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"crouch" poems
The mushroom The unfolding instant of creation (fertilisation) not an instant separate from breakfast It all flows down & out, flowing but that instant: not fire & fusion (fission) but a moment of jellied ice, crystal, vegetative mating merging in cool slime splendour a crushing of steel & glass & ice (instant in a bar; glasses clash, clink, collide) far-out splendour heat & fire are outwards signs of a Small dry mating ~~~ event in a room event in space a circle Magic rite To call up the godhead spirits, demons The shaman calls: “When radio dark night…” We are eating each other. ~~~ The Voice of the Serpent dry hiss of age & steam & leaves of gold old books in ruined Temples The pages break like ash I will not disturb I will not go Come, he says softly an old man appears & moves in tired dance amid the scattered dead gently they stir ~~~ I received an Aztec wall of vision & dissolved my room in sweet derision Closed my eyes, prepared to go A gentle wind inform’d me so And bathed my skin in ether glow ~~~ Drugs are a bet w/ your mind ~~~ The cigarette burn’d my fingertips & dropp’d like a log to the rug below My eyes took a trip to dig the chick Crouch’d like a cat at the next window My ears assembled music out of swarming streets but my mind rebelled at the idiot’s laughter The rising frightful idiot laughter Cheering an army of vacuum cleaners ~~~ Mouth fills w/taste of copper. Chinese paper. Foreign money. Old posters. Gyro on a string, a table. A coin spins. The faces. There is an audience to our drama. Magic shade mask. Like the hero of a dream, he works for us, in our behalf. How close is this to a final cut? I fall. Sweet blackness. Strange world that waits & watches. Ancient dread of non-existence. If it’s no problem, why mention it. Everything spoken means that, it’s opposite, & everything else. I’m alive. I’m dying. ~~~ 1st wild thrush of fear -A phone rings There is a knock on the door. It’s time to go. No.
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17.7k
Explosion
The mushroom The unfolding instant of creation (fertilisation) not an instant separate from breakfast It all flows down & out, flowing but that instant: not fire & fusion (fission) but a moment of jellied ice, crystal, vegetative mating merging in cool slime splendour a crushing of steel & glass & ice (instant in a bar; glasses clash, clink, collide) far-out splendour heat & fire are outwards signs of a Small dry mating ~~~ event in a room event in space a circle Magic rite To call up the godhead spirits, demons The shaman calls: “When radio dark night…” We are eating each other. ~~~ The Voice of the Serpent dry hiss of age & steam & leaves of gold old books in ruined Temples The pages break like ash I will not disturb I will not go Come, he says softly an old man appears & moves in tired dance amid the scattered dead gently they stir ~~~ I received an Aztec wall of vision & dissolved my room in sweet derision Closed my eyes, prepared to go A gentle wind inform’d me so And bathed my skin in ether glow ~~~ Drugs are a bet w/ your mind ~~~ The cigarette burn’d my fingertips & dropp’d like a log to the rug below My eyes took a trip to dig the chick Crouch’d like a cat at the next window My ears assembled music out of swarming streets but my mind rebelled at the idiot’s laughter The rising frightful idiot laughter Cheering an army of vacuum cleaners ~~~ Mouth fills w/taste of copper. Chinese paper. Foreign money. Old posters. Gyro on a string, a table. A coin spins. The faces. There is an audience to our drama. Magic shade mask. Like the hero of a dream, he works for us, in our behalf. How close is this to a final cut? I fall. Sweet blackness. Strange world that waits & watches. Ancient dread of non-existence. If it’s no problem, why mention it. Everything spoken means that, it’s opposite, & everything else. I’m alive. I’m dying. ~~~ 1st wild thrush of fear -A phone rings There is a knock on the door. It’s time to go. No.
