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THE GYRES! the gyres! Old Rocky Face, look forth;
Things thought too long can be no longer thought,
For beauty dies of beauty, worth of worth,
And ancient lineaments are blotted out.
Irrational streams of blood are staining earth;
Empedocles has thrown all things about;
Hector is dead and there's a light in Troy;
We that look on but laugh in tragic joy.
What matter though numb nightmare ride on top,
And blood and mire the sensitive body stain?
What matter? Heave no sigh, let no tear drop,
A-greater, a more gracious time has gone;
For painted forms or boxes of make-up
In ancient tombs I sighed, but not again;
What matter? Out of cavern comes a voice,
And all it knows is that one word "Rejoice!'
Conduct and work grow coarse, and coarse the soul,
What matter? Those that Rocky Face holds dear,
Lovers of horses and of women, shall,
From marble of a broken sepulchre,
Or dark betwixt the polecat and the owl,
Or any rich, dark nothing disinter
The workman, noble and saint, and all things run
On that unfashionable gyre again.
"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke
Curled like a feather in the darkening sky.
A blinding gush of fire burst, flamed, and broke.
A voice like a wind spoke.
Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;
His head sought out the stars, his cupped right hand
Made half the sky one darkness. He was mute.
The sun, a ripened fruit,
Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!
Thy prize awaits thee; come, and hug it close!
A noble crown thy draggled nets have won
For this that thou hast done.
Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flared
Across the sky in one great bloom of fire.
Poised like a toppling mountain, it hung bared;
Suns that were jewels glared
Along its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I owe
To thee, thou fool, thou fool. Come, canst thou sing?
Yea? Sing then; if thy song be brave, then go
Free and released -- or no!
Find first some task, some overmastering thing
I cannot do, and find it speedily,
For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,
And if at first his voice was weak with fear
And his limbs trembled, it was but a doze,
And at the high song's close
He stood up straight. His voice rang loud and clear.


The Song.

Last night the quays were lighted;
Cressets of smoking pine
Glared o'er the roaring mariners
That drink the yellow wine.

Their song rolled to the rafters,
It struck the high stars pale,
Such worth was in their discourse,
Such wonder in their tale.

Blue borage filled the clinking cups,
The murky night grew wan,
Till one rose, crowned with laurel-leaves,
That was an outland man.

"Come, let us drink to war!" said he,
"The torch of the sacked town!
The swan's-bath and the wolf-ships,
And Harald of renown!

"Yea, while the milk was on his lips,
Before the day was born,
He took the Almayne Kaiser's head
To be his drinking-horn!

"Yea, while the down was on his chin,
Or yet his beard was grown,
He broke the gates of Micklegarth,
And stole the lion-throne!

"Drink to Harald, king of the world,
Lord of the tongue and the troth!
To the bellowing horns of Ostfriesland,
And the trumpets of the Goth!"

Their shouts rolled to the rafters,
The drink-horns crashed and rang,
And all their talk was a clangor of war,
As swords together sang!

But dimly, through the deep night,
Where stars like flowers shone,
A passionate shape came gliding --
I saw one thing alone.

I only saw my young love
Shining against the dark,
The whiteness of her raiment,
The head that bent to hark.

I only saw my young love,
Like flowers in the sun --
Her hands like waxen petals,
Where yawning poppies run.

I only felt there, chrysmal,
Against my cheek her breath,
Though all the winds were baying,
And the sky bright with Death.

Red sparks whirled up the chimney,
A hungry flaught of flame,
And a lean man from Greece arose;
Thrasyllos was his name.

"I praise all noble wines!" he cried,
"Green robes of tissue fine,
Peacocks and apes and ivory,
And Homer's sea-loud line,

"Statues and rings and carven gems,
And the wise crawling sea;
But most of all the crowns of kings,
The rule they wield thereby!

"Power, fired power, blank and bright!
A fit hilt for the hand!
The one good sword for a freeman,
While yet the cold stars stand!"

Their shouts rolled to the rafters,
The air was thick with wine.
I only knew her deep eyes,
And felt her hand in mine.

Softly as quiet water,
One finger touched my cheek;
Her face like gracious moonlight --
I might not move nor speak.

I only saw that beauty,
I only felt that form
There, in the silken darkness --
God wot my heart was warm!

Their shouts rolled to the rafters,
Another chief began;
His slit lips showed him for a ***;
He was an evil man.

"Sing to the joys of women!" he yelled,
"The hot delicious tents,
The soft couch, and the white limbs;
The air a steam of scents!"

His eyes gleamed, and he wet his lips,
The rafters shook with cheers,
As he sang of woman, who is man's slave
For all unhonored years.

"Whether the wanton laughs amain,
With one white shoulder bare,
Or in a sacked room you unbind
Some crouching maiden's hair;

"This is the only good for man,
Like spices of the South --
To see the glimmering body laid
As pasture to his mouth!

"To leave no lees within the cup,
To see and take and rend;
To lap a girl's limbs up like wine,
And laugh, knowing the end!"

Only, like low, still breathing,
I heard one voice, one word;
And hot speech poured upon my lips,
As my hands held a sword.

"Fools, thrice fools of lust!" I cried,
"Your eyes are blind to see
Eternal beauty, moving far,
More glorious than horns of war!
But though my eyes were one blind scar,
That sight is shown to me!

"You nuzzle at the ivory side,
You clasp the golden head;
Fools, fools, who chatter and sing,
You have taken the sign of a terrible thing,
You have drunk down God with your beeswing,
And broken the saints for bread!

"For God moves darkly,
In silence and in storm;
But in the body of woman
He shows one burning form.

"For God moves blindly,
In darkness and in dread;
But in the body of woman
He raises up the dead.

"Gracile and straight as birches,
Swift as the questing birds,
They fill true-lovers' drink-horns up,
Who speak not, having no words.

"Love is not delicate toying,
A slim and shimmering mesh;
It is two souls wrenched into one,
Two bodies made one flesh.

"Lust is a sprightly servant,
Gallant where wines are poured;
Love is a bitter master,
Love is an iron lord.

"Satin ease of the body,
Fattened sloth of the hands,
These and their like he will not send,
Only immortal fires to rend --
And the world's end is your journey's end,
And your stream chokes in the sands.

"Pleached calms shall not await you,
Peace you shall never find;
Nought but the living moorland
Scourged naked by the wind.

"Nought but the living moorland,
And your love's hand in yours;
The strength more sure than surety,
The mercy that endures.

"Then, though they give you to be burned,
And slay you like a stoat,
You have found the world's heart in the turn of a cheek,
Heaven in the lift of a throat.

"Although they break you on the wheel,
That stood so straight in the sun,
Behind you the trumpets split the sky,
Where the lost and furious fight goes by --
And God, our God, will have victory
When the red day is done!"

Their mirth rolled to the rafters,
They bellowed lechery;
Light as a drifting feather
My love slipped from my knee.

Within, the lights were yellow
In drowsy rooms and warm;
Without, the stabbing lightning
Shattered across the storm.

Within, the great logs crackled,
The drink-horns emptied soon;
Without, the black cloaks of the clouds
Strangled the waning moon.

My love crossed o'er the threshold --
God! but the night was murk!
I set myself against the cold,
And left them to their work.

Their shouts rolled to the rafters;
A bitterer way was mine,
And I left them in the tavern,
Drinking the yellow wine!

