Sunday sermons are spilling on the inner city streets
through the green heaps and brown bags
through the downtown whisperers
and sage solitude souls

Army bands prepare for march
(their trench members filling packs with canister and cane)
the high command and tricked militia head pinned
quick on the look for splinter, lorry and skuttle

Traffic patterns change at the COP connect
camouflage bearers break formal stride
battle men slip between colorful floats
unsuspecting slumlords (vein pricked and weary)
grin in their second suite dying rooms

Twitching men and rubbernecks
sit discreetly on the corner wall
JJ and the chief revere a 21 gun salute
holy rollers raise cheer (in a moment of silence)
chess men hold steady
with ivory cues

Flames belt from the distant foundry
streets come alive with crackle and dust
members of the attic group glance down from their perch
an elderly man in a straight jacket (happy in the now)
sits solemnly with a cold reflective stare

It’s not far from the steely mud holes
from the flying fragments and sharp broken dreams
from the arsenal digs and madmen (who quietly turned the *****)
the ivy trellis
and flowing white gown
are a nocturne fit
for this elevated rolling highland

Nilaliman ko ang hawak ko sa bulsa, wala na nga pala 'kong pera.
Mabilis akong naglakad patungo sa bughaw na sasakyan ko. 'Di ko ininda ang pabugso-bugsong ulan at bulong ng mahapding hangin. Bumubulwak ang tubig mula sa kanal at magiting na dinadaan ang palusong na kalsada papunta sa gusali.

Nilaliman ko ang hawak ko sa bulsa, at natuklasang wala ang susi ng kotse.

Matagal-tagal na rin akong nag-aaral sa lumang gusali ng Biology sa UP. Pangatlong taon ko na. Sa wakas, magtatapos din ako.
At saka mag-aaral ng medisina.
Unang girlfriend ko si Kaye, at napakahaba ng aming kwento. Nagkakilala kami noong bakasyon sa pagitan ng aking ikalawa at ikatlong taon sa mataas na paaralan. Hindi siya ang una kong babaeng nagustuhan.
Pero siya ang una kong minahal.
Nagsimula ang lahat sa aming pagiging magkaibigan, at nang lumaon, nahulog ako para sa kanya.
Alam kong mali yun, kasi may gusto siyang iba at may napupusuan din ako noon.

Pero binago niya ang lahat. Naging matalik kaming magkaibigan, hanggang sa ayun, nagkaaminan.
Walang nag-akalang magiging kami.
Nilaliman kong muli ang hawak sa bulsa. At saka pumanhik sa gusali, papunta sa aking silid.
Natagpuan ang susi ng kotse, sira, putol, puro gasgas at tila nabagsakan ng mabigat na bagay.
Badtrip, sabi ko.
Magko-commute ba na naman ako?
'Di nagtagal, nakaisip ako ng paraan.
Pinapunta ko si Kaye, total, may kotse naman siya.
Dumating si Kaye sa silid nang may malaking ngiti, isang ngiting tagumpay sa volleyball.
Bakas pa sa kanyang mga braso ang bakat ng tama ng bola ng volleyball. Namumula, pagod na pagod.

'Yun ang huling alaala ko.

Sabi ng doktor, nag-shutdown daw ang utak ko buhat ng matinding pagod, at nagkaroon ako ng amnesia.
Ayon sa kalendaryong iniabot sa'kin, humigit-kumulang 30 taong gulang na ako.
Wala akong ibang maalala kundi ang alala sa gusali ng Biochemistry.

Nilaliman ko ang hawak sa bulsa. Hinimas ko nang todo ang lalagyan, hinipo ang bawat sulok ng aking bulsa. Nakapa ko ang isang pirasong papel.

Dear Lorry,
Mahal kita.
Pero may mahal na 'kong iba.

Yun lang? Yun lang ba? Tapos na?
May nagawa ba 'kong masama?
Tiningnan ko ang aking mga braso.
Bakas pa rito ang mga bakat ng kutsilyo, namumula, puro peklat.
Sabi ng doktor, may suicidal tendencies daw ako. Aba pakialam niya!