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87
thousands of kids enter the school I crouch in the corner, trapped my limbs shake and my heart races my mom wants to buy a new purse I shrink away, run to the door my legs wont move but my mind runs my best friend didn't call me back does she need help? does she hate me? my last meal is being flushed away Generalized Anxiety
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Apr 1, 2014
Apr 1, 2014 at 5:44 PM UTC
Generalized Anxiety
The rat smells the air, squeaks in alarm and runs off. Black boots come into view. With the sharp tip of a sword. I crouch in the dark, behind the bins of ******* The boots walk on by. The sword, poking into corners. All the while, eyes of glowing red, within deep sockets of a musty old skull, scan for signs. I look at my hands. The festered and rotting flesh. My bones showing through. The stench unbearable. Glad my nose fell off last night. The timing was off. It was just a little sneeze. PLOP! Right in my gruel. Every one at school laughed. Skeleton Puberty ***** And now, Dad is mad. Just cause I waxed the hearse and didn't use "Ear Wax". You could hear him rattle all day. What's wrong with the "Toe Jam Wax"? Wait till I catch sis. She went and showed mom my mags. "Raw! Boo To The Bones". I'll bet dad had mags like these when he was a teenager. They have good stories. The pics are just a bone-us. I think it's safe now. I'll just sneak into the house. Just sit and look innocent. How did you find me? A whole trail of pieces? Sheesh! I know. I'm grounded. Not for the wax job? The Mags!?. Skeleton puberty ***** My Halloween offering for Oct. 12th
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Oct 11, 2010
Oct 11, 2010 at 9:26 PM UTC
Skeleton Puberty *****
I had as lief be embraced by the portier of the hotel As to get no more from the moonlight Than your moist hand. Be the voice of the night and Florida in my ear. Use dasky words and dusky images. Darken your speech. Speak, even, as if I did not hear you speaking, But spoke for you perfectly in my thoughts, Conceiving words, As the night conceives the sea-sound in silence, And out of the droning sibilants makes A serenade. Say, puerile, that the buzzards crouch on the ridge-pole and sleep with one eye watching the stars fall Beyond Key West. Say that the palms are clear in the total blue. Are clear and are obscure; that it is night; That the moon shines.
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Two Figures In Dense Violet Night
depleted of energy, a weight of gold upon my heart, its heavy dull luster pushes down hard squeezing out         the light suffocating     my staccato of breath      I crouch         quietly in the brush, the next step in my process                  pending a dense rock of pendulum swaying time   tick ticking in my blood cells reaching the boiling point just shy of spilling over into froth waiting for this conundrum         to unravel, my inner tigress about to unfurl              her heart     to leap and pounce from    within into the   tight white           of blinding snow, the silent storm of         the unknown forever
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Mar 5, 2017
Mar 5, 2017 at 6:21 PM UTC
timespill
I can remember that first encounter. He was a man in his early thirties, bright eyes but with a dark grin and was smoking your cigars wearing a black hat and he was also carrying a guitar. He was here to show me how to strum an few chords. I remember him distinctively saying... "Guitar playing I am about to teach you is really the same as love making you know?" I  laughed and blankly said "but how so?" " Well... (grinning) Each string has to be carefully plucked, and contains a different  sensation and vibe if you mishandle the strings that final note will sound awful. He was showing me how to re-tune and play a few chords which were C, D and G then pass me over the guitar back to me. "Its your turn dear, and be really gentle" While doing this and playing the first few chords of the guitar which was D I could feel him rub my shoulders and chest gently. "Don't worry you can trust me, I was just loosening you up we can't have you feeling tense" "Now, show me a G" I begin to play the chord G while doing that he then grasped firmly on my other hand : I can feel a surge of heat from his hands firing up my fingers. This heat was making its way to my chest. He now caressed and circled around the chest and then higher up to my ***** I can feel his breath and his tongue swirling and stretching out to **** on my ******* "Okay ... final note play me a C" I crouch down to the floor and begin to strum that final chord and can then feel him stretch his hands beneath my skirt I could feel the sensations further of his fingers strumming my ***** in the same rhythmic motions of his guitar previously. "See what I said? music playing really is the same as love making" "I nodded and said yeah I suppose" A bit shaken and uncertain how to respond but he kept whispering into my ear and repeating that same line: while kissing me on my cheeks, stroking me up and down in circular motions in which I could feel a tense feeling of release and then silence again Was that the final note?
