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"drummed" poems
Somewhere Somehow I can’t identify when it changed. I saw things differently, my eyes no longer covered by an opaque way of thinking. Sunshine brightened this world with unimagined colors, butterflies broke free, songbirds warbled lovely tunes. Amidst emerging beauty words became every day’s lifeblood; I found my voice. All around me, there was change, yet everything remained the same. For it was me that changed. Reborn, rewired. My heart drummed a brand new beat. Driven by transformation, I wrote. I write. Adding a dash of color. Singing harmony to surrounding melodies. I am changing. I am writing. I am a poet.
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Oct 1, 2014
Oct 1, 2014 at 5:47 PM UTC
Changed and Changing
My head feels dull. Not even “comfortably numb”. No mood for rhyme Yet must cast my soul Back through time. No. No more rhyme. Just cast my mind back. Seek that spark. Call out my Muse. Be inspired. Excited. Yes. Excitement shines Like a billion suns. The merest touch Explodes My every nerve. Magical mysteries Unveil themselves. Brilliant, fluttering butterflies Flash and flicker Those rainbow colours and more. Deep inspiration. Adrenaline rush. Electrical discharge. Cascading sweat. Thunder-drummed tornadoes. Lightning storms. Rose tinged dawns, And silver-ghosted Moons. Inspirational volcanoes Of Muse-blown delight. That’s how it was, To be in Love.
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Jan 22, 2011
Jan 22, 2011 at 4:34 AM UTC
Excitement
Drummed their boots on the camion floor, Hob-nailed boots on the camion floor. Sergeants stiff, Corporals sore. Lieutenant thought of a Mestre ***** — Warm and soft and sleepy ***** Cozy, warm and lovely ***** ****** cold, bitter, rotten ride, Winding road up the Grappa side. Arditi on benches stiff and cold, Pride of their country stiff and cold, Bristly faces, ***** hides — Infantry marches, Arditi rides. Grey, cold, bitter, sullen ride — To splintered pines on the Grappa side At Asalone, where the truck-load died.
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4.2k
Riparto D'Assalto
Scrapers will no longer scrape. Fighters soon to lose the short fight. Pilots are forced to surrender control. Snakes on a plane will bank into a roll, a scene that really no longer is scenic. Leaders still read while getting a scare. Huge landmarks that I swear were once there, bridges in shortage are counting the tolls. Dust that eventually will never be settled, liquid support that used to be metal, big bad crude that never was good— things impossible suddenly could. Answers quickly try to be drummed. Future conflicts guaranteed to be won, particles blocking our UV death sun, days become decades and turkey is done. Brave individuals are no longer bold. Families’ histories are quite often told, a baby’s bottle empty with no one to hold. Government figures tilted but somehow sold parades in protest with a circus in town. A tiger got out, but why can’t he growl? Seems that the cat’s got somebody’s tongue. Another channel covers son after son, numbers mounting, but not the right ones. Cabbies still nose their thumb after thumb, training centers destroyed one after one. We should’ve just played “Drop the **** bomb!” Fear is good, and of course good is feared; it’s the only thing that drives us way over here. Just like the Bible, it’s mostly made up. The supersonic jet has just hit a rut. The dirtiest of bombs versus our Smith and Wesson. “Come on gang, why would you even question?” Like death and taxes—there’s none that’s more sure, but then there’s the free upcoming history lesson. “Ain’t gonna do it” acting just like his pop. This rancher really means it when tossing the slop. “Still can’t find him—he’s with boys in Brazil.” What’ve they done lately to lighten the till? It’s time for the Allies to storm up this hill.
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Jul 26, 2014
Jul 26, 2014 at 5:09 PM UTC
Sugar Plum Petroleum Dreams
Scrapers will no longer scrape. Fighters soon to lose the short fight. Pilots are forced to surrender control. Snakes on a plane will bank into a roll, a scene that really no longer is scenic. Leaders still read while getting a scare. Huge landmarks that I swear were once there, bridges in shortage are counting the tolls. Dust that eventually will never be settled, liquid support that used to be metal, big bad crude that never was good— things impossible suddenly could. Answers quickly try to be drummed. Future conflicts guaranteed to be won, particles blocking our UV death sun, days become decades and turkey is done. Brave individuals are no longer bold. Families’ histories are quite often told, a baby’s bottle empty with no one to hold. Government figures tilted but somehow sold parades in protest with a circus in town. A tiger got out, but why can’t he growl? Seems that the cat’s got somebody’s tongue. Another channel covers son after son, numbers mounting, but not the right ones. Cabbies still nose their thumb after thumb, training centers destroyed one after one. We should’ve just played “Drop the **** bomb!” Fear is good, and of course good is feared; it’s the only thing that drives us way over here. Just like the Bible, it’s mostly made up. The supersonic jet has just hit a rut. The dirtiest of bombs versus our Smith and Wesson. “Come on gang, why would you even question?” Like death and taxes—there’s none that’s more sure, but then there’s the free upcoming history lesson. “Ain’t gonna do it” acting just like his pop. This rancher really means it when tossing the slop. “Still can’t find him—he’s with boys in Brazil.” What’ve they done lately to lighten the till? It’s time for the Allies to storm up this hill.
