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"gramophone" poems
Most of the times, I feel, that you and I, my darling, redefine our love on Saturday nights. Saturday nights, when the sound of our heartbeats mixes with the wine. When you swerve your hips, to the tunes on the old gramophone. When every streetlight seems like a shooting star. Passionate, wild, mad, in it's very essence. Chaotic, extraordinary and beautiful, define you, my love. You breathtakingly naked and beautiful soul, is the gateway to the Universe. Swooning and high off your fragrance, all I want to do is make love with you, till the yearning moon gives way to the jealous sun.
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Aug 24, 2014
Aug 24, 2014 at 1:31 AM UTC
Saturday.
Today again I saw a gate in the sky. Streams of pale light trickled through it. I no longer looked at the sun, only straight ahead, My silhouette reflected in the ***** tram window. I looked farther, hypnotized, sipping words veiled in the dust of the autumn sun. Dry spaces. Leaves. Golden bile sparkled, And no one saw this wonder in the sky. At the stop, in the crowd rushing by, An experiment took place: A man wrapped in copper threads. He searched for relief while anger bound his soul. He fought the air, attacked with words, Like a puppet moving in convulsions. Hands clenched, anger in his eyes. “This will pass, this will fade,” I thought, Moving to another car. A primal tremor. A change of frequency. Someone is turning the **** of our universe. How many more cells of the body will they spoil Before it is ground to ashes? Until all ends in colonization, A reward for micro-souls from another world. People sunk in their minds do not hear the hum of strings. And I plead in my thoughts: listen, look, be your reality. Behind the gate a hundred weeks ago, a crackling gramophone plays. My calm relieves someone’s thoughts. Somewhere, thousands of hours ago, the past becomes the future. Next time when you pass by me, indifferent, the warmth of my thought will warm your Dry, wrinkled hands. I will never know You, and I would like to know what you will say when these trembling words arrive on the wind. In the autumn glow of the setting sun, Like a gentle brushing of leaves at the next opening of the gate. I will be there in the crack like a stray thought that wanted to become immortality.
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Sep 25, 2025
Sep 25, 2025 at 5:59 PM UTC
Tremor
Today again I saw a gate in the sky. Streams of pale light trickled through it. I no longer looked at the sun, only straight ahead, My silhouette reflected in the ***** tram window. I looked farther, hypnotized, sipping words veiled in the dust of the autumn sun. Dry spaces. Leaves. Golden bile sparkled, And no one saw this wonder in the sky. At the stop, in the crowd rushing by, An experiment took place: A man wrapped in copper threads. He searched for relief while anger bound his soul. He fought the air, attacked with words, Like a puppet moving in convulsions. Hands clenched, anger in his eyes. “This will pass, this will fade,” I thought, Moving to another car. A primal tremor. A change of frequency. Someone is turning the **** of our universe. How many more cells of the body will they spoil Before it is ground to ashes? Until all ends in colonization, A reward for micro-souls from another world. People sunk in their minds do not hear the hum of strings. And I plead in my thoughts: listen, look, be your reality. Behind the gate a hundred weeks ago, a crackling gramophone plays. My calm relieves someone’s thoughts. Somewhere, thousands of hours ago, the past becomes the future. Next time when you pass by me, indifferent, the warmth of my thought will warm your Dry, wrinkled hands. I will never know You, and I would like to know what you will say when these trembling words arrive on the wind. In the autumn glow of the setting sun, Like a gentle brushing of leaves at the next opening of the gate. I will be there in the crack like a stray thought that wanted to become immortality.
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42
I From you, Beethoven, Bach, Mozart, The substance of my dreams took fire. You built cathedrals in my heart, And lit my pinnacled desire. You were the ardour and the bright Procession of my thoughts toward prayer. You were the wrath of storm, the light On distant citadels aflare. II Great names, I cannot find you now In these loud years of youth that strives Through doom toward peace: upon my brow I wear a wreath of banished lives. You have no part with lads who fought And laughed and suffered at my side. Your fugues and symphonies have brought No memory of my friends who died. III For when my brain is on their track, In slangy speech I call them back. With fox-trot tunes their ghosts I charm. ‘Another little drink won’t do us any harm.’ I think of rag-time; a bit of rag-time; And see their faces crowding round To the sound of the syncopated beat. They’ve got such jolly things to tell, Home from hell with a Blighty wound so neat... . . . . And so the song breaks off; and I’m alone. They’re dead ... For God’s sake stop that gramophone.