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Aug 24, 2014
Aug 24, 2014 at 3:08 PM UTC
Short ****** Story
I can remember that first encounter. He was a man in his early thirties, bright eyes but with a dark grin and was smoking your cigars wearing a black hat and he was also carrying a guitar. He was here to show me how to strum an few chords. I remember him distinctively saying... "Guitar playing I am about to teach you is really the same as love making you know?" I  laughed and blankly said "but how so?" " Well... (grinning) Each string has to be carefully plucked, and contains a different  sensation and vibe if you mishandle the strings that final note will sound awful. He was showing me how to re-tune and play a few chords which were C, D and G then pass me over the guitar back to me. "Its your turn dear, and be really gentle" While doing this and playing the first few chords of the guitar which was D I could feel him rub my shoulders and chest gently. "Don't worry you can trust me, I was just loosening you up we can't have you feeling tense" "Now, show me a G" I begin to play the chord G while doing that he then grasped firmly on my other hand : I can feel a surge of heat from his hands firing up my fingers. This heat was making its way to my chest. He now caressed and circled around the chest and then higher up to my ***** I can feel his breath and his tongue swirling and stretching out to **** on my ******* "Okay ... final note play me a C" I crouch down to the floor and begin to strum that final chord and can then feel him stretch his hands beneath my skirt I could feel the sensations further of his fingers strumming my ***** in the same rhythmic motions of his guitar previously. "See what I said? music playing really is the same as love making" "I nodded and said yeah I suppose" A bit shaken and uncertain how to respond but he kept whispering into my ear and repeating that same line: while kissing me on my cheeks, stroking me up and down in circular motions in which I could feel a tense feeling of release and then silence again Was that the final note?
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19
I wanna **** i flip the beans way too much to angry the farmers as they want to harvest in volume its simple i don't get laid known by my crouch work suspicious nocturnal habits she walked in blue jeans faded t, algae cap, luscious lips an energy of the easy life, had me palpitating that look as if she was made to look at me just from between my thighs 'Irregular heartbeat, you, the pass byer" i almost posted SNS about to ****** me with questions i wasn't ready to answer then she crossed my mind again had me palpitating that look as if she was made to look at me just from between my thighs
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Sep 22, 2014
Sep 22, 2014 at 11:00 AM UTC
Ubuntu Girl
i like the kangaroo with his little pouch carrying his children as inside they crouch jumping through the air he begins to hop traveling on for miles then a little stop all along the plain he just likes to roam kicking up the sand of his desert home he has a lovely face and ears that are long he has lots of strength and is very strong a lovely sight to see that fills you with delight watching kangaroos makes life seem so bright.
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Apr 19, 2014
Apr 19, 2014 at 10:40 AM UTC
kangaroo delight
*The smell of rain precedes the storm that looms out in the west. The sound of distant thunder causes racing in my chest.* *The temperature begins to drop as I begin to flee Seeking shelter from the storm beneath a lonely tree.* *I cower there, although I know this haven's a mistake. I know this is a lightning rod but that's the chance I take.* *The clouds, like battlements, now, tower overhead Ominous...majestic...and they fill my heart with dread.* *Drops of rain begin to fall and plop among the leaves Followed my the icy hail that toward my shelter weaves.* *A branch has fallen near my crouch and nearly I am crushed. My choice to wait beneath the tree now seems a little rushed.* *I stumble out into the storm.   The rain is driving hard. Lightning strikes the tree I'd left.   The trunk is black and charred.* *How foolish was my little hike in spite of warnings thus. Stay at home when storms approach or next time...take the bus*
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Jun 2, 2017
Jun 2, 2017 at 11:03 PM UTC
a Storm's a Comin'
Beneath the surface of the earth, Beneath the green and sodden turf, Wendy wombat, supreme digger Raced to make her tunnels bigger, Pulling dirt with mighty claws And toiling hard without a pause Ensconced within her little pouch, So small they had no need to crouch, Her children slept, all warm and dry, As mud and dirt went flying by, Quite unaware how nature planned To lend them all a helping hand For wombat pouches don't get full Of dirt and mud as mommies pull, For mother nature in her wisdom Looked upon her magic kingdom, Saw the wombats under ground And wisely turned their pouches round!