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41
This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye. At noon I scaled along the house-side as far as The coal-house door. Once I looked up - Through the brunt wind that dented the ***** of my eyes The tent of the hills drummed and strained its guyrope, The fields quivering, the skyline a grimace, At any second to bang and vanish with a flap; The wind flung a magpie away and a black- Back gull bent like an iron bar slowly. The house Rang like some fine green goblet in the note That any second would shatter it. Now deep In chairs, in front of the great fire, we grip Our hearts and cannot entertain book, thought, Or each other. We watch the fire blazing, And feel the roots of the house move, but sit on, Seeing the window tremble to come in, Hearing the stones cry out under the horizons.
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3.8k
Wind
They never spoke, but every time she walked into the train He reflexively slid to the left and made room for her. And they would travel together sitting one hand width apart. He drummed his perfectly crooked fingers on his left thigh, like a horse that galloped towards an unknown destination. She clasped and unclasped her hands, and chewed on the dry skin of her bottom lip. She always switched off her phone before getting on the train. She assumed he did too because no one ever disturbed their unsaid conversations. The old man singing I Wanna Hold Your Hand provided the sound track to their journey. Yet the most endearing sound was that of him sliding his right foot from side to side. The soft scraping sound soothed her more than any song ever had. The train ride lasted twenty-five minutes every night, during which, in her mind they got married, went to Vienna for their honeymoon, and had three children: twin boys and a girl, who grew up to be the perfect balance between the two of them. His stop came before hers and She wondered if one day he would miss his stop and Ride with her to hers. He knew her beginning and she knew his end. She may never know any more But that didn’t matter because for twenty five minutes a day, all she needed was the soft scraping sound from his right foot sliding from side to side.
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Dec 12, 2011
Dec 12, 2011 at 6:09 AM UTC
An Affair
the hills were beginning to grow the grass greening on the approach to Blue Earth, and how in summer Minnesota shed her old coat to shy guilty into brief silty lakes like the joy of a little kid, sneaking a forbidden dip. remarking, casually, about white warm flowers hung low from planned oaks, and the impossible way the town pulled local hills close, to coat in dandelions. and cultivate all under an ambitious midwestern sun.           rolling through the stop sign, hand on mine           you told me if you’re moving at all           you should keep it in second gear. and we had so far to go, but in the light that broke through westbound clouds, we became less so. contented to spread toes out in earth we dug into Minnesota, the middle coast: a land we could like to get to know. and you: looking down at the salt, the sand, the scars of the grand american plantation: the last coast. knowing that by the next coast, we you and me. we'd be through.           saying, ‘how could anybody die?’           saying,           ‘how could anybody tell you anything true?’ undercut by the honest waves of the little lake, the hum that drummed in my gas tank. trying, for once, at a little piece of truth:           when I leave this place I leave           a part of me behind.           and that part of me           will be you. saying there’s only so much sweetness in the soil, only so long after the thaw, and grief is rich and dark and made for sowing: must be, for maintaining verdant local hills, must be for to keep corn sweet. must be for to put grief on the table. must be for to keep with us.           for to keep a little bit to eat. saying, we bleed but together we make a hole to bury both our bodies in. saying there’s a west out west but too late it’s already hemmed us in.           saying now I am only a fragile assimilation of this weak           and fractured purpose that drives me, and you are           beautiful enough I would lie to let you love me. even I would scorch this soil if only things wouldn’t grow I would saying Blue Earth is still in the trucker's atlas is only an excuse for sunshine. a point, where freeways go. saying, “with earth, so green, that here they call it 'Blue'.”           saying           “I could learn to love a leopard.”           saying           “how dare you.”
