My Mom needed something from the store
So I told her I’d walk up there for her and get it.
We were barely getting by
The two of us.
She was living on a disability check
And I was in between jobs
Again
So these little walks to the store were all I had.
I got her some Epsom salts and was walking back
Had just walked past the hardware store
When a small, sleek, black, BMW pulled up next to me.
To my surprise it was a chick
A big titted redhead with pink sunglasses.
There was something in her eyes
When she peeked below the sunglasses
I saw something in them
that frightened me
A voice inside was screaming at me
Just keep walking
Just keep walking
But like a fool
I ignored it
And bent over the passenger seat
In the convertible that smelled new.
“How big is your ****?”
The lady asked
Her chest just heaving and jiggling
With every breath she took
And every word she spoke.
“What?”
“I said….how big is your ****?”
“Ha ha!”
I took a look around
Expecting to see a hidden camera
Or a film crew in a van across the street.
There was no one
No witnesses.
I leaned back down
“7 inches? Maybe 8? I don’t know lady, I haven’t measured my **** since the 11th grade!”
The redhead took off the sunglasses completely and looked me up and down
Those bright green eyes scanning me
From my worn out Converse to my greasy pompadour on my head.
It seemed like an eternity
I got uncomfortable.
Just standing there
Squirming
While the redheaded fox
Kept inspecting me.
“Okay. Get in. Hurry up.”
I wasn’t even thinking
Just reacting to it all.
I’d always dreamed of this
When I was walking down that
Same old ******* street
The only street that I ever saw
Dreaming of
A beautiful woman in a sports car.
And now here she was.
Here we were
Driving down the street
The breeze blowing in our hair
She made an immediate right turn
Onto a suburban side street.
She parked in front of a house that was up for sale.
Again she took off the sunglasses.
“Let me see it.”
She said, staring at my crotch.
“Whoa, whoa, lady. What’s this all about?”
“My husband and I…..we have certain…..tastes. Things we like, things we enjoy. He’s an older guy, so he likes to watch young guys **** me. I mean, just really give it to me good, make me scream. And of course after your services have been….rendered….you’ll be paid two-thousand dollars. Now do you think you can do that?”
“Uh……I—I think so.”
“Well, I need you to know so. And if you were bullshitting me, if that **** isn’t at least 7 inches, you can get out of the car right ******* now.”
“No it is, it is.”
“Well...”
“Well...you gotta start my engine first—“
Before I could finish my cheesy line
She was in the passenger seat
Climbing on top of me.
“Rip it open” She said looking down.
I did as I was told
And ripped the front of her blouse open
The buttons flying in all directions
Bouncing off the windows and rolling on the dashboard.
Her two, round, fake, **** sprang out of the top
Hitting me in the face
As she rubbed them up and down
And all around.
She kissed me sloppily
And then started in with that biting *******.
She met my lip so hard
It drew blood
acting purely on reflex
I grabbed her by the arms very hard
And pulled her back from me
Staring at her with those crazy, intense, eyes
That I sometimes got when startled.
“Oh…..” She said looking down, at the ******* in my Levi’s.
“Alright. You wanna see the house?” She asked.
I let go of her arms and she rolled off of me,
hopping into the driver’s seat and starting the car up.

She drove all the way to the edge of the city
Where the Red Mountains in the east
Meets the long winding road out of town
And into the desert.
It was a large ranch style mansion
Decorated with cowboy themed ****.
The redhead parked the sports car in
A massive garage
Filled with dozen of rare and expensive automobiles .
She told me to leave my plastic grocery bag of Epsom salts
In the car
She said I could get it later, when we were done.
I followed her to an elevator at the back of the garage.
We took it all the way down to the very bottom.
Stepping out of the elevator
I found myself in a large expansive grey room.
The floors were concrete
But they were shiny and slick
Reminded me of the floor in the meat department
At the job I had just lost.
The room had a few beds in it
Some custom built sets were erected all over the room
An office, a jail cell, a medieval dungeon, a medical examination room,
There were a lot these little sets built all over
In the back of the room
The corners
Were pitch black and covered in darkness.
I wondered what they had over there.
“So what do we do?” I asked, fidgeting in my pants
thumbing my switchblade stiletto in my right front pocket.
“We have to wait for my husband to come down. I just texted him.”
“Oh okay.”
“You should take your clothes off and put this on.”
The redhead said, taking a hospital gown from a hanger
Next to the medical examination set.
“….put that on and I’m gonna go get into character.”
She said, walking behind a white privacy screen
The old kind, like they used to have in doctor’s offices.
I undressed myself and got into the hospital gown.
I can’t say what it was exactly
But I still had that real nervous feeling
I couldn’t ignore it
So for some reason
I hid my switchblade on me.
Put it in the waistband of my underwear.
And that made me feel a little bit safer
This whole thing was beyond belief
I was never this lucky
Something was rotten in Denmark
I could feel it in my bones.
But there was no backing out now
I was riding this all the way
No choice.
I took a seat on the medical examination table
The thin paper crunching loudly beneath my ***
They had it down to the finest detail.
Even the little slots with the Highlights magazines.
I watched the black & white clock on the wall
And it took them 28 minutes to finally come out
The two of them together.
The tall, beautiful, redhead and the rich old man.
But they matched in an odd way
His face was nearly the same color as her hair.
A red faced, big nosed, drinker,
I’ve seen that face a thousand times
Ain’t no mistakin’ it.
He had white hair all spiked up
Like how young people have it
And he wore nothing but gold
All over himself.
Gold necklace, full fists of rings, bracelets,
I couldn’t ******* believe it
I tried my best not to laugh
I was snorting to myself
The ******* had a Mercedes medallion around his neck
Like Flavor Flav or something, it was that flamboyant.
But the guy was like 70 years old
None of it made any ******* sense.
The florescent lighting above
it did this thing where
his eyes were so sunken in
that it created these two black shadows
where his eyes should’ve been
just pitch black
endlessly hollow and empty
with a red face.
Satan himself, covered in gold and diamonds.

