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"florentine" poems
like that pill bitter Sunday morning (after) with a nauseating hack the previously uneventful Tuesday derailed in surrealistic tale with Auntie and Jack (and a quarter of fate) in the 748 on a night flight from Sherwood to Lore reverberating waves of imminent summer haze river flats and flower fields fly weights and silver bait shredders and shysters and open gates (into those everlasting and sweated journeys of hope) bloods and strays and florentine grays (reminiscent of Rockwell fame) running horses and overgrown country lanes morning grace and gentle cheer eyes clear on the river pass *blunted paddles for those ancient and not so willing suckers!* duke making his own way (to the corner club) Parsons and Poe stream from the torn screen door cricket cadence and symphony of the Deere calm and deliberate in the soft and silent fields meadows open for grazing (guineas scamper across the till) pocket apples fill the country ripe air drunken bees and chestnuts and electric fingers strike the surface pool (a cedar strip wedged on the white wash dock) baited bull heads set to cast evenings with hearts and Nolten Nash may flowers bloom across the grass ~ time unmatched ~ with blue jays and river bends and channel cats ...and that warm and recurring Coleman drift
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May 16, 2017
May 16, 2017 at 11:36 PM UTC
Flowerfields
Favorite word: “nymphet”, but no! Halcyon, a kind of drug, you know. Searching through the pages’ mist And imagined deeds Of poets’ needs… I found my favourite word, As asked, Neither sacred nor profane That describes the Venetian rain In my beloved’s eyes And the Florentine sun upon her hair: “Auburn, russet, mythopoeic”. Oh, it is not fair, To liken an object Of my lust and love To anything as mortal as autumn air! Nor “October’s orchard Haze”; She had her own Inscrutable, premeditated ways! Rather let me say that she was perfect, Though her eyes, pale and myopic, Her shuffling gait and Graceless limbs, to them Grace lends Fey charm, the power to mend My suffering and Delusions of a poet’s end As anything but pathetic, (Her mother’s fondness for vague emetics) And I left softly hanging, On a girl’s new taste, A tang of russet apples on her face, But no, not that, the sum Of my love, My Lo! Then her bleak demise, partly by my hand That none of you brutes could understand; The pure love, So sadly consummated, Between a lover And the one she hated Yet loved once with inexplicable delight, On one stolen, frightened night… In which the two of us agreed To satisfy a simple, yet maniacal need, And then depart… But I could not, You see; She was my life, My love, my heart. Humbert Humbert 1950 Sharon Talbot ca. 2005
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Sep 9, 2017
Sep 9, 2017 at 11:11 AM UTC
October’s Orchard Haze
The first time I saw you, Standing up on stage, Your gentle protruderence beckoned, I yearned for your girth. Standing alongside one Michael Cassio. A Florentine. My eyes could not escape. I disregarded my A1 in English, All I wanted was the D.
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Jul 10, 2015
Jul 10, 2015 at 6:41 PM UTC
Bulge
Why do I write today? The beauty of the terrible faces of our nonentites stirs me to it: colored women day workers— old and experienced— returning home at dusk in cast off clothing faces like old Florentine oak. Also the set pieces of your faces stir me— leading citizens— but not in the same way.
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3.9k
Apology
Oft have we trod the vales of Castaly And heard sweet notes of sylvan music blown From antique reeds to common folk unknown: And often launched our bark upon that sea Which the nine Muses hold in empery, And ploughed free furrows through the wave and foam, Nor spread reluctant sail for more safe home Till we had freighted well our argosy. Of which despoiled treasures these remain, Sordello’s passion, and the honeyed line Of young Endymion, lordly Tamburlaine Driving his pampered jades, and more than these, The seven-fold vision of the Florentine, And grave-browed Milton’s solemn harmonies.
