GERRY SWEENEY'S MAMMY

Mrs. Sweeney
was Gerry Sweeney's mammy.

And even though I had my own
I had her on loan.

It was like having a spare
mammy.

And even when she was mad
with us

she just couldn't be mad
with us.

"Go on..." she'd grin "....go on!"

"Ya'd wear the heart out of a stone!"

And if ya fell and
ya were cryin'

your heart and knee
badly grazed

or badly bitten by a bee
she....

would hug you up
with all of her self

"Ahhh come here to me ya
poor little dote!"

Wrap you up in
so much love

it would last
for years.

For years.

Gerry Sweeney was my best
friend ever

way back in the way-back-then:
still is....nothing's changed

except us young fellas
have become auld fellas

who still think
they're young fellas.

And every time I see him
I could almost cry.

I can still see his mammy
smiling out of his eyes.

The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

Earth’s sixth mass extinction has begun, new study confirms


How long before the rhino joins the list? Gerry Zambonini, CC BY-SA
We are currently witnessing the start of a mass extinction event the likes of which have not been seen on Earth for at least 65 million years. This is the alarming finding of a new study published in the journal Science Advances.

The research was designed to determine how human actions over the past 500 years have affected the extinction rates of vertebrates: mammals, fish, birds, reptiles and amphibians. It found a clear signal of elevated species loss which has markedly accelerated over the past couple of hundred years, such that life on Earth is embarking on its sixth greatest extinction event in its 3.5 billion year history.

This latest research was conducted by an international team lead by Gerardo Ceballos of the National Autonomous University of Mexico. Measuring extinction rates is notoriously hard. Recently I reported on some of the fiendishly clever ways such rates have been estimated. These studies are producing profoundly worrying results.

However, there is always the risk that such work overestimates modern extinction rates because they need to make a number of assumptions given the very limited data available. Ceballos and his team wanted to put a floor on these numbers, to establish extinction rates for species that were very conservative, with the understanding that whatever the rate of species lost has actually been, it could not be any lower.

This makes their findings even more significant because even with such conservative estimates they find extinction rates are much, much higher than the background rate of extinction – the rate of species loss in the absence of any human impacts.

Here again, they err on the side of caution. A number of studies have attempted to estimate the background rate of extinction. These have produced upper values of about one out of every million species being lost each year. Using recent work by co-author Anthony Barnosky, they effectively double this background rate and so assume that two out of every million species will disappear through natural causes each year. This should mean that differences between the background and human driven extinction rates will be smaller. But they find that the magnitude of more recent extinctions is so great as to effectively swamp any natural processes.


Cumulative vertebrate species recorded as extinct or extinct in the wild by the IUCN (2012). Dashed black line represents background rate. This is the ‘highly conservative estimate’.  Ceballos et al
Click to enlarge
The “very conservative estimate” of species loss uses International Union of Conservation of Nature data. This contains documented examples of species becoming extinct. They use the same data source to produce the “conservative estimate” which includes known extinct species and those species believed to be extinct or extinct in the wild.

The paper has been published in an open access journal and I would recommend reading it and the accompanying Supplementary Materials. This includes the list of vertebrate species known to have disappeared since the year 1500. The Latin names for these species would be familiar only to specialists, but even the common names are exotic and strange: the Cuban coney, red-bellied gracile, broad-faced potoroo and southern gastric brooding frog.


Farewell, broad-faced potoroo, we hardly knew ye.  John Gould
These particular outer branches of the great tree of life now stop. Some of their remains will be preserved, either as fossils in layers of rocks or glass eyed exhibits in museum cabinets. But the Earth will no longer see them scurry or soar, hear them croak or chirp.

You may wonder to what extent does this matter? Why should we worry if the natural process of extinction is amplified by humans and our expanding industrialised civilisation?

One response to this question essentially points out what the natural world does for us. Whether it’s pollinating our crops, purifying our water, providing fish to eat or fibres to weave, we are dependent on biodiveristy. Ecosystems can only continue to provide things for us if they continue to function in approximately the same way.

The relationship between species diversity and ecosystem function is very complex and not well understood. There may be gradual and reversible decreases in function with decreased biodiversity. There may be effectively no change until a tipping point occurs. The analogy here is popping out rivets from a plane’s wing. The aircraft will fly unimpaired if a few rivets are removed here or there, but to continue to remove rivets is to move the system closer to catastrophic failure.

This latest research tells us what we already knew. Humans have in the space of a few centuries swung a wrecking ball through the Earth’s biosphere. Liquidating biodiversity to produce products and services has an end point. Science is starting to sketch out what that end point could look like but it cannot tell us why to stop before we reach it.

If we regard the Earth as nothing more than a source of resources and a sink for our pollution, if we value other species only in terms of what they can provide to us, then we we will continue to unpick the fabric of life. Remove further rivets from spaceship earth. This not only increases the risk that it will cease to function in the ways that we and future generations will depend on, but can only reduce the complexity and beauty of our home in the cosmos.

.perhaps in my company we wouldn't be... opening a bottle of red wine... to let it breathe... or pouring it into a bowl to give it more air to breathe with: otherwise on life-support machine through the bottle-neck... right here, right now, we have... a glass bottle of beer (13, guinness hop lager) and 4 cans of stella artois (the wife beater's lager, so they say)... yes... beer in cans... for all intesive purposes - a good way to transport beer... in aluminium cans... but we're not bums... we don't drink beer straight from cans... we pour our beer into a tall glass and wait... so the beer can exfoliate like aladdin's jinn in the glass... away from the confines of the can... we don't drink beer from a can... we can drink it straight from a bottle... but if it comes in a can... we pour it into a tall glass... just so... so there's some head on top... we're not english in that respect either... of cutting the head (of foam) off the beer... which is probably why i always order a stout in a pub... you can't pull one without the creme de la creme on top... a head on a beer is what makes it look less like carbonated **** or concentrated lemonade... we're not bums... we drink beer from glasses... never directly from cans - the metal gets in the way... a beer like a wine needs to breathe too.

i found that there are only two types of music styles
that are suitable for drinking -
that's... drinking and not going out -
playing a cat with an imaginary fireplace...
the less imaginary fireplace being:
a stare confined to... watching a pillow...
and the general schematic of a bed...
and sitting hunched in imitation: all crow because
no crow doesn't get you far
on golgotha of daydreams: if only i...
humble servant of dusty feet - the tourist,
the pilgrim - would set off...
         on an amphetamine riddled skew into
a messiah complex adventure...

                     but not me...
                once upon a time the only music
worth drinking to was the blues...
            a long, long time ago...
                hell: once upon a time any music
would do if we all decided to go dancing...
or at least waited for the dance to come of its own
volition and not mine: i.e. the me in i would
just be dragged under the teasing waves
and slurped out to sea...

                   a thousand waves are all but the single
tongue of some swindling kraken...
drinking and random shamanic interludes in
the youth of the night-club...
when there wasn't a tally for score or...
the ones shot down by manfred...
good thing he was called manfred...
   and not some swabian helmut! oi oi!
                                             von Richthofen!
and that was when...
           until came the five beers and on
the 4th it became apparent...
                                  the red garland quintet...
soul junction...

   and it's not... a gerry mulligan's night lights...
piano sentimentality and the ode
to all things urban, cosmopolitan...
                        yes... it's not grenadine in that
sulk of yours... it's cranberry juice...
the city and... the sewers and...
                                 jazz for the urban scenes
of: anywhere but the park...
the graveyard... a choo-choo slowing into
a station... and billy joel come:
mid-life crisis and a new york state of mind...
while over 'ere we have...
     teasing the woods: where concrete ends
and mud begins... thus we can have our Adam...
and...

