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"countess" poems
through the streets and column cracks culture weaves and summer smacks sacred figures, holy shrine monastery in grand design cathedrals, convents, heaven’s stars god of neptune, god of mars doge’s palace, alley ways gondolier on full display winged lions on pastel breeze cicada singing from the trees pillar walk of saint mark's square basilica in all its flare crosses shade the carousel a bridge of sigh that leads to hell golden stairs on placid ridge arches of rialto bridge torcello! murano! grigio! the countess rides the river poe! sins of seven, fiery hides poplars bank the levee side black plague, attila the *** eden formed before the sun paradise above the marsh high alter, gothic arch middle age, religious wars celestial fountains, marble floors sculpted peacock, catholic faith all is true the great god saith
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Jul 19, 2018
Jul 19, 2018 at 9:24 AM UTC
Venezia
I got some things I want to confess From an awkward nerd to a beautiful countess You're more confusing than the Higg's Boson I understand more the positrons and electrons You're more complex than a polysaccharide "Understanding You" is no book my archive Why can't our relationship be a mutualism Rather than the one sided commensalism Could we be close like the tibia and fibula? So close like the aorta and vena cavas? To be close, I could only hope Like uranium 237 and uranium 238, inseparable isotopes Whenever I see you, I get the "kilig" affixes Like the sour taste of citru sinensis I can't get enough of your wonderful smile It's like the taste of pentahydroxyhexanal You might think I'm in delirium But my thoughts are in equilibrium You're the only girl inside my cranium And this love for you is more precious than titanium
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May 28, 2015
May 28, 2015 at 6:57 AM UTC
The Nerdiest Confession
Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd - The little dogs under their feet. Such plainness of the pre-baroque Hardly involves the eye, until It meets his left-hand gauntlet, still Clasped empty in the other; and One sees, with a sharp tender shock, His hand withdrawn, holding her hand. They would not think to lie so long. Such faithfulness in effigy Was just a detail friends would see: A sculptor's sweet commissioned grace Thrown off in helping to prolong The Latin names around the base. They would no guess how early in Their supine stationary voyage The air would change to soundless damage, Turn the old tenantry away; How soon succeeding eyes begin To look, not read. Rigidly they Persisted, linked, through lengths and breadths Of time. Snow fell, undated. Light Each summer thronged the grass. A bright Litter of birdcalls strewed the same Bone-littered ground. And up the paths The endless altered people came, Washing at their identity. Now, helpless in the hollow of An unarmorial age, a trough Of smoke in slow suspended skeins Above their scrap of history, Only an attitude remains: Time has transfigures them into Untruth. The stone fidelity They hardly meant has come to be Their final blazon, and to prove Our almost-instinct almost true: What will survive of us is love.
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An Arundel Tomb
dark cupid witch legs tied to throat devil ***** twitch ******* in a mote i've got the itch feet scorched in rope hot ******* ***** hells dark pope oh dragon man take my life unwind me slow i'm summer ripe countess **** dark girl feeding the sun is no more loves the bleeding
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Apr 2, 2018
Apr 2, 2018 at 2:34 PM UTC
Dark Cupid Witch
I am the queen of ill fitting jeans of infected piercings, of thinking that blue is green, of uneven eyeliner wings. I am the princess of pleases of hellos slipped through voice cracks of drunken apologies of forgetting to text back. I am the countess of chaos of a thunderdome of possible tragedy of making too many plans of avoiding gravity. I am the duke of drunk texts of fizzy lemonade drinks, of lingering regret, of caring too much about what you think. I am the queen of ill fitting jeans, of ruling my life with a clumsy grace, of being a storm without tea, and I'll reign with a smile on my ******* face.
