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"flapper" poems
Friday- the most promising day of all. The beginning of the weekend, but the one day that will spark appall. Down on Mainstreet all the girls In their fringed dresses, pouting their foxy lips and their hair waving in short messes. The hags frown as the winged ladies pass by- displaying their carriages a little sly. Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet. Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans. 'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr. 'Who are you?' he stirred, 'Oh, I'm Miss Doe' and he lept into the stool with a swift flow. And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies. So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck: 'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore. 'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile. That was the final chord to the "lick". He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy. 'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed. 'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?' And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly. As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
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Jun 24, 2017
Jun 24, 2017 at 6:32 AM UTC
Flapper Jane (Doe)
Friday- the most promising day of all. The beginning of the weekend, but the one day that will spark appall. Down on Mainstreet all the girls In their fringed dresses, pouting their foxy lips and their hair waving in short messes. The hags frown as the winged ladies pass by- displaying their carriages a little sly. Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet. Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans. 'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr. 'Who are you?' he stirred, 'Oh, I'm Miss Doe' and he lept into the stool with a swift flow. And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies. So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck: 'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore. 'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile. That was the final chord to the "lick". He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy. 'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed. 'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?' And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly. As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
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20
not since nor silk. Mother's milk for the generations.. yes she was . Greeted Lindbergh on touchdown. Society clone. Rich ************* could not leave her alone. Tall tale teller.Paperback construct. Stepping into the ball with no invitation and stopped the music and conversation. Pale skinned poser. Gettin over. Her daddy was a man of means. Hired by the Majesties to count jellybeans. He loved the local **** to the tune of Poppa was a rollin stone. The magistrates and potentates in the republic of bananas. Pinkys up tea sippers . Could not get hold of collective zippers. Faded portrait. long dead poser.ball buster. Pretty as crystal.Tough as pig iron. She was high flying flapper. Cutting a rug. Charleston,Jitterbug. Short skirt flirt. Grandma ? Smokin hot and  smokin when women did not dare. C.O.P.D. and a hacking cough came the pipers toll.                                                                   The Wages.                                                                                            Just keeping it real.                                                                                                                           Slip sliding away. Drove a Jalopy. Aiee Pahpi chulo. Bestin May West with a smaller life jacket.                                                                           Turn the century.                                                                           Trench warfare. Over the top.The war to end all ? shiiiit.  Great Grandma was a show stopper. To the very end.
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Oct 8, 2013
Oct 8, 2013 at 12:41 AM UTC
Banana Republic Yucatan Pen.
not since nor silk. Mother's milk for the generations.. yes she was . Greeted Lindbergh on touchdown. Society clone. Rich ************* could not leave her alone. Tall tale teller.Paperback construct. Stepping into the ball with no invitation and stopped the music and conversation. Pale skinned poser. Gettin over. Her daddy was a man of means. Hired by the Majesties to count jellybeans. He loved the local **** to the tune of Poppa was a rollin stone. The magistrates and potentates in the republic of bananas. Pinkys up tea sippers . Could not get hold of collective zippers. Faded portrait. long dead poser.ball buster. Pretty as crystal.Tough as pig iron. She was high flying flapper. Cutting a rug. Charleston,Jitterbug. Short skirt flirt. Grandma ? Smokin hot and  smokin when women did not dare. C.O.P.D. and a hacking cough came the pipers toll.                                                                   The Wages.                                                                                            Just keeping it real.                                                                                                                           Slip sliding away. Drove a Jalopy. Aiee Pahpi chulo. Bestin May West with a smaller life jacket.                                                                           Turn the century.                                                                           Trench warfare. Over the top.The war to end all ? shiiiit.  Great Grandma was a show stopper. To the very end.