only today i was walking past his bride...
doing my odd citizen duty of recycling glass...
and buying the amber sedatives (carbonated)
for an evening with some cannonball adderley
or some donnie byrd... or a horace silver...
that's the beauty of jazz...
the music is all there is... the names come and go...
sonny rollins and the story behind
the bridge... and how he would pretend to
but not pretend to... retire and go off and practice
on the bridge so as to not disturb his neighbours...
all the details are there: on the vinyl sleeve
from 1963...

now that's jazz... i don't even want to mind
how pretentious this might sound...
but... it doesn't in that: jazz is jazz in that there
might come some great improv. -
after all: it's all somewhat improv. -
   but you can't really make such basic
generalißations...
        speedy-shoom-of-a-choo-choo whizzing past...
schematic!
   classical music is all a priori...
                              jazz... it's all a posteriori...
how? when people phone in between
1pm and 5pm to classic.fm and they make requests...
they sometimes ask for something specific...
but usually... they vaguely allude to... a feeling...
something "uplifting" - play something "uplifting"...
ergo... there's this... a priori "item"(?)
in the music that's... an expectation...

          i do know what jazz sounds like
a quintent: drums, bass, piano, trumpet, sax...
yes... the guitar... asking the algorithm:
a quintet is five - what is six?
        sixtet - d'uh... sextet... well that's the basic
"i know what jazz sounds like"...
but with jazz there's always this lag...
it's this lagging behind:
    i don't exactly know what i'll feel until
only after i've heard it and in the meantime too...
jazz is all a posteriori -

while classical music for me is all a priori...
given that... it's not exactly improvised:
there's the orchestra, the movie, the script...
   and it's such a music that doesn't worship
itchy fingers of improv. - the stale or rather:
the head-about-to-explode of scoring the music like
a dissected **** of beef...
the cuts for the violins the cuts for the woodwinds...
more so: the almost shy drumming...
the wet-drumming... like rain playing
rattle fingers on tin (roofs)... or what rain would
sound like... if it was made from sand...
either way... jazz is a baggage...

hardly any sort of envisioning a journey from
(a) priori through to (b) posteriori -
and at least with jazz... you never have to really
cite who's playing... in a passing gesture
for all necessary bookmark purposes
of: where i am in the library of jazz...
unlike in classical music... where...
it's either Mozart, Beethoven or then again...
some obscure composer... perhaps ola glejlo...
but it's less about the music per se:
it's about the music of THE composer...
bonus marks for keeping to a rigid diet of one
and completing the herculean task of digesting
his entire oeuvre...

-       so i was walking past the most usual scene...
a car stopped... and she got out...
she must have been no more than 16 pushing 18...
the heavy make-up hid her otherwise boyish
contorts... a short black dress...
and as she got out of the cab...
she had her high-heel shoes in her hands...
   she was walking the cement barefoot...
i peered into her eyes... the lights were out...
perhaps her soul was screaming - perhaps this was
her first disappointment - and it was only... what...
not even 10pm on a saturday night...
my nights of youthful regret usually came after 3am
having to wrestle a berserker...
or how a dog looks like when it takes
to beer with a fond heart and only three legs...
god forbid but "they" would also cut my tail off
to further throw me off balance...
the walked passed and i looked into the cab...
a very, very nervous asian was looking at me
and then her... this didn't exactly look like...
she was ***** or was fighting to escape...
           aren't those scenarios usually stage in and around
woods - without any pedestrians walking past?
call it a trainwreck a carwreck...
                      or just running mascara...
that bad, eh?
at this point... society is a cruise ship...
and i'm stuck with ottis and none of that sentimentality
of the dock: running away with a bag of
chips wrapped in newspaper away from
seagulls... who... are apparently prone
to kleptoparasitism - a real thing... i swear to god...
the animals that want to eat in the realm
of trans-species... dogs have had their
kleptoparasistism repressed: crumbs from the table...
the chicken bones with hopes for
cartilege and someone who... is bad at
cleaning the flesh off the bone: pucker up...
move aside leech... watch this slurp...
ol' hank mobley and wayne shorter...
        one cascade after another...
5th beer in and...

yeah... so that's what a carwreck looks like...
for a girl in her late teens...
the cute black dress...
   getting out of the cab holding her high heels...
walking home barefoot...
she wasn't crying just yet...
but i could see puffy tender demon baron
of the soft cheeks readying to turn into
medussa's stare-grip... but not there yet...
this must have been her first time at "life"
and the night life and saturday...
         the cab driver looked scared shitless...
as if frozen in time... about to have his photograph
taken by a more sensible shadow of his...
i did think she just escaped a bad
session of prostitution...
but not even prostitutes look so ******* gloomy
as she did...

the ******* ***** it up -
the pundit ***** it up - the show goes on...
stage or no stage... an audience or no audience...
those eyes though... not yet crying...
but they felt... like wheeping oysters nonetheless...
you know when eyes are like that...
teasing bulging out... they appear dimmed
at first... but that's a dimming before
the sparkle of tears...
it's the 29th of febuary - yes...
mr. zodiac wasn't kind to those who still believe
in the horoscope but never tried
gambling on a winning team or horse...
it's still winter and those poor feet of hers...
she must have told the cab driver to stop...
hell... half a mile before she would get home...
a 6ft2 115kg sore thumb up with a beard
up ahead: stop! let me walk past him...
that's why i gave an inquisitive stare at the cab driver...
the cab driver was looking at me...
aren't the **** victims the ones jumping
out of the cab as it speeds off or whatnot?
so this was... staged?
              i read the "situation" wrong...
well no... i didn't find a lancelot in me...
there was no door to be held open...
           not tonight...
                                           i was in a mood for
beer and jazz... and luckily for me...
marvel of all marvels...
     haig club (1627) was sold at a bargain...
                        down from 25 quid to 16 quid...
goodbye excessive drinking the cheap *****...
hello: clubman haig... is it whiskey...
is it ms. amber... or is it chanel no. 5 -
                   is it whiskey or is it a perfume?
a snapper of a dinner standing-up...
   the scent of the last bite still on my moustache
even though i had washed my teeth...
the beer bottle opened - a drizzle on the hand
and then the hand smearing the liquid all over
the stinking hairs from an unwelcome scent...
i don't mind stinking like hops...
                  but hops is better than smelly food...

- regrets? ah yes... the "what if" universe at large...
that "whaf if" this and "what if" not...
"what if" yes and... when a man takes to walk
the street at night... he's only looking for empty
streets and... the hope of not seeing his reflection:
which is never about abruptly stopping
a cab and taking your shoes off
and walking in a tight-knit black dress
having met the world and...
                     was it heartbreak or just...
disappointment that... there are no unicorns
and she isn't daddy's precious?

any of the rudy van gelder editions...
                      "what if" i had more than just these
words... a barren wasteland of a flat
with no furnishings, not a book to call it a genesis
of a private library... not a single record
to play... no bed no curtains...
and she was the: honey-catch and snare and...
what if i were still in my late teens and
didn't have these invisible tattoos of historical
dates and the tattoos that riddle bones
that are... "habits of hygiene"...
      by hygiene i imply: ontological fixtures...
immoveable objects of accumulating my mortal
years for this formal circumstance of
the worst magic trick of all...
                   transient and... packaged elsewhere...
apparently going nowhere...

if this was a truly urban scenario...
but we're talking essex...
the outskirts of greater london...
if i bothered myself tonight i might go
to a place where i'd sit on a throne of a stump
of oak and listen to owls...
spot a rabbit, spot a badger... the foxes would
come of their own accord...
and perhaps even a deer or two... or three...
there's no glit of a picaddily circus romance:
when a girl decides to get out of a cab early
and put her porcelain toes on the wintry cement...
as if: supposing she be enticing me...
as i was thinking about the scared-shitless
cab driver...        

to have once upon a time believe in love:
the sort of love you'd see in movies...
but that's of course...
before you'd get a chance to see love...
in opera...
blue pill red pill... spiderweb of fiction...
blah blah...
watch the sort of love in movies...
then go and see an opera...
most notably verdi's la traviata...
  the movies fizzle out and you don't really
need to read this to begin with...
        i was in love once...
it was a love that was in love with itself...
          a mirage a carrot on a stick...
probably something akin to this sort of impromptu...
rescuing a girl walking barefoot home...
oh sure... happens almost every other saturday...

