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cheryl love Jul 2013
A great writer once said to himself a pen should always have ink.
Never once did Mr Gibbet believe this or he never planned to think.
Mr Gibbet was a loner, solitude was his trade, all day talking to walls
No one ever rang on the telephone so no weekend free calls.
He chatters to himself all day as if there was someone in the room
Making out the chair was his enemy and his best friend was the broom.
A strange little man, Mr Gibbet who believed in his faith The Good Lord
He knew that if you lived by the sword you died by the sword...
He took in little amounts of food pacing himself between his meals
Did not know what luxury was or top supermarket deals.
Made his own bread which tasted of stale, cheap flour.
Scraped the floor for droppings and made the bread sour.
Bet his stomach was of cast iron use to all known germs
Drinking had only on effect and that was to scare off worms.
Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets
Coop Lee Jun 2014
to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
MAKE war songs out of these;
Make chants that repeat and weave.
Make rhythms up to the ragtime chatter of the machine guns;
Make slow-booming psalms up to the boom of the big guns.
Make a marching song of swinging arms and swinging legs,
        Going along,
        Going along,
On the roads from San Antonio to Athens, from Seattle to Bagdad-
The boys and men in winding lines of khaki, the circling squares of bayonet points.

Cowpunchers, cornhuskers, shopmen, ready in khaki;
Ballplayers, lumberjacks, ironworkers, ready in khaki;
A million, ten million, singing, "I am ready."
This the sun looks on between two seaboards,
In the land of Lincoln, in the land of Grant and Lee.

I heard one say, "I am ready to be killed."
I heard another say, "I am ready to be killed."
O sunburned clear-eyed boys!
I stand on sidewalks and you go by with drums and guns and bugles,
        You-and the flag!
And my heart tightens, a fist of something feels my throat
        When you go by,
You on the kaiser hunt, you and your faces saying, "I am ready to be killed."

They are hunting death,
Death for the one-armed mastoid kaiser.
They are after a Hohenzollern head:
There is no man-hunt of men remembered like this.

The four big brothers are out to ****.
France, Russia, Britain, America-
The four republics are sworn brothers to **** the kaiser.

Yes, this is the great man-hunt;
And the sun has never seen till now
Such a line of toothed and tusked man-killers,
In the blue of the upper sky,
In the green of the undersea,
In the red of winter dawns.
Eating to ****,
Sleeping to ****,
Asked by their mothers to ****,
Wished by four-fifths of the world to ****-
To cut the kaiser's throat,
To hack the kaiser's head,
To hang the kaiser on a high-horizon gibbet.

And is it nothing else than this?
Three times ten million men thirsting the blood
Of a half-cracked one-armed child of the German kings?
Three times ten million men asking the blood
Of a child born with his head wrong-shaped,
The blood of rotted kings in his veins?
If this were all, O God,
I would go to the far timbers
And look on the gray wolves
Tearing the throats of moose:
I would ask a wilder drunk of blood.

Look! It is four brothers in joined hands together.
        The people of bleeding France,
        The people of bleeding Russia,
        The people of Britain, the people of America-
These are the four brothers, these are the four republics.

At first I said it in anger as one who clenches his fist in wrath to fling his knuckles into the face of some one taunting;
Now I say it calmly as one who has thought it over and over again at night, among the mountains, by the seacombers in storm.
I say now, by God, only fighters to-day will save the world, nothing but fighters will keep alive the names of those who left red prints of bleeding feet at Valley Forge in Christmas snow.
On the cross of Jesus, the sword of Napoleon, the skull of Shakespeare, the pen of Tom Jefferson, the ashes of Abraham Lincoln, or any sign of the red and running life poured out by the mothers of the world,
By the God of morning glories climbing blue the doors of quiet homes, by the God of tall hollyhocks laughing glad to children in peaceful valleys, by the God of new mothers wishing peace to sit at windows nursing babies,
I swear only reckless men, ready to throw away their lives by hunger, deprivation, desperate clinging to a single purpose imperturbable and undaunted, men with the primitive guts of rebellion,
Only fighters gaunt with the red brand of labor's sorrow on their brows and labor's terrible pride in their blood, men with souls asking danger-only these will save and keep the four big brothers.

Good-night is the word, good-night to the kings, to the czars,
        Good-night to the kaiser.
The breakdown and the fade-away begins.
The shadow of a great broom, ready to sweep out the trash, is here.

One finger is raised that counts the czar,
The ghost who beckoned men who come no more-
The czar gone to the winds on God's great dustpan,
The czar a pinch of nothing,
The last of the gibbering Romanoffs.

Out and good-night-
The ghosts of the summer palaces
And the ghosts of the winter palaces!
Out and out, good-night to the kings, the czars, the kaisers.

Another finger will speak,
And the kaiser, the ghost who gestures a hundred million sleeping-waking ghosts,
The kaiser will go onto God's great dustpan-
The last of the gibbering Hohenzollerns.
Look! God pities this trash, God waits with a broom and a dustpan,
God knows a finger will speak and count them out.

It is written in the stars;
It is spoken on the walls;
It clicks in the fire-white zigzag of the Atlantic wireless;
It mutters in the bastions of thousand-mile continents;
It sings in a whistle on the midnight winds from Walla Walla to Mesopotamia:
Out and good-night.

The millions slow in khaki,
The millions learning Turkey in the Straw and John Brown's Body,
The millions remembering windrows of dead at Gettysburg, Chickamauga, and Spottsylvania Court House,
The millions dreaming of the morning star of Appomattox,
The millions easy and calm with guns and steel, planes and prows:
        There is a hammering, drumming hell to come.
        The killing gangs are on the way.

God takes one year for a job.
God takes ten years or a million.
God knows when a doom is written.
God knows this job will be done and the words spoken:
Out and good-night.
        The red tubes will run,
        And the great price be paid,
        And the homes empty,
        And the wives wishing,
        And the mothers wishing.