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24
Little girl with wide blue eyes Dreams as boundless as the skies Surrounded by dust and dead ends Waltzing in a land of make pretend Freckled, fervent and coy Twirling past the neighbor boys When she moves, she slips away Lost in a smile and a happy place Left to wander the desert dry Alone and forgotten no matter what she tries Looking for affection in an empty well Fading echoes of forgotten church bells With her reveries she swiftly dropped A leap of faith and the whole world stopped Warm blood and dampened grass, A mangled foot and a binding cast In dark days she prayed for help Wanting to step and perform Not ready to give up her last chance To take the stage by way of dance Ten years later, she's swaying and twice as stunning as before Sculpted cheekbones and brooding eyes Grabbing audiences by surprise She's reborn a star of the movies, With a new name and tiny waist Pretty young flapper with a striking face The little girl has finally found her place
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Mar 23, 2017
Mar 23, 2017 at 8:48 AM UTC
A Star Is Born
blood                                                   blood patter and splash                             leads us         concrete toward tracing back        til the scene         i’ve flashing thoughts of the brutality    the violence     that must of cussed     between persons                      in fear    fray    and inebriation down the steps                                                  my four year old child and I go           the greasing bleed     in bronze putters   growing and leadening on stone labours glowing citrus    the refrigeration                           of the underpass           ‘flips the bird'   at the summer blaze grey dead coral bricks of urination   seasoned in deep   beading now cold the broke up weapon                                            candy slates of brittle teeth glass / bottle / beer /brown     the neck its' hilt                    and the main mud of the bleeding the flies are the thing                                                          that bothers my ‘little nipper’ usually a flapper of queries on repetition no other queries are raised      just eager for the vibration       of train carriages gatling over our heads i stopper any words i may have on the matter   he holds my hand with his hot hand we progress under a port arms                                                                procession of caged floodlights       and walled in by fresh graffiti fingers dripping   retching for the guttering
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Dec 22, 2023
Dec 22, 2023 at 3:05 PM UTC
melrose underpass (26/06/23)
blood                                                   blood patter and splash                             leads us         concrete toward tracing back        til the scene         i’ve flashing thoughts of the brutality    the violence     that must of cussed     between persons                      in fear    fray    and inebriation down the steps                                                  my four year old child and I go           the greasing bleed     in bronze putters   growing and leadening on stone labours glowing citrus    the refrigeration                           of the underpass           ‘flips the bird'   at the summer blaze grey dead coral bricks of urination   seasoned in deep   beading now cold the broke up weapon                                            candy slates of brittle teeth glass / bottle / beer /brown     the neck its' hilt                    and the main mud of the bleeding the flies are the thing                                                          that bothers my ‘little nipper’ usually a flapper of queries on repetition no other queries are raised      just eager for the vibration       of train carriages gatling over our heads i stopper any words i may have on the matter   he holds my hand with his hot hand we progress under a port arms                                                                procession of caged floodlights       and walled in by fresh graffiti fingers dripping   retching for the guttering
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35
I knew a lady trapper who would trap out in the styx she used to be a flapper back in nineteen twenty-six I met her in a diner well not really just a bar and I told her I'm a miner as she puffed on her cigar She said 'Gus your kinda ugly and your breath stinks awful bad but I been fussin with my fugly so I'll tell you why I'm sad See I love to hunt for ****** it's my passion I can't lie but I left my love's receiver cuz she won't eat ****** pie Now I could have dried some jerky guess I should have fried some pork but my ****** tastes so perky fugly wouldn't touch her fork Gus I miss her I'm so lonely she's my only, what a dish I can't leave her over ****** so from now on tuna fish!" ©2011 Lyn
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Nov 14, 2013
Nov 14, 2013 at 7:29 PM UTC
My love's receiver
Timmy the tortoise shell Lived a tortured hell When he fell And cracked his shell As Timmy tortoise Had a timid soul That would spill From the cracks And stack in tow But Timmy was a loner Quick to ****** Closed the traps Of deviants and attackers With his snapper Even happier He'd turtle slap ya But Tim's dapper days Were done He was a flapper in the **** Of an overly populated pond Technologicalcated and wrong And it tinied t Under its beams Of ruining Until he Eventually Was gone
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Jun 22, 2013
Jun 22, 2013 at 1:04 AM UTC
Turtle
He gave me a ring With its facets glazed and cracked Insisting it was once his great-grandmother's She who In rot-edged vintage photos Wore a mink stole and flapper beads. _________________________________________ She pulls at seams Takes up and brings down hems, The stole pushed to the back Of a web festooned attic In a steamer trunk slapped with decals: Moscow Austria Monte Carlo Rio de Janeiro. On cold days she wears it again Dancing to old melodies on rough boards And when she hears the front door slam It's made to disappear in haste, Her engagement ring clacking Against the trunks flip locks. That night as she makes biscuits For her breadwinner she sees The crack, the chip Through a glaze of milked flour.