Pumasok si Kaye sa aking kuwarto sa ospital. Hawak niya ang braso ng isang lalaki.

Doon ko lang napansin ang kuwarto ng aking tinutuluyan.
Puno ng sulat ang mga pader. Puno rin ng mga nagsasanay na nars at doktor, at pilit na iniintindi ang reklamo ng mga pasyenteng nakadungaw sa nakaidlip nilang kalawakan.

Hindi ko na kaya.
Ganoon na lang ba ang halaga ko kay Kaye, na ganun niya ako papalitan?

Kinuha ko ang bolpeng nakatengga sa mesang malapit sakin. 'Di ko na pinansin ang kirot ng IV at mga kung anu-ano pang nakasuksok na gamot saking sumusubok na pagalingin ang mas lalong sumasakit, kumikirot na kalagayan.
Isang 'di magamot na sakit ng damdamin, isang kirot na bumubulwak mula sa kanal na pinagdadaluyan ng aking pagmamahal.

Pagmamahal para sa babaeng nakita kong hawak ang braso ng isang lalaking 'di man lang ipinakilala sakin para man lang mapawi ang uhaw ko para mapasaya si Kaye.

Tinutok ko ang bolpen sa aking sarili.
Pinagsasaksak ko ang sar-

clear-eyed springs
unfold her wings
that trumpet
the joyful
sound of
cherry blossom trees
sharing her
branches with
shiny black yellow and
red breasted
lorry birds of spring
oh Lord
i can hear them sing

red car, yellow car, blue car, white car

no lucky black car, no orange to wish on

they just sat there for awhile on the edge of the rooftop, feet dangling looking at the rush of cars passing by playing the game they invented and derived from the tongue twister red lorry yellow lorry
if a black car passes by, luck will come through
spot the first green car and you pick the way you die
look for an orange car and make a wish

it was a game they played to **** time or whenever they went up the rooftop of the ballet studio they've been performing at since they were children and they were currently taking a break from swan lake rehearsals. they played the game for a little more though heather could tell that megan-meg for short- had her mind somewhere else.

"penny for your thoughts?"

meg just shook her head, tilting it across the pink skies that matched the tutus they still had on. a dreamy smile was strewn across her face

heather just watched her friend and the world surrounding them, a light gentle bubble in her stomach. she loved the building's rooftop so much; she was actually the one who first went up here and ever since then, it had been their place her place. she went here on weekends sometimes, when they didn't have rehearsals. everytime she was up here, she felt more than she was, like she was a goddess and everything below her was under a microscope like she could change anything with the click of her fingers. but most of all, in here she could freely be. it was her safe haven.

"okay spill tell me this isn't about hendrix again?"

meg smirked, looking at heather's ice blue eyes "okay you caught me" she says, traces of the english accent she had come with still evident in her voice

"i knew it. boy he's got you in such a haze. you've got a school girl crush on him" she teased, making her friend giggle nervously. meg was dating hendrix peters, a senior in the high school they were attending. theyve been seeing each other for six months now and heather knew how much of a ride it was almost as much as meg (being the first person meg ranted to everytime things occurred) the two were a match made in heaven and it was testified by the amount of gossip about them that was circulated, mostly by the senior girls who were head over heels for him and would hiss whenever their paths crossed with meg's and try to flirt with him every chance they got though he politely shook them off. he supported meg in all the possible ways, from attending to her performances on stage to supporting and showing off her stunning makeup looks and she did the same with him, coming to all his football games and enthusiastically cheering for him. they were madly in love, you could say

"it's not like that" meg scoffed, clasping both of her hands together. "ive just been thinking about the both of us and our togetherness and how we haven't done it yet and yea it's been in my mind alot" she bit her lip, a habit of nervousness she had "it's not a big deal i know, i mean, people do it all the time, people who aren't even together and it's not this eureka moment or anything of the sorts but i want it to be special at least"

"has he been asking you to do it?"