- the beer is for these musings, for the jazz
and for... cleaning the kidneys and a work-out
for the bladder... the shot-at-a-crescendo
will come with the haig club whiskey...
is 70cl really worth 25 quid?

- there's a difference between food with a USE BY date
and food with a BEST BEFORE date...
most notably goat's cheese...
once the best before date expires...
which is way way down the line from
the use by date... the cheese starts to taste
like... ash...

i should know since i know of the alternative
to doing shots of tequilla...
the salt is replaced with licking some cigarette
ash...
the tequilla is replaced with *****...
and the slice of lemon is replaced with
black peppercorns...

so i do know what ash tastes like...
piquant tastes: this omelette of an octopus and
of tongue...

- society is a cruise ship and i'm waving it goodbye...
welcoming a sunset of a sea as calm
as a mirror... telling my feet to take root
and stand... inaccessible...
otherwise... i am barren when it comes to having
some (h. p.) lovecraftian sensibilities from
maine... aloof and anemic... anemic with bloodshot
eyes...

- of course she isn't a mystery...
the narrative would run: the little match girl...
hans... hans! hans?! hans andersen is drilling
a hole into my head about... a woman walking
home barefoot...
yes... but she is walkig home...
unlike the little match girl...
and unlike the little match girl...
this girl was carrying a pair of shoes with her...
it's not my problem whether
i'm the sore thumb that "got in the way"...
a fork in the road: like any other fork...
like any other road...

do you have to reach being 34 to see these
teenage break-ups and regrets come and bump into
you after you've done...
that most spectacular feat of towing a backpack
full of glass for recycling?
where is one to recycle bones?!

- right not all the ***** in the world is...
something of an adhesive... a hitchhiker pollen...
a hard-on of: ****** yourself for a hard-on
just because even flapping a pancake will do right now...
to ease constipation whenever necessary...

- it's a torilla... but it's wrapped like a burrito...
well... it's a torilla... kultur shock -
sarajevo - the entry level shock-awe and
blitzkrieg of drinking from the fountain
of the Haig...

- second tier... to treat pornographic movies
like... early cinema... silent...
otherwise a return to the magazine form...
and the ripe imagination readied for:
improv... or... when was the last time
my left hand didn't feel like an oyster...
and an oyster didn't feel like a leash...
and a woman's ****** stopped being
an hour worth 120 quid? -

             - third tier... the haig club whiskey
is not worth 25 quid... it's over-rated...
you're basically paying for the bottle...
i'll stick to my guns...
only the irish know how to make whiskey
on these isles... bushmills: mellow, tame...
the picts have decided to lodge
a smoking salmon into their barrels to die...
i'm supposed to have an aftertaste of vanilla...
with all that smoke... i'd be happy to taste
hungary and smoked paprika! that would
be a bonus to boot! -

- i can appreciate the picts for trying...
but let's just leave brewing whiskey to the irish...
and let's keep the english away from hops...
they'll make an undrinkable ale from it...
never the lager...

   - armed with balkan rock... standing before
the h'american monolith of tongue and culture...
or... just before what's filtered for the export...

- no... of course i don't think h'americans are dumb...
i just think there's only a naive majority...
i'm going to find the vermin and huddle among
them...

- sooner or later we'll be calling the germans
come spring... for winter provisions...
"keeshond" or: hund... i much prefer the latter...
from under the iron curtain forged from
a broken jaw when biting the curb of:
under the silicon veil... nowhere else to go...
beside Ishrael...
                        
          remains of the ottoman - which is hardly
me put into an iron maiden of akimbo...
where's the geisha and the samurai?!

- is your beard long enough?
      like mine... i tease it... catch it with braille
cardinals: the thumb the index and middle fingers...
twirl it... wait for some thread to tie it together
into a hanging ******* of a bundle...
while at the same time:
          before you... a throng of vermin...
this beard... a magic flute!
the zenith of my thinking...
and ultimately: the nadir of any narrative
that might be inclined to escape and
not become 3D...

- i listen to songs in german...
i put on airs of pride - my chin starts to contort into
the moon's scythe and sickle...
even if the night is overcast with beard,
or cloud...

- then i put on a record that's 20 years old...
deftones' white pony...
and i remember being a teen...
hungry for hormonal diet...
a diet to stop the bones from aching
as they grew extra sprouts:
adverse to the skin and photosynthesis...
bones that were expected to grow
entombed... not in flesh...

- sketches from the gasoline additive when
it comes to a beer, starter...
otherwise: elite... gonna breed on top
of the general... pucker up the tremor for a vibrato
kiss and leech her lips off...
to expose her most pristine:
todlächeln -
                           not a chelsea grin...
the joker lapse... i mean... extending the shaving
lines and just, completely, forgetting there's
any botox involved to grow a peach
from a duck of the reinvention of
the deflating balloon...

   leave no selfie without it...
                   herr grinsen: die / das / die / das...
i keep forgetting the definite plural and
the definite singular... feelz... feels...
maximum impromptu: das bösartigwimmern...
anything in german at this point...
sounds better than...
wenigbruder englisch...
                       dies, mein krawatte beste...
alle schwarz alle weiß:
      say to me... nein pinguine willkommen...

anything to keep these mosquitos these
zeppelins away... alt vater großartig Schwab
from this... herd of minor dicta
of the children of the house of ßaß...
translated nomad from the high pressure
***** basin of:
later, trajectory... later... the yawn and canyon...
and the sky above...

- beer first... whiskey after...
shrapnel... and gasoline... no car... no speeding...
fast but otherwise still walking...

            - a hurrah and the cohort of a hum...
to match the echo of the centipede...
         the silence and otherwise the simplified
complications of a conversation...
the bed torn between *** and sleep...
between saturday sunday and monday through
to friday...
   and the need to drink with someone else...
"the need"...
          
the skulls breaks at the sight of sea-riddled-and-*****
cliffs... daggers persuaded to be forever sharpened...
the fiddly parts of ***** as accountants when
it came to the pennies, copper, and granules
of sand... seized: the rivers of time...
constipated shock value elevated...
                            
                                am i to find a lover when
the orchestra tells me...
these words will never find a dear sir / madam
or circle round for a yours sincerely...
                godzilla... the theme i remember from
the days when the japanese still had control over the beast...
otherwise... an overweight t-rex with...
arm extensions... the lotus feet of the chinese...
which also includes...
the savory diet of... tendering dog meat...
i.e. beating the dog to a plum softening...
which is: then again... not curing the already dead
curated meat...
life aware needs to be involved...
brick by brick brick on brick...
the status quo: made in china...

         cheap whiskey... although in an expensive bottle...
that is the haig club whiskey...
        so much for ezra pound admiring
the ******* ideograms...
what's to admire... when...
it ends up being a crude...
current latin emoji-infiltrated grafitti
equivalent to: CUL8R...
               chow-chuckle-mein-hong-shui-chew?
all that intricacy into the ideogram...
and all that remains is...
bat soup... and an advantage at playing
poker... omnivores...
you'd think that Islam would be...
more geared to break ranks among the omnivores...
like all the fickle gods... a good joke...
they abhor / are told to herd sheep
because: what sort of pig would survive the desert
and not become crispy bacon...
camels are fine too... as are their testicles...
never mind the pork leather shoes and pork
leather belts...
but the chinese omnivores are fine by
Allah: Muhammad & Co....

