOLUTIONARY WAR AND THE BRITISH TROOPS DID NOT LEAVE UNTIL 1796.) Respublica v. Sweers 1 Dallas 43, Treaty of Commerce 8 Stat 116, The Society for Propagating the Gospel, &c.; V. New Haven 8 Wheat 464, Treaty of Peace 8 Stat 80, IRS Publication 6209, Articles of Association October 20, 1774.) <p> </p> <p>IRSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS</p> 25. A 1040 form is for tribute paid to Britain. (IRS Publication 6209) <p> </p> 26. The Pope claims to own the entire planet through the laws of conquest and discovery. (Papal Bulls of 1455 and 1493) <p> </p> 27. The Pope has ordered the genocide and enslavement of millions of people.(Papal Bulls of 1455 and 1493) <p> </p> 28. The Popes laws are obligatory on everyone. (Bened. XIV., De Syn. Dioec, lib, ix., c. vii., n. 4. Prati, 1844)(Syllabus, prop 28, 29, 44) <p> </p> 29. We are slaves and own absolutely nothing not even what we think are our children. (Tillman v. Roberts 108 So. 62, Van Koten v. Van Koten 154 N.E. 146, Senate Document 43 & 73rd Congress 1st Session, Wynehammer v. People 13 N.Y. REP 378, 481) <p> </p> <p>30. Military Dictator George Washington divided the States (Estates) into Districts. (Messages and papers of the Presidents Vo 1, pg 99. Websters 1828 dictionary for definition of Estate.)</p>

ill be back for more peace n blessing folks

 

31. " The People" does not include you and me. (Barron v. Mayor & City Council of Baltimore. 32 U.S. 243)

 

32. The United States Government was not founded upon Christianity. (Treaty of Tripoli 8 Stat 154.)

33. It is not the duty of the police to protect you. Their job is to protect the Corporation and arrest code breakers. Sapp v. Tallahasee, 348 So. 2nd. 363, Reiff v. City of Philadelphia, 477 F.Supp. 1262, Lynch v. N.C. Dept of Justice 376 S.E. 2nd. 247.

 

34. Everything in the "United States" is For Sale: roads, bridges, schools, hospitals, water, prisons airports etc. I wonder who bought Klamath lake. Did anyone take the time to check? (Executive Order 12803)

 

35. We are Human capital. (Executive Order 13037)

 

36. The UN has financed the operations of the United States government for over 50 years and now owns every man, women and child in America. The UN also holds all of the Land in America in Fee Simple.

 

37. The good news is we don't have to fulfill "our" fictitious obligations. You can discharge a fictitious obligation with another's fictitious obligation.

 

38. The depression and World War II were a total farce. The United States and various other companies were making loans to others all over the World during the Depression. The building of Germanys infrastructure in the 1930's including the Railroads was financed by the United States. That way those who call themselves "Kings," "Prime Ministers," and "Furor."etc could sit back and play a game of chess using real people. Think of all of the Americans, Germans etc. who gave their lives thinking they were defending their Countries which didn't even exist. The millions of innocent people who died for nothing. Isn't it obvious why Switzerland is never involved in these fiascoes? That is where the "Bank of International Settlements"is located.Wars are manufactured to keep your eye off the ball. You have to have an enemy to keep the illusion of "Government" in place.

 

39. The "United States" did not declare Independence from Great Britian or King George.

40. Guess who owns the UN?

Like

We're all writers that don't know where our pen will take us,
Artists who's thoughts and emotions flow through our paintbrush,
A wall painted black, then white, then green, then multi-coloured,
It's changing,
Everything's changing,
Who are we fooling? Why pretend?
None of us are the same as we once were,
It's the demons inside of us that grow and mutate,
They puncture holes in our hearts and rip out our souls,
The deeper we sink, the more broken we see ourselves,
And the hate that we feel for our imperfections run harsh cuts into our skin,
Shivers across the lines of fields shaded red,
It's hard to keep the screams inside,
The rain behind our eyes remind me of shadows,
Pumping blood like butterflies in tunnels of glass,
The railroads to our hearts are barred with electrified wire,
Spinning webs of glutinous barriers,
Fleeting highs when fingertips touch love and trust,
Cut loose, like the strings of a puppet,
Trying to crawl back up the ladder of shattered china,
Back to that splintered paradise.

We marked the deaths on a map in little black tallies,
every day we counted the numbers and they had come to a strong incline.

You sat in the dust by the flames
playing with a cattail
and you asked me
“When will it be over?”

The smoke drifted into open sky above us and I tried to count the stars.

The map was held together by rivers and
railroads
and lakes.
And we were held together by a commonplace drive:

Hope.

The poem in your eyes had no backbone and it was falling apart at the seams and it made you
tired and
sad and
hopeless.

The map is held together by little black tallies on the edges from an old charcoal pencil.
And we are held together by a thread of life that could very well be

snipped.

Alas, that is out of our reach but we must remember to always
fight! and to stay alive
please keep holding on
please

Because home awaits with open arms and we are here counting stars and
we must never die.

~

The mayor warned when we came home to
never leave again
and to
never go again
and I do not understand because
we couldn’t stop that
and you told me that I understand
and that he doesn’t.