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Jan 18, 2014
Jan 18, 2014 at 7:20 AM UTC
kafka
the hills were beginning to grow the grass greening on the approach to Blue Earth, and how in summer Minnesota shed her old coat to shy guilty into brief silty lakes like the joy of a little kid, sneaking a forbidden dip. remarking, casually, about white warm flowers hung low from planned oaks, and the impossible way the town pulled local hills close, to coat in dandelions. and cultivate all under an ambitious midwestern sun.           rolling through the stop sign, hand on mine           you told me if you’re moving at all           you should keep it in second gear. and we had so far to go, but in the light that broke through westbound clouds, we became less so. contented to spread toes out in earth we dug into Minnesota, the middle coast: a land we could like to get to know. and you: looking down at the salt, the sand, the scars of the grand american plantation: the last coast. knowing that by the next coast, we you and me. we'd be through.           saying, ‘how could anybody die?’           saying,           ‘how could anybody tell you anything true?’ undercut by the honest waves of the little lake, the hum that drummed in my gas tank. trying, for once, at a little piece of truth:           when I leave this place I leave           a part of me behind.           and that part of me           will be you. saying there’s only so much sweetness in the soil, only so long after the thaw, and grief is rich and dark and made for sowing: must be, for maintaining verdant local hills, must be for to keep corn sweet. must be for to put grief on the table. must be for to keep with us.           for to keep a little bit to eat. saying, we bleed but together we make a hole to bury both our bodies in. saying there’s a west out west but too late it’s already hemmed us in.           saying now I am only a fragile assimilation of this weak           and fractured purpose that drives me, and you are           beautiful enough I would lie to let you love me. even I would scorch this soil if only things wouldn’t grow I would saying Blue Earth is still in the trucker's atlas is only an excuse for sunshine. a point, where freeways go. saying, “with earth, so green, that here they call it 'Blue'.”           saying           “I could learn to love a leopard.”           saying           “how dare you.”
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66
Visual delusions: *Scrutinizing the acuity of             what is visualized. But sight is only validated by the morality glazed over. Until narratives are edited to mimic a reality of self delusion.* Oral formalization *Dictation versed within syllable             delusions, never sounding the reflection of thought to breath. But sour exhalation collects on vacant windows, spelling other           than what is breathed outwards.* Auditory silence *Auditions drummed within, echoing on shallow walls,            nothing wrote within A tirade of failures woven with three perceptions. Collective ignorance*.
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Aug 9, 2018
Aug 9, 2018 at 4:34 PM UTC
No Sight No Vocals No Perception
When all my five and country senses see, The fingers will forget green thumbs and mark How, through the halfmoon's vegetable eye, Husk of young stars and handfull zodiac, Love in the frost is pared and wintered by, The whispering ears will watch love drummed away Down breeze and shell to a discordant beach, And, lashed to syllables, the lynx tongue cry That her fond wounds are mended bitterly. My nostrils see her breath burn like a bush. My one and noble heart has witnesses In all love's countries, that will ***** awake; And when blind sleep drops on the spying senses, The heart is sensual, though five eyes break.
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2.7k
When All My Five And Country Senses See
The first song I ever drummed to Was also, unfortunately, The last song I ever drummed to. But I'll never forget the way The drumsticks fitted into my palms And the rhythm just seemed to flow; It all seemed so natural The way my hands hit the drum and My leg slammed the pedal, All that anger channelled into a Beautiful beat. To that magical instrument I not yet have, Fear not for we will one day reunite. I will play you with The beat of my heart, Let the music flow and Emotion part. Thank you for returning My right of expression.
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Nov 9, 2013
Nov 9, 2013 at 2:53 AM UTC
Melancholic Melody
Them bastardized youths fell outside, dizzied by a reality unsolved. Their maws scowled judgment and drooled Pabst down improbable bodies each of them lay in the stink of subtle conformity.   Fiercely unique culture beasts starved away in suburbs; Wikidrifting, those drugged litterbugs scampered. Dropout fish fast against the current of their time, tired from dancing through desperate crowded nights and disparate lonely dawns, dangling degrees and the specters of success burning incessant their pride. They were the ******** made so over time contracted by blind parents to nine-to-blithes in which quiet desperation, credit nooses, and irony were the small print. They were carpenters afraid of their hands.  With chisel to headstone, they lied on the hoods of used Japanese cars, panning the radio for a real connection and gazing up at vanishing constellations.   They were their poison and they their elixir, but a cold cigarette was a much quicker fixer of Helplessness Blues and the back of a Bible where a brief intellectual wrote “I am suicidal.” For how does the turn of the epigram read to those who care less with every new beat of a drummed-up society so high off its piety that seeing stars vanish is simply a shame?   Those ******** dropouts tragically remiss, those Supertramps, Kerouacs, Cohens, and wits. They were the alternative, urbanite fools that littered alleys with Greek fables and Tibetan tattoos.   Criterion flash cards and the literary canon allowed them to flirt with god in verse and art clues until Pollock’s canvas did rip off their eyelids which left them to know only Socrates knew. They danced and they writhed, then ****** to pass time, and kept on their passions till lost were their minds.  Then they all died, those blasphemous ******** But at least they washed on the back of their crimes. At least they danced. At least they were. And there may be something to movement in chaos.
