Submit your work, meet writers and drop the ads. Become a member
Terry O'Leary Mar 2013
1

The drummer beats slowly, the drummer beats loud
     as he beats of humanity wrapped in a shroud.

Well he beats of the **** and the killing of war
     and the mind mangling sorrow we blithely ignore
          and he beats of combatants who’re dying deceived
               while the merchants of ****** count profits received.

And he beats of civilians so savagely slain
     and of bundles of bodies cast off in distain,
          and he beats of the butch'ry that's feeding the flood,
               clogging drains with our flesh, filling swamps with our blood.

And he beats of cadavers, by famine defined
     that has ravished and plagued since the dawn of mankind,
          and he beats of big biz letting oranges decay
               while a child suffers scurvy and passes away.

He beats and he pounds till our consciences gnaw
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

2

The drummer beats slowly, the drummer beats loud
     as he beats of abuse that we try to becloud.

Well he beats of the barons and princes and kings
     who have broken broad backs with their clubs and their slings,
          and he beats of the toll of divine royal rights
               when the droit du seigneur sullied white wedding nights.

     And he beats of the bribes that the powerful make
          to the pale politicians who wax in their wake,
               and he beats of the waifs bound by chains to machines,
                    and of slaves sporting nooses, and other such scenes.

And he beats of the tyrants in clerical garb
     who have tortured with ******* and thumbscrews and barb
          and he beats of decrees claiming all men are free
               while ignoring cowed thralls and their agonised plea.


He beats and he pounds till revealing the flaw
     and his fingers are battered and ****** and raw
           and his hands are all broken and bleeding and raw.

3

The drummer beats slowly, the drummer beats loud
     as he beats of the strength of the rebels so proud.

Well he beats of the spirit the rack couldn’t break,
     and the fragrance of flesh that was burned at the stake,
          and he beats of gray witches submerged in a pond,
               being swum to nirvana and even beyond.

And he beats of the minds that could never be chained
     by the faith that was living while ignorance reigned;
          and he beats of bold battles when Spartacus rose        
               having tired of shackles and slavery’s woes.

And he beats of bent women who’ll fight to be freed
     and will never give up till they finally succeed,
          and he beats of their progress, belying the jeers,
               overwhelming the pessimists' fatuous sneers.

He beats and he pounds till we stand back in awe
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

4

The drummer beats slowly, the drummer beats loud
     as he beats of the sights that he’s seen from a cloud.

Well he beats of the passion when lovers have lain
     with their bodies entwined midst a field of fresh grain;
          and he beats of the joy when a mother has smiled
               while she’s nursing a baby, her newly born child.

And he beats of the sorrow upsurging inside
     leaving shadows and ruins when loved ones have died.
          Then he beats of an image that looms as a dream
               of a time when compassion and love reign supreme.

And he beats of lush meadows pale yellow and green,
     shining lakes in a woodland, a river serene.
          Then he beats of a planet that dies in a sweat,
               and of smirks of the dullards denying the threat.

He beats and he pounds till we see what he saw
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

*

The drummer beats slowly, the drummer beats loud
    
     And he beats of humanity wrapped in a shroud
          And he beats of abuse that we try to becloud
               And he beats of the strength of the rebels so proud
                    And he beats of the sights that he’s seen from a cloud.

     And he beats and he pounds till our consciences gnaw
          And he beats and he pounds till revealing the flaw
               And he beats and he pounds till we stand back in awe
                    And he beats and he pounds till we see what he saw.

And his fingers are battered and ****** and raw
     And his hands are all broken and bleeding and raw.

          And his hands are all
               broken
                   and bleeding
                        and raw.
The Drummer Brothers of Ikku Ukku
Heard from the bathers that-
The Princess had been abducted
By the Dark Beast.
A bounty of thousand gold coins was announced
If you brought her back alive and the beast dead
And Death if you brought the beast alive and the Princess dead.

The Drummer Brothers of Ikku Ukku
Hung their drums around their necks
And drummed their way
Through the Forest Dark

When  the Elder Brother drummed the sleep-inducing roll,
The storks that roosted in the trees
Dropped as if they were one big bunch.
He picked them up one by one
While the younger one,
Elated,
Shouted 'Pelicans!' and drummed the defeathering roll
Upon which the plumage came off
The Elder Brother drummed the roasting roll
And the birdflesh caught fire.

On the second day a leopard that looked-
More like a boulder in leopard's clothing
Lurched at the brothers.
The Elder Brother drummed the age-reversing roll
And the poor old leopard grew younger and younger
Until it became a watery foetus which-
The Drummer Brothers ate,
Dabbing crushed chillies, and sprinkling salt.

On the third day a bear of grisly proportions
Ambled, roaring, into their sight
The Younger Brother drummed an *****-enlarging roll that-
Stretched the bear's mammaries far too long-
They dragged on the ground like two pythons.
The Elder Brother drummed the light-the- candle roll
And the oily **** caught fire like wicks.

Having vanquished the two deadly beasts
The Drummer Brothers of Ikku Ukku met,
On the fourth day of their journey,
The Dark Beast.
The Dark Beast, as it turned out,
Was no beast as such
But an Outcast once expelled
Into the heart of darkness
Who wrapped himself
In the dark of the Dawn
And became one with All the Beasts
And rumbled.

The Princess' pygmy horse was impaled
With the stake coming out of its mouth
Grossly gory, its hindlegs missing
And the blood, coagulated, hanging like icicles.
Near it was the Princess herself,
Naked, except for the gold waist chain
And the anklets.

The Drummer Brothers of Ikku Ukku
Drummed a very ordinary roll,
Steady and throbbing.
The Dark Beast who listened to it
Was transported into his past,
His memory of listening
To the old drummers of Ikku Ukku.
Excited,
He spun on his heels and stretched out his arms
He gyrated and pirouetted-
And on reaching the peak of his frenzy
Exploded, like a watermelon
The pieces flew in all directions.
The Drummer Brothers picked them up
And licked
While the Princess, shaken out of her languor,
Rose and sauntered towards them.
Holding out her honey hands
She said, "Now I belong to both of you."