"no he doesn't really no, forcing there" meg shakes her head "but we did talk about it some time, once, thrice yea"

"someday then or tomorrow just be safe my dear friend" heather replies in a playful tone, trying to bring back the lightness of the conversation

"ugh help me practice my skills give it all to me darling, let me do you" her friend wickedly retorts, launching atop her and pinning her to the concrete, playfully mock *******

"ew dude *******'re so gross get off me" she says trying to act annoyed but she was laughing too all the while trying not to get crushed by meg's weight who was strangely heavy despite her small wiry frame

"ow babe im coming ugh" meg continues, laughing fooling around-this was how their friendship worked

"*******. now your germs are all over me" heather grunts, finally pushing meg off her and both of them just lay there for minutes, laughing too much and choking in their breaths, as the sky was bathed in watercolor above them, the sounds of the city being their soundtrack


"what's it like?" heather blurts once theyve both calmed down

"hmmm?"

"what's it like, being with him?"



meg raises her hands like she was touching the clouds, taking the question in deeply "it's....wonderful....i mean...we aren't always happy and we have loads of fights but....we manage to make it work and the whole thing drives me crazy but it's a good kind of crazy"

her answer dissolves in heather's thoughts are completely lost in it


"you know that when we first got together i told him how much i hated clichés? flowers, chocolates stuffed animals, fancy dinner dates you name it and he nodded and the first gift he gave me was a boquet out of makeup products and i laughed because it was thoughtful and he's just full of surprises but you know he did give me flowers and letters on an occasion but i didn't mind it.
i guess that's how love is, made out of all the things you love thrown in with things you don't like but you don't mind at all"

heather nodded, still deep in thought "how did you know?"


the question seemed to have an incomplete thought but meg got the gist "i just did. well i didn't know itd last but i did know that he was for me but he's not my soulmate see, you don't find soulmates, you make them. anyone could be your soulmate, soulmates are just a ****** up idea at finding love. someday you'd know kid"

heather rolled her eyes. she hated being called kid because she was reminded of how much younger she was from meg when it came to these sorts of things "don't call me that"

"you'd know" meg pats her friend in the head, lovingly still teasing her

she sits up, tying the ribbons of her satin slippers. they climb down the fire exit and join the rest of the ballet dancers, rehearsing for the rest of the day



and heather went back to the rooftop the day after, a saturday in solitude sorting out the contents of her brain, replaying the conversation she and her bestfriend had in this very place the previous day, all the while feeling a sort of feeling in her heart very familiar to nostalgia. she realized it was the feeling of longing. longing for love like meg's description of it. longing for love like the glow of stardust. longing for love
sure she had a boyfriend before but not once did she feel like how meg described love out to be with him not once did she feel like their kisses and hugs mean something and their fights never felt worth fighting for. sure she had this guy in her grade whom she passed notes and looks with and texted for days but it was never serious and he didn't see her in that certain light that makes people glow that you fall for and even if they dated it would have been too complicated.

it was a winding day for her mind to wander and she played their game as the cars went on their journey on the highway down below.

an orange car swooshes out of nowhere and she closes her eyes and makes a wish when my person comes please i hope i'll know, holding on for a beat more. after that a black car passes and her luck was aligned with the stars

The bin lorry had been.
I picked up a fragment
of our neighbours lives,
litter they must have scrapped.

We do not know them.
They're always moving on.
Urban Bedouin,
with a thousand and one
domestic tales untold.