                               khadijah **** khuwaylid..
wrote the first surahs of the quran...
she was the literate:
the stephen vizinczey epitome:
                          in praise of older women...
last time i heard... muhammad was illiterate...
pray! that i've exhausted sympathy on
him being an orphan...
but not a ******* oliver twist thrown into
an orphanage! b'ooh h'oo...

                     the end... the whiskey isn't going
to drink itself;
as i have exhausted the patience of my bladder...
while there's the remaining concern
for a bewildering and a simultaneously
bewildered peacock... on the hunt for coy;
which is not exactly the darwinian daydream
of the short-hand greek alphabet...
the α-β male thermodynamic...
          the Σ-Δ female harem...
salmon swimming up-stream to spawn...
                             and... Ω-man / unicorn...
                     sha! schtil!

A GIFT FOR LOVE

( for Gerry and Monica )


Here, at the very edge of
Spring

your love
begins

43 years now
( and counting )

you two
the shining beacon

of what being
married is.

Outside,
the first daffodil

rears its
beautiful head

nods to the breeze
that yes of course it knows

whose anniversary
this is

the sheer richness of
such togetherness

the treasure of
Gerry's laughter

the jewel of
Monica's smile

I too in love
with how you love

I send you
this daffodil

made of words.

Colonel Hathi with a hurl
that weighs in his illicit hands
like an AR18 play-park swing
and all at his command
are concrete soldiers he had left
to test the new recruits
with netted helmets drilled
into Private Sparky’s boots.

To detrimble and exhume
the cairns from the pyres
a jaded island from respite
and scripture from the flyers
but as he jumps the trenches
of his own conceited fame
he’ll turn a sharp three-sixty
and face the wall again.

I remember it as if were yesterday
VE Day...well, not exactly
but, close enough for me
The actual surrender of Italy
May 2, 1945....but the **** Americans
Always the Americans wanted May 8
So, it's May 8th, but I'll always remember the second
We were in Milan...I love Milan
****** was dead, Mussolini was dead
I was alive, and in Milan
Rumours were out that the war in Europe was almost done
Nobody had told the Gerry's that though
Word came from Lubeck that they'd surrendered
I was twenty one years old, going on 50
War ages you...and not in a good way
I was in 6th Airborne and ready to go back
When the word came down
I remember kissing the waitress at our cafe
I kissed her hard, and with as much passion as a 21 yr. old can have
I didn't want to let her go
It was over
I kissed her for myself, and everyone in Milan
I kissed her for my folks in Clapham
I kissed her for her folks, wherever they were
I kissed her because we were free, they were free
I kissed her for my Uncle, who we lost early in 1941
Lost him during the blitz in London
England lost 430 people, we lost Uncle Cyril
That was enough, I was signing up
Now, it was over and I was moving on
I kissed her for everyone still waiting for the news
But, most of all, I kissed her for Leslie Testro, Rfn (18yrs)
Lance Cpl Thomas Wray (22 yrs), Lt. Dennis Edmonds (21 yrs)
and all the others attached to 6th Airborne
Who wouldn't know it was Victory in Italy
They were lost, not forgotten, never forgotten
Forever in our minds, our roll of honour
We celebrate them annualy
Few of us left now, but, those that are
go back to Italy every two or three years
back to Milan, and we toast them all
My waitress, Rosa Testrini
She was there as well, every year
Until five years back, we lost her
Now we toast her as well
We all have our honour roll
She was on mine
I found her again in 1950
We were on our second trip back
She met my wife, and I her husband
He's still there, and we talk
My Italian is better than his English
But, we talk as well as we can
I miss her, and the others
But that day, that glorious day in May
I've never kissed like that since
And my wife knows it
Sometimes she reminds me...
I laugh, and remind her....
What that day means...if it hadn't happened
We may not be kissing now
so, she'll never get that kiss
Only Rosa
Rest In Peace my waitress

Captain Scarlet
Had a weakness for harlots
Who always wore scarlet as well.

This could sound
The death knell
For the show
Thundered Gerry.

It's so deleterious
I'm deadly serious
Less of the hoes
And more Thunderbirds Are Go.

Captain Scarlet's
Favourite starlet
However
Was no harlot
Even though
she always wore
Scarlet as well
But it was quite difficult to tell
That she was not so
Even if one was very clever.

Unlike Bobby Shafto.

my turtle doves are pondering the broth of my head space.
tingling.
they gibberish the nest and lay eggs of dragons that still believe in dragons.
they wish for thick lightning in the lustrous void. they beak the shell of no made thing.
the Eternal Hum.
the one Always that had Never Begun.
Only Ever, Ever Been.
and That's  It's
Name.

my turtle doves are robbing the bog of it's undead wyrms. they swoop in the morning.

down down down
to the gamma ray golf course lawns
of our suburban necrophilia. the one with the empty dreams in their peanut butter stars.
the one
with the eggshell Camary Toyotas and the delinquent epiphanies.
n' more ice cream than Ben n' Gerry's ******* of Selling
More ******* ice cream
than You
can Imagine.
Plus One.

my turtle doves are holding me hostage. in the dizzy breach. of god's contract.
a damp shade of misspent youth. the Old Way.
seasoned by the Eons
and the swollen Love of the First Love.
engorged in the Kingdom of Desire
like a fat mosquito. Sated on  Cyclopian  forearms.
and the shoulders of Giants
on a small blue world
in your mouth.

just sayin'.

The Coronation.

Weightless stars drop silently like petals
From a distant place way up far beyond the night sky.
Winter flowers blossom and fly away
Landing like moths on the night, turning to petals, then rain.
To shower you in love over and over again on this majestic day.

Distant orchestras come together in a cyclonic, deafening crescendo
Commanded by maestros flailing wands from the peaks of the highest mountains.
Roll great drums! Make music for my Queen violins and cellos!
Ring through valleys and across deserts
Sweep up all the world’s musicians along the way!

Fireworks ignite the darkness with day.
Rainbows burst, more stars, come petals
Saturate you in light.
And shower you with my love on this,
The day of your Coronation.

Great Gods have come to celebrate
Smiling down they send their angels
To drench your glowing torso in rose petals
And kiss you gently as they settle,
While my tied hands yearn to give you a fond caress.

Every creature in the universe has attended the grandest ceremony in time.
Each gleefully holding a single rose petal
To weave into your hair.

My bound arms reach across continents carried like breath on the wind
To deliver you my heart.
Close your fist and make a wish
What would your soul like to find inside?

True loves lay sleeping snuggled together on the bed of the universe.
Calm is the Queen
With her single red rose.

……………………………………………………

Sun rises and all the petals have transformed into snow.
Still soft, still comforting.
But with an eerie emptiness of a dream that has yet to be told.
Joy is frozen in our hearts
For Love eternal was denied the throne this time.

Remember my sweet darling
You are now my Queen of Roses.
And in a palace somewhere,
As far away as near
I am your King.
(Gerry Aldridge)

When you walk through a storm
Hold your head up high
And don't be afraid of the dark.