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Jan 13, 2014
Jan 13, 2014 at 9:08 PM UTC
I am the queen of ill fitting jeans
Tra-la-la-la-la-la-laire—nil nisi divinum stabile est; caetera fumus—the gondola stopped, the old palace was there, how charming its grey and pink— goats and monkeys, with such hair too!—so the countess passed on until she came through the little park, where Niobe presented her with a cabinet, and so departed. Burbank crossed a little bridge Descending at a small hotel; Princess Volupine arrived, They were together, and he fell. Defunctive music under sea Passed seaward with the passing bell Slowly: the God Hercules Had left him, that had loved him well. The horses, under the axletree Beat up the dawn from Istria With even feet. Her shuttered barge Burned on the water all the day. But this or such was Bleistein’s way: A saggy bending of the knees And elbows, with the palms turned out, Chicago Semite Viennese. A lustreless protrusive eye Stares from the protozoic slime At a perspective of Canaletto. The smoky candle end of time Declines. On the Rialto once. The rats are underneath the piles. The jew is underneath the lot. Money in furs. The boatman smiles, Princess Volupine extends A meagre, blue-nailed, phthisic hand To climb the waterstair. Lights, lights, She entertains Sir Ferdinand Klein. Who clipped the lion’s wings And flea’d his **** and pared his claws? Thought Burbank, meditating on Time’s ruins, and the seven laws.
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Burbank With A Baedeker: Bleistein With A Cigar
Lucy, you brightness of our sphere, who are Life of the Muses' day, their morning star! If works, not th' author's, their own grace should look, Whose poems would not wish to be your book? But these, desir'd by you, the maker's ends Crown with their own. Rare poems ask rare friends. Yet satires, since the most of mankind be Their unavoided subject, fewest see; For none e'er took that pleasure in sin's sense But, when they heard it tax'd, took more offence. They, then, that living where the matter is bred, Dare for these poems, yet, both ask and read And like them too, must needfully, though few, Be of the best; and 'mongst those best are you, Lucy, you brightness of our sphere, who are The Muses' evening, as their morning star.
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To Lucy, Countess of Bedford, with John Donne's Satires
Bring down the moon for genteel Janet; She's too refined for this gross planet. She wears garments and you wear clothes, You buy stockings, she purchases hose. She say That is correct, and you say Yes, And she disrobes and you undress. Confronted by a mouse or moose, You turn green, she turns chartroose. Her speech is new-minted, freshly quarried; She has a fore-head, you have a forehead. Nor snake nor slowworm draweth nigh her; You go to bed, she doth retire. To Janet, births are blessed events, And odors that you smell she scents. Replete she feels, when her food is yummy, Not in the stomach but the tummy. If urged some novel step to show, You say Like this, she says Like so. Her dear ones don't die, but pass away; Beneath her formal is lonjeray. Of refinement she's a fount, or fountess, And that is why she's now a countess. She was asking for the little girls' room And a flunky though she said the earl's room.
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Good-By Now or Pardon My Gauntlet
Please forget schoolwork, for there are heartier things, such as your forehead craving these good night lips. You thoroughly speak of entwining our limbs, while I'll dream of seeing my sleeping beauty, and a kiss. Although rhyme does not showcase wit, I'm still the man that tonight, you will miss. Moonlight peers over a crest of visions, or balances right on the cusp. With daylight matters so pressing, I'll press just enough. Upon the small of your back, your resonant blessing, to awaken your dreams with my morning touch. Now go to sleep with the help from countess sheep up above, and by my word, we'll catch up. In the early morrow, my love.
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Jul 18, 2016
Jul 18, 2016 at 12:23 PM UTC
Morrow
The silence it deafens me with violence they threaten me to carry me off to an asylum unless I can provide them with an ulterior motive till I hand in my notice relinquish the chains upon my bed the fiendish brain inside my head deviously plotting my own demise take leave from this place to warmer tides bathe my body beneath calmer skies naked like the day I drew breath naked as I stare upon death one hand holding a crooked scythe the other beckoning to me, my life did you forget to count the die? or forgo the countless lies that made the Countess cry neither man nor mystery could change her path so it's left to me to rearrange the past jigsaw pieces scattered upon my pillow connecting dots to draw the willow who could forget the weeping widow that cried herself to sleep.