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Oct 29, 2012
Oct 29, 2012 at 8:06 PM UTC
Untitled
Them bastardized youths fell outside, dizzied by a reality unsolved. Their maws scowled judgment and drooled Pabst down improbable bodies each of them lay in the stink of subtle conformity.   Fiercely unique culture beasts starved away in suburbs; Wikidrifting, those drugged litterbugs scampered. Dropout fish fast against the current of their time, tired from dancing through desperate crowded nights and disparate lonely dawns, dangling degrees and the specters of success burning incessant their pride. They were the ******** made so over time contracted by blind parents to nine-to-blithes in which quiet desperation, credit nooses, and irony were the small print. They were carpenters afraid of their hands.  With chisel to headstone, they lied on the hoods of used Japanese cars, panning the radio for a real connection and gazing up at vanishing constellations.   They were their poison and they their elixir, but a cold cigarette was a much quicker fixer of Helplessness Blues and the back of a Bible where a brief intellectual wrote “I am suicidal.” For how does the turn of the epigram read to those who care less with every new beat of a drummed-up society so high off its piety that seeing stars vanish is simply a shame?   Those ******** dropouts tragically remiss, those Supertramps, Kerouacs, Cohens, and wits. They were the alternative, urbanite fools that littered alleys with Greek fables and Tibetan tattoos.   Criterion flash cards and the literary canon allowed them to flirt with god in verse and art clues until Pollock’s canvas did rip off their eyelids which left them to know only Socrates knew. They danced and they writhed, then ****** to pass time, and kept on their passions till lost were their minds.  Then they all died, those blasphemous ******** But at least they washed on the back of their crimes. At least they danced. At least they were. And there may be something to movement in chaos.
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16
My Grandmother had a sage saying, she would regale us with, many times. With various nouns for exchanging. But, the meaning rang clear like a chime. "Pretty is as pretty does". If, as a diva, on of us girls was heard. She would hit us with that saying because, she knew actions spoke louder than words. Being of a religious nature, she deplored and showed her discontent, of those that would shout out their own praise, then would go about doing ill intent. "Christian is as Christian does". Grandma did guide us down that path. She drummed into me that saying because, she knew actions speak louder than words.
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Aug 20, 2010
Aug 20, 2010 at 7:42 PM UTC
Pretty Is As Pretty Does
the whole uni-world-verse is a work of art painted, sculpted, written, strummed, yelled, whispered, spoken, hummed, watched, read, walked, met, clutched, felt, thought, fraught, shot, healed, sealed, revealed, eaten, clapped, drummed, hugged, kissed, loved, hated, caressed, sexed, hit, held, slit, melded, tripped, tasted, clothed, wasted, hurt, emaciated, bounded, re-created, infinite, hallucinated, framed, contained, insane, profane, profound, no-sound, throned, starved, crowned, and could the hues and colors of experience be expressed I would have worked this art to show and speak to no one but as the same, no none and yes some to a sandwich multitude and the star-gaze vigil from the back, to the front, in the middle. all big, all mid, all little and silent as a God watching young girls play fiddle.
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Dec 27, 2012
Dec 27, 2012 at 2:37 PM UTC
cosplay
The music's best on the dark side of town, I heard. It seemed miles from home, after waiting in a long traffic jam But the lights finally changed from glamorous shining to dull neon, covered in smoke drifting up from drifters outside the Black Cat. By the fluorescent green sign, a cat was painted, its fur dark as the alley I stood in, engulfed in smoke. The cat perched atop Miles Davis's trumpet. Bums hassled me for change and a few drummed on buckets, jamming with a harmonica player, synched as jam and peanut butter. I stepped into the Black Cat, and from the facade saw no change. The lights turned low, the club dark as the alley outside. A Miles record hovered through the smoke. The people chattered like bees, smoking, waiting for the players to jam. At last, the bass player laid down a line miles long, the drummer chinked in, and the cats began to groove. They chilled my bones with dark melodies, pounding through spooky chord changes. Soon sunbeams shone through the storm, they changed to an upbeat swing tune. The horn smoked, hitting riffs unheard, astounding the dark faces gazing on in awe. They jammed endless as the ocean. The cats started to play a popular Miles song. The crowd hollered in Miles' memory as the horn steered through the changes with the skill of the legend of the Black Cat. The band, nearly invisible through the haze of smoke thick in the air, strawberry jam, soon faded to dark. Miles Davis’s ghost flowed through the smoke, awakened by the chord changes, grooving to the jam. The hippest cat alive or dead, now he plays in the dark.