At the end of the storm
There's a golden sky
And the sweet silver
Song of a lark.

Walk on through the wind

Walk on through the rain

Though your dreams
Be tossed and blown.

Walk on
Walk on

With hope in your hearts

I And you'll never walk alone

You'll never walk alone.

Walk on
Walk on



By Gerry And The Pacemakers

Night raids on Salt End
were legendary… It were a
giant chemical works with ship docks,
silos, storage tanks, fuel dumps,
an ideal 'drop off point' for Gerry…

But Salt End plant’s night raids
on Hedon Road
weren’t gonna daunt our lot,
they lived a mile or so down the lane to Preston
and seemed unafraid of gerri’n shot.

But they built a shelter across’t main road
in a field… On the outside It were a haystack
within the walls, six foot thick… proper beds
on hay bails to the front and back... cosy.

Down the middle was a ‘lounge’ with chairs,
lights, a radio - electric run from’t big ‘ouse
It’s better than being at’ome our Charlie used to say
For the eldest (and the architect) he’d not much nowse.

Me mam (then 19) told me she bussed it into Hull
“****** the Doodlebugs” She needed Jitterbugs…
and they still danced at City Hall.
******* to Gerry and his mates.
Margie & her pal René,
dauntless, they had a right ball!

Last Bus to ‘Withernsea’ from town
dropped her off at the junction
by the Speedway on Hedon Road.
Just as her way was lit by fire bombs - all about
when Gerry dropped his final unaimed load
Maybe ack-ack’d sort him out.

She was 2 miles from home… every few seconds another blast.
Scuttling …dodging whistling incendiaries,
running fast, whippet like…
any second could’ve been her last
anything too close she’d have to jump in't ****.

She couldn’t mek it t’t shelter or house so picked
the coal shed - instead… threw herself down
on coals…noise lifted - silence dawned… all clear
heavy breathing - not hers -  she wan’t alone
What if it’s one of them - a downed ***** airman.

Nervous, terrified more like she let out a little shudder
a gentle cough… to test her nerve
“Is that you Margie?… You daft ******!”
It were brother Tom… He’d been t’t Nags Head
and he’d run the opposite way from the village instead.

were you a 50's
godchild in the city,
wing-tipped feet
running the streets
all week, ketchin hell...
then you gots that check
come friday
and needed a taste of heaven...

you and the dog pound
swung mid-town
to broadway & 47th
after 9,
and joined the line spilling
from the royal roost round 48th...

by 10, the joint was jammed
with gents well-coifed,
matching honeys, and the sounds
of money being made:

chime of silverware ~ cling,
and the cash register's ~ swish cha-ching,
and the chatter of guests,
servers and bartenders
doing their thing ~ wah da bing

then the lights dimmed
leaving a semi-dark haze
of gray smoke swirling
over the crowd,
and mc symphony sid
grabbed the mike:

"...welcome to the friday nite jam session
at the metropolitan bopera house
ladies and gentlemen...."

hysterical hoots and applause
followed
as  the circular spotlight paused
center stage,
unveiling:

~ the miles davis nonet ~

featuring,
max on drums,
john on keys,
gerry and lee on sax
and a genius
on trumpet

'twas the birth of cool
and soon the rhapsody
of modern jazz
waxed hypnotic,
casting a spell
over god's children
when budo chased lady bird
down allen's alley,
spittin'...
          riffin'....
boppin'...,
          po­ppin'.....
superfluidity
like acid through
varicosed veins

the earth stood still
it seemed
for 4 thrilling hours
as heaven rained a rifftide
onto the lucky crowd...

and dewey's sublime trumpet
exorcised the devil
from the week that was...

~ P (Pablo)
(7/24/2013)

Gerry And The Pacemakers
Best Of Gerry And The Pacemakers
You'll Never Walk Alone
(R. Rodgers - O. Hammerstein II)

When you walk through the storm
Hold your head up high
And don't be afraid of the dark
At the end of the storm
There's a golden sky
And the sweet silver song of the lark

Walk on, through the wind
Walk on, through the rain
Though your dreams be tossed and blown
Walk on, walk on, with hope in your heart
And you'll never walk alone
You'll never walk alone

Walk on, walk on, with hope in your heart
And you'll never walk alone
You'll never walk alone

DEATH OF A JAZZ MAN
( for Jazzman John Clarke )

It was as I
expected

there was these
angel chicks

playing on harps
on Cloud 9

other angel dudes
playing trumpets and horns

but man
there was the Big Guy himself

playing a mean baritone
saxophone

like he was Gerry Mulligan
or something

the lyrics were
you know

hard to catch
"...you are the music while the music lasts..."

or something
Eliotish like that

I strode up
to the Big Guy

checking his *******
with a grin

"Man, that's real
solid gone!"

"I shall be made
thy music..."

The Big Guy
smiled...blew

one long long
final note.

A single sneeze
And the universe stumbles.
For a split second
Everything is real.

All the little people
Living inside my head
Scurry around hysterically,
In search of sanity again.
And I see nothing.

A sneeze comes bursting out.
My eyes shut tight,
And for a second
I am not there.

What if I resisted
And kept my eyes from closing?
I wonder what I’d see
In the chaos of a dishevelled mind.

If my eyes stayed open
And my skull
Burst at the seams,
Would my mind
Come tumbling out,
Shot from the barrel of a sneeze
Splatter over land and sea?

Would all the little people
Seize the chance
Come rushing out,
And then to run away?
Leave me empty
Of all thought,
And with nothing
Left to say?

Perhaps it would be nice
To lose them
All in one foul sneeze.

I could start my life again.
Like a butterfly
Chase new dreams,
Flitting somewhat recklessly
Upon a feisty, summer breeze.
(Gerry Aldridge © 2016)

Jacques and Emile's veins
pounded in their skulls
as they scrambled down the ladder
and through the labyrinth of sewers
to rejoin their fellow assassins
beneath the Parisian thoroughfares.

They'd tracked the **** Captain's moves
for past a week and knew precisely
what he drank and where he ******.
They were ready when he
Stumbled down the brothel stairs.

When Jacques stepped left for a clearer shot
he found a bucket with his foot.

The German wheeled and spotted them -
raising his whistle to his mouth,
but before he had a chance to blow,
A silent report from Emile's rifle
crashed into his trachea
And he crumpled like a rag.

Back in the tunnels
Jacques bragged like a circus barker,
"You should have seen the look on
Gerry's face before we brought him down."

Emile had seen his face alright,
but thought only of the whistle
that would have doomed them all.

What do you when the world goes mad
and **** tanks roll into the Champs Élysées?
Who do you **** and why and how?

Jacques was sound asleep
and deaf to his comrades' whispers -
pondering what to do and when.

The decision came quickly and a
different sort of mission was planned
and Emile selected to execute it.

What do you do when the world goes mad?

*August, 2013

Dearest John,
Whats the point of writing something to you that you will probably never read.
if writing nothing to you is the only something I can write?.
Whats the point of writing nothing to you if I cant write something to you that's really nothing to you?.
Whats the point?.
A nightingale singing in the the Lilac bush
in my backyard?
Is that the point?.
saying hear me sing just for you--listener!.
A luscious Blackberry swollen with its lifes nectar,
dangling insouciantly, singing its song silently--
pick me--crush me in your mouth--
wash your tongue with my sweetness.
Is that the point?.
A Selmer hand made Alto Clarinet on its stand-
daring me to play the melody of the Isness of the Universe just for you?
Is that the point?.
swooping keening hawk like notes
flowing from my very beingness.
An empty canvas waiting patiently
for medium to be applied.
The Chaos of my emptiness
crying out to be stirred into the action of your Form.
Is that the point?.
Or just to say for your ears alone--I Love You!.
An unfilled pan needing filling
with hen ***** and milk and salt and pepper--
and then flamed into the tasty miracle of scrumbled eggs.
Yummy yummy yummy
Ive got food in my tummy
and everything is gonna be alright.