“What’s up?” He said, extending his well tanned, leathery claw.
“Hey.”
“Alright, so let’s not waste any time. Let’s get down to business? Huh?”
“Yeah, sure.” I said.
“**** yeah! Let’s ****! You wanna **** him baby?”
”Why do you think I got him? Hell, I almost ****** him on the way home.”
“Did you now?” He said, looking over at me with this look
I couldn’t tell if it was pleasure or rage.
“Alright, alright then.”
The chick started to walk up the three little steps
Of the examination table
Her feet were pale as snow and her toes
Shiny and red like a the paint job on a brand new Cadillac in 1956
I remember that.
She climbed on top of me
Started kissing me and
Rubbing my ****
Under the examination gown.
From the corner of my eye
I saw the husband moving over to the camera
Which was setup a few feet away
Looked to be hi-def ****.
She bit my lip again
Really ******* hard
Pulled a big chunk of skin off
“*******!” I yelled.
“What?” The husband shouted back.
“He hates it when I bite him!” The redhead shouted with a smile
blood on her lips, from mine.
“Well, don’t take any **** son! If she does that again, you just give her a good smack!”
“What?”
“Yeah, don’t be timid boy! This ain’t ******’ Sunday school! We’re ******’, here!”
She did it again
And I wasn’t even thinking of what that old coot was yelling about
I just hit her on principle.
A good open handed smack across the cheek.
“There ya ******’ go! That’s what I’m talkin’ about.”
The old man threw his hands in the air
And started doing this little dance it was the weirdest ****
I had ever seen.
The redhead grabbed my face with her hands
Taking my eyes off the old man
Who was now singing some song
And shuffling around the floor.
She looked right into my eyes
Those mint colored eyes
She whispered to me
But I read her lips
“I’m sorry.”
And she pulled me in and kissed me
Put my hands to her *******
And proceeded to kiss me
Like a long lost love
Not some guy off the street.
And that’s the last thing I remember.
Besides the ***** of the needle in my neck.
Just her red hair hanging in my face
The florescent light shining through.
When I came to
I was standing upright
But I was strapped to a table
My arms
My legs
My head
Every part of me strapped down
Tight.
I wasn’t going anywhere
This was that bad feeling I got when she looked at me.
This was where it ended. Right now.
They were both standing there
Staring at me
Smiling with drinks in their hands
The cameras rolling
They had multiple cameras setup
Some 80’s techno playing from an iPod dock.
“What? What are you gonna do?” I slurred, it was hard to talk.
“I know, I’m sorry. Okay, look. We both agree that you probably are owed an explanation, I mean….these being your last moments and all…”
The redhead interrupted, looking at me, like she had before
There was love in her eyes
“Honey…remember what I said? About how there are things that we like and things that we enjoy? I’m sorry, but this is what we like.”
“*****?” I managed to choke out,
just the sound of the words chilled my ******* blood.
“Yeah. Hey…son, let me tell ya…we’re actually saving you a whole lot of heartache and disappointment. You weren’t gonna go anywhere, you weren’t going to accomplish anything. You’d work the same **** jobs, bouncing from one to the other, until you finally died of either ***** or drugs.”
“It’s for the best, sweetie.” The redhead said.
And I’d love to tell you that
They left the room for a few minutes
And I was able to free my hand
Taking the switchblade
From my underwear
Cutting myself free
Killing them both
And cleaning out their safe’s cash and diamonds.
But this was no movie.
Well not the kind with a happy ending anyway.
That’s when she walked over to the table
And grabbed the knife.
The song on the iPod changed
And I instantly recognized it.
It was the song.
I never could explain why
But as a boy
This song would come on the radio
This 80’s electro song
And it always scared the **** out of me
Turned my stomach
I never knew why
But now it all made sense.
That song would be the last thing I ever heard.
With the cameras rolling
The redhead gave me one more kiss.
I closed my eyes and pretended.
I pretended that she was a girl that loved me
That she was kissing me goodnight
Sending me off with a smile.
I just kept my eyes closed
Squeezing them tight
And I didn’t even feel the knife
When she slit my throat right there
In that slick, shiny, grey basement.
It didn’t hurt
I didn’t feel any pain.
Just warmth.
The blood flowing down the front of my neck and chest
pure warmth sliding down me
And I started to get light headed
Everything getting dark
Very quickly.
I could hear my heartbeat
In sync with a high-pitched ringing in my ears.
The last thing I saw
Was the redhead standing there
Luckily the husband had his head behind the camera
So I didn’t have his scary face as the last thing I ever saw.
No
It was the redhead
And those mint green eyes.
They never found my body.
The couple put me through a wood chipper
And fed my scraps to their dogs
After slicing off my biceps for dinner that night.
They went on doing this for years
Picking up guys and girls from the streets
who were down on their luck
And wouldn’t be high profile missing persons.
They acquired hundreds of DVD’s
Selling these ***** films
To their elite and powerful
Friends in high places.
But they justified it all.
Surely I wouldn’t be missed.
I didn’t have a mother
Like they had a mother
I didn’t laugh and love
Like they did
I was expendable
Disposable
Use once and discard.
The rich eating the poor
Blood meal for their insatiable & gruesome appetites.
It’s okay though.
I’m not mad or anything now.
It’s just blackness
A dreamless sleep
I don’t even know how I’m telling you this
But the worst part
The thing I still think about the most
Is my mother.
And what she must of thought
When her only son
Went to the store for her
Epsom salts
And just never came back.

I assured myself again that I was completely alone. Gingerly, I sat on the corner of her popcorn-and-perfume-scented bed and allow my tingling fingers to reach out and open that sacred journal again to page one. I never really understood it but maybe if I read it one more time. “Things I Wish I Never Knew:

1. People are selfish almost always.

2. Shaking hands does matter. ******.

3. Wine hangovers are miserable.

4. Puppies **** behind things ‘cause they feel guilty; you wont find it until it smells.

5. Friends really do come and go.

6. Neti Pots absolutely **** and bring you nosebleeds NOT relief.

7. Attraction and love are different. REMEMBER THIS ABOVE ALL.

8. Joy is clicking add to dictionary in Microsoft word.

9. If you can make it through Taco Bell kisses, morning breath will be a breeze.

10. Be jovial, it’s a choice and a side effect of living in daily adventure.

11. Make sure that your family knows…” I pause because I think I hear footsteps padding up the fourteen red-carpeted steps to her bedroom. I know I can’t move, the old wood floor in this crumbling house will definitely creak and give me away, so I just sit on the edge of the bed at full attention.

        “…No, ma’am, everything’s basically back to normal again, we’re getting the locks changed on Saturday. I’ll tell her you send your love.” The footsteps and voice were at the top of the stairs and I saw a shadow fall across the dusty floor in front of the white wooden door. I know it’s my neighbor Annie because she lives here. We grew up together. “Yes, ma’am, I love you too. I’ll try to make her call you soon. Bye.” Her phone beeped to signal the end of the conversation followed by a loud sigh. I peered from the bed into the hall and saw her sitting on the floor. Annie is a pretty girl. All the girls who live here are. We used to go to school together until my grades got too bad and I started my special school. We used to play in her front yard with her sister, Kelly. One time I kissed Kelly, but we were only seven. She is my only kiss. They both leave for most of the year now to go to college but come home for Christmas break. I will never go to college, but that’s ok.

        I felt my pants vibrating and the theme song to the TV show Who Wants to be a Millionaire was somehow blaring from somewhere around my crotch. Before I could silence it, the shadow at the door became a tangible whirlwind of brown hair, sharp screams, and clawing grabbing fingers as she tried to wrench the ratty Moleskin journal from my fingers.

        “******, Cyril, I thought I heard someone in here. You give it back and get out of this house. You can’t, like, break into other people houses like this. This is just not what normal people do. Can’t your father control you?” At this point we’re both standing in the middle of the bedroom. I’m confused so I just dangle the journal in the air above her grasp. “It’s not yours and you know that. I know you at least understand that, right? Right, Cyril? What the hell would you do if Kelly had been showering or changing. Oh my god, ew, do NOT answer that.”

        “Ow,” I yelp as she scratches at my forearm to retrieve the precious journal. “Your claws are sharp, Annie, I have more scratches from you than I do Jimmy-cat and Jimmy-cat is mean, mean but fluffy… and he purrs but you don’t purr. Is that because you don’t like me?” I lower my arm and Annie snatches the Moleskine out of my fumbling fingers, avoiding eye contact at all costs. I hate it when people do that. I notice it, but they don’t think I do.

            “Cyril, get out.” Her right hand is now securely around the Moleskine and the other is shaking, pointed towards the doorway. “Now.”