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Oct 3, 2017
Oct 3, 2017 at 6:52 PM UTC
(the mystery of) The Weeping Widow
Hail, happy saint, on thine immortal throne, Possest of glory, life, and bliss unknown; We hear no more the music of thy tongue, Thy wonted auditories cease to throng. Thy sermons in unequall’d accents flow’d, And ev’ry ***** with devotion glow’d; Thou didst in strains of eloquence refin’d Inflame the heart, and captivate the mind. Unhappy we the setting sun deplore, So glorious once, but ah! it shines no more. Behold the prophet in his tow’ring flight! He leaves the earth for heav’n’s unmeasur’d height, And worlds unknown receive him from our sight. There Whitefield wings with rapid course his way, And sails to Zion through vast seas of day. Thy pray’rs, great saint, and thine incessant cries Have pierc’d the ***** of thy native skies. Thou moon hast seen, and all the stars of light, How he has wrestled with his God by night. He pray’d that grace in ev’ry heart might dwell, He long’d to see America excell; He charg’d its youth that ev’ry grace divine Should with full lustre in their conduct shine; That Saviour, which his soul did first receive, The greatest gift that ev’n a God can give, He freely offer’d to the num’rous throng, That on his lips with list’ning pleasure hung. “Take him, ye wretched, for your only good, “Take him ye starving sinners, for your food; “Ye thirsty, come to this life-giving stream, “Ye preachers, take him for your joyful theme; “Take him my dear Americans, he said, “Be your complaints on his kind ***** laid: “Take him, ye Africans, he longs for you, “Impartial Saviour is his title due: “Wash’d in the fountain of redeeming blood, “You shall be sons, and kings, and priests to God.” Great Countess, we Americans revere Thy name, and mingle in thy grief sincere; New England deeply feels, the Orphans mourn, Their more than father will no more return. But, though arrested by the hand of death, Whitefield no more exerts his lab’ring breath, Yet let us view him in th’ eternal skies, Let ev’ry heart to this bright vision rise; While the tomb safe retains its sacred trust, Till life divine re-animates his dust.
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On The Death Of The Rev. Mr. George Whitefield
Hail, happy saint, on thine immortal throne, Possest of glory, life, and bliss unknown; We hear no more the music of thy tongue, Thy wonted auditories cease to throng. Thy sermons in unequall’d accents flow’d, And ev’ry ***** with devotion glow’d; Thou didst in strains of eloquence refin’d Inflame the heart, and captivate the mind. Unhappy we the setting sun deplore, So glorious once, but ah! it shines no more. Behold the prophet in his tow’ring flight! He leaves the earth for heav’n’s unmeasur’d height, And worlds unknown receive him from our sight. There Whitefield wings with rapid course his way, And sails to Zion through vast seas of day. Thy pray’rs, great saint, and thine incessant cries Have pierc’d the ***** of thy native skies. Thou moon hast seen, and all the stars of light, How he has wrestled with his God by night. He pray’d that grace in ev’ry heart might dwell, He long’d to see America excell; He charg’d its youth that ev’ry grace divine Should with full lustre in their conduct shine; That Saviour, which his soul did first receive, The greatest gift that ev’n a God can give, He freely offer’d to the num’rous throng, That on his lips with list’ning pleasure hung. “Take him, ye wretched, for your only good, “Take him ye starving sinners, for your food; “Ye thirsty, come to this life-giving stream, “Ye preachers, take him for your joyful theme; “Take him my dear Americans, he said, “Be your complaints on his kind ***** laid: “Take him, ye Africans, he longs for you, “Impartial Saviour is his title due: “Wash’d in the fountain of redeeming blood, “You shall be sons, and kings, and priests to God.” Great Countess, we Americans revere Thy name, and mingle in thy grief sincere; New England deeply feels, the Orphans mourn, Their more than father will no more return. But, though arrested by the hand of death, Whitefield no more exerts his lab’ring breath, Yet let us view him in th’ eternal skies, Let ev’ry heart to this bright vision rise; While the tomb safe retains its sacred trust, Till life divine re-animates his dust.