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5k
Dead Musicians
I am compelled I do not even obliged to In my mind I would keep the name as mıh Eyes grow is growing I do not know mecburum You know me the heat. Preparing trees to fall Does this city is the old Istanbul In the dark clouds are parts One side of the street lamp is The smell of rain on pavement I am obliged not you. Sometimes love is fearful dismally People are tired all of a sudden one evening later Prisoners to live in the razor's edge Sometimes it will break your hands passion How many lives are removed from a living What if you knock the door sometimes Humming in the back of the misery of loneliness Fatih in a poor playing gramophone From ancient times to play a Friday I stop and listen to sound at the beginning of the corner Should I bring unused gök Week disaggregated data is available How do I go What if I keep I am obliged not you. Maybe June or mottled blue boy Ah, you do not know who does not know Eyes hijack freighter is a desert Maybe you get on the plane in Yesilkoy Horripilation is all wet Maybe you're blind, are in rural precipitancy Wind will bring bad hair What a time to live if you think These wolves have perhaps mess But without dirtying our hands Ayıpsız What a time to live if you think Susan would also start with the name Order to move inside of the secret sea No other kind will not be I am obliged to you never know. Attila İlhan
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Jan 21, 2013
Jan 21, 2013 at 11:12 AM UTC
from Attila İLHAN
Your Uncle Fred on Christmas Eve at Gran’s house when you were a kid did the sand dance wearing an old fashion man’s striped nightgown and a red fez (he got that in Egypt during WW2 Gran said) and brown open toed sandals and Uncle Ed turned the handle of the windup gramophone where an old 78rpm record was playing and there were glasses of sherry being consumed and cigarettes being smoked and you sat watching clapping your hands and Gran would get up afterwards and do her Can-Can like she used to as she young woman on the stage and Granddad sat there quiet saying nothing looking at the people gathered sipping his sherry watching his wife lifting her legs her white fuzzy hair going to and fro as she moved and you wanted to have some sherry but your mother said no you have lemonade little boys don’t have sherry so you sat with your lemonade watching Uncle Fred and his dance and the music coming from the old gramophone and the smell of sherry and beer and cigarette smoke and Uncle telling the adults one of his old army jokes.
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Sep 15, 2012
Sep 15, 2012 at 5:26 AM UTC
UNCLE FRED AND THE SAND DANCE.
Gramophone records play Scratch, play, scratch, play Soft in the background, edging into me Slow and easy, gentle waves. Granny, play me La Wally again Turning, spinning, round and round Take me away on audio-pearls Peace whirls me on a magic dance. Pappa, hide the ugly monsters Keep me safe in Noddy and Pat tales I'd rather be caught in merry tune Than in webs of yonder folk out there. Momma, put on Golden Slumbers "Sleep, pretty darling, do not cry, And I will sing a lullaby" Yes, I find my way homeward... Gramps, sing me a Holliday song The kind that lifts one so high With Mammy and Pappy blessing all of me Yes my happiness, I've got me own! Dear Heaven, open windows and walls Swirling, flowing its beautiful energy Sore needed peace and beauty That no eye can truly see. Star Toucher, 02 March 2013
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Mar 2, 2013
Mar 2, 2013 at 11:06 AM UTC
Gramophone Magic
*I don't know the rules. If I go looking for grace and find it, what will grace* be but penance for my past, a silver sinew-thread wrapping 'round old             wrongs, gray hair for the                         fickle. I've naught but want for sweet release from this history. The bombs ignored,             repeating in gramophone static                         dripping stiff *as wet bamboo. I remember someone once sang here, once strung together* chords so sweet they rang like peace- bells beneath cloudless sky. They've             rang the bell upon my jaw and                         done no wrong. It's not so much unlike one's curiously cold reception at a funeral. The cold             and rain ****** at the skin                         during graveside hymnal. *As long as the earth continues its stony breathing I will breathe.* That which I cannot help but do. Stuck between boulders, I sing. *When it stops, I will shatter back into gravity. Into quartz.*
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Feb 26, 2018
Feb 26, 2018 at 9:54 PM UTC
Poem between lines of Akbar's "Rimrock"
Rehashing the rare Out with the new, In with the old. She's always had a thing For the things that exude A quirkiness and a bucolic charm The smell of old books The black and the white Good ol' Chaplin, James Dean And the Sound of Music The Beatles, a tape recorder High-waisted pants And the gramophone And a rustic old bar With a gruff bartender Who's off his rocker But he'll double up as your therapist And for the boy with the dark brown eyes Who looks across the bar at her. And smiles. It's all black and white again Except this time, It isn't her favourite Casablanca scene But a white screen And a thousand particles Microcosmic A milieu of Unfathomable numbers float Through the atmosphere Connecting her to him. And she doesn't want that. She's always had a thing for the old, But he makes her doubt that.