            This is always the worst part. I walk out of Kelly’s forbidden bedroom: head hung as I creak down the fourteen red, carpeted stairs and make my way to the front door. It’s always quiet and I don’t like the quiet so whenever it’s quiet I count. I am good at counting. …Twelve, thirteen, fourteen…silence.

        I turn to her, “Annie, I’m sorry…”

            “Out.” She opens the front door and points me to my apartment, directly across the street. Its autumn now and the leaves and cold rustle down the street and I crouch deeper into my black coat as I step outside.

            “So maybe I’ll come over tomorrow?” I turn as I start down the steps, hopeful to have conjured up a smile from Annie, but all I see is the flash of brunette hair disappearing behind another thick, white wooden door.

            “Get off our property before I call the cops, you creep!”

            That’s what I’ve always been to these pretty girls: a creep. I don’t really understand what the word means, but I’m pretty sure from the way they say it that it’s not nice. Pops always tells me that I’m different because it’s better to be different. I don’t understand why Annie and Kelly don’t think it’s better that I’m different too.

            I decide to walk to Captain D’s and tell Earl hi because it’s Friday and that’s what I do on Fridays. Earl owns Captain D’s and has forever. Earl is my friend. Earl and Jimmy-cat at Captain D’s that I feed my left over fish are my friends. At least I think they are. I named the cat Jimmy-cat because Pops says mom used to listen to a man named Jimmy Buffett before she left us. I don’t remember those days.

            I turn the corner knowing Captain D’s is just 560 steps ahead and that to get back home I go 910 steps back and I’ll be at my front door. Counting is one thing I am good at; even the tests they used to make me take at the doctor’s office said so. I am good at numbers. Seven is my favorite number.

            I walk into Captain D’s and, like normal, its just Earl inside. He makes me two Fish-Filet sandwiches and we go stand outside. We usually don’t talk much, but I like that . I sit on the crunchy curb, put on my hood because the wind and leaves have made my ears sting. I unwrap the greasy paper on my first sandwich and Earl pulls out his red Marbolo’s and sits beside me lighting up his first cigarette.

            “Why do you smoke, Earl?” I ask him every Friday and he always responds the same way.

            “Eh. Why do the fish swim Cyril? Why do the Eagles and Crows fly? You know we don’t know why Women like shoes so much.”

I never really understand what he means but it makes me giggle and before we know it we’re both laughing. I’m pretty sure this is what friendship is. I lick the wrapper to get all the tarter sauce off and start on my second sandwich. Earl starts his second cigarette.

            “Where’s that alley cat you got trained up, boy? Go get ‘em and I’ll cook him his own fish patty.”

            He means Jimmy-cat. I wipe my fingers on my jeans, tear off a piece of the damp fish from my sandwich, and walk towards white picket fence that Earl built around the dumpster where Jimmy-cat lives. Jimmy-cat has a good life; he can eat anything in the green dumpster he wants and he is safe behind the big white fence. I don’t like the smell but maybe cats like eating and smelling the furry tarter sauce that clings on the sides of the dumpster. As I pull the lever to open Jimmy Cat’s home, I think it smells even worse than normal. After jiggling the latch a while, it clicks, and I swing the door open to Jimmy-cat’s house. It definitely smells worse. I step up one step and crunch on leaves and squish cold fries as I circle the dumpster. “Jimmy-Jimmy-Jimmy-cat, where-oh-where-oh-where ya at?” I stop as I enter the back right corner, I see Jimmy-cat but I don’t understand what is happening. I don’t understand what is wrong. He is covered in ketchup, maybe? But if that’s true what are the little white thingssss crawling around his stomach and why are they covered in ketchup and mayonnaise too? He is mewling and I’m scared. I smell fish. Fish and furry tarter sauce, one, two, three, four, my feet are crunching on the cold fries and leaves again, I know I’m at the door without even turning around.

            “Boy, what you doin’ in there?”

            “Earl?” …One…two… “Earl, can you help me? Earl, I, I don’t understand. I don’t like it.” …Three…four…five… “Jimmy-cat needs a bath, Earl, and something is eating his stomach.” …Six…seven…silence. Earl’s hand fells like a dead fish on my shoulder as he walks me back up to Jimmy-cats home.

            “Stay here, Cyril. Just gimme’a sec to see what’s happening.” Earl disappears into the leaves and fries and fur.

            eight…nine…ten

eleven…twelve…

            thi­rteen…

fourteen…

            silence.





            “Boy? Come back here now. C’mon.” Earl’s voice echoed around the green corners and I followed. One…two…three…four…five…six…seven I stand above Earl and I know the ketchup and mayonnaise and Jimmy-cat eating monsters are just on the other side of his crouched over body.

            “Well don’t be shy, come look.” Earl stands and I see his work apron covered in the ketchup and mayonnaise but beyond that in a bed of Fish-filet wrappers is Jimmy-cat and all the stomach eating monsters mewling at his stomach, as I get close I think they look kinda like little Jimmy-cats. I push my hood off my head as I lean over closer and that’s when it hit me, “Kittens! Jimmy-cat had kittens, Earl!”

            “I think Jimmy-cat may be more of a Jasmine-cat or Jennifer-cat.”

            I laid down the piece of fish I brought and Jimmy-Cat looks up into my eyes and I swear he was happy to see me.  I looked up at Earl and he was happy to see me too. I sat down in the mess of wrappers and fries and mold and laughed and laughed and laughed.

I refuse to be thin.
It isn't where I belong.
I would be different, unhappy,
Focused on the image of me.
Now, with my wide thighs
Jiggling belly...
Others see me, and I don't care.

I cried at the breakfast table this morning
my father carefully explained,
"wives must be submissive to their husbands"
"housecleaning is the domain of the woman"
"God created woman because man asked for a partner"

This past semester I wrote two papers

One, a fire and brimstone sermon
          I quoted Anais Nin
          sending the creators of sexist commercials to eternal suffering
          "**** them!" I said. "May they burn in hell."
          For the women they portrayed were doormats
          Misconceptions
          Monsters

The other, the role of women in the 1920s,
           No longer confined to the kitchen
           they dropped ballots with their new freedom
           they wore short dresses and short tresses
           fingers wrapped around cigs
           they quoted Wilde instead of Alcott
           they danced until their feet hurt
       
I read of Anais Nin's "new woman,"
her partnership, not submission to man,

I craved a room of my own, neigh demanded it
For sheep stayed in the kitchen,
The Woolf had a study.

I read poetry
Sexton,
Plath,
I wept for their starved, depressed selves
caged, suffocating inside the clasped hands of a man.
Loved like rib-cage jails.

Adrienne Rich made me angry,
her daughter-in-law
forever trying to fit into a box
she was always too big for, spilling
at the edges, her shaved
legs like "white mammoth tusks"

I was finally
happy with my womanhood.

******, ******, *****, *******
they are mine.
******* free to move unrestrained,
jiggling under my shirt.
Wetness between my thighs.
Menstrual blood,
they are mine.

mine.

I am not ashamed of what I am
because there is no shame.

I am woman,
I am girl,
I am lady.
I am a creature
with a voice
a mind.

a creature who endured much abuse,
continue to endure.

I am woman

and I don't have to be wife or mother
unless I want to be.
I was not created for man;
I was created for the same reason he was,
to serve the same great purpose on this tiny blue dot.

I am not rib.

I am ******, ******, *****, *******
******* free, unrestrained,
Wetness between my thighs.
Menstrual blood,

I am a per.
I am a wo.
I am a hu.