The Younger Brother came up with a plan:
The elder one would have her from the waist up
While he would have her from the waist down.
The Elder Brother approved.
Vain and coquettish,
The Princess rammed her fists into either drum
And said: "I loathe their sound- too unrefined."

On the fifth day,
The Drummer Brother  drummed a jazzed up roll
On their new drumhead
Made of the Princess' hide.
Cameron Godfrey Aug 2016
little drummer boy play your rhythm on my spine
let me be your snare, make music out of me
little drummer boy it’s been a long and lonely winter
and the heartbeat of your drum has got me through the coldest nights
little drummer boy oh won’t you bruise me with your drumsticks
break my bones and tear my skin, break my entire world apart
little drummer boy play your rhythm on my ribcage
leave my pale pink skin black and blue and purple and red
little drummer boy oh won’t you break me into pieces
for all i am to you is an instrument to be played
PrttyBrd Dec 2014
The drummer of my heart
Pumps me into being
My very blood dances to the beat
The drummer of my heart
Turns the silence into music
As my essence glides across those sticks
The drummer of my heart
Keeps time with my joy
Happily beating fear into submission
The drummer of my heart
Makes me race in excitement
Accelerating and elevating my love
The drummer of my heart
Plays the stars as his drum set
And is the very rhythm of my soul
122814
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
They throw in Drummer Hodge, to rest
Uncoffined—just as found:
His landmark is a kopje-crest
That breaks the veldt around:
And foreign constellations west
Each night above his mound.

Young Hodge the drummer never knew—
Fresh from his Wessex home—
The meaning of the broad Karoo,
The Bush, the dusty loam,
And why uprose to nightly view
Strange stars amid the gloam.

Yet portion of that unknown plain
Will Hodge for ever be;
His homely Northern breast and brain
Grow to some Southern tree,
And strange-eyed constellations reign
His stars eternally.
I heart you like
My heart hearts beating,
Little drummer boy
Keeping the pulse;
Still a little kid
Marching along,
Never going to
Put the drumsticks down.
As long as there is still
A rhythm to keep me flowing,
My blood runs redder through me
When I see you; and those eyes
Piercing,  I'm flush all throughout
Little drummer beating faster,
Hear it so loud through my chest;
Church bells tolling couldn't hush,
But then you speak, his drum
Resonates to a flutter; light
Pitter patter, gentle lullaby
Of your voice, my little drummer's eyes
Are closing now, beating low
Like a whisper, this moment is sweet
Sweet serenity, as your gentle touch
On my soul is weightless like a feather
Upon a lake just floating with the current,
And then you start to leave,
Drummer boy is quickly making haste
Banging getting faster stronger
Surely you can hear him now,
Marching no more; he is sprinting
Lion in the Sahara after a gazelle,
But my legs aren't moving,
I'm just watching you walk away,
I know something my little drummer
Doesn't, you'll be back again,
And he'll lose his cool once more...
© okpoet
Hypnotic music, joyous sounds surround
The fans, all entranced by the performers.
The drummer happily bashes and pounds
Everything he sees shaped like cylinders.

The hi-hat steadily keeps the rhythm,
The bass drum makes a thud, quite powerful.
The crowd can't help but nod along with him
As he makes these beats so insatiable.

The cymbals create such fearful crashes,
And his finely tuned snare shoots roaring pops
Hurtling towards the off-guard masses,
This manic madness just can't seem to stop!

What exactly does he have left to prove?
He simply wants to see everyone *groove!
Noel Aug 2014
Banging the drums in the depths of hell
the musician drops the beat.

Drumming for demons and sold out souls
the artist stomps his feet.

Everybody's dancing, the liars, the thieves
the creator pops his drink.

Singing, laughing, the killers start clapping
the performer rocks the scene.

Heads are slammin, the felons in famine
the actor inhales to breathe.

Hands in the air, the addicts don't care
the composer brings the heat.

There's chaos in hell, tickets on sale
if you sin then its always free.

The drummer ends the beat.
Just for fun
At last you have departed and gone to the Unseen.
What marvelous route did you take from this world?

Beating your wings and feathers,
you broke free from this cage.
Rising up to the sky
you attained the world of the soul.
You were a prized falcon trapped by an Old Woman.
Then you heard the drummer's call
and flew beyond space and time.

As a lovesick nightingale, you flew among the owls.
Then came the scent of the rosegarden
and you flew off to meet the Rose.

The wine of this fleeting world
caused your head to ache.
Finally you joined the tavern of Eternity.
Like an arrow, you sped from the bow
and went straight for the bull's eye of bliss.

This phantom world gave you false signs
But you turned from the illusion
and journeyed to the land of truth.

You are now the Sun -
what need have you for a crown?
You have vanished from this world -
what need have you to tie your robe?

I've heard that you can barely see your soul.
But why look at all? -
yours is now the Soul of Souls!

O heart, what a wonderful bird you are.
Seeking divine heights,
Flapping your wings,
you smashed the pointed spears of your enemy.

The flowers flee from Autumn, but not you -
You are the fearless rose
that grows amidst the freezing wind.

Pouring down like the rain of heaven
you fell upon the rooftop of this world.
Then you ran in every direction
and escaped through the drain spout . . .

Now the words are over
and the pain they bring is gone.
Now you have gone to rest
in the arms of the Beloved.
To me you show choir is really cool. There are 16 singer dancers' 1 drummer' 1 piano' 1 guitar' And string instruments. Of course I am auditioning for drummer. Because I am one. Everyone will think I am phenomenal. Because I am. I will blow people's mind like tnt mixed with grenades ' bombs'C4' And Fire. I am that good. But is it only 7th and 8th graders. So next year they will need a drummer. And next year that part will be mine. And no one will take it for me.
I love bands.
It started when he had brought a box
He’d bought, back home from the fair,
The size of an average tinder box
In brass, and embossed with care,
The scene was the site of a battlefield
Where the redcoats marched as one,
In the face of the French artillery
Looking down the mouth of a gun.