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Sep 24, 2014
Sep 24, 2014 at 12:22 PM UTC
Glitch in the Matrix
Cloudy skies Heavy downpour Cold breeze Swaying trees Misty window panes Traffic lights Hooting cars Gushing gutters Drenched trench coats Soggy feet Colourful umbrellas Crowded shelters Empty side walks The city skips a few hearbeats And comes to a stand still Soon as the pounding rain stops Everything returns to normalcy But rainy days call for Steaming cups Slouchy sweaters Fluffy blankets Snuggles Cuddles Novels Notebooks Gramophone tunes in the background Enjoying a little piece of heaven While the day is washed off Setting stage for a clean fresh start ©Sonia Ettyang
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Dec 2, 2018
Dec 2, 2018 at 2:57 AM UTC
Pluviophile
Am I relevant enough to scribble my name on the dance card of your heart? Your passive loyalty and interest make you to be a ******* but I've always much preferred the constancy of choreography and heat on the Fourth of July. So please tell me why: Why must I always play the follow to your non-remorseful lead? My shiniest records were always for you as were my collective Saturday nights, the hours spent practicing and sweating preparing, only to be worthy. I should know better seeing as this is the 14th time you've broken the gramophone. Perhaps it's time for a new waltz.
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Jan 21, 2013
Jan 21, 2013 at 6:18 PM UTC
Back-Burner Friend
The many voices of the evening                    gramophone the sky voice the cell phone                    the tablet  the notebook, that monotone                    observer of mutations purveyor of maladies                    the persistence of memories, pale pink light sink burning in the fires lighting up the skies                    an old pang, smitten clang, the pain balm                    mug-life, pen-knife, kettle-strife, all the sheaves                    them echo-songs that haunt the drill-wells                    that are cut wounded and wear fetching chants, to an yearning oblation                   bay leaf, curry leaf, yes, them colander coriander                   there's a rhyme of charlies, looping from                   our holy wars to now our holy hours with                   the ombudsman, the omniman, the only God who used to thunder for the ****                  old Zeus, the Lord of Betelgeuse, him who we                  called dead, exhumation, exculpation, exaltation                  an ancient loneliness that calls from the nether                  depths, now science, now freedom, now pagan.
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Jan 14, 2015
Jan 14, 2015 at 3:20 PM UTC
The persistence of memories
make me a gramophone – sew it from the scraps of our shattered past, the vinyl our memories that play ‘round on repeat. to them we’ll dance around in animal masks like the beasts we are. a lion purrs, a walrus roars, a seahorse crushes bone, and when we’re done we’ll rip apart our fickle gramophone.
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Mar 29, 2014
Mar 29, 2014 at 5:26 PM UTC
If Animals Could Tango
We're antique and aware of it, old fashioned and they stare a bit, but that's a part of the charm, a penny farthing to ride on with gaiters to tie on, keeping the spats nice and clean. Home for some tiffin and the lady's been shopping down at Macy's for doilies, thank god it wasn't Tiffanys for diamonds, the wireless set goes off and the gramophone's switched on, a 78 Bakelite revolves in the room where the mood's right for romance. We dance modernistic, the Cha cha's futuristic, they'll never do better than this then we kiss and say goodnight, in separate beds we sleep so tight and a strip of carpet between them, keeping things nice and clean, men, you know what I mean.