Mother looked at me and my scars
disgusted
and told me to go
and told me that I shouldn’t be home.

And we found a lake from the map marked with a charcoal pencil and stayed there
and you fished
and I found berries.

Every night we counted the stars and
we were connected by constellations.

Every night we were connected by the grass beneath us
pricking the backs of our necks

and we caught the flying stars
(Fireflies)
and we were connected by constellations.

The notes of the piano rang in open air across the lake
how far can the notes stretch to connect us?  

As the lake grew, constellations stretched
far
and we never knew what color your eyes were.

Blinded by the bright light from the upcoming sun,
we both ran for cover, turning our backs on each other for the first time in
a while.

The thick trees hid us from the light well enough, but
you
weren’t
there.

We kept running.
The sun was catching up
too fast
and we ran for everything we could live for.
(each other)

I ran for you and you ran for me.
That’s all we could do until you laid on the ground,
tired and
sad and
hopeless.

You stopped running so I did too and we both were hungry for what we could’ve had.

~

When we were still in the war, they let you bring one thing from home.
You brought the idea of hope
and I brought the idea of music
and we mixed together very well.

The nights when we counted stars under the full moon
were the nights when we’d fall asleep with our arms touching.
(A sign that people are alive.)

The dust woke us up when it blew in our open mouths,
and in a shallow breath the tiny things landed on our tongues, woke us up, and
made our eyes cry.

“When do you know to go home?”
I ask myself this a lot because I know that there is no answer.
Human beings like to ask themselves things without answers and then get angry that there is no answer.
Because only they know when they put you back home.
You and I were lucky because we only had a little time in that hell,
but the others weren’t.
The little black tallies from the charcoal pencil weren’t because they
died.

The light woke us up and we knew we had to run
soon
It landed upon our eyelids and woke us up and made us cry.

I think of you as I am running and my bare feet
smack
across the dirt.
I think of you because your hair always was full of the stuff and now all it does is make me cry.

~

I think we are running along the line on one of your maps.
I think our feet are creating the dark brown streaks on the paper with the little black tallies on them.
And I think that we will never find out
the color of your eyes.

We run back to back for a while
until the light stops us and we hide beneath the tree’s leaves.

I am hungry for our arms to be touching again.
I am hungry to count stars with you and the place we did that was the war,
so could you say that
I am hungry for the war?

I am not hungry for the charcoal pencil,
but I am hungry for the hand that touched it.

I am not hungry for the dirt,
but I am hungry for the person who would lay in it carelessly.

I am hungry for the map so I can see the dark brown veins running across it with bare feet
smacking
the dark brown surface of it.

I am hungry to breathe in the commonplace drive that pushed us along the dark brown lines and out of
the war.
And I am hungry for the idea that once was.

Hope:
That is no longer existent when I am not with you
which is a side effect of
you
that I did not know about.

I would welcome any side effects that came with you with open arms, of course, because I would still have
you
I merely did not know about that one, but I am sad to see the idea go.

~

I wish you the best in all your journeys.
I wish to hear the beat of your heart against the crickets again,
but now I am afraid that the light has caught up with me
and I am afraid that
we will never find out what color my eyes are.

I wish you the best in running from the light
but remember that the without light there would be no darkness.

I am sorry to have to tell you that the dust will settle in the rocks and that
the maps have been burned.

The tallies have turned blacker than ever before.
The tallies have turned into ash from the bright flames.

The maps have fallen asleep in the glow of the flames and that
our idea:
Hope;
has been taken by the wind.

It ran with it, and I tried to catch it, but the wind cannot be caught.
Remember the first breath of the war you took when you stepped outside into the
light
of the day and remember the glow of the flames.

Remember that people are still living
(Remember that our arms touched on the nights we counted stars)
and remember the constellations that connected us.

I am not sorry to tell you, however, that no matter how far constellations can be stretched,
constellations never can be broken.
They can stretch to heaven and hell and earth and the sky and the dust and to the war
But they will never shatter
because constellations are images the mind has created.

Constellations are made by the mind and stars are tangible.
Constellations connect stars.
We are stars and we all burn in our own flames.

~

The words from your charcoal pencil make me cry.
I cannot ever count the stars without you
and I cannot ever write poetry in the dust without you.

Your words make me cry and I run
faster.

I don’t try to compete with the light because I know we’ve been running with our backs to each other for the
whole
time.

The wind trips me and its fingers comb through my hair on the way down.
dust from the ground tickles my tongue and the wind left something in my brain.
our idea:
Hope;
has been taken by the wind.

“Are you the dust, now?”
I feel your thumb across my cheekbone and I am
yearning
for what we could’ve had.

“Are you the wind, now?”
I feel your hand in mine and you lift me to my feet.
My face is dark brown covered with dust
but as I run the wind cleans it off.

“I have never been so tired,” I tell you.

I am so hungry for you.

I am starving
and I am sick with what we could’ve had.

