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"huger" poems
The glitter and the shame The wow and the woe The wants and the needs Do we even know? Covered in gems that weigh us down Chasing the trends that never last Isn't it enough? Isn't it exhausting? Such contradictions we resort to The more we huger, the more we fall Only to find that nothing last at all So what are we chasing, what are we doing? Does this ever end? What has humanity become? I am disgusted Myself included
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Jul 19, 2014
Jul 19, 2014 at 11:10 PM UTC
Materialism
the bigness of cannon is skilful, but i have seen death’s clever enormous voice which hides in a fragility of poppies…. i say that sometimes on these long talkative animals are laid fists of huger silence. I have seen all the silence full of vivid noiseless boys at Roupy i have seen between barrages, the night utter ripe unspeaking girls.
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6.2k
The Bigness Of Cannon
Today I became a tree huger, because yesterday's random hug ended with the red and blue blinking lights, a frontal shot, two side photos, and my new roommate who has claimed the top bunk.
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Apr 11, 2016
Apr 11, 2016 at 1:00 AM UTC
Playful Embrace
I Happy are men who yet before they are killed Can let their veins run cold. Whom no compassion fleers Or makes their feet Sore on the alleys cobbled with their brothers. The front line withers. But they are troops who fade, not flowers, For poets' tearful fooling: Men, gaps for filling: Losses, who might have fought Longer; but no one bothers. II And some cease feeling Even themselves or for themselves. Dullness best solves The tease and doubt of shelling, And Chance's strange arithmetic Comes simpler than the reckoning of their shilling. They keep no check on armies' decimation. III Happy are these who lose imagination: They have enough to carry with ammunition. Their spirit drags no pack. Their old wounds, save with cold, can not more ache. Having seen all things red, Their eyes are rid Of the hurt of the colour of blood for ever. And terror's first constriction over, Their hearts remain small-drawn. Their senses in some scorching cautery of battle Now long since ironed, Can laugh among the dying, unconcerned. IV Happy the soldier home, with not a notion How somewhere, every dawn, some men attack, And many sighs are drained. Happy the lad whose mind was never trained: His days are worth forgetting more than not. He sings along the march Which we march taciturn, because of dusk, The long, forlorn, relentless trend From larger day to huger night. V We wise, who with a thought besmirch Blood over all our soul, How should we see our task But through his blunt and lashless eyes? Alive, he is not vital overmuch; Dying, not mortal overmuch; Nor sad, nor proud, Nor curious at all. He cannot tell Old men's placidity from his. VI But cursed are dullards whom no cannon stuns, That they should be as stones. Wretched are they, and mean With paucity that never was simplicity. By choice they made themselves immune To pity and whatever mourns in man Before the last sea and the hapless stars; Whatever mourns when many leave these shores; Whatever shares The eternal reciprocity of tears
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2.8k
Insensibility
I Happy are men who yet before they are killed Can let their veins run cold. Whom no compassion fleers Or makes their feet Sore on the alleys cobbled with their brothers. The front line withers. But they are troops who fade, not flowers, For poets' tearful fooling: Men, gaps for filling: Losses, who might have fought Longer; but no one bothers. II And some cease feeling Even themselves or for themselves. Dullness best solves The tease and doubt of shelling, And Chance's strange arithmetic Comes simpler than the reckoning of their shilling. They keep no check on armies' decimation. III Happy are these who lose imagination: They have enough to carry with ammunition. Their spirit drags no pack. Their old wounds, save with cold, can not more ache. Having seen all things red, Their eyes are rid Of the hurt of the colour of blood for ever. And terror's first constriction over, Their hearts remain small-drawn. Their senses in some scorching cautery of battle Now long since ironed, Can laugh among the dying, unconcerned. IV Happy the soldier home, with not a notion How somewhere, every dawn, some men attack, And many sighs are drained. Happy the lad whose mind was never trained: His days are worth forgetting more than not. He sings along the march Which we march taciturn, because of dusk, The long, forlorn, relentless trend From larger day to huger night. V We wise, who with a thought besmirch Blood over all our soul, How should we see our task But through his blunt and lashless eyes? Alive, he is not vital overmuch; Dying, not mortal overmuch; Nor sad, nor proud, Nor curious at all. He cannot tell Old men's placidity from his. VI But cursed are dullards whom no cannon stuns, That they should be as stones. Wretched are they, and mean With paucity that never was simplicity. By choice they made themselves immune To pity and whatever mourns in man Before the last sea and the hapless stars; Whatever mourns when many leave these shores; Whatever shares The eternal reciprocity of tears