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Apr 18, 2013
Apr 18, 2013 at 3:51 PM UTC
Inheritance
I am a walking glass Transparent An overflowing rim I hope it’s not too apparent Don’t tip me I might just spill Was it one drink or three? I’ve drunk my fill I’m your whiskey girl Bubbling over A sequined, beaded twirl another lover
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Mar 19, 2013
Mar 19, 2013 at 12:32 AM UTC
Flapper Girl
I poeticize, proselytize Punctuate and pontificate. I write couplets and rhymes And I really do it all the time. I exacerbate and exaggerate With no desire to intimidate. I make similes and metaphors Indoors and even out of doors. There’s cussing and discussion And sharp literary impressions Through diversions, conversions Allusions as well as conclusions. And with luck, no delusions. Just syllabically deft fusions Of some deferential references With a deft touch of reverence. I rhyme thyme with fresh lime And cardamom with cinnamon. Sweetbreads and shortbreads. Chicken bones and licking scones. Rhyming pumpkins with dumplings And matching up filets with filberts Just as cocoa goes well with Kona. Marmalade can be a good marinade. I rhyme chrome wheels and automobiles, Freeway off-ramps and Tiffany lamps. Cellophane and vintage airplanes. Flapper vamps and streetwalking tramps. Also Cinderella coaches and cockroaches, Nothing is unfair game to a busy poet. As well as RCA Victors and boa constrictors. Since I’m a poet, everyone should know it.
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Mar 23, 2016
Mar 23, 2016 at 5:22 AM UTC
I POETICIZE
When the titles turn to grey Each bitter ash a story untold A breaking mold on the fray Your a big girl all the way But what do I need that I don't have? Each breath a sin, each exhale a salutation We are God's unwanted children There on the horizon is our unholy pollution When I knew my mind I knew myself But the press of the matter is not there where it starts I have a room and it is mine, but the key Is nowhere in a place that I can rightly see Listen to the blows of the wind without your ears A children's scream echoes, so rightly near Poe danced in the asylum's of madness and its prayers But whose to say that love also doesn't Fear? I can hear the whip of the way The way our forefather's used to play And of course our skin tingles as we mingle With the one's we used to enslave I wear the cloak of eternity You see my eyes but lo', they are not mine I dance beneath your very veins And the pen is where I hold my flaming reins I ask only for bread I ask only for butter and Water that tastes like the tears of mother All others should be left by the door, unbothered. Take me for what I am A mule with only a man's mind A body that one day will break, A recognition that I - not myself - keep in repression For the sunset keeps me amused The tools of my own body screams And as I watch the cream of the scheme rise To the tip top, I inhale to make time stop I've got my hat on, but where's my love? I see a bed, but the sheets are made of lead I need a road, a story untold A life whose line will never run cold I see where the line is supposed to end When the words end n' you've got nothing else to send But whose words are these if I've got nothing to lend? My rose bushes are fine, I've got nothing in this world to tend Each lonesome note Across this valley of tears Is what is just too hard to bear A turn in the tide Time in my own memory Too tough to tear and throw away A thorn I'm forced to hold near One day I'll see clear Why it was even there Minutes on minutes of minute time In pendulum we justify each step Our heart beat is our unrest The beat of our neighbor's walls our anxiety There are no more blankets to cover the world We are out of detergent to keep ourselves clean The lines of the supermarket are too long and Were out of cream to keep our girls rightly esteemed I'm headed out of this place But no time soon As for the weather Ask for the flapper's in the smoky ballroom
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Oct 17, 2012
Oct 17, 2012 at 5:41 PM UTC
Moving Why on the Frame of Demolition for A New World of the Reborn in Prototype
When the titles turn to grey Each bitter ash a story untold A breaking mold on the fray Your a big girl all the way But what do I need that I don't have? Each breath a sin, each exhale a salutation We are God's unwanted children There on the horizon is our unholy pollution When I knew my mind I knew myself But the press of the matter is not there where it starts I have a room and it is mine, but the key Is nowhere in a place that I can rightly see Listen to the blows of the wind without your ears A children's scream echoes, so rightly near Poe danced in the asylum's of madness and its prayers But whose to say that love also doesn't Fear? I can hear the whip of the way The way our forefather's used to play And of course our skin tingles as we mingle With the one's we used to enslave I wear the cloak of