I live in the land
Of the inbetweeners.
We are what
The French would call,
Bourgeoisie.
What the ghetto calls,
Bougie.
What the successful calls,
Day dreamers,
And what we call,
The future leaders.
I live in
The land of rebels.
The people who fought against their oppressors
Because they know the truth behind
Social Darwinism;
And the fact of the matter is
That no race
Is a superior race
Because "race"
Is a manmade idea
To justify the injust
Ideas of slavery.
The rebels who ran out of chains
Because they weren't
Supposed to be chained down.
The rebels who walked midnight railroads
To escape the clutches
Of the white man's burden.
The rebels who refused to stand
In one spot
When there were plenty of seats available.
The rebels who refused
to bite their tongues and
The rebels who refused to be spoken over
Because they had
A lot of important stuff to say.
The rebels who dreamt outrageous dreams,
So that the complexion
Of your pigment
Was never a deciding factor
In your life.
The rebels who refused
to follow unlawful laws
Because they were
Law abiding citizens
Only when laws were just.
The rebels who challenged what was superiority,
The rebels who changed the course of history forever.
I live in
The land of the outsiders
Who conform the
Preconceived ideas
To fit them
We roll small blunts
of white paper
Filled with the words
of novels and poetry
And blow through those books
Inhaling every letter
And letting it cling to our lungs
Flowing the grammar
Throughout our bodies.
We stand spittin
Absolute value bars
Rapping elongated equations
Of X equals
Y +/- root Z
Divided by root A
Times the quantity of
B - C.
We stick up
Banks filled with
Material and instruction.
Stealing all the information we can take
And try peicing it together
So that more than words
We have knowledge.
We *******
Our brains,
Pleasing its sapiosexual
******* with
Grammar and arithmetic.
I live in the land
Of the inbetweeners.
The people making history
In their everyday lives.
The revolutionaries
Who fight for even
The smallest of issues.
The individuals who stand out
Amongst a crowd of people
That look just like them.
The inbetweeners,
They who refuse
To subjugate themselves
To society,
But will subjugate society
To themselves.

I am painting word pictures today
tasting hot incoming Autumn  breezes
transforming splendor
dreary rain filled moments pass
bidding adieu
and welcome my rustic bamboo
fare thee well to Summer's sun
now in this Burning September

Entrancing
as the
dancing trees
in changing multicolored hues...
skies of crystal clear blue
cut outs of rolling hillsides
and lush Green mountains
in that endless and seamless quilt
sheltering the storms

My eyes are drawn
past the still lively green leaves
as the burning umber
and cardinal tipped ones
radiating
hat tipped
as chlorophyll ...
choking the beauty outward
from the petiole
like greedy verdant fingers...
the palm of my hand
I linger ...a moment
they wave in soft winds
...and I wave back

I remember
old-time Vermonters
like my Father
didn't care for the Sumac trees
thought perhaps a ****
only beautiful to look at
& they are so very lovely

These happy helpers
say hello to Fall
stick around
when everything else
already brown
holding down
needy dry hillsides
from erosion
growing fast and tall
turning into thickets...
for woodland critters
providing borders
unsung heroes beckon
along railroads,
highways ,
pastured Meadows
and Orchard edges
these beauties...
never really go away.

A harvesting moon
giving seasons
  five months
from the time
the leaves fall off
until they grow back
in the spring time
  serrated leafy knives
cut into the sky
a bittersweet
and bashful goodbye
sighing...
to drunken apples
and their dropping dried leafy friends

Surprisingly scrumptious
providing
we are foraging and gleaning
I make a lovely citrusy
sour and fruity tea
like wild cranberry juice...
imaging the Joy
inviting clusters of crimson know

Providing more than food
for winged ones
a sugar depository
loaded with antioxidants &
spreading sunshine
in darker months

Attracting  lovely colorful winter birds
my winsome friends
seed eaters
small singing kindred spirts...
tempted by seeds pods
of the Staghorn Sumac
and remaining wildflowers
bursting like burgundy globes
scarlet and brick reds
mellow yellows
  turning burning
blazing bright oranges
as the seasonal butterfly dreams
unfolding it's summertime schemes
right before my wondering eyes

  European and English
Gardens know
varieties
I can only close my eyes to see
accentuating loose,
textured landscapes
stunning gardens
& fern-like cousins
across the world
A Middle Eastern grind
of this crimson spice
from those crushed dried drupes
while they prepare rice for dinner

I so appreciate
what a gift we have to share
time is running short before
as told to me in times of yore
we brace as one for Winter's Bone
though I am not alone
Vermont it is my earthly home
all I really want to say
thanks for sharing with me  ...
on this perfect picturesque
Vermont September day.