The last faint echoes rang along the plains,
Died, and were gone. The genie spoke: "Thy song
Serves well enough -- but yet thy task remains;
Many and rending pains
Shall torture him who dares delay too long!"

His brown face hardened to a leaden mask.
A bitter brine crusted the fisher's cheek --
"Almighty God, one thing alone I ask,
Show me a task, a task!"
The hard cup of the sky shone, gemmed and bleak.

"O love, whom I have sought by devious ways;
O hidden beauty, naked as a star;
You whose bright hair has burned across my days,
Making them lamps of praise;
O dawn-wind, breathing of Arabia!

"You have I served. Now fire has parched the vine,
And Death is on the singers and the song.
No longer are there lips to cling to mine,
And the heart wearies of wine,
And I am sick, for my desire is long.

"O love, soft-moving, delicate and tender!
In her gold house the pipe calls querulously,
They cloud with thin green silks her body slender,
They talk to her and tend her;
Come, piteous, gentle love, and set me free!"

He ceased -- and, slowly rising o'er the deep,
A faint song chimed, grew clearer, till at last
A golden horn of light began to creep
Where the dumb ripples sweep,
Making the sea one splendor where it passed.

A golden boat! The bright oars rested soon,
And the prow met the sand. The purple veils
Misting the cabin fell. Fair as the moon
When the morning comes too soon,
And all the air is silver in the dales,

A gold-robed princess stepped upon the beach.
The fisher knelt and kissed her garment's hem,
And then her lips, and strove at last for speech.
The waters lapped the reach.
"Here thy strength breaks, thy might is nought to stem!"

He cried at last. Speech shook him like a flame:
"Yea, though thou plucked the stars from out the sky,
Each lovely one would be a withered shame --
Each thou couldst find or name --
To this fire-hearted beauty!" Wearily

The genie heard. A slow smile came like dawn
Over his face. "Thy task is done!" he said.
A whirlwind roared, smoke shattered, he was gone;
And, like a sudden horn,
The moon shone clear, no longer smoked and red.

They passed into the boat. The gold oars beat
Loudly, then fainter, fainter, till at last
Only the quiet waters barely moved
Along the whispering sand -- till all the vast
Expanse of sea began to shake with heat,
And morning brought soft airs, by sailors loved.

And after? . . . Well . . .
The shop-bell clangs! Who comes?
Quinine -- I pour the little bitter grains
Out upon blue, glazed squares of paper. So.
And all the dusk I shall sit here alone,
With many powers in my hands -- ah, see
How the blurred labels run on the old jars!
***** -- and a cruel and sleepy scent,
The harsh taste of white poppies; India --
The writhing woods a-crawl with monstrous life,
Save where the deodars are set like spears,
And a calm pool is mirrored ebony;
***** -- brown and warm and slender-breasted
She rises, shaking off the cool black water,
And twisting up her hair, that ripples down,
A torrent of black water, to her feet;
How the drops sparkle in the moonlight! Once
I made a rhyme about it, singing softly:

Over Damascus every star
Keeps his unchanging course and cold,
The dark weighs like an iron bar,
The intense and pallid night is old,
Dim the moon's scimitar.

Still the lamps blaze within those halls,
Where poppies heap the marble vats
For girls to tread; the thick air palls;
And shadows hang like evil bats
About the scented walls.

The girls are many, and they sing;
Their white feet fall like flakes of snow,
Making a ceaseless murmuring --
Whispers of love, dead long ago,
And dear, forgotten Spring.

One alone sings not. Tiredly
She sees the white blooms crushed, and smells
The heavy scent. They chatter: "See!
White Zira thinks of nothing else
But the morn's jollity --

"Then Haroun takes her!" But she dreams,
Unhearing, of a certain field
Of poppies, cut by many streams,
Like lines across a round Turk shield,
Where now the hot sun gleams.

The field whereon they walked that day,
And splendor filled her body up,
And his; and then the trampled clay,
And slow smoke climbing the sky's cup
From where the village lay.

And after -- much ache of the wrists,
Where the cords irked her -- till she came,
The price of many amethysts,
Hither. And now the ultimate shame
Blew trumpet in the lists.

And so she trod the poppies there,
Remembering other poppies, too,
And did not seem to see or care.
Without, the first gray drops of dew
Sweetened the trembling air.

She trod the poppies. Hours passed
Until she slept at length -- and Time
Dragged his slow sickle. When at last
She woke, the moon shone, bright as rime,
And night's tide rolled on fast.

She moaned once, knowing everything;
Then, bitterer than death, she found
The soft handmaidens, in a ring,
Come to anoint her, all around,
That she might please the king.

***** -- and the odor dies away,
Leaving the air yet heavy -- cassia -- myrrh --
Bitter and splendid. See, the poisons come,
Trooping in squat green vials, blazoned red
With grinning skulls: strychnine, a pallid dust
Of tiny grains, like bones ground fine; and next
The muddy green of arsenic, all livid,
Likest the face of one long dead -- they creep
Along the dusty shelf like deadly beetles,
Whose fangs are carved with runnels, that the blood
May run down easily to the blind mouth
That snaps and gapes; and high above them there,
My master's pride, a cobwebbed, yellow ***
Of honey from Mount Hybla. Do the bees
Still moan among the low sweet purple clover,
Endlessly many? Still in deep-hushed woods,
When the incredible silver of the moon
Comes like a living wind through sleep-bowed branches,
Still steal dark shapes from the enchanted glens,
Which yet are purple with high dreams, and still
Fronting that quiet and eternal shield
Which is much more than Peace, does there still stand
One sharp black shadow -- and the short, smooth horns
Are clear against that disk?
O great Diana!
I, I have praised thee, yet I do not know
What moves my mind so strangely, save that once
I lay all night upon a thymy hill,
And watched the slow clouds pass like heaped-up foam
Across blue marble, till at last no speck
Blotted the clear expanse, and the full moon
Rose in much light, and all night long I saw
Her ordered progress, till, in midmost heaven,
There came a terrible silence, and the mice
Crept to their holes, the crickets did not chirp,
All the small night-sounds stopped -- and clear pure light
Rippled like silk over the universe,
Most cold and bleak; and yet my heart beat fast,
Waiting until the stillness broke. I know not
For what I waited -- something very great --
I dared not look up to the sky for fear
A brittle crackling should clash suddenly
Against the quiet, and a black line creep
Across the sky, and widen like a mouth,
Until the broken heavens streamed apart,
Like torn lost banners, and the immortal fires,
Roaring like lions, asked their meat from God.
I lay there, a black blot upon a shield
Of quivering, watery whiteness. The hush held
Until I staggered up and cried aloud,
And then it seemed that something far too great
For knowledge, and illimitable as God,
Rent th
Ken Pepiton May 2019
to me? Real with a certified S.King filtered -ly mod,
by god,
as the oh myers say. On Writing sans Shining.
Needful fiction,
Liars prosper. Okeh. Thus,
the poor we have with us, always.

Truth t' tell.

Entshallah allathat, OMG samesame
good mastah willin' creeks don't rise

Do the work. Come Sunday, someday,
we, all us, say.

You ever finish your own work one day and jest

sit back lax - lacks a daisy, taken easy,
laxative action,
gut synapse
synch-up, cinch that saddle on my wildest
old Nightmare, beat my plow
back to a oil drum,

set some feats t'dancin' in some ol'lady minds.

old man's angels seen t'be jiggin' on
the head o' some pen
in the hand

worth two in the bush.