Man and son need to back down,
collaborate not dominate,
speak not command,

for when less are forced into silence,
the maddening scream
hidden inside skin and bones and muscle-meat
becomes song.

this world of car horns and tire screeches
crying and wailing from raw throats
angry protests of indignation

could use a little music.

Anyway, Anaplasmata act aptly and abstractly
Backhands ******* balky baklava
Caractal chasm chant "Catty cavalry can't"
Dactyl dada dawns Djakarta drab

Larva ask dab-tap shabby knack lad
"Ever elect effete experts elsewhere?"
A clad daddy wants a dark jab dart
Fleece fleets flee flecked flyspecks

Cleft feet eve expels three resew eres
Gentle germs gelde grebe's geyser
Cede effects leek fell pecks self lyfes
Hellbent helmsmen helped hexed herders hence

Glen's remelted eggs be Serge-Grey
It insistingly implys impish ipsissimis insipidity
He held next her belched sender heel
Jiggling jibs jinx jimmy's jill jig

Its smilingly spiny impish mississippi I-I-I Is It dinty?
Kidding kibitz kick killing kings kitsch
sigil sign jimmy jib jingling jil
Livid linitis limits limbs limp

Big **** kid kicks thinking gill's zit kink
Midriffs mimics Mis's minimizing mistypings
Slim villi distils it, mini blimp
nil ninhydrin nihilists nicks nyxis nightly

Ms Mmisty's zip disc, if firm, is miming mining
ontology on top of oophoron ostomy.
Hindi hint silly lynchings. Skinny nix I stir
phonology 'pon phytol plywood poops polyglots pompons.

Polygon hoof-moon on poor toys toot
qophs
phony thong ploy loops monolog poppy.  Woody plop! Psst!
Rooks romp rootstock rods

"Posh" - Q
Schoolroom scoffs scoop shockproof snort stools
Mock stork pro or door toss
Thyrotomy 'top torpor tot's torso

So-so rooftop honk slots. Morocco sloops off
Usufruct tu upchucks
Stormy troops root to tot trothy
Vulgus vult vults

**** such curt cut ups
Wrung wctu
Vulgus vult vults
Xu

Wrung WCTU
Yummy yurts
Xu
Zulu zymurgy

Yummy! Try us!
Lawman scandal any pay at a scab yap tat tartly
Zulu zymurgy
Almanac-scratch that-clay tract vacancy

We are all addicted to something that's killing us, but makes our pain go away,
and when I helped you stumble from parking garage into the dewey moon speckled asphalt, you swam out into the street like you didn’t notice your waterlogged chest was leaking.
I followed you to the hidden brook.
We crashed into each other and fell onto the wet grass
and I secretly asked it to drink us up.
But your fingertips swallowed my palm like a parched fish, and I wondered how you could still be so thirsty.
The stars bathed your pale skin in a gleaming light show,
so I traced my own constellations and named them after your smile.
The way you kissed me, it was like you were afraid of breaking me.
But baby, you tasted like explosives,
and later, you drove me home with burns in my cheeks.
Through the window, the watery red moonlight plastered your face in speckled crimson.

You left a somber sound below my brain,
deep enough that whales have called back to me through the dark.
You are the gravity that swings blood through the blue highways under my skin
and floods my flushed cheeks when I’m pulled into your arms.
Your hands have long since graced my back
or cheek,
or wrists,
but your fingertips wrote love letters on the surface of my skin
which I admire every night after my head goes quiet;
When my thoughts rest on your charming lips, and hands;
when they whip through your hair like the wind of my breath
to find your eyes,
tongue,
and teeth,
and guide your waist with the sway of the sea.

And now I find myself missing the nights when you'd kiss self worth into my skin under the glowing canopy of red christmas lights and cinnamon whiskey, when I’d write stories on your back and pull the sky around your shoulders and pretend that I didn’t notice that your thighs are smaller than mine.
I’d ignore the fact that I could feel every gram of fat on my body rubbing up against itself, shifting under my stretching skin,
my jiggling oily layers caked in something more shameful than sin.
Because at the time, your kisses were my only testaments to the fact that I deserved to take up space.
And I know that you’ve held somebody who hates themselves in your arms before
because when I tell you that you’re beautiful, her echo chokes out “No I’m not”.
So I tell you that you better learn to love yourself like I do,
because I never. want. to hear. her. voice. again.
I don’t tell you that sometimes, it feels like there is a living breathing monster tucked in the corners of my mirrors and underneath my toilet seat,
because I never want you to think that its your responsibility to save me when you’re still drowning.

I am jiggling on that stage.
The egoless strut.
The humorous tap.
The spectacular trip.
Fall over,
over. and
Over
again.

Get up,
find a ballroom
Dancer.
Find a hand holding
Partner.
Play "Spice Up Your Life".
Spice Girls,
listen to the bridge.
tells you to Salsa.

Watch that scene.
Billy Elliot,
With the pianist.
Dancing Billy.
He loves it.
Just do it,
you love it too.

Cheesy pop,
You don't need to
embellish yourself.
No grace notes.
No flat 7th.
You don't need
to sugarcoat,
the truth.

Let loose to riddims.
live on the dancefloor.
Feel the *****,
and the reggae.
Feel the triplets.
Rocksteady your way.
Dancehall to sounds.
Bounce and echo.
Side to side.
Left to right.

And we'll slow it
right
down.
The ballad starts.

Your beautiful structure on the left of your head,
the one called the ear.
The that ear controls aural empathy.
Let love be the choreographer to your moves,
Play the concept album, your heart.
Place it onto the record player and watch it spin
Start the track track with an International groove.
End. Replay.

Have you ever heard the tale
about the hedgehog with no spikes,
such a sweet little boy
who all the other’s didn’t like?

A case of alopecia,
there was nothing they could do,
such a sad little hedgehog
who cried and cried, “Boo-Hoo”.

But soon the lad grew older,
he wanted to look more lush
so onto his back he tied himself
a little scrubbing brush.

His friends, well they just laughed at him
and bullied him all the more,
until one day, he'd had enough
and walked out through the door.

For years not much was heard of him,
his mother, she did fret
for she’d heard about the busy roads
and trouble, in which, he could get.

But life had turned out fine for him
and soon he’d found a place
where he could earn a little living
and put smiles on many a face.

Within the railway station
with his brush upon his back,
a jumping and a jiggling till
the queue would start to clap.

People travelled from miles around
just to come and watch the show,
their trips no longer boring
they would leave with faces aglow.

But what’s the hedgehog doing
to make the people come to see?
What makes them laugh and cheer
and fills their hearts with so much glee?

You've never seen a shoe shine stall
with such a special knack,
for the owner was a dancing hedgehog
with a brush upon his back!


*
Written by Darren Scanlon, 3rd January 2014
Revised 26th August 2015.
Artwork by Angie Caira.
© 2015 Darren Scanlon. All rights reserved.

punto / contrappunto (patty m /nat)
(on the why of messaging, on the Underground HP)

none can fly,                          all can fly
except in words,                   in deeds, indeed,
yet others turn                      those who believe turn
lead into gold,                       golden faerie dreams real,
penciled in the salvation     hints inked upon the skin
of the host, the blessing       are the blessings of the host,
of solving great puzzles.      deeds of salvation solutions.

