I met him on the Amtrak line to Central Jersey. His name was Walker, and his surname Norris. I thought there was a certain charm to that. He was a Texas man, and he fell right into my image of what a Texas man should look like. Walker was tall, about 6’4”, with wide shoulders and blue eyes. He had semi-long hair, tied into a weak ponytail that hung down from the wide brim hat he wore on his head. As for the hat, you could tell it had seen better days, and the brim was starting to droop slightly from excessive wear. Walker had on a childish smile that he seemed to wear perpetually, as if he were entirely unmoved by the negative experiences of his own life. I have often thought back to this smile, and wondered if I would trade places with him, knowing that I could be so unaffected by my suffering. I always end up choosing despair, though, because I am a writer, and so despair to me is but a reservoir of creativity. Still, there is a certain romance to the way Walker braved the world’s slings and arrows, almost oblivious to the cruel intentions with which they were sent at him.
“I never think people are out to get me.” I remember him saying, in the thick, rich, southern drawl with which he spoke, “Some people just get confused sometimes. Ma’ momma always used to tell me, ‘There ain’t nothing wrong with trustin’ everyone, but soon as you don’t trust someone trustworthy, then you’ve got another problem on your hands.’”—He was full of little gems like that.
As it turns out, Walker had traveled all the way from his hometown in Texas, in pursuit of his runaway girlfriend, who in a fit of frenzy, had run off with his car…and his heart. The town that he lived in was a small rinky-**** miner’s village that had been abandoned for years and had recently begun to repopulate. It had no train station and no bus stop, and so when Walker’s girlfriend decided to leave with his car, he was left struggling for transportation. This did not phase Walker however, who set out to look for his runaway lover in the only place he thought she might go to—her mother’s house.
So Walker started walking, and with only a few prized possessions, he set out for the East Coast, where he knew his girlfriend’s family lived. On his back, Walker carried a canvas bag with a few clothes, some soap, water and his knife in it. In his pocket, he carried $300, or everything he had that Lisa (his girlfriend) hadn’t stolen. The first leg of Walker’s odyssey he described as “the easy part.” He set out on U.S. 87, the highway closest to his village, and started walking, looking for a ride. He walked about 40 or 50 miles south, without crossing a single car, and stopping only once to get some water. It was hot and dry, and the Texas sun beat down on Walker’s pale white skin, but he kept walking, without once complaining. After hours of trekking on U.S. 87, Walker reached the passage to Interstate 20, where he was picked up by a man in a rust-red pickup truck. The man was headed towards Dallas, and agreed o take Walker that far, an offer that Walker graciously accepted.
“We rode for **** near five and a half hours on the highway to Dallas,” Walker would later tell me. “We didn’t stop for food, or drink or nuthin’. At one point the driver had to stop for a pisscall, that is, to use the bathroom, or at least that’s why I reckon we stopped; he didn’t speak but maybe three words the whole ride. He just stopped at this roadside gas station, went in for a few minutes and then back into the car and back on the road we went again. Real funny character the driver was, big bearded fellow with a mean look on his brow, but I never would have made it to Dallas if not for him, so I guess he can’t have been all that mean, huh?”
Walker finally arrived in Dallas as the nighttime reached the peak of its darkness. The driver of the pickup truck dropped him off without a word, at a corner bus stop in the middle of the city. Walker had no place to stay, nobody to call, and worst of all, no idea where he was at all. He walked from the corner bus stop to a run-down inn on the side of the road, and got himself a room for the night for $5. The beds were hard and the sheets were *****, and the room itself had no bathroom, but it served its purpose and it kept Walker out of the streets for the night.
The next morning, Texas Walker Norris woke up to a growl. It was his stomach, and suddenly, Walker remembered that he hadn’t eaten in almost two days. He checked out of the inn he had slept in, and stepped into the streets of Dallas, wearing the same clothes as he wore the day before, and carrying the same canvas bag with the soap and the knife in it. After about an hour or so of walking around the city, Walker came up to a small ***** restaurant that served food within his price range. He ordered Chicken Fried Steak with a side of home fries, and devoured them in seconds flat. After that, Walker took a stroll around the city, so as to take in the sights before he left. Eventually, he found his way to the city bus station, where he boarded a Greyhound bus to Tallahassee. It took him 26 hours to get there, and at the end of everything he vowed to never take a bus like that again.
“See I’m from Texas, and in Texas, everything is real big and free and stuff. So I ain’t used to being cooped up in nothin’ for a stended period of time. I tell you, I came off that bus shaking, sweating, you name it. The poor woman sitting next to me thought I was gunna have a heart attack.” Walker laughed.
When Walker laughed, you understood why Texans are so proud of where they live. His was a low, rumbling bellow that built up into a thunderous, booming laugh, finally fizzling into the raspy chuckle of a man who had spent his whole life smoking, yet in perfect health. When Walker laughed, you felt something inside you shake and vibrate, both in fear and utter admiration of the giant Texan man in front of you. If men were measured by their laughs, Walker would certainly be hailed as king amongst men; but he wasn’t. No, he was just another man, a lowly man with a perpetual childish grin, despite the godliness of his bellowing laughter.
“When I finally got to Tallahassee I didn’t know what to do. I sure as hell didn’t have my wits about me, so I just stumbled all around the city like a chick without its head on. I swear, people must a thought I was a madman with the way I was walkin’, all wide-eyed and frazzled and stuff. One guy even tried to mug me, ‘till he saw I didn’t have no money on me. Well that and I got my knife out of my bag right on time.” Another laugh. “You know I knew one thing though, which was I needed to find a place to stay the night.”
So Walker found himself a little pub in Tallahassee, where he ordered one beer and a shot of tequila. To go with that, he got himself a burger, which he remembered as being one of the better burgers he’d ever had. Of course, this could have just been due to the fact that he hadn’t eaten a real meal in so long. At some point during this meal, Walker turned to the bartender, an Irish man with short red hair and muttonchops, and asked him if he knew where someone could find a place to spend the night in town.
“Well there are a few hotels in the downtown area but ah wouldn’t recommend stayin’ in them. That is unless ye got enough money to jus’ throw away like that, which ah know ye don’t because ah jus’ saw ye take yer money out to pay for the burger. That an’ the beer an’ shot. Anyway, ye could always stay in one of the cheap motels or inns in Tallahassee. That’ll only cost ye a few dollars for the night, but ye might end up with bug bites or worse. Frankly, I don’t see many an option for ye, less you wanna stay here for the night, which’ll only cost ye’, oh, about nine-dollars-whattaya-say?”
Walker was stunned by the quickness of the Irishman’s speech. He had never heard such a quick tongue in Texas, and everyone knew Texas was auction-ville. He didn’t know whether to trust the Irishman or not, but he didn’t have the energy or patience to do otherwise, and so Walker Norris paid nine dollars to spend the night in the back room of a Tallahassee pub.
As it turns out, the Irishman’s name was Jeremy O’Neill, and he had just come to America about a year and a half ago. He had left his hometown in Dublin, where he owned a bar very similar to the one he owned now, in search of a girl he had met that said she lived in Florida. As it turns out, Florida was a great deal larger than Jeremy had expected, and so he spent the better part of that first year working odd jobs and drinking his pay away. He had worked in over 25 different cities in Florida, and on well over 55 different jobs, before giving up his search and moving to Tallahassee. Jeremy wrote home to his brother, who had been manning his bar in Dublin the whole time Jeremy was away, and asked for some money to help start himself off. His brother sent him the money, and after working a while longer as a painter for a local construction company, he raised enough money to buy a small run down bar in central Tallahassee, the bar he now ran and operated. Unfortunately, the purchase had left him in terrible debt, and so Jeremy had set up a bed in the back room, where he often housed overly drunk customers for a price. This way, he could make back the money to pay for the rest of the bar.
Walker sympathized with the Irishman’s story. In Jeremy, he saw a bit of himself; the tired, broken traveler, in search of a runaway love. Jeremy’s story depressed Walker though, who was truly convinced his own would end differently. He knew, he felt, that he would find Lisa in the end.
Walker hardly slept that night, despite having paid nine dollars for a comfortable bed. Instead, he got drunk with Jeremy, as the two of them downed a bottle of whisky together, while sitting on the floor of the pub, talking. They talked about love, and life, and the existence of God. They discussed their childhoods and their respective journeys away from their homes. They laughed as they spoke of the women they loved and they cried as they listened to each other’s stories. By the time Walker had sobered up, it was already morning, and time for a brand new start. Jeremy gave Walker a free bottle of whiskey, which after serious protest, Walker put in his bag, next to his knife and the soap. In exchange, Walker tried to give Jeremy some money, but Jeremy stubbornly refused, like any Irishman would, instead telling Walker to go **** himself, and to send him a postcard when he got to New York. Walker thanked Jeremy for his hospitality, and left the bar, wishing deeply that he had slept, but not regretting a minute of the night.
Little time was spent in Tallahassee that day. As soon as Walker got out on the streets, he asked around to find out where the closest highway was. A kind old woman with a cane and bonnet told him where to go, and Walker made it out to the city limits in no time. He didn’t even stop to look around a single time.
Once at the city limits, Walker went into a small roadside gas station, where he had a microwavable burrito and a large 50-cent slushy for breakfast. He stocked up on chips and peanuts, knowing full well that this may have been his last meal that day, and set out once again, after filling up his water supply. Walker had no idea where to go from Tallahassee, but he knew that if he wanted to reach his girlfriend’s mother’s house, he had to go north. So Walker started walking north, on a road the gas station attendant called FL-61, or Thomasville Road. He walked for something like seven or eight miles, before a group of college kids driving a camper pulled up next to him. They were students at the University of Georgia and were heading back to Athens from a road trip they had taken to New Orleans. The students offered to take Walker that far, and Walker, knowing only that this took him north, agreed.
The students drove a large camper with a mini-bar built into it, which they had made themselves, and stacked with beer and water. They had been down in New Orleans for the Mardi Gras season, and were now returning, thought the party had hardly stopped for them. As they told Walker, they picked a new designated driver every day, and he was appointed the job of driving until he got bored, while all the others downed their beers in the back of the camper. Because their system relied on the driver’s patience, they had almost doubled the time they should have made on their trip, often stopping at roadside motels so that the driver could get his drink on too. These were their “pit-stops”, where they often made the decision to either eat or court some of the local girls drunkenly.
This leg of the trip Walker seemed to glaze over quickly. He didn’t talk much about the ride, the conversation, or the people, but from what I gathered, from his smile and the way his eyes wandered, I could tell it was a fun one. Basically, the college kids, of which I figure there were about five or six, got Walker drunk and drove him all the way to Athens, Georgia, where they took him to their campus and introduced him to all of their friends. The leader of the group, a tall, athletic boy with long brown hair and dimples, let him sleep in his dorm for the night, and set him up with a ride to the train station the next morning. There, Walker bought himself a ticket to Atlanta, and said his goodbyes. Apparently, the whole group of students followed him to the station, where they gave him some food and said goodbye to him. One student gave Walker his parent’s number, telling him to call them when he got to Atlanta, if he needed a place to sleep. Then, from one minute to the next, Walker was on the train and gone.
When Walker got to Atlanta, he did not call his friend’s family right away. Instead, he went to the first place he saw with food, which happened to be a small, rundown place that sold corndogs and coke for a dollar per item. Walker bought himself three corndogs and a coke, and strolled over to a nearby park, where, he sat down on a bench and ate. As Walker sat, dipping his corndogs into a paper plate covered in ketchup, an old woman took the seat directly next to him, and started writing in a paper notepad. He looked over at her, and tried to see what she was writing, but she covered up her pad and his efforts were wasted. Still, Walker kept trying, and eventually the woman got annoyed and mentioned it.
“Sir, I don’t mind if you are curious, but it is terribly, terribly rude to read over another person’s shoulder as they write.” The woman’s voice was rough and beautiful, changed by time, but bettered, like fine wine.
“I’m sorry ma’am, it’s just that I’ve been on the road for a while now, and I reckon I haven’t really read anything in, ****, probably longer than that. See I’m lookin’ to find my girlfriend up north, on account of she took my car and ran away from home and all.”
“Well that is certainly a shame, but I don’t see why that should rid you of your manners.” The woman scolded Walker.
“Yes ma’am, I’m sorry. What I meant to convey was that, I mean, I kind of just forgot I guess. I haven’t had too much time to exercise my manners and all, but I know my mother would have educated me better, so I apologize but I just wanted to read something, because I think that’s something important, you know? I’ll stop though, because I don’t want to annoy you, so sorry.”
The woman seemed amused by Walker, much as a parent finds amusement in the cuteness of another’s children. His childish, simple smile bore through her like a sword, and suddenly, her own smile softened, and she opened up to him.
“Oh, don’t be silly. All you had to do was ask, and not be so unnervingly discreet about it.” She replied, as she handed her pad over to Walker, so that he could read it. “I’m a poet, see, or rather, I like to write poetry, on my own time. It relaxes me, and makes me feel good about myself. Take a look.”
Walker took the pad from the woman’s hands. They were pale and wrinkly, but were held steady as a rock, almost as if the age displayed had not affected them at all. He opened the pad to a random page, and started reading one of the woman’s poems. I asked Walker to recite it for me, but he said he couldn’t remember it. He did, however, say that it was one of the most beautiful things he had ever read, a lyrical, flowing, ode to t

The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold, dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The suave, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfulfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the Ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

"Do you have family?"