Who know what ever mean, okeh.

period. point made signal.
that was said and it's writ.

set it aside, let it dry

crumble to dust and be scattered to the five great gyres
to settle
as sands
ifiable quant, to mortal mind, weighable
any worth assigned as
sought or ought,
a grain,
a mote,
as seen with five gee augmented
lenses
prestandards beeing raised in the buzz
from Utah

as an erranded boy's sail bike lifts into if
from the saline shore.
Bike tires adhered to passive-ly

by molecular
memories of being
in truth, as if
once and ever,
salt of the earth, see in the distance,
Lot's wife

as tiny as can be

Na and CL, for ever,
deja wuwuish it were possible… dream… or die…

no don't. There is a reason. I for get it can not right now but these
keys can be

used right by the sober one in the batch.
God, I love this process. This is the work. Living.
You can do it as long as you can pay attention…

selah

then it, the algorithm, I'll go rhythm, pauses,
Spelchkovian spells masters seem sorry we ever agreed she'd
leave me leavened as dust
lying around
on white linen
in the streets of Laredo, as cold as the clay,

back in the day,
we sang that song in school. We sang
in movie theaters, along with a
bouncing ball and other people,

big bio jump here. My step-brother was murdered,
and it never seemed relative…

my father married a wombed man with one leg,
whose family sang along with Mitch,

and played Spit in the Ocean.

Such experiences ificate possibilities few knew
some survive.
There could be a contributory flow…

This ever lasting book of life.
See, a shore, sand bar
snag a thought rainbowing true to you

hang-ups from way back

Any boomer bubble popped too soon. Manifest at will.
P-pickup from scratch and
make a point
to infect the next pun unknoticing kid,

old -time slow hand-eye coordination special ed, Big Ern,
kicking chalk dust in far right field, noticing
patterns
in the leftmost vector straight home--

grand children, for the joy of knowing they happened,
caused,
to all outward appearance,
by my survival of several unbelievable

periences ex nihilo only
if "It don't mean nothing".

link link link something has broken, what do we con tribute tributary flow
too dammed salty, got to puddle around

waiting. waiting. waiting for one point
to be made
edged on all angles, to each mea culpa assured
quantifiability of reason,

inquizical sequence surpast
glistering

whetted and furbished for ever,

the keenness
the cut, precision decision

and how swiftly forms the scab,
a touch,

capillary seals, the grain, at HD,
one pixelish crystallin charge

change that,
by taking thought. It does nothing to your stature,

think allusive butterflies of lifenshit

it gets tiresome. A body wants some rest from ever
meaning ever and never was known
or heard
a dis cora zone age word, like

troglodyte or luddite Denisovan bracelet breaker,
ropemaker union with certain silky
threads
to which a little leaven always sticks
as would caterpillar spit.

Meandering, right, it's the play. My role.
I manifest the dance
as seen on the surface, from Jim's POV,

then my own POV,
then my own rivers of no return,
tribute

'ary a day goes by I don't re call that feeling,

flow is moving paster and paster the walls are
higher
shade deeper
colder'n'hell fersher, rapids.
Ah,

Kern River, I remember this.
Almond trees, Columbus clouds…
Hey, readerman, paperbackwriter wannabe,

we survived. What'sa-hell, right's right.

clap. there is a - an  STD joke there.
But those aren't funny

right,
standup guy says right's right, does a
Johnny Unitas stiff arm
and gets a case of
clap from the left, worse than meaningless

neo **** non clapping on the right.
Repent or perish.
****** if it don't feel good to say that.
It's true, once you know,

Gertrude Stein, I got it from her. Lesbian Jewish leaven
in passover brownies dipped in Mogen David,
she made me stand and say a rosary.