Yet unbeknownst for many.  known to all
its jiggling all the quarks,      the clashing of the neutrons
spinning electrons that          within all of our protein protons
affect many,                             effected upon each,
invisible all is hidden.            where all was hidden, now visible

the message that isn't             let our acts speak ever louder
transmitted,                             realized,
holds no power, yet it             a time for action
remains a black screen            for each message, now an action    
in the catacombs                      in the clarity of daylight
waiting, waiting there,            no longer waiting,
millions of little pieces            each action a deed
when finally viewed                the summation total
                 
                                 grows gargantuan
                               funneling radiation
                                     from the sun.

Climbing roofs,                       to the streets leaping
sliding down drainpipes       knocking to open all doors
to the street,                             filling the stadiums & squares
I'll wait with you,                   no laggards, all in attendence
            
                                         they will come,
                                         poet after poet,
                                    spreading the word,
                              words to deeds, each of us
                           a messenger and a conductor,
                            orchestrating the symphony
                                        of revelation.
              Patty m.                                                       Nat

Forensics couldn't figure out what happened to our bodies because they never looked closely enough into their own eyes.

When we walked out across those wild flower grass plains,
moving
our bare feet meandering , twirling, toes earthy, past the goddess river, bowing our eyes and laying sweet blessings of hopeful poetry at her edges with the mountains ahead of us going on and on and on.

Our heartbeats sinking into the smell of summers afternoons.
We
two beings
stand and watch as the water shows us the way across
her gentle back cool and singing.

We keep on laughing to the forests edge and settle by the Elder Trees to pray for the way ahead and the way already gone, we pray to the sentinel trees for their gracious beauty and we leave a small offering of a song.  

We
two beings

I'm all over Hummingbird
She's all over Dragonfly

Listen to the forest for the sign we can move on,

We
two beings

listen with our eyes and our hearts, ears and noses.
We wait, long moments sensing,
attuning ourselves to the rich forest song.
Later, we see the flash of Owl sister and know it is time to move along

in silence, we listen as we walk and let the sounds we hear guide us.

She's all over Wolf Teacher
I'm all over Lynx Secret Keeper

We're both keeping time alive with our actions.

Way in deep, where the floor is soft decomposition-in-motion and the sky is hardly seen, little tickling breezes stir us, we walk along in silence, side by side, always listening

until our feet meet the edge of a clearing and we whisper our offering:
the story of who we are, why we are here, how beautiful this place is and how it came to be that,

I'm all over Calendula
She's all over Nettle.

Here the sun lays upon us once more and we sit , facing each other

We breathe ourselves into mediation.
We breathe ourselves into silence.
We look at each other
past our skins and through to the light emanating from our DNA

and we start to hum.

We hum our spirit song and begin to unravel so slowly the ways of this world,

we begin to unravel so gently the bags we carry under our eyes
over our knees

we begin to unravel so softly the song of our hearts.

Flowing through us a motion so suspending we seem to no longer be singing, but the sounds somehow pour out of us
our bodies start to sway, no judgment, our bodies start to relax, no suffering

perhaps her toe taps and my ear wiggles
perhaps it's her nose jiggling
perhaps it's my elbow nodding.

We two beings
pray to each other sweet words of beauty
sweet words of honesty

we let those bodies dance
up on our feet
twirling and leaping around the green grass, wildflower clearing
until we feel a twang of connection,

like curious little deer we follow that cord in our chests , pulling us towards each other.

She's on the other side of the clearing and as we make small steps , I feel the boundaries of her person. Her energetic walls , I feel her enter into mine. And we stop, acknowledge the space we are entering and ask for permission to move on. We move on

layer by layer, always stopping to acknowledge, stopping to ask permission until we stand 4 inches between us, breathing.

By now we are no longer thinking, we only sense.
She moves her hand close to my wrist,  I meet her the rest of the way.

All collapses in on itself and opens back up again at our meeting.
She rides her hand up my arm to hold my face so gently.

I bring my other hand to her wrist and she meets me half way. I ride my hand up her arm to hold her face so gently.

I bring my hand to her waist and she leans in softly, she leans in softly.

She brings her hand to my waist and I lean in softly, I lean in slowly.

We move like this, unwrapping each other of clothes, breathing ourselves in meditation, going as slowly, gently as we possibly can.

When we are in our natural way, we wait a moment to take in the beauty, we **** our heads and as our words no longer matter we both know we hear a sounding stream.

We beings
perplexed and amused, find ourselves next to a small rocky stream, somewhere else in the forest. Dappled light finds it's way onto us , the trees and the water. Everything is orange and brown, mossy green with occasional pinks and purples.

She smiles and I smile , we make a motion of gratitude to our Great Water Mother and ask to wash.
When a small fish appears and jumps glistening
we move to scoop up running water in hands, pouring it over each others crowns. Again and again we scoop and we pour, we wash our walking sweat and clear ourselves.

Soon, the stream starts to fade and we are now on flat topped knoll, looking out over shallow banks of a wide flowing river.

The knoll is about the size of a large bed , wintergreen rustles beneath our feet.

We sit together and she brings her face close to mine, I bring my face close to hers and we look into each others eyes until we see.

I bring my lips close to her cheek, she brings her cheek close to my lips. And so we find ourselves tasting each other.
Slowly,
gently,
softly her lips come to my ears and her tongue moves on my lobe. My mouth to her nape and my breath is coming slow. We take as much time as we possibly can.

The Sun has not moved from the afternoon position. We are no longer in a place where time is quite the same.

Soon, I lay on the ground and she comes down beside me. Our dancing hands and tongues never in a rush, at a pace like the tide with movements, repetitive definitive and measured. Washing over our earthen valleys and hills, dipping low to our canyons, serenading our ravines. But never quite touching those extra sacred pleasure places.
She lays on her back and I sit beside her.

I kiss her chest and give thanks to her skin, her blood to milk trees and the crystal caves that lay within. I kiss her belly button and thank her mother for carrying her all this way. Her father for holding her. I move down to her womb and she makes a space for me between her legs, I lay there with my head on her belly listening.

I hear the beating blood and gurgling belly, breath staying slow, I hold her hips. and kiss her womb from the outside. I kiss her womb from the outside. I find I am at the edge of a small curly forest, I pray gently with a song at the borderline and kiss her there too. She tenses just a little and a pause, look to her eyes and see she does not want me further.

I slip out from her legs and lay down by her side.
The wide river is moving and the wintergreen is serenading us with her smell as our bodies movements bruise the small leaves. The sun has moved a little further across the sky, shadows are pulling longer now.

She puts her head to my chest and listens to the heart just below skin , bone and muscle.
She hears my breath and is riding up and down with my diaphragm movements. She slows me down until we are both inside the space between heartbeats. Encompassed in those melodies. We breathe again and see each others eyes. She kisses my heart from the outside and caresses my chest. I open my legs offering her space between them. She moves, lingering, one hand first on my face then on my heart, then on my solar plexus. Then her body is softly laying on mine, her head on my stomach. Listening. She laughs a little because the spaces inside of her don't exist inside of me, she says my secret caves are up in my heart, she heard them. She smiles and sighs a little, resting at the edges of my forest.
We beings
lay here, like this for a long time. Until the Sun is way low.
But we don't move. We just keep right on laying. Our eyes closing.