"Family?" Delleto gives her a sad smile.

She didn't want an answer and then she gets right into it.

"I met my older sister in Baltimore yesterday." She tells the man with sad eyes.' Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why?

"She called me Little Sister. I felt nothin. I had so many questions and you know what? I didn't ask one."

Jack is finishing his beer.

"If you knew the reasons, now, what would it matter, anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore?" Jack Delleto wonders.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch, Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end buried in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is an adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken him to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells her boy, "they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised, unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                                    

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You're not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                              

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, the bar full of people and you're alone. Why?"

"I like it that way. You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your blue note pad and write in it.
What do you write about?  Are you goin to write about me..."

"Maybe. How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                                    

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and re-stitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and Jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got, HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When Bob reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Dell, why do you do it? You always lose."

"If you don't fight you've already lost."

"Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and squeezes affectionately. Bob looks across the room at Theresa. "Yeah, she is beautiful." Theresa's mother has stopped crying. Her father drinks whiskey and stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the nighttime sky, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and then down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper, and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the branches at the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, he knew the shadows had erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Wings of shadow furled and unfurled. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Shadows," Delleto candidly tells his friend, then, "Ah, Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, "What should I call you?"

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do well.

And Kathleen was impressed.

But Dell wasn't like them. Dell never talked about himself. Did he have a dream? Was there something he wanted more than anything?

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes. "I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew that one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No. not at all"

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match. The flame flickering in her eyes. "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                        


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME, TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This is Kate."

Joesph Martin takes Kathleen by the arm and gently squeezes, "Hello Kate, such a pretty women, ah, if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifies his eyes as he looks from Kathleen to Jack, "Have fun now, because when you're dead, you're going to be dead a long, long time." And Martin smiles.

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone.

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he cannot determine if the footsteps are leaving or approaching.

The crowbar is under his pillow.

He grabs it. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms. She can feel his lips on hers and his warm breath as the kiss ends.

They walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above tree line heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the brightly lit kitchen.

Dell, leaning in the doorway, two black eyes, looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Specter singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend."

His hands slide up her thighs. "I'll be your friend, " says Jack.

Her voice is a roaring whisper in his ear. "*** always ruins everything," He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


They are sitting on a couch in the room that at one time had been a sun porch.

Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."

"How did you get those round scars on your arm?" Dell wonders.

"Don't ask. I don't talk about it. Do you have family?"

"Yeah. A brother. Tell me about those scars."

My ****** foster dad. He burned me with his cigarette. That's how I got these ****** scars.

And when I knew he was coming home, I'd get sick to my stomach, and when I heard his key in the door, I'd *** myself. And I got a beating.

But that wasn't the worst of it.

When they didn't beat me or burn me, they ignored me, like I didn't exist, like I wasn't even there. And you know what, I didn't hate him. I hated my father who put in all those foster homes."



                                             Chapter 10



Spring. All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you."

The rain pounds the roof.

Jack Delleto sits down on the bed, caresses her shoulder. "I hate the rain. Come on, give me a smile. "Kathleen pulls away and faces the wall.

"Well, I don't need anyone."

"People need people."

"Yeah, but I don't need you." There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"You're an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

Then silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed, and she holds him close. The ghost of relationships past haunt her and although they are all sad, she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the dark street to his Harley.

High in reach less branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and the singing goes on and on.



                                                  



The ringing phone. The clock on the dresser says 5 a.m.

"Who the hell is this?"

"Jack, I'm scared."

"Kate? Is that you?"

"Someone broke into my apartment."

"Is he still there?"

"No, he ran out the door when I screamed. It was hot and I had the window open. He slit the screen."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6," says Jack. The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack eyes narrow. He starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"Who are you Jack Delletto? What is it with you two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on the T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands too close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy," the little girl with her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform, grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughter's hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain-soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain-soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever-present receding waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride is slowly stopping, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the Casino amusement park door. "****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all of her dreams crawls into her like a dying animal from its hidden hole.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the street of broken buildings filled with broken people. From the emptying lot of scattering thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                            

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack, does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man goes down. Jack looks at him.

"You lose, I win," and Delleto's smile is a sad, knowing one.



                                                  CHAPTER­ 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled-up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear.

"Till i find another place," Jack whispers.

Straightening up, O'Malley looks at Dell, "I know you 're hurting Dell, I'm sorry, I'm sad about Kate, too."

"Kate had a kid. A boy, four years old."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, " the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard," Bob tells him.
Bill Wain knock down four times in the sixth round, he lost consciousness in the dressing room, and died at the hospital."

"I heard. What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you lose all track of time."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure, they do, " O'Malley assures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? June bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                                

Jack Delleto goes into his room above the bar, studies it. The light from the unshaded lamp on the nightstand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the overhand right, three left hooks. He punches the wall and his knuckles bleed. He punches and kicks the blood-stained wall.

At last exhausted, he collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy.

The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the nightstand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifies. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"DA DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant, wind-blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM, WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                             


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you, Jack Delleto."

"I'm glad someone does, I miss you, too, Kate."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bear to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                                *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.


Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you?"
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull, and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt is curious, growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The huge mutt has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for a while.


"Conversations With a Dead Dog..."

In a past life she was a mermaid.
Her eyes seaweed green;
bright watery globes,
flecks of aquamarine.

Bones made of coral,
and skin from wet sands.
She devoured lost sailors
and made treasure their hands.

She rolled with the waves
of the great Celtic Sea,
and pulled with the undertow
‘round County Kerry.

I know this quite well,
‘cause in my past life
I was a drunk Irishman --
she was my wife.

Kaiser Clown

borrowed shoe:
stolen foot.

- - - - - - - - - - - - - - - - - - - -

auf die frei zungen ich kennt -
   (of the three tongues i know) -
ich kennt zwei
    und kennen eine:
    (i know two and know of one):

auf die frei: ich lieben dieser
                        äußerst
(of the three: i love this utmost)...
                      
    in my youth i spent a good deal of time
watching Disney's Robin "fox" Hood
cartoon in German, somehow it rubbed off
on me...

      i was never born with anything even remotely
resembling the love of the English language...
can there be a love akin to the Anglophile
that excludes the love of the language?
i love everything English except for the language...

each day i'm slowly planning my escape
into womb of the mother of the isles that
was first spoken in Saxony...
         tired Bavarians? tired Pomeranians?
but the Saxons were a landlocked people
who gave them the courage and adventurous
spirits to claim the seas with more than
oars and steer the winds with
sails?

      English didn't come to me as some
poor Romanian kid listening to current pop music
or back then, early 1990s... movies from Hollywood...
i didn't want to speak gimmicks...
i was ****** into the deep-end of speaking this
tongue by starting off a mute...
even with the influences of cartoon network
none left a too great impression on my ears
as the German version of the Disney cartoon
of Robin Hood...

   even after watching the English version many years
later... i can still hear the German dubbing
and i can't escape it...

auf die frei zungen ich spre(s)chen es
mit ein konkurs auf substantive...
(of the three tongues i speak it
with a bankruptcy of nouns)...

        at least i have made progress with predispositions
and conjunctions:
i am better coordinated...
but how... how can one be an Anglophile
without a love of the language?
i can adore the way the English care for
the countryside... how traffic is managed...
how taxes are collected how foreign cultures
can slowly integrate and everyone can feel
somehow, seemingly at home:
even if the natives do not for a while...
but without a love for the language
i cannot be a true Anglophile...

                the beauty of Shakespeare disintegrates
when a simple German neo-folk is played to me...

   in der zwölften stund (sage vom untersberg)

- in der zwölften stunde -
at the twelfth hour
- wenn die raben fliegen um den berg -
when the ravens fly around the mountain
- tun sie lautstark kunde -
they loudly proclaim
- von des kaiser macht und tagewerk -
the emperor's power and legacy
- solang der kaiser schlafet -
as long as the emperor sleeps
- tief drunt' im dunklen bergensschloß -
deep down there in the dark mountain *****
- solang fliegen auch die raben -
the ravens will fly
- hoch über seinem marmelschloss -
high above this castle of marble...

   no words in English, and their meaning make much
for... however simple they might be in German:
the simple fact that... they're spoken in German!
das: sie sind gesprochen im Alt...
    
it is only natural that i sought out the origins of
the English tongue in German,
as much as i am not interested in the etymology
of designated word:
i could never be this youth exposed to too much
English culture wishing to sing pop songs
or utter single line pin-pointers from
films: ehrilch mein schatz,
   ich tun nicht ein pflege
   (frankly my dear,
    i don't give a **** / care)
    or... ich wille wieder (i will be back)...

so the indentations of learning English in a later
developmental stage of language acquisiton
didn't rub off on me: as it does on people
with accents of their mother tongue
who never lose it... and merely culturally appropriate
English as a spoken tongue of culture
and not a "cultured" tongue...
native tongue: a shape-shifting accent
of an educated "class"...
    even today! West Ham was playing Everton,
Toffees... ******* Scousers... Liverpool dwelling folk...
two younglings asked me to speak to one
of the managers who took their banner away
expressing disgruntlement with
how the football club was being managed...
huh?! am i still in England...
i have an easier time understanding Scots
than i have understanding anyone from
Manchester or Liverpool!
i can't understand them!
maybe that's why the Scots are like the Irish:
they come from a proud literary history...
oh... i spoke to an Irishman today at
the football game... woke up at 3am to come
to the game... i understood him perfectly...
i can understand a Scot and an Irishman...
i wouldn't be able to tell you an Irishman
from a North Irishman...
but i could tell you decipherable English
of the Scot and the Irishman from
an undecipherable, local, "polyglot"
mishandling of the English language with
such local accents and idioms as that of
Liverpool or Manchester...
can't understand the *******: even if i tried...

obviously i can't relate to a love of Russian...
as they might say in Poland:
better 6 years of **** rule: by fire...
than the subsequent how many decades it was
under the rule of the Soviet rule: by ice...
a slow burn of war is more demoralising
than a quick stretch of spandex and all hell
and all fury and all hearts united
than this scuttling of rats and shadow-bullets
shot from shadow-pistols!

of course i would naturally side with the Germanic
side of my upbringing:
i have no itch for rekindling any Russian brainwashing!
and i know that the Germanic side of "things"
has become a breeding ground for feral creature-oids
that resemble as best cuckoldry and at worst
the shadiest parts of the ***-scenes in Amsterdam...
but... bone-headed Russians and their
pride... that Russian pride... it's one of those intoxication
liquid i want to drink any of!

hmm...
   perhaps because i know English as a utility,
there's nothing romantic in it for me:
i buy bread with it, i ask: i used to ask for directions
in it, i ask someone in that conventional
formal way how they are and hope for the less *******
that most Americans reply with: how all is dandy
and it's all Texan blue above and not
the grey of the island skyline...

i did think for a moment: i should haven taken a step
further and attached myself to Swedish...
or Norwegian...
but then that's what a German would do...
as an Anglo-Slav it was only natural for me to succumb
to the allure of German...
the natural dynamo...
i fall on German and the German falls on Swedish...
or Danish...
**** knows who the Scandinavians fall on for
inspiration... the Finns?!
after all: the Finns are somewhat Scandinavian:
more Inuit people than...
        
one is a tongue one learned: or, was rather thrown
into learning...
but it's unlike a learning from it being passed on...
no one passed English down to me...
i'm a first generation immigrant...
i learned the tongue in the same time
as my parents learned it...
unlike all those 2nd generation immigrants
who were born in this land
and learned this tongue outside the dynamic
of their parents learning the language:
the only difference being...
i kept the mother tongue, the native, intact...
by refusing my parents' claim that:
if i only spoke English at home,
the English i acquired from being schooled
in the English educational system...
if i forwent me speaking my native tongue
to them: their English would somehow improve...
that they would, somehow, miraculously not have
a foreign accent!
as a child i picked up three majors things...
Catholicism wouldn't take me... i might have been
baptised without my consent...
but i had all the necessary obligations to
give or not give my consent when it came to confirmation:
i haven't been confirmed... i head too many
Gnostic Heresy texts as a teenager...
their idea that somehow i would mistreat my native tongue
in order for them to gain something for it...
like most Pakistani 2nd generation children...
perhaps, maybe... a few slip through the netting...
who still pride themselves on knowing Urdu...
most? with their loss of the mother tongue pick up
their own idiosyncratic accents within the confines
of English: they are literally children robbed
of bilingualism by their parents...

i mastered it and by mastering it found it with
shortcomings that only the tongue i was born
with could expose...