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65
. Snow. Ice. Bitterness. Fear. Huger. Distress. Darkness. Hopelessness. Without water and electricity. Without liberty. Nobody, just me, and a cold blanket sighing sadly. And nothing else. Betrayals countless. Without a friendly face. Without an embrace. Puddles of tears surround me, I will cut my wrists to end this misery. My frostbite wounds Millions of people are passing by never a one to stop to offer a shoulder on which to cry I don’t need anything no cash, no bread no shoes, no roof over my head just a single heart to start beating beating for me, crazily. Saša Milivojev Translated by Ljubica Yentl Tinska www.sasamilivojev.com
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Jun 25, 2022
Jun 25, 2022 at 7:43 PM UTC
Saša Milivojev - THE HOMELESS
An evening spent washing dishes makes my hands thin and wrinkling like tissue paper. It’s ten o’clock. Tonight each streetlight will pop on one by one and me and the guys who smoke out back will watch owls drop from the trees and sweep mice out of their holes. Inside the pizza boils in the oven, blistering up like pimples on elbows. They can smell it from the doorstep peeling the paint from the asphalt and the huger gnaws and claws deep into the belly. Onward the light crawls trying to outshine the stars and our Pizza Hut sign, blazes a banner of glory to the highway. I feel sick on gasoline and the cigarette breath that clings to your apron. No one can clean out the gutters like you. After the doors close everyone hitchhikes to the Greyhound bus stop nobly trying to stay awake over the thousand miles home.
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Apr 10, 2015
Apr 10, 2015 at 11:45 PM UTC
Hut Blues
These empty rooms devoid of life, behind a bookcase in the hall. This was, for a time, our home while the Germans held the Dutch in thrall. My wife since dead from huger, my daughters in a common grave. I, Otto Frank, the sole survivor. Is there no one I can save? Annelise, my dearest daughter, Miep Gies gave me your book. The Germans cast it on the floor without a second look. Here in your words I find perhaps not all of you has died. Here in print your words may speak for all who suffered, all who cried. Its small comfort for an old man, broken, ready for the grave, but my girl might be a symbol for all those we could not save.
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Jul 24, 2014
Jul 24, 2014 at 1:38 PM UTC
The Diary
Train is coming to the city of steal, And you are aboard granting the dream. As you enter the city of knowledge, A science miracle on the lake's edge. Two hours ago, you followed a river down stream, Just then you saw a sky high  tower covered in steam . The tower of Lesia, or so the folks call it, The greatest library on Earth is within it. The city's houses are created of steel, Forever they move, afraid to stay still. Universities are all over the place, So that everyone can science embrace. And mechanical creatures wonder it's streets, It seems like they are alive, as you hear their heartbeats. The folk in here works miracles every day, Each district's so different in it's own way. The streets are in fog but one thing is clear, Now  there is no doubt that magic is real. The city's walls With gears are covered , Cause all of the city is a steam powered Huger then lake machine   .
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Oct 26, 2016
Oct 26, 2016 at 11:10 AM UTC
Steampunk
Me oh my! Mercy me! Something's descended from the tall pine tree; It grew through my childhood; It grew through my roof; Straight up from the floor A seed made for sorrow All the life it could borrow To make itself huger Than huger Than huge Yet What's this? What gives? It does? Does it give? It has swayed for nine decades (Nine and three quarters to be specific) And now comes opportunity Mystère Magnifique! A future, a glimmer Of reward and desire Polished leaves, rough-edged shade Up and up, up much higher It is homely Somewhat dusty It bites and it barks It is all of my past It is parts of my parts With its paints in my skin and its dust in my nose There is no certain knowledge of just where it goes Still The brush keeps rewinding Still the morning is lighter Above me Beneath me That reward my desire Pure and crisp and untouched by guilt Untouched by those mornings all filthy in quilts Different And new Between, through and through I am higher Mainly tired Very saddened Too inspired For I have been reaching Past branches of branches To make that glimmer of a concept More than a concept To make it constant A stream, a beam A dawn But I yawn Take myself to the woodwork A frame on my back without borders Or shame Without quilts Without comfort Me and a tree In a rain kissing sea Cold Sheltered I stare down at the rooftops And watch as my boot drops
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Dec 13, 2011
Dec 13, 2011 at 11:25 PM UTC
Mystère Magnifique!