By any other name,

a rose is a rose and so on
it's like when the universe sends little blue men in cheesehead hats with...
clues from the fat guy on the subway in Heroes... "Do the Work. make war not art... life is a sequel we already got paid for. Maybe." I just learned hp stars out *** not if spelt o*m*g
KUSTA BEN LUKA is my name, I write
To Abd Al-Rabban; fellow-roysterer once,
Now the good Caliph's learned Treasurer,
And for no ear but his.
Carry this letter
Through the great gallery of the Treasure House
Where banners of the Caliphs hang, night-coloured
But brilliant as the night's embroidery,
And wait war's music; pass the little gallery;
Pass books of learning from Byzantium
Written in gold upon a purple stain,
And pause at last, I was about to say,
At the great book of Sappho's song; but no,
For should you leave my letter there, a boy's
Love-lorn, indifferent hands might come upon it
And let it fall unnoticed to the floor.
pause at the Treatise of parmenides
And hide it there, for Caiphs to world's end
Must keep that perfect, as they keep her song,
So great its fame.
When fitting time has passed
The parchment will disclose to some learned man
A mystery that else had found no chronicler
But the wild Bedouin.  Though I approve
Those wanderers that welcomed in their tents
What great Harun Al-Rashid, occupied
With Persian embassy or Grecian war,
Must needs neglect, I cannot hide the truth
That wandering in a desert, featureless
As air under a wing, can give birds' wit.
In after time they will speak much of me
And speak but fantasy.  Recall the year
When our beloved Caliph put to death
His Vizir Jaffer for an unknown reason:
"If but the shirt upon my body knew it
I'd tear it off and throw it in the fire.'
That speech was all that the town knew, but he
Seemed for a while to have grown young again;
Seemed so on purpose, muttered Jaffer's friends,
That none might know that he was conscience-struck --
But that s a traitor's thought.  Enough for me
That in the early summer of the year
The mightiest of the princes of the world
Came to the least considered of his courtiers;
Sat down upon the fountain's marble edge,
One hand amid the goldfish in the pool;
And thereupon a colloquy took place
That I commend to all the chroniclers
To show how violent great hearts can lose
Their bitterness and find the honeycomb.
"I have brought a slender bride into the house;
You know the saying, ""Change the bride with spring.''
And she and I, being sunk in happiness,
Cannot endure to think you tread these paths,
When evening stirs the jasmine bough, and yet
Are brideless.'
"I am falling into years.'
"But such as you and I do not seem old
Like men who live by habit.  Every day
I ride with falcon to the river's edge
Or carry the ringed mail upon my back,
Or court a woman; neither enemy,
Game-bird, nor woman does the same thing twice;
And so a hunter carries in the eye
A mimic of youth.  Can poet's thought
That springs from body and in body falls
Like this pure jet, now lost amid blue sky,
Now bathing lily leaf and fish's scale,
Be mimicry?'
"What matter if our souls
Are nearer to the surface of the body
Than souls that start no game and turn no rhyme!
The soul's own youth and not the body's youth
Shows through our lineaments.  My candle's bright,
My lantern is too loyal not to show
That it was made in your great father's reign,
And yet the jasmine season warms our blood.'
"Great prince, forgive the freedom of my speech:
You think that love has seasons, and you think
That if the spring bear off what the spring gave
The heart need suffer no defeat; but I
Who have accepted the Byzantine faith,
That seems unnatural to Arabian minds,
Think when I choose a bride I choose for ever;
And if her eye should not grow bright for mine
Or brighten only for some younger eye,
My heart could never turn from daily ruin,
Nor find a remedy.'
"But what if I
Have lit upon a woman who so shares
Your thirst for those old crabbed mysteries,
So strains to look beyond Our life, an eye
That never knew that strain would scarce seem bright,
And yet herself can seem youth's very fountain,
Being all brimmed with life?'
"Were it but true
I would have found the best that life can give,
Companionship in those mysterious things
That make a man's soul or a woman's soul
Itself and not some other soul.'
"That love
Must needs be in this life and in what follows
Unchanging and at peace, and it is right
Every philosopher should praise that love.
But I being none can praise its opposite.
It makes my passion stronger but to think
Like passion stirs the peacock and his mate,
The wild stag and the doe; that mouth to mouth
Is a man's mockery of the changeless soul.'
And thereupon his bounty gave what now
Can shake more blossom from autumnal chill
Than all my bursting springtime knew.  A girl
Perched in some window of her mother's housc
Had watched my daily passage to and fro;
Had heard impossible history of my past;
Imagined some impossible history
Lived at my side; thought time's disfiguring touch
Gave but more reason for a woman's care.
Yet was it love of me, or was it love
Of the stark mystery that has dazed my sight,
perplexed her fantasy and planned her care?
Or did the torchlight of that mystery
Pick out my features in such light and shade
Two contemplating passions chose one theme
Through sheer bewilderment? She had not paced
The garden paths, nor counted up the rooms,
Before she had spread a book upon her knees
And asked about the pictures or the text;
And often those first days I saw her stare
On old dry writing in a learned tongue,
On old dry ******* that could never please
The extravagance of spring; or move a hand
As if that writing or the figured page
Were some dear cheek.
Upon a moonless night
I sat where I could watch her sleeping form,
And wrote by candle-light; but her form moved.
And fearing that my light disturbed her sleep
I rose that I might screen it with a cloth.
I heard her voice, "Turn that I may expound
What's bowed your shoulder and made pale your cheek
And saw her sitting upright on the bed;
Or was it she that spoke or some great Djinn?
I say that a Djinn spoke.  A livelong hour
She seemed the learned man and I the child;
Truths without father came, truths that no book
Of all the uncounted books that I have read,
Nor thought out of her mind or mine begot,
Self-born, high-born, and solitary truths,
Those terrible implacable straight lines
Drawn through the wandering vegetative dream,
Even those truths that when my bones are dust
Must drive the Arabian host.
The voice grew still,
And she lay down upon her bed and slept,
But woke at the first gleam of day, rose up
And swept the house and sang about her work
In childish ignorance of all that passed.
A dozen nights of natural sleep, and then
When the full moon swam to its greatest height
She rose, and with her eyes shut fast in sleep
Walked through the house.  Unnoticed and unfelt
I wrapped her in a hooded cloak, and she,
Half running, dropped at the first ridge of the desert
And there marked out those emblems on the sand
That day by day I study and marvel at,
With her white finger.  I led her home asleep
And once again she rose and swept the house
In childish ignorance of all that passed.
Even to-day, after some seven years
When maybe thrice in every moon her mouth
Murmured the wisdom of the desert Djinns,
She keeps that ignorance, nor has she now
That first unnatural interest in my books.
It seems enough that I am there; and yet,
Old fellow-student, whose most patient ear
Heard all the anxiety of my passionate youth,
It seems I must buy knowledge with my peace.
What if she lose her ignorance and so
Dream that I love her only for the voice,
That every gift and every word of praise
Is but a payment for that midnight voice
That is to age what milk is to a child?
Were she to lose her love, because she had lost
Her confidence in mine, or even lose
Its first simplicity, love, voice and all,
All my fine feathers would be plucked away
And I left shivering.  The voice has drawn
A quality of wisdom from her love's
Particular quality.  The signs and shapes;
All those abstractions that you fancied were
From the great Treatise of parmenides;
All, all those gyres and cubes and midnight things
Are but a new expression of her body
Drunk with the bitter sweetness of her youth.
And now my utmost mystery is out.
A woman's beauty is a storm-tossed banner;
Under it wisdom stands, and I alone --
Of all Arabia's lovers I alone --
Nor dazzled by the embroidery, nor lost
In the confusion of its night-dark folds,
Can hear the armed man speak.
CH Gorrie Aug 2012
"The beggars have changed places, but the lash goes on."*

I
You probably already know, William,
that it’s pretty much all the same
as when you paced the battlements
and howled to the indifferent stars
"It seems I must bid the Muse go pack!"
, caught in Passion’s cataract –
that torrent of emotive poetic grief.

II
Though politics have changed,
there's still old men in the Senate
who stare but don’t seem to see.
They’re caught in youthful daydreams ---
the girls’ bras’ are too hard to unclasp,
even when employing that agéd charm.
(“But O that I were young again
and held her in my arms!”)
You weren't an exception;
politicians are also subject to the Human Condition.
Perhaps more than a poet,
probably more than a poet.
So I guess you got the double dose, William.
In a split second the State slips,
staggers, and reinvents foreign policies,
only to double-back on itself again and reverse.
I know you remember those you rhymed out in verse:
MacDonagh, MacBride, Connolly and Pearse;
their rifles still ring in the recesses
of the Public’s  miasmic mind –
the haze just dissipated over the Irish Sea.
And it's the spring of 2012.
Gore-Booth and Markiewicz are but marrowless bones,
Collins as well.
His still mix in the grave –
They’ve been for ninety years.
Yeah, it's pretty much the same,
Synge’s ******* is still unpopular.
In fact, plays are largely unpopular,
and playwrights work in restaurants
where sweat lingers on their brows
to eventually drip into an already-unfit meal.
It's hard to imagine a play once
brought Dublin to riot;
you couldn't start a riot now if you had
thirty drunken anarchists
with two Molotovs a piece
watch Godwin’s grave get gutted.
Though information is more accessible,
it's an age of information-apathy.
You'd **** a shotgun to your temple
if you saw the state of education today.
I'm afraid, William, it's all the same:
the gyres still run on ---
I fear they're running out of breath.

III
But it’d be imbalanced to leave you here;
at least you split on a Saturday.
Late-January trembles each year,
as the earth did the day you were consumed
in Helen(“who all living hearts has betrayed”)
’s immutable embrace;
your heart alone she could not betray.
And blind Homer who sang her betrayals
has ceased; mouths ran dry the day you died.
You left before your trade imprisoned you;
before the pen enchanted
your remaining years to a page.
You left before you couldn’t:
before the blitzkrieg;
before the world lost ten million more Robert Gregory’s
and you died from exhaustion mid-rhyme on the seventh-stanza of the five-million eight-hundred and fifty-fourth
elegy.
Regardless, it's really all the same.
Even those beggars are still playing twister with their whip.
'The storm is in the air,' she said, and held
Her soft palm to the breeze; and looking up,
Swift sunbeams brush'd the crystal of her eyes,
As swallows leave the skies to skim the brown,
Bright woodland lakes. 'The rain is in the air.
'O Prophet Wind, what hast thou told the rose,
'That suddenly she loosens her red heart,
'And sends long, perfum'd sighs about the place?
'O Prophet Wind, what hast thou told the Swift,
'That from the airy eave, she, shadow-grey,
'Smites the blue pond, and speeds her glancing wing
'Close to the daffodils? What hast thou told small bells,
'And tender buds, that--all unlike the rose--
'They draw green leaves close, close about their *******
'And shrink to sudden slumber? The sycamores
'In ev'ry leaf are eloquent with thee;
'The poplars busy all their silver tongues
'With answ'ring thee, and the round chestnut stirs
'Vastly but softly, at thy prophecies.
'The vines grow dusky with a deeper green--
'And with their tendrils ****** thy passing harp,
'And keep it by brief seconds in their leaves.
'O Prophet Wind, thou tellest of the rain,
'While, jacinth blue, the broad sky folds calm palms,
'Unwitting of all storm, high o'er the land!
'The little grasses and the ruddy heath
'Know of the coming rain; but towards the sun
'The eagle lifts his eyes, and with his wings
'Beats on a sunlight that is never marr'd
'By cloud or mist, shrieks his fierce joy to air
'Ne'er stir'd by stormy pulse.'
'The eagle mine,' I said: 'O I would ride
'His wings like Ganymede, nor ever care
'To drop upon the stormy earth again,--
'But circle star-ward, narrowing my gyres,
'To some great planet of eternal peace.'.
'Nay,' said my wise, young love, 'the eagle falls
'Back to his cliff, swift as a thunder-bolt;
'For there his mate and naked eaglets dwell,
'And there he rends the dove, and joys in all
'The fierce delights of his tempestuous home.
'And tho' the stormy Earth throbs thro' her poles--
'With tempests rocks upon her circling path--
'And bleak, black clouds ****** at her purple hills--
'While mate and eaglets shriek upon the rock--
'The eagle leaves the hylas to its calm,
'Beats the wild storm apart that rings the earth,
'And seeks his eyrie on the wind-dash'd cliff.
'O Prophet Wind! close, close the storm and rain!'