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2.4k
Amor Intellectualis
No man hath dared to write this thing as yet, And yet I know, how that the souls of all men great At times pass athrough us, And we are melted into them, and are not Save reflexions of their souls. Thus am I Dante for a space and am One Francois Villon, ballad-lord and thief, Or am such holy ones I may not write Lest blasphemy be writ against my name; This for an instant and the flame is gone. ’Tis as in midmost us there glows a sphere Translucent, molten gold, that is the “I” And into this some form projects itself: Christus, or John, or eke the Florentine; And as the clear space is not if a form’s Imposed thereon, So cease we from all being for the time, And these, the Masters of the Soul, live on.
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2.2k
Historion
There's a painting by Botticelli I've always loved, showing Venus being born naked from the ocean and not fearing the current. Those around her renounce her body, scrambling to clothe her, turn her virginal, contain the way her eyes cross galaxies, shine all the way to Pluto. But she is soft, unwavering, not noticing the mortals' concern about her ******* and bare collarbone that could catch water at its base. I found you halfway across the world on the steps of the Uffizi and in the 3 hours it took you to show me some of the best art on earth, I was transfixed only on the orbits of planets in your eyes. Shortly before the sun set, you took me through the secret corridor Cosimo de' Medici built to walk across the rooftops of the city where you kissed me but told me you didn't believe in love, that all you needed was art, and Michelangelo, and in that moment I saw Venus in your collarbone. Saw a shell under your feet, saw the universe in the way your freckles connected, saw how you immortalize yourself among the rest of the art in Florence so no human can bring you down to earth, can make your heart stop, show you what it's like to cross timezones with a single touch. And here I am, wanting to be your Botticelli, to paint the uneven slope of your shoulders, the crookedness of your right ankle, your fear of exposing yourself to someone who could love you. It must be lonely out there, Venus, on your little fishing boat by the sea. Botticelli's painting was found long after his death, laid into the floor of an abandoned villa in the south of Tuscany. Venus looking lost and mortal between cracked paint and chipping walls, like the way you hide between the dusty statues of the dead statesmen and fading portraits long after the museum closes, just you with only history to hold. You want to believe in love as past-tense, like you've lost faith in present participles and the fact that art is still being made, and people are running barefoot into future conjugations together. Don't come back to land, Venus. Vanessa. I won't be here waiting with a towel or an art critic or a spaceship. But maybe, just make a little room for me on your shell under the sun, atop steady waves or Florentine rooftops. Throw the map overboard. Let's forget the shore. And Michelangelo and the rest of them will smile as they see us off.
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Jul 28, 2015
Jul 28, 2015 at 5:18 PM UTC
And Michelangelo Agrees With Me
There's a painting by Botticelli I've always loved, showing Venus being born naked from the ocean and not fearing the current. Those around her renounce her body, scrambling to clothe her, turn her virginal, contain the way her eyes cross galaxies, shine all the way to Pluto. But she is soft, unwavering, not noticing the mortals' concern about her ******* and bare collarbone that could catch water at its base. I found you halfway across the world on the steps of the Uffizi and in the 3 hours it took you to show me some of the best art on earth, I was transfixed only on the orbits of planets in your eyes. Shortly before the sun set, you took me through the secret corridor Cosimo de' Medici built to walk across the rooftops of the city where you kissed me but told me you didn't believe in love, that all you needed was art, and Michelangelo, and in that moment I saw Venus in your collarbone. Saw a shell under your feet, saw the universe in the way your freckles connected, saw how you immortalize yourself among the rest of the art in Florence so no human can bring you down to earth, can make your heart stop, show you what it's like to cross timezones with a single touch. And here I am, wanting to be your Botticelli, to paint the uneven slope of your shoulders, the crookedness of your right ankle, your fear of exposing yourself to someone who could love you. It must be lonely out there, Venus, on your little fishing boat by the sea. Botticelli's painting was found long after his death, laid into the floor of an abandoned villa in the south of Tuscany. Venus looking lost and mortal between cracked paint and chipping walls, like the way you hide between the dusty statues of the dead statesmen and fading portraits long after the museum closes, just you with only history to hold. You want to believe in love as past-tense, like you've lost faith in present participles and the fact that art is still being made, and people are running barefoot into future conjugations together. Don't come back to land, Venus. Vanessa. I won't be here waiting with a towel or an art critic or a spaceship. But maybe, just make a little room for me on your shell under the sun, atop steady waves or Florentine rooftops. Throw the map overboard. Let's forget the shore. And Michelangelo and the rest of them will smile as they see us off.