Cherie Nolan © 2016

caveat! —bursting out as the fuse fetters away
wafting t'ward oil spills, tranquilized guns
with pace maker minds
and time to ****

sickle celled, graving shores
plead to crawl underground
through cascading bile and sedatives
that sift through these negatives
like bangled thieves
who crawl on broken knees
and lie idle under haunted bridges.

bouldered bones intertwine
or veins cut along a dotted line
caveat! cries the sayer's sooth,
for he says it scours and devours—
the slinking nightmare sleuth.

the tar is interrupted in carved equinoxes
soak in the crippled toxins
as the air becomes as thick as theophany
and tharm like grease in blood that take me in,
through ash and mud and
all the spider webs caving in
like delicate gorges forges beneath
nightmare sleuth reaching zenith

caveat, silhouettes
stretched out like oil in water
and this silicon tomb can hold me no longer
for i must break out before i am a goner
because it's a mistake that i'll never shake
your face turns opaque
and there was nothing in your eyes
but dripping flesh

wring out all your words for me
your jeers and your juries
but go cling to your crutch
your kings and your qualms
and the church that burns
in its hallow vacancy

for none can resist the urge
that thieves its delinquents from catatonic catacombs
and quagmire junctions
where the swamp will **** you in
and festering sweat sticks like guilt to your skin
and hell is a nightclub where every loss is a life
and heaven's a daydream with your neck to the knife
it needs no rhyme or reason
and every slip of your broken lip
just lose your grip and give in to the treason
would you rather burn at the stake
than suffer your cement heart break
with no reason or rhyme
it's just the weight of the season

backdrop collapse
railroads unfolding
and like a cell storm the train
is coming your way

and slinks away like a nightmare sleuth
it just takes one swipe of the claw
or one bite of the tooth
and it drags you in
feel the sidewalk sleeping
and the blinking lights creeping
above the overpass
and the cold wind reeling--
it'll be your last.

You can't safely have a cigarette outside of the bus terminal
without a couple of folk asking for one.
You can't safely have a cigarette in general.
But, if five of them have to last you a night and a sunrise,
you don't really mind turning down a few nameless hands.
Some of the bus drivers like to talk about football, weather;
others complain about management or the patrons;
a few don't say much at all, avoiding sympathy.
They're probably the smart ones.
They don't want to learn the sad stories in between stops.
I usually like to just sit in the back and ride out the best bumps.
The handrails jiggle and crash with every pothole.
-
The men who work at the metal scrap yard
usually get on in front of Debbie's Diner on 22nd street.
Bundled up for warmth and firm of face, they only speak to each other.
Small talk about who almost missed the bus, broken crane joints,
and who moved the most barrels of copper piping fill the blocks.
They tend to pick on the guy who runs the aluminum can crusher;
big guy, they call him "Boose" and he couldn't be much older than I am.
His hands and lips are dry and cracked from exposure,
but his face still shows ember of teenage years, though jilted.
There is a bar that serves three-dollar chili across the street, spicy.
The workers go there when they miss the first bus, have a beer,
down a bowl of boiling chili, and catch the return bus in better moods.
-
The railroads on Brush College road tend to hold up traffic.
The ADM plant doesn't really mind if a few twenty-something mothers
are late to their practical nursing and phlebotomy classes,
but they voice their complaints out of a cracked window to the side
of a ten story soybean silo nonetheless; steaming ears and all.
I stare at the graffiti on the laggard train cars, each unique
in color, quality, style, and message; the industrial Louvre.
These waits sometimes last a half hour or more.
In the days before Pell grant rewards come in,
when students still feel like they're working toward tangible cash,
the seats are all packed with heavy breathers.
The air becomes thick with community college carbon coughs.

Walking, always walking,
Puzzled youth being funneled like cattle,
Seek shelter from the sun,
Jeer and poke at each other,
All from the safety of their cell phones.

Constantly seeking that one undesired retention
Of jukebox explosion catapults.
Thrusting us deeper into the mind/brain paradox
What is this?
What are these strange mutterings in the dark?

Babysitting wasp nests by electro shock railroads,
Disgust in the face of the many.
Where is this golden eclipse we’re all waiting for?
How can I not see the spiders on my windowsill?
Are these anguished, infantile youth truly desired?

Aggravated Neanderthal men
Try to impress pulsating goddesses of Light,
All to no prevail.
Sickening feeling in the gut,
Why aren’t you here?
Well I suppose,
Things have changed.

The Empress of the tunnel
Seeks out the empire halls
Of the tunnel-bound angst,
Musicians in the hall strumming
There thoughtless musings,
While the the debutantes watch and listen.
The intensity is unbearable to them,
They must seek shelter in their ipods.

Milk, must have it.
Watching them creep through the cafe,
May they one day find what they’re seeking.
Where are they?
Sitting here by myself,
Look at them jeering at each other
In their own jargons.
Have they seeked out the pleasure of life?



Dream-like meditations,
Well-rounded views of life,
Happiness within.
Dumbly smile at each other,
Seeking closeness,
Mind/body consciousness

THIRTY-TWO Greeks are dipping their feet in a creek.
Sloshing their bare feet in a cool flow of clear water.
All one midsummer day ten hours the Greeks
        stand in leather shoes shoveling gravel.
Now they hold their toes and ankles
        to the drift of running water.
Then they go to the bunk cars
        and eat mulligan and prune sauce,
Smoke one or two pipefuls, look at the stars,
        tell ****** stories
About men and women they have known,
        countries they have seen,
Railroads they have built-
        and then the deep sleep of children.

We walk to it in silence, passing over earthen layers of leaf and twig, never once touching dirt en transit.

Then it escapes vertically from a jungle less than ninety years old.

The Beautiful Monolith.

At one point when the jungle was young, it was an integral bridge of some great scheme of railroads but is now a cement Taj Mahal only undiluted, uninhibited youth could create.
 