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Saddle and ride, I heard a man say, Out of Ben Bulben and Knocknarea, What says the Clock in the Great Clock Tower? All those tragic characters ride But turn from Rosses' crawling tide, The meet's upon the mountain-side. A slow low note and an iron bell. What brought them there so far from their home. Cuchulain that fought night long with the foam, What says the Clock in the Great Clock Tower? Niamh that rode on it; lad and lass That sat so still and played at the chess? What but heroic wantonness? A slow low note and an iron bell. Aleel, his Countess; Hanrahan That seemed but a wild wenching man; What says the Clock in the Great Clock Tower? And all alone comes riding there The King that could make his people stare, Because he had feathers instead of hair. A slow low note and an iron bell.
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Alternative Song For The Severed Head In 'The King Of The Great Clock Tower'
ALL the heavy days are over; Leave the body's coloured pride Underneath the grass and clover, With the feet laid side by side. Bathed in flaming founts of duty She'll not ask a haughty dress; Carry all that mournful beauty To the scented oaken press. Did the kiss of Mother Mary Put that music in her face? Yet she goes with footstep wary, Full of earth's old timid grace. 'Mong the feet of angels seven What a dancer glimmering! All the heavens bow down to Heaven, Flame to flame and wing to wing.
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The Countess Cathleen In Paradise
Saddle and ride, I heard a man say, Out of Ben Bulben and Knocknarea, What says the Clock in the Great Clock Tower? All those tragic characters ride But turn from Rosses' crawling tide, The meet's upon the mountain-side. A slow low note and an iron bell. What brought them there so far from their home. Cuchulain that fought night long with the foam, What says the Clock in the Great Clock Tower? Niamh that rode on it; lad and lass That sat so still and played at the chess? What but heroic wantonness? A slow low note and an iron bell. Aleel, his Countess; Hanrahan That seemed but a wild wenching man; What says the Clock in the Great Clock Tower? And all alone comes riding there The King that could make his people stare, Because he had feathers instead of hair. A slow low note and an iron bell. Tune by Arthur Duff
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Song For The Severed Head In 'The King Of The Great Clock Tower'
I seek a white countess, To bend me to my bow, I'll show him I'm his mistress, Hell beg and hear me moan! Well scream a thousand voices, Well dock a shorting pout, To hold his hand, Where are treasure spands! A king I need Caucasian indeed, Surely without a doubt!!!!
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May 13, 2015
May 13, 2015 at 10:23 PM UTC
asian needing white
427 I’ll clutch—and clutch— Next—One—Might be the golden touch— Could take it— Diamonds—Wait— I’m diving—just a little late— But stars—go slow—for night— I’ll string you—in fine Necklace— Tiaras—make—of some— Wear you on Hem— Loop up a Countess—with you— Make—a Diadem—and mend my old One— Count—Hoard—then lose— And doubt that you are mine— To have the joy of feeling it—again— I’ll show you at the Court— Bear you—for Ornament Where Women breathe— That every sigh—may lift you Just as high—as I— And—when I die— In meek array—display you— Still to show—how rich I go— Lest Skies impeach a wealth so wonderful— And banish me—
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I’ll clutch—and clutch
Tell the Queen, there is a King who will always care Tell the Princess, there is a Prince who with another she will never share. Tell the Servant Girl, there is Boy who will her burdens bear, Tell that Damsel, that to see her cry will not be fair, Tell the Countess, that for her beauty a Count will not seize to stare, Tell that Woman, that You will love her from year to year, And that if ever she feels lonely, there will be no need to fear, For there will always be a Hero, who for her will shade a tear, And a Knight who will ride through heat and cold for a creature priceless and rare.
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Feb 7, 2016
Feb 7, 2016 at 3:32 PM UTC
así de la vida
Twenty-three and skeptic. White teeth and red lips. Dirty-mouthed five foot seven countess. Thoughts so lush, so green. Intelligent but not unexciting. Scarred right hand by climbing up but wanting to know what falling feels like. Unhinged. Caught 4 out of 5 bouquets in weddings she's attended. Claimed it should be an Olympic sport. Breaks hearts like they are bones. The love of my life.