And on the right was a drummer boy
Who drummed to the marching feet,
He gazed ahead but his eyes were dead
As he kept up a steady beat,
A moment of peril embossed in time
When nations ruled by the gun,
The redcoats all in a staggered line
With the battle not yet won.

‘And how did you come by that,’ she said,
His wife, when he brought it home,
‘I should know better than let you out
With a pound, when you’re on your own.
The gypsies see you abroad, my lad
And they say, ‘Now there’s our mark!
They’d pick you out of a thousand folk
Out there, a-stroll in the park.’

‘It wasn’t a gypsy, Jen,’ he said,
‘But an old, sad military man,
Struggling on a pension for
His bread, as best he can.’
‘You’re just as soft as the next one, Bill,
They’d steal a beggar’s cup,
But now that you’ve got your tinder box
Let’s see, just open it up.’

‘I can’t, it’s locked with a type of lock
That I’ve never seen before,
It’s rusted on, and there is no key,
It’s a work of art for sure.’
He set it down by their rustic hearth
Where it looked so very fine,
A piece from their ancient history
Where the soldiers stood in line.

That night they woke to the distant sound
Of a battle, lost and won,
The sound of cheers, of clashes, tears
To the beat of a distant drum,
And Jen was lying there frozen as
She clung to her husband’s arm,
‘What have you brought on home to us?’
She cried, in her alarm.

The morning saw her attack the lock
With a hammer to no avail,
The lock, it might have been rusty but
Was solid, strong and hale,
And Bill said ‘Stop! You will ruin it,
There’s nothing there to hide,
I bought it more for the picture than
What might there be inside.’

Each night the sound of a battle filtered
Out of that tinder box,
The sounds of the muskets firing, of
Whizz-bangs and battle shocks,
And through it all was the steady sound
Of the little drummer’s beat,
It rose up out of the battleground
With the sound of marching feet.

They finally cut the lock away
With a coarse old hacksaw blade,
It took a couple of hours that day
So sturdy was it made.
Then Bill said ‘Your curiosity
Has made me wreck the lock,
So now, there’s nothing to stop you, Jen,
Just open up the box.’

The lid flew up and the sight she saw
Was enough to make her faint,
For there, the skull of the drummer boy
Lay with its coat of paint,
And blood, red blood was the skull in there
Though the teeth were pearly white,
A bullet hole in the frontal lobe
That had kissed the boy goodnight.

And folded there, but beneath the skull
Was the skin of the drummer’s drum,
Blackened, torn and beyond repair
It had sounded for everyone.
It’s buried now with the drummer’s skull,
It’s resting beneath a tree,
And never sounds, for its war is won,
It’s where it was meant to be.

David Lewis Paget
Mateuš Conrad Aug 2018
.i'm not here for the people, i'm here for the language, having observed it degenerate into modern hieroglyphics of emoji, and the acronym standard of american English... i'm here... for the language... the people? well... they're the people, and will always remain, what they always were... collateral... i can't speak for the organic product of what i am an inorganic byproduct of... why would there ever be a Hegelian dialectic to begin with? rather than a dichotomy? wasn't Kant the one to come up with a priori (thesis) and the a posteriori (antithesis) dynamism? no? then i guess i'm illiterate! must be! otherwise, how so?  i can't exactly command my a priori, given, with some "wonderful" a posteriori substitute of the global individualist! this urban Frankenstein! maybe the English speaker can... but i can't... given they allowed themselves the travesty of grammatical profanity... it's almost a shame, that the asylums closed down... when is cushioned room when you need one? oh... right... denial for the cases equivalent to jimmy salive... you attack grammar?! you attack us all... there's not qualification standards required... not all of us are required to have status as English language teachers... some of us? are just generically frustrated!

would i extinguish
cigarettes into my knuckles?

well... i was trying to
spot bone,..

but the real reason?
ha ha!

i was attempting to
count the number of eyes
on a tarantula.

not a funny joke?
i get it...
   i wasn't aiming for funny...

ever watch the grooving
bopping along,
seduced by the rhythm
bass player in a band?

you'd thin it was the drummer...
turns out?!
the intermediating
   focus....
   bass is all rhythm...
there's no such thing
as a rhythm guitar section,...

hardly any drums in
a classical music composition...
bass...
the subversive underlying
principality
of the fiasco...
the...
                          Pandemonium!

set your eyes on the bassist's groove...
pursed lips...
mm hmm ya ha...
           the *******
blood suckling artery
with not need for metaphor
presence of a band...

bass... bass... bass...;
hence the missing E i guess;
was, and always will be:
the base and bait
for listening to 20th century music...

whiskey lime & pepsi?
***** lemon & pepsi?
can't tell the difference,
both sound equally promising...

it pains me, to agitate a drummer's heart,
imitating a beat
without any drumming equipment...
bopping along, sly, shy,
and sometimes awry, fired up...
        
there were a few things i'd love
to have become,
a prof. cyclist doing the tour de france....
a vet practitioner...
    among others...
   what did i become?
a mediocre poet...
       a spewer of words
rather than their instigator...

had i ever the ability to write
pop **** jargon of
lost and wishing for awaiting loves...
i'd **** one of those
housewife harlequin novels!

alas... not to be, not to be...
     guess i tapped into Russian funk...
that Russian ex-girlfriend?
apparently she likes my writing,
she said: you should get published...
i did... little as **** did that do to
me in securing a stature of possible
fatherhood and a Tolstoy town-house
in the middle of St. Petersburg...

    i wasn't a priori to fiddle that
******* out into a castrated bull
******* an ****** with no *****
but pure muscle tension
of the phallus...

   wait... you never ****** off
as a man, prior to producing *****?
feel sorry for you...
guess the whole abortion debate
is killing you...
          you know...
  that's almost equivalent to theft...
what happens on the throne of thrones
and is dumped into a tissue?
ditto, i.e. remains there...

       thieving *****...
                  huh?!
                    **** it... do the Islamic take
on thieves...
ensure all the western men have
their ******* arms cut off...
to stop the thieving with
western culture jurisprudence
in-acting transgression
of transcending the allowance of
abortion, and...
enforcing...
                whatever the ****
fatherhood means...
when?
     a women proposes to you...
and then decides to throw away her
engagement ring, she, herself, chose...

as if... she never had the notion
of being young and being poor...
**** me! she forgot the beautiful part
of the equation!
  i liked her doughnut over-sized nose...
i loved to teasingly bite it
during *******!