Where alabaster paint found in post cards and archival footage had once been, several layers of outsider art, scratchings, bible verses and amateur-drawn genitalia are the monolith’s primer, base and top coat.
 
We walk past two crosses next to the river, one for a young man who had jumped into the three foot deep river from the monolith’s former train tracks, another carries no name but is nailed to a neighboring tree.

An unnaturally yellow tulip lies beneath this cross.
 
At the Monolith’s feet are vines with sprouts of two-or-three leaves each pointing arbitrarily in directions they can grow.

“And my, how they grow,” she whispers.
 
My Sunday dress, a former ivory table cloth of mother’s imagination is consumed by the jungle.

It is not tarnished, but given life. An existence it would not have known under mother’s elbows rained upon by her cigarette’s ashes. It is ‘colored-in’ life, like these are some vanilla pages of little nephew's coloring book.

I try to tell him, but he does not understand, and says that I shouldn't talk about things being “colored' because it makes me sound like a racist.

I laugh, plucking leaves from the tree bearing the unnamed cross and rub them across the Flat of my torso, leaving green streaks across the former tablecloth.
 
He whispers into my ear about taking me to the top of the Monolith. I nod and attempt to rest my chin on his shoulder, but he starts swiftly up the hill.

He tells me to “lose the prissy mary-jane’s” on my feet saying it would be easier to climb without them.
 
I do this, and my bare feet touch the leaves and twigs. The feeling is *******, but in real life, I don’t even know this word exists. We climb, resting halfway on an embankment in one of the Monolith’s Roman arches. The second half of the climb is slightly more difficult, but we reach the top.
 
The tracks are gone, replaced by a coating of gravel, rocks and beer bottles. And then I see it, the reason why the Monolith is beautiful. Two states converge on this spot where I stand, my tablecloth dress begins to take flight as I spread my wings. His mismatched eyes look at me with something close to amusement as he takes out a bright yellow acetate stencil.
 
The cupola of Animal Mansion pokes out from the jungle like my ***** right ****** in this former table cloth.  
 
A thin veil of red paint meets my waist. He gasps and his eyes widen, allowing me to see every individual real life pixel of his unmatched eyes, the hazel left, and the kelly-green right.
 
He mutters some kind of apology I cannot understand.
 
I respond by slipping off the tablecloth. They bounce slightly. You know which ones I speak of…
 
His eyes remain wide as he comes closer to me, telling me that I have to put my clothes back on. In his hands is the crumpled , grass stained, table cloth dress.
 
I ask if this is what he wants. He manages to say “yes” but apparently…not under these circumstances…or at least not on the Beautiful Monolith. I drop to my knees, and am able to unbuckle his belt before he pulls me up by my forearms.
 
My tears make it hard to see what is happening now…I feel my arms pushing him back from me, and then the sound of rocks tumbling out of place.

He is over the ledge now, flying through the portion of damaged railing where no fence stands. His mismatched eyes, the left hazel and right kelly-green stare warmly into mine.

In his hands is the crumpled, grass stained, tablecloth dress.
This, is see perfectly.

R.J Calzonetti


Screaming cross the skyscraper’s windbreaker tapering

Aether vapour- trailblazing ****-sapien wafers

Of machinations psychotropic doppelgängers

Aristotle throttling menagerie’s philosophically hypnotic obelisks

Mind-boggling astronomical chronological esophagus

Antioxidants phosphorus catastrophic mitochondria

Beyond anaconda onomatopoeia

Of hallucinogenic Armageddon biblical umbilical cords

Swarming northern lights of aurora borealis

The chalice a battleground of Evangelion belladonna

Metalica candelabra swallowing the monochrome Hanukkah

Of a cold winter’s eldritch disintegration photosynthesis

Of innocent infinity stretching wretched beckoning requiem

The words that fall upon my page, are really just a shallow grave

Of the dawn of nighttime in my eyes, calm upon the twilight sun

Wrong is done draped on the blood moon wraiths

Skyscraped fields dusk a hollow thud below the dunes

That thumps the consumption of our fate, fumes to glow in darkness loom

Left blind in light of day you cannot see, the little pieces silver sheen

For blinding light may fade to grey, and I will never have my way

Nightfalls on another daybreak, dawning darkness, sundown on another day

Twilight plays with sparkling haze, the sky a wildfire made ablaze in patchwork scarecrows

Who etch rainbows black as a heart of coal, sold flatlining railroads

Gold wraithlike halos of stained-glass cathedrals unreal in the fever-dream of human beings

Bleeding Elysium from the seabed of dead worlds, gourds of incorporeal cornucopias

Born orchestra morsels of sorrowful oracles predicting crucifixion of ellipsis’ antithesis


(MC) Aurora


Absonant  as my pen writes the twilight, the red swallowed on horizon and bright

As through a sea of blood under my feet and shrinking mast of my mighty ship

A shadow I make on that red snow and peep into my heart’s hollow

It’s deep as much as my pen spake of grief.

I blinded in that last light and hurled like a beast dreading the songs of holy lies

That have just pained in bright and made me grieve.