There is only one way now, only the way of the red tubes and the great price.

        Well...
Maybe the morning sun is a five-cent yellow balloon,
And the evening stars the joke of a God gone crazy.
Maybe the mothers of the world,
And the life that pours from their torsal folds-
Maybe it's all a lie sworn by liars,
And a God with a cackling laughter says:
"I, the Almighty God,
I have made all this,
I have made it for kaisers, czars, and kings."

Three times ten million men say: No.
Three times ten million men say:
        God is a God of the People.
And the God who made the world
        And fixed the morning sun,
        And flung the evening stars,
        And shaped the baby hands of life,
This is the God of the Four Brothers;
This is the God of bleeding France and bleeding Russia;
This is the God of the people of Britain and America.

The graves from the Irish Sea to the Caucasus peaks are ten times a million.
The stubs and stumps of arms and legs, the eyesockets empty, the cripples, ten times a million.
The crimson thumb-print of this anathema is on the door panels of a hundred million homes.
Cows gone, mothers on sick-beds, children cry a hunger and no milk comes in the noon-time or at night.
The death-yells of it all, the torn throats of men in ditches calling for water, the shadows and the hacking lungs in dugouts, the steel paws that clutch and squeeze a scarlet drain day by day-the storm of it is hell.
But look! child! the storm is blowing for a clean air.

Look! the four brothers march
And hurl their big shoulders
And swear the job shall be done.

Out of the wild finger-writing north and south, east and west, over the blood-crossed, blood-dusty ball of earth,
Out of it all a God who knows is sweeping clean,
Out of it all a God who sees and pierces through, is breaking and cleaning out an old thousand years, is making ready for a new thousand years.
The four brothers shall be five and more.

Under the chimneys of the winter time the children of the world shall sing new songs.
Among the rocking restless cradles the mothers of the world shall sing new sleepy-time songs.
Your name is Filbert.
I'd rather use you as Fill.
Fill, gods may have put you here
for a victimless chatter,
but I'll bring you up
with the nonsense charge to meet
false expectations. I know
we don't see heart-to-heart, that
parting shouldn't stop us
from connecting the pesky
dots of our pupils. Let's learn
to be adult about this
uncontrolled glowing.
Your flighted fancies
can't leave the tarmac
without making one feel bold,
another frightened,
and everyone is a skosh
confused in the end.
I hope it doesn't bound
too negative. I meant well.
This work is licensed under a Creative Commons Attribution 3.0 License.
1

Suddenly, out of its stale and drowsy lair, the lair of slaves,
Like lightning it le’pt forth, half startled at itself,
Its feet upon the ashes and the rags—its hands tight to the throats of kings.

O hope and faith!
O aching close of exiled patriots’ lives!
O many a sicken’d heart!
Turn back unto this day, and make yourselves afresh.

And you, paid to defile the People! you liars, mark!
Not for numberless agonies, murders, lusts,
For court thieving in its manifold mean forms, worming from his simplicity the poor man’s wages,
For many a promise sworn by royal lips, and broken, and laugh’d at in the breaking,
Then in their power, not for all these, did the blows strike revenge, or the heads of the nobles fall;
The People scorn’d the ferocity of kings.

2

But the sweetness of mercy brew’d bitter destruction, and the frighten’d monarchs come back;
Each comes in state, with his train—hangman, priest, tax-gatherer,
Soldier, lawyer, lord, jailer, and sycophant.

Yet behind all, lowering, stealing—lo, a Shape,
Vague as the night, draped interminably, head, front and form, in scarlet folds,
Whose face and eyes none may see,
Out of its robes only this—the red robes, lifted by the arm,
One finger, crook’d, pointed high over the top, like the head of a snake appears.

3

Meanwhile, corpses lie in new-made graves—****** corpses of young men;
The rope of the gibbet hangs heavily, the bullets of princes are flying, the creatures of power laugh aloud,
And all these things bear fruits—and they are good.

Those corpses of young men,
Those martyrs that hang from the gibbets—those hearts pierc’d by the gray lead,
Cold and motionless as they seem, live elsewhere with unslaughter’d vitality.

They live in other young men, O kings!
They live in brothers, again ready to defy you!
They were purified by death—they were taught and exalted.

Not a grave of the ******’d for freedom, but grows seed for freedom, in its turn to bear seed,
Which the winds carry afar and re-sow, and the rains and the snows nourish.

Not a disembodied spirit can the weapons of tyrants let loose,
But it stalks invisibly over the earth, whispering, counseling, cautioning.

4

Liberty! let others despair of you! I never despair of you.

Is the house shut? Is the master away?
Nevertheless, be ready—be not weary of watching;
He will soon return—his messengers come anon.
Jamie King Mar 2015
Flummoxed,
In labyrinths of
Baleful forests with
eyes of gibbet makers
and buried undertakers.
In gloaming sights,
hobbling towards the light.
The silver teeth of
obeisance sundering will,
plundering peace,
blazoning smiles of
malicious beings.
Hello painters hope you enjoy the imagery
Thomas Thurman May 2010
I thought I saw an execution there.
The fascinated public gathered round.
The cheerful hangmen stripped the victim bare
And built their gibbet high above the ground.
The rope was taut, my wildness filled with fear.
I saw him fall.  I heard his final cry.
Yet when the hangmen left I ventured near
To find my fault: I'd never seen him die.
In fact, I think he'd died some years ago.
There's blackness of decay in every breath.
The sound of flies was all that's left to grow,
Now free to come and feast upon his death;
Prince of the trees, I have a simple plea:
I will not die till death has come to me.
neth jones Mar 2022
gallows on the rooftop
where window washers go
                            to suspend
metal gibbet
            quick hinge, raise and lock
secure against the weather

whipped                                
  combed and packed snow
    ice crusted dunes
strain the winds over the buildings roofing
                                 an extreme combing exposure
                                
doubtlessly
they'll be no labor done today

On the seventh floor
i watch from behind
              an environment sealed window
              wolfing my lunch on a short break
                                in the warm fire escape