Long sway'd the grasses like a rolling wave
Above an undertow--the mastiff cried;
Low swept the poplars, groaning in their hearts;
And iron-footed stood the gnarl'd oaks,
And brac'd their woody thews against the storm.
Lash'd from the pond, the iv'ry cygnets sought
The carven steps that plung'd into the pool;
The peacocks scream'd and dragg'd forgotten plumes.
On the sheer turf--all shadows subtly died,
In one large shadow sweeping o'er the land;
Bright windows in the ivy blush'd no more;
The ripe, red walls grew pale--the tall vane dim;
Like a swift off'ring to an angry God,
O'erweighted vines shook plum and apricot,
From trembling trellis, and the rose trees pour'd
A red libation of sweet, ripen'd leaves,
On the trim walks. To the high dove-cote set
A stream of silver wings and violet *******,
The hawk-like storm swooping on their track.
'Go,' said my love, 'the storm would whirl me off
'As thistle-down. I'll shelter here--but you--
'You love no storms!' 'Where thou art,' I said,
'Is all the calm I know--wert thou enthron'd
'On the pivot of the winds--or in the maelstrom,
'Thou holdest in thy hand my palm of peace;
'And, like the eagle, I would break the belts
'Of shouting tempests to return to thee,
'Were I above the storm on broad wings.
'Yet no she-eagle thou! a small, white, lily girl
'I clasp and lift and carry from the rain,
'Across the windy lawn.'
With this I wove
Her floating lace about her floating hair,
And crush'd her snowy raiment to my breast,
And while she thought of frowns, but smil'd instead,
And wrote her heart in crimson on her cheeks,
I bounded with her up the breezy slopes,
The storm about us with such airy din,
As of a thousand bugles, that my heart
Took courage in the clamor, and I laid
My lips upon the flow'r of her pink ear,
And said: 'I love thee; give me love again!'
And here she pal'd, love has its dread, and then
She clasp'd its joy and redden'd in its light,
Till all the daffodils I trod were pale
Beside the small flow'r red upon my breast.
And ere the dial on the ***** was pass'd,
Between the last loud bugle of the Wind
And the first silver coinage of the Rain,
Upon my flying hair, there came her kiss,
Gentle and pure upon my face--and thus
Were we betroth'd between the Wind and Rain.
Ken Pepiton Aug 2019
genghis knew two food groups.

red and white, look it up.

Many Genghis genes remaing, tut tut tut,
no error yet, wait

in time the idea, the reason for so simple a sorting
is lost
and food laws arise to insure the purity
of progenity
"man ist vas man eats, nicht nur brot, y'kin, hear-ken"

destined to rule the world in the

here,
after all the others are killed by our wisdom and
dietary rules.

--- toxic masculinity
--- I heard first hand, a hipster-seeming voice tell me
--- Jordan Peterson is the source of the poison

Ah, am I to reply?
Am I to add a layer onto each pearl I feed the swine?

laque of knowing growing pains for what they really are,
we, the people,
blooming, bhering weight, finding worth

feeling ing ing the squeeze,
squeeze,
glory in the pain for gain, gain is good, grow, grow grow
try---umph
ic magi
bent and bowed bansai-wiseman, fed for years mere humble PIE
chanting more enthralled-folk songs
marching
words bubbling to the surface of spaceship earth,

blistering the deserts and the forests with black tar sludge
seeping from the fractures

to form mortar
to re
build the tower... that was Sad'am's idea,
it fell short in shocking offal from the rusting empir-
ical rule of laws of matter,

dis integrating to dust, leaven in the winds...

But every hundred years or so,
some one sees the problem
accused of causing the laquering of peace that seems
to be
beginning
to shine on
the rub,
the itch,

the cause celebre of this warrior mind, this
toxic
masculinity, but in the end

times change, nue and new and aljadid genii arise,

winds converge in great gyres and plan the melting of
the frozen one,

the great gyre in the north, the up-end of the spin,

locked these twelve thousand years
in de-salinated ice,

the salt squeezed from the very molecules of frozen ocean
once free

to spin
counter
clock, lock, lock the POV, see it, see it, see

the direction of the spin,
does it **** or blow?

You could know. Such things are not hidden now,

our simple sort of men have visionary tools,
eyes in the sky,

we look from the moon and see immediately,

there should be six spinners spinning currents
returning, turning turning
as winds return on their circuits on an un flat earth,

as Solomon noted in the sayings of Thoth;
so,
we see the ice, as ***** Gibson said it would be seen,

cybernetic, tic, you, tic, know, tic
what i mean
magi-
confidence in uncom-fort-ible
am-big-yous-is-us-ness

--- it was them ****** cow boys
--- imagined forever afters, based on guns for Christmas
--- appearing areal, Asreal can be, if one stared,
-- starry-eyed, Uriel appears to grant a wish, stare

staring in hope and prayer.
for all a child's prayer is worth

--- long-enough, at the wishbook from monkey ward
--- I'maxin' Please, Ma t'tell Santa I'd wear my guns t' school, Ma, I'd be cool.

hour-wareness of war;s worthlessnesses, winking eye sign;
pure floccinaucipilinihility, winks 'n' nods

manifestations of the imaginings of men,
wombed and un,

for money, not its use, just
luv o'the stuff it's made from in minds so inclined,

which tend to destruction from the mere knowledge
of a missing something, a meaning,
a hole,
a place of nada-zil-chic spells re re re main al and  
analible and
allathat, uninalienable mass of meaningful things...

name your God same as mine, shibbol-ethical as allhells-gnownstinki

fini.
eh? Fini? Uno fini, allathestinki? Bad-wind or kami-kazi?

it's a wish,
come true.
this world containing life, an air bubble to pre
vent
our inventions
from drowning in the fields of far-flung, far-fetched

god ideas gone sour,
for lack of a proper fungus. We can fix that now.