once you've read enough, or what's
called a respectable "bank account"
in literary terms, you fall back
on poetry, journalism and book reviews...
which springs to mind
a comparison between being a violinist
in an opera, playing a concerto or
being a street vendor, busking out
alternatives to the satanic cartwheels
of rubber tires slicing up a defiant cement road
in a busy hub on the Embankment -
i still want to cry every time i
hear bob marley's redemption song
or the other bob's north country blues,
i don't know, it just happens like period
pains, it's a grudge brimming near
the boiling point of water or the melting point
of iron that's lucky for chefs and for blacksmiths...
i am picking up the pieces of an empire,
the british rubble and a world in chaotic chuckles...
as they said of the roman degeneracy...
that ****** fascination with cuisine...
too any fast-food outlets...
no, but indeed, when you've become satiated with
a personal taste for reading, you
end up reading book reviews...
but i don't understand why a dominic would
read a book by a luke concerning drugs and warfare,
as picked up: 'odin's men rushed forward without
armour, were as mad as dogs or wolves,
bit their shields, and were as strong as bears or
wild oxen...' citing Snorri Sturluson...
the missing clue? magic mushrooms.
also worth mentioning: the 1814 Swedish-Norwegian
war... magic mushrooms aplenty...
in 1945 Soviets in Hungary dubbed the 'rabid dogs'
(indeed no " " enclosure, i trust the man's
descriptive certainty, indeed they were rabid
and dogs and there's no ambiguity to be invoked)
swallowing fly agaric...
american pilots in Afghanistan caffeine+
i.e. amphetamines...
Homer's heroes drunk (why is it that when a poet
is company during a war it becomes iconic
and almost glorious to keep the blood-thirst up?
like that idiocy of warring in the Napoleonic times,
a line of men, walk among canon fire and
stand 20 metres apart and just shoot...
like the post-Napoleonic war strategy of killing
civilians, huh?)... as too the heavy drinking
with king Harold prior to 1066 Hastings...
through to Vietnam, 1971 -
51% of GIs smoked marijuana, 28% took hard
drugs (******) and 31% used psychedelics...
****** was high as ****... a Michael Jackson of his day...
the ****** Eudodal... the luftwaffe on Pervitin
(earliest patent for crystal ****) and too
the Panzer men, e.g. a Gerd Schmücle.
sober citation at the end of the review
quoting a soviet surgeon:
                        'women and wine
                         are all very fine,
                         but a real man needs more:
                         the sweet taste of war.'
sometimes i'm in that aspect of things, almost gladly
i'd take up a trunk of wood and bash about
the field - but i realised poetry is a great war
you fight solo, and there's no brotherhood idealism,
solo, solo, all the way through...
but this still doesn't explain why a boy would
read blue material, as above mentioned,
and a girl would read pink material...
a jessica reading sounds and sweet airs:
                                        the forgotten women of
              classical music...
gentrification in the making... why wouldn't a boy
read pink material? too much of a crane driver or
a lorry nomad in him, to simply sit down
and hear a diva with 'oh, what ****!'
citing the Duke of Mantua's envoy that was Barbara
Strozzi play the clarinet?
you know why i'm cynical about feminism?
it's too distracted, it wants to spread its influence into
every human endeavour, positively speaking
it's what woman always boast about:
feminism is multitasking... it has to be relevant in
every realm of thinking... first of all it should focus
on one, and stop this quasi-plagiarism it's doing
at the moment in every aspect of cognition -
i say, the founding mother, the matriarch of
******* is feminism - honey... can't **** all the time,
gotta forage and hunt and build houses too!

There was a truck, a chorrie
Some people would call it a lorry
It backfired one day
And was heard to say,
‘Jislaaik, I’m  blerry sorry.’

I saw them get on the lorry
packed with people
drunk with sunshine, sand
and salt water
smelly people
stacked like sardines
to save a little on the fare

I saw them head away
away from the beach
away from the people
let people off
suddenly
and then drive off
something was off

I saw only five people left
driving into the bush
two of them slightly confused
confused by the terrain
and that only they would remain
heading back
strangely
via the outback

I saw them stop in nowhere
putting cuffs on the man
shouting things he didn't understand
dealing blows
and kicks
that he did
one at a time

I saw the others like he did
how they treated his wife
had her beg for her life
and had him beg and cry
and beg
to let them spare her
but they all wanted to try

I saw them get in the lorry
all five of them again
heading for a small town
where they found an atm
for that one last blow
of using their credit cards
before they would let the couple go

I saw them leave
only three in the lorry
the couple were left in town
shocked and scared
in an unknown town
they had no idea
why
I saw it all

Brigid was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.