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Dec 26, 2009
Dec 26, 2009 at 11:06 PM UTC
For Miles
The music's best on the dark side of town, I heard. It seemed miles from home, after waiting in a long traffic jam But the lights finally changed from glamorous shining to dull neon, covered in smoke drifting up from drifters outside the Black Cat. By the fluorescent green sign, a cat was painted, its fur dark as the alley I stood in, engulfed in smoke. The cat perched atop Miles Davis's trumpet. Bums hassled me for change and a few drummed on buckets, jamming with a harmonica player, synched as jam and peanut butter. I stepped into the Black Cat, and from the facade saw no change. The lights turned low, the club dark as the alley outside. A Miles record hovered through the smoke. The people chattered like bees, smoking, waiting for the players to jam. At last, the bass player laid down a line miles long, the drummer chinked in, and the cats began to groove. They chilled my bones with dark melodies, pounding through spooky chord changes. Soon sunbeams shone through the storm, they changed to an upbeat swing tune. The horn smoked, hitting riffs unheard, astounding the dark faces gazing on in awe. They jammed endless as the ocean. The cats started to play a popular Miles song. The crowd hollered in Miles' memory as the horn steered through the changes with the skill of the legend of the Black Cat. The band, nearly invisible through the haze of smoke thick in the air, strawberry jam, soon faded to dark. Miles Davis’s ghost flowed through the smoke, awakened by the chord changes, grooving to the jam. The hippest cat alive or dead, now he plays in the dark.
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39
Fire burning, logs marching A path daunting, ranting taunts Chanting seamed Arabic hymns Chargrilled silky toned offerings The exquisite yurt tent warm Enclosed in ethnic kaleidoscope Bedouin tribal pneuma radiates Tensed and cordially punted Feral wild ones sociably awake Reticent,drained in frail noises Fainting in lapses, trailed to fail Tidal noises permeates above all Waved and enveloped in beats A drummed goblet, strummed oud Announcement of the lived life force The tidal rhythmic music timed All clapping and mesmerised Drawn in dangerous curves A continuum of introversion sorted The ever censored extroversion summed
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Jan 2, 2016
Jan 2, 2016 at 2:54 PM UTC
Bedouin Chants
1. Do you know, I'm coming undone And did you notice, I'm coming round less? Did you ever see, me hardly at your door Then, I'm already waiting to leave? Chorus: We used to fit so well together But now, we're drifting far away We were too busy to see...us Come undone. 2. You didn't see my threads come undone Too busy tallying your brownie points! You used to be a shining star Then again, that was so long ago. 3. Trying to learn what the ox cannot do And that is to unshackle its heavy load. Drummed in the guilt, weary and sad Could never manage it all, had come undone. 4. Have you any idea of the many times I've tried to call you, with my courage undone So, how can one tell when the time is right To take a chance in life and make that change? Sometimes, we learn only too well! S T, 19 April 2013
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Apr 19, 2013
Apr 19, 2013 at 10:08 AM UTC
Undone
once upon a time there was a circle and it drummed and it strummed and the lump in my throat the size of a tyrant's fist dissolved into a pure white light feeling and i was a person a part of something not apart not asunder a heartspace coming coming a star starring afar in the distance guiding my lost feet toward an oasis that actually is a new start an art of being dreaming awake made for you a land of yay to hold in the palm of your hand and a vibrating tone resonates in that numb sternum a tone that lay one shade away from the ten thousand and ten whites of the first light ever lit Her womb receiving you again
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Oct 7, 2015
Oct 7, 2015 at 6:31 PM UTC
a land of yay
Courage is something I will never have. Like Christmas presents, I will never get what I asked for. Content is something I never understood. Like history and math, I never really bothered learning. Truth is something I can never believe. Like magicians, They put you at awe with a pinch of misdirection. Passion is something I can never maintain. Like Swiss watches, Too much effort, too much time, too much risk. Games are things I will never play. Like Scrabble, I have too little vocabulary for too many variables. Greed is a part I can never avoid. Like speed, The faster I go, the faster I go. You are something I will never get. Like poker, I must never cash in more than I can afford. I guess you are something I truly regret. Like soap opera, I cried for something unreal, tear for nothing surreal. I guess you are something dismay. Like rainy nights, Sad songs drummed the rain drops. I guess you are you, ultimately. We disconnect like two unfit jigsaws, We reconnect like two fit strangers. We reflect, deflect and subject to many a change, But at the end, We conclude in silence. As the curtain drop to a close, Stillness filled our hearts. Emptiness filled our dreams. While speechlessness filled our mouths, We forget every nip of attraction lost. Lost to, not mine, but your utmost desire.