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Oct 1, 2015
Oct 1, 2015 at 8:35 PM UTC
The roaring twenties
thus do learn how to tolerate the blow of wings of the most inflammable flesh after the successful sacrifice of the student-hostel jumping into the peacock-foams how dangerously is changing the total travel-route of the nail-polish in the high tide of the coconut-kernel that conquers the world today the water-pigeon gets pain only by the flute made of palm-leaf can’t be written the pleasure-trip in boat of the injured-knee night-queen that is deposited heavily on the collar of the village-moonlight even-then the gramophone would be playing on even-then the courageous pheasant would proceed further to throw towards the squirrel a dinner-sleep then all the daughters in disguise of birds certainly may come out from within the salted mosquito-net burning open-ground in their  eyes even after   the small boats of the fig leaves                       would slip from the chorus song of the roses then they are to be pulled forward to the river-bed of the late afternoon to make them understand again that such Xerox-centre which can ignore its metallic-birth does not grow even now  on either side of this muddy road so look at to see how the  epenthesis of the screwpine-leaf withdraws her beak from the old dome and pours all new mathematics into the compact-disc stitched with the back of the sea-tortoise if that’s not real how in the left and right such evil-company of the oxygen would creep if the next part of this commentary resumes from the umbilicus cavity of the x-mass would the blood-sugar of the water-plankton be rising continuously look there again the feather of colour that is in her adolescence   touches the cold magnet of her gamut to disperse the cherry orchards now if the doors of this brown triangle be got open you can see on the screen one by one the projection of the apex-points of the red-palash and in the night-texture of the kathakali-kathak they are supplying continuously   small sun-shines in poly-packs
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Sep 13, 2010
Sep 13, 2010 at 5:34 PM UTC
a poem regarding evil-company
thus do learn how to tolerate the blow of wings of the most inflammable flesh after the successful sacrifice of the student-hostel jumping into the peacock-foams how dangerously is changing the total travel-route of the nail-polish in the high tide of the coconut-kernel that conquers the world today the water-pigeon gets pain only by the flute made of palm-leaf can’t be written the pleasure-trip in boat of the injured-knee night-queen that is deposited heavily on the collar of the village-moonlight even-then the gramophone would be playing on even-then the courageous pheasant would proceed further to throw towards the squirrel a dinner-sleep then all the daughters in disguise of birds certainly may come out from within the salted mosquito-net burning open-ground in their  eyes even after   the small boats of the fig leaves                       would slip from the chorus song of the roses then they are to be pulled forward to the river-bed of the late afternoon to make them understand again that such Xerox-centre which can ignore its metallic-birth does not grow even now  on either side of this muddy road so look at to see how the  epenthesis of the screwpine-leaf withdraws her beak from the old dome and pours all new mathematics into the compact-disc stitched with the back of the sea-tortoise if that’s not real how in the left and right such evil-company of the oxygen would creep if the next part of this commentary resumes from the umbilicus cavity of the x-mass would the blood-sugar of the water-plankton be rising continuously look there again the feather of colour that is in her adolescence   touches the cold magnet of her gamut to disperse the cherry orchards now if the doors of this brown triangle be got open you can see on the screen one by one the projection of the apex-points of the red-palash and in the night-texture of the kathakali-kathak they are supplying continuously   small sun-shines in poly-packs
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49
High on a hill our grandparent’s home stood, Its majesty in stone cast a haunted look, Light glimmered from a paraffin lamp, Whilst outside it snowed on the geese, As they ran to their shelter, And the cows mooed on the fields above, And the goats cried in the barn. Mother pumped water from the well, We ran around collecting eggs, Granddad showed me how to milk a goat. In the evenings we gathered in the kitchen, The fire roared in the range, Granddad sat in his big chair, He burned anything just to keep warm, We thought it very strange. Mother worked at the big white sink, Knitted squares hung from a line, We made tiny plasticine dolls, They slept in plasticine beds, We drank Dandelion and Burdock, Ginger pop and Sarsaparilla, It came in enormous stone bottles, Dad got it every week from a man at the door. Most of the rooms were huge, bleak and bare, A room we called the playroom, Was carpeted with goat skins, There were jars of melted metal, Who knows why? We were told it was grandma’s jewelry, Melted to stop the Germans getting it in the war, In the long hall there was a dressing up chest, We loved to look inside. The bathroom was a scary place, There was a lion head toilet and a bath with lions feet, At night we went upstairs with a candle for light, We cuddled together to keep warm, One night we saw fairies at the window. Our aunty had a gramophone, Records all scattered around, We had to be careful where we trod, She loved Frank Sinatra and Bing Crosby, We didn’t understand. Our uncle slept on the top floor, In a huge brass bed, One day I took him a cup of tea, We were not normally allowed up there, He fixed broken cars they were all everywhere. He played late in the barn with his girlfriend. My grandmother slept downstairs, She always was very ill, Wrapped in bed in a pink bed shawl, We got her water from the spring, To cure her, but she died.