If I tried to write my life down for you
would you come to my waiting arms?
Would you end this cruel silence?
Would you commit a line of meaningful prose
to your keyboard just to tell me you love me?
But your gone to heaven knows where?
Memphis?.
Dissapeared into the maw of electronic death.
Leaving me bereft of your yourness.
No access to your body fluids.
No more your flesh to caress.
As if I could penetrate the skin
of your aloneness and merge into the Isness that keeps
molecules of your georgeous beingness together.
Walking talking laughing the symphony of life together.

Would you listen if I spoke truthfully to you
or would you prefer one of the many "truths"
of your multiple "religions" or "politics" or "philosophies"?.
But as I can only speak truthfully then I guess
youll hear but not listen.
Wasting your opportunities at Isness realisation
as you have done since I,as the Isness of the Universe,
brought into being voidness from my own essence
with time and materiality--hearing but not listening
to the Brownian arpeggios of the rising and falling scales
of the music of the spheres.
I play my horn of blackwood to the empty rooms
of my universe--
accompanied by the booming bass of harmony--
Amazing Grease.
India the Corrupted.
Moanin and Groanin.
Warm as Luke.
A Chicken Supreme.
Satis-Faction.
God Rest Ye Gerry Mandlebaum.
The Universe listens.
Everyone else hears.
I speak.
your ears are closed.

www.thefournobletruthsrevised.co.uk

The Industrial Evolution

I want the rain to wash away the grime
From this filthy living corpse.
Its dross filled pores
And a life cloaked in rust ridden slime.

Dumped grot covers me.
Exhaled from the mephitic breath
Of a thousand septic chimneys refusing to fast.
Spewing out ****
Drowning all us luckless souls in muck.

The inevitable residue of greed
Deposited by those with no belief in the End of time.

A planet of zombies
Wading through a mire of death.
Only waiting for the time
They reach the END.

(Gerry Aldridge)

"O!
That the earth
Had to be given to
You
This Way"* - Charles Olson
                
Impermanence is romantic because you
have to make the most of love
while it's still there.

Music doesn't play for birds anymore.

I'm having a conversation with myself
that has never stopped, and honestly, I want him
(the other guy) to shut up!

Recounting recent Vancouver,
humid commercial streets all lit up in midday
cafes cafes cafes
Sweet Cherubim with it's tobacco free cigarettes
and appearance of smallest India!
Traincarts full of familiar faces as time makes these tracks easier to travel.
My shoes are stained with fences, Seagulls do nothing but
complain and **** beautifully!

Here I am now, April 16th, Tsawwassen Ferry Terminal, I can smell the overcast and the expensive perfume behind my seat.
We have the French tourists, Chinese grandmothers,
and millenials wearing thick red lipstick, hair braided back
"What the heck"
to something by the SNB (more coffee)
read Gerry Gilbert's stuff, continuing "MOBY JANE" and it's
refreshing to be engaged with a local poet who makes
direct references to
Nanaimo, Vancouver, Victoria, etc.

Wind is calm today,
I find most poets go into the details of their daily lives and perceptions, while I've made it a habit to try and write about everyone's lives all at once, even when I don't know a **** thing about them (but that's the most interesting part to me)
anybody could by anybody else
who's to say?
I bet I am not as interesting as some may think,
I bet I am not as interesting as I may think,
I can't land a solid date!
aboard the last ferry I saw someone with the face of Andy Warhol and now I see someone with the hair of Andy Warhol.

OK OK
Back to Vancouver,
shorts while it rains outside (not me)
Gastown tangerine reflections off buildings &
my friend points out the non profit office she works in weekly/
10 floors or more of archaic steelwork/heavy foundation/smoothed edges/copper ceiling.
I hardly miss the smell of this place (or rather some areas of it)
the ***** and suited cologne, frequent pizzerias, vintage two-floor aged wood shops, perspiring neon Granville hysteria, Vogue Theater advertising a future appearance by Parov Stelar, I think Robin Pecknold was here recently as well but hell if I can remember the comings & goings of everybody!
Raga band plays beneath the window cleaners one year earlier emitting
audible visions of Calcutta's disorganized theatrics.
Some of these skyscrapers look almost imaginary in their modern sheer.
Glass and more glass with solar panels added in/absorbed heat and people's despondent attention.

Big blow-ups of spectacular strangers, *** is in high demand and marriage has become commodity///

"THE FUTURE IS NOW
COME AND CATCH IT BEFORE IT LEAVES WITHOUT YOU
AS IT WILL APOLOGETICALLY,
INNOVATION/WIRES UPON WIRES/LOSS OF CEMENT/A CEMETERY OF GLASS PANELS AND **** ADVERTISING THAT CUTS OFF TOO QUICKLY TO READ"

"EACH AND EVERY CHILD IS LOOKING UP AT THESE MODELS AND FALLING INTO THE MESH OF SURFACES AND FACELESS BODIES/NICE JAPANESE CARS/THE KIND THAT DON'T NEED GAS OR EVEN DRIVERS"

"WE'RE ALL LIVING LONGER AND DYING EARLIER/WHERE IS IT HAPPENING NOW/WHERE WILL THE RECENTLY WED GO FOR SECLUSION? WHERE WILL THE OLD GO TO RETIRE WITHOUT THE FEAR OF BEING FORGOTTEN AND ABUSED BY THEIR FAMILIES AND CARETAKERS?"

"WHERE IS THE COLOR ON THE CLOCK?
DON'T EVEN GLANCE AT YOUR NEIGHBOR/
WE'RE ALREADY BEHIND BARS \\"

"WHERE IS UNIVERSALLY PREFERABLE BEHAVIOR?
WHERE IS EDUCATION?
WHERE IS MY SELF
AND YOUR SELF?
WHERE'S THE NEXT TRAIN TO MATERIAL RELEVANCY?
CAN I FIND THE ADDRESS IN THE PHONE BOOK?
DO I REALLY HAVE TO WALK THAT FAR?
**** THAT!"

"MY FINGERS ARE WILTING/
FLOWERS ARE DEFENSELESS AGAINST AIRPLANES/
DINERS ARE GOOD FOR REST STOPS AND NOT MUCH ELSE"

"HEY COWBOY
YOU DON'T WANT THOSE FILTERED POISONS
YOU WANT THESE ONES!"

"HEY DARLING DOES THE RING FIT THE EGO?"

"HEY ******* WATCH MY BUMPER!"

"I FORGOT TO FILL IN MY TAX SHEETS ANOTHER MONTH IN A ROW THEY'LL FINE ME AGAIN"

"HOW DO YOU DEFINE "UNIQUE"

"I CAN'T HEAR MY COMMERCIALS OVER THE VACUUM CAN YOU PLEASE KEEP IT DOWN"

"THE BIRDHOUSE FINALLY ROTTED TO THE POINT IT'S FALLEN APART"

"I CAN'T AFFORD MY DAUGHTERS PIANO LESSONS I WISH I WAS A BETTER FATHER"

"WHAT DO YOU MEAN I CAN'T TAKE MY CAT HOME WITH ME TILL I PAY UP FRONT?  I DON'T HAVE THE MONEY RIGHT NOW/YOU'RE KEEPING HIM AND CHARGING ME PER NIGHT?
'no sir if the cat is young we usually find a way around euthanasia'
'thank god for that'"

"CAN'T WAIT TO GET TENURE/
ABOUT TIME"

"A SALES MAGAZINE RECOMMENDED TO ME PASTEL LITERATURE IT WAS SENSELESS AND LACKED IN ANY INTELLECTUAL VALUE BUT SHOULD I BE SO SURPRISED?"