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Sep 16, 2014
Sep 16, 2014 at 9:14 PM UTC
Wendy the Wombat
All but still Wheat wavering in the distance, shivering in anticipation Animals hide away, tucked in the safety of hideaways, holes, and orifices Humans crouch underground, waiting Hours pass A lone alarm shouts across the land "This is an emergency. I repeat, an emergency warning" So loud that those below, closer to hell than ever before, clutch their ears For they are ringing from the vibrant sound waves stretching across the fields A slight change in wind directions A little bit of motion Begins the devastation A lone inverted triangle appears Seemingly hovering, inches above the ground Circling its prey, before it gorges itself Endless cyclic motions, vacuuming everything in its path Houses, barns, plants fly Tugged from the attraction to the ground to the sky Engulfed by the tornado That winds down a path of destruction On a whirlwind high Drunk off of its power Invoking pain for no reason, except that it can Land ripped to shreds Houses taken and tossed miles and miles away Barns slingshotted across the American countryside And the deaths Oh the deaths Those who thought they could wait it out Survive again once more Those who tried to chase the twister Mesmerized by its hypnotic dance Those who were in the wrong place at the wrong time Oblivious to their preventable fate When the humans emerged From their underground bunker They found a land left ruined Wiped blank of human development With that they shed tears Watering the fertile lands As the tornado wrecked havoc It brought a rebirth A chance to start again fresh
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Nov 20, 2018
Nov 20, 2018 at 8:29 PM UTC
Tornado
All but still Wheat wavering in the distance, shivering in anticipation Animals hide away, tucked in the safety of hideaways, holes, and orifices Humans crouch underground, waiting Hours pass A lone alarm shouts across the land "This is an emergency. I repeat, an emergency warning" So loud that those below, closer to hell than ever before, clutch their ears For they are ringing from the vibrant sound waves stretching across the fields A slight change in wind directions A little bit of motion Begins the devastation A lone inverted triangle appears Seemingly hovering, inches above the ground Circling its prey, before it gorges itself Endless cyclic motions, vacuuming everything in its path Houses, barns, plants fly Tugged from the attraction to the ground to the sky Engulfed by the tornado That winds down a path of destruction On a whirlwind high Drunk off of its power Invoking pain for no reason, except that it can Land ripped to shreds Houses taken and tossed miles and miles away Barns slingshotted across the American countryside And the deaths Oh the deaths Those who thought they could wait it out Survive again once more Those who tried to chase the twister Mesmerized by its hypnotic dance Those who were in the wrong place at the wrong time Oblivious to their preventable fate When the humans emerged From their underground bunker They found a land left ruined Wiped blank of human development With that they shed tears Watering the fertile lands As the tornado wrecked havoc It brought a rebirth A chance to start again fresh
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Come, let me sing into your ear; Those dancing days are gone, All that silk and satin gear; Crouch upon a stone, Wrapping that foul body up In as foul a rag: I carry the sun in a golden cup. The moon in a silver bag. Curse as you may I sing it through; What matter if the knave That the most could pleasure you, The children that he gave, Are somewhere sleeping like a top Under a marble flag? I carry the sun in a golden cup. The moon in a silver bag. I thought it out this very day. Noon upon the clock, A man may put pretence away Who leans upon a stick, May sing, and sing until he drop, Whether to maid or hag: I carry the sun in a golden cup, The moon in a silver bag.