Some people say they don't like social networking
on mobile phones,
"it distances us from human connection"
they bleat and moan,
"takes us away from natural converging,
curtails face to face ties from emerging,
subdues us in a swamp of technology,
this engagement with messaging is surely a folly."
And as they depart they say,
“give me a person over a mobile msg anyday.”
Now don't get me wrong eye to eye communing is amazing
and it's not the last reserve of a luddite to prefer tactile phrasing
or to think sweet nothings into a there ear is best
but that doesn't mean there is nothing in mobile caress.
Because you can meet someone at a festival, and feel a sweet spark
that thunders through the roaming larks
and then when you part after a few days
think, "oh, that was awesome, I enjoyed their ways,
they made me laugh and gave me jumping smiles,
****, it's a pity between us there are miles and miles."
But when you arrive home and charged up a message pings
"you back now?" I see it and start to feel sing.
So we take our phones and chat all the next day,
getting to know each other in a happy appy way,
giggling at your words, beaming at the next
growing through lightning at each little text,
learning more in these screen chats;
you go to lots of BBQs and love dogs and cats,
you dye your hair and are calamity stricken
your top fajitas are finger lickin,
you know Mandarin and are ace at Catchphrase
and you have an inclination for New York days,  
you can analytically discuss scenes from C Street,
you can charm the customers at a store meet and greet,
you can decipher the nuance in The Bistro goss,
you can put up with **** from ****** at Argos.
You have a mate who picks up Mark Ronson's pooch,
you've saved a big crustacean when been on a mooch,
you can relate a song to Odysseus using sheep to save his men
and watch Mr G the musical over and over again,
you stay up/get up to watch the Super Bowl,
you type faster than a thought on a roll,
you've danced with Pete Barlow's ship mate from Corrie,
you can drive a car and a van, I recks you could handle a lorry!
You have loads of friends and often verge on more dislocation,
I want to be near you, whatever the location.
I want to pull you out of a hat
and see you stand on my welcome mat,
see, mobiles are good because it's good to feel that.
But if some quantum physicists are to be believed, after perusing their hefty tomes,
somewhere in infinite there is a place with no mobile phones,
and a boom of synchronicity has to be carried on by pen on paper
and there are days and days tween a tumbling heebie jeebie butterfly caper,
and then it's sent with a hope that it won't be lost in the post,
and be not read, like a bottled message uncorked by the coast.
Maybe a letter and no phones is better for starting a fizz
but right now mobiles make this what it is;
if not for them would I feel this close to you?
Or be writing this to you?
Right now I like feeling close to you,
and I like writing this to you,
to you Lou.

Palms sweating on the steering wheel
I try to chat
Hold on tightly
I look ahead
Red lorry, yellow lorry
My breath catches in my throat as we approach the bridge
Parallel lines pass me by
Don't look
I know how high up I am
If I wanted, I could drive off this bridge...
With one...
Lines
Flick...
Lines
Of my wrist.
My stomach rises and drops too fast
I feel like I'm falling
Releasing dread and panic
Adrenaline and tears
She gets angry but tries to calm me down
Down from the bridge
Get down
Fall off
Fall off the Earth
Be ****** out
No gravity
Oh God, no gravity
I try to breathe
I breathe
I breathe
Hold on tightly
We're off the bridge
I try to chat
Palms sweating on the steering wheel

Even from behind the glass,
you can smell the chemical
that keeps the moths away.
A vast mound of matted sheep’s wool
you would say, except (they assure you)
it is original, all two tons of it,
the human hair that was left
unused at the end.
The rest went for socks
to keep workers’ feet warm.
All grey now, sixty years on, it has aged
as those that owned it never did.
They went naked to the shower room,
clutching the soap
they would never use,
and then to the ovens.
A lorry’s engine drowned the screams,
and the Governor’s wife tended her flowers,
making a garden “like paradise.”

Bridget was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.

His wife, George, was present with flowers.
Anne and Michael,his children, were there.
A headstone had been carved at the Quarry,
now all waited on Yeats to appear.

Soft and damp was that day in the graveyard
with the scent of turned earth in the air.
Beyond rose the bulk of Ben Bulben,
As the Lorry, with the poet, drew near.

Ten years he had slept in his coffin,
while the great nation states played at war.
Now Sean MacBride, the son of his rival,
brought him home, where he'd not been before.

At his birth, Yeats was a British subject.
By his death, a Dominion was here.
Now they laid him to rest in the free state;
the newly minted Republic of Eire.