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Jul 5, 2016
Jul 5, 2016 at 7:24 AM UTC
Henrie, Heartache in a Sundress
I SOUGHT a theme and sought for it in vain, I sought it daily for six weeks or so. Maybe at last, being but a broken man, I must be satisfied with my heart, although Winter and summer till old age began My circus animals were all on show, Those stilted boys, that burnished chariot, Lion and woman and the Lord knows what. II What can I but enumerate old themes? First that sea-rider Oisin led by the nose Through three enchanted islands, allegorical dreams, Vain gaiety, vain battle, vain repose, Themes of the embittered heart, or so it seems, That might adorn old songs or courtly shows; But what cared I that set him on to ride, I, starved for the ***** of his faery bride? And then a counter-truth filled out its play, The Countess Cathleen was the name I gave it; She, pity-crazed, had given her soul away, But masterful Heaven had intetvened to save it. I thought my dear must her own soul destroy, So did fanaticism and hate enslave it, And this brought forth a dream and soon enough This dream itself had all my thought and love. And when the Fool and Blind Man stole the bread Cuchulain fought the ungovernable sea; Heart-mysteries there, and yet when all is said It was the dream itself enchanted me: Character isolated by a deed To engross the present and dominate memory. players and painted stage took all my love, And not those things that they were emblems of. III Those masterful images because complete Grew in pure mind, but out of what began? A mound of refuse or the sweepings of a street, Old kettles, old bottles, and a broken can, Old iron, old bones, old rags, that raving **** Who keeps the till. Now that my ladder's gone, I must lie down where all the ladders start In the foul rag-and-bone shop of the heart.
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1.6k
The Circus Animal Desertion
I SOUGHT a theme and sought for it in vain, I sought it daily for six weeks or so. Maybe at last, being but a broken man, I must be satisfied with my heart, although Winter and summer till old age began My circus animals were all on show, Those stilted boys, that burnished chariot, Lion and woman and the Lord knows what. II What can I but enumerate old themes? First that sea-rider Oisin led by the nose Through three enchanted islands, allegorical dreams, Vain gaiety, vain battle, vain repose, Themes of the embittered heart, or so it seems, That might adorn old songs or courtly shows; But what cared I that set him on to ride, I, starved for the ***** of his faery bride? And then a counter-truth filled out its play, The Countess Cathleen was the name I gave it; She, pity-crazed, had given her soul away, But masterful Heaven had intetvened to save it. I thought my dear must her own soul destroy, So did fanaticism and hate enslave it, And this brought forth a dream and soon enough This dream itself had all my thought and love. And when the Fool and Blind Man stole the bread Cuchulain fought the ungovernable sea; Heart-mysteries there, and yet when all is said It was the dream itself enchanted me: Character isolated by a deed To engross the present and dominate memory. players and painted stage took all my love, And not those things that they were emblems of. III Those masterful images because complete Grew in pure mind, but out of what began? A mound of refuse or the sweepings of a street, Old kettles, old bottles, and a broken can, Old iron, old bones, old rags, that raving **** Who keeps the till. Now that my ladder's gone, I must lie down where all the ladders start In the foul rag-and-bone shop of the heart.
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42
I I sought a theme and sought for it in vain, I sought it daily for six weeks or so. Maybe at last, being but a broken man, I must be satisfied with my heart, although Winter and summer till old age began My circus animals were all on show, Those stilted boys, that burnished chariot, Lion and woman and the Lord knows what. II What can I but enumerate old themes? First that sea-rider Oisin led by the nose Through three enchanted islands, allegorical dreams, Vain gaiety, vain battle, vain repose, Themes of the embittered heart, or so it seems, That might adorn old songs or courtly shows; But what cared I that set him on to ride, I, starved for the ***** of his faery bride? And then a counter-truth filled out its play, 'The Countess Cathleen' was the name I gave it; She, pity-crazed, had given her soul away, But masterful Heaven had intetvened to save it. I thought my dear must her own soul destroy, So did fanaticism and hate enslave it, And this brought forth a dream and soon enough This dream itself had all my thought and love. And when the Fool and Blind Man stole the bread Cuchulain fought the ungovernable sea; Heart-mysteries there, and yet when all is said It was the dream itself enchanted me: Character isolated by a deed To engross the present and dominate memory. players and painted stage took all my love, And not those things that they were emblems of. III Those masterful images because complete Grew in pure mind, but out of what began? A mound of refuse or the sweepings of a street, Old kettles, old bottles, and a broken can, Old iron, old bones, old rags, that raving **** Who keeps the till. Now that my ladder's gone, I must lie down where all the ladders start In the foul rag-and-bone shop of the heart.