eternity You see my eyes but lo', they are not mine I dance beneath your very veins And the pen is where I hold my flaming reins I ask only for bread I ask only for butter and Water that tastes like the tears of mother All others should be left by the door, unbothered. Take me for what I am A mule with only a man's mind A body that one day will break, A recognition that I - not myself - keep in repression For the sunset keeps me amused The tools of my own body screams And as I watch the cream of the scheme rise To the tip top, I inhale to make time stop I've got my hat on, but where's my love? I see a bed, but the sheets are made of lead I need a road, a story untold A life whose line will never run cold I see where the line is supposed to end When the words end n' you've got nothing else to send But whose words are these if I've got nothing to lend? My rose bushes are fine, I've got nothing in this world to tend Each lonesome note Across this valley of tears Is what is just too hard to bear A turn in the tide Time in my own memory Too tough to tear and throw away A thorn I'm forced to hold near One day I'll see clear Why it was even there Minutes on minutes of minute time In pendulum we justify each step Our heart beat is our unrest The beat of our neighbor's walls our anxiety There are no more blankets to cover the world We are out of detergent to keep ourselves clean The lines of the supermarket are too long and Were out of cream to keep our girls rightly esteemed I'm headed out of this place But no time soon As for the weather Ask for the flapper's in the smoky ballroom
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65
Table, My father and I sat In our timeless silence That brewed away beneath the lights Like a sweat that never breaks. Sister and the Stranger Sat flanked by pillars, With two full glasses of Blood-lit wine Simmering warmly like Lamb's hearts Dropped into bowls. Never do I love my sister more That when she wears that little fishhook Of a smile, A grim refusal of her lips to flicker down, Making mincemeat of photographers, Men in bad jumpers, And garrulous psychopaths. It was crueler than any frown. Far more efficient. The Stranger buttered her bread-roll all at once, (A damning thing to do this afternoon) And dinner turned to coffee Without a hitch. I noticed that the whole evening was Done in a deliberately cut-glass way - Two siblings painting themselves Into the people they never wanted to be, To make a bloody-minded point. *She’s not one of us. She’s nothing like us. She’s nothing like mother - Absolutely nothing like mother!* And as we stood waiting for the car My sister turned to me and said – “I thought my expectations of daddy were low.” She swiped at her flapper-girl haircut, “Turns out my expectations Have a basement.” We only notice class When we need to shut someone Out. We only notice class When it's all we've got.
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Oct 19, 2013
Oct 19, 2013 at 6:31 PM UTC
Wolseley Standoff
my grandmother typed poems out for me, she was almost 100 years old, and still the women lashed to the mast, half-naked, screaming in lust in pain, in poetry from Anamae's imagination straight to my brain, turning me into a flapper childe wanting gin and jazz, I did, wanted to wear her skin even at 6 years old, she knew what she was making of me Anamae was proud of me, in a way my mother could never have imagined
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Jun 3, 2018
Jun 3, 2018 at 10:10 PM UTC
lashed to the mast
Chime, clatter, clank, ring, Clink, dream, shuffle, rub What’s that you say? Where’s that racket coming from? Why, it’s the wings on my heart, a flappin’ together Having one hell of a party Watchin’ all the pretty people go by. Red and blue figures running strait out of the aorta With flashing clappers in their hands. What racket? It’s a celebration! Watch the jumpers swirl, The tumblers whirl, My own arms flap as I want to hurl Up all my faults to make room for more joy To allow my body the ability to express, That which it cannot. What is a skeleton? Just take it away! And my limbs can join the heart runners A wobblin’ and bendin’ and flappin’ each way Kiss the day, kiss, kiss the day What are my innards? Just take em’ right out! I’ll have more room For the smiles of children, Golding leaves, And black ambition. I’ll be able to **** in the morning air with all my being And fill the cavity where my intestines once were With real soul soup—savory sweet And people say there’s no heaven? This I’ll never believe.
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Sep 5, 2011
Sep 5, 2011 at 2:03 PM UTC
Flapper
“Why can’t I see you every night?” When I’m still afraid of dying, you should know better -The show feather with a 1920’s twist. A flapper, with someone who slaps her But only her closest friends know. In unapplauded tones they tell her to split While she’s ahead What’s in her head is: 1. Chewing gum 2. Her finger and thumb Calling for a cab.