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This is the Arsenal. From floor to ceiling, Like a huge ***** rise the burnished arms; But from their silent pipes no anthem pealing Startles the villages with strange alarms. Ah! what a sound will rise, how wild and dreary, When the death-angel touches those swift keys! What loud lament and dismal Miserere Will mingle with their awful symphonies! I hear even now the infinite fierce chorus, The cries of agony, the endless groan, Which, through the ages that have gone before us, In long reverberations reach our own. On helm and harness rings the Saxon hammer, Through Cimbric forest roars the Norseman’s song, And loud, amid the universal clamor, O’er distant deserts sounds the Tartar gong. I hear the Florentine, who from his palace Wheels out his battle-bell with dreadful din, And Aztec priests upon their teocallis Beat the wild war-drums made of serpent’s skin; The tumult of each sacked and burning village; The shout that every prayer for mercy drowns; The soldiers’ revels in the midst of pillage; The wail of famine in beleaguered towns; The bursting shell, the gateway wrenched asunder, The rattling musketry, the clashing blade; And ever and anon, in tones of thunder The diapason of the cannonade. Is it, O man, with such discordant noises, With such accursed instruments as these, Thou drownest Nature’s sweet and kindly voices, And jarrest the celestial harmonies? Were half the power, that fills the world with terror, Were half the wealth bestowed on camps and courts, Given to redeem the human mind from error, There were no need of arsenals or forts: The warrior’s name would be a name abhorred! And every nation, that should lift again Its hand against a brother, on its forehead Would wear forevermore the curse of Cain! Down the dark future, through long generations, The echoing sounds grow fainter and then cease; And like a bell, with solemn, sweet vibrations, I hear once more the voice of Christ say, “Peace!” Peace! and no longer from its brazen portals The blast of War’s great ***** shakes the skies! But beautiful as songs of the immortals, The holy melodies of love arise.
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The Arsenal At Springfield
This is the Arsenal. From floor to ceiling, Like a huge ***** rise the burnished arms; But from their silent pipes no anthem pealing Startles the villages with strange alarms. Ah! what a sound will rise, how wild and dreary, When the death-angel touches those swift keys! What loud lament and dismal Miserere Will mingle with their awful symphonies! I hear even now the infinite fierce chorus, The cries of agony, the endless groan, Which, through the ages that have gone before us, In long reverberations reach our own. On helm and harness rings the Saxon hammer, Through Cimbric forest roars the Norseman’s song, And loud, amid the universal clamor, O’er distant deserts sounds the Tartar gong. I hear the Florentine, who from his palace Wheels out his battle-bell with dreadful din, And Aztec priests upon their teocallis Beat the wild war-drums made of serpent’s skin; The tumult of each sacked and burning village; The shout that every prayer for mercy drowns; The soldiers’ revels in the midst of pillage; The wail of famine in beleaguered towns; The bursting shell, the gateway wrenched asunder, The rattling musketry, the clashing blade; And ever and anon, in tones of thunder The diapason of the cannonade. Is it, O man, with such discordant noises, With such accursed instruments as these, Thou drownest Nature’s sweet and kindly voices, And jarrest the celestial harmonies? Were half the power, that fills the world with terror, Were half the wealth bestowed on camps and courts, Given to redeem the human mind from error, There were no need of arsenals or forts: The warrior’s name would be a name abhorred! And every nation, that should lift again Its hand against a brother, on its forehead Would wear forevermore the curse of Cain! Down the dark future, through long generations, The echoing sounds grow fainter and then cease; And like a bell, with solemn, sweet vibrations, I hear once more the voice of Christ say, “Peace!” Peace! and no longer from its brazen portals The blast of War’s great ***** shakes the skies! But beautiful as songs of the immortals, The holy melodies of love arise.