They dragged me on my wings and deplumate  me as so fallen humans

They wrenched my limbs and rive my heart out and flinger me in air and I laid forever

On the stones that dank my blood.

I wait for the troth  of  demise but betrayed as it didn’t come to detract,

I laid when the horizon grinned red on my face and poured the last ale

And brutally drank the last sip of me.



R.J Calzonetti


People are sleeping under the blankets of a tranquil streetlamp

A sunflower in the damp bed of concrete

Soon they’ll be pushing up daisies

Underneath the foundation of what I stand for

Nip the bud of the flower pedalling the root of all evil like fallen leaves

Breeding paraplegic freedom from the pollen melancholic

Anarchistic polycrystalline shapeshifters drifting vilified

Buried alive like asphalt constellations crowning metallic gallows alcoholic in my solitude

See the clouds bury the ground in half a heaven’s heartbeat

Limbo’s limitless abyss the photosynthesis of the sepulchral diablo

Revenants of redemption dancing with death

Evanescent in its bioluminescent crescent moon spooning illuminated illustrations

Of Himalayan mayhem cremated avarice of ethereal onomatopoeia unravelling catacombs in God’s palindromes

Homeopathic saplings decapitated in the dismembered September wastelands defibrillator

Invigorating the nightshade white wraiths plane-walkers of Apocrypha documenting entropy

Pent up sentience avenging the endless demigods of discombobulated proclamations nocturne graceless, octaves eldritch, evangelic

Elegant elevators to flights of staircases where the air is fragrant with the fragments of stagnant stained glass asterisks

Written gospels to masquerade hostage to the faith the man misplaced the sacred hate, the passageways of apathy apostrophe

Apartheid of serpentine survivors carving smiles on the sidewalks

Farming diamonds and their detox

Arming giants like a phoenix

Carnal nihilists with their secrets

Stardust quiet as the bleachers

Start defiant still a reject

Art discipled to our freedom

Shattered hearts pick up the pieces

Jigsaw puzzles, smothered treasons

Sow the seeds and **** the reaper

Even legions rhyme and reason

Tattered flags without a penance

Good men do not go to heaven

Buy your burden at 7-11

Your exit is the only the next entrance

Resurrection prepubescent

Asymmetric biomechanics

Anguish to be reprimanded

Megalomaniac in our sabbath

Living life is just a sentence

Psalms of seance death’s senescence

Baptize vengeance lest it ventures into heaven

Ventriloquist omniscience of rhythmic equilibrium

Earthly hurricanes reemerging insurgent as the sugarcane purgatory

Primordials metamorphosis contorting rigour Mortis oracles horoscope cloaked in cloaca hallucinations

Induced irradiated amalgamated retaliatory incorporeal chlorophyll

Born from the sorcerers' spell, the cathedral of doubt

The only darkness is within oneself, light shed within a holy shell

Isolation is a lonely hell, scythes of moonlight blight of bells

Nightingales fail to halo word of mouth

Enveloped in the clouds cast shadows hex

But resurrection cannot hide from the eyes of death

Fresh as babies breath

Rank as the body festers effigies

Bless the Nephilim the questions beck

And call for some god to collect the rest

Is there any answer?

Even growth can be a cancer

Lifeless corpses once were dancers

Devils waltz on top of canopies

Heaven’s hands have touched serenity

****** brands that crushed His enemies

Stained glass sanguine dismantled entropy

Calamity ran dry insanity dabbling in humanity

Unravelling the candy wrapper saplings of happiness

Pitch black irradiant dull edges sharpening archangels, darkness reincarnating

Blinding bioluminescent glistening abyssal rakshasa sarcophagus parting monarchies

Metamorphosis coruscating fornication immortalization Tartarean

Reverberating ****-sapien scintillating hurricanes palpitation circulating ricocheting oblivion

Shining crepuscular homunculus dully illustrious

Sunless avatars, mannequins of Abaddon stygian as fallen leaves on the breeze of Avalon Evangelion

Incarceration breeding Elysium’s jailors in the cathedral of double helixes

Bethlehem's’ new genesis of Lucifer’s crucifixion

Brighter than a fallen star

Mourning in the dark

Doppelganger apostles night stalkers of phosphorous

Pockmarked arcanum bloodstained in gravestone Salem

Where the braves’ halos dined on maelstroms alone

Heirs succeeding failures of the empty throne

Filled with nothings’ own

Brimming bound by Babylonian poems

Deus ex Machina's apocalypse coughing prophets of Samsara blossoming diabolic

Life is but a Holocaust

Death the moment God forgot

Breath the only psalm we sought

Kept within a hollow box

Shedding devils, angelic, lost

Finding metamorphosis


(MC) Aurora


A world often synonymous with beauty on the horizon,

Meet my eyes you mourned demon load the strength on thee.

Crestfallen light on your wrist burns down your girth

And you can plead, just plead your twilight sun.

Watch the dead sea swallow you in the salts of agony

And drown in the anguish, hundreds of angelic bloodsheds,

Press hold of the thumbprints on your throat, you can't roar.

Sore lugubrious melancholy aired atmosphere,

And downhearted souls dispirited dragons dragged along.