The wintergreen gives way to a bed of Jasmine vines way up in a tree. When we awake we look at each other and recognize our spirits.
She climbs onto the limb of a tree and sees  way across the forest, to more forest and more forest, to mountains and more mountains.
She begins to transform, her body rippling, scales made of light, emerging from her back, her eyes glistening, her dreams swirling around her, fruits ripe for the picking, some still maturing , her legs start to dance as they form one long tail, four legs with claws follow not long after. She is glowing a vibrant green touched with sparks of grey. A Naga flies out from the trees and is off. Into the night to do what she does.

I lay on the Jasmine, inhale sweet sweet scents and dream my own dreams where I'm an Owl , all my feathers pale pink and deep navy blue. I leap up through the canopy and sweep down into the forest to do what I do.  

Our spirits meet sometime before the Great Grandpa Sun is born again, to greet him with a song, to keep on exploring these earth bodies, to keep on singing to the forests, to keep on smelling and eating and drinking and washing, finding others to play with, to keep on thanking and laughing and moving time along with our movements.

The forensics sent into the forest to look for us didn't find diddlysquat because they hadn't looked deep enough into their own eyes.

Billy's hand lay on his hips,
Little honey swaying,
Twirling his string of pearls, puckering his lips,
Winking for blue jeans on James Dean,
Stomping in his neon green pumps,
Giggling, jiggling his belly lumps,
Chelsea Hotel #2 playing ov'r Old Gran's radio,
Over the rain outside.
Little honey swaying,
All drssed up,
Sweetly, innocently, wonderfully distracted,
From careful; from fear.
Billy was alone, and this is what happens,
Except for this one time, Daddy came home,
Afflicted by *****,
Saw Billy and screamed,
Squeezed his very bones,
Dragged him down the stairs,
His missing strap he mourned,
Knuckles rejoice; curses slurred.
Billy was ****** and crumpled in a corner,
Daddy passed out over the hall toilet,
*** staining his pants,
When momma came home.
She saw her boy, her little ***** baby and screamed,
Mother ran outside,
Rain adorning her skin,
As her mind facing every sin.
Billy could no longer cry,
He now wanders as another,
All but his true self, his heart is dry.
It hurts, it tears, it bleeds,
Once was enough,
Was all it took.
Masks! Liars! Liars! Fools.....

He puts it out there, the Schrödinger’s cat of invitations.

Now, I’m irritated. “I TOLD you I don’t have time for.. involvement.”

“But you have to eat - so eat with ME,” he shrugs. “You can build a friendship with someone and still have freedom.” His observation was casual, as though it were unrelated to anything between us. He seemed to have the intuition that I’d balk if pressed.

“You’re subversive.” I said. “Why me? There are prettier girls, more agreeable, fun girls. I feel like I’m on the edge here,” I look around to indicate the room, the environment, the university. “And I can be a complete as-hole.”

He looked a little offended, “You’re interesting, I like what I know about you and, yeah, we can all be as-holes - we’re in a pool of “A” types, in case you haven’t noticed.”

“What do you KNOW about me?” I ask.

“I’ve read some of your writings,” he looked thoughtful, “I may know a little about how you think, It’s unusual.. interesting.”

I’m shocked and I squirm, “You looked me up?”

“I looked you up.” he nodded, “to be sure you’re not an axe murderer.”

“How much did you read?” I asked, wheedling, my inner-writer engaging.

“Tell you at dinner - YOU name the date and time,” he smiled.

“My idea of “dinner” is walking to a dining hall, picking up a bag of food, bringing it back here and taking ten minutes to eat it between chapters,” I warned.

“I have a meal card,” he says, jiggling his student lanyard.

“We’ll see.” I said. “Have you talked to anyone else about my writing?”

“No,” he answered, “Why?”

“Please don’t, I have to think about it.” I say. As far as I know, no one I know in RL has read me - it’s an odd feeling - like maybe he got ahold of my diary. I haven’t worried over the fact that someone I’m in physical proximity to could look me up. That all this stuff is actually out there.

“Don’t think my misgivings can be cajoled away,” I say, “no more talking.”

He chucked but we got back to studying.

what/====/what  ==
  what./==what.///=what.//==/what.
  here, it is a tar pit  the yellowed trees all that eyes  see cherry blossoms through &through cherry blossoms  cherry blossoms through and through and through  cherry blossoms through
   it soothes- -it becomes ..it blooms -it becomes ..it blooms ---it becomes ..it blooms ---recantations  reconsecration
so many many ages ago,  “probabilities man probabilities”
that’s about itt, man, it seems“similarly“,,,,, noww nowwthe drudge  magenta!noww, man-about time
as i knoww itt” well for once “ once  so pretty  ” she-says -cohorts
justt a dayy more we are closer-hippyhippy-hopp
the  best off linens the blue coats the finest frivolities all that  is pristine pristine-here/Jesuits
a sea of happiness in here everything
a well laid dining table a desk to write read eat a tree outside the never ending vanity fair “that  the magic will live  never will die
cause it’s automatic for people”says-Scot  it is really  automatic-now

“ patterns  emerge   as my prime whiter s,man”----tells,Joe
    

cups of tea-  chamomile- tells Jon/ mayb  “as much as you will like to mingle/&dangle-&mingle /double dribble/triple./Onegin //all the  wriggling the  implausible imposing    ,, nibbles ,,all the book keeping
“the classic anecdote” iff i mayy ... we are all  only supercilious  there’s more here to come”----Jim,, retorts tells
“to which i may”,tells jill    a sheep is _, its all gloom and  kingdom comes
   reasons /and acuity/  th more the merrierer   my bliss/slits
/ & the black space everywhere in
   them the/many minds   all the more   \><citadel.come and go touch of gold   see to believe  
             &&&&&
  <    deep blue lakes &blue that  never end their rune and it  returns  a ship on her chest a ship on her chest,on her chest-that i will reach places un dreamt of
\   will   returnn  > there. everyplace tea<>>>>\
   stays afloat,    dispels /beaten /scowls  scary ,tea<>>>>\all-of jiggling/ bouncying   ><weeds out / >minuscules
ripes/renders jesica>>>>jamboree  come face me.
     the grandest / all  the oddities   one magic invention i was missing all this time transgression/ kindda may be timid /  
  my jive / rruby/mouthing a last supper if you will .something akin
   timid all this time
  wt i was endless immeasurable the - wild/beckons/ ribbons and knots
door to door tropic  day/&night; /beckons// ribbons and knots
\i  was i would  on my side Ausual-revival Arendition again  again
and  lifee-like -ride  and whatever moreover all oveer the leftovers
rose swells . fine  our grasslands,you know, stilts frantic Jiving,Jiving Jiving in smoke  -reels/incapabl,,indecicve
one more dayy nd through h moors
are off ,,,, raspberry,Jiving,Jiving Jiving
discontent  / neatt/  mother  fuggazii ,Jiving,Jiving Jiving ,a week goes ayb a month a long intention, itt- sooths./all the more oegin \Gerianne- ,,twitces  .astute, many floors up,pigging cleaning,every quarter
the clouds/massquadre ,this is cat to,, through ,,moved,moved,,moved