From now on,
we can listen to Lex Fridman sing "Simple Man"
from
a bubble remaining inside the lost disco years,

we can listen to Richard Feynman make plain what he meant
about life's locks all having keys in
a bubble remaining viable inside those Leave it to ****** years,

or read, since when in ever writing for ever began
and Google can translate, and
we can read by listening, now, we can read asif blind, and
see

there's more to this than that, why
settle for the simple, when

if
you step beyond, one step,
you find treasure
in truth
kept for you in the heart of your hiding child.
Aitia Macaronic Poet-try mused at a comment I heard in passin I began to imagine a toxic masculinity hiding in a child's closet waiting to take his guns to town, in 1957 the International Geo Physical Year, Hersey was researching The Child Buyer... those were times we got through
Onoma Oct 2014
Lo, the drunken ordinance of light through
stained glass, lest to rehash the peopled
white of infinity.
Reach...with what folding passion second
guesses the labor of its love...the warm
footfalls of the sun overlaying the intricacy
of a snowflake...as captions of bone
dissolving upon the motion picture.
Perpetually opening seasons enamored
directionless...cancellation and activation
which is The Spark upon dark...striations
of dreams upon the gyres of galaxies.
Proofs positive of palpable breath, given
and taken in gloried passage.
The cloistered ghost gifted the laughability
of its cloister.
A polish fit for heresy...listen to the
crystalline structure as it bats its eyelashes.
You’d never guess
By eavesdropping
To the vapid colloquialisms
Of your neighbors, your co-workers
That 5 open sores fester upon our mother’s face,
5 gyres,
(even the word is disgusting),
of floating plastic,
tangle and strangle the warm wombs of our seas,
stretch out at the horizons like blankets of melanoma.

Livid and neon infection
Drips, seeps, spreads from Fukushima,
Genociding the Pacific—3,000 nautical miles
Devoid of breath or heartbeat,
Save a lonely whale with tumors
Full of hot dog coupons and carpet cleaning flyers.
I
Ribb at the Tomb of Baile and Aillinn
BECAUSE you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none ha've
heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the ******* of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II
Ribb denounces Patrick
An abstract Greek absurdity has crazed the man --
Recall that masculine Trinity.  Man, woman, child (a
daughter or a son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are
wed.
As man, as beast, as an ephemeral fly begets, Godhead
begets Godhead,
For things below are copies, the Great Smaragdine
Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped
by the body or the mind,
That juggling nature mounts, her coil in their em-
braces twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air,
share God that is but three,
And could beget or bear themselves could they but
love as He.
III
Ribb in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences.  My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in ****** spasm begot
Godhead.  Some shadow fell.  My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV
There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V
Ribb considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman Or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A ****** or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI
He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
"His light had struck me blind
Dared I stop'.
She sings as the moon sings:
"I am I, am I;
The greater grows my light
The further that I fly'.
All creation shivers
With that sweet cry
VII
What Magic Drum?
He holds him from desire, all but stops his breathing
lest
primordial Motherhood forsake his limbs, the child no
longer rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic
drum?
Down limb and breast or down that glimmering belly
move his mouth and sinewy tongue.
What from the forest came? What beast has licked its
young?
VIII
Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their ****** joy
"For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive *****
Ignorant what that dramatist enjoins,
What master made the lash.  Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was con-
ceived?
IX
The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X
Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI
A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII
Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
Black trees against an orange sky,
Trees that the wind shook terribly,
Like a harsh spume along the road,
Quavering up like withered arms,
Writhing like streams, like twisted charms
Of hot lead flung in snow. Below
The iron ice stung like a goad,
Slashing the torn shoes from my feet,
And all the air was bitter sleet.

And all the land was cramped with snow,
Steel-strong and fierce and glimmering wan,
Like pale plains of obsidian.
-- And yet I strove -- and I was fire
And ice -- and fire and ice were one
In one vast hunger of desire.
A dim desire, of pleasant places,
And lush fields in the summer sun,
And logs aflame, and walls, and faces,
-- And wine, and old ambrosial talk,
A golden ball in fountains dancing,
And unforgotten hands. (Ah, God,
I trod them down where I have trod,
And they remain, and they remain,
Etched in unutterable pain,
Loved lips and faces now apart,
That once were closer than my heart --
In agony, in agony,
And horribly a part of me. . . .
For Lethe is for no man set,
And in Hell may no man forget.)

And there were flowers, and jugs, bright-glancing,
And old Italian swords -- and looks,
A moment's glance of fire, of fire,
Spiring, leaping, flaming higher,
Into the intense, the cloudless blue,
Until two souls were one, and flame,
And very flesh, and yet the same!
As if all springs were crushed anew
Into one globed drop of dew!
But for the most I thought of heat,
Desiring greatly. . . . Hot white sand
The lazy body lies at rest in,
Or sun-dried, scented grass to nest in,
And fires, innumerable fires,
Great ****** hurling golden gyres
Of sparks far up, and the red heart
In sea-coals, crashing as they part
To tiny flares, and kindling snapping,
Bunched sticks that burst their string and wrapping
And fall like jackstraws; green and blue
The evil flames of driftwood too,
And heavy, sullen lumps of coke
With still, fierce heat and ugly smoke. . . .
. . . And then the vision of his face,
And theirs, all theirs, came like a sword,
Thrice, to the heart -- and as I fell
I thought I saw a light before.

I woke. My hands were blue and sore,
Torn on the ice. I scarcely felt
The frozen sleet begin to melt
Upon my face as I breathed deeper,
But lay there warmly, like a sleeper
Who shifts his arm once, and moans low,
And then sinks back to night. Slow, slow,
And still as Death, came Sleep and Death
And looked at me with quiet breath.
Unbending figures, black and stark
Against the intense deeps of the dark.
Tall and like trees. Like sweet and fire
Rest crept and crept along my veins,
Gently. And there were no more pains. . . .

Was it not better so to lie?
The fight was done. Even gods tire
Of fighting. . . . My way was the wrong.
Now I should drift and drift along
To endless quiet, golden peace . . .
And let the tortured body cease.

And then a light winked like an eye.
. . . And very many miles away
A girl stood at a warm, lit door,
Holding a lamp. Ray upon ray
It cloaked the snow with perfect light.
And where she was there was no night
Nor could be, ever. God is sure,
And in his hands are things secure.
It is not given me to trace
The lovely laughter of that face,
Like a clear brook most full of light,
Or olives swaying on a height,
So silver they have wings, almost;
Like a great word once known and lost
And meaning all things. Nor her voice
A happy sound where larks rejoice,
Her body, that great loveliness,
The tender fashion of her dress,
I may not paint them.
These I see,
Blazing through all eternity,
A fire-winged sign, a glorious tree!

She stood there, and at once I knew
The bitter thing that I must do.
There could be no surrender now;
Though Sleep and Death were whispering low.
My way was wrong. So. Would it mend
If I shrank back before the end?
And sank to death and cowardice?
No, the last lees must be drained up,
Base wine from an ignoble cup;
(Yet not so base as sleek content
When I had shrunk from punishment)
The wretched body strain anew!
Life was a storm to wander through.
I took the wrong way. Good and well,
At least my feet sought out not Hell!
Though night were one consuming flame
I must go on for my base aim,
And so, perhaps, make evil grow
To something clean by agony . . .
And reach that light upon the snow . . .
And touch her dress at last . . .
So, so,
I crawled. I could not speak or see
Save dimly. The ice glared like fire,
A long bright Hell of choking cold,
And each vein was a tautened wire,
Throbbing with torture -- and I crawled.
My hands were wounds.
So I attained
The second Hell. The snow was stained
I thought, and shook my head at it
How red it was! Black tree-roots clutched
And tore -- and soon the snow was smutched
Anew; and I lurched babbling on,
And then fell down to rest a bit,
And came upon another Hell . . .
Loose stones that ice made terrible,
That rolled and gashed men as they fell.
I stumbled, slipped . . . and all was gone
That I had gained. Once more I lay
Before the long bright Hell of ice.
And still the light was far away.
There was red mist before my eyes
Or I could tell you how I went
Across the swaying firmament,
A glittering torture of cold stars,
And how I fought in Titan wars . . .
And died . . . and lived again upon
The rack . . . and how the horses strain
When their red task is nearly done. . . .