"MY HOUSE IS GOING UP IN VALUE! now how can I implement this value to my life?"

"BUY NOW/SAVE MORE/SPEND LESS/
PAY OFF YOUR LOANS EARLIER/
WE ARE NOW /CLOSED/"

An Orca is alongside the ferry,
it's a lovely sunset beyond the series of islands to reach Schwartz Bay
this afternoon. I put the book down, stretch myself out on the seat, arms relaxed to my sides.
I only write the poems I don't need to think about.
Here I am, so distant from shopping carts
or drums or physical isolation, people talk of travelling
to New York and Italy, a group of young girls console their friend who's being bullied (I have a bad habit of eavesdropping)
There's people snapping pictures of the whale, now stopping as it
returns to the blue mirror.
Days never tie up their loose ends, instead it's up to the day after that, and so the next one, yadayada.

Suddenly the weight of this year floods in,
a specter of eager fields, goodbyes,
and leaving myself behind.
Where am I going?

always in the fog, the klaxon sounded,
announcing another round of shelling

Tuck was terrified, for he
thought this was a hound
from hell, and it was

telling London to head
to the underworld--dank cellars
or shelters built for survival,
or mass burial

depending on where Gerry's
bombs decided to land

the lasses knew well the drill:
grab their favorite doll and say a
prayer,
             going
                        down
                                   the
                                         stairs

Mum would grab Tuck--his shivering body
not soothed by her warm embrace

for when the hounds stopped their menacing moan
deeper doomed demons would begin their call;
the beast sensed this, and he had no god
to beg for salvation

he could only feel the rumbling of the ground
and not close his ears to the sound, which riveted
stakes through his bones

Not Lost But Free.

I miss you-
Why shouldn´t I?
I either had to let you go,
Or watch you die.

So, now I feign pleasure
As you soar in the sky.
She is happier there
You'll hear my lies sigh.

But she comes back,
Says hello.
Trusts me. for
In a cage she is not.

We steal time together,
Lock ourselves away even.
To be together,
Close our eyes and find heaven.

With open eyes
We face the world
Once closed
We are the whole universe.

(Gerry Aldridge 2017)

Love Needs Nurture.

Even a flower
Needs a drop
Of sentiment.
Without care
It shall
Eventually wilt.

The smallest flame
Is nothing
Without a breeze.
Gone is the flicker.
End of a life,
In one foul blow.

Pop my bubble,
Steal my air.
When I am gone
I shall not care.

Love needs nurture.

First; Can we be friends?
Second; Yes, of course.
As soon as my love is dead,
I will give you a call.
We can do coffee,
One day.

Talk vehemently.
About anything.
Probably, even smile,
As we lie to each other
About not feeling
Anything at all.

It takes time
To **** the truth.
There are no skipping stones,
Or shortcuts
From the pain.

Give love time, please,
To truly wither
And die.
Become nothing
Dry, bitter
A mutual shame.

Then the putrid ash
Of a love denied,
Falls wasted
Crushed, too sodden
To ever fly.

Some time later
We say hello.
I shed a tear
And force a smile-
The only way
Was to say goodbye.

(Gerry Aldridge ©2017)

They spring up red
poppies from the dead,
flowered manhood
lost.

gas, gas boys quick
an ecstacy of fumbling
for gas mask boys
not clumsy bra.

till I knew I must die
never guessed I was
Born.

Cradle to grave, iron
ricebowl, half-life
of ease.

these poppies shall bloom
from my flesh too
(too soon, all too soon),
milky white ooze
of *****.

dishonour boys, or death,
how to choose
when too much choice
is ours.

too much boys, too much
luck,

we missed our war boys,
thank whatever gods
you may remember,
and gather your

honour boys, cup it in
both hands
and honour the warriors
who made us
these lands

Joy
Joy can be a moment
A period of time
Or even a permanent state.
It depends on how much of your heart you follow.

I wonder if I followed all my dreams
How many hearts I would break.
And if I listened to my heart
How many dreams I would take?
(Gerry Aldridge)

I want To Turn Feelings Into Words.

I enjoy the struggle
To make a sentence beautiful.
Use the right adjective,
Or the precise adverb
Which is suitable.

I strive to turn emotion
Into something
We can read.
Something other people
Will believe,
Open up and
Let themselves bleed .
For,

There is nothing more sad
Than an unhappy person
Deprived of honesty and worse.
Believe in nothing,
Except the lies
They nurture
In the safety
Of their own
Universe.

(Gerry Aldridge © 2017)

I No Longer Live Here And There Is Nowhere I want To Go.
I want to go on a journey.
One that has no end,
But a car will only take me
From here to a place called there.

A train just goes from A to B
They require tickets to somewhere.
And a taxi willingly carries me
To a specific destination.
As long as I pay the fare.

Where can I find a journey that has no end?
I do not want an End.
I want to keep going
And leave everything else behind-
................
A boat would do it-
The horizon lasts forever.
But if I hit a storm,
Sink and drown
Death is a place, too.

I do not want to go anywhere-
Never stop,
Just continue.
...................
And hope I find her again

(Gerry Aldridge ©2017)

The Rock

Even a rock
Can have a dream.
Even a stone
Can want to be
More than it seems.

Show me love,
Let me feel
I implore you.
Screamed a rock one day.

Even the Gods
Conceded in jest
Rock had shown them
An impossibility-
He just wasn’t made that way.

Tenacious by nature
Rock would not give up,
Until,
Wearily the gods relented.

We shall create seas
To beat upon you
Relentlessly.
Until,
You find heart
And you can feel.

Centuries later
With perhaps more to come
Waves smash inexorably
Down upon rock.
Hopeful one day
It will become
What it is not.

Ironically the duration of hope
Until,
The end of time
Means rock is already more
Than a rock.

Rock has dreams
Therefore it is not
Just a rock.

Life turned me into
The rock I was not.
Love turned me into
The human I forgot.

So then it must be true,
If something can be made
It can be unmade
And remade.

The Gods impressed
By rock’s tenacity
Resolved to never give up.
Rock would always be
A sign of hope.

A young boy chances
Upon rock one day,
Picks him up
Drops him.

Inside him
Is a fossil-
Rock became something this day.
(Gerry Aldridge)

Today I tried rubbing out some thoughts I had written down and I managed not to damage the paper. But, the words were still there, etched in my mind, and erasing them only made me remember them more. Now, I am sure they are stuck there forever and the paper will be misused again.
'If I erase everything in my head, does it mean I will lose my mind?'
(Gerry Aldridge ©2016)

The Joy Of Unknowing
Ah! To unknow the sun
Exploding into molten gold
As it dances upon your hair.

Unknow your perfume
That lingers forever in the air.
Unknow the orchestra
Playing relentlessly in my heart.

Unknow your smile, your laugh
And the funny things you do
All the infectious parts of you.

Ah! To unknow the touch we nearly had
And the joy we imagined
Would fill our innocent lies one day.

Unknow the dream
And change it back into a mere thought
That was never afforded an existence
Except in the rantings of a /fu:l/

Ah! Ah! To unknow the fear
Of losing you
Unknow the futility
Of wanting to hold you near.

But, how can you unknow
Something you never really knew?
Or feel decimated by the loss
Of something that was never yours?