today this alpha looking male sat next to me on the train
and spread his legs... smiling... listening to music...
**** me mate... how much spreading do you need to do?
what i found:
poetry, best read when commuting...
i'm building up a complimentary package for a friend
of mine... she sent me macadamia nut shells
and dried pineapple and honey and...
a feather... i said to her: i will not send you anything
before i compliment a feather you sent me with a feather
of my own... i went cycling two days prior
and: imagine my luck! some magpie... ELSTER...
was either shedding her feathers or was in a fight...
i picked up about half a dozen ELSTERGEFIEDER...
magpie feathers...
on the train... you're better off reading a book
of poems than a newspaper...
the optics are much more clarifying...
none of the claustrophobia and oczopląs
               of a tightly-knitted (printed) column or opinion
paragraph... spread out text...
  poetry books as an alternative to reading newspapers
in transit... that's how i imagine "it"...
once upon a time newspapers were tightly knitted
beyond the scope of the printed paragraph:
it would require the solitudes of Sundays
to sit in calm and quiet and read them...
these days: that tabloid press with headers
and exploding wordings for the newly acquired
people of literacy: the addition of pictures...

nothing new, therefore nothing old...
mein herzenskummer ist was giBt
                   der Sonnenaufgang seine
      rinnsal auf schüchtern farben...
und! unt!
        der Sonnenuntergang seine
    busen-auf-verkörperung:
                auf: das nie vergeht!

                   how easily the displaced spiders...
turn to new architecture of the spider web
should their former and no sooner
than sooner: distraught with the havoc
of a man's quill of fingers having to differentiate
walking into a spider-web confusing it
with: are my eye-lashes camel's now?!

some shifts at work are terrible,
esp. when working with two females...
everything is wrong...
even telling after-work jokes is wrong...
talk of fish fingers... loads of ketchup...
that's wrong too...
top it all of this one is joking about the other
and the other is lesbian
and she has a new girlfriend
and fish-fingers: well... i am a man and i never
equated the smell of ****** with fish...
i know that tadpoles and ****...
but never fish... fish fingers... *******...
ketchup? i joked: that time of the month?
no laughter... no laughter...
if women are joking about their horrid ****
i better not be asked to, ******* joke!

better working with mute men on zombie mode...
i'm already a year behind having my social medial
stalked... sure... they can stalk me when they
figure out my middle name and some Slovak
diacritical markers... not until then...
just because i look silly when ice-skating
and everyone has seen the video doesn't
mean i'll give up my internet presence so easily: so...
i have a project aligning myself to German
so close to my heart i can find it forgiving...
to desire in the heart-of-hearts
to: **** this tongue enough to speak it when drinking!
because i find that Wilhelm was sort of right...
about how Germany was no empire
expect something on the continent
that gobbled up a part of
the Polish-Lithuanian Commonwealth...
because the Germans were an established people
and there was no sailing spirit in them...
after all: one might be inclined to think they
wanted to upkeep the romantic, familial orientation
of Christianity...
but the powers, the colonial powers at be...
whether the French the English or the Spanish...
who does, Christianity belong to, these days?
one might have asked the same question
before Christianity spread to the Nord Lands...
prior to its prior occupation with the Syrians
and North Africans and the Greeks...
Romans as a side joke?
who are the current mass of Christianity if not
the former colonies of the English
the Spanish and the French?
i know of Christians in South America from
the cross being dumped by the Spaniards with
vain hope... vain hope of the French in Africa...
and the English in Africa... and North America...

at least the Germans didn't... spread this...
Christianity might be allocated to about 12 individuals
within the confines of a single generation...
beyond that? money-grabbing money-laundering:
a religion with only the sole focus on LOGOS
while reading up on Zhuangzi you have several
other, dutiful terms to meditate on...
i might have been smitten by Hindu thinking before
being doubly smitten by Taoist dialogues...
one still remains a categorical imperative...
outside the realm of dialogue:
the best way you can help the world is
to help the world forget you and you in turn forget
the world...
obviously i'm doing X and counter-X...
i'm writing... by extension of writing i "want"...
or is that: "i" want to be remembered...
but thinking is no telekinesis nor is speaking
any telepathy...
             i speak... like today... i get this oddity of looks...
first she asks me: oh what should i reply
to my friend... just been to a Hen-do...
strippers? oh sure... there were strippers...
first time married? no... second... so what's the ******* point
of a hen-do? cluck x2 laid eggs x4?!
  
so her friend sends me a photograph of her newly bought
dress... laces... or whatever the ******* call
a would-be reimagined-curtain...
i tell her: she could pull it off... if she was a size 0...
the lace could really add dimension and curves to
a thin body...
to hide the skeleton...
but you know what would work for her?
a meringue dress...
you know the type? a one piece...
cut just above the ***** line...
simple: smoothed over... no patterns...
all the way from the cleavage to the feet...
so then she shows me her wedding dress...
it cost her £130 while her friend paid over £2000...
exactly what i was describing...
she just sent an AWW and tried to deflate the question,
or simply avoid it...
yeah... she looks like a flayed torso...
because... SHE's fat...

           eat all you want and as much (perhaps)
but at least burn it off...
if there's no work in the fields:
then there's no work in the fields...
but there's enough rubber burning on the bicycle
to escape the monotone drudgery of
urban living... as i found today,
upon Hook Lane cycling up to Chigwell Row...
there's no need to eat excessively...
no comfort in all that fat without
a leather chair or enough warm clothing...

treating people as these existential morons:
conceptualizing the non-existence of free-will is one thing,
another: to debrief them: life is without agency...
a choice-less Darwinism where
jelly-fish are somehow automated: sprouts:
well... no other life could or would ever be!
people without free-will is one thing:
the shackles of the dynamic of choice...
one choice sets you free, subsequent choice shackles
and inescapable binary of freedom-no-freedom...
science governing the flip of a coin...
but... people, robbed of any sort of agency?!
of self-authority over themselves:
so, so easily mangled and mishandled leaving
their fate unto... no fate: double sure...
unto others?!
i watched a few horror movies in my lifetime...
none seem as horrifying as this +mundaneness
of the horrible leftover: forgotten...

i must have a Germanic attitude toward these matters...
i was born into the living spirit of the ****** tongue,
the membrane in situ staging the conflict
of Rome vs. Greece...
or Germany vs. Russia...
i see no end to it...
i was born from the Germans trying to burn out
the Jews from "my" lands
while the Russians trying to subdue the flames
all the while...
i was still borne from a history that required
a solitary antagonist...
less so an protagonist of solitude...
either way: i was going to slither my way through...
like water like serpents...
wie wasser wie schlangen...

mein herz bricht aus hungrig flammen
als ich stürzen blind Samson's
already toppled temple
            
i know i that i will not write the sort of beauty
that's poetry that's everything that's
Zbigniew Herbert's
Godly Claudius
the Game of Mr. Cogito
Mr. Cogito observes his face in the Mirror
the Seventh Angel
   (my favourite of the angels listed?
Dedrael - the apologist and cabalist)
   to name but a few of the poems...

it brings such relief that i can't bring such
beauty into this world: perhaps if my mind was
not muddled by the utility of English
and my romance with German -
perhaps but only perhaps:
i don't even know why i started to write poetry:
maybe it was my lowest ebb
psychotic running on steam and pretend
legs between Edinburgh, Glasgow,
London, Dover, Athens, Belgrade,
Katowice...
                    walking into a bookshop buying
a copy of Rumi's verses...
buying Dostoyevsky's the Brothers Karamazov
and, just by chance... Bukowski...
what was so supposedly special and hiding
within the poetry of this man?
absolutely nothing: i was mad enough
to try it then and to keep at it:
not really knowing why...
  
compared to Zbigniew Herbert i write trash:
perhaps i read too much fiction,
even autobiographical prose: prose in general:
i don't know how to shut up the ten mouths
on the tips of my fingers but
i know how i can seem menacing
on a shift at work... hood pulled over my head
leather gloves squeezing each knuckle
asked by the atypical extroverted woman
whether something is wrong...
pulling my hood up, smiling, yet still being
compared to the grim reaper...
jokes aside: someone is counting the time...

a welcome break from Knausgaard...
this little safe-haven of poetry read in transit...
finally! something that's not mine
and not in English!

that's the terrible difference between men and women...
going to the Fulham shift i was sitting
behind three women... i'm guessing two were
newly arrived brides of war from Ukraine
who also picked up a Thai-surprise bride...
birds sound chirpier and more pleasant to talk
to... sitting behind them reading my little poetry
book... with a magpie's feather for a bookmark...
the women talked... about?
photographs... filters... instagram models...
plastic surgeries of people wanting to look
like their photographs...
impossible dreams! dreams of women...
and some womanized-men...
on my way back... same book same bookmark
and a young man sat down next to me...
put on some decent music i could
make out through the headphones...
angled his horizon to look over my shoulder
as to why i was reading a book with so much
open space and so little words...
not any fiction, not some constipated prose
of imaginary conversations...
and i could feel his leg pressing against mine...

perhaps i am not gay but i can't imagine
being friends with a woman...
i truly can't... there's either *** for me: with women...
or there is friendship with men...
with each man i meet i can achieve this
transcendent: otherwise unpackaged will
of subduing and seduction that only a woman
can provide me... but a conversation with a woman
is painful: at least for the majority of times:
there might be a special place for a woman
who might not necessarily:
but is probably older than me and shares
the same sentiments as me...
probably lives far away and thinks that hand-writing
is like exposing herself all naked...
will go out of her way to send me a feather of a bird
from over 3000miles away...

while i will send her a necklace with a single amber
stone on it... or i will send her a crab's pincer with a hole
drilled in it and ask her to buy some leather-string
to have herself a second necklace...

at work Stephanie the supervisor had to make it adamant
for me alone to know that i would be her Alpha...
whatever the hell that meant...
Alpha... well yeah... because i do try to ensure that
everyone is treated fairly...
the Asians boys of Bangladesh and Pakistan caved it...
this work or this cold of England
finally bit them...
     it's an unrewarding work if you don't have
an escape plan, like i do...
i'm always flying to other pursuits outside of this
work... customer service... being polite to people
that might not be polite to you or simply ignore you...
but even my standards i thought they were
taking it too far...
but i made a pact with them...
they took out a bottle of Jack Daniels and poured
out shots... if there's going to be a snitch among
us... it will be the man who does drink...
so when asked if i'd like a shot i replied: why not!
the weather calls for it... whiskey to warm up!
mixer? oh no no... straight!
plus... you can't mix Jack Daniels with Fanta, can you?
a few new colts were bullied into peer pressure
of silence, asked if they wanted a drink: said no...
me? i had a drink... i'm not snitching...
well i did when Stephanie was coming round
when i just said: nothing about the drinking...
but if there are 7 of us standing in one place...
but i'm the only one giving any customer service
by giving directions and good-evenings while
they're just standing talking to each other,
having a good time? apparently some people still
can't internalise being drunk for their own
self-amusement, drinking is somehow: getting together...
clearly these boys haven't been alone
and drank a litre of whiskey each and every single
night for months on end...

what really bugged me is when they took out a spliff
and smoked it between the four of them...
even as the customers were coming to see
Tottenham beat Fulham 1 - nil...
oh for ****'s sake... it's one thing having a cheeky sip of
whiskey on a cold day to warm up...
but to also smoke marijuana on a shift?
in full view and easily scented air of winter
before customers?
these guys don't want this ****** job...
thank god none of them are either bus drivers
or train drivers or plumbers for that matter!
maybe doctors who forgot to take out a pair of
scissors from a patient's body when
the patient is getting stitched up?

the worst i ever did was drink the night before
and sobered up on my way to work...
ah... not to mention that one time this
girl tried to scout her paranoia from prior relationships
with abusive alcoholic boyfriends onto me:
a man she just met... pampered with an array
of chemicals whether that be a cologne or this alcohol
containing face spray...
who i later tried to sooth by bringing her my homemade
weisserwein... cloudy... like any weisserbier...
chirpsin'... 3 way conversation conspiracies...
until the lie stood on dwarf's legs rather than stilts...
and to think: no i wasn't thinking seriously about
getting into a relationship with her...
she tried to get me fired for "apparently" drinking
on the job! a person she just me...
neurotic ******* *****... it's good that i showed her
what she would never, ever... get...

the difference between men and women...
the shift finished... prior to finishing we already knew
that there was some major ****-up on the tube...
the signals went down...
no Circle line, no Hammersmith & city services...
no services on the District line
from East Ham to Earls Court...
ergo? you'd think there might be a northbound
service to Edgware Rd. from Putney Bridge...
nope... Earls Court is a 4 x 4 junction...
sure... there was the southbound service
from Putney Bridge to Wimbledon...
and whatever service that's a station after
Earls court toward Richmond and Ealing Broadway...
as i'm guessing from Upminster to East Ham
and from one station after Earls Court
to Edgware Rd....
this girl was supposed to come with me
to Stepney Bridge from either Romford or Chadwell
Heath for the shift...
i was 15 minutes late because i felt like getting some
tea and an almond croissant...
she was? an hour late...
by the end of the shift when the transport invonvenience
was building up we went for our debrief
and she was all irritated in the eyes
when she wanted to get an Uber to Hammersmith
or whether it was she thought about going
without telling me: where that would cost her £50+
quid...
                  so when i told her...
i'm not going down the Putney High Street rail connection
because: (a) look at the ******* congestion
of the crowd and (b) i don't need to go to *******
Waterloo because that's ******* south of the river...