      **** me... that contorted
face, Francis Bacon-esque
in the mirror doing *******?

      mmmmmmmmmmmmmmmm...

look here: FULL MOON ALL OVER
MY FACE...

         there's no revenge ****
in this scenario...
                
  hey! resurrect the Bastille!
and i'll be the second Marquis de Sade
screaming the revolutionaries!
YOU FORGOT THE JUICE!
the juice?!
YEAH! THE MOLOTOV COCKTAILS!

                anarchy...

       what order is there to speak of?
when grammar is secondarily dictated,
outside of the teaching profession?
     these people are teaching me language,
or secondarily indoctrinating
me into the abuse of language -
with political bull's diarrhea?

   can't have one and the other...
   you attack grammar?
        everyone restricted to a grammatical
conventionality, will...
spank you with a naked russian saber...
   i'm not here for playing
unorthodox language games
outside of crossword puzzles
i don't entertain having the capacity
to solve...

               you play your game...
i'll play mine...
i have the integrity of the English
language at stake...
   not this post-colonialist quasi-English
*******!
Michael ayodeji Apr 2018
DRUMMER BOY

With your sticks
You cook the beat of rationality
Your omele,a preacher
It's preaches sanity into an insane world
Obviously you are heavenly endowed

Tell sango,to come see
The sticks which heat Kindle his flames
The beats that lure him into dancing

Mysterious drummer
Even the deaf sway to your rhythm
The lane raise hands
To stop the quarrel between
Your sticks

You drummer of life
Play your beat
So I can tap the foot of my conscience
Hit your drums
For the dry bones to rise

sticks of rationality
Beats of sanity

Are what Eledumare
Has endowed you with
My village drummer boy.

#TheRadicalThespian __

LAWMYK
©2018
I march to a different drummer
My life it is my own
I'm an explorer of experience
That is how I'm known

I've seen snow in South Dakota
I've been on the Vegas strip
Had barbeque in Kansas
My life has been a trip

I'm a gypsy of the railways
I'm a legend in my time
I move on in a boxcar
Brother... spare a dime?

I've been through all the landlocked states
Five provinces as well
I've seen Niagara Falls all frozen
I've seen it flowing fast as well

I've had margaritas in Key West
And Bourbon in Kentucky
Craft beers out in Oregon
In my life I have been lucky

I travel on my stories
Feed myself with all my tales
I'm an explorer of experience
I'm a gypsy of the rails

I never stick around too long
I don't wear my welcome out
I come and see just what I want
That's what life is all about

I've railroad friends in Texas
Some up in BC too
We've shared drinks in San Diego
And had a great Alaskan brew

I'm not one to live by your rules
I find my rules suit me fine
I'm an explorer of experience
And I'm riding on the lines

You can find me down in Georgia
Or eating spuds in Idaho
I never know just where I'll be
Until my ride begins to go

I'm a gypsy of the railways
I'm a legend in my time
I move on in a boxcar
Brother...spare a dime?
Dorothy A May 2012
Chad looked over at his sleeping son sitting next to him in the passenger seat. This little journey from the airport to his home still seemed so strange and uneasy to him. It astounded him that Ian was now twelve years old, nearly a teenager. To be honest, he still did not fully feel sure about this arrangement, this set-up for him to have his son for the summer. Nevertheless, he tried to project confidence to everyone involved, to his family and to Ian's mom. He kept reminding himself that it did not matter how he felt.

He needed to step up to the plate.

No, Chad Brewster never envisioned himself as a father, never dreamed of it, and certainly never once desired it or would have chosen it as his path. Though some of his close friends wanted or had a family, it was never a part of his plans to ever be a dad. He did not dislike children, but he just never expected he would ever settle down and have them.

He especially never expected to be a father at the mere age of sixteen years old.

The suburbs of Las Vegas were worlds away from the suburbs of Milwaukee. Driving down the desert surrounded streets and highways, sometimes homesickness tugged at his consciousness. At times, Chad’s craved the surroundings of his old existence—the shady pine trees, and spending time at Lake Michigan—and he would gladly trade some palm trees for the some of the pines he was so accustomed to. But this was the life he now chose to have, and he thought he should have no reason to complain or be too sentimental. Many people were not so lucky to experience any refreshing change in their lives, and he was able to have it.

While on the road, Chad reminded himself to give Ian's mom, Becca, a quick call to let her know that they were on their way to his home. He pulled out his cell phone before he got distracted. Ian already texted her a few times to let her know he was alive and breathing along the way.

Becca had her reservations about sending her son off to be with his dad. He had his visiting rights, though, and she couldn't lawfully deny him them. It was a tough decision to send him off alone on the plane to meet up with his father, but Ian had good sense, and he was taking a direct flight to Vegas. He loved to text, and his mother made sure he had his very own cell phone to keep in constant contact with her. It was so hard to let him go like this, for Becca cherished Ian. He had a much harder start in life than some other kids, and she felt partly to blame for it.

Chad got a hold of Ian’s mom. "No way in Hell! You are calling me now?" she angrily accused him, her tongue sharp with criticism. "You know **** well this is his very first plane trip by himself, and I thought you'd have the decency to tell me once he got off that plane! Please! Don't try to convince me that this whole thing is a huge mistake, some major lapse in my judgment. Can you do that for me? You could have at least had the decency! Put him on the phone! Let me talk to him!"

"Look, Becca, he's asleep. It was a long day for him. He's exhausted". Chad was trying his best to hold back any displeasure or to raise his voice, but he expected his calm wouldn’t last. "Don't ***** me out for not calling you the very second you are demanding. You know I would have called in a heartbeat if I felt Ian was in danger. You know I would".

"Oh, I'm really not so sure", she replied, sarcastically. "I'm tempted to fly over there and come get him! I've been sick about it all day!"