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Those Dancing Days Are Gone
It's in the heart of the grape where that smile lies. It's in the good-bye-bow in the hair where that smile lies. It's in the clerical collar of the dress where that smile lies. What smile? The smile of my seventh year, caught here in the painted photograph. It's peeling now, age has got it, a kind of cancer of the background and also in the assorted features. It's like a rotten flag or a vegetable from the refrigerator, pocked with mold. I am aging without sound, into darkness, darkness. Anne, who are you? I open the vein and my blood rings like roller skates. I open the mouth and my teeth are an angry army. I open the eyes and they go sick like dogs with what they have seen. I open the hair and it falls apart like dust ***** I open the dress and I see a child bent on a toilet seat. I crouch there, sitting dumbly pushing the enemas out like ice cream, letting the whole brown world turn into sweets. Anne, who are you? Merely a kid keeping alive.
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3.2k
Baby Picture
I had as lief be embraced by the portier of the hotel As to get no more from the moonlight Than your moist hand. Be the voice of the night and Florida in my ear. Use dasky words and dusky images. Darken your speech. Speak, even, as if I did not hear you speaking, But spoke for you perfectly in my thoughts, Conceiving words, As the night conceives the sea-sound in silence, And out of the droning sibilants makes A serenade. Say, puerile, that the buzzards crouch on the ridge-pole and sleep with one eye watching the stars fall Beyond Key West. Say that the palms are clear in the total blue. Are clear and are obscure; that it is night; That the moon shines.
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3.1k
Two Figures in Dense Violet Light
1. Inhaling poison like it’s a sweet spring breeze, an antidote to the pounding heart and aching stomach empty of comfort or substance Meeting with pavement in a tiger’s crouch fingers float toward parted lips awaiting the taste of relief in the form of smouldering leaves. 2. One tentative epidermis approaches another tendons and ligaments straining, aching for contact attempting nonchalance in the lamplight privacy of early morning, cocking ears to detect voyeuristic insomniacs who would disturb the disorderly expressions of early experimentation. 3. White lady dusting the concrete path, sterile and unconfined laid new before careful feet making their way to shiny metal boxes bundled in seasonal expectations they trudge through stardust on their way to blood borne obligations, leaving behind careless tracks in ****** flesh 4. Blazing sun presses down on shoulders hunched behind compact table tops peddling penny prologues to unabashed strangers bartering unwanted pocket change for rejected trinkets haggling over half-dried finger paints and unfinished chess sets rescuing garish afghans from dusty closeted life.
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Oct 17, 2012
Oct 17, 2012 at 7:33 PM UTC
Concrete Drawbridge
{Body}I stand tall straight-backed, head high on high heels, bright and sharp sophisticated smiling gaily at passing people meeting their eyes with sunglasses so that they might never meet mine. a politician's smile {Mind}I crouch low doubled over, head bent on concrete, cold and hard meekly looking up at onlookers that they might see that my eyes, bared to the world, hold tears. a dreamer's heart {Soul}I run wildly arms wide, head back on soft grass, lush and vibrant free laughing with the world in my bare feet.
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May 29, 2013
May 29, 2013 at 8:06 PM UTC
Heels
365 Dare you see a Soul at the White Heat? Then crouch within the door— Red—is the Fire’s common tint— But when the vivid Ore Has vanquished Flame’s conditions, It quivers from the Forge Without a color, but the light Of unanointed Blaze. Least Village has its Blacksmith Whose Anvil’s even ring Stands symbol for the finer Forge That soundless tugs—within— Refining these impatient Ores With Hammer, and with Blaze Until the Designated Light Repudiate the Forge—
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3k
Dare you see a Soul at the White Heat?
For every parcel I stoop down to seize I lose some other off my arms and knees, And the whole pile is slipping, bottles, buns— Extremes too hard to comprehend at once, Yet nothing I should care to leave behind. With all I have to hold with hand and mind And heart, if need be, I will do my best To keep their building balanced at my breast. I crouch down to prevent them as they fall; Then sit down in the middle of them all. I had to drop the armful in the road And try to stack them in a better load.