The sob grim hiding in a blue funk rusty smog choking wind,

The nyctophilliac animals howl long the cold-blooded love song

In your lungs and burn.

It's the twilight sun,

Just that twilight sun.

Mamie beat her head against the bars of a little Indiana
     town and dreamed of romance and big things off
     somewhere the way the railroad trains all ran.
She could see the smoke of the engines get lost down
     where the streaks of steel flashed in the sun and
     when the newspapers came in on the morning mail
     she knew there was a big Chicago far off, where all
     the trains ran.
She got tired of the barber shop boys and the post office
     chatter and the church gossip and the old pieces the
     band played on the Fourth of July and Decoration Day
And sobbed at her fate and beat her head against the
     bars and was going to **** herself
When the thought came to her that if she was going to
     die she might as well die struggling for a clutch of
     romance among the streets of Chicago.
She has a job now at six dollars a week in the basement
     of the Boston Store
And even now she beats her head against the bars in the
     same old way and wonders if there is a bigger place
     the railroads run to from Chicago where maybe
     there is

               romance
               and big things
               and real dreams
               that never go smash.

The grip I had on the ground was unsure and unsteady, due to the textured rocks encompassing the area, as well as the predictable plank of wood every foot or so. My body was sideways, but directly parallel to the galloping pair of thick metal bars that never intersected, and appeared to go on forever. Forever. My view of this place was eternal.
On either side of me, I could only see a few miles out before the thick fog kidnapped my beloved pathway, my beloved railroad. So I guess my view really was not eternal, but when your standard sightseeing radius is only as big as your cul-de-sac, a few miles in each direction sounds pretty appetizing.
Something about train tracks, they just soothe me. Perhaps it’s because I look for symbols in everything, like the way characters in a good novel do. What can I say, the potential for adventure is too **** high for me not to live my life always searching, and always following an invisible path of inner meaning. That’s the only reason I can come up with as to why I like trains. Maybe they symbolize a journey; an adventure to embark on. Maybe the different pathways one can take in life. Options are always good. Maybe it’s a sense of always moving forward, because trains hardly ever chug backwards. They just trudge along, ever so steady. I just find that so **** pretty.
It probably doesn’t even matter that I like trains and railroads, or why I think I like them. What’s important here is the small and simple fact that I was standing on a great set of tracks that day with two very special people that I knew at the time. It wasn’t planned, this encounter. Things like this are never planned. In fact, I couldn’t quite believe we were there. I had just needed some Chick Fila or something. Comfort food is always nice. But that’s the thing about good friends. They know things about you, like how you have this weird thing for railroads. And they try to make you feel better on days such as when you found out your dad disappeared.
So they pick you up and ignore the clean streaks left on your face when your tears plunged through the makeup on your cheeks, because you wouldn’t want to talk about that. She takes you to her boyfriend’s house, who inadvertently happens to be with the ex love of your life. And as it turns out, what you need isn’t at her boyfriend’s house, but the ex love of your life offers to get it from his house, which is how the ex love of your life came to be sitting in the backseat of your best friend’s Volvo on the worst day of your life, en route to the neighborhood where the ex love of your life lives, which happens to be located near the railroad tracks oh sweet lord. And when the stuff needed was recovered at the ex love of your life’s house- well we’re already here, so why not go under the railroad bridge and put that stuff to good use. Good friends do exactly that.
In the distance, I hear what sounds like my sanity whistling a high, single-note tune. It was coming, but maybe in about twenty minutes. And we had to leave in ten, because with me, there is always a time limit. I am always running from, away, and out of, time. But I try to enjoy the fleeting, split-second moments I am lucky to receive every now and then. Like right now. Because who would’ve thought I would be straddling the train tracks, ******, at one of my favorite locations ever, with my best friend and the ex love of my life that, side note, I haven’t spoken to in an awfully long time and who, by the way, keeps gazing intensely in this direction. Definitely not me.
I would’ve been fine with a Chick Fila run, but as I said before, best friends know when you need a nice adventure before you even have to attempt to subtly hint at it and hope for the best.

the depths of your eyes
are swimming with long lost
affection and your heart
heaves and trudges along
the long mangled railroads; all
gently mapped with my
collarbones and

it is beautiful,
our intertwined souls
are beautiful.

If I may presume to summarize the concept,
"Eminent Domain,"
The Big P People own the Right of Way
And the little p people
Have temporary possession of the  opportunity
To get out of the Way,
Or to be smashed under the wheels
Of Big P Progress.

Appropriate compensation will be paid,
Of Course,
And living spaces provided
To the little p people,
While the Big P People thunder by on their new highways,
Overpasses, airports, causeways, and thoroughfares.

Reclamation will be done over the torn earth
To re-bury the unearthed little p people's dead,
To restore damaged aquifers,
To "replace" trees and grasses "just as before,"
Never mind the pipelines,
The concrete roadways,
The railroads,
And the power lines....

Eminent Domain...
Rhymes with Capitalist Gain,  
And little p people's pain....