"Such a **** drama queen, Becca! Like it or not, the world doesn't revolve around you! You don't have all the control! “ The anger rising was rising up in his tone. Her judgment of him of was so tiring.

"Oh, really Chad?" she replied. "I've got my act together a long time ago, but you...".

"Look, he is my son, too!" Chad shouted loudly. He was fed up of her ****** attitude, ready to hang up in her face.

"You could have fooled me!"

His eyes were glaring as he drove down the arid Nevada highway, just as if Becca stood there right before him, her finger wagging in his face, her other hand on her hip. He pictured her now as if time and everything in it had stood still, and she was before his motionless car and in his face, still in step with time and letting him have it.

This little display was so typical of her. Only Becca Morgan thought she ever had any common sense when it came to their parental abilities. Sure, she was the one who really raised their son, but she never would have pulled it off without the huge intervention of her mother.

Without a doubt, Ian had to admit to himself that he had been avoidant and immature in the past, but Becca did not have the patent on good parenting or on maturity. In her eyes, Chad was never going to be a proper father, even if he proved it.

Chad vowed that he wasn't going to pay forever for his mistakes of being an absent father, far more absent than present in his young son's life.

He looked over at his son sitting beside him. Ian was sound asleep—thank God—for he heard his parents squabble about him far more than he should have. In fact, he never saw his parents talking in a friendly manner. No matter how they began talking to each other, their conversations always ended up with angry words.

Ian must have been dead tired to sleep through it all. He hardly stirred since he fell asleep. If Chad wasn’t driving, he would be studying his slumbering son in peculiar wonder, sitting there for quite some time and thinking how on earth he ever was able to produce such a child, a seemingly healthy and well-rounded boy. It was as if his child was an UFO alien, or something—someone to be discovered for who he really was, and someone to be fathomed with fear.  He felt that uncomfortable about being placed into the role of a father.

It gave Chad's stomach a funny, odd feeling to think he wasn't too much older than Ian when Becca—his loving girlfriend at the time—came up to him and told him the shocking news. It would be the news that would forever change his life, and hers.

She was pregnant. Chad was definitely the father.

It wasn't that Becca did not know what to do about her condition, for she knew what she wanted from almost the very start, and she had settled it in her mind without much inner conflict. There was no helplessness or hopelessness in her, not like some pregnant teenage girls that found themselves in such a predicament. She wanted to have her baby and keep it to raise as her very own, and not for a future adoption—with or without Chad's approval. She did love Chad, but in the long run, she did not care what he thought if he did not agree with her.

As far as she was concerned, this baby was hers.

Chad, on the other hand, was terrified, simply terrified. He did not want to believe the news, hoping that Becca would turn around and tell him it was a huge joke. He would be quite ticked at her if she did such a thing, but also very relieved. He would gladly kiss the ground for it not to be true.

If only it was a joke. Becca was quite serious, playing  no such prank on him, Next, she planned to tell her mother next about her unborn baby. But the first person she wanted to tell was her boyfriend, and she expected that he would be on her side—or at least be won over eventually.

As a dumbfounded Chad stared at her in disbelief and shock—like the classic deer in the headlights—Becca insisted that she was telling the truth, that she was even beginning to show. She could prove it.  Her periods had stopped, and three home pregnancy tests confirmed her suspicions.  Gently, she took Chad’s hand to place over her stomach. Freaked out of his mind, he ****** his hand away as quickly as it touched her belly. His knee **** reaction would always stick in Becca's mind of how Chad really felt about her. It was almost like she had a disease.

She suddenly felt dejected. It looked like Chad would not be on her side, after all.

Maybe it wasn't his? Chad knew that Becca would hate him if he ever implied such a thing. She was crazy about him. Chad knew that. But she had an equal amount of passion to go the other way if he betrayed her. The doubt on his face, and the hesitancy in his voice, did betray him and Becca’s heart slowly sank. She wanted Chad to care, to understand, certainly not to view her as the guilty partner who was ready to ruin his life.

Instead, it looked like the beginning of the end for them.

No way was Chad willing to break the news to his parents, especially his dad, Ed Brewster. He’d rather put a gun to his head than say anything about it. Chad really never saw eye to eye with his father.  Unlike his two older brothers, Michael and David, Chad always felt like he could never please the man. His mother, Nancy, had forever seen Chad as the role that life had given him—the baby of the family. He seemed to have more leeway with her, but not so much as an inch with his father.

Ed, a veteran police officer, wanted all three of his sons to do well in life, better than he had achieved. And as Michael and David were dreaming of such careers as doctors and lawyers, all Chad ever dreamed of was to be a drummer in a rock band. Playing the drums was fine for a hobby, but Chad's father wanted his son to see the garage band he played in as something temporary, something to grow out of.  His son saw otherwise, never seeing himself ever retiring his drumsticks for some job he was bored to death with, or that he hated. He didn’t care if he would never end up earning a dime from it, not playing the drums would be like not having arms or legs. Chad would never give up on his musical aspirations.

One of the first photos that his mother took of her youngest son was him as a baby, sitting on the floor in the kitchen and banging a ladle on the bottom of a pan. At that age, he would much rather play with kitchen utensils, using them like a drum, than any shiny, fascinating toy in his possession. His mom simply thought it was adorable. His father wasn't so impressed, especially since the racket he made was only the beginning in his musical journey of too much noise surfacing from the basement.  There would be plenty of times when Ed would warn his son to give the drums a rest, or he would throw them in the garbage, for Chad could practice for hours on end.

It seemed that music flowed in Chad's blood, was natural to him, but no one in the family had any such musical talents or ambitions.  While his father just didn't get it, his mother supported him with any help she could. When he was six, he was in his glory when his she bought him a child's drum set to bang on. When he turned eleven, she bought him a real set of drums, and encouraged his participation in school band. His brothers' interests were far more typical. They were heavy into sports, and they always had their father's blessings. When Chad kept on doing what he loved, he was seen by his dad as almost a delinquent.