, a-blue,, a-temple a bloom,a ,temple a rook a trek a stoop now
Buddha, a simpleton/buddah geriane 16-1-5-1, miniature lamps,,blizzards6-1-5-1,
all that can in a man/rigour all that hula hoop
possibly a merry christmass,, dayys spent ,,,  full
you  are all that is sire a \ all the pleasures off a small room
full off all the kool tools an art decoo sire by now you know it
all thecrystal fairies in blue crystall *****
pretty slick,,,runs ,piping hott ,, undone  &the; buddha, the-rider,, the- boxes,,,layaway the glistering the beaming, all  the book keeping
a philistine, if i mayy impeccable, and  free
glitters all  the hourrs,a\ repliccaa just a beguiling  taste ,\
,sire,,little empty purposely,, masterfully done,,,sire
beefy ,,sire,and, plenty-full surelyy
the nectar bequeaths

projected .mediocre , mister faires in ferries  shimmering  dearest of stories  / wings/reminising _faires
drool  an artt decoo sire,,,a purple tea *** in which we drink our tea,,,mirrors,,, the very best in the pristine
the mannequins,,all the more-buddha,the-rider,, the- boxes,,
,,sire iff only i may all that   hula hoop.dope-slopes -keystrokes -rabbi=ed folks we traversed   alone
among the ******* faires shining.and whineing
tee -hometown alleys too,the innate shufling,  neat //pique
   from,treetops,bellhops,  all  those-pitstops
   chit chats-flips flops flat-crapp
lemonade/the charade the bee all the hives-all
handmade kind of  dreams /transpicuous
**** you would knoow you would knoow-that anyway blinking/ slits . //slithers
leaping/ reaping/ leaving all blue //eyes bulls eye

archic // mine  !all blue //eyes----  eye leaping/ rearing/
leaping/ reaping/leaping/ rearing/leaping/ reaping/leaping/ rearing/

  
and now the mother  a finale-  ( )   grand //tiers ;piping ;deep-dives................
-clean-off beat -best kept thatt  allures us //still gilding  top -down.  infairies   delusions/- 2rapid 2rabid distracted
comes easy free /  -******
a cup of tea/honey -man i know  with it  /// batteries  jazz like   *******
time and time againn pronto sire
wired tried intake-uptake /cup cakes/hatted  /// orbs many many many kinds justt soo many soo many  many
  any takers in no hurry
/Orphic
left /blending/mended melting too which she says enough off all this shenanigans i want //if this is
her

It would take too much time
to spit out a rhyme, that exhales
the too many complicated details
of how I became a criminal.
If someone out there tried
to define the lines of limitation
that create stone cold walls
beholding all that is right and wrong
I would laugh in their face

There is no right time or place, for anything
despite all that grandma told me she can
Remind me that fried fish is fried in oil saturated with fat
as if my jiggling thighs didn't already know that

But I'll try to smile, despite the war I struggle to, need to fight
against the earthquake in my stomache but it's just begun to have it's fun

I feel disgusting.
I am ashamed.
I'm not aware of the rules to this game but everybody else seems halfway across the board

There was no one incident catapulting me to hell, I just think I was born there
And if you don't believe me there will be a yell, or screech to teach the meek and weak
who seek some form of hope, some drip or some leak
I will yell at you, when whispers drown the drums in your ears I will reveal the fears you've been trying to conceal for years and I will bring out your ******* tears

Why? why would I ever want to make you cry?
I don't, I just don't want to see you make the same mistakes I did
said every mother father aunt uncle sister brother family member ever

Where am I going with this?
These are not the consecutively places lines
I have been assigned for the poetry class I sit in at nine
These are lines on paper portraying, redundantly saying why I sometimes wish I would die.
Sometimes.

One of those times the mirror in the bathroom was not silent or flat it screamed,
"FRIED fish is FRIED in OIL SATURATED with FAT"
as if I didn't already know that

One of those times occured directly after one of those times
and I will never have enough security cameras
and I will never have enough freedom

Because in this universe, we teach the entire history of how jesus came to be
but shun faith in the stars or the wisdom of mythology
Because in this universe, healthy food is instantly corrupted and corrupted healthy food will get in your head-wait, no. Society cannot simply manipulate my brain
Because in this universe, I was already born insane
In this universe a sixteen year old girl can be sexually assaulted 3 times
and still be expected to feel protected
In this universe, a sixteen year old girl can feel older than dirt, tired and disintegrating
there's no SSRI that'll chemically clog this hurt

But my friends still stand beside me
They're solitary statues saluting my salvation
we live on our own planet of alienation and whenever
I can't find the rocket fuel to propel myself from my own pit of despair
they know not to say much, they know the importance of just being there

There will be no one supporting me my entire life
I'm my own husband, lover, my wife
I am the criminal being charged with crime
I am the mouse in the clock moving the hands of time
with that time, lessons yearn to be learned
In this life, we all just want to be heard

she sprints through the grass,
where the blades won't harass,

the gentle wheat crops against her skin
running fast, they tickle her shin.

galloping, chasing, like a gazelle,
rays of sun caress, enchanting dark skin with spell.

curvaceous body with no care,
lovely lady, as free as her hair.

she grabs at the violets, press to her face,
indestructible woman, found her place.

jiggling, wobbling, dancing with joy,
this here woman, life is her toy.

she moulds it and holds it as she changes to sprint,
the sadness in here bares no hint.

curly hair, heritage rich,
this bird here, unpicked every stitch.

she stops, she stops, at the edge,
scrambles scrambles stopping before ledge.

jiggling juggling, in the ****,
she dances around, no want to intrude.

escapee, escapee, that's what she's become,
and oh now, she feels like the only one.

boundless beauty, encased with dark lattice scars,
her body contains a bounty of stars.

no shape can hold her,
no one can tame, encase,
no hands can hold her,
more valuable than lace.

we mortgage the unspeakable. we fit small bowls into big ones and speak on misdeeds
that rhyme with chrysanthemum without the letter ' M '.
from an upside-down star

weaving cauldrons of unguarded hope
jiggling in the gelatinous yammering
of a misguided baby god's night terrors  

and you still gotta go to work in the morning.

and for sleep. what's that ?

A spider web of support is forming around me.
All sticky
I'm part of it too.
A strand or two
Joined to other crazy amazing strands
I wonder who the spider is
I hope it's not trying to spell
I hope it's binding us with its strongest of web

We hold each other.
We hurt each other:
But we nurse it back
We pull the pieces together
And lift each other up
Shine shine shine

I have an abundance
Friends, creativity, excitement,
Jiggling beside me there is joy
And sorrow
And today I woke up feeling happier
So maybe things are on the rise

There is hope.
There is something.

All the bugs
That attack this web
Spoiling our architectural brilliance
Will be eaten in pay-back
And cruel resentment
And we shall carry-a-on
A spinning along

1

he looks into her eyes she into his stretching between is thread fragile as string of pearls if either moves too fast pulls too hard strand will snap pearls slip away who dares to charm rattlesnake take it by nape tie ends wear it as necklace love is reckless

2

first time he saw her he lost control heart spun like pinwheel  forgot what he know light burst into dungeon of dreary soul oasis in middle of desert bowl

3

he wishes there was way to get her to want him catch her heart pervade her fantasies he wonders if ever there was such power potion some ancient incantation arouse wild pangs of desire must be some secret place within her tendon to be touched causing her to tremble swoon lie down call out for him

4

i surrender i’m yours take me teach me shape me to be what you want need let me be your main squeeze most valuable player devoted confidante perfect compliment constant companion wildest fantasy life long lover volley your serve adjust to your moods make mistakes into masterpieces race you home to see who starts dinner do anything for you alone fulfill me trust believe in you we belong to each other give you confidence support inspire delight you lay great fortunes at your feet some men choose gold some men choose God i choose you may they find our bodies embraced together still warm after thousand years oh my love you are there like wild swan dragging wing across water take me as jumping fish take me as howling wolf take me as grizzly bear take me as wild stallion