A bhean chéile, George, a bhí i láthair le bláthanna.
Anne agus Michael, a pháistí, bhí ann.
Bhí A cloch chinn snoite ar an Cairéal,
gach fhan anois ar Yeats le feiceáil.

Bhí bog agus tais an lá sin sa reilig
leis an boladh de domhain iompú san aer.
Beyond ardaigh an chuid is mó de Ben Bulben,
Mar an Leoraí, leis an bhfile, tharraing aice.

Deich mbliana bhí chodail sé ina cónra,
agus an stáit náisiúin mór a bhí ag an chogaidh.
Anois Seán MacBride, mac a rival,
thabhairt dó sa bhaile, i gcás nach mhaith a bhí sé riamh.

Ag a rugadh é, go raibh Yeats ábhar na Breataine.
De réir a bhás, bhí Dominion anseo.
Anois atá leagtha siad dó a gcuid eile sa stát saor in aisce;
an bualadh nua-Phoblacht na Eire.

Shut away the promising key the queen united is the ruler to be,
overdose runs through her veins,
over and over the dosing pains,
give her substance to numb back to ease,
as the flowers willow she takes pictures of trees,
she's under the sun and kicking back to reign,
she met a girl who hated the world,
she used her body to sell her soul,
down on her knees she wept on the floor,
screaming "god hates me"
she wanted more,
tracks in her arms,
yeah, she's down on the floor.

You could say she's quite the catch,
luminous lies she's stirred up her batch,
yeah, she's confused promiscuous and self abused,
inevitable places she used and used.

When nights get cold she's back at again,
the queen of addiction when will it end?
She cleans up her frown and tries to pretend,
spat out the blood and began to grin.

She took her hand and kissed the scars,
broke the needle as they drove in fast cars.
They shouted and screeched "This world is ours!"
She's stays a awhile,
just a bit of time,
her hand in hers,
fingers intwined,
breaking addiction with this inseparable bind,
opening new eyes leading away from blind,
weary and shooken it comes back,
a train through her veins,
track after track.

Wondering where her lover is out on the streets,
the terror in her heart as it beats and beats,
stranger after stranger this girl meets!

As her star-crossed lover is on the floor,
she's out with a man making money for more.
shakin' and shook,
at the end of the track,
the train has left the station she's not coming back.

Lorry lover pouring out those places,
the stop of a car as her heartbeat traces,
man after man,
meeting new faces.
bends down ties up her tattered torn laces,
the queen of addiction in her presence it graces,
6 feet under her lover places.

A tear on her black slim dress,
the queen of addiction put to rest.

i used to care so so much
for this world,
but then a cat on a street taught me
to do otherwise,
there i was, by the lorry bins
on an estate, and there he was,
autistic as he was,
i stopped, he gestured his five whiskers,
i asked afoot at the crucifix: 'may i pass?'
he gestured with a blank stare that
i was granted...
so i passed... i didn't want the poor
****** to feel displaced...
or as in vision: a giant Venus over-flowering
of genitalia descending onto Plato's academy
into picture like a roof - asking - will the argumentation
seize to continue?! a floral goddess could
not enlightened these stone hearts,
so descent of a goddesses' genitalia comparable
to a flower could not weaken and make root
of weeds and later flowers into these hearts,
and i know so... oh i know so...
i know the strength of this brotherhood -
it's akin to a tear hearing the islamic call to prayer...
and the competing disavowal of an engagement with
women, simply for their despotism in the realm
of the household, which only women of blue Indians of
the former Raj know how to avoid, via sway unto
Bengali en-route to the Himalayas.

i was asked a couple of weeks,
ago if i looked out for the lorries,
would i describe.

no, not any more.

yet, the bridge is small and narrow,
seems room for two to pass.

looked up, saw everyone watching
the big blue lorry stuck. still.

time passed, onlookers lost interest,
while gradually the lorry moved.

left the bridge. a coach came next.

a narrow bridge. there is another
in machynlleth.

sbm.