Now that he was an adult, his love of music was paying off. Resettling in Vegas provided many opportunities, plenty of musical venues. With all the entertainment in Sin City, Chad could find enough work playing the drums. There has been a good flow of steady work for him to work in the casinos, and he also played in a local band that did such gigs as weddings, birthday parties and bar mitzvahs. They were a group of six talented musicians that got together to form their own band, and play just about anything—rock, rap, blues, jazz, country and swing. They soon voted with each other on what to call themselves. A good name had a lot to do with if someone got hired for gigs, and nothing they could think up sounded any good.  It seemed like all the great names were already taken, nothing new under the sun. The Sonic Waves sounded the coolest, but since that name was already used, Chad played around with the idea and suggested they call themselves Sonic Stream. That had good potential, and the others agreed with it. He was glad and honored to make such a contribution to his band.        

Chad could honestly say he was happy out here in Nevada. His mother felt like he was trying his best to distance himself from the reality of his problems, especially his strained relationship with his father. Chad disagreed. He just wanted to feel like he could accomplish something in his life, not proving anything to anybody—but to himself.

Would Ian be happy out here with him? It would only be for the summer, but would Chad make a good impression on him in his life out here? Ian glanced over at his son who still slept almost like a baby, seemingly wiped out, though the day was still young.

Several minutes later, Ian called out, "What time is it?"

Somehow awakened, he was rubbing his eyes, disoriented by the fact that he was in a different time zone and in an unfamiliar place. Chad smiled at him, trying to reassure the boy that he was glad to have him here.

“Almost two thirty", Chad returned. Ian moaned and tried to sit up straight, squinting from the glare of the strong Nevada sun. Quite groggy, his internal clock was not sure what time it was.

Your mom called”, Chad told Ian. “You know your mom, bud. She does worry about you”.

“I texted Mom. I said I made it OK”, he replied.

“But did you actually talk to her?” Chad asked. “You know how she is. Unless she talked to you herself, I am sure she was convinced some madman took control of your cell phone and pretended to be you”.

Chad laughed and Ian tried not to act like what he said was that funny, but he shyly grinned and tried to cover his mouth to conceal it. He did have a special bond with his mother, but he knew his dad was right. His mom worried way too much.

“I talked to her just before the plane took off”, Ian admitted.

They drove in silence for a while. Chad had to admit to himself that Ian was looking more and more like him the more he grew up, and Chad seemed to favor his mother's looks—of which he was grateful—for he never wanted to resemble his dad.  Lots of times, Chad and Ian were mistaken for brothers, Ian a much younger brother, but surely not imagined to be his son. Chad felt that Ian was already looking like a teenager, maturing fast for his age, and Chad often was perceived as younger than his twenty-eight years. Ian was growing up so much more than his father could envision, and Chad knew why. It wasn't like he saw his son so frequently that the change was not obvious. Every time he saw him, a big gap had been gapped by growth and change, and Chad was guilty of missing much of those experiences.

Was it that Chad did not really want to grow up? Becca surely accused him of that. His father did, too. Performing gigs in a local band seemed far from a man's job to Chad's father. When he still lived in Wisconsin, he knew he had better learn to have other work to fall back on, for band work did not always pay the bills in those days. That is why he trained to be an x-ray technician. It wasn't the job of his dreams, but it helped keep him afloat when making money from music did not meet his financial requirements. Even though Chad did achieve a fairly decent and respectable job, it did not seem to matter to his critical father.

At the mere age of sixteen, Chad had nothing to back him up against the anger his father would have towards him. He knew he would be knocked down for sure when his parents found out about Becca's pregnancy.

The words his furious father told him stung pretty harshly. "You don't have the sense to be a father! You don't seem lately to have the sense to be anything! You'd ruin that kid’s life, for sure!"

His father had to always play the street-smart cop, even at home, and Chad was fed up as looking like a criminal in his eyes. He almost wanted to cry, but refused to show his father any such weakness. Instead, he gave him the best stone cold, unemotional response that he could muster up. Replying in a monotone manner, though he really feared his father's anger, was the best way to stick it back to him.

"Sure, you're right. I take after you. Bad fathering runs in the family", he said back.

Ed looked like he wanted to punch his son, though he never laid a hand on any of his sons in such a way. Trying to repress his own sense of hurt, and remain with his anger, he replied, "If you were eighteen, I'd throw your *** out right now! Don't push your luck!"

Chad always aspire
Lilly Tereza Nov 2012
The rush
The motion
The perfect clarity.
When everything comes together.
It’s more than you will ever know,
You sing the words,
You tap your feet.
But I make it complete.
The familiar burning in my arms,
The aching in my feet,
I hear the notes,
I know the words,
And then,
I make the beat.
I nod my head,
I thrash my arms,
A mystic dance with every limb.
The amazing rumble in my gut,
That’s goes unnoticed by them.
I am the drummer
Through and through,
You’ll never get the things I do,
Oh singer with your voice so clear,
My singer and my friend,
I know I'm gone,
But I’ll return,
Not for my house, or clothes, or friends,
But to be apart of my favorite band.
BB Tyler Sep 2010
these are my matches
bones in a box
this is what's left
of my last pair of socks
this is my nose
choked up and dripping
this is my grip
rapidly slipping

in this, my prelude to winter
i miss the sun of summer
when the clock won't keep up with the drummer
and the tension is tight in the springs
i miss the sweet sun of summer
in this, my prelude to winter
and the clock won't keep up with the drummer
the tension is tight in the springs

These are the snow flakes
caught in a frenzy
This is the feeling
that loneliness lends me
These are my eyes
this is my shoe
both are now worn
both are still blue

there's nothing to do
but watch the leaves fall in flames
watch the leaves fall in flames

in this, my prelude to winter
i miss the sun of summer
when the clock won't keep up with the drummer
and the tension is tight in the springs
i miss the sweet sun of summer
in this, my prelude to winter
when the clock won't keep up with the drummer
and the tension is tight in the springs
Copyright:Bennett Tyler
Margo May Jul 2016
hey there drummer boy
it’s only been a little over two years
(yet it feels like so much longer)
since we befriended and adopted you,
creating a new musical fam
and look at us now.

same church
same school,
immense musical growth
passion to worship,
new adventures
all year long,
smiles and waves
that remind me of
deeper friendships
that will stand the test of time.