i watch
a solitary worker is ejected from a hatch in the exterior wall
                                      cuffed by a spasm of wind
he descends a short bolted ladder
              and makes a geared approach
crouching
his weight against the wind  
          he drags a heavy kit
            mummified in protective clothing
              passing my spot and he then heads outward
                    towards the bounds of the rooftop
he mends a stable stance
one foot close to the edge
the rest of him
in a low defensive pose
clips his harness to the gallows
stands to take a confident beating
            of the breath stealing
                      brawling winter gale
he radios for the gantry to be raised
10/11/21
Rangzeb Hussain Jun 2010
Know the dominion of the beasts,
For therein dwells the lurking hellspawn,
Let ravens pluck out mine eyes
As to the gallows tree I go,
Hang my dreaming head in disgrace,
Encase me in a jaded iron gibbet,
Forever let the creaking flutter through the bars of desolation,
Rip out this raging heart so false,
Shatter with heavy pincers my teeth of pure rot,
Be not so kind to this tongue which rasps a trail of saliva lies,
Nails long and hard strike like hammers sharp
Into me they please pin,
Pain, sweet burning pain,
True, the only truth, is pain of love,
Spikes clatter into me,
Come, all you there, slash my autumnal flesh,
Under skies of oblivion suicide leave me evermore,
Barking branches scaly with age, wrinkled hate,
To me they scratch and tear, waltz to this tune,
Oh, face old of mine, dance you now,
Noose knotted with stringy sweat wrapped with cold rope,
Sink this does into my wrists and neck of mossy meat,
The rope cuddles into my skin and settles down to rest,
Let my red rain splash out in rivulets,
Bones crippled beyond torture,
My tattered arms swing a limp jig with the fair wind,
Hairy evening shadows snarl towards me,
Eyes of this night search for eternal light,
Immortality lies in the trap of rats that by us sleep
Day to day, from mourn to grave and so to everlasting grief,
History is twisted by the fist of the stained victor,
Rose thorns round about me twine like barbed veins,
Pulses throb through my corrupted blood,
Dead is innocence, all defiled and exposed she lies,
Wasps of poison bury themselves into me,
I feel the gnawing of flies as they burrow through the tunnels of my lungs,
How truly sublime, I stretch here expiring
Whilst all over me life is transpiring in a cycle of vibrancy,
Here I am then, a human compost heap,
Care not I for honey rose vipers that spiral between my toes,
Larvae, slugs and speckled eggs are laid in my torn nose,
Wonder of hatching birth so soon by the harsh light
Of a baleful moon that keeps mute vigil as my soul is devoured,
Witness now how my spineless heap shall become fertile,
More use will I be as muddy earth than false flesh and ****** broth,
Never again shall I creep whilst the gentle grass whistles past,
Blind to this glory road of reborn voices was I once,
A natural symphony breezing colours never before beheld,
My ears only heard the cacophony of polluted *******,
Dead to courage was I, witless beyond scales of measure,
Fear eats the soul, gorges on it, wet lips digesting raw courage,
Not anymore for me this hateful way of retreat,
Hang my songs I say and be done with it, freedom wings await,
Make no more warm my corpse, let the blood chill to a standstill,
Darkness lights my ragged way, homeward bound nevermore,
Clenched concrete knuckles scrape my eyelids,
Still I bear witness to a sight fearful, wide open and blind,
Unfaithful heart once so wild and carefree, now trapped in my dead ribcage,
Release steps my way, but for you heart no escape,
Simple foolish beating muscle of mine once so proud now so helpless,
Rage against thy prison walls of meaty flesh,  
Thrash and pulse, throb your drumming tune no more,
Be at ease you tireless ***** player, music within me dies,
I shudder spasms of painful pangs, fluttering with the briny sea breeze,
Gulps of molten rust braze through my open windpipe,
Such tender tragedies do I endure,
Steep spires from dales near pierce my stricken ears,
Frozen worms of yesterday snuggle under decaying fingernails,
Fog whispers on the mournful barrows,
Nothing stirs near my dread place of execution,
Wrapped in autumn leaves I lie strung and swaying,
Indeed, it is me who is now part of the bark and weeds,
Plague snakes furrow into my hollow stomach, marching inwards,
Apples of late summer decompose against my winter body,
Sweetness denied to me, soul eater hungry with empty holes,
Blossom so pink and fragrant wafts through the gloom,
Seasons have become drunken and confused,
What once was Winter twists into Summer, Spring coils into Autumn,
Must come a time for a suicide of reckoning,
Life blood boils on the canvas,
Colours of the soul shrouded shades, chasms so far apart,
So short, so brief was my dream of idle days long gambled,
Dim distant that road now seems, behind over my crippled shoulders,
Stars burning with my final plight,
Fame never was my aim, cruel fate ensnared me in a vital grip,
All barren is the world of human rule, nothing but folly,
Let me curl in your boughs that by me lie, sleep eternal,
In these branches that now cradle me, gently rock my weary limbs,
Night winds brush my hair, worldly cares drip off me,
At this late hour, as I no more drift, away to forgetfulness I glide,
Bliss so smooth by me stands,
Stars so high are extinguished one by one, winking as they expire,
I will travel with them methinks,
To places unknown I shall go,
No fear accompanies me, I journey alone with millions alongside me,
The time of glow worms slides over my exhausted corpse,
Cosmic galaxies swiftly cloudy and milky,
Pastures filled with random harvests, biology and chemistry blend with whirling pace,
Be at ease now, I hover over solemn lands,
My sightless soul wings into the mouth of a mighty cave,
There she waits, a lady complete of cold,
This frost daughter welcomes me with fiery fingers,
Price of skin I pay, there the bargain is stroked in ink dipped from my iced veins,
I am reborn, and I see myself through my child’s eye,
I have no mouth yet I itch to scream,
Become have I now nothing more than a voiceless ice worm,
Remember me for one who never forgot,
Dreamy night with talons, ******* rusty blood,
Creaking skeleton mine, dust of ages now,
Islands in search of continents, drowned oceans sailing for thirst,
One speck of truth contains more fear than mighty deserts of water,
No sense in this, unreal rose, falsely it speaks of truth,
I waited by the portal of time, grew grey with age,
Yet still no sign of you at the gates,
Thou hast been sidetracked by the green-eyed serpent that yonder by you lies,
In the deep ravine valley of wailing desolation,
Mayhap we may truly exchange words, but it does not seem soon,
Still, here I scratch my wrinkled skin and grow old like a child,
Bury me in the graveyard of truth where eagles gorge on souls,
The ghost road will go ever on
And I will limp behind,
In front of me a long line of suicidal grief relief,
Behind me I see nothing but me,
Even my shadow has deserted and left for places less forlorn,
The moment has arrived for me to knock on coffin doors
And hear the songs of truth,
Come, join me, gather together,
Let us sleep eternal,
Death comes.