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Apr 10, 2013
Apr 10, 2013 at 10:08 PM UTC
Stellar
Rest your head upon my heart. Listen to the beats you've drummed. Feel each throb of destined love. Don't you see, what I've become.   How you've shifted all my dreams. How you've taken my last breath. Oh Your warmth, burns every doubt. And your smile puts fear to rest. Rest your head upon my heart. Close your eyes, so you can gaze. There's an ocean you haven't discovered. There's a love that will amaze. As the night had left you lonely. And the moon dance in your eyes. Lay here with me, lay in silence. As I light your gloomy skies. Rest your head upon my heart. Make this place you lay your home. As you nest I'll kiss your fears. Take my heart it is thine own. Let the walls you've build be crumbled. Let the trust you've lost be found. Oh let me kiss you with my beating. Let me loose what had you bound. Rest your head upon my heart. Oh, rest your love upon my life!
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Apr 17, 2017
Apr 17, 2017 at 8:23 AM UTC
Rest Your Head Upon My Heart
The Drummer Brothers of Ikku Ukku Heard from the bathers that- The Princess had been abducted By the Dark Beast. A bounty of thousand gold coins was announced If you brought her back alive and the beast dead And Death if you brought the beast alive and the Princess dead. The Drummer Brothers of Ikku Ukku Hung their drums around their necks And drummed their way Through the Forest Dark When the Elder Brother drummed the sleep-inducing roll, The storks that roosted in the trees Dropped as if they were one big bunch. He picked them up one by one While the younger one, Elated, Shouted 'Pelicans!' and drummed the defeathering roll Upon which the plumage came off The Elder Brother drummed the roasting roll And the birdflesh caught fire. On the second day a leopard that looked- More like a boulder in leopard's clothing Lurched at the brothers. The Elder Brother drummed the age-reversing roll And the poor old leopard grew younger and younger Until it became a watery foetus which- The Drummer Brothers ate, Dabbing crushed chillies, and sprinkling salt. On the third day a bear of grisly proportions Ambled, roaring, into their sight The Younger Brother drummed an organ-enlarging roll that- Stretched the bear's mammaries far too long- They dragged on the ground like two pythons. The Elder Brother drummed the light-the- candle roll And the oily **** caught fire like wicks. Having vanquished the two deadly beasts The Drummer Brothers of Ikku Ukku met, On the fourth day of their journey, The Dark Beast. The Dark Beast, as it turned out, Was no beast as such But an Outcast once expelled Into the heart of darkness Who wrapped himself In the dark of the Dawn And became one with All the Beasts And rumbled. The Princess' pygmy horse was impaled With the stake coming out of its mouth Grossly gory, its hindlegs missing And the blood, coagulated, hanging like icicles. Near it was the Princess herself, Naked, except for the gold waist chain And the anklets. The Drummer Brothers of Ikku Ukku Drummed a very ordinary roll, Steady and throbbing. The Dark Beast who listened to it Was transported into his past, His memory of listening To the old drummers of Ikku Ukku. Excited, He spun on his heels and stretched out his arms He gyrated and pirouetted- And on reaching the peak of his frenzy Exploded, like a watermelon The pieces flew in all directions. The Drummer Brothers picked them up And licked While the Princess, shaken out of her languor, Rose and sauntered towards them. Holding out her honey hands She said, "Now I belong to both of you." The Younger Brother came up with a plan: The elder one would have her from the waist up While he would have her from the waist down. The Elder Brother approved. Vain and coquettish, The Princess rammed her fists into either drum And said: "I loathe their sound- too unrefined." On the fifth day, The Drummer Brother drummed a jazzed up roll On their new drumhead Made of the Princess' hide.