although sometimes i tease and laugh
(and i sincerely mean no offense),
see it’s really because i care
and whether you like it or not,
you’re like the twin brother i never had
but secretly always wanted.

one of my favorite drummers
i easily follow your lead
you are reliable.
one of my closest friends
i never have to worry
you accept me for who i am.

whether it’s the denim shirts and hipster boots
or patagonia tees and baseball caps,
when life gets crazy once again
don’t forget that i’m always here;
i got yo back brotha.
to jb, the twin brother i never had, you'll always be one of my favorite drummers to lead worship with. thanks for being you. you rock.
IsReaL E Summers Dec 2014
With a dance of madness
He exhorts and implores
The masses.
His cadence, a spell
His story, is literally felt.
Dances and hits.
Entranced in spirits.
He moves you.
To victory,
Over Fear.
..over fear.
Jonny Angel Jul 2014
Thinking of you,
I push your lace to the side
& thump to the beat
of a different drummer,
but still,
my motion
is methodical
& deliberate,
somewhere between
rock and roll and jazz.
Can you feel my beat
doll face?
Jim Davis Aug 2018
How to poet a life away

Toss the trite learned

Skip grammar mostly too

Rhyme or not is all yours

Step to drummer unheard

Believe in life yet untold

Read a thousand times

More than you write

Live, so you will know

What you are talking about

Take wild leaps in mind

Without losing it too far

Write not only about love

Although that’s all there

Really is or really is not

Fall in some love also

More than simply once

With not only your words

But others in thought

Wishing to poet too



©  2017 Jim Davis
Cecelia K May 2017
Don't fall in love with a drummer
You will hear him in every beat of every song
You will hear his voice imitate those beats
You will see him and his arms that used to hold you sweep over the cymbals and hollow cylinders
You will feel each hit of his drum sticks in your stomach and lungs instead of on those cymbals and hollow cylinders
You will remember the way he seemed to escape into another place from the moment of first impact
You will feel his arms guide your hands over the correct circles
Like he wanted you to escape with him
You will miss the sounds of him losing himself in the noise
You will miss the feeling of losing yourself in his noise
Post your drafts
Always some drunk ******* standing in the back of the bar who feels his life's mission is to continuously shout boisterous requests for "Freebird" during the encore.

Second hand smoke thick as English fog and deadlier than a toxic chemical spill in the middle of the driveway.

The load out and equipment set up in which the drummer inevitably excuses himself from working with any other piece of equipment besides his drums, since  "there a big enough hassle on their own".

The inevitable bartering for free beer which during later years became a case of being lucky if you got your drinks at 50% off but even then sometimes you wouldn't be given a tab.

The lone dancer at the very beginning of the first set, never the most attractive lady I in the house and all too often she made it through a whole song without a dance partner.  It always seemed like some kind if code, especially when an inebriated gentleman would hook up with her. But I never figured out what the jig was about.

Always a drummer in the house, the real deal or an enthusiastic amateur. They will find a way to play the drummer's kit. Don't even try to stop them, for any reason. They will play.

Likewise the older gentleman with the button up cowboyshirt, the one with the stale pack of Marlboros in the front pocket, he will try to impress you by claiming to know every song Hank Williams ever sang. The wise gambler bets that indeed he does have an encyclopedic knowledge of Hank's repertoire. Unfortunately he never claimed to have the pipes to pull one or two or three off himself...but that won't stop him from begging and soon enough he'll be under the spotlight singing "Your Cheatin' Heart" with every word and melody spot on but voice that could turn Hank's mother away. He is the anti-PR agent for Hank Williams. After people hear him butcher the songs they don't want to know what Hank sounded like singing them.

The bouncer is your friend. If such is not the case before the show begins make every effort available short of paying him your whole salary to secure his loyalty. Trust me here.

To be continued
Yep, much more to com
Cheyenne Jul 2015
I don't need to be known.
I don't need to be seen.
I don't need to be popular.
I just need to be me.
Don't tell me I'm wrong
if you think I'm strange.
Don't tell me I'm wrong
because I'm not the same.
I'll go my own way
and I won't follow you.
I'm doing me,
you go do you.
04/28/2010
Clare Coffey Sep 2018
Nobody fancies the drummer
The lead singer steals all the hearts
There at the front of the stage
In the limelight playing the part

I am the one in the background
Where the spotlight does not shine
Just playing as part of the team
And nobody thinks that I mind

Why on earth would they bother
I am always there trying to please
Around to bail people out
When they are in a tight squeeze

My place is to support and soothe
Iron the differences out
The cog that keeps it all turning
When others scream and shout

Content to take no credit
Even though maybe I should
But I have little confidence
I can not believe I’m that good

Perhaps I learned as a child
That my place was at the back
Not destined for adulation
Or to be leader of the pack

That my opinions were worthless
Others knew much better than me
I buried my hurt deep inside
In a darkness no one could see

But one day the light will find me
Giving my self esteem birth
I will love who I see in the mirror
I will know and celebrate my worth

Nobody fancies the drummer
The lead singer steals all the hearts
There at the front of the stage
In the limelight playing the part

But sometimes it’s worth pausing
To take a much closer look
You may find that a fancy cover
Doesn’t mean you get a great book
Dr O Jun 2014
Just keep looking straight
Don't turn right
Don't turn left
The mindset of the blessed

On the left there is bloodshed
On the right there is sorrow
Straight ahead is the goal
And the goal we must follow
For one to love from afar
With feelings too strong to know
Just keep looking ahead
And then the love will grow
Just keep the rhythmic pattern
Be careful don't miss a beat
Always tell her you love her
Never consider retreat
Soon the battle will come to you
Soon they will try to silence the sound
Don't you worry Drummer Boy
Just let your heart fall to the ground
After a few beats you will arrive
For the goal you have achieved
Hold her and never let go
For you have her because you believed

Just keep looking straight
Don't turn left
Don't turn right
The mindset of the cold, ****** fight
Don't give up if you truly love her
Koggeki Dec 2015
Rumpel-Stilts-Kun*
Him and his thumb
Up in his ***!
***, ***, ***, ***!
*Normally spelt RumpelstiltsKIN, but I changed the spelling to keep in tune with the song (KUN). It is meant to be read with a UN sound.
crowbarius Jul 2012
Flora and Fauna, the sisters of Season
Of Spring and of Summer
Allow now our drummer
To drum out the beat
For the feet of the sisters
To glide and to creep
Like the encroaching sleep
Which may perch on your shoulder if we cannot keep you awake
And on the edge of your seat, sir.