I only know that there was Pain,
Infinite and eternal Pain.
And that I fell -- and rose again.

So she was walking in the road.
And I stood upright like a man,
Once, and fell blind, and heard her cry . . .
And then there came long agony.
There was no pain when I awoke,
No pain at all. Rest, like a goad,
Spurred my eyes open -- and light broke
Upon them like a million swords:
And she was there. There are no words.

Heaven is for a moment's span.
And ever.
So I spoke and said,
"My honor stands up unbetrayed,
And I have seen you. Dear . . ."
Sharp pain
Closed like a cloak. . . .
I moaned and died.

Here, even here, these things remain.
I shall draw nearer to her side.

Oh dear and laughing, lost to me,
Hidden in grey Eternity,
I shall attain, with burning feet,
To you and to the mercy-seat!
The ages crumble down like dust,
Dark roses, deviously ******
And scattered in sweet wine -- but I,
I shall lift up to you my cry,
And kiss your wet lips presently
Beneath the ever-living Tree.

This in my heart I keep for goad!
Somewhere, in Heaven she walks that road.
Somewhere . . . in Heaven . . . she walks . . . that . . . road. . . .
Love, should I fear death most for you or me?
Yet if you die, can I not follow you,
Forcing the straits of change? Alas! but who
Shall wrest a bond from night’s inveteracy,
Ere yet my hazardous soul put forth, to be
Her warrant against all her haste might rue?—
Ah! in your eyes so reached what dumb adieu,
What unsunned gyres of waste eternity?

And if I die the first, shall death be then
A lampless watchtower whence I see you weep?—
Or (woe is me!) a bed wherein my sleep
Ne’er notes (as death s dear cup at last you drain),
The hour when you too learn that all is vain
And that Hope sows what Love shall never reap?
I

SWEAR by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the ***** a-crow.

Swear by those horsemen, by those women
Complexion and form prove superhuman,
That pale, long-visaged company
That air in immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.

Here s the gist of what they mean.

II
Many times man lives and dies
Between his two eternities,
That of race and that of soul,
And ancient Ireland knew it all.
Whether man die in his bed
Or the rifle knocks him dead,
A brief parting from those dear
Is the worst man has to fear.
Though grave-diggers' toil is long,
Sharp their spades, their muscles strong.
They but ****** their buried men
Back in the human mind again.

III
You that Mitchel's prayer have heard,
"Send war in our time, O Lord!'
Know that when all words are said
And a man is fighting mad,
Something drops from eyes long blind,
He completes his partial mind,
For an instant stands at ease,
Laughs aloud, his heart at peace.
Even the wisest man grows tense
With some sort of violence
Before he can accomplish fate,
Know his work or choose his mate.

IV
Poet and sculptor, do the work,
Nor let the modish painter shirk
What his great forefathers did.
Bring the soul of man to God,
Make him fill the cradles right.

Measurement began our might:
Forms a stark Egyptian thought,
Forms that gentler phidias wrought.
Michael Angelo left a proof
On the Sistine Chapel roof,
Where but half-awakened Adam
Can disturb globe-trotting Madam
Till her bowels are in heat,
proof that there's a purpose set
Before the secret working mind:
Profane perfection of mankind.

Quattrocento put in paint
On backgrounds for a God or Saint
Gardens where a soul's at ease;
Where everything that meets the eye,
Flowers and grass and cloudless sky,
Resemble forms that are or seem
When sleepers wake and yet still dream.
And when it's vanished still declare,
With only bed and bedstead there,
That heavens had opened.
Gyres run on;
When that greater dream had gone
Calvert and Wilson, Blake and Claude,
Prepared a rest for the people of God,
Palmer's phrase, but after that
Confusion fell upon our thought.
V
Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after
Porter-drinkers' randy laughter;
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry.

VI
Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago, a church stands near,
By the road an ancient cross.

No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:
Cast a cold eye
On life, on death.
Horseman, pass by!
Glottonous May 2015
This century spins wilder than prior gyres,
Racing backward, ever more efficient and spectacular,
Study finds.
 
The weather today, like every day, is
Immense and incomprehensible.
 
Election week is soon, and the Salv-nation Party candidate
Would like to remind voters of the Party of the Mysterious Robe's Mysteriousness.
Representatives for the PMR gave no comment.
 
****** digital performer @JezebElsa
Went viral with her leaks. #HollywoodNewz
 
An impressive number of people we know
Demand justice for all registered unrepentant killers.
 
A Meteor landed not ironically atop Selfiecomplishment Summit early this morning,
Injuring only the most dedicated hikers.
Confirming folklore, the Meteor disappeared once photographed.
Don't go out trying to find it.
However, you may still purchase a tincture of the liquid it contained
From us at OrganicH2.Org.Headfeed.com
No meteorologists were harmed.
 
Us vs. Terror: Terrorwatch!:
The Monsters we've been ignoring
Have taken the City and consumed the last of
An informative poem.
ManVsYard Nov 2014
Speedy data transfer vine
indexed in junk DNA
Instantanious communication
no possibility of delay?
Holo-fractal hookups.
Is everyone on the line?

or

are we listen--ing too slow
are our ears to big to tell
ack from nak, yes from no
The solution? maybe
Quantum time!

Just one eternal grandfather clock
with only a TIC,
never a TOC
delays maybe caused by reneade gyres
like intestellar,
"slowdown feller"
invisible, swirls, with gushing spires.

E-fracting for minutes, hours, years
decades, eons, epics and more.
As pools of whirls slow,
there appear open doors.
but
The locks are no where to be found
The keys?
All scattered on the floor.

What is that, hissing sound?
shireliiy Dec 2015
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Simon Leake Dec 2015
So many relationships like bad business partnerships:
green bottles falling from walls; messages stuck in bottles
rotating in great gyres; swallows never at home North or South.
(Anti-Confessional? — It’s a fashionable trend just now
and yet what is it not to confess, when we claim authorship?)

Suburbia’s flat evenness suffocates (but I’ve repeated this
so many times and I’m still here!).
We need to find the cracks in which to grow, in which to place,
our errant thoughts like rude whispers in a darkened room,
and nobody about to hear you anyway!