©Rangzeb Hussain
Shaded Lamp Nov 2015
Dizzy daydream
Falling to the sky
Fizzing fingertips
It's too late to cry

Muscle spasms
Invisible straight-jacket
Anvil on my breast
Brokkr strikes the red hot gibbet

Sparks fly
Into the sooty black
Anvil cracks
There's no turning back

Dimming embers
Just a feeble glow
Black soot freezes
Falls as bright white snow
mark john junor May 2014
spanish rose lingers in the corner
with some french sailor who is
just a breathing caricature
illustrated in ink and animated by alcohol
his four letter word vocabulary with deluxe cardboard delivery
but its his eyes that capture you
swimming in hundred proof they are
wise with miles of years
and wicked in a smoky dark room way
but she is too busy to notice
flirting with the stranger across the room
a traveling salesman with boxes
of rusty trinkets for crafty sale

meanwhile old jack is swinging on the gibbet
talking away the hours with his old flame and friends
he is a threadbare imitation of me
and that suits you fine
long as its three meals and a slice of pie
the essentials of easy living wrapped up in a lace hanky
its a little ***** and on the down low
but the whole digging in some
rich kids ***** laundry for loose change
never appealed to you all that much
so attached to old jack come to make your stand
both barrels smoking hot and ready to let loose
should any fool step to the line

we all watched with amusements
as the magician open his show with a shock and awe
that sputtered and fell
but we all loved his punch lines so much that we
cheered him on all night
the chorus girls got us all up and dancing little past three
and the suave singer had us cheek to cheek by dawn
it was another night to remember to be sure
memorable as stumpy swimming with the gators
we all shuffle barefoot in the sand
to our dusty beds
and dream sweetly of fiveash romance novella endings
and the beauties of dawn
we will be up to no good once more
all loud and proud
young and full'a *****
as a spring moon crests over seaside town
Liz B Jul 2010
NOT YET –
mad is the little girl, tongue to teeth
sliver drinking the draft
        of a pleasure clap in the dark
and dining wire bound
        on the stock of recession shelves.



SOMEHOW –
white winds the hell picket fence *****
sterile wrapping her house
on stilts termite vein unsteady
and hiding the beryl murk
of its smudge-empty panes.



NOT LET –
fail is the innocent, laurel hung
slack dangling on the vine
from a hickory gibbet down grown
and twitching in the zephyrs
of prayer stammer and stench.
Michael John Nov 2018
i

let´ s be birds
repulsive creatures
though they saved
my bacon i
on a few
occasions

when in the jungle
when there is silence
lily is jane
i liked hairy women..parenthesis..
i found their gossamed armpits
a delight
fine as a bird´ s underbelly
ah yes birds
prophosize the future
so when you hear their
happy little voices in the
morning

ii

excuse me i am trying
not to go into shock
i was bitten by something
my hand is bright red
and pained tingling
runs amok..
in the jungle
there are so many death..parenthesis

iii

a few years i was bitten
by a snake
i was trying to help
and grabbed it´ s pretty tail
you will be happier over there
yonder green..
but the ungrateful little *******
sunk his fangs into my hand..
and i eased the back of his delicate
skull like a miracle from god..
and prised his delicate jaw asunder
i thought that will teach me to interfere
put him in the grass..


iv

birds..
let us be..we have a lot of blackcaps..
quite a lot of jays
though it has been years
since i have seen
then hoopoe
i like them
man bird
who does not
love and fear the
waxen wing..
the sparrows laugh
the blackbird like
some gibbet´ s shadow
outside my window
the pyramid
and golden eye
the seagulls don´ t care..
sometimes what sit of
goldfinches arrive like
gatecrashers and it is
a thunderbird..lol
****..we all panic like
detroit..
i watch the crane
like dinosaur
slide across the sky..
there is a stray parrot
abroad
our ducks were murdered
one windy night..
but the parrot silent
once i thought about a robin
and it appeared
i thought that weird
and it said well
we have some vulture
lily stop that
no
we
don´ t
....

v
Obadiah Grey Dec 2011
Ode to David Cameron.

This day upon a gibbet stage;
there will Thoth be hung,
alas no more to turn a page
o' Einstein Freud; or Jung.

to dance the jig 'pon corbled rig
to swing there; decomposing,
where bibliophiles and sacred files
lament the libraries; you are a closing.
Dark n Beautiful Aug 2015
The way I read your mind
Is the same as sign language in your poetry?

Poetry is the chiseled marble of language;
It’s a paint-spattered canvas - but the poet uses words instead of paint,
and the canvas is you:


You borrow a phrase, and hanged it like a gibbet,
That meant nothing for us: it was so ribbit ,ribbit
You sat there on the log and watch as the frogs
Jump from Lilly pad to lily pad: in the dusky fog
The frozen frogs’ moves, your words croaked

we decipher your deepest fears,
so why do you filled the pond with the splashing tears?
Henry Brooke Oct 2014
Hear the warden mumble,
Oh, count his every steps.
Hide away your treasures,
and clean away the mess.