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Have you ever heard in your mind the sounds that silence makes the silence that spreads like music as in splendor a dewy morning breaks silence that clings to a Florentine fog as lone cyclist a cobble street snakes the silence that hangs heavy after a heavy down pour finally ends or await with it for the moment when heaven its pearly reward sends they sound so different and surreal like life’s ethereal myriad bends the silence that weighty dwells in wisps, rises from vacant eyes the silence that fills to the brim dole, of a beggar’s ripping sighs silence that hangs like a sword on fears of unsaid distant byes silence o endless tormenting silence you play on a piano’s dusty keys from a chair that rocks in howling wind on a lifeless verandah, distant sees from a score of such like mends wherefrom one has drunk to ones lees it speaks no man’s earthly breath yet heard in shattering numbness in ache and blight so steeped in rustle of a long gone worn dress in raucous merry gay proceeds or the mirth of a child’s bless in the time of a frisky bloomy day or gnaw of a long starry night the lullaby of distant streaking trains or the gondola’s reflective sight the cavort of journeys done together Echoes the hush of a soundless blight original saadat tahir 22nd July, 2k13 Islamabad.
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Jul 22, 2013
Jul 22, 2013 at 11:59 AM UTC
Sounds of Silence ... 2207-2k13
312 Her—”last Poems”— Poets—ended— Silver—perished—with her Tongue— Not on Record—bubbled other, Flute—or Woman— So divine— Not unto its Summer—Morning Robin—uttered Half the Tune— Gushed too free for the Adoring— From the Anglo-Florentine— Late—the Praise— ’Tis dull—conferring On the Head too High to Crown— Diadem—or Ducal Showing— Be its Grave—sufficient sign— Nought—that We—No Poet’s Kinsman— Suffocate—with easy woe— What, and if, Ourself a Bridegroom— Put Her down—in Italy?
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Her—”last Poems”
Comfy seats, yellow walls, hot coffee and Chai tea. Tall tumblers filled with ice, and faces warm, quiet and friendly. A rugged sign hangs just outside, to welcome those who are hungry. If golden treasure lies inside, this Naked Egg is such a treat. Now's not the time to question taste, you could pick at random for goodness sake. There isn't an item on the menu the wouldn't make most clean their plate. Sidewinder fries await inside, a torte, a Florentine, a bean. The whole farm perhaps for your appetite, or a western omelet smoked with cheese. New deli items await your taste, just choose your meat after a certain time. And if your cup is ever in need, they'll refill your teapot every time. Don't be a hot mess, just order one, and you'll be happy that you've come. To be at the Naked Egg you see, is to see how flavorful life can be.
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Jun 23, 2016
Jun 23, 2016 at 3:05 PM UTC
The Naked Egg
Love looked back as he took his flight, And lo, his eyes were filled with tears. Was it for love of lost delight Love looked back as he took his flight? Only I know while day grew night, Turning still to the vanished years, Love looked back as he took his flight, And lo, his eyes were filled with tears. II (Written in a copy of “La Vita Nuova”. For M. C. S.) If you were Lady Beatrice And I the Florentine, I’d never waste my time like this— If you were Lady Beatrice I’d woo and then demand a kiss, Nor weep like Dante here, I ween, If you were Lady Beatrice And I the Florentine. III (Written in a copy of “The Poems of Sappho”.) Beyond the dim Hesperides, The girl who sang them long ago Could never dream that over seas, Beyond the dim Hesperides, The wind would blow such songs as these— I wonder now if she can know, Beyond the dim Hesperides, The girl who sang them long ago? IV Dead leaves upon the stream And dead leaves on the air— All of my lost hopes seem Dead leaves upon the stream; I watch them in a dream, Going I know not where, Dead leaves upon the stream And dead leaves on the air.
