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JS CARIE Nov 2018
At spawn of first light
Darkness embarks into the recesses of hibernation
And so begins the blinding incline,
the inevitable blonde coiled wreaths frustration is on the rise
forces a discharge so multiple and emanate,
the skyward black shrinks back
from panoptic reaches,
into a delinquent weakened rumor

When this daily task of ridding the black ends a victor
The climb continues upward in a high sky setting
Consequential over the mornings painstaking labors
Wiping from his brow,
in a waving motion
To release mists over global hydration

By welcoming this morning dew,
the earth is one more day new
and can take great relief in this rebirth
Assuring all parched famine will gain resolve
taking in their absolve
What Came to me after several bouts with patience
Was wave of relief, not by myself alone, it takes more than the love of ourselves, I had to feel a distant presence to be reawakened
CK Baker May 2017
the rat ******* has been re-purposed
(conscripted in a somewhat fodder task)
brandishing irons
and quarter lines
coiled and unwavering
insidious and cunning
pent up and fired
in  his dripping shoes
and peel back skin

wheel bug and hookworm
are stolid in his wake
(all bursting grossly at the buckle!)
the heel on task;
slithering and rogue
merciless and coy
resolute and contemptuous
with his cotton mat
and quick ready quill

pungi and clapper
raise the clever snake
(croker sacks and wicker backs
dot the gasoline rainbow)
carnival barkers and kraken
(lewd in the distance)
taunting and vile
with their red beakers
and deep purple hearts

cicada and louse
high on alert
(ready to wreak havoc in the hog wallows)
the perverse cornered rat
snapping and soiled
foaming and inflamed
lurking and primed
inside his carefully crafted plan

easels and cover alls
suit this jackal well
(keefer’s little helper or so they'd say)
pickers running rough shod
all stirring up the stench
***** and conkeys
poised
and ready
to lime this cornered slug
--- Sep 2013
Sitting alone
In my room all day
Not by choice
Forced by a fever
I feel a familiar sensation
I am a coiled spring
I need to run
So badly
But alas, I also need to heal.
Chloe Chapman Jan 2015
Muscles are a network of steel cables.
Winding together forming the landscape of the body,
Coiled to spring, convolted and twisting.
Rigid and strained, beneath the skin.
Taut. Tense.
Been looking at muscle structure in art. Inspired me i guess.
Mr Darwin, please explain

Reading TS Eliot is to be drawn into timeless space where images of past and future combine in a continuous stream of thinking …. perhaps the immortality of ideas. The genetic material of life, DNA, is immortal, an unbroken thread linking life’s origins 4 billion years ago to the present ….. and future.

Sequence upon sequence of symbolic letters encoding countless forms of bodies, built to the same principles inherent in the genetic code, yet morphing in endless variety according to the tenets of natural selection ….. Darwin’s idea that transformed our thinking from a moment of purposeful creation to how life changes through time.

Cosmologists suggest we live in one of many possible universes perhaps in parallel time allowing parallel lives, one not knowing of the other’s existence because of the limitations of our three dimensional view of the world and its existence in the cosmos. We see in three dimensions and no more, but we are aware of more because mathematics tells us so.

Mr Darwin, please explain explores the seamless continuity of Darwinian thinking with the timelessness of Eliot’s poetry…..

I In my beginning is my end …. V In my end is my beginning.
(East Coker, Four Quartets, TS Eliot)


Mr Darwin, please explain

I

What is this selection of love so natural
To drive men insane and women to purgatory
Can Mr Darwin explain?
Some ask the question
But I doubt not, that his meaning is clear
Why love one to one remains so dear,
Though Karl denied it, Lenin too
And Uncle Joe dismissed it
As a plot to subvert what was good for the proletariat.
But in that recent time when ******’s darkness shadowed The Earth
Love glowed in the gloom of the despair of nations’ Terezíns
Which to-day helps to repair our broken dreams
Of why we love one to one.

Keats loved one ***** Brawne
And Coleridge his Asra
But what is ecstasy’s advantage?
When comes the pain of separation
Mr Darwin, please explain.
Is it lust, is it reproduction?
But then when love is thwarted
We cannot function,
Where is the advantage
Mr D --- what is the aim, can you explain?
How the coiled spiral passing from time to time
Its immortal message which condemns each generation
To the pain of separation
When the reaper calls, or the rival sunders
The coils of love’s message we’ve inherited
Since the beginning of time
Why? What is the advantage?
Mr D, please tell me your answer.