My life is getting huger Here comes my future I wanna stay into today I only think of yesterday Around the corner is tomorrow Time I wish I could borrow
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Mar 24, 2019
Mar 24, 2019 at 10:51 PM UTC
My Tomorrow
They get lost in each other's hugs Skin soft like a fluffed rug Sink into each other like a sat in bean bag Others get jealous from their over bragging How much in love they are They don't see the ripples in each other skin when they walk Or there over bearing movements on the surface of their face when they talk Their love more sweeter then the cupcakes they bake Rich like the chocolate they consume They huger for each other's affection A bigger appetite for it more then food They see each other as equals Not a health risk or a person who can't control there weight No love is bigger then obese love
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Jul 14, 2015
Jul 14, 2015 at 12:27 AM UTC
Obese love
*yes, i understand the politics, or so i thought, that biology will never spawn a humanism, that darwinism will only spawn generic attempts via disregarding existentialism sweats.* when was the thought ever conceived, that dialectics needed a mediator? why would a mediator be needed when the only mediator is a park bench in athens, and two people speaking? i get the foul animals' existence, i get the whole wild heart, and shrinking eyesight, i get that animals are given pristine materialism, being incubated by overt-sensual impregnation, i get that they're impregnated by pure sensuality (over-use of adjectives is like quantifying things, as many qualities to the legions of ants as attributes of the sun, ending with deity and beginning with geometry), animals are plagued by sensuality, they are overly given the pentagon, while man is given the hexagon / star of david, animals are overly sensing, man is overly thinking, when the only phobia of wilderness animal is huger... man's is spider, enclosure, open-spaces... animal is pulverised by the senses and things it roams among... man is pulverised by thought and nothing, roaming ingenuity by the Libra dimming sight with hearing for classical composition, dimming hearing with sight for pablo picassos.. the wild animal in fright of hunger... and man abounding in it to reflect clocked chicken press of the laid eggs clucks a sudden diversion rather than adding to a diversity... change the poetic gimmick of rhyme... don't end with synonymous spelling, intertwine rhyming elsewhere, lie: 'a sudden diversion' and 'adding to diversity' as engaging to lines without an a# a# end of both to reveal a missing echo, after all echoing is like rhyming, but pitiful rhyming, because it's written down and never plotted to decipher plato's shadows and candle in the cave entered... defeated first-step defeated to claim the colour of defeat, the page that dangled in the odds of waving like a signature digitalised... all in all... animals are overly sensual, and man is overly abstract... hence man mediates symbols and thinking... while animals mediate onomatopoeias sounding a bit like touch on wood, and the parameters of allowed petting: we blink thrice and think we spotted a thing only once, when in fact thrice.
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Feb 20, 2016
Feb 20, 2016 at 7:31 PM UTC
Darwin the Historian
*yes, i understand the politics, or so i thought, that biology will never spawn a humanism, that darwinism will only spawn generic attempts via disregarding existentialism sweats.* when was the thought ever conceived, that dialectics needed a mediator? why would a mediator be needed when the only mediator is a park bench in athens, and two people speaking? i get the foul animals' existence, i get the whole wild heart, and shrinking eyesight, i get that animals are given pristine materialism, being incubated by overt-sensual impregnation, i get that they're impregnated by pure sensuality (over-use of adjectives is like quantifying things, as many qualities to the legions of ants as attributes of the sun, ending with deity and beginning with geometry), animals are plagued by sensuality, they are overly given the pentagon, while man is given the hexagon / star of david, animals are overly sensing, man is overly thinking, when the only phobia of wilderness animal is huger... man's is spider, enclosure, open-spaces... animal is pulverised by the senses and things it roams among... man is pulverised by thought and nothing, roaming ingenuity by the Libra dimming sight with hearing for classical composition, dimming hearing with sight for pablo picassos.. the wild animal in fright of hunger... and man abounding in it to reflect clocked chicken press of the laid eggs clucks a sudden diversion rather than adding to a diversity... change the poetic gimmick of rhyme... don't end with synonymous spelling, intertwine rhyming elsewhere, lie: 'a sudden diversion' and 'adding to diversity' as engaging to lines without an a# a# end of both to reveal a missing echo, after all echoing is like rhyming, but pitiful rhyming, because it's written down and never plotted to decipher plato's shadows and candle in the cave entered... defeated first-step defeated to claim the colour of defeat, the page that dangled in the odds of waving like a signature digitalised... all in all... animals are overly sensual, and man is overly abstract... hence man mediates symbols and thinking... while animals mediate onomatopoeias sounding a bit like touch on wood, and the parameters of allowed petting: we blink thrice and think we spotted a thing only once, when in fact thrice.