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1.5k
Triolets
Never thought the intent to harm Thought she was a floaty flower Wanna **** him till the light of dawn He was to be devoured Warmth lack of clarity inside, a little bit Congregate where the bodies drained now, smells like florentine bedsheets What a slave to it A slave to it A body without a soul What a slave to it
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Mar 8, 2015
Mar 8, 2015 at 4:21 AM UTC
Nocturnal
Gentle winter sun, Peeking through the hazy window, Fiddling with your hair as your head rested on my shoulder, While, to Florence we journeyed, Away from the Sicilian soil, Whose Olives kept us captives for so long. Oh! And remember how- The Florentine pavements answered our footsteps, And picturesque italian figures smiled at our liberty, And how- The sound of mandolin, and of accordion; The carefree ramblings,the mindless tangos in the Italian streets, And the sheer aura of it all, Moved me- And how it moved you! But it was later in Vatican, Ah! it was then, When God became Michelangelo for me, And you,the ceiling of Sistine Chapel.
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Feb 15, 2019
Feb 15, 2019 at 8:06 AM UTC
A Vain Fantasy
jeudi, venus last lago florentine porch shredded from balcony of vestigial vista to plutonian shore not of usual laconic luster nor perennial, token blue sky instead apparitions, or entities please here abounded with vigor, though no it was sotto voce machete was as is wet eh, cam-- bowie's older cousin to poorly kept hedge emitted from the formerly symbiotic fence as when Ozmandias took the Ra's blade; through a gold medal and into the jugular the echo of a dropped coin evolved brutal, hear into the veins of those arms; severed were my once impending solitudes, my eyes shifted quickly towards binoculars only to find a wake of buzzards where once only solemnic eagles balded the paradox of heraldry diurnal yet carrionic
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Jun 6, 2015
Jun 6, 2015 at 12:42 AM UTC
Jeudi, Venus Last
il colosseo roma in leather-scented dusk grips the night, marble hand on woman's thigh; these evening breaths are half-lit by awning lights and candle-flame laughter. waiters serve wanderers searching for home under the light of the half-moon – they don't tell us that these shores have too much mystery for us. some homelands are sun-steeped histories cradling darling secrets between ancient bricks, ancient tombs.   the amalfi coast whispers seashell lullabies to the old-souled man plying whiskers of melodies out of his tin-flute, traipsing in a pit-patter down the sandy road leading to the ocean beach. he watches drowsy-eyed windows blink pulses on the beach – they caress us to sleep in lulls and crescents.   the florentine memories are all mine - bacchan dreams; how you turned my head away from the window, wrapped me in whiteness like newborn's skin. you, the child of a mountain spring where gods were born - the softness in your neck betrays this to the doves. heartbeat an adagio in old italy, heather scent stirring the air like eye of newt in witches' brew. love, your body like a holy city – lamplit streets between dusk and dawn leave little to the wishes of the heart.
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Jan 23, 2017
Jan 23, 2017 at 7:51 PM UTC
l'italia
You make me wanna write poems about you You have been on my mind for so so long probably because you were honestly one of the most handsomest men I've ever met in my life that was so so my type and the funniest thing was that at the time I never realized that We met in Jerusalem I thought you were gay because you were so beautiful the most gorgeous hair the most beautiful eyes that I could get lost in forever the most beautiful  earrings we sat on the bed in your room with all your plants and pleasured me I dream of you all the time we sat on my bed and spoke about concioussness in hebrew it seemed fluent on my tongue when I was with you I held your curls close to my face carrassed your hair stared into your eyes with lashes so long you walked to me barefoot and asked me how you looked and I told you handsome you are always so handsome I said it seemed fate brought us togehter how weird that was. You told me how beautiful I was and that you didn't need anything from me just to hold me and kiss me maybe it was because eventhough you were probably a bit of a player you showed me that a man can be romantic sweet and a pretty boy who is deep and that people like you exist so I don't know what this poem is about but I wander about you so much I hope maybe we will meet again in another metaverse or down the streets of Florentine or Dizengoff Telaviv I wander what that would be like I love the pretty boys I try to convince myself that I am always just gay but I gotta admit I love the pretty boys the ones who are deep kind have a great fashion sense and love to strum a guitar the men that I was always taught not to like that they weren't "man" enough but to me they are because I think real men are kind loving sweet and beautiful .