Now the former, sweet Flora, will finger the flute
While the other continues to glide and to slide
Like a sequined Venetian harlequin bride;
And now Fauna will mimic the movements of bird and of beast
As she graces the work of our landscape artiste
And all is completely unfeasible
Completely lacks reason
We guarantee.

Presently
In the eye of the beholder
Sweet Flora seemingly draws from the aether a lyre
And with flourishing fingers she plucks from the heavens
A song of the seasons, a pagan ode to Pan!


Behold! No aid of hoops, no strings
The vestal-******-harlot sisters sing
Of beautiful Persephone
And with unseen damselfly wings
Ascend from mediocrity
All melody forgotten
All the drums create cacophony
And you will find serenity in chaotic monotony
Now let this climaxing crescendo banish all your sorrowing!

No more that light; no more that sacred realm
Life’s door was dappled gloam; now all is black.
A man of wax with saintly, hollow eyes
Devoid of sin, devoid of love and light
That golden room is lost – you can’t turn back.
Now love has lost its lustre - lust lost joy
And coy eyes turn to watch the empty man
Struck by eternal beauty, and condemned
To haunt the broken world of mortal men;
And shrilling wind caresses empty hand.
I kept playing my song
until you came along
playing my heart to the right beat
giving my feelings a front row seat.

Broken halls and center stage
releasing the prisoner within it's cage
You gave me new rhythm and sound
The likes of you I've never found

Hello Drummer girl
The drum set's shining pearl
The way you play I cannot explain
I wish I was still sane.
Dana Kathleen Dec 2014
We were born
beating to different drums.
But it was more than that,
you always marched
to the rhythm
of your own song.
Eventually we stopped
trying to march
side-by-side.
We both composed
our own melodies,
unable to distinguish
the beat of one another’s drum.
Until I can only hear
my own harmony and
realize you stopped hitting
your drum all together.
I have no gifts to give,
I can only stand beside you
and beat our old tune
waiting for you to find your rhythm
and begin to beat again.
Poem from Nov. 2013
RAJ NANDY Aug 2017
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
mark john junor May 2013
cast aside the lead mask
its narrow eyes saw too much of
the fountains of this age
saw too much of the creations
that have grown of its calling
it heavy hours show in the lines
on her face
grey shadows in her eyes
we spent all we had
we spent our lives and our futures
only to find that the peace that
we gave our lives for
had been traded away

cast aside the
the song of the drummer
his tune is rough and has no
words to revive the soul
has no mending for the heart
cast aside this utterance of hopeless drifting

frozen in the moment
its strange how the time passes
i remember that girl long ago
that used to tell me that each day that we pass thru
was written long ago and nothing we can do to change it
she was written to end her days
in the passenger seat of a buick
on pinebrook blvd at a hundred miles an hour
i think she should have been wrong

we all need a song to mend the heart
we all need to cast aside the masks
we all need to find a better way
than a hundred miles an hour on pinebrook blvd
must be going on thirty years since that night...still remember that smile she threw me as they drove away. some friends you cannot replace, she was one.
Sometimes it feels so natural to let a man's hands run over my body, feeling every dip and curve and bump and bruise that exists.  It is almost as if his hands and his longing are physical manifestations of my new-found womanly confidence.  I have reached a point where I am comfortable in my own skin and ready to celebrate.  I want to celebrate like there is no tomorrow and do something a little crazy, a little stupid, live one more breath of this night and one more kiss of this dream.  Right now everything just feels so real and raw.  To feel a man's touch on a body still so young is nothing to be afraid of - it is something to cherish and hold dear, for it only happens a short while.

Sometimes it feels so natural to wear a short skirt and walk with a sway in my hips, each step with my heeled feet and long legs echo across the floor.  There is something in the reverberance that acts as a fire in my soul, the flames within as courage on the outside.  The sway of my hips work wonders as tickets to concerts, the pass to the front of the line, filling my empty hand with a full drink.  It is a drug of sorts and something that I cannot get enough of.  I take what is handed to me for the short while that it is available.  Wearing my short skirt and tall shoes, I sway my hips to the beat of a different drummer while I can.

Sometimes it feels so natural to drink to my heart's content and my stomach's contempt.  I drink to make the pain and the thoughts and the worries and the stress melt away as my body melts on the dance floor.  I become one with the music and one with the night.  Carefree and unconcerned I drink until it is dawn.  It feels so wonderful to live like there is no tomorrow with no regrets.  When I drink I drink to darken the past and brighten the future.  The sultry sway of my hips become the sloshing of a boat about to be capsized.  The running hands over my body turn into drunk fumbling and clumsy fingers.  But I drink while I can and enjoy while I can.

Sometimes it feels so natural to be so bad - defiant and strong and a will to do whatever I choose.
Fred Schrott Aug 2014
It is nestled deep inside the fertile
Shenandoah Valley.
There is a river that runs amok
like a rabid, winded wildcat in
the shadows of temptation.
And then there’s a back-country
woman that just won’t leave my
hesitated mind.
Taking time
to worry all about her,
risking heartache
to forever go
without her—
it seems like such an unfair penance,
like the result of prison’s popular
undeserved sentences.
Getting by without a proper windshield,
it’s starting to look as if my drummer
really is too far off the mark.
Wishes to again cross that princess on
that old and dusty road.
In the end it’s a crime that, quite
simply, has no motive.
And I’m paying my sentence daily for
being a prince—and not the most
handsome toad in the land.
From, "The Transitive Nightfall Of Diamonds" - available at Amazon, BarnesandNoble, iUniverse and Google ebooks - @badboypoet

— The End —