mmm hmm mmm... what, should we do?
i told you... i'm either walking or getting the bus 220
to Hammersmith...
debriefing over: she stayed behind for banter
and all the things that hinder an extrovert,
esp. a female extrovert... un-decisive, fatalist,
everything just ******* happens by some whisper
from astrology...
    Aquarius said to Libra that the waters were
about to spill... i ****** off from the stadium
like a hart... shook hands with the managers
thank you goodnight... as i was walking out
toward Hammersmith some young stewards were
shuffling really quickly it all looked very much like
they might be scratching vinyl...
i asked... you heading to Hammersmith?
yes yes... see! that's i like to see!
male to male camaraderie...
we have this unconscious motif of: from *****
you came to ***** you shall return...
it's a bit senseless to go to war these days...
less senseless when you're trying to get from
point A to point B...
there was about 40 of us running for the bus...
amongst us? 1 woman...
***** AHOY!
   obviously i left this girl behind...
her other option was asking one of the managers
to giver her a lift... ******* free-loader...
by the time the manager would have clocked out
all the other parties i would have wasted an hour...
just to get a lift... and then what?
stranded with her? even though we weren't going
to the same point B?
   i left with the *****-mentality... happy too:
because i could read my poetry book in the prized
possession of solitude... and no solitude...
because given the hour... something freakish was
bound to happen on the train or tube...
and it did... some proper English boys talking about
not wanting to take a nightcap in Romford heading
all the way to Shenfield joked when this guy started running
down the train carriage...
and those SKANKS so drunk who were blocking
the doors: subsequently delaying us
subsequently not catching their train blah blah...

well... just as today happened: talking so freely to men,
boys, young men, first point of "concern" / conversation?
establishing "taboos" or habits...
you smoke? you drink? first time you got drunk...
when did you start smoking marijuana first?
and then a natural progression into...
so... what music do you like... just... so naturally?
with women? even with Francesca,
this butcher boy of a lesbian...
it's a cul de sac sort of conversation...
she only talks about herself,
even today i received a text from her...
i broke up with Natalie... broke up i.e. she met her
on Tinder... she stayed round her house
for three nights... Natalie made her lunch for
work one time... cooked dinner another time...
4 days and nights they dated... already broke up...
there you go... Tinder-dating-shoplifting hearts...
window-shopping romances...

free market capitalism? sure... but not when
capitalism overstretches its influence
and we're worse off than the despairing existentialist:
PHILOSOPHERS of the 19th... the precurosor
fabric... i'd say the 20th century existentialist
philosophers had it easier...
but anyone in the 21st century, thinking, even remotely:
would be hard pressed not to express something
of substance bugging all of us:
no great war, no great upheaval,
proxy wars, the Thespian dictatorship over all
the other arts (with the exception of pop music, perhaps)
and the journalistic juggernaut of the quickened
availability of almost anything and nothing...
the free market of capitalism having invested
in creating this... Frankenstein in pieces...
this IKEA ******* LEGO model of a Frankenstein:
but at least Frankenstein bothered to construct
the entire monster rather than creating this
shattered Pandora's box... left in pieces and in
some realisation of a Copernican West...
in a Copernican East... Copernican "west"?
there's a "west" without a setting sun?!
up in outer space?
                         capitalism all fine and dandy:
but not outside the realm of a couple worrying about
how many kettle and toasters sets they will
have to buy during the year or even the wardrobe
needs revisions, or whether it might be worthwile
to change the wallpaper in the living room,
or what movie to watch on a date night at the cinema...
all of that is gone when the free market made
us profile ourselves... with some of us being pushed
so far as to fake cubist like pictures of ourselves
and subsequently implement plastic surgery to
double-fake ourselves...

the shrapnel-shelving-of-self...
it's like people are a library with no alphabetical order:
free market on psychology, morphed beyond
any concern for dreams: if there were any
as the luxury of the Freudian rich...
this... what happened to historiology in the modern
sense as stressed by Heidegger?
a study of history of the people by the people
or at least by individuals... morphed into this grotesque
pop psychology: archeological mapping back
to the primordial Pharisee of Ape and Aping...
farce: Darwin's Curtain of History...
   will we ever remember the beauties and horrors
of centuries from the 16th to the 19th?
no... everything of said years is nil: null...
because the ape's origins quickly morphed into
the man hunched over a microwave adamant in his
belief that... the carbon footprint of producing
a kilogram of chicken meat somehow, somehow would
"save the planet" than producing a kilogram
of tomatoes... given that a kilogram of tomatoes would
only yield a fraction of the necessary calories
than a kilogram of meat... and still the growing
of one kilogram of chicken would cost the planet
less than growing a kilogram of tomatoes...
who needs tomatoes in winter?!
eat, your, ******* root vegetables! carrots boyo! carrots!
but chickens don't need solar energy, nor suntans,
nor greenhouses... chickens cluck just as much
in winter as in summer... and eggs are a year round
product... plus you only need a barn in winter
to keep chicken!
tomatoes rot... chickens? they grow old and die...
until they grow old they still produce eggs...
and when they die? you eat them...
you can't exactly call a chicken rotten if it isn't already
days X already dead, can you?
it might not be as fresh... but...
ugh... no wonder

Zbigniew Herbert: from mythology (of Rome) -

   in the end only the superstitious
neurasthenics carried in their pocket a little figurine
made from salt, resembling the god of irony;
since then there wasn't a greater god.

then the barbarians came, they too greatly prized
the idol of irony.
           they pounded it with their heels and sprinkled
it into their dishes.

no clay-monster of the Levant can intimidate
me now!
not armed with these words:
let us witness the great divorce of man from woman!
let us watch!
pray... let us be brothers and friends and
secretly wishing we were lovers:
in the thinning air... let us talk about the strange
glow above the Thames hanging over Kew Gardens
as if: as i said to him:
as if the sunset still claiming an eye
in the night...
      what woman? what woman could i share
this romantic conversation with?
my interaction with women is so blatant so cold
so forced to claim the male in me and the woman
in her that it's only ******...
oh sure... i was going to the brothel...
but i was coming home already late...
i had two pairs of socks on, drawers, trousers...
a tank-top a shirt gloves and a thick coat...
by the time i would get out of all those layers
and have a quick shower...
half an hour i would have paid for would have become
nothing more than 15 minutes...
not enough time to get a hard-on
of being in the mood...
i already had more than ***...
a conversation... and no woman has yet to actually
provide me with one...
perhaps we are not in the trenches...
but men have always managed without women...
for as long as time knows...

a shift prior... at West Ham... ******* guy with a bald
head and a face as endearing as a plump baby
we great with a handshake that turns into
a thumb against thumb contest and a hug
tells me that i should come and find him at Cavern Cottage
and he'll sort me out with some free food...
hey presto i go and find him
i get a free steak and ale pie...
i know it's a one off...
    we already get discounts for burgers from the burger
van... but it's nice to give a reminder when
being invited...

     we do our rounds in the park...
among the Pakistanis and the Bangladeshi who at first
thought i was British when asked:
oh no... i'm not British... an Anglo-Slav at best...
from that lineage of Anglo-Saxons...
the Saxons who came among post-Rome rule
Britain and mingled or not mingled
with the local Celtic and Welsh and Britton populace...
i'm the second wave that didn't make it
because the British Empire collapsed
and the eastern Europeans were not too dearly minded
in the history of the British Empire...
but they know that i'm from Poland
so when asked: where are you from? there...
and "there"... but i've been living here since i was
7 so there's no "born and bred" argumentation
with me and those in your ethnic stratum
concerning any anti-Pakistani villification
of those in the "upper-castes"... blah blah...
they know... while the three of us walked around
this 40 year old Yugoslav woman
who escaped the Yugoslavian collapse of
circa 1992... starts talking as i switch her around
so she can have a walk with us to warm up her legs
from standing stiff still...
where are you from? oh... here...
i'm not going to tell her what i told the boys...
not after she deflects my attraction to her
by paying more attention to the Pakistani boy
of 20... i'm closer to her age...
but... then she does this sick thing of asking
me to hold her empty cups of tea that
have an unused teabag in it and some dried milk...
oh... right? i'm going to be your waiting boy?

******* testing women... this woman is past her prime...
i know it she thinks she can "test" my patience
by me being her ******* pet-shop-boy?!
fine! fine...
the more and more i talk to women
the more i find them diametrically opposed
to any sort of psychologically asexual universalism of:
ecce ****...
                 women have: and will have to...
sexualize everything from Aristotle to Zeno...
there was once a maybe female version of Aristotle if
only the: give me the drill... i need a bigger hole to see through:
these eyes aren't large enough...
if only there wasn't an oppressive patriarchy...
the oppressive "patriarchy" of autistic geniuses?!
oh... that one... the sort of men cowering
from female sexuality?
  wow! how oppressive!
                    magnificently oppressive!
we all should be so magnificently oppressed by the man
who discovered the wheel by meditating
the O(micron) - what came first?
the wheel or the omega, or was it the sun?
if Prometheus brought down fire... by teaching man
that scratching flint against flint could illuminate
the cave and give man a second womb of poison-fire...
before the forests turned to ash...
before Pompeii's negative of a whiplash of history...

i tried loving women... i loved them for:
the many months i would rather not use
the fingers of both my hands for...
    absolutely un-relate-able creatures...
what *** beside that of female would whisper in
man's heart to leave their minds without
reason to stage the Trojan War
                        or bring architecture to kneel:
like Xerxes: but the madness of Xerxes was rather
beautiful wanting to lash the Aegean into submission
rather than that little Pharaoh ***** who might
have said: best to chisel down a rock face
and glue together sand with egg-whites and spit
into bricks and polish up a craggy mountain:
lest we forget: from a lineage of a people
that once said: let us "reinterpret" the mountains!
pyramids...
                at least the South American tribes invented
the pyramid as an altar... not a tomb...
but we're no smarter than they were dumber:
the myopic-vision strategy of the vantage point
of: what came prior... with hindsight...
but hindsight only works in reverse...
the unmistakeably irreversible past
within the confines of the motto: the terrible
has already happened!
  
                       and some variation of the historically
terrible isn't already happening,
on some microscopic level?
                           not if / not yet?!
                                             hardly...

poetry is air and not the prose of water...
i am stranded between wanting to breathe air
and at the same time more in need to drink water:
no wonder i cannot rest with merely breathing air...
if only i were to breathe air and leave my efforts
with so much nuance as to allow others to breathe
the same air... alas i am like that saying of Heraclitus...
i'll pour you a glass of water
i have prior to drank... leave it for you to drink a day
later: it will not be the same water that i have drank...
i wish i could write like these words might be air...
but it's... aqua post scriptum et plus aqua
post scriptum ad fluenta...

                    verschließen dein augen:
    sehen wieder... immer wieder:
                               bis: es gibt
                             nicht freude:
noch aufschub träumen...
                              kalt silber-rasierer
                                 schneiden auf
mondklären... nacht als auch wirklichkeitstoff.

i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.

He thought that he had been evicted like a raucous Irishman, late once again on the rent, his belongings and furniture strewn on the lawn
His cold, deadly stare and ruffled red, said the same, with haughty indignation written all over him
As could be expected with any eviction, belongings strewn to the street, it started to rain; large splattering drops falling from the sky with an audible impact, adding insult to the injury
But he was just a child, set free and off to learn on his own, his perch and roost along with his chair, moved to his new home
He had outgrown the large screen porch, which was such a ridiculous place for an Owl anyway
Wood and glen gone, surrounded by girder and screen, locked into the realm of old peoples coffee and cigarettes
Tucked up into the eaves ignominiously, or sitting on the lamp, grooming flesh from his over large and taloned  feet
He would sit silhouetted by the dim red glow of the bulb, relaxing, until a noise would spin his head and he would become hooded and glaring death
The lamp added a glow to his eyes, which already burned with a raptors fire and he would become the personification of evil to the world of prey
Low and crouched, wings slightly spread; he would become the terrifying story that small warm animals tell their children at night to keep them in line and safe
But now he has been moved outside and all of his familiar belongings with him, or most anyways
Now he perches outside, either on the rough, twisted branches near his roost, or his favorite chair, and contemplates late into the night
But it seems that he prefers the comfort of his living room and he rests on the arm of the chair, quiet and pensive in the still and humid darkness
He stares at me while I smoke; the white plumes drifting like iridescent fog into the moonlight, while I observe him from his former home, illuminated by the dim lamp light
His saffron eyes gleam in the darkness, his dark form robed in that of the raptor, wings held down, with the tips outstretched like fingers
He stares at the lamp, standing like a pedestal against the wall and I wonder to myself
Does he want his ****** lamp moved out there too?

While reading an article last night about fathers and sons, memories came flooding back to

the time I took me son out for his first pint.

Off we went to our local pub only two blocks from the cottage.

I got him a Guinness.  He didn't like it, so I drank it.

Then I got him a Kilkenny's, he didn't like that either, so I drank it.

Finally, I thought he might like some Harp Lager?   He didn't.   I drank it.

I thought maybe he'd like whiskey better than beer so we tried a Jameson's, nope!

In desperation, I had him try that rare Redbreast,Ireland's finest.   He wouldn't even smell it.

What could I do but drink it!

By the time I realized he just didn't like to drink, I was so feckin ****-faced I could hardly

push his pram back Home.

Don’t come home late she says
As she always says
Her heart beating a drum inside her chest.

He looks into her eyes soulfully
The soul of innocent intent
His mouth promising he won’t

She believes him
As she always believes him
Her soul praying that he will.