Metal hinges an omen,
their shriek means nothing good.
Hold of your breath and heartbeat
as the corpse does in the woods.

Glue your teeth together
Oh, put your fears aside.
Jump into the bunk bed,
convinced it's only lies.

Catch a drop of moisture,
Running down your cheek.
The ceiling upstairs is leaking,
just as it has been for weeks.

Focus on the thunder,
Oh, count each brutal ray.
Notice the cladded boot-heels
Get closer every day.

Dream of that cruel sentence,
the one that wakes up to ****.
Imagine feeling empty,
your mind completely still.

Reopen the old memories,
the ones you thought you'd lost.
Kiss those vague companions,
which's faces you've forgot.

Calm those inner voices,
Oh, believe there's no despair.
Yet smell a fire burning,
Under the gibbet's stairs.
Trapped.
Collette Abatta Jan 2012
Lips parted, wet to smother
me, and
The galvanized gibbet of your stare . making myself small . knees to the floor
Swallowing my own unquiet heart the battery acid bite of ****** foreboding
I require your alms approximately once every 18.75 hours
Pitiful, fragile: a dove with two broken wings
For this, I yearn for the heavy hand of your regard
Render my flesh to the pulp of my ancient beginnings . born again
If you are willing, I am able . I pray
I will look to you . your appalling prophet . made whole in my unholiness
And I
Fling myself to flagellate my prostrate body upon the temple stairs
Each bruise after counted
My proof, bludgeoned on a tablet of tissue.
I will guild the seed of your mercy . bind it in stained glass . idol for my reliquary .
I have played Mary: both of her faces
By the Book
but only to drive away
So many to alien lands, discovered as a *****
Unable to accept my enormous blood debt—
Condemn me, the abomination: I beg
It is my calling
Shove that cross into my arms, nails and all
I will drag my carcass forward through the spitting masses
My heart, full of rapture.
January 18, 2012
Olivia Kent Jan 2014
Playing on the Midnight Bridge

Gyrated at midnight.
Restless spirit.
Atmospheric, ethereal.
Vaguely visible through the smog.
Under the bridge of sighs.
He once cried.
The air infiltrated with wails of despair.
His pain cried louder than his voice.

Noble noose with its own perspective.
His treasured prize had gone.
Slipped as he blundered into night.
Forlorn.
A mistake not turning back.
Bridge became gibbet.
Dropped fast.
And he swung as he hung.
His heart destroyed by disloyal lover
Girlfriend committed greatest treason.
And he hung by Traitor’s Gate.

By ladylivvi1

© 2014 ladylivvi1 (All rights reserved)
nicholas ripley Jul 2014
Having skipped through fresh bloomings of
Lesser Celandine, feet numb to their shiny hearts;

one-foot-spanned the wild River Beal,
the other missed, trailed, became sodden.

Green eyes scanned, surveyed the horizon, with its path
to Gallows hill, so with one foot cold he ascended;

Tarmac pounded his heart, as words,
from god-knows-where, flushed synapses.

Perhaps it was the discord of former chains
ratting in the bleakness, crimes of dependencies

crying for release that swept his attention on the wind,
or a lapse into timeless genetics, coursing naturally.

He died up there, left a ghost on a former gibbet,
then descended to the Beal's banks of Yellow Flag Iris.

June 2014
mark john junor May 2016
a spanish rose, she lingers in the corner
with some french sailor who is
just a breathing caricature
illustrated in ink and animated by alcohol
his four letter word vocabulary with deluxe cardboard delivery
but its his eyes that capture you
swimming in hundred proof they are
wise with miles of years
and wicked in a smoky dark room way
but she is too busy to notice
flirting with the stranger across the room
a traveling salesman with boxes
of rusty trinkets for crafty sale

meanwhile old jack is swinging on the gibbet
talking away the hours with his old flame and friends
he is a threadbare imitation of me
and that suits you fine
long as its three meals and a slice of pie
the essentials of easy living wrapped up in a lace hanky
its a little ***** and on the down low
but the whole digging in some
rich kids ***** laundry for loose change
never appealed to you all that much
so attached to old jack come to make your stand
both barrels smoking hot and ready to let loose
should any fool step to the line

we all watched with amusements
as the magician open his show with a shock and awe
that sputtered and fell
but we all loved his punch lines so much that we
cheered him on all night
the chorus girls got us all up and dancing little past three
and the suave singer had us cheek to cheek by dawn
it was another night to remember to be sure
memorable as stumpy swimming with the gators
we all shuffle barefoot in the sand
to our dusty beds
and dream sweetly of fiveash romance novella endings
and the beauties of dawn
we will be up to no good once more
all loud and proud
young and full'a *****
as a spring moon crests over seaside town
#love #romance #dance #devil
John F McCullagh Jan 2019
Dearest creature in creation
Studying English pronunciation,
   I will teach you in my verse
   Sounds like corpse, corps, horse and worse.

I will keep you, Susy, busy,
Make your head with heat grow dizzy;
   Tear in eye, your dress you'll tear;
   Queer, fair seer, hear my prayer.

Pray, console your loving poet,
Make my coat look new, dear, sew it!
   Just compare heart, hear and heard,
   Dies and diet, lord and word.

Sword and sward, retain and Britain
(Mind the latter how it's written).
   Made has not the sound of bade,
   Say-said, pay-paid, laid but plaid.

Now I surely will not plague you
With such words as vague and ague,
   But be careful how you speak,
   Say: gush, bush, steak, streak, break, bleak ,

Previous, precious, fuchsia, via
Recipe, pipe, studding-sail, choir;
   Woven, oven, how and low,
   Script, receipt, shoe, poem, toe.

Say, expecting fraud and trickery:
Daughter, laughter and Terpsichore,
   Branch, ranch, measles, topsails, aisles,
   Missiles, similes, reviles.