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Sep 4, 2023
Sep 4, 2023 at 2:17 PM UTC
The man with the silver piercing.
You make me wanna write poems about you You have been on my mind for so so long probably because you were honestly one of the most handsomest men I've ever met in my life that was so so my type and the funniest thing was that at the time I never realized that We met in Jerusalem I thought you were gay because you were so beautiful the most gorgeous hair the most beautiful eyes that I could get lost in forever the most beautiful  earrings we sat on the bed in your room with all your plants and pleasured me I dream of you all the time we sat on my bed and spoke about concioussness in hebrew it seemed fluent on my tongue when I was with you I held your curls close to my face carrassed your hair stared into your eyes with lashes so long you walked to me barefoot and asked me how you looked and I told you handsome you are always so handsome I said it seemed fate brought us togehter how weird that was. You told me how beautiful I was and that you didn't need anything from me just to hold me and kiss me maybe it was because eventhough you were probably a bit of a player you showed me that a man can be romantic sweet and a pretty boy who is deep and that people like you exist so I don't know what this poem is about but I wander about you so much I hope maybe we will meet again in another metaverse or down the streets of Florentine or Dizengoff Telaviv I wander what that would be like I love the pretty boys I try to convince myself that I am always just gay but I gotta admit I love the pretty boys the ones who are deep kind have a great fashion sense and love to strum a guitar the men that I was always taught not to like that they weren't "man" enough but to me they are because I think real men are kind loving sweet and beautiful .
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it sniffs for the sweet breeze of Florentine when all around are flies on rotten meat can vaguely feel being the last of its line as slowly falls silent sounds of heartbeat. its fading eyes seek the far off moorland feet still echo the long runs on limestone in the deep woods where giant trees stand a home where never would rest its bones. in delirious dreams it stalks at the night hunts for preys chasing opossums rabbits itself haunted by looming shadowy fright of fires that brought down all of his mates. it's so cold out here with the sun ever far limbs ice frozen to hold the shaking frame only frail groans and no one to hear for man the hunter it was another game.
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Aug 28, 2015
Aug 28, 2015 at 12:35 PM UTC
Benjamin
Six tons of fine Carrara marble lay supine on the Cathedral grounds. Agostino had carved two legs, then he had laid his chisel down Rossellino's turn was next to wield the mallet in his hand. The guild learned he was better suited to carve meat than sculpt a man. A quarter century came and went The giant lay in the churchyard there. He waited for Michelangelo to come perfect his stony glare. They raised the giant on his feet and asked opinions on the stone Michelangelo was the one engaged to finish David for his new home. David, a symbol of liberty, Defiant like the Florentine state His stony glare was turned towards Rome, a warning to the Fearsome Pape.
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Jan 15, 2012
Jan 15, 2012 at 8:14 PM UTC
David
She started out some years ago the wife of a friend of mine. The lady’s name was Lisa, and she was a Florentine. Through all of my commissions She followed me through time. Lisa Gherardini had a shy and secret grin. I remember when she sat for me, the light was perfect then, But something less than perfect Was the aspect of her eyes. She had a stigmatism That my art could not disguise. Last night, lying there with Salai my apprentice and my love. I looked into his eyes and was inspired from above.. I hurried to my studio And burned the midnight oil This time Salai sat for me in the same pose as the girl. . The result I deem perfection, I will keep her till I die.. I’ll never sell this mystery girl That has my lovers’ eyes.
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Dec 23, 2011
Dec 23, 2011 at 10:15 PM UTC
Mona Lisa's Eyes
Christina plays the glass-bead game, while sitting in her room. I love Christina with her golden hair and Florentine balloon.