Please don’t drink too much she begs
As she always begs
Her stomach cramping from the shame.

He touches her face with his fingertips
and with  promises of eternal love in his eyes
He tells her that he loves her.

He means it.

He never hits me she thinks
I know that he loves me.
Except that she doesn’t.

He never hits me she thinks
It’s not that bad
And wonders why

She

Always

Feels

So

Empty .

When you paint houses
bring your little brother
Hoffa couldn't keep his mouth shut
Mannlicher Carcano carbines
cleave off
the tops of skulls
Cosa Nostra prove
The idiocy of convertibles
Pretty boy politicians
sprayed across Jackie's face
Kennedy never should have rocked the boat
Bufalino brotherhood born for bloodshed
Irishman knows that
.32 goes in but doesn't come back out
Turning grey matter into brain sauce pudding
Hoffa couldn't keep his mouth shut
Got what he wanted
kept demanding more
Stupid Sicilian stooges get sliced up in pork store backrooms
limbs spread to the four corners of Michigan
Irishman painted his house
Hoffa couldn't keep his mouth shut

Working in an office with a lot of girls mainly
Suddenly it was that time of year again... Christmas
And the Office party it was looming
As I went toward the pub where we were having our gathering I was feeling nicely laid back and relaxed
Primarily because I'd just been to another pub beforehand and had a few quick scoops/ drinks
Now I was bolstered, all pumped up, I was like a Boxer ready to step into the Ring.

Our pub it was festooned with decorations, lovely colours and glittery things
They were hanging out of the ceiling and stuck on every wall
Above our table a big jovial Santa Claus
Looked down, beaming at us all
As I sat down one of the girls asked rather suspiciously "Where were you?"
Holding up my alibi, a little shopping bag with some items in it
I told her, lying beautifully of course,  that I had to go down the shop to get some things.
As I sat there I noticed the atmosphere was a bit subdued, people weren't talking much
I said to myself, this... this won't do
So I took it on myself to take the lead, I'd be the one to spread some Christmas cheer
So suddenly I blurted out "Wh..Wh..What does Santa say... after drinking a bottle of *** ?
"I don't know" they all said, "what does he say".
I paused a moment for dramatic effect...then I hit them with the punchline...he says "Yo ** **!"
They all looked at me blankly
You don't get it, Yo ** ** and a bottle of *** is the famous pirate song from Treasure Island
Santa's catchphrase is **!**!**!
He drinks the *** and suddenly it's Yo! **!**! (Jeez I thought, I got to explain my own jokes)
Still there not impressed, one shakes her head, another raises her eyes to the heavens, another comments "A silly joke"
But really I don't care, I say to them
I suppose you don't want to hear my Snowman joke then
"O Go on", they say, "get it over with"
It's a bit risque I warned them
What do you call a Snowman... standing outside the window of a Brothel ?
"A hot Frosty", someone said
No! ... The Abominable Snowman.

I say to myself, well at least I tried, I made an effort
I done my bit, now I can sit here quietly for the rest of the evening
Some of the girls have now started to talk amongst themselves
One girl sitting right next to me who I hadn't spoken to in awhile
She suddenly inquires after my wellbeing, she asks"How are you?"
I tell her O! You know me, I'm just... just hanging on in there, yea! just hanging on to the Ledge of Life by my fingertips trying not to look down at all the crocodiles circling below
"Things aren't that bad, are they?" she says a little concerned
I smile and say Well I might be exaggerating there... a little bit
She smiles and offers "You're a real Drama Queen".

Suddenly one of the girls announces that she's done an evening course during the Autumn, she's done Bellydancing of all things
I thought we'll have to get her to give us a demonstration later on (but not before dinner LoL)
This girl then starts asking everyone did they do any courses and what their hobbies were
Finally she comes to me and I say Well I've been making some music on this little keyboard I have, yea! I've been playing...I've been playing around with my *****
(this gets some laughs)
I go on, Actually I've been writing a song
"Writing a Song!" says one of the girls really impressed, "we know you write stories, now you're writing songs, my! you are talented.  What's it about, your song ?"
I tell her it's about a girlfriend whose... well she's a bit of a Goldigger,
Then I smile, I have a great title for it, I call it (I pause for a moment then I say proudly), I call it...Octopus of Love.
"Octopus of Love!!" says one of them dismissively, "what kind of name is that for a song.  There should be a Society for Prevention of Cruelty to songs"
I ignore her and then suddenly launch into a verse of the song

     She said she was a dove
     But she's my Octopus of Love
     A hundred hands in search of one thing
          only
     Yea! My wallet, my Pride and glory.

     When she whispers in my ear
     Her fingertips they tiptoe across my rear
           and into my back pocket  
      O! She's my Octopus of Love
      She"s not at all what I dreamed of.

     When I hold her in my arms
     She sets off all my alarms
     She tells these great big whopping lies
     Man! She's got a finger in all my pies.

    She said she loves me dearly
    Visiting the most expensive shops
    Buying the most expensive gear
    I say, could you not make it more cheaply instead,

  O! She's got me in her grasp
   Her tentacles they hold me fast
   Then she asks what's all the fuss
   And she's so innocent looking
   Man! She's a lovely Octopus.

"I wouldn't be giving up the day job just yet" says one of the girls,
"That's funny" says another
Then someone ups and says "Tell us another one of your little stories",
"A good one, this time!" adds another
"Yea! A good one! We need a good laugh" says another,
I feel a bit slighted by this for some reason, the way they say it, their attitude
It's like their making light of my Art, my labours, my great works
Like their just bits of fluff for their titillation
So suddenly my mood it darkens and my voice it takes on this ominous ring and then I say a little threateningly
"So you want to hear a good one, do you!"
With this I smile and then say menacingly"I'll give you a good one"
Then I look at them slowly one by one
And it's almost like I've gone into this trance state, switched into ghostly mode
A distant remote look comes into my eyes
It's like I'm looking through them into the far distance somewhere...  
And then suddenly I intone real solemn like and with great gravitas
"The Great American Novel!"

"What's that?", asks one of the girls
Now most of the girls are married Moms with kids
They wouldn't have gone to college, they would have gone straight into work after school
So they probably wouldn't have known about English literature and  the Classics and all that high brow kind of stuff
Their only exposure to literature would probably be the so called Chicklit books down their local supermarket,
So I say to them 'You never heard of the Great American Novel'
"No!" says one of the girls, "what is it?"
Well, I start to explain, it's like the Holy Grail for all writers, novel writers anyway
How can I explain...how can I put it... The Great American Novel...
It's like this amazing fantastic legendary mythical beast of such great beauty and magnificence
That roams free and unfettered on the literary plains of a writer's imagination,
Many an author on his death bed admits, "I seen it once, I had it in my sights...had it in my grasp but I let it get away". They then turn their heads away and cry bitter tears of regret...
Or...or it's like... it's like this Great Mountain
that's no one's ever been able to climb
It stands there defiantly, supreme in its isolation, it's peak glistening in the sunlight or shimmering in the moonlight
Unreachable, unattainable... unconquerable
(I'm really on a roll now, I'm waxing lyrical and there's no stopping me)
The Great American Novel...it's like... y'know it's like that old fairytale, what was it called
Was it Snow White. No! Snow White had the dwarves in it
What was the other one?
One of the girls whose always been a bit negative, she suddenly says rather unhelpfully
"It wasn't Pinocchio was it?"
Of course I get her reference, when Pinocchio would tell tall tales his nose would grow longer
Then I point to her and say rather surprisingly "That's it!! Sleeping Beauty!" Remember Sleeping Beauty
The King and Queen have a beautiful baby daughter
At the christening all the good fairies come and bestow Blessings on the child
She'll be the most beautiful
She'll be warm and kind and generous
She'll have a lovely heart
She'll be so wise and so artistic...
Then suddenly who should arrive but the Wicked Fairy
She wasn't even invited to the ceremony and she's really angry
She storms into the Palace right up to the child
Then she says "When this Beauty, this Child grows up she will have an accident"
It's like The Great American Novel is the Beauty, the Child
And it's like she's saying "This Beauty no one shall have, no one shall ever write The Great American Novel"
And of course, when the child grows up she's so wonderful and so amazing
But then she has this accident and falls into this strange deep deep sleep
And everyone in the castle too, they also fall asleep,
And suddenly this big thicket of dense thorns springs up around the castle so no one can enter it
Many a brave young man having heard of the Great Beauty behind the Wall of Thorns
They valiantly try to get to her but are invariably driven back by the thorns
Alas! They fail and gradually the story of the Great Beauty passes into legend.....
That is till one day, a Knight appears, a Knight so noble and pure of heart
The moment the blade of his sword touches the Wall of Thorns
A path opens up right through the thorns leading to the castle
He finds everybody there fast asleep
He climbs the Tower and finds in her chamber this incredible Beauty sleeping
He is so taken with her that he must kiss her on her lips
In that moment her eyes they open and she smiles a radiant smile. And the whole world awakens again, comes alive.

I look around at all the girls, their all a bit spellbound by my story (at least I like to think)
I go on 'It's like I was walking in my mind one evening, seeking some inspiration
And then I just turn a corner and there he is, in all his glorious splendour
Remember your Greek myths, the fabulous white winged horse... Pegasus... this beautiful mythical beast
Just there drinking at a pool right in front of me,
So quietly I sneak up on him and then suddenly I jump up onto his back
He rears up and then spreads his mighty wings
And starts to rise way above the earth
My eyes they are suddenly opened, and I see what I had not seen before....
I look at the girls but then just as before, a strange dark look comes over my face and I say
" I'm really afraid but I think, I think I've done it
I think I've nailed it
Yea! ... I think I've written The Great American Novel.

I go on 'Yknow  whenever a new book comes out the Critics, they all wonder
Will this be the One, will this at last be The Great American Novel
Of course, their always disappointed, the candidates they all fall short
It was a good try but...but not quite
A valiant effort, maybe next time
In the Critics Room one of them will be given my book to read
Slowly as he reads, his eyes will grow wider
And his jaw will start to drop in awe
When he finishes he'll sit there in his chair stunned, almost like he's been shellshocked
Then he'll rise unsteadily  with his finger pointing at the book
He'll be stuttering and stammering
"What's wrong!", people will inquire of him
He'll look at them in a mad crazy way
"My eyes... my eyes they've seen it" he'll say
"Seen what?" they'll ask
"It...it... it's The Great American Novel.
They'll all stand up and gather around the Book
Suddenly someone will grab a pair of binoculars and look up at The Great, the Holy Mountain
And there on the top, on the summit
There'll be a lone figure standing with his little Irish flag
"Truly he is the One", they'll say, "and a feckin' Irishman, wouldn't you know".

"So what's it about then", asks one of the girls interrupting my flow
What!', I say
"The Novel! What's it about"
I look at her and then I smile and say rather mysteriously 'Well, that's another story isn't it'.
"Wait a minute", says the girl whose usually very negative, "so the valiant Knight with the noble heart, that's supposed to be you is it ?
I raise my hands innocently as if to say what can I do
"O! I think I'm going to be sick", she says. Then she continues "Where did you get the time to write a Novel anyway. All the time we thought you were working you were probably just there daydreaming over in the corner".
"It's not very long", I say to her "my story".
"How long is it ?", she asks curiously
"Actually it's only about ten or eleven pages".
"What! Ten or eleven pages!!!", she says jumping on this with exaggerated disgust, "that's not a Novel, it might be a short story but it's certainly not a Novel. For it to be a Novel it has to be several hundred pages long ".
I tell her But 'I didn't need a few hundred pages just ten or eleven was enough, it's all there, the whole thing'.
"But it's not a Novel", she maintains
I answer, it's the spirit of the thing that matters, the Spirit!
She then gathers herself and I can feel an offensive coming
"I don't want to rain on your Parade", she begins, "but One you're not American, Two it's not even a Novel, and Third if it's anything like your song I for one won't be holding my breath".
I look at her a bit crestfallen and then I say
"You really like to burst my balloon don't you" , then I say, "I'm reminded of the classic lines of W.B.Yeats the great Irish poet
And then I declaim theatrically
"And Great Art... beaten down".