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Jul 24, 2020
Jul 24, 2020 at 6:15 AM UTC
The Drummer Brothers of Ikku Ukku
The Drummer Brothers of Ikku Ukku Heard from the bathers that- The Princess had been abducted By the Dark Beast. A bounty of thousand gold coins was announced If you brought her back alive and the beast dead And Death if you brought the beast alive and the Princess dead. The Drummer Brothers of Ikku Ukku Hung their drums around their necks And drummed their way Through the Forest Dark When the Elder Brother drummed the sleep-inducing roll, The storks that roosted in the trees Dropped as if they were one big bunch. He picked them up one by one While the younger one, Elated, Shouted 'Pelicans!' and drummed the defeathering roll Upon which the plumage came off The Elder Brother drummed the roasting roll And the birdflesh caught fire. On the second day a leopard that looked- More like a boulder in leopard's clothing Lurched at the brothers. The Elder Brother drummed the age-reversing roll And the poor old leopard grew younger and younger Until it became a watery foetus which- The Drummer Brothers ate, Dabbing crushed chillies, and sprinkling salt. On the third day a bear of grisly proportions Ambled, roaring, into their sight The Younger Brother drummed an organ-enlarging roll that- Stretched the bear's mammaries far too long- They dragged on the ground like two pythons. The Elder Brother drummed the light-the- candle roll And the oily **** caught fire like wicks. Having vanquished the two deadly beasts The Drummer Brothers of Ikku Ukku met, On the fourth day of their journey, The Dark Beast. The Dark Beast, as it turned out, Was no beast as such But an Outcast once expelled Into the heart of darkness Who wrapped himself In the dark of the Dawn And became one with All the Beasts And rumbled. The Princess' pygmy horse was impaled With the stake coming out of its mouth Grossly gory, its hindlegs missing And the blood, coagulated, hanging like icicles. Near it was the Princess herself, Naked, except for the gold waist chain And the anklets. The Drummer Brothers of Ikku Ukku Drummed a very ordinary roll, Steady and throbbing. The Dark Beast who listened to it Was transported into his past, His memory of listening To the old drummers of Ikku Ukku. Excited, He spun on his heels and stretched out his arms He gyrated and pirouetted- And on reaching the peak of his frenzy Exploded, like a watermelon The pieces flew in all directions. The Drummer Brothers picked them up And licked While the Princess, shaken out of her languor, Rose and sauntered towards them. Holding out her honey hands She said, "Now I belong to both of you." The Younger Brother came up with a plan: The elder one would have her from the waist up While he would have her from the waist down. The Elder Brother approved. Vain and coquettish, The Princess rammed her fists into either drum And said: "I loathe their sound- too unrefined." On the fifth day, The Drummer Brother drummed a jazzed up roll On their new drumhead Made of the Princess' hide.
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Easter Monday (2015) The silence It was the silence As we entered the gates of hell. Then… The bird song, It was the bird song That chorused our way To the well Of tears at the wall Of many tongues That speak to the silence still, Of the voices that cried For the people who died The void only time will fill. The sun It was the sun Shining on the wooden cross. And… The sky It was the sky So blue, and flecked with the floss Of clouds so white So pure in light That the wall of the well of tears Transfigured the sin We heap on Him Whose loss for many Is the only way To feel the void time fills. The woodpecker drummed a beat On the trunks Of the trees so parallel still. A whisper of wind That rebounds the sound Of innumerable roll calls Of the thousands who now Lie deep in the cradles of mounds Stone faced, inscribed Toten With the number interred within Verboten… now But why not then? In that world of men And women, when humanity’s meaning Was turned on end. And a godless creed That shadowed the world with grief Which now for many, Is beyond belief. The stillness It was the stillness That gave silence the space to breathe, To remember the times, the godless times That now are so hard to believe. But silence and stillness envelope the House A silent place to be To hear the past that shows the present The prayers for a future that sees What could be, What can be But will we Learn, the history from then to now To forge that future for future’s sake And answer the question… How? David Applin … late afternoon and evening of Easter Monday 6th April 2015 following a visit to Bergen-Belsen earlier in the day, completed 7th-9th April. 15th April 2015 … 70 years after the liberation of Bergen-Belsen by the British Army. David Applin (Copyright 2015)
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May 9, 2015
May 9, 2015 at 5:32 AM UTC
Bergen-Belsen: Reflections on Easter Monday (2015)
Easter Monday (2015) The silence It was the silence As we entered the gates of hell. Then… The bird song, It was the bird song That chorused our way To the well Of tears at the wall Of many tongues That speak to the silence still, Of the voices that cried For the people who died The void only time will fill. The sun It was the sun Shining on the wooden cross. And… The sky It was the sky So blue, and flecked with the floss Of clouds so white So pure in light That the wall of the well of tears Transfigured the sin We heap on Him Whose loss for many Is the only way To feel the void time fills. The woodpecker drummed a beat On the trunks Of the trees so parallel still. A whisper of wind That rebounds the sound Of innumerable roll calls Of the thousands who now Lie deep in the cradles of mounds Stone faced, inscribed Toten With the number interred within Verboten… now But why not then? In that world of men And women, when humanity’s meaning Was turned on end. And a godless creed That shadowed the world with grief Which now for many, Is beyond belief. The stillness It was the stillness That gave silence the space to breathe, To remember the times, the godless times That now are so hard to believe. But silence and stillness envelope the House A silent place to be To hear the past that shows the present The prayers for a future that sees What could be, What can be But will we Learn, the history from then to now To forge that future for future’s sake And answer the question… How? David Applin … late afternoon and evening of Easter Monday 6th April 2015 following a visit to Bergen-Belsen earlier in the day, completed 7th-9th April. 15th April 2015 … 70 years after the liberation of Bergen-Belsen by the British Army. David Applin (Copyright 2015)
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Let us find again the beauty in simple things not just in designer labels and diamond rings for the worth of what we crave should not be drawn from sweatshop slave Let us find again the beauty in simple things Let us see things once again just like a child In the days when we'd go out and explore the wild Building tree forts in the woods cops and robbers, robin hoods Let us see things once again just like a child Let our innocence and trusting be our strength not something that gets drummed out of us at length lets not live our lives in fear of dangers far away from here Let our innocence and trusting be our strength Let us open up our hearts without reserve and let someone in without trying to conserve let us love just once again like we'd never know pain Let us open up our hearts without reserve Let us die without one outstanding wish live our lives with nets always full of fish lives with bounty all around all friends and loved ones have we found Let us die without one outstanding wish
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Aug 16, 2010
Aug 16, 2010 at 3:12 PM UTC
Let us...