Wholly, holly, signal, signing,
Same, examining, but mining,
   Scholar, vicar, and cigar,
   Solar, mica, war and far.

From "desire": desirable-admirable from "admire",
Lumber, plumber, bier, but brier,
   Topsham, brougham, renown, but known,
   Knowledge, done, lone, gone, none, tone,

One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel.
   Gertrude, German, wind and wind,
   Beau, kind, kindred, queue, mankind,

Tortoise, turquoise, chamois-leather,
Reading, Reading, heathen, heather.
   This phonetic labyrinth
   Gives moss, gross, brook, brooch, ninth, plinth.

Have you ever yet endeavoured
To pronounce revered and severed,
   Demon, lemon, ghoul, foul, soul,
   Peter, petrol and patrol?

Billet does not end like ballet;
Bouquet, wallet, mallet, chalet.
   Blood and flood are not like food,
   Nor is mould like should and would.

Banquet is not nearly parquet,
Which exactly rhymes with khaki.
   Discount, viscount, load and broad,
   Toward, to forward, to reward,

Ricocheted and crocheting, croquet?
Right! Your pronunciation's OK.
   Rounded, wounded, grieve and sieve,
   Friend and fiend, alive and live.

Is your r correct in higher?
Keats asserts it rhymes Thalia.
   Hugh, but hug, and hood, but hoot,
   Buoyant, minute, but minute.

Say abscission with precision,
Now: position and transition;
   Would it tally with my rhyme
   If I mentioned paradigm?

Twopence, threepence, tease are easy,
But cease, crease, grease and greasy?
   Cornice, nice, valise, revise,
   Rabies, but lullabies.

Of such puzzling words as nauseous,
Rhyming well with cautious, tortious,
   You'll envelop lists, I hope,
   In a linen envelope.

Would you like some more? You'll have it!
Affidavit, David, davit.
   To abjure, to perjure. Sheik
   Does not sound like Czech but ache.

Liberty, library, heave and heaven,
Rachel, loch, moustache, eleven.
   We say hallowed, but allowed,
   People, leopard, towed but vowed.

Mark the difference, moreover,
Between mover, plover, Dover.
   Leeches, breeches, wise, precise,
   Chalice, but police and lice,

Camel, constable, unstable,
Principle, disciple, label.
   Petal, penal, and canal,
   Wait, surmise, plait, promise, pal,

Suit, suite, ruin. Circuit, conduit
Rhyme with "shirk it" and "beyond it",
   But it is not hard to tell
   Why it's pall, mall, but Pall Mall.

Muscle, muscular, gaol, iron,
Timber, climber, bullion, lion,
   Worm and storm, chaise, chaos, chair,
   Senator, spectator, mayor,

Ivy, privy, famous; clamour
Has the a of drachm and hammer.
   *****, ***** and possess,
   Desert, but desert, address.

Golf, wolf, countenance, lieutenants
Hoist in lieu of flags left pennants.
   Courier, courtier, tomb, bomb, comb,
   Cow, but Cowper, some and home.

"Solder, soldier! Blood is thicker",
Quoth he, "than liqueur or liquor",
   Making, it is sad but true,
   In bravado, much ado.

Stranger does not rhyme with anger,
Neither does devour with clangour.
   Pilot, pivot, gaunt, but aunt,
   Font, front, wont, want, grand and grant.

Arsenic, specific, scenic,
Relic, rhetoric, hygienic.
   Gooseberry, goose, and close, but close,
   Paradise, rise, rose, and dose.

Say inveigh, neigh, but inveigle,
Make the latter rhyme with eagle.
   Mind! Meandering but mean,
   Valentine and magazine.

And I bet you, dear, a penny,
You say mani-(fold) like many,
   Which is wrong. Say rapier, pier,
   Tier (one who ties), but tier.

Arch, archangel; pray, does erring
Rhyme with herring or with stirring?
   Prison, bison, treasure trove,
   Treason, hover, cover, cove,

Perseverance, severance. Ribald
Rhymes (but piebald doesn't) with nibbled.
   Phaeton, paean, gnat, ghat, gnaw,
   Lien, psychic, shone, bone, pshaw.

Don't be down, my own, but rough it,
And distinguish buffet, buffet;
   Brood, stood, roof, rook, school, wool, boon,
   Worcester, Boleyn, to impugn.

Say in sounds correct and sterling
Hearse, hear, hearken, year and yearling.
   Evil, devil, mezzotint,
   Mind the z! (A gentle hint.)

Now you need not pay attention
To such sounds as I don't mention,
   Sounds like pores, pause, pours and paws,
   Rhyming with the pronoun yours;

Nor are proper names included,
Though I often heard, as you did,
   Funny rhymes to unicorn,
   Yes, you know them, Vaughan and Strachan.

No, my maiden, coy and comely,
I don't want to speak of Cholmondeley.
   No. Yet Froude compared with proud
   Is no better than McLeod.

But mind trivial and vial,
Tripod, menial, denial,
   Troll and trolley, realm and ream,
   Schedule, mischief, schism, and scheme.

Argil, gill, Argyll, gill. Surely
May be made to rhyme with Raleigh,
   But you're not supposed to say
   Piquet rhymes with sobriquet.

Had this invalid invalid
Worthless documents? How pallid,
   How uncouth he, couchant, looked,
   When for Portsmouth I had booked!

Zeus, Thebes, Thales, Aphrodite,
Paramour, enamoured, flighty,
   Episodes, antipodes,
   Acquiesce, and obsequies.

Please don't monkey with the geyser,
Don't peel 'taters with my razor,
   Rather say in accents pure:
   Nature, stature and mature.

Pious, impious, limb, climb, glumly,
Worsted, worsted, crumbly, dumbly,
   Conquer, conquest, vase, phase, fan,
   Wan, sedan and artisan.

The th will surely trouble you
More than r, ch or w.
   Say then these phonetic gems:
   Thomas, thyme, Theresa, Thames.