most days i just wake up, and think to myself: hell, might as well crack open a beer, other times i think to myself: a girlfriend would be useful, the perfect fidgety object for my compassion, the necessary constant prancing, the concern for a household with napkins and curtains and scented candles, but then i turn toward amusing myself and the beer waits for me, and so that's how the days pass, me slothful in many yoga-like slouches patting my beer-belly and feeling content.

i just realised it, one coffee later,
sunny weather - looking directly into the sun,
and noticing it's the only thing that reveals
vibrations, look at long enough and you can
almost see it rotating, i can't explain it
any other way, it's this pulsating ultra-violet
thumping of the rotas - i know it sounds
absurd to state that i can see ultra-violet light,
but if you look at the sun long enough
there's this strange shadowy-white pulsation
evidently chaotic - some would say there's
yellow in that orb, perhaps with a telescopic
photograph or something, the way
everything glistens like a newly hatched chicken
egg with the fatty glistening on leaves -
yes, oddly enough there are lipids (a type of fat)
in leaves, they're called *acyl lipids,
arabidopsis leaves and what not - a scene
in a shower, bubbles on skin, fatty skin doesn't
allow water to congregate - cooking pasta,
a little bit of olive oil added to the boiling pasta
doesn't make the pasta stick, bubbles of fat floating
about - so there are these fatty acids - so i'm guessing
lean anorexic alkalies - shtick men -
suberin-associated waxes in seeds and roots -
to then realise that you haven't finished Hemingway's
for whom the bell tolls having chosen it
over homage to Catalonia (formerly known as Aragon,
hence the Aragonese) - left it, page 165 or something
with a bookmark of a Warsaw bus ticket (2.50zł) -
oh sure i liked his over works, but this was his
bestseller - and that's the thing with bestsellers,
once the hype spreads it's just that, a hype,
bestsellers don't genuinely feed you anything worthwhile,
you could probably read a moveable feast about
twenty times - bestsellers are a bit like buying
life insurance and then ******* off under a lorry
in a traffic accident, without having the capacity
to be injured into a debilitating state and using up
the insurance payout - just like a bestseller, you buy it
and never get to finish it - it just isn't demanding
or intricate to the extent of perplexity you expected -
a literary Bergman - because any other host would
dare dabble in cinematic existentialism other than
the Scandinavians?
                                   and this is the point where
i loose the plot - because there isn't one -
first i was musing having a beer, then talking crap
about seeing ultra-violet light by staring at the sun
directly - then fats in leaves... who the hell would have
the patience to read this ****?

We came upon slowing traffic.
Inside the bus
Standing passengers were thrown
and grips tightened
as we edged forward across
the unfinished road.

We passed the sun-glassed
occupants of cars and busses
and the rolled-up sleeves
of lorry drivers who's
tanned arms hung out
of every window, and
who's fingers tapped
an unheard tune.

I stooped to stare at the
dancing distance of  
the baked tarmacked
highway.

Our eyes stung and wet
The metalled road blazed.
Our approaching gaze silent.

Gripped passports Identity papers
rosary- beads
-Letters of transit -
not needed;
The border did what most
borders do-
and shrugged us through.

Laughter becomes all languages.

Later that afternoon,
I sipped from the glass I held.
Jez turned to me and asked,
"Is this what it's like to be drunk?"
I smiled as I slid my wine towards her...
...
words and foto T Carroll..

'think'

skipsome-
skipsome-
skipsome-

(rest)

I
could have learned

to breathe
a long time a go.

(note)

A lorry spins quickly
on a road just wet,

(save,   )

and the never's just a
five letter no.



       drinksome-
    sleepsome-
thinksome-

(rest)

There isn't any you,
there wasn't any me.


     And a lorry spins ever
on a road still wet.


               wet,

wait,


                                      wet.