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Jun 17, 2010
Jun 17, 2010 at 3:20 PM UTC
Our Grandparents Place
High on a hill our grandparent’s home stood, Its majesty in stone cast a haunted look, Light glimmered from a paraffin lamp, Whilst outside it snowed on the geese, As they ran to their shelter, And the cows mooed on the fields above, And the goats cried in the barn. Mother pumped water from the well, We ran around collecting eggs, Granddad showed me how to milk a goat. In the evenings we gathered in the kitchen, The fire roared in the range, Granddad sat in his big chair, He burned anything just to keep warm, We thought it very strange. Mother worked at the big white sink, Knitted squares hung from a line, We made tiny plasticine dolls, They slept in plasticine beds, We drank Dandelion and Burdock, Ginger pop and Sarsaparilla, It came in enormous stone bottles, Dad got it every week from a man at the door. Most of the rooms were huge, bleak and bare, A room we called the playroom, Was carpeted with goat skins, There were jars of melted metal, Who knows why? We were told it was grandma’s jewelry, Melted to stop the Germans getting it in the war, In the long hall there was a dressing up chest, We loved to look inside. The bathroom was a scary place, There was a lion head toilet and a bath with lions feet, At night we went upstairs with a candle for light, We cuddled together to keep warm, One night we saw fairies at the window. Our aunty had a gramophone, Records all scattered around, We had to be careful where we trod, She loved Frank Sinatra and Bing Crosby, We didn’t understand. Our uncle slept on the top floor, In a huge brass bed, One day I took him a cup of tea, We were not normally allowed up there, He fixed broken cars they were all everywhere. He played late in the barn with his girlfriend. My grandmother slept downstairs, She always was very ill, Wrapped in bed in a pink bed shawl, We got her water from the spring, To cure her, but she died.
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53
Host maybe youre listening Tapping at a bridge bone, teleport fonhom I probably know it but... Like children asking a question about a complicated thing Simplified complicated things Till they didnt mean nothing like they had, When the gramophone, gammaray guts were still cramed in it
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May 20, 2015
May 20, 2015 at 12:31 AM UTC
Ostrich
you place me on your shelf right next to all the rest, a commodity priced according to which and whom are best. you shove me to the back so others may not see the person who would sit and reclaim you piece by piece. I am a bitterness unwavered by the winds I am an ice storm unstoppable in its onslaught I am a tornado festering on the countryside You are a man made up of turned shoulders and lowered eyes, a man who would much rather store things than to see them in use. Your fingers may peruse the cylinders of my being, it may be graced by the loveliness of your cold touch. However it is fleeting, and I grow cold from disuse. I am the item on your shelf I am the mirror casually ignored I am the gramophone screaming its discordant hymn I am the void rearing its sickening maw, waiting and watching for my prey to wander helplessly into my gaping esophagus I am the bat wing, leathery and clinging to the cartilage of the world. I am the item on the shelf, high above the world, looking down onto the ants who scurry and shimmy to try to ascend. They will not ascend because God didn't make ants in order to fly.
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Oct 12, 2013
Oct 12, 2013 at 9:16 PM UTC
flying ants
Sunday morning, pit-pit patter on my window panes hot beverage, blurred vision old gramophone playing in the next room. Oh, how she loves music! 40 years of marriage, her hair still smell like fresh jasmine broken glasses, shallow pockets. Her radiant smile, wet hair I sniff the jasmine in the air around. Love marriage, college affair Love letters, and library meetings. old days, fresh memories. She peers out from behind the door. Her wrinkled skin, mine too. Her lips part as she hums along to old gramophone playing in the next room. Oh, how she loves music!
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Mar 16, 2015
Mar 16, 2015 at 2:50 PM UTC
She loves music
when it rains, each little drop brings forgetfulness, in my closed world, each little sound brings you away from me, each cling of glass reminds me of an old forgotten place - in black and white - gramophone, dancing children, empty room, porcelain cups painted with roses My white gown on green dots, Someone calling my name from so far away, fading familiar faces, sound of train, until I come back in my deja vu childhood and find you again... -nour- June-013
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Jun 10, 2013
Jun 10, 2013 at 12:06 PM UTC
Memories ~
I dreamt once that I danced with you. Fox trot, White dress, Dim lit room. I looked more like my grandmother than myself But you just looked a better version of you. No needle marks in sight. You told me you liked us this way, No fighting, Everything clear, reality perfectly defined. No confusion, nothing bad, Just us, a gramophone, love, And just when I don't need it most, An alarm clock to wake me up. And the sound is no dancing tune. It is As harsh and loud And crass As the you who stirs beside me, As unromantic as a broken record.