Thompson, Chatham, Waltham, Streatham,
There are more but I forget 'em-
   Wait! I've got it: Anthony,
   Lighten your anxiety.

The archaic word albeit
Does not rhyme with eight-you see it;
   With and forthwith, one has voice,
   One has not, you make your choice.

Shoes, goes, does *. Now first say: finger;
Then say: singer, ginger, linger.
   Real, zeal, mauve, gauze and gauge,
   Marriage, foliage, mirage, age,

Hero, heron, query, very,
Parry, tarry fury, bury,
   Dost, lost, post, and doth, cloth, loth,
   Job, Job, blossom, *****, oath.

Faugh, oppugnant, keen oppugners,
Bowing, bowing, banjo-tuners
   Holm you know, but noes, canoes,
   Puisne, truism, use, to use?

Though the difference seems little,
We say actual, but victual,
   Seat, sweat, chaste, caste, Leigh, eight, height,
   Put, nut, granite, and unite.

****** does not rhyme with deafer,
Feoffer does, and zephyr, heifer.
   Dull, bull, Geoffrey, George, ate, late,
   Hint, pint, senate, but sedate.

Gaelic, Arabic, pacific,
Science, conscience, scientific;
   Tour, but our, dour, succour, four,
   Gas, alas, and Arkansas.

Say manoeuvre, yacht and *****,
Next omit, which differs from it
   Bona fide, alibi
   Gyrate, dowry and awry.

Sea, idea, guinea, area,
Psalm, Maria, but malaria.
   Youth, south, southern, cleanse and clean,
   Doctrine, turpentine, marine.

Compare alien with Italian,
Dandelion with battalion,
   Rally with ally; yea, ye,
   Eye, I, ay, aye, whey, key, quay!

Say aver, but ever, fever,
Neither, leisure, skein, receiver.
   Never guess-it is not safe,
   We say calves, valves, half, but Ralf.

Starry, granary, canary,
Crevice, but device, and eyrie,
   Face, but preface, then grimace,
   Phlegm, phlegmatic, ***, glass, bass.

Bass, large, target, gin, give, verging,
Ought, oust, joust, and scour, but scourging;
   Ear, but earn; and ere and tear
   Do not rhyme with here but heir.

Mind the o of off and often
Which may be pronounced as orphan,
   With the sound of saw and sauce;
   Also soft, lost, cloth and cross.

Pudding, puddle, putting. Putting?
Yes: at golf it rhymes with shutting.
   Respite, spite, consent, resent.
   Liable, but Parliament.

Seven is right, but so is even,
Hyphen, roughen, nephew, Stephen,
   Monkey, donkey, clerk and ****,
   Asp, grasp, wasp, demesne, cork, work.

A of valour, vapid vapour,
S of news (compare newspaper),
   G of gibbet, gibbon, gist,
   I of antichrist and grist,

Differ like diverse and divers,
Rivers, strivers, shivers, fivers.
   Once, but *****, toll, doll, but roll,
   Polish, Polish, poll and poll.

Pronunciation-think of Psyche!-
Is a paling, stout and spiky.
   Won't it make you lose your wits
   Writing groats and saying "grits"?

It's a dark abyss or tunnel
Strewn with stones like rowlock, gunwale,
   Islington, and Isle of Wight,
   Housewife, verdict and indict.

Don't you think so, reader, rather,
Saying lather, bather, father?
   Finally, which rhymes with enough,
   Though, through, bough, cough, hough, sough, tough??

Hiccough has the sound of sup...
My advice is: GIVE IT UP!
Not one of mine but I thought it a fun look at our funny language
SøułSurvivør Jun 2017
The Dragon's Apprentice

When I left off in my last segment I mentioned Cricket. That's NOT her name, but none of the people in my tales of woe shall have their true names revealed (save family members).

Cricket was a flibberty-gibbet. The modern definition (and the archaic) are applicable. She was flighty. And an irresponsible gossip. But more than that, the girl was evil. A "fly by the gibbet" feasting on the rotting corpses of the convicts slain there. I don't believe she *meant
to be evil. She was (and is) an irresponsible person. She's a gypsy who lives life by the seat of her pants. She was a crack ******* addict. She was one of my suppliers later on in my life. But more on that later. Right now I'm going to tell you the dynamic of our relationship.

Her father and mother (and sister) targeted her sexually. She was a "problem child". So she moved in with us. She was 2 years younger than I. I was 13 when she moved in. We got along fine... at first. But I was an overweight teen. Not terribly attractive. After I lost the weight, due to illness, she became extremely jealous. We'd have terrible rows, some even physical fights. She'd "borrow" my clothing, and appropriate it. When I'd demand it back, she'd "somehow" stain it, or put holes in it. She'd tell her friends (especially male friends) awful things about me. But her worst attribute was her penchant for drugs. She was my supplier even back then. My mom has yet to forgive her for this, and her wayward ****** ways, which influenced me as well.

I'll never forget one incident. She brought home a couple of good lookin guys, a 1/2 ounce of very potent marijuana, and a brownie mix. Yup. She talked me into letting her make Alice B Tokeless brownies in my parent's home! I was afraid of the repercussions if my parents found out (though, quite honestly, the ethics of doing such a thing eluded me). But Cricket and her friends talked me into it. So the brownies were made. The whole house was permeated with the smell of baking chocolate & ***!

We each ate
one brownie, and were so high we got lost on a hike around the neighborhood! I lived on an old ranch in the desert. The Tucson Mountain foothills. Anyway, we were good n ******! Well. We returned to find my brother and his little friend had returned from hiking, also... and had eaten half the pan!

This may, on the face of it, seem humorous. But it was not! Those two little boys were high for three days! They were obliterated!

Now, granted, i didn't know my brother & his friend were home. I thought they'd gone to his friend's house. But, NO! They'd just gone on a hike and were nowhere in evidence when the brownies were made. But I got in SO much trouble! Cricket did, too, but because SHE was YOUNGER the brunt of the punishment was on me.