Anyway now the spotlight moves away from me, the girls start talking among themselves
"Let's leave him to his delusions", one says and now our meals are starting to arrive, I'm forgotten about for awhile.
For some reason the word "Parade' has stuck in my mind
And the pub has suddenly grown more boisterous, some people are singing and blowing whistles (those paper things that roll out and then roll back in again) their throwing streamers and confetti about
Suddenly I'm reminded of those old ticker tape parades they used to have over in New York when they'd be celebrating something or someone
All the faces looking out the windows of the skyscrapers and all the streamers cascading down, and the cheering crowds
And up on a big Podium there standing, the President himself.
I look up at the wall at Santa Claus smiling back at me
And I say to myself "Hello Mister President"
I can see him welcoming me up onto the podium, then with his hands he quietens the  crowds... and then...then he speaks
"Fellow Americans, we've waited a long time for this day
Many thought I'm sure that it would never come but some...some still dared to believe Yea! That one day a man would appear and that a Book would be born"
(holding up the Book) I give you the Book
It may be a slim volume
But don't let that fool you
Sometimes good things come in small packages...
Yes! I give you the Book,
The Great American Novel!!!
And I give you... the Man (motioning to me)
"He told it like no one else could, he said it like no one else could say it
Let the bells ring out across the land, in every city and town...in celebration"
So sitting there I raised my glass to Santa Claus smiling on the wall
And said quietly and secretly to myself
"Here's to you Mr. President, Merry Christmas!

books written by men, for men, while only read by women... that's sexist mon... books written by men should also be read by men, not some sexist housewives... hence the dire need for househusbands, and stopping sexism against these men as bending over and needing a ***** pucker.*

you hear of it: oh ****, so much of woman
in everything pro contra wom-ah...
  she just said it was weird that a guy
wanted to **** her her on her period,
thankfully this time round she mentioned
mr. rubber, and doing  it in the bathroom...
   because, "apparently"
a lot of guys found it
disgusting... then she said: take the rubber
off, let's make a baby! oh right,
heliums around us? no? ****...
     what's become disgusting
is yet another question of: huh?
        you can do unprotected ***,
but when it comes
to some sort of "emotion":
say hello to ms. ****-buddy-****-forever...
ah, but she's a rich *****...
     has a prior boyfriend in the russian
defence etc., and has a st. petersburg
     apartment... it's not like she's poor...
hence me waiting for a bolshevik defence
to hand the **** and ****-loader
unto the guillotine...
        come on, the guillotine is,
to be honest, a rather civilised method
of execution...
       better than hanging...
    with a gamble of: high enough
to break a neck, or low enough to dangle and
choke on the suffocating ooze of state sponsored
monday...
           i never thought
the guillotine was brutal,
    i always thought the guillotine was
humane in comparison to the practice of hanging,
or decapitation with a blunt axe...
  sorry...
    but at least there was some humanity
worth engrossing oneself in a faking of an escape:
to prove the point of the spirit of propagandism,
i.e. default "failure",
           or rather failure via "default" -
at least there was an attempt that required
a failure to prove its success in being a failure...
let's applause!
      shame to see such "loss of interest" in terms
of spelling...
   when so much can be given in
the aggravated form,
some say charlie wished di, the fate current
for ***** and harriet as now prescribed..
                who the hell asks for writing to
be akin to an i.k.e.a. manual?
most probably a pseudo-irishman...
             i can't believe some people want to write
an an i.k.e.a. manual....
                 and never have the imagination
to invoke a chance for nuance, suspicion,
or a "fictional" monochromatic "bias" of
q. vs. a., as is usually the case;
it's rather abhorring to be demanded
             an i.k.e.a.. form of narrative,
without a necessary imperfection that's necessarily
perfected...
                     having a plan breeds actors,
not having a plan breeds characters,
  which also means that by being
discouraging of characters, the narrators can
unshackle himself from the narrative role...
well, sure, great, women first,
i am pro matriarchy, but can i be the first,
officially recognised and respected
house-husband?!
                  no? guess not.
                       that's sexism!
                        why can't i be a househusband?!    
why are you being sexist?! we don't you
like coal-mining?! you're being sexist!
sexist! sexist! why can't men be househusbands?!
******* sexist feminists.

i tried to assimilate, oh wait, i did, and i speak better native sprechen than the actual natives, and for that? you get the boot, because some camel jockey egyptian mongrel mixed with iranian blood gets the better of you... i guess the "natives" were fans of the eastern european *******, but not the eastern european males, **** it, i'm coming for the ride; can just see the ****** shouting: ooh ooh! their male counterparts are a'coming! and next thing you know, i'll be asking you to play the ******* banjo, with a toothpick!*

and it was always going to be torrential rain,
suspended in a prelude crescendo
of soulfly's song prophecy...
oh all the hoes come from eastern europe,
just like all didlo moulds come from africa,
gotta perfect that "pleasing of the white
******* honey cougar in plastic too, yo, bro..."
black people don't speak the current
lexicon, they are hyper-evolutionary
with their slang impromptus,
gets annoying after a while,
when you stop keeping track of their
ghettosprechen...
      ******* could have said custard,
meant margarine, but i'd still think of
jungle...
                     ghetto *****, get-a-go!
next time you mention all women of
eastern europe as ******, i'll mention
you in my charcoal wish-yo-were-edible
roasts... **** me... i'd prefer eating a leg
of lamb than a ******; shank.
oh, the word offends you,
but doesn't offend you in a rap limerick?
i.e. ***** ***** bab bab *****?
black people invent too much slang,
too much degenerate use of language,
      i try to keep it straight and universal,
off the orangutans go, talking orange is
the new black...
           i still find it hard to fathom
darwinism, who would be mad to begin
in africa, and end up in the arctic circle,
and no china?! common origins *******...
  tried looking for an eskimo in china,
all i found was, a ******* icecube!
      post-existentialism does exists,
it exists in the form of anglo-existentialism,
i.e. a darwinistic blackmailing...
    21st century existentialism is blackmail,
plain dumb & simple...
   and yes, i have a girlfriend, i call her...
sophia...
       and nietzsche was right:
the ugliest of the ugliest? atheists,
intellectually speaking.
       and why would you ever consider
the pristine sophia / ****** mary if not considering
aspasia, phryne, rahab, theodora,
   to counter philosophy,
   why not craft a:
    philospasy, a philophryny,
       a philorahabu, a philothedorum?
guess what, of the most famous prostitutes,
the contestants are philorahabu,
                     and philothedorum,
and all are famous prostitutes;
then the pristine sophia, my "girlfriend";
philosophy has a deity, that although
deemed pristine, has been touched by
many hands, and many strangleholds of ego,
time to turn this princess into a *****;
and the ones that visited a *******,
will look at those that haven't with curious
eyes.
let's not forget the siamese twin prostitutes
safa & marwa, and the matriarch
and true founder of islam ha-gar -
      the concubine of abraham,
  that ******* mother of islam.... hagar...
you really think men invented the islamic
attire for women?
              who's at the chanel catwalk,
straight men, or gays and women?
       you blame anyone, you blame: hagar...
running between the mounts safa & marwa...
islam, that totalitarian reinvention of
"repentant" / "revised" mode of prostitution...
and as i once overheard an englishman speak,
the niqab? satan's postbox.
- the craft began with treating the world as
solely inanimate, to make it as inanimate as
possible, and interact in it,
   as the sole animate agent, obviously with
the obvious hurdles of animate expressions,
nonetheless, these expressions being
outside the vicinity of integrated animate
actors, working around in inanimate surroundings,
conclusively,
  the "supposed" animate expression regain
their inanimate stratum by a repeatedly
predictable observation of
a prior re similis ad infinitum
  (prior to, again, similar toward infinity).
the point was always to make the world
as inanimate as possible,
    collecting books is a starter,
  collecting cooking utensils another,
the point being, to surround yourself with as
much inanimate reality, as to prove yourself
the animate, the "actor"...
             or more expressively: the puppeteer...
it still bothers me, grinding two prefixes...
the penta-      vs.        the tetra-...
   why? well, we are embodied with five sense,
but there are only four elements...

    vision
audition
gustation                       yes, but there's only
  olfaction
     somatosensation

                    air, fire, earth, water...
      this is almost gagging a schematic,
  we can see fire, earth and water,
  we can hear fire, air, water and earth,
      we can taste...
      we can smell fire, air, water, earth,
we can touch fire, water, earth...

this, by the way is crude...
   and is limited by not adding particular
observations...
   but the ratio 5:4 is in place, akin to
the mad hatter's 10/6 = 0.666...
         and that missing one is: ad infinitum,
might as well call it the lazy eight with 4:5...
since the elements came prior to the senses.

i'm guessing the "fifth element" to compliment
the five senses is a far greater posit than
a sixth sense, in that, this "fifth element"
is a plagiarism of kierkegaard,
  i.e. the "changelessness of god",
namely the eternally immovable object,
an object of constantly perpetuated friction,
so stationary that it moves all things,
which also precipitates into an eternally
recurrent subject matter,
immovable, ergo, inexhaustible.

- and i will die believing that anglo-existentialism
is an argument from the perspective
of blackmail, esp. since it's overtly-repetitive
and unoriginal,
  and if the english found continental
existentialism boring, a continental european
like myself, will find some hidden interest
in this "boring" artefact of time,
   but nothing can redeem repetition,
not even a boring artefact of writing,
   since when reading a boring "effort" of
writing, you can actually wake up,
and yawn...
  but when the same "effort" is repetitive,
you never get a chance to yawn,
you're still asleep, "apparently" enthralled.

- and to give a conclusion...
if an irishman thinks you write akin to
the psychiatric slang of "word salad",
ask him if he has read any james joyce,
if the answer is no, and he replies that he prefers
video game narratives, and has ambitions of
writing a book citing the cliche moonlight sonata
of beethoven... it's one of those times
you can't even laugh, internally, or externally.

- eventuality vs. actuality -
whereby actuality is a reactionary stance
that drags past events into present and future
events...
   whereby eventuality is a liberal stance
that drags past events into a wall,
   the present into a status quo,
  and the future into a snooze button phase
of a clockwork orange.

- no, i don't like this darwinistic blackmail of
continental existentialism,
  this monochromatic monolith...

- better start calling philosophy by its proper name,
philorahabu / philothedorum
(were not underlined on the pixel canvas,
thereby bypassing the oxford dictionary panel
for nuo-verbum acceptance) -
      keep that ****** of yours sophia
in a cage, because your thinking,
like your body, will become contaminated;
but one thing is for sure,
that concubine hagar running between
safa & marwa looking for water...
    can't imagine any other grander matriarch...
a reformed *** slave, who gave birth
to the niqab...
            i really can't imagine jannah
that way... i think it looks like:
1 man + 72 prostitutes,
              and 1 woman + 3 holes stuffed.

I'm on the brink of 2 a.m.

It's a sticky-sweet July night,
and even though you're not here
I'm surrounded by you.

I had this dream we got lost in an arcade,
and decided to never leave.

I don't know what love is,
but I do know that your clothes
fit me better than my own.

I want to write about you...
but it's hard to fit the entire universe in a poem.

I can try,
we can try.

I am a borrower
collecting things that shine
all stashed in cracks and hidey-holes
where the rafters meet the roof
in the basement floorboards
lift one and you'll see
the treasures I've collected
two gorgeous glassy eyes
seven gilded antique buttons
a bouquet of sweetly fragrant lilies
a gleaming jar of pixie dust
three noble barristers
an Irishman netting butterfly dreams
a sorceress of the endless prairie
windmills like soldiers all in a line
the saddest porcelain doll
a small brown bear
trains screaming by on underground rails
a sprinkling of desert blooms
six jack-in-the-boxes so I'm always surprised
the hairless stuffed dog that bit me as a child
a Rickenbacker bass softly riffing the blues
a farmer's Ovation to accompany my woes
seashells that sing the ocean breeze
a merman from the Northern seas
tucked away in every space
packed within each sweet hollow
these simple pleasures I have borrowed

Always see the world through rose-colored glasses and
The classy lady always orders the cosmopolitan
I’ve always preferred Miller light
But I’ll raise my Cosmo up in a salute to him
Always hide your Butterfinger wrappers in the fire—
“That’s where Grammie won’t find them”
A man of his stature, success
Shouldn’t have to keep such secrets from his Babe
We know she’s only looking out for him
But nothing will keep him from the simple pleasures life has to offer
Not even his Babe

When we were young he told us
Of the Fuckawee Indian tribe that settled Northern Michigan
And how, maybe, just maybe
If we yelled loud enough
They would peek out at us from behind the thick foliage
After dinner he’d take us kids on his evening cocktail cruise
(Once again hiding from Babe)
With a Gerrity mixed drink in his hand
(He wasn’t allowed ice cream, or ***** and Kahlua)
We’d cruise by the house and call out
To the tribe that settled our sacred land and
To our shocked parents on the distant shore line
“Where the Fuckawee?”