Oh! The fact of not knowing you
Became the only part of me I remember.
I remember knowing it would never be,
I think you also knew, didn’t you?

Oh! Oh! I realise we cannot go back
And unknow what we have seen
And been and become.

We cannot chip away
At the sculpture,
Which is our life.

Cannot take out the bits
We do not want to be anymore-
It is too late.

I am with you
And you with me
In this dream
For eternity.
(Gerry Aldridge ©2016)

Listening to Dave Grusin,
"Mountain Dance," vintage 1979.
The thought strikes:
"Why is it that only the
Early Jazz Giants are deified?
Of course, we need Chet Baker and
Miles Davis in our pantheon, &
Gerry Mulligan & Charlie Parker
Not to mention (cue Soupy Sales:
"Smack. I told you not to mention that!")
Coltrane or Stan Getz.
And yet, we're all getting long teeth and
there's a lot more Smooth Jazz to come,
Post-1950s, take Grusin, for example, or
George Benson or Herbie Hancock, and
What about Earl Klugh & Larry Carlton?
Let's not forget Spyro Gira &
The Daves: Benoit and Koz.
And we would be remiss
To miss Chris, young Chris,
Chris - "The Whippersnapper" - Botti.
But I digress.

Life Is A Trip.
Call me Alice-
The one in Wonderland.
I eat a piece of this cake
And watch myself
Become too tall.
I nibble the other
And feel shame
When I get too small.
I hope one day
I find the right amount
To make me
The same size as
You.
(Gerry Aldridge 2016)

The Day In-Between
Cars nose their way
Guardedly down the road.
Wrapped in shadow,
Blankets pulled up tight,
Concealing them.
A woman is crossing the street
With a basket full of washing.
Furtively exploring
A moment of liberty.
She shrieks at the ghost
Of an elf.
Who was there
Only yesterday.
She tells herself
It is the past.
The one she remembers
She did not have.
The one she is told
Will never last.
The woman scolds herself,
Chuckles aloud.
The Prince she danced with
The night before,
Is all she is waiting for.
The cobble stones twitched
At the touch of their feet.
As they waltzed
In the old village square.
She finally found Prince Charming
In the last dance
At the end of the Ball.
Then night became dawn
And they parted,
Until after the sun had gone down.
Hush more sacred
Than a Sunday.
In-between two Fundays.
Hush, hush,
Before you dream
Too much.
Silence! Silence!
Sleep! Slumber!
Hung discreetly
Over us.
The day after
The day before.
Oh Carnival!
Oh Carnival!
I implore you
Come once more!
(Gerry Aldridge 2016)

The Bar At The End Of The Earth- in progress...
Still the faceless, formless shape of something behind the bar serves nothing to the man.
“You need not always chase a dream so far, Sometimes you need to let it come to you. It is not death I will pour you today. You still love your dream. Cherish it. Carry it around everywhere- it is proof you are alive.”
The stranger huffs indignantly.
“My dream has gone. I’ve already told you. My heart is broken, it just won’t stop beating. I shouldn’t be alive. Give me a double of death, make sure the job gets done. I implore you.”
The stranger holds up his glass defiantly.
“My dear Sir, hearts won’t stop if they still have more to do. And dreams do not get lost, they are always there just waiting to be found.”
“I am sure mine doesn’t exist anymore, if it ever did at all.”
Second excerpt- The Bar At The End of The Earth
It laughs from the shadows behind the bar at the end of the Earth.
“Your pain is attestation you are still alive. Without pain there is nothing you fear to lose and nothing you will ever really love."
“Is that so?” The man cries into the empty glass hoping only poison will drip from his putrid corpse, so that he may indeed drink himself - to death at last. He raises his glass again.
It sighs.
“Alas, you have truly lost your way. Death does not await you here.”
Weak from his will to die,
The man raises a hand to cover an eye.
Here sunlight still finds me. Go away!
Am I doomed to live
Another mephitic day?.
Silemce ensued.
Then, from behind the barren, bleak bar came a voice.
"You´ve found her, haven't you?"
Slurring, and dizzy from thinking about not thinking about not sleeping. Hating the thief, who is no longer a robber, but a kidnapper- Damning him,
"Found who?" He feigned an innocence lost some time before.
"Her."
The Bar At The End Of the Earth- Gerry Aldridge (2016)-work in progress,

How does a memory become a dream?
I know it was the truth once,
But it is elusive,
Then vivid.
Vivid, elusive, elusive, vivid.
I cannot remember
If I found you,
Or lost you-
And in which order?
So where are you now?
Lost, or found?
With me?
Without me?
The answer torments me with its vividness
And scorns me with its elusiveness.
I know where you are,
But I am not in the right place
To go there,
(Gerry Aldridge 2016)

I.  AVARICE

Gregory loved money
Compare him to a toad.
A solid golden palace
Was his high abode.

He had many servants
To wait upon his needs.
He paid them in pennies
Such was his great greed.

He accounted his vast wealth
All throughout the day
When it came time to bill you
You had better *pay.

Greg had gold, but he grew old
Arthritic and halt
When he was laid, at last, in state,

They did so in a *vault.


II.  ENVY

Ella was quite beautiful
Compare her to a snake.
She sipped upon the finest wines
But her thirst was never slaked.

There was a little servant girl
Younger and more fair,
Ella hated this young lass
Put her in despair.

She showed a vile temperament
Acted like a cur.
Ella hated everyone
Who had more than her.

Her envy made her very ill,
And she finally passed.
She was buried with her mirror

And rots before her glass.


III.  WRATH

Arthur was an angry man,
Compare him to a lion.
He roared around his castle
And had a will of iron.

He was always virulent
In both word and pen,
Would beat his wife and servants
Time and time again.

He waged many futile wars
With kingdoms all around.
Many grieved, for he laid siege,
And burned them to the ground.

He captured the women,
And so he had a pride,
But he lived by iron sword,

So by the sword he died.


IV.  SLOTH

Lackadaisical Lucy
Compare her to a snail.
She scarce emerged from her soft bed,
Laziness prevailed.

She wouldn't lift a finger
To dust or do a dish,
She lived on an inheritance,
To sleep her only wish.

The housework just did not get done,
She wouldn't even cook.
She'd order out from Domino's
And had an unkempt look.

She finally died in her own bed,
Her sands of time were gone,
She exhaled her last breath

With an enormous yawn.


V.  GLUTTONY

Gerald was a glutton.
Compare him to a pig.
He'd consume most anything,
And didn't care a fig!

When he ate a stack of pancakes,
Now, I tell no lie,
It was so tall, to see them all,
You'd have to view the sky!

Gerry was enormous,
As big as a barn.
He had so many folds & rolls
He was the Michelin man!

He just couldn't get enough!
The pancakes just a teaser!
And when they finally buried him

They did so in a freezer!


VI.  LUST

Louis was so lustful
We'll compare him to a goat.
A female weasel is a ****,
The male is a stoat.

He was a musician,
And, man, that boy would *rock!
He had an *******
Almost 'round the clock!

No problems getting women
They never gave him grief!
He had so many groupies
He was known as the Kalif!

But one of his liasons
Didn't go as planned
He lost his life due to the wife

Of a jealous man!


VII.  PRIDE

Percy was quite prideful,
Like a peacock rare.
He had the finest clothing,
Bright beyond compare!

He was given everything,
He had things in hand.
His tailors were acknowledged
As the finest in the land!

His enemies planed out a coup
When a good time arose.
They had Percy fitted
For the Emperor's new clothes.

The townspeople were furious!
Gave Percy the boot!
So he was buried in a ditch

In his birthday suit!


SoulSurvivor
(C) 1/17/2017