And that pretty much sums up our whole relationship. I was the cat's-paw. A role I was to carry on well into my adult life.

There's more on Cricket in my next segment. But I want to introduce another character in my comedic tragedy of errors also. Another girl who I will term
PILL**...


SøułSurvivør
(C) 6/17/2017
Sorry I haven't been around. Had a friend come in from out of town. I'll be reading a bit tonight, and will concentrate on doing the same tomorrow. But I HAD to write this. I want to conclude chapter 1 so my friend can read it. Thanks for understanding!
But in beginning, trust me well,
I shall make an invocation
With especial devotion
Unto the god of sleep anon,
Who dwells in a cave of stone
By a stream that comes from Lethe,
That flows out of Hell un-sweetly,
Near a folk men call Cimmerians.
There ever sleeps this god of dreams
With his thousand sleepy sons
For whom sleep ever is their wont.
And of this god whom I discuss
I pray that he’ll grant me success
My dream for to tell aright,
If over all dreams he has might.
And he that Mover is of all
That is and was and ever shall,
Grant them joy, who do this hear,
Of all that they dream this year,
And may they stand in good grace
With their loves, or in that place
Where they would most prefer to be,
Shield them from harm and poverty
And from misfortune and disease,
And send them what may them please
Who take it well and scorn it not
Nor condemn it in their thought
Through malicious inclination.
And whoever from presumption
Or hate or scorn, or out of envy,
Disdain, contempt or villainy,
Condemns it, pray I Jesus God
That – dream he barefoot, dream he shod –
Every harm that any man
Has known since the world began,
Befall him thereof, ere he end,
And grant he may the whole attend,
Lo, with such a conclusion
As he had, from his vision,
Croesus, King of Lydia, high
Who there upon a gibbet died!
This prayer shall he have of me;
For I am no better in charity!
Now hearken, as I have spoken,
To what I dreamed ere I had woken.
By Sir Geoffrey Chaucer
Russell Conrad Nov 2013
It's true that in my brevity of life, I was censured for trouble. Constantly considered the desponding mind of a normal boy, and why or how did I become what I am. My answer to them has always been the same, since I was just a child, your deplorable young blood has been ripped up. Thrown to the side for the gibbet by all the wrong scrupulous attitudes, and I'm running out of deference to give. The prodigious lies brought me here, and I'm glutted throughout the mind, soon to be forever blind.
Olivia Kent Sep 2013
The departed mortals.
Newly deceased stand at the crossroads.
Black candles drip wax.
In a dark musty cavern.
Smell of confusion.
Blind panic fills the air.
Was their time naturally right?
Did they pass after an age of ages past?

Were they the executioner's fodder?
Rapists from far continents.
Swinging high from gibbet.
Or did they die?
As casualties.
Gift from war,appallingly.
No pleasantries.
Send casualties not not to hell.
Most manipulated by powers that be.
Suicide maybe took a vengeful grip.
As down the road to hell they slip.
To be the devils morsels.
To tease the hounds of hell.

They listen for the missing bell.
The toll calls entry to heaven.
Infants and innocents.
Always get the ayes.
No time to commit mortal sin.
Queue moves slowly onward.
Ayes to the right.
Nays to the left.
One direction seals eternal fate.
Will it be hell's fires?
Or pearly gates!

By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Little Bear Jul 2016
I painted a new story
upon an untouched canvas

my own hands coloured
outside of the lines
and filled the walls
with a rainbow of colour

ridding me gladly
of the the fear,
the injustice

breaking the gibbet
from where i hung

giving me a salvation
from the spewing mass
of your bile

in simple water colours
my soul was healed

my heart reached out
and painted itself violet
wiping away my tears

while indigo
made me once more
complete

blue drowned your words
and they sunk
into the watery deep

green untied,
removing the shackles
and setting me free

yellow lifted my heart
filling it with the happiness
it so craved
giving an abundance
of peace

orange purged the venom
that was bitten into my skin
kissing the scar
that now marks your presence

and red

RED

Red was Glorious.

Red..
the scarlet fire burns
sears  
and refines

making me stronger
than i have ever been
painting is a beautiful therapy.. messy, but completely worth it :D
Chelsea Chavez Jan 2016
lying
silver lung


a thought (belonging) to darkness


full of violet, red coloured matter


loquacious parenthesis, admitting
of and how         - and redact


ere requisite gibbet


the mute parable of gate
dull eyes strangers a keep
strange of          of


the truly meaningless word


lathe,


there is a way to remove the clothes
with      out


silence of months


cruor of origins


belongings,
her winter hymn


gullet of marble


crop poached and gilt
in hematic bath of       of


the ashamed hum of wrongness


it is not interesting
carving yourself with a knife


the contents come out slowly
bruised-cask of ocher


her     of       she


lain out under stars
strewn in the lope of distress


a hind
untold



*last night, a body wandered off

showered in woolen eyes
not knowing how to love
This age of common purpose has no purpose in this age
all I see are people fighting and dear Mister William Shakespeare, no
the world is not a stage,more a gibbet where we hang our rage,we should hang our heads in shame,Call to our Gods and beg forgiveness
but
we know that won't be happening soon we've all got used to the thought that doom is just another four letter (and I can do better than that kind of) word.

Call for peace,prepare a war what the hell are we fighting for?
Man is going down the pan and we'll all be flushed away,today ,tomorrow,not yesterday 'cause that has been and gone and we're still here carrying on as if the baby's still snug and soaking in the bath,
that's a laugh,I've news for you,we threw the baby out,it's true ,
there's nothing more now in reserve, we have got we deserve,become dependants in the digital age, full of anger,full of rage
won't someone please refresh the page
or is this how you like it?
You tore my pig clear through from belly to right shoulder over, up
the back where a sow exits a piggy-back litter like tuna-flesh clover

— The End —