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May 28, 2014
May 28, 2014 at 3:50 PM UTC
In Sequence (Silver Dress)
It's just a New York night in lower manhattan nineteen twenty nine december time this place has been dry for over eight years but for the last two months the bars have opened and oh boy do they sell some crisp cold beers There I meet my girl her with the sparkles in her eyes that crazy girl who loves so well my flimflam flapper She is a goddess of con tricks a purveyor of ***** play yet she is near freedoms reach she does not care if you call her by her flapper name queen ***** By Christos Andreas Kourtis aka NeonSolaris
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Oct 11, 2014
Oct 11, 2014 at 5:53 PM UTC
Flimflam Flapper
I believe in my delusion. By definition...its real to me. I am sleek, mysterious, sought. grand piano, flapper dress, long cigarette sought. Unseen but expected garter holding me together. Perhaps the only thing holding me together. Scoffing advances because I have that liberty. Cognac ..no champagne. No mother to advise proper. No need for etiquette when I intimidate so well. The quiet masterpiece in the room. Their whispers make me And I love me Not adored but renowned I shade my eyes and exit Taking all of the air with me
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Oct 22, 2015
Oct 22, 2015 at 10:36 PM UTC
Marilyn
call me MCDJpjs one you can look too these days keep ya kids out the muthafukkin freeways see a roof and I give that ***** a raise see I’m not a traditional rapper ima ex-trapper spend too much time on the crapper wannbe flapper but not with birds wings I wanna go dancing in a 20’s gin ring drunk with a tommy gun come and get ya some I might come undone I’m just havin fun see I like to smoke **** grow it out with no seeds give it away freely destroy the system completely **** capitalism its causing a schism and how you livin cause I was born for given natural social-ist creating my own religion ******* wanna front like pigeons actin like they grantin wishes still sharing, but not an Osborn I’m the new norm At least in Ore-gon Call me MCDJpjs call me MCDJpjs one you can look too these days keep ya kids out the muthafukkin freeways see a roof and I give that ***** a raise Homeboy I tell the truth to today’s youth like a real sooth let me show you proof see I don’t pull punches about GMO lunches and throwin punches putting fools in the crunches slammin cell doors at my 9 to 5 watchin young lives be hypnotized by the flawed system one that lets them keep coming back to prison instead of giving them a vision of success and grace as part of the race that we all belong ya’ll sing my song! Call me MCDJpjs
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Apr 2, 2015
Apr 2, 2015 at 1:46 PM UTC
call me MCDJpjs
You deserve another girl; I would be a flapper in your world. The bad guy in your fairytale, the one to reject the veil.
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Feb 1, 2021
Feb 1, 2021 at 8:41 PM UTC
Flapper
She never wore nylons, preferred stockings instead. Her hair coloured blue and her lips violent red. She said it's the new thing this queen's for a fit king I never said anything. And time only told when she got very old and the lines that were drawn out and borne out in her fragility. She mentioned me once in an ambulance, 'Save me' but she never gave me a look when she looked like a princess. it's how we look at and take it that we manage to make it and the ones who can fake it seem to go far.
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Feb 20, 2015
Feb 20, 2015 at 8:30 PM UTC
Flapper
It was a normal day- I went for a coffee at the Jazz Café. And out through the soaked windows I saw a malign, wanton city Vehicles perishing the streets Pouring their sooty fumes into the Gaping mouth of the crowds. I took a sip of the cappuccino- The sweet bitterness; Casted me back to those long Winter months (wasted) - I spent mourning about you. I would shroud my room in black Drink, drink, drink until- All hues of blue Would drown me in the Ocean of Woe. Then Chet Baker mellowed the room: 'Some blues are sad, but some are glad, dark and sad.' I felt as if I was suffocating. There was something eerie about that jazz. So I walked out-  of the light. Let the rain rinse my sins, dance Like a flapper: complacent, rebellious, dangerous, puff away my eclipsed universe. My blues were more than a cold colour: 'They're a moan of pain, a taste of strife and a sad refrain.'
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Jun 21, 2017
Jun 21, 2017 at 1:07 PM UTC
Jazzy Blues
Musky wine or sweet whisky Can I feel the words? Dense cheese and listful misty sullen sorrow birds. Hold me in their heart They catch me with their eyes. Flying by fly shiny pieces Stealing all my happy faces. Flapping flapper birdy types. Flippy flirty wordy tripes. So sappy and so sad. God it makes me mad. I thought I was the worried one. But I'm the only one you had.