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2.9k
The Armful
"There in the midst of it so alive and alone Words support like bone..."  Peter Gabriel's  "Mercy Street" Orion abandons the sky dropping his club casting his belt toward the horizon Just once, for a moment, he glanced away from exalted **** his vanquished prey He’d seen the picture— A girl of sixteen lying awake—muses in her head eyes shut, arms thrown back behind pillow Tee shirt stretch across lean chest Hips mingle with blankets She is scattered there among the minions of her hair behind her mouth of unkissed words _______________ McCaffery's Coffee is open late He’s seen the picture Muses in his head His arm almost around her Hers on his shoulder Small—feather-light fingers lift the hair of his neck Reaching around her his hand searches and slides along her silk-draped hind ...and the view he has is amazing! _____________ Music— and waves pounding and lapping at the life he fears.... Little boat stranded in gray mists till a thousand tiny birds alight in a peppering and fluttering stir of time in greens of brine as the sun pries through…. ______________ McCaffery’s is ready to close but the owner, knowing douses the overheads and turns away leaving candlelight to crouch and duck and blink in circles How long and free we are allowed to gaze.... so full of wind and riffling water Stars above and stars below blooming on the floral silk of night Vespered lilacs exhale Votives of warmth beneath his hand Silk sweating— familial in their rocking Distant lightning loosens eternity
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Oct 2, 2016
Oct 2, 2016 at 9:26 PM UTC
McCaffery's Coffee-- open late
"There in the midst of it so alive and alone Words support like bone..."  Peter Gabriel's  "Mercy Street" Orion abandons the sky dropping his club casting his belt toward the horizon Just once, for a moment, he glanced away from exalted **** his vanquished prey He’d seen the picture— A girl of sixteen lying awake—muses in her head eyes shut, arms thrown back behind pillow Tee shirt stretch across lean chest Hips mingle with blankets She is scattered there among the minions of her hair behind her mouth of unkissed words _______________ McCaffery's Coffee is open late He’s seen the picture Muses in his head His arm almost around her Hers on his shoulder Small—feather-light fingers lift the hair of his neck Reaching around her his hand searches and slides along her silk-draped hind ...and the view he has is amazing! _____________ Music— and waves pounding and lapping at the life he fears.... Little boat stranded in gray mists till a thousand tiny birds alight in a peppering and fluttering stir of time in greens of brine as the sun pries through…. ______________ McCaffery’s is ready to close but the owner, knowing douses the overheads and turns away leaving candlelight to crouch and duck and blink in circles How long and free we are allowed to gaze.... so full of wind and riffling water Stars above and stars below blooming on the floral silk of night Vespered lilacs exhale Votives of warmth beneath his hand Silk sweating— familial in their rocking Distant lightning loosens eternity
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56
The sun sank in the tendrils of the winter winds Light quickly faded The long night begins What is our hope for the spring to come beyond this winter? The old rulers are dying, their grasp weakened Their desperate ****** clawing for power falters What will the youth of the world build? Overthrowing the gray tired old men with no vision Will there be a new light glowing in an abandoned barn? An opening of joy to a time of new growth? It is now dark in the cavern The animals have bowed their heads Fearing the burning world that surrounds Glaciers melting, deserts blowing Is there a song that will lead us to A new morning, Sagan's galaxy rise? With a billion suns shining? Or will we crouch in the corners again Fighting for any lethal advantage Sacrificing the world? We should pray
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Dec 21, 2011
Dec 21, 2011 at 10:54 PM UTC
Solstice
Close-mouthed you sat five thousand years and never let out a whisper. Processions came by, marchers, asking questions you answered with grey eyes never blinking, shut lips never talking. Not one croak of anything you know has come from your cat crouch of ages. I am one of those who know all you know and I keep my questions: I know the answers you hold.