How to drive a boat and How to touch the world and
How to love unconditionally and How to enjoy every moment
How to stand up for what you believe and How to have fun doing it
How to follow the rules, and more importantly How to break them
Looking up and down the rows and rows of
White folding chairs
Watching these salty lessons dribble down the faces of those he touched
The young, the old
The Brazilian, the English who always asked for the Irishman's list
The family, the friends, and those who admired from a far
We come together, here
To celebrate all we learned from him
How to work to the top from the bottom
How to touch the lives of so many
and

Most importantly,
How to fill your heart with love for
The Luckiest Family in the World
That I have around me now,
Thanks to the Luckiest Man in the World

free from the irishman's arbeit macht frei on the building site:
****** worked the tools for a few years, got promoted and started
to kiss pig snouts - thinks he's the god Merovingian,
people hallucinate a potato where
his head ought to be and laugh -
well, how the most of society is sheltered
from the construction site in the west:
foreigners out! willkommen... now you
get you spoofs to do the hardened labours -
see how they fair, poncy fairies couldn't
even lift a shitload of bricks: but there they
go into the temple of hamster wheels
and brass muscles and kissing bicep meat-heads...
they could be utilised to generate enough
power to provide energy for a corner shops -
so yeah, the Romanians were on holiday,
it took them 5 days to reach their village
flying from London to Bucharest -
the cultural improvement of the Kazakh nation
was filmed there, after 5 weeks free from
the shackles of the irishman's version of
Auschwitz: a regular staple around here,
i get the smuggled cigarettes -
but after smoking tobacco smuggled from
god knows where, these Benson & Hedges
feel like torpedoes between the index and middle...
odd what 3 packets of 50g tobacco does to
perception, for a while i was smoking chop-sticks,
next thing i'm smoking torpedoes thick bulging
sticks - the smoke v. drink dynamic changes...
is Mary Poppins about to teach me a lesson
in how the HM & Revenue is sacred?
i hated that nanny when she said: to preserve
the health of the public, and to invoke a need
for proper taxation... well... **** that...
ever smoke Беломорканал сигареты?
       (belomorkanal sigarety)?
i thought you haven't, i have, i wouldn't even know
where to begin if i had to lie and tell you
i visited the Lenin mausoleum -
Беломорканал сигареты though? see the neo-Greek
in Cyrillic, or as? talk about evolution, i'd talk
more about more recent events in linguistic,
how Greek evolved in Cyrillic and Latin into added
diacritical markings: English held onto puritan Latin
impression way too long, instead of diacritical markings
we have U.S.A. accents, Scottish Irish and Welsh accents,
regional accents in England, Australian and South African...
it's like this inverse sense of insomnia:
    the sun never, ever, ******* sets on English,
steroids and amphetamines, continually news -
must be hard to keep up, to keep the local reference
in a world adequately suited for the day-to-day
marching orders - but yeah, smoked those cigarettes -
they don't have filters, well, cardboard "filters" -
you squeezed the ends and smoked the workman's
tobacco - while you were digging that god awful trench:
the white sea-baltic canal - and she was the lovely
middle-class lady who introduced me into smoking
them, after she realised she had the poker hand -
it always happens when the middle-classes meddle
with someone originating in the working class
who wants to become a chemist... they say: work!
whip for a tongue... i swear you need shampoos and toothpaste...
oh right, i'm from the land of brick and mortar?
well, if you're going to maim me, damage me,
obviously i'll stage a rebellion utilising poetry...
should have left me after infringing the damage on me,
should have left me to do the work...
but no... she calls me up and exposes me to
a schizophrenic virus: i.e. the atypical symptom -
and i'm like: huh? voices? what are voices?
what do you meaning you're hearing voices?
i guess the conscience kicked in -
                         oh how angelic everyone thinks they are...
    i call these symptoms: a rotten conscience,
  the fact that anyone would appreciate having one
is already a miracle... but seeing it rotting
    is a bit like a Dorian Gray revelation -
shock! awe! but the picture is there!
                                               funny how people who
plan a baby sometimes never score,
              and funnier still how some people invoke
   getting impregnated without the state's laws
of matrimony to blackmail a man into matrimonial
laws, use the meanest, bleakest, bile-fuelled mechanism
to erase the person from all the pages of life,
   then spectacularly fail: a bit like Jesus on the third day,
and the person in question blahs his way into
   something resembling life -  the typical
Hollywood plot: they killed him, but he got away...
        now i'm just waiting for a Mr. Chapman to finish
the job properly - because he might say:
                                his talent started waning...
    oh sure... i'd love to reach threescore & ten -
  and wait for the gimmick post-: every year after that
   is god's blessing... can i speak to the god in Sudan?
   can i get an audience? no? ah ****.
better start planning early mortality plans
while others are thinking of retirement.
                **** me! i used to be so into life that i'd
probably have written a poem a month apart -
    and now i'm left with a ****** biography that
could be encompassed in a year...
   i'm not even obsessing about it, it's just an elephant
in a box room that started snorting ******* and
playing jazz real good -
                                 then they blamed me on marijuana,
   i'd be the laziest person alive if i overdid that drug...
and however much i tried to become a Catholic
apostate, not getting confirmed and what:
   i was forced into Christian lessons of forgiveness,
only because i didn't have enough money to
pursue an argument in court... grand... just pitch-***
perfect -              mind you, they are really ****** lessons,
    i wouldn't go banging them to anyone
  who hasn't experienced injustice in this world:
gravity is probably the only law we can all experience
with true justice... as you can see, gravity wasn't
man-made... so good luck arguing your cases
     with murderers not being punished
  thieves not having their hands cut off for stealing jewels...
   if anyone was god at the birth of Christianity,
it was only Pontius Pilate - he washed his hands clean
from the matter... to me that's who god was in that
story... i'm washing my hands of anything that
might come from this.

I'm here, so many years later,
Entertaining foolish notions
that I might go and just quit
everything, fearing my time's
up, I might have to renounce
all that I did love,
All I've become,
All of the work;
All for nothing.

I can't quit,
I spent years
crafting who I am,
Or who I thought I was.

Quitting the session almost
sounds like quitting on life
to an Irishman, I feel like
I've gone and quit
being who I am.

Thy time will come again,
When the world need be rethought
in the lair of some gremlins.

you can ******* a man with accusations of insanity and destroy him instantly, or over a few years... but that only shows the collective approach is insane and, including the man in question the prefix added to the collective: self-destructive... it's no good implying a man faked a coherent use of language, when the western model attached paranoiac iconoclasm of certain pronoun and noun usage - one man had more coherence in language than a million reduced to Emoticons - but no one minded that affair - they simply accepted it - it was once making the populace literate then the unmaking of literacy with technological advances - as ever the lax aristocracy - we don't philosophise in western society, we simply imply logistics of psychology - a Chinese model for the eradication of the unit of indestructibility - a soul, but what happens in China is a success story, the number in question are too man, our experiment is a failure in this eradication of the unit of indestructibility is a failure, excess individuation processes with too few example of coherence and grey matter - the family model is primarily the one source we have no coherent grey matter populace - with its failure no person will strive to wear the mask of father, grandfather, uncle... there's no investment in society of a family, western hands said: freedom to clone, freedoms for L.G.B.T. communities to flourish - surrogacy prostitution... care homes and tattoos of ***** bed-wetting on the skin - individuation's aggressiveness and objectivity's passiveness reduced to a criticism of a book rather than a project of collective cohesion... Communism came across the greatest antisemitism known to man - capitalistic zenith of the holocaust - now slang in populist propaganda - V for Vendetta realism i approach - i don't think i want to go to a pub these days, whether with Scot, Irishman or Anglo - i don't think watching rats scuttle is much fun over a pint of beer... schizophrenia of the collective, from theorem and other additives you can see the reverse chirality - some way or another you become involved - globalisation did that, you want to be un-involved and yet you become involved - you want the village life but are forced into an abstract urbanity - you have the urban life but are discouraged from an abstract village-life although in deepest desire, you wish for it... the day when two speakers of the same tongue undermine each other's speech - by way of constructing the perfect Ypres' replicas of entrenching validations to stand opposite each other on the basis of argument per se, and so the argument comes... how then contend between masochism on one side and sadism on the other, when the former traps himself in a panic room and does it to himself, and the latter is kept repeating a knock-knock joke with no answer?*

England has become a place where
i don't want to socialise -
i wouldn't want to be in a pub
full of Irish or English -
i've become marginalised as a user
of the tongue - i'm a user
but hardly the attaché - the "where you from"
question is always asked, i'm here,
but where from seems to matter more -
it's not fun anymore - London is
slightly confused at it all,
they said the European Union experiment
is a failure akin to the Communist Plot -
but of course both were pre-readied failures,
the former was tackled by puppetry of the
American president, the latter by the Pope -
both were ****** - the populist assertion
of the dream of Nebuchadnezzar -
if history is hardly a hindsight, it certainly
is a way of sleepwalking -
the failure from places not formerly conquered -
the anger of north africa and the elsewhere
encompassing the Mediterranean -
invigorating a force of conquerors by the once conquered
by goose-pimple buttocks of the Romans not
heading north on the continent (islands are insulators
of the cold) - hence the once former conquered
trying to scold and try out their post-colonial
authority - white v. white won't work -
Scandinavians and the Baltic States weren't
ready for ***** Gaul or ***** Britannia setting
orders - the Roman didn't go that far -
the failure was imminent from a single dream -
history is nothing about hindsight -
the hindsight default is nothing but the wrong
of the waking hour for many a man,
to take a dream as a vector for forward only sent
as backward - never make history from the interpretation
of a resting body - from a dream -
to make history from a dream is to give more men
unrest in the waking hour - to make history from
dreams is to make history without hindsight
but with sleepwalking, and few men are given
the anti-psyche drugs for a sober approach,
they say: but i didn't drink... but their intoxication
came from dreams... a drunk man will stumble and fall,
but a man intoxicated by dreams will make more
horrors outside the realm of cinema than is already
there with an eager audience - indeed, a cinema with
an un-eager audience - residues of symbolism,
the quote: for king and country and such baffling e.g. plural.
Ukraine was almost ready to join... you could say
Russia and Britain pulled the project apart...
i just don't think you'll like this aggravated German
with the expulsion of Jews from Poland -
the Visegrad Group - partly because this is the undercurrent -
so when will the channel tunnel become a plot-line
for Guy Fawkes? it's already rearranging itself -
a new chapter - a new nothing - it never worked in
the first place because there was no respect for the diversity,
we shared a single phonetic encoding, sure, some of us
used diacritical stresses, one particular didn't -
but it was anti-representing the diversity, this was
supposed to be an European Union -
not the Post-Colonial-Pseudo-African Union -
the great colonial states ruined it, that's why the greatest
of them has left - the European Union should have
excluded Britain, France and the Iberian peninsula -
it was intended as the revival of the Holy Roman Empire,
but including post-colonial states invoked the realisation
of their colonial past, thereby necessitating an integration
of their past colonial subjects into Europe -
Britain left because they heard the news... Turkey is going
to join... well... never mind Rotherham, eh?

here we sit in the moonlight
Pondering our last fight
Why is pain so hard
My heart needs a bodyguard

Your words hit home
As you ran away to Rome
It was over in seconds
To you my heart beckons

I thought it was all over
‘till she made me play red rover
I was up for repossession
Then I fought them with discretion

Everything started to go
I will never forget you though
She started the healing
Love I begun feeling

Is it wrong to feel love again
Your heart I must obtain

We sit here in the moonlight
Knowing we wont fight
She made me so happy
An Irishman woulda been ‘well done laddy’

So I thank you  for the pain
The sky cleared up after the rain
As if it was telling me
Letting you go was the greatest thing

why is pixel-white seen as a medium where you're "speaking"? i guess that's due to the immediacy, and bypassing orthodox publishing contracts... i'm not talking... i'm thinking... the difference between the age-old white of canvas used in publishing has changed... in a blink of an eye... the poorest of the poor have now attained a monopoly on the medium... which is why visual art had to become elitist, because artists could never fathom the freedom of having obtained such a freedom of the once monopolised medium of a crisp white page... and yanking the donkey further... i have no intention in treating this as me talking... the talking part is bound to the comment section... and once again, we can bypass the monopoly of literacy with the freedom of the medium also bypassed... i'm not talking... i'm thinking... the talking is done in the comment section... this isn't a care for an intellectual shoot-out... but why in the word do i have to write this, and be remindful? oh wait, now i know: i didn't have to chop a single tree down to then write on it pressed down as paper... but then i wouldn't have... because, if i had enough wine and château... i'd be writing a Dumas novel.