We express ourselves well in silence but me, I gyrate,
not quite on one side or the other, a kind of even fullness,
or, that’s what I like to think, let’s get this straight:
I’m an uncouth wind against plains that offer no obstacles.
Better to wear me that way — it saves the snap under pressure.
Paul Sands Dec 2016
I  am  no philosopher
I  am  Paul  from  The Meadows
pulled skinny  poor from the  shadows to put  a  deal of fat  on his bones

so  how  did   I  end  up   here?
what penalty did   I  accrue?

taking the  ten  point deduction for  conduct unbecoming
I  place my  attention  deficit on re-order that I  don’t  yet  forget

smothered  in the  scrim of this  Hogarthian hood every  chip toothed  blue   scriptured face
proffers  passage to a  poisonous but tantalising hook

to write the  junk  must I  taste the junk?

peddled or paddled for  a  sweeter  flight this  avenue never  taken,
hedonic ingress  unwalked,  unwanted yet  still wondered
could such  deep surrender  be   so  sweet to  allow the  most  intimate  of plunder?

am I  Dante?
corralled   around  the  streets
of a  society that  shows no compromise amongst  the  dying embers  of fallen  enterprise

eternal  damnable gyres around a  ****** **** pyre
of concrete,  glass  and  broken  humanity

with    each    uttered    breath    a    cold      cocktail    of profanity

the  bouncing soles of the  air  I  wear  may ease  me over  the  gummed archipelagos
flag  spij-speckle  guaran islands slab secure and  fast
against  the  counselled wash an  eternal  fossilised chaw
that  resists  the  fiercest chemical blast

lost in this  sea    I  cannot  be   but shaken  by the  waxy  man  with his  head  of startled  hemp and  coterie  of cracked  carbon
as  he breaches the  domestic brink

turning a key, his shoulders  hunched  in protective  shawl against

the  spittled spate
he stares  back through me
for  sightless  miles insides out,  front  to rear, then  scuffles, rattling,  townwardly

cannot resist  the  insecticidal compulsion of the  green  and  white purgatory
where  the  neatly  stacked  wash  of fluorescence makes  oven ready  your  heaven
amid the  threnodial thrum  of
a  hundred syncopated Siemens

following  that   shuffling   cortege  of  the   bussed  in dead and  dying
I  am dutiful, altar  bound, avowed and  accursed the  host with the  ghosts in this  haunted  mall lost  and  lonely  within  England’s  mountain  green
it  is no longer the  god   bothering needles and  blunts that    draw the crowds
as  flat  screened pharmacological rapture,
that  trinity  of distilled, medicated caffeination

lead   a   once   pious   nation   through   a   precocious dream

maybe Allah yet  sees  here  his
Jerusalem  and  leads his children
upon  England’s  land  of  crescent  green
Opening poem from my second collect, "scratch" (2013), trying to express the frustration and disgust with life in a provincial town ringed by sink estates and worshipping at the altar of consumerism
Ayesha Dec 2021
cracks in the ground

like a frozen sea
cracks in the sky
like a frozen lip—
                quivering
then,
and voiceless fluttering
of word upon wordless wordy word

a low wind
that
proud wheat
    swept by

                   a bowing horde of gold

like kin on kin erupting
(because root dooms with it the house)
like a festival of distrust
where all centres
   in a tangle of struggles
own throats hold

gyres of limbs
              that themselves ****
themselves make

a ruffled head
that I so long combed
now a sea wild
wild
now slithering babbling streams
now lustful teasing waves
that shore then shore
meet and meet
and will rest not at all

what of—
blind infancy of impulsive beliefs
that through dunes and oases
go and go
(now nothing, now all, now none and all and all––)

a–– many sandcastle homes of childish sight
melt to doubt

— hold it—
this cleaving ground will be bound no more

cracks, indeed, all around
24/12/2021

"Things fall apart; the centre cannot hold;"
-W.B Yeats
mq Oct 2020
In the night
the Ocean gyres around me
and lifts my heart,
wet, full and swollen
to the street lights,
oiled, slick and bright,
burning to touch.
But fearing against the
cold wind
like a stick of butter
to the hard refrigerator
like a warm hand
to a colder pair
-- the blue gyres and swarms and spins
me
to nausea, to dread.
MW ©
Naomi Buote Jun 2016
my love-parched lips ****** in the poison water from your well of lies quenching the wails of my thirsty soul

you enraptured me
cleaved me with your claws

left me specter-like
destroyed, deadened, desolate

a rotting skeleton tree crumbling in the raging rain
straining against my bitter crime of still loving you

scattered at my feet are the grimy scraps of withered leaves
lingering, last remnants of you

in FURY,
i fiercely try to kick you away

the gusty gale gyres you within its blustery breath
killing the echoes of my "I love yous"

offering up to me one silenced second

while in the distance an agitated river loudly roars
"you love him still"

and the heartened moon vanishes from the sky
leaves behind but darkness

but me

a tenuousness, teary night
will Aug 2019
From the Sea of Hoces
to rolling Cape Horn
the sea is vengeful

The ocean rolls and boils
at our dangerous ignorance
and our prideful arrogance

It drifts ****** icebergs here
and chops the windy waves
to assault our fragile senses

It hides monsters in it's depths
waiting beneath the surface
in our grimed gyres they wait

For us to finally choke on
our foolish mistakes of time
the cold ocean will wait
The sea is impersonal to us, the cold waves snarked their shoulder at us. The ocean will wait with immortal patience for us to perish. Humanity may have wrought tragedy upon it, but the ocean will roll and boil till we die out from it's world.
Aparna Jul 2020
and I was sinking
into the fathomless dark gyres
of his coal-black eyes
those gorgonising eyes,
so mysterious...


For BLT's word of the day challenge:
gyre
almost a year on,
still our communication thin, brittle,
as if glass going back to sand,
our dialogue meagre, the words we use
overused for nothing new
has developed, our images ashen,
the corners curled up like petrified animals.

doubtful of a deluge,
doubtful of a return
to the occasional face-to-face
chatter of current affairs,
our throats dry from news deficiency
and the awkward drives home,
our hibernation preparation.

trying to sleep in our gyres of silence,
clocks with their ugly faces
like lurid sirens on the walls - 
tell me you'll come back to me,
in some way, some form, for I am almost
limbless in these fantasies,
the words you use as iridescent.
Written: January 2021.
Explanation: A poem written in my own time. A link to my Facebook writing page can be found on my HP home page. Feedback is welcome as always.
Ayesha Oct 2021
Dissolved in traffic
we forget ourselves
Metal and muscle of bone, of beast
Marrow of bloom
and whip-quick flapping of pigeon wings
When father coughs his crackling logs,
we know he arrives, we hide away our games

why don’t you study, why don’t you study, where have you been

So terrified of the world he,
with his sky-shaking speech.
father, father
what have you seen?

My limbs twitch and eyes flee
He knows not what to say, and we
never learned.
Taut skin aged to crease, and all that clover smoke

and dust from road,
It sits so stout in his placid gaze
I sink, I sink.
Say, father, father, will you not leave?

Dissolved in traffic—
Gyres of grey and their loosened rings
mimicked by the reeling of kites
So long he roamed
Within those slithering maps
almost became,
almost them.

Memorised the city on his very palms.

Father, father, I never could learn
the twist and twists and turns of its trails

The city got lost and I,
And I, oh— I

The whispers fade
of footsteps strange, and closed are hearts
in breathing reliefs
father, father,
What have you learned; father, father
we become ourselves
father,
The birds all settle, the metal melts, the
noises die, the traffic, oh, the traffic
your good old mistress, we forget of it—
father, father,
What have you learned
07/10/2021
Onoma May 2021
hyphenating light

in a breaking Heart.

the softening gyres

of silence...comely as

balloons around the

wrists of tree limbs.

reviewing the terrible

pull of a string let go.

a deflated head made

of color.

spotted by a solitariness,

that wind rushes away

from.

as it moves it.

— The End —