5

it is hidden between them feeling around stirring nearer exploring along secret paths in early morning dew he scouts ahead skimming lightly over landscape finding area discerning scent following trail growing aroused stalking in grassy protrusion leaping across gushing stream treading in undergrowth probing spreading open folded wrap deeper into denseness she is slower drowsy yet playful coming up step by step lingering at each plateau meandering in hollow picking berries handfuls rolling them in her palms putting them in basket humming to herself she hears wolf howl she runs basket swinging jiggling berries dropping some her rhythms drifts across meadow root pulls slams him hard he prods in frenzy entwined as branches knot quiver knot forest spins around him over his head dizzy he collapses she shivers tingles whispers laid out in flowery moss resting beside tree basket spilled crushed berries all around her

mounds profounds
deep thoughts of your *******.
the big ones, the best ones
but never itty-bitties.

a handful, a mouthful
i love to touch.
all day, every day
is never too much.

pleading and pleading
don't tell me no.
pleasing and pleasing
rub fast and rub slow.

your *****, your bust
your ******, your ****.
the jiggling and wiggling
is always a treat.

your front, your fun-pillows
your melons, your chest.
the shaking and quaking
is always the best.

you are causing a tremor
an earthquake in my pants.
come a little closer
because mr. happy needs a chance.

Now I've been sitting on this piece for a bit of time
Because sometimes it's hard to organize exactly what's crossed your mind
But that's fine because good rhymes take time to piece together like rays of sunshine
And I find that in my mind thickness is simply divine
Those stretch marks that you hide are tiger stripes in my eyes
Those jiggling thighs, made of thunder that could split the skies are visions of perfection that are simply sublime
Your belly that you think is what drives them away is more than enough to make anyone stay...

Life is about the little things
Sometimes we forget the simple joys;
Seeing strangers laughing strangely,
birthday drinks, the beauty of wings;
Doors that creak, trinkets and toys,
Separating the laundry piles,
Umbrellas blown inside out,
Little girls running from little boys;
Cloudless skies that stretch for miles,
Captive ears when a choir sings,
Jiggling the handle before a flush,
Summer sprinklers, produce aisles;
Who we are is how it brings
Us closer to the little things

My whirligig giggling and jiggling in an ever gyroscopic balancing act of spotting the to and fro, does sometimes wobble recklessly, even falls down.  Revealing, revolving, evolving windy patterns and magnetism that spin pointedly upon an axis of gender nonspecific intention, it gets back up and twirls again. Whirls again, girls again, boys again, toys again, an accelerator from beginning to end, how can I be propellant and then, marry, tie it down? Letting loose these inhibitions of how such a perfect plaything may be too perfect, too divine a contraption is scary whirlwind to put my head around. Yet, this desire to go with it, oscillate and make rounds seems truer than any boxed in version of wooden wouldn't I rathers.  So there it is, to grace a pirouette with stable partner, might be a portion of the dance, picturesque, but more ensemble pieces may follow. These too add to the brilliant ballet, and we are in it together.

one crisp morning commute
driving down Rodeo Blvd.
I came across a cloud of leaves
a city block long
hovering like hummingbirds in the street
jiggling to the beat
of each passing vehicle
caught up in the car's drafts
rush hour traffic
would not allow them to fall
hundreds of small green and yellow dots
standing at attention
waving like beauty queens
twirling like dervishes
leaping and spinning in pirouettes
doing cartwheels and somersaults
each tumble tickling my delight
as playful patterns emerged
you could see their musicality
fallen foliage dancing to a silent symphony
suspended in mid air
out of sync with reality
as I, in turn, drove through in slow motion

Void
No earth
no space
no form
no shape
but sound
Words cracking the darkness of emptiness’s marshes
leaving foamed streaks of white lashes blazing eternity
And those streaks were the evidence of supreme thought
evaporating like the water that came to be

at the sound

The sound that occurs when one speaks

I was present then
at the disappearance of nothingness
I was in the afterthought of the brown
the green
the blue
the light

If you listened intently you could hear me
fastly approaching
following the sight
of
gray fins
magenta feathers
tan tails
swarthy scales
salmon snouts
ivory tusks
The air felt the dirt rumbling
I was coming at the speed of the hooves
of a thousand bucks
and with the loosened clay from the earth that was displaced
Abba formed a great face
a body of perfection

I was there

I was seed enveloped in water nets of life
free styling a red dance
that would cause the day’s synchronized swimmers to cease
Nothing like a case of the green eyed monster
to take away the memory to breathe

My head was pointed ahead
Body wagging
Jiggling
Shaking
Convulsing
Smelling the musk of the incubator that would grow me

And during the eons of patience
the rise and fall of great nations
a period of tribulation
as those who preceded me are innumerable
there finally came a suited portal

And only her sound

of agreement
to remain committed
find nourishment from only his *****
enabled my form

Though I was already adorned with equipment
to live with
to move
and with the authority of Abba
to speak a sound that
changes atmospheric existence

She was needed
to birth me
nurse me
nurture me
Love me enough to give me back to the One
that knew me before
Before

Before is void
It is no earth
no space
no form
no shape
but sound
Words cracking the darkness of emptiness’s marshes
leaving foamed streaks of white lashes blazing eternity
And those streaks were the evidence of supreme thought
evaporating like the water that came to be

at the sound

The sound that occurs when one speaks

I am from the sound
Let
There
Be
ME.

when I drink
whisky, gin, beer
the naked rear ends
of women
fill my mind
jiggling and wiggling
enticing my half
asleep, half *****
body to do more
than it’s capable

every glance in
my direction from
eye shadowed
lipsticked faces
is a knowing look,
a wanting look,
every wriggle
and flash of skin
directed towards me

The jelly-jiggling slop first had to flop
before it could waddle
ashore into this muddle of last gasps
and becoming
where middling deaths swaddled in gauzy breaths
emit a consonant-rich sussuro:

If you don’t recall the swirl-swept depths
where we furled it,
can you keep that promise in shallows pocketed?

So we began, and with the begetting
a rosy cloud plumed forth from our two
terraformed lips,
its delicately distinct petals mushrooming out
with a thorn-less, serif-soft voice
to bestow this frothy font of atomic confusion:

Let the forgetful sea rinse over now-handy fins
to hard-edge etch
their starfish straight lines in a slurp of soggy sand.

The mothering molecules haven’t lost
their smothering ache to forgive
our thickened skins
and they still cling to us, cooing about a lulled drift
past bye when we’ll climb the thinning links
back to homes cloaked in a sifted light:

*The loves of your heart-filled heads, no matter
how starkly pled,
all waste away to join us in our timeless waiting.

"The little girl could not sleep, for her thoughts where way to deep. The little girl, gone for a stroll, had fallen down the rabbit hole..."

Further and further, the girl screamed as she fell, till she finally landed, in what appeared to be the bottom of a well.

the little girl, clutching her shall, felt along the muddy wall. Keeping calm, occupied by her thoughts, found a door, of course, its locked.

No. She did not kick, she did not cry, for her mind led her to wonder why..

Why is it locked?
What things lay inside?
Is it a way out?
Is it where the wild things hide?

Feeling her hair, she felt for a pin.

In it went, jiggling the lock, till it let her in.

So, if your mind runs wild too, be wary where it wanders too, for the hole is still here today, and is where the now not so little me plays....