Ingrid would mostly get out of bed in the mornings last of all after her sister had done and her father had gone off to work and she had heard the front door go and knew it was safe to go wash and dress and brush her hair and sit down to breakfast her mother had prepared(if she was up) or she'd get her own cereal and mug of tea(stewed after her father had made it) and listened to the radio some ladeeda voice talking about something she didn't understand or music by so and so's orchestra watching her sister mouth in her cereal or her brother chewing the doorstep slice of bread he'd cut she sat in the wonky chair sitting still in case the leg broke and her dad'd leather her for being reckless when he got home she mouthed her cereal slowly knowing her mother'd say you got to chew it properly Ingrid you don't half gobble your food down like a blooming turkey you are and her brother sat opposite looking at her pulling a face now and then or poking out his tongue or her sister sitting back lounging as her mother called it and if her mother was up and dressed she'd be brushing the carpet in the other room or putting the copper on for the wash or hanging out washing from the night before on the line her dad put up out on the balcony Ingrid scratched her nose looking at the small television set in the corner the small black and white number her uncle said fell off the back of a lorry and no questions asked no lies told he'd say laughing she gazed at the mantelpiece with the old clock and a few small statues of birds and animals she tried to sit comfortable as she could tried to avoid sitting on her right buttock too much where her dad'd hit her the night before for a tear in her school skirt think we're made of money do ya do ya? she moved to her left ate the last mouthful and sipped her tea stewed or not at least it was still sweet and hot and it made her inside warm it was near time to go to school she thought looking at the clock only half listening to her brother talking about some bird he had been out with the night before oh yes she was up for it he said but up for what Ingrid didn't know or care her sister sat mouth open gazing at him the spoon half way to her mouth as if frozen in time and I fancy her a bit and said I'd take her to see that new picture that's out and we can sit in the back row and well he laughed you know what it's like in the back row but Ingrid didn't and looked away and wondered if she dared have a biscuit from her father's tin she liked the chocolate ones he bought for himself but if he found out there'd be hell to pay and he'd say it was nothing but theft and give her a good hiding no best not to risk it she thought getting down from the table and getting her coat and satchel ready to leave don't forget to brush your teeth her mother bellowed from the other room you know what the dentist said last time about your teeth as how you don't brush them enough OK I am Ingrid bellowed back going into the kitchen and taking her pink brush from the cup on the red tiled shelf and dipped it in the tin of tooth paste and brushed as hard as she could until her gums bled staring at herself in the small mirror her dad shaved in staring at her teeth the gums bleeding the toothpaste white and red her brush held by her mouth and washed her brush under the cold water tap the getting a handful of water she washed out her mouth until the bleeding stopped then wiped her mouth on the towel behind the door get a move on her mother bawled from the living room or you'll be late OK just going Ingrid bellowed back over the clutter of sounds from the radio and her mother banging around and she opened the front door and closed it behind her nosily so that her mother would know she'd gone and not bellow anymore and so off she walked along the balcony looking over at the Square below wondering if Benedict had left yet hoping he hadn't wishing to see him she went down the concrete stairs until she reached the entrance and out into the Square where she walked by the other flats on the ground floor looking ahead to see if Benedict was about but she couldn't see him and so walked on down the ***** towards the road then along by the flats wondering if he r mother was watching her walk along from the flat window above and behind her that's how her mother knew about Benedict and her how they walked together to school and sometimes they stood on the balcony in the evenings looking at the sky darkening or the down at the Square below but Benedict wasn't with her this morning maybe he'd gone earlier or maybe he was late leaving but she couldn't wait in case and besides her father didn't like Benedict said he was a bit up himself a bit soft what with his reading books and collecting stamps and so on but that was what she liked about him he was different and he was kind to her and didn't tease her like most of the boys did didn't call her four eyes or say she stank or that she had fleas(which she didn't except that one time she got them from Denise) or try to lift up her school skirt to see the colour of her underwear like some of the boys did or tried she went into subway the lights glowing the echoes of voices in her ears the hum of traffic above the sense of being walled in the smell of ***** where tramps had slept and **** the walls when she came out the other end she saw Benedict waiting for her by Burton's clothes shop his hands in his pockets a big smile on his face and she felt all warm inside all safe and happy as if blessed by the good God's grace.

So distraught
That little girl lost
She twists and twirls
With her ravenous curls
Tricked into trade
She fades and fades
A ***** you might say
Or you might say the plague
Though it's not her fault
in anyway
Stay Away! Stay Away!
Stay Away! Stay Away!