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2.6k
A Sphinx
I sit still As I listen to a few songs Mayer, Mraz and so on I listen to their wise Their empathic words I wish I could talk To someone, anyone That I could trust I wonder why I can't As someone proclaims They'll fight for me Get to the root of it for me I am nearly brought to tears How long has it been Since someone did that Not simply ran away Because they saw That I was in a difficult A terrible situation How long have I begged for Someone to do for me That I did for them How long? As I sit quietly and ponder I start talking To the only one I trust - My laptop My words are hitching In between With silent sobs My eyes have lost their Ability to cry Have grown cold No longer have the Strength to cry I want to break down But only in the arms Of someone who cares I look around There's no one Of course What else did I expect What else could I expect What else dare I expect I crouch down Cover my face As I start laughing I am so torn apart That I can't even see The point of it all What I would do To simply last till Tomorrow morning Not just give in Tonight, tonight.
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Oct 9, 2012
Oct 9, 2012 at 9:17 AM UTC
The Tears of The Joker Run, Unseen, Unheard
Priti Patel's quote on EU migration - whatever it was... list of common surnames: cropper, cross, crouch, dabney, dalton, daniels, eads, easton, eccleston, fairclough, farnham, fay, gardner, garey, garfield, haight, hanes, hailey, ibbott, irvin, isaacson, jack, jackson, jacobs, kay, keen, kelsey, lacey, lacy, lamar, macey, mann, marchand, neal, nelson, neville... sure pati japati patel - i'll be an albino in Gujarat if your play the sitar in a sari; but your name sounds a bit migrant revealing, what a weird 'back of the bus' you seem to stand on - you want the Mongolians resurrected? i swear we were being ousted in line of what Queen Sheba said to Solomon: 'olive skinned throughout the geography and the unwelcome green men on sponged-knickers creaming for an ****** a french dessert...' yes pretty prior, you found home on a continent when half of the european nations didn't practice colonial antics - i guess it's easier to pick on them. but with a Patel surname you sound british already, the great experiment worked the anaesthetic of former colonialism numbed via recreational Ketamine use really numbed the skull and jaw mandibles - i hate, i hate being conscripted into post-colonial affairs of "why it all failed" what a waste of the urban hubs of Manchester or Liverpool - where once artistic expression thrived - i hate these post-colonial societies, it's as if they were castrated en masse, and they're wondering why no one has a permanent suntan in scandinavia - maybe the raw herring diet - cinnamon up your *** magician's trick with space between fudge of digestion, disappearing trick but then the cough that blinds you sweetly - i guess post-colonial nationalism wanted to listen to non-colonial nationalism - a former migrant like pretty plated smell olive skinned exploited inversion of angers but dunked a footstep into a trip-up with non-colonial nations - a bit like the greek bail-out - pretty patel is a name least likely associated with migration; you teasing the beast out?
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Apr 21, 2016
Apr 21, 2016 at 9:33 PM UTC
hey pretty plated smell!
Priti Patel's quote on EU migration - whatever it was... list of common surnames: cropper, cross, crouch, dabney, dalton, daniels, eads, easton, eccleston, fairclough, farnham, fay, gardner, garey, garfield, haight, hanes, hailey, ibbott, irvin, isaacson, jack, jackson, jacobs, kay, keen, kelsey, lacey, lacy, lamar, macey, mann, marchand, neal, nelson, neville... sure pati japati patel - i'll be an albino in Gujarat if your play the sitar in a sari; but your name sounds a bit migrant revealing, what a weird 'back of the bus' you seem to stand on - you want the Mongolians resurrected? i swear we were being ousted in line of what Queen Sheba said to Solomon: 'olive skinned throughout the geography and the unwelcome green men on sponged-knickers creaming for an ****** a french dessert...' yes pretty prior, you found home on a continent when half of the european nations didn't practice colonial antics - i guess it's easier to pick on them. but with a Patel surname you sound british already, the great experiment worked the anaesthetic of former colonialism numbed via recreational Ketamine use really numbed the skull and jaw mandibles - i hate, i hate being conscripted into post-colonial affairs of "why it all failed" what a waste of the urban hubs of Manchester or Liverpool - where once artistic expression thrived - i hate these post-colonial societies, it's as if they were castrated en masse, and they're wondering why no one has a permanent suntan in scandinavia - maybe the raw herring diet - cinnamon up your *** magician's trick with space between fudge of digestion, disappearing trick but then the cough that blinds you sweetly - i guess post-colonial nationalism wanted to listen to non-colonial nationalism - a former migrant like pretty plated smell olive skinned exploited inversion of angers but dunked a footstep into a trip-up with non-colonial nations - a bit like the greek bail-out - pretty patel is a name least likely associated with migration; you teasing the beast out?