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The Circus Animals' Desertion
I I sought a theme and sought for it in vain, I sought it daily for six weeks or so. Maybe at last, being but a broken man, I must be satisfied with my heart, although Winter and summer till old age began My circus animals were all on show, Those stilted boys, that burnished chariot, Lion and woman and the Lord knows what. II What can I but enumerate old themes? First that sea-rider Oisin led by the nose Through three enchanted islands, allegorical dreams, Vain gaiety, vain battle, vain repose, Themes of the embittered heart, or so it seems, That might adorn old songs or courtly shows; But what cared I that set him on to ride, I, starved for the ***** of his faery bride? And then a counter-truth filled out its play, 'The Countess Cathleen' was the name I gave it; She, pity-crazed, had given her soul away, But masterful Heaven had intetvened to save it. I thought my dear must her own soul destroy, So did fanaticism and hate enslave it, And this brought forth a dream and soon enough This dream itself had all my thought and love. And when the Fool and Blind Man stole the bread Cuchulain fought the ungovernable sea; Heart-mysteries there, and yet when all is said It was the dream itself enchanted me: Character isolated by a deed To engross the present and dominate memory. players and painted stage took all my love, And not those things that they were emblems of. III Those masterful images because complete Grew in pure mind, but out of what began? A mound of refuse or the sweepings of a street, Old kettles, old bottles, and a broken can, Old iron, old bones, old rags, that raving **** Who keeps the till. Now that my ladder's gone, I must lie down where all the ladders start In the foul rag-and-bone shop of the heart.
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43
She reigned from high above, in a castle on the hill She bathed in ****** Blood for youth And for a thrill Her talons roamed the countryside In the dark of night Driven mad by her obsession with Eternal Life The Countess, Elizabeth Bathory Come back to me Blood Countess Elizabeth Bathory At last you'll see... Her spirit wanders here, you can see her by the moon They say you can feel her near before the strike of doom Her name creates an air of fear She stalks us in our dreams On misty nights so still and clear You can hear the victims scream Terror upon the Earth! Demon of Noble Birth! Royal Witch - Gore Fetishist Bleed us for all we're worth...
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Apr 13, 2017
Apr 13, 2017 at 7:03 PM UTC
The Countess
Or some kind of Countess Even though she looks like kind of a mess and my shrink was right as she is every time he likes her cuz she's rich My X and me, my shrink says it's still raw for me and him but they fine My cousins live in Oakland And they work a day and have a Union Back to the middle class, on my *** As he floats by with millionaires, but they do have cares I know that now, and how He lives on his trust fund, and works some and takes happy pictures in bars And they seem happy enough, yes they are but what can you see online? I saw she's insecure big surprise, just why you need to announce your relative? and I know he's only nice after he's had a few nothing new, to me His best friend has a trophy bride Or maybe he married his daughter So gross, these rich men and their habits Sometimes we can't change our outer circumstance But we do have a chance if we try real hard to rake up our little zen yard in our mind
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Dec 30, 2013
Dec 30, 2013 at 8:31 PM UTC
Her Cousin is Dowager
Dear diary: Land sakes! Leofric cannot believe I carried through with it. But indeed, today I rode naked along the sparse, meager streets of ye old Coventry. And whilst my long hair, let down for the occasion, did provide me a jot of modesty; alas! a strong breeze I am most certain granted uncivil eyes to plainly see my top half is much ado about nothing. Nonetheless, an even more discomfiting fear shall be if some peeping tom espied his fair countess to be no natural blonde at all; just a fare-thee-well lemon juicing, miracle bra wearing charlatan. On the plus side, I did achieve quite a lovely, even, 'no-lines' tan!
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Jul 2, 2020
Jul 2, 2020 at 2:33 PM UTC
Lady Godiva's Journal Entry, 12 August 1043