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Mar 3, 2012
Mar 3, 2012 at 2:46 PM UTC
For Christina
I think I’ll call her Griselda or Florentine of the sea She is lovelier than a star fish with eyes of green And hair twists around this, brown ringlet, queen Constance of graciousness a madamoiselle’s dream Mood matches her dresses, bohemian with a spark And nothing deters that subterranean love heart. Love Grandma to Connie ***
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Jul 17, 2018
Jul 17, 2018 at 10:11 AM UTC
Constance.
he was a person just like you or me Raffaello died at 37 in between he created unlike any other counter movements formed three hundred years after his death [the first modern art revolution The Pre-Raphaelites] that is how large he was If you are able to live briefly choose your time well and large was the Florentine 1510 year of our lord a time of spires rising toward heaven and palettes of form and emotion a short life as masterpiece
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Mar 19, 2013
Mar 19, 2013 at 1:09 AM UTC
spent 7
And somehow My mind goes back to two summers ago My mind seems to always go back there I don't really know why Maybe it was because I was in love with you At that time And I didn't really know why... I remember sitting at the bar In Florentine without knowing a soul, I looked  across the bar and I see you there with your dark skin your impish smile and your curly hair, you smiled to me and offered me a drink and to hang with your friends I took you home with me and we went out for a month I remember waking up to the smell of cigarettes, and קפה שחור חזק-(black strong  coffee) and smoke flying all  around you , I don't know why but all I think of is you still all this time later... I haven't gone back to that home that I lived in ,two years ago a city away for that time in my life, had so much pain and addiction in it but I still have so many fond memories of that place so I think one day soon I'll go back to the coffee shops in florentine, to the parks that I used to sit in and dream about life to the bars I used to drink in to melt the pains away , to the bar I used to go to , when I met you and to the bomb shelter that I stayed in as the bombs flew past me, yes Israel has been hard but I forget  sometimes , that it also has lots of beautiful memories in it too, like meeting you and your beautiful Ethopian, frame face and culture opening my mind and showing me how dark racisim can be and what a beautiful soul you are, That race doesn't matter And that beautiful souls do. I have learnt so much from you David So when I saw the Ethopians protesting this week About the ****** of a small child, I remembered you In my apartment In Telaviv That eve, And how close I felt to you With your dark eyes Your dark smile And your cigarette  breath And coffee smells.
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Aug 25, 2023
Aug 25, 2023 at 5:36 PM UTC
Rembering you DAVID.
And somehow My mind goes back to two summers ago My mind seems to always go back there I don't really know why Maybe it was because I was in love with you At that time And I didn't really know why... I remember sitting at the bar In Florentine without knowing a soul, I looked  across the bar and I see you there with your dark skin your impish smile and your curly hair, you smiled to me and offered me a drink and to hang with your friends I took you home with me and we went out for a month I remember waking up to the smell of cigarettes, and קפה שחור חזק-(black strong  coffee) and smoke flying all  around you , I don't know why but all I think of is you still all this time later... I haven't gone back to that home that I lived in ,two years ago a city away for that time in my life, had so much pain and addiction in it but I still have so many fond memories of that place so I think one day soon I'll go back to the coffee shops in florentine, to the parks that I used to sit in and dream about life to the bars I used to drink in to melt the pains away , to the bar I used to go to , when I met you and to the bomb shelter that I stayed in as the bombs flew past me, yes Israel has been hard but I forget  sometimes , that it also has lots of beautiful memories in it too, like meeting you and your beautiful Ethopian, frame face and culture opening my mind and showing me how dark racisim can be and what a beautiful soul you are, That race doesn't matter And that beautiful souls do. I have learnt so much from you David So when I saw the Ethopians protesting this week About the ****** of a small child, I remembered you In my apartment In Telaviv That eve, And how close I felt to you With your dark eyes Your dark smile And your cigarette  breath And coffee smells.
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