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50
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what's really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse - The good not done, the love not given, time Torn off unused - nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast, moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear - no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anasthetic from which none come round. And so it stays just on the edge of vision, A small, unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can't escape, Yet can't accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
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2.4k
Aubade
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what's really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse - The good not done, the love not given, time Torn off unused - nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast, moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear - no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anasthetic from which none come round. And so it stays just on the edge of vision, A small, unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can't escape, Yet can't accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
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50
Just for a handful of silver he left us, Just for a riband to stick in his coat— Found the one gift of which fortune bereft us, Lost all the others she lets us devote; They, with the gold to give, doled him out silver, So much was theirs who so little allowed: How all our copper had gone for his service! Rags—were they purple, his heart had been proud! We that had loved him so, followed him, honoured him, Lived in his mild and magnificent eye, Learned his great language, caught his clear accents, Made him our pattern to live and to die! Shakespeare was of us, Milton was for us, Burns, Shelley, were with us,—they watch from their graves! He alone breaks from the van and the freemen, He alone sinks to the rear and the slaves! We shall march prospering,—not through his presence; Songs may inspirit us,—not from his lyre; Deeds will be done,—while he boasts his quiescence, Still bidding crouch whom the rest bade aspire: Blot out his name, then, record one lost soul more, One task more declined, one more footpath untrod, One more triumph for devils and sorrow for angels, One wrong more to man, one more insult to God! Life’s night begins: let him never come back to us! There would be doubt, hesitation and pain, Forced praise on our part—the glimmer of twilight, Never glad confident morning again! Best fight on well, for we taught him—strike gallantly, Menace our heart ere we pierce through his own; Then let him receive the new knowledge and wait us, Pardoned in heaven, the first by the throne!
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2.3k
The Lost Leader
Just for a handful of silver he left us, Just for a riband to stick in his coat— Found the one gift of which fortune bereft us, Lost all the others she lets us devote; They, with the gold to give, doled him out silver, So much was theirs who so little allowed: How all our copper had gone for his service! Rags—were they purple, his heart had been proud! We that had loved him so, followed him, honoured him, Lived in his mild and magnificent eye, Learned his great language, caught his clear accents, Made him our pattern to live and to die! Shakespeare was of us, Milton was for us, Burns, Shelley, were with us,—they watch from their graves! He alone breaks from the van and the freemen, He alone sinks to the rear and the slaves! We shall march prospering,—not through his presence; Songs may inspirit us,—not from his lyre; Deeds will be done,—while he boasts his quiescence, Still bidding crouch whom the rest bade aspire: Blot out his name, then, record one lost soul more, One task more declined, one more footpath untrod, One more triumph for devils and sorrow for angels, One wrong more to man, one more insult to God! Life’s night begins: let him never come back to us! There would be doubt, hesitation and pain, Forced praise on our part—the glimmer of twilight, Never glad confident morning again! Best fight on well, for we taught him—strike gallantly, Menace our heart ere we pierce through his own; Then let him receive the new knowledge and wait us, Pardoned in heaven, the first by the throne!
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32