i feel like writing less and less the days,
3 weeks spent in Poland
exhausted me with talking and reading,
and having the rest of the world
alomost forgotten, among the pines
in a wood, with neatly fallen snow...
i can almost hear the words: you should
go back, then!
yes, and having lost investment in
22 years living in england, and perfecting
the tongue...
    had i not perfected the tongue,
i wouldn't see the maggots engaging in crowds
across the western world...
   what a sight...
      should they only be two serpents entwined...
but this is a world much different from 2007...
it's hard to pick-at an almost shared ethnicty
with the people of the Isles...
   the Romans are dead, yet we share the same
alphabetical arrangement...
     i'm not even ahead of my times,
i write less and less every day,
            because as my irish "friend" once suggested,
that i known language like i might
slurp custard, that i should be bound to my
local community of Poles in England...
   i guess like Seven Kings is basically Paddy
O'clock... drowning his sorrows: while
i spend the same hours, infuriating my passions...
and i get the only narrative available to us
these days, i get how darwinism has killed of
subjectivity, we're about to build a robot,
and how we don't like feeling that much...
i get that...
but i spent 22 yeasrs in these lands...
   why am so entrenched to give birth to
the one i had at "home", but feel no care to return
to the place?
        edging toward the third bottle of wine
on an empty stomach, and i write this...
  apparently you can feed your heart that took
to being an apple thrice-over to attract a satanic bite...
   the dalai lama is a *refugee, what a grand
title, better than the pope could hope to be...
   i am an exile, and the worst reasons for exile
are economic...
   but no dumb-bound irishman can really
call that: i too was on the titanic, to better land sown!
i love the scots, spent three years in Edinburgh,
but the society i came to live in, the society i was
schooled in? i remember only 1 englishman
in the school... the rest were primarily irish...
terrible gnats...
               i live in england and it became to late
to meet an englishman...
   i'd sooner meet one abroad...
    i mean, if you knew someone from youth
and he says to you: you be better off with your kin...
my kin? my kin? on foreign soil?
and what? create these pocket like blisters, these
crab scabs of existence, so that i might live in
England but never learn the tongue?
this paddy hadn't even read Joyce, and i had,
and he tells me to be like him, a wasps' nest
kind of existence... the Poles have but one motto:
never congregate in exile... the 'rish evidently
didn't learn that motto... so they congregated...
and started doing the mating pigeon strutt
of a puffed up chest... like skunks they marched...
   i mean, who the **** does that?
i go to Cheltenham and everyone finds my "accent"
undecipherable...
             this coming from the same guy that couldn't
flick a lighter or cite the alphabet...
    i can go to Cheltenham and become lost
in the crowd... i'll go to a poetry reading and
stand, and clap and encore aloud when the poet
finishes...
             i wish i could go back to the native... land...
and go back to a: life, as usual...
but when you have lived 22 years in exile and
the most constructive years up to aged 8...
you dread the reality of being a child once,
and having idealised the life back where,
communism was dying... esp. given that your
grandparents have a steady pension,
and your father can't hope for one with
the state being applauding him for the efforts,
that the state and the worker are no longer
bound to an umbilical chord when pension age strikes...
  not since 2007, when it all began...
i can't be seen with the words of accusation
against my antagonist in any place nearing
a protest, i'd be scrapped-heaped and lost to the usual
comparison that men are:
  with celibacy intact: shoot anywhere other than
the ******, and you're wasting yourself...
but i wasn't circumcised, sure enough,
if you're circumcised and shoot that load into
a tissue... well... you sorta did touch
the philosophers' stone with your phallus...
    ****! ****! the deadpool movie is ****!
and i can't say that the dada art movment
is worth nothing... the girl, this blonde from Seattle
mentions nothing of cubism...
         modern art isn't useless...
        i can't be epileptic bound to faint before
a mona lisa... i can't do that... but dada wasn't
anything anti-art, of whatever movement...
      dada was anti-war... dada was an anti-war
movement.... it ensured that art be equated with
the whole futility of human endeavour...
   art will make no sense if there's no heroism
and men sit in trenches with wet socks and wet
cigarettes and rats will they ever walk the same
on the marble pavement of Florence...
             dada was anti-war... dada wasn't
anti-impressionism or anything like that...
      it's when artists started experiencing mental illness,
a psychic relapse into dough, dull, and lullaby
worth nothing...
                                  it's about the time that dada
emerged (world war i) that warfare had to turn
to guerilla warfare for some sense of Mars enduring...
   i thought people might think it stupid
during the Napoleonic wars... walking up to your
enemy and at point blank range shooting them down...
so no eastern martial arts agility...
      no wars makes the same sense as the depravity to
reproduce: eager soldiers... given there are none
to replace the numbers.
    yet, that language of darwinism, that objectivity,
that language of: no will unless the will of the species,
a species akin to comparison with ant or other
worthy comparative multiplier of insect worth...
     i get it... meaning i feel nothing for the examples
surrounding me, and i get hyper-sensitive about
the theory...
                    which is a great shame that i feel
no great feat before me when looking upon a woman....
  but then again i could merely qualify as
a ***** talking... because that's easier done...
    and you'd think that bilingualism wasn't such
a proper, well, it is, among the poor...
     it's a real... a REAL! a real threat!
           for some reason i get the feeling that Polish
has to become a bit like outdated Gaelic...
           a great story over campfire... that we once might
have spoken it...
                 i still speak the **** tongue
because i like listening to folk songs...
         but hey! that's my private life... i can still
talk English to you in that grand social-contract of
ensuring we interact... evidently that was the least
liked possibility...
                     i was expected to forget it...
and integrated with the ******* Paddies in England
and speak Polish: no more!
                  i don't want to forget Polish in the same
way that the English don't want to learn
a foreign language, and have the empire upon
which the night never sets upon:
   you're telling me it's not bound to perpetual
daylight working your way from Alaska, New Zealand,
South Africa and England?
   insomniac empire not there?
   i swear i could see it for a minute...
oh, my bad... maybe it was really all about
a drunken night in Dooblin...
            as i remember, not since 2007 has everything
been so: bonkers...
       it's just a case of trying to claim why
my native country ejected me from it...
   or why my parents thought it was necessary to
flee...
                but then i can ask any question
i want and will never get a good reply...
               now that i speak the language i don't
know how to erase 22 years of incubation...
      i can drink as many wine bottles and whiskey
bottles, but it never does it justice...
    and will continue to do so...
    when i get my answers...
                  and, as it looks like...
  i'm bound to be prone to being blamed for a tsunami
than take a blame for having friendship-binds
    when growing up,
      because the a.i. needed improvement,
and that Barabbas lived no life spectacular after
being admonished by the crowd prior
to the desecration of the tetragrammaton by
the crucifx wielder.
    well, this would appear a world salad for a paddy...
given that words for him are all merely verbs
and none address pondering them as nouns
  to reach a nuance...
                       and a delay worthy of 2000 years...
but then again...
           what do i know...
                 once i was the lost to pounce
     on the argument, now i seem to be the first
            to say anything...
                  but here's the therapy...
         people can speak such a godly narrative
  and incorporate it from ants to humans,
   bypassing the mammals the prime mammal
is making extinct... and taking no impression from
fellow mammal... bypassing the mammalian
category, for the sake of number, and argue oh so well
many intended arguments... ants...
    and then get ****** over by an avalanche...
and then wonder with the non-bewildered chemists:
dunno... physics?!
    humanism is trapped in the greatest robbery of
the human heart, if it once belonged by the crucifix,
and with due need, become humbled...
it's now under the ******* microscope and "ennobled",
pride hardened...
     it's an objectivity that doesn't encompass all
   categories... i can so much about ants having perfected
its hierarchy... and i try to imitate...
         sure, it works...
                  i have no need for subjective scientists that
poets are... i need more plumbers... but, wait...
i have to import them from Poland...
                   because i actually no actual
   pill for objective anaesthesia to be implemented
   given that i have the same automaton tendency to
feel, as i have to think, as i therefore have to reciprocate
by being existent...
                 but then again being prescribed
the shadow theories of darwinism, while turning
epileptic with paparazzis dumbing me at the catwalk,
work together... they're not mutually exlcusive...
    mutual exclusiveness is the argument usured in
by moral relativism, whereby moral relativism believes
in the non-existence of mutual inclusvieness...
     inclusivelly the standard bearers are bound to
the coordinate functions of (+, -),
       exclusivelly the standard bearers are bound to
the coordinate functions of (x, ÷)...
meaning that inclusviely: 1, 2, 3, includes 4...
                 1 + 1 = 2... 2 + 1 = 3...
        the near proximity... adding and substracting
are less abstract than multiplying and dividing...
   they do interact, the two factions...
     it's not magic, it's the limitation of my ability
to use language... philosophy really is about being
able to reach a limit of having all possible
competence with language morphed from
phonos to the rightly defined logos, as that
which encounters optics and the higher optics of
cognitive experience; deemed thought,
or the moral compass... and how rarely thought
is not bound to it being a moral compass,
how many times the moral compass
exists, pointing toward the θ / N...
    and the -ought is merely squandered to fiction,
and other such pleasures... and rarely
asked to be done to the moral principal that
overshadows mere naturalistic observations...
trans-category... we, the pinnacle of mammal,
behave like no mammal...
              once again i'll hear the retortion:
infantile argument!
                                it has always been infantile and
delusional, haven't you noticed?
     i find it strange to be living in times of
such rational, truly gifted "adults"...
   i could swear to be looking at the current civilisation
as a kind of kindergarten.
     but then... why bother argue the point further,
when you can laugh, drinking the third bottle of
your home-made wine?

This is the story of Felix Riley
An Irishman from County Cork
Conceived during the great famine
And delivered by the stalk
He was one of ten; 6 brothers, 3 sisters
All of whom he cherished
Both of his parents passed away
From starvation and cholera they perished.
His father was a peasant farmer
From the port town of Kinsale
Working every single day
To bring home bread and ale
He died in the summer of 47
A year that many did
His wife Breanna heartbroken
But from the kids she hid
Not long after, she died too
Taking with her 3 little chislers
Poor Felix Riley was left solitary
When split from his brothers and sisters
He learned to fend for himself
And then met his lovely wife Bria
He never saw his kin to that day
And probably wont again, he'd fear
Like his father he worked and worked
To bring home food for their little one
And one day hoped he could earn enough
To buy a table to eat it on
He worked every hour he physically could
Almost every one god sent
But every week when he got his envelope
The money was already spent
Never disheartened he loved his wife
And his little daughter too
He remained optimistic in any weather
And through tough times powered through
Alas his determination was futile
In the face of the aftermath of the blight
He died at a tender age of 26
After putting up a hearty fight

His story is one of over a million
Who's stories are somewhat hidden
From the books and lessons given in schools
Their telling is almost forbidden.

Here in this dim, dull, double-bedded room,
I play the father to a brace of boys,
Ailing but apt for every sort of noise,
Bedfast but brilliant yet with health and bloom.
Roden, the Irishman, is 'sieven past,'
Blue-eyed, snub-nosed, chubby, and fair of face.
Willie's but six, and seems to like the place,
A cheerful little collier to the last.
They eat, and laugh, and sing, and fight, all day;
All night they sleep like dormice.  See them play
At Operations:- Roden, the Professor,
Saws, lectures, takes the artery up, and ties;
Willie, self-chloroformed, with half-shut eyes,
Holding the limb and moaning--Case and Dresser.

Waste Not True Be
Beautiful Life
Spring From the Rotten Flesh

Seeds Thrown Away
Each One Perfect
Fruit of The Compost
Child
Great Strides
Are Made By Ghes
Who Art Thou?
That Rewrites the Word
By Circumstance
From Free?
Art Thou Free Choice
Given
By Wisdoms Homecoming
We Are Seen
Family of Selves
Throughout The Now
Eternity
Caves Doorway
New Mu Be

Through
The Caghedral
Of Roughen
Loughan's  Blessings
Filled With Nothingness
Light Divine
By Each
Was Life Sprung
Lifting
Our Paris Played Sure
Pain Was But A Virtue
Of Tge Accusation
Came
For To Bless Us
Was Our Crown Made Ure
One Word Ire
That is The Ore
Of Life
One
Onw
Onwards Wford
Ours  is Given Forwatd naught
It's Been  bee as it May
I've Already Been
This Path is Known
I feel It
It's Carriynh me  crow is Hidden  Magic
Many is Me  She My N
N is Majic Magic Magic Magic Magic Magic
K is Chance chance chance chance chance
Choice Choice Choice Choice Choice
Collin CollinCollin Coliin Omire Omeir
One or one ire moire moire moire OMIRE
Omire O Meir.  O'Mire
Omire Where art Thou ?
Cry for You
Cry
Whole
Where Who Where Who My Black Irishman
where
Wisdom
Www Home Wisom
Come Back
Get Me
snakes Sre Gird
Snakes are Ireland
Snakes R Ire
Ire ire ire ire harp
Harp harp harp harp harp harp harp harp
Harp is Me harp is Golden Golden Golden golden golden golden Golden Golden can Play Can Play play Mu Mu mumy my words area
Mu My Mu Mu s mall words
My Name Is George
She King I King  Muse
I King Collin Harpgolden Harp
I King
I King K King K Queen
Golden Harp
King Threads Song Song Sonf song
Threads
Listen
Threads Listen
Song Spiral
Threads listen Collin King Is Song
Jenny
Is
Song
Snakes like song
Call song call song call sing call song call sing
Ask Question Ask
None is Bad
None
Many that don't bro
Belief is true
God is Goodsnakes R Good


Harp Harp
Harp is me Harp is Thread Harp

Here I am, consciously putting your puzzle piece heart back together because someone played the gambler and bet on your blood only to lose because you found out the game that was going on quicker than your host expected and they dropped your vessel like the glass trinket that it is and it shattered to pieces as it met with the ground. Harlotry is the game she started and didn't know how to quit, her mind seemed confused as well as her chest that seemed to be made cold as ice and black as night.
Here I am doing my best to show you how much I care, how much emotion is there in my heart waiting to be shared, to be left in your arms as the truth that it is, to be reflected in your eyes as the things I see, for I love you that much. I could stay with your help if you wanted me to, and could stare at the smile that I caused for you. Now here I breathe like it's not in my nature because of riggers of passion and moments of pleasure.
We could spread your beauty like a rumour that stays, like an illness that's healthy in odd kinds of ways. We can burn things together like pyro-addicted lovers and laugh in the faces of stupidity of others. And the places we stand will be all but cherished for our bitter facade has all but perished from the lives of those that treat us like **** in this evil world that's hell in a pit of a fruit of the universe that no one would pick for differences that express just how much that it ***** even for those with an Irishman's luck.
So here your faith shatters as mine did too and remembrance and patience are again a virtue that not many have because this world tore them down like a natur-istic thing that survives with a frown. And I love you so much I've faith in you, only you, and the things you may do for the hope that humanity will change one day and be more like you.

The quirky wink of the laughing tortoise.
Too much silence, screaming loud noise
at the people so used to having bullhorns  
in their voice box. The tortoise talks of tickling
tongues with songs sung by an old irishman
after fishing for patience. Talking of whisky tasted,
and the faces of the woman who used to pull the
strings on his back.  The tortoise laughed and laughed
and the little lizards had little to say back.