What is a lover, brother?
Other mothers
have tried to define the word
in the most absurd
form.
Reform —
torn
between AK-47 —
streamline railroads point to heaven
in a back alley,
where crossed fingers
pray for lucky number seven.
Chasing paper trails
like Miles Davis
works through manifest scales,
struggling to find
means to define:
what is yours is not mine.
Jazz squeezed a smoke
between sets,
through murmurs of bathroom ***
to the tune of
a show headlined by
the movement,
a movement headlined by
the show.
Marvin to Miles,
Martin to Malcolm,
opposites attract —
that’s how I found them.

Sumter, Gettysburg, Sherman's March,
Battles and fights, lives lost
Because of differences along the people.
Aren't people supposed to be different?

We, as a country, are not meant
To agree.
To belong in one room, repeating the same thing.
We will change the words.
Say them in a different order.
And men will die because of those words.
Those exact thought patterns.
Rights and laws are perceived
In different ways,
As well as morality.  

When it all began at Sumter, no one died.
It was a statement. A declaration of war.
At Gettysburg, it was a trick. A chilly,
Silly idea. And it was used to make
One of the greatest statements about war
Ever to leave someone's lips. Honoring
The dead and the living. The country and the people.
And the turning point of the fight between brothers.
Sherman's March was a move made by
The union as a mode of total war. Supply lines were cut and
Victory for the north was guaranteed.
Railroads were destroyed, towns were raided, and
Rebels were pushed east.
They had lost.

Where are the Kerouacs?
The Ginsbergs?
The Cassadys?

Drunk on
wine
and life

Riding the highways and railroads to dreams unseen, even by them.

Clashes of ideas, like bright lights in the dim daybreak of an all-nighters.
Fueled by cigarettes and philosophy.

Now everyone wants the same thing.
A boring spouse.
A boring job.
A boring house.

What happened to the generation of lost souls that once searched the open plains and the cramped alleyways?

For nothing more than a beautiful moment.

To cope up with poetry, is like crossing on traffic railroads or climbing towering mountains, isn't it? But I chose poems (which only few writes) because I love rhyming and mingling words, and I want to unveil what kind of art I have been hanging on my galleries up to these years.

It is ridiculous, right? When you still wander upon the woods of confusions that you cannot pen your words in a better manner, yet you have already written a lot.

Stirring some cups of coffee of thoughts on my mind, somehow is arduous to do, but I am still so thankful I have best readers like all of you.

Poetry is where I am into. I think in order to write. I write in order to learn.

ash stains and cosmopolatin zines
bathroom savoring night-rain
like lorn and lone trucker tobacco
sky forged in dark blues outside a cracked
window, like you in the closet ****
but the door opened up enough to tell.

1. flesh simpering but the voice a sullen
conversation of silence and broke dreams
television with hundred and forty channels
and half open beer cans.

2. silence still drags kissing and murdered
autumns, shadow of hands over flush skin
lurking moonlight invited.

in morning i'll wake with a human
but tonight you are a god with your hands
roaming my hipbones & sleep with
you, my mind running thoughts
like trains on spinal cord railroads

i used to be sad
i used to be sad
all of the time, gnawing at my nails
and bleeding burden in my mouth
as i daydreamed disasters, always
straying from words like "love."
but you taught me that happiness
is not anything that you ask for

when you see happiness,
you seize every crevice and angle and
corner of it, it is yours -
but only if you do not ask for it

you taught me that
there's too many creeps of sunlight
hiding between raindrops
as they fall,
too many open oceans offering
anchors on their beds to pull
us down under,
too many "not enoughs" and
not enough of anything anymore
because everyone is always
asking

you taught me that
if i want to glide along railroads,
i musn't turn into a bullying engine
that shouts and kicks and pushes,
but i must turn into the girl
who knows exactly what
freedom sounds like

and you taught me all of this,
you taught me
everything about love,
without saying a
single
word

Constellations of Time
    suffocated, deadspace in my neural lapses—

                                               —still, I caught the fly
                                                             ­ with my hand.

Constellations of Time—
         and I am cowboy in the outer expanses of sanity

faithful cowpoke and Lenape murderer,
native lover, too,
dun American guru
       like john wayne defunct.
but when we speak like droogs,
       this be:
       America: A Detective Story

and I’m the dogged dreams of america:
Humphrey Bogart with his dame Liberty

No, I am Robert Mitchum, too.
Remember Philip Marlowe?


I once was america’s psychosis, and still am.
[I am
the soul who walked above
the soul who walked below;

Constellations of Time—
        like gooey cosmic spider webs;
[and I ******* hate spiders]
Fear of Death
…is being stuck, and
fear of that horrible cosmic spider coming home for dinner!

For,
I am
Monsieur Bonaparte’s Hollywood counterpart
who puts the war before the art,
but not the horse before the cart

DEATH

is where my story starts;
railroads,
like the spine of a country and constellations of time
–im on a plain–
ghosts in dust bowl clusters
reflect like
dust particles, like western stars, scattered—
and im on shifting razor planes and who do the math?

Monopoly.

Playing both
red and blue.

If you own all the railroads is there really any point in travelling?
You'll just stay in your own hotel.

Her                   Her
Mind often      Demons laughed
Wanders to     And chased her
Places that       To quests she
Railroads         Could not defeat.
Could not            
Reach.