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53
It begins as a tingling in my legs, unpleasant like something squirmy trying to get out, something huger than my skin, wriggling, bursting to get free. Without ceremony it spreads, bulging in my chest, prickles poking through my shoulder blades. Suppressing only makes it worse, I need to run, to fly, to breathe- "What's wrong?" you ask. I cannot answer, it is taking all my willpower not to scream, or punch an innocent bystander. Would I? Whether I would or not I've never found out, I just leave. "I love you," you say. I still cannot reply, the tears have been melting my face, but now they trickle down shiny scales. External sensations have become insensible, overpowered by the overwhelming rage of barely managed fire within. The sharpness of my teeth meets an unfeeling leathery lip. I go downstairs and leave the building. I don’t know if I remembered my keys. I run just as reptilian wings free themselves from my back, they flutter, stretch out wide at last. I'm free, but I still want this thing inside me, this thing that now is me, to leave. I am ashamed of it, afraid of its newness and my inability to control it. It's happier now-- in the open air where it can thrash about without restraint. I let it, no longer worried it will lash out at something or someone breakable. We fly far and long, my arms and lungs ache, but still the fire burns in my whole body waiting to be unleashed. We soar, sore and angry until suddenly I'm alone again. I look down but I don't need to look to know the scales are gone. My lip feels soft again beneath my rounded teeth. The wings still flap but gentler now, quietly bringing me back to the ground then softly folding and painlessly absorbing back into my shoulders. I head home.
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Sep 2, 2020
Sep 2, 2020 at 6:32 PM UTC
The Dragon
It begins as a tingling in my legs, unpleasant like something squirmy trying to get out, something huger than my skin, wriggling, bursting to get free. Without ceremony it spreads, bulging in my chest, prickles poking through my shoulder blades. Suppressing only makes it worse, I need to run, to fly, to breathe- "What's wrong?" you ask. I cannot answer, it is taking all my willpower not to scream, or punch an innocent bystander. Would I? Whether I would or not I've never found out, I just leave. "I love you," you say. I still cannot reply, the tears have been melting my face, but now they trickle down shiny scales. External sensations have become insensible, overpowered by the overwhelming rage of barely managed fire within. The sharpness of my teeth meets an unfeeling leathery lip. I go downstairs and leave the building. I don’t know if I remembered my keys. I run just as reptilian wings free themselves from my back, they flutter, stretch out wide at last. I'm free, but I still want this thing inside me, this thing that now is me, to leave. I am ashamed of it, afraid of its newness and my inability to control it. It's happier now-- in the open air where it can thrash about without restraint. I let it, no longer worried it will lash out at something or someone breakable. We fly far and long, my arms and lungs ache, but still the fire burns in my whole body waiting to be unleashed. We soar, sore and angry until suddenly I'm alone again. I look down but I don't need to look to know the scales are gone. My lip feels soft again beneath my rounded teeth. The wings still flap but gentler now, quietly bringing me back to the ground then softly folding and painlessly absorbing back into my shoulders. I head home.
Continue reading...
25
I will always wonder Where you are And are you safe And are you happy I'll wonder walls And a roof And a white picket fence I will always hunger For your lips and your legs And your laughter I'll huger for games In a bed In a sea of black satin I will always dream Where you're here And of your hand in my hair I'll dream on Though you're gone Dream that you're dreaming too I will always love You
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Aug 24, 2013
Aug 24, 2013 at 6:01 PM UTC
Always
Once I past Into the nigh Slip through The shadow Out of the light Under world Of dread And gloom I stayed to long And now I'm doomed To surf upon The lunar tides In downward Spirals Of restless mind Ever wanting The passion drives Unable to quench This huger for life And so... Crash and burn And live in sin But don't let the shadow Grabs a hold Of you My friend ...
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Oct 18, 2017
Oct 18, 2017 at 9:00 AM UTC
UNDER LIFE
my mind has fallen down, nearer to where my heart is, and it is shrinking, but pulsing huger, whilst my heart is no longer pumping blood and throat is now stuck with this dry lump and my tear ducts are too empty to occupy and it's all suddenly just decided to go, to leave, to place this heaviness upon the cage that no longer protects my unworking heart
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Feb 7, 2015
Feb 7, 2015 at 12:04 PM UTC
Untitled XV