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May 29, 2013
May 29, 2013 at 6:12 PM UTC
Fragmented Refrain
This Boyhood’s End was mine too, but through its music’s dance, not just Hudson’s farewell to a natural world of exotic flowers and flocks of birds on the great plains of the pampas. In Tippett’s suite of songs I first found that ecstasy of word-rhythm wedded to melodic contour held in place by a singer’s voice, and a pianist’s touch of harmony grafted from a play of parts. Sitting on my bedroom floor ear close to the gramophone, thirteen and already enamored, I listened over and again to this cantata that has for so long held the key to the very door of music . . . Music may be a notion like ‘God’ or ‘love’. Everyone identifies with it, but it is composers who live to fathom its depths and sound out its mystery.
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Dec 4, 2013
Dec 4, 2013 at 3:11 PM UTC
Boyhood's End
i treat you like an old favorite record i turned on the radio and heard a poppy song it was easy for it to interest me and easier for me to end up switching the station my friend brought me to an opera i could still hear the perfection flowing and shivers growing inside me like mushrooms on humid lands but you are an old loved record that never leaves the turntable with scratches carved into you after spins for the lonely soul
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Mar 27, 2015
Mar 27, 2015 at 12:56 PM UTC
gramophone memories
We in the attic blanketed with dust Waiting stiffly until The Beaumont's leave, Us portraits and mannequins stuck like rust Wearing fluffy clothes the butler would weave. They leave, we awaken and run downstairs To see the table full of wine and mess We gather around, the gramophone blares The butler screams, that old Anderson Wes He looked as though he never saw a feast Ran stupidly shaking like a drunk man 'Til the portrait of Paul said to the beast, "You're waking the neighbors, here have some flan!" Eyes bulging, eyes fuming old Wes breaks down His allergy got the very best of him Rolling on the floor covered in a frown We watched and listened his life on a limb. "He ruined the party!" cried Ms. LeBoot, We were in uproar, covered in white noise But then stood Mr. Crowser in his suit Headless, but strong with a booming tight voice. He said, "We shall not let his death be vain, As butler Wes would see this to the end Now let us dine and let us feast through pain And unveil this dust, with drink it will mend!"
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Jun 24, 2013
Jun 24, 2013 at 10:21 AM UTC
Evening Party by Victor Vilner
The sky is a giant gramophone of the valley flowers. from a brooding repertoire of pin-disks singing to me in the hymns rumbling out song This late dusk, I am the last sheep that got lost from the herd, now heading across the pass in the hope of finding my home. All my life is on trial now. You are all the people here and I am in the dock. All that I have been brings me here. I see amused eyes, and eyes of suspicion. I know them eyes, these are your eyes these are your people, and I know you. To learn our language? I see dispersal, dismissal. trying, to learn your language. twirling in the men. I see disinterest. Girl from the high country I see your moustache don't learn languages no more. I see laughter, Yes that is what I have been Oh my holy heavens, that I see home in those eyes. And I said, hallelujah. at the edges painted red. have come misty-eyed And they said, come with us. There is a hope for home. A hearth here, not on flat. On a slope, I have to found what I could a fire there. Now I be over and laughter, all my hopes Moist corners ancient tongues speaking to my soul. from this far land come alive in tending to the home, embers break a Cossack girl where you and the children live. The rainbow carries, moments of reflections unlocking   to those distant shores  and tears like mist and rain.
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Jan 30, 2015
Jan 30, 2015 at 4:17 PM UTC
Finding home | The Hermit
*  : Janet E Steele* And what is the body? And what is a house? The body is home to pain, there was a mouth that held back a scream there are wounds that show the face of blood The body is home to the spirit of layover, and there he felt at home, listening to the song time, clock & heart rippled And what is a house? And what is the body? The house is an area where there is none the shadow of the body, in a corner gramophone placed & prayer sent to far. Home is where you come back from a small meeting, and there you are happy, because you have time to say love.
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Jul 23, 2017
Jul 23, 2017 at 9:45 AM UTC
About Someone Who Heard Mozart's Requiem in A Gramophone