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Feb 22, 2018
Feb 22, 2018 at 12:06 AM UTC
Bird Feeder
The New Future roar + Gimme Gimme Better salaries 2018 Hard years or light years Galaxies Hey 19*,20?,21$, 22 my birth number September Saphire blue What's true the roar-ins The movies the cold cuts Getting hot Boar head bites The crybaby nights Roaring Twenties Flights" It's time  for the modern "I Dare" to be on the edge Just Dodge Men at war draft ins Pennies for their thoughts Dr. Who am I drugs new laugh-ins She's the boredom Monday- millenium "Gatsby Gorilla" Tuesday Tarrantula  deadend It been a long weekend_____ Money is the killer Ransom not a fandom The Samson and Delilah "Gilmore Ladies" Halleluah Stocked up on mercedes Flapper dancers flipped a coin They marched in computer lion Whats in your pocket Now Hewlett Packard Hackers and fast and furious snackers (The Thirties) centuries gowns Kitchen the wife cooks Turkey tough food 4 the soul Davie Bowie ground control Bowing down "Beek Jerky" The golf player the hole in goofers those penny loafers Coffee and cars comedians "Seinfeld" is money gold Jiffy peanut butter Sandwiches spread with love I love you "Mother" Miss Kleinfeld I am getting married Those emmy awards looking worried What's edible  Mr Hannibal with attachmnents Mrs cannibals The love can (B) incredible Cornish Hens Another day like Zen Those Stepford wives perfect ten Eyes of Fifty shades of poodle skirts New Jersey housewives movie cut Greek goddess of Ulysses lit Greek yogurt creamy lips possess New future what to address Wordy so quirky time gets spooky Look alive get perky The future for me is right now Jersey strong "New Jersey" All Excell moon solar system The future I got the rhythm
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Apr 24, 2018
Apr 24, 2018 at 5:27 PM UTC
Roaring Twenties Now Pennies
The New Future roar + Gimme Gimme Better salaries 2018 Hard years or light years Galaxies Hey 19*,20?,21$, 22 my birth number September Saphire blue What's true the roar-ins The movies the cold cuts Getting hot Boar head bites The crybaby nights Roaring Twenties Flights" It's time  for the modern "I Dare" to be on the edge Just Dodge Men at war draft ins Pennies for their thoughts Dr. Who am I drugs new laugh-ins She's the boredom Monday- millenium "Gatsby Gorilla" Tuesday Tarrantula  deadend It been a long weekend_____ Money is the killer Ransom not a fandom The Samson and Delilah "Gilmore Ladies" Halleluah Stocked up on mercedes Flapper dancers flipped a coin They marched in computer lion Whats in your pocket Now Hewlett Packard Hackers and fast and furious snackers (The Thirties) centuries gowns Kitchen the wife cooks Turkey tough food 4 the soul Davie Bowie ground control Bowing down "Beek Jerky" The golf player the hole in goofers those penny loafers Coffee and cars comedians "Seinfeld" is money gold Jiffy peanut butter Sandwiches spread with love I love you "Mother" Miss Kleinfeld I am getting married Those emmy awards looking worried What's edible  Mr Hannibal with attachmnents Mrs cannibals The love can (B) incredible Cornish Hens Another day like Zen Those Stepford wives perfect ten Eyes of Fifty shades of poodle skirts New Jersey housewives movie cut Greek goddess of Ulysses lit Greek yogurt creamy lips possess New future what to address Wordy so quirky time gets spooky Look alive get perky The future for me is right now Jersey strong "New Jersey" All Excell moon solar system The future I got the rhythm
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71
Cancer didn't make me Cry: I have not cried Except when I think of leaving you When I look at all the wonderful Perfect moments that life has been All strung together like a melody The only true crime I could think of That heaven could raise against us Though heaven could commit not crime But if life were to Then it would be asking me to leave you now I could no more die In this moment than I could stop loving you Than I could have stopped from loving you in the first The reality is That all the melodies bleed together Into one simple symphony One short desperate sonnet And that is the necessity of loving you Changes: I know he loved my ringlets Their lengths wrapping around him Like the sheets we tangle around us But now he calls me his little flapper His hands wrapping in the short strands The ones he knows will fall away I know he loved my ethic The way I worked everyday to be perfect But now when I can do nothing to stay thin He tells me to eat so I can get better I know he loved the carefree The way he didn't have to worry about me But still he stays beside me And something about that Makes me think he loves me
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Jul 20, 2014
Jul 20, 2014 at 2:58 PM UTC
The cancer poems