Living the dream or so it seems Riding the waves, cascade after cascade Jumping through hoops, going round loop de loop, like a roller-coaster Believing you've got closer To what: you're supposed to do. what you, perceive to be what you, intend to see. Knowing that, this is your goal. The thing that drives your soul. To reach to the sky, stretch up to the stars, float upon the clouds, make yourself proud. Because this is your dream. it's something that means, everything to you. there's nothing that you wouldn't do, to reach the heights of success. Continue to achieve your best. Push through till there's nothing left. Because this is a passion, a craft, a choice. Don't listen to nay sayers, down players, people who say: This isn't the way to go, this is something you should know. And it is something you know. Why wouldn't you. It's drummed into you day after day, you get used to the people being that way, it's a hard business. Okay, okay I get what you're trying to say but I don tell you day after day; That your job is monotonous. A corporate chain, whose only aim is more money to gain, from your daily pain of trying to maintain the face of joy when your boss walks by and asks how it's going. With a nod all knowing you reply "It's going great Mr Johnson." Yet in your head you weep And wish to retreat, back to the age when you could openly phrase a strong affirming gesture. A finger raised to the sky, Stating **** you and goodbye. But you don't. You nod and say "yes" Cause that is your best There's no passion inside you. No craft that will drive you, to achieve. So stop for a minute and believe Believe in the strength of desire in your heart let me take my path, leave me alone and then start on your own.
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Mar 18, 2015
Mar 18, 2015 at 11:00 AM UTC
I'll lead my life, you do whatever you want.
Living the dream or so it seems Riding the waves, cascade after cascade Jumping through hoops, going round loop de loop, like a roller-coaster Believing you've got closer To what: you're supposed to do. what you, perceive to be what you, intend to see. Knowing that, this is your goal. The thing that drives your soul. To reach to the sky, stretch up to the stars, float upon the clouds, make yourself proud. Because this is your dream. it's something that means, everything to you. there's nothing that you wouldn't do, to reach the heights of success. Continue to achieve your best. Push through till there's nothing left. Because this is a passion, a craft, a choice. Don't listen to nay sayers, down players, people who say: This isn't the way to go, this is something you should know. And it is something you know. Why wouldn't you. It's drummed into you day after day, you get used to the people being that way, it's a hard business. Okay, okay I get what you're trying to say but I don tell you day after day; That your job is monotonous. A corporate chain, whose only aim is more money to gain, from your daily pain of trying to maintain the face of joy when your boss walks by and asks how it's going. With a nod all knowing you reply "It's going great Mr Johnson." Yet in your head you weep And wish to retreat, back to the age when you could openly phrase a strong affirming gesture. A finger raised to the sky, Stating **** you and goodbye. But you don't. You nod and say "yes" Cause that is your best There's no passion inside you. No craft that will drive you, to achieve. So stop for a minute and believe Believe in the strength of desire in your heart let me take my path, leave me alone and then start on your own.
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He was a beautiful enigma. A bonified butcher knife whispering against my throat on a wooden dorm room desk. His hands drummed to beats my heart missed. My lungs forgot the in and out, we’d been perfecting all these years. He brought me closer to divinity Than I had ever come before I can see him now, eyes ignited to match my joint.
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Oct 2, 2013
Oct 2, 2013 at 2:37 PM UTC
I had my first one night stand with a Puerto Rican boy from Reno