The whales they sing one to one
Like Eliot’s mermaids singing
Not to Prufrock but perhaps to you and me
The message of communication.
Is this love as one to one
Each supports another wounded
By the enormity of the harpoon?
The dictator’s message in another form
Devoid of love, sundered, never whole
Coming from that Terezín we never solve.
Dysfunctional Mr D, where’s the advantage
For such conflicting feelings to evolve?

David Applin
March 2012

II

Genes are the immortal ones
The links between past and future
But ever present
Unintentionally directing the future and fate of humankind.

Silent, unobserved yet Gods of their domain
Which is us and life past and future
Coiled threads of eternity that determine our happenings
Including our loving one to one.

Yet ….

In their entirety and interaction
Do they, in their interaction
Determine our loving one to one?
The bond that binds each to each
Perpetual celebration.

Or ….

Is their selfish blindness which some accord to be
Inconsequential
Like boats tossed helplessly on storm driven seas
Subject to the whims of wind and rain
No more than replicators housed in vehicles
Subject only to the chances of a changing world.


III

Bodies are vehicles, genes the replicators
Bodies and genes indivisible
At least in the present
But separated as bodies die after
Genes have passed to their immortal future.
Perhaps this is what is meant when they say
That the gene is selfish.

Accommodated in the selfless body at a particular time
But then discarded as genes pass its immortality
From past to future
Changes slow, quick depending on stasis or acceleration
According to Darwinian tenets that enfold the changes
In genes and therefore bodies
Through all time.


IV

Cycle upon cycle of genes and bodies
One perpetual, the other discarded each generation
By the unseen hand of an uncaring Nature.

Our nature, all nature, the beauty of sunsets
Driven by the mechanical clocks of cosmic cycles.

Yet Relative to other Dimensions where
What we see, we do not see
Because of the profound limitations
Of three dimensions.
We see only dimly what might be past
And what could be future
As we struggle in the presence of tautological explanation.

Body and gene, gene and body the temporary and perpetual
Bound in the dance of a living presence
The one ensuring the other’s future
For all time.
Circle upon circle, tautological argument
Explaining everything and nothing but all powerful
In its reductionism of humankind
And life kind as whales support the one
Wounded by the enormity of the harpoon
Loosed by the bodies of genes
Storm tossed and directionless
When thinking that others’ bodies
Can be discarded without thought or thinking
Perpetual damnation.

Tautomeric interaction.
We say the same thing in different ways,
Recycled ideas that parody the twenty different plots of novels
That return to the same point,
Come back to the common question

Why do we love one to one?

People ask…. ‘Can Mr Darwin explain?’

Perhaps not through bodies and genes
But instead, understanding the epistasis of genes and where we live.
We live in this world because of our past
As genes dance to the chance of environmental shifts
The whims of wind and rain, sea and wave
That blow and toss the genes
In their bodies, in random patterns,
Some sinking, others floating
Not always by chance
But because they float and fight
Yielding to the pressures of an uncaring nature.
Like soft down yielding to the thud of falling bodies
Softening their impact.

So to yield as well as fight
Is part of the selection of one by another
In the perpetual
Celebration of loving one to one.

We yield to the blandishments of the soft embrace
We fight to attain it

And once attained, what we do is all we do
To keep a hold on what we love
Only to lose it to the grim reaper of all our dreams
In this present world,
But to regain it in worlds to come
The link between past and future
For immortal genes
Of transitory bodies which is how
We think and see our presence
In time without end.



V

General relativity and quantum mechanics
The combination of infinity and the very small
Do not replace the Newtonian meaning of the day to day.
Just, that Newton is displaced to another time and place
Where description is precise but with uncertainty according to
Heisenberg.

To be certain is to fix ideas in time
Like natural selection in the Darwinian mind
To be propitiated without exception, else suffer extinction of self
And of all that matters to self and others
Sacrificed on the alter to propitiate the Gods of our certainty.

That is not to say that an idea cannot be fixed in time
That its central tenet is not true for eternity.
But truth is relative and uncertain
To be strengthened or cast aside
By better truths or developments of the same.

Our understanding expands with time
But often returns to something that was said before
And said again as if it were newly minted
In the mind of its creator
To become dogma
And as all dogmas
The truth unchanged in people’s minds.
Yet the central tenet survives, as survival is the result of natural selection
But with added components as
Understanding expands as to what is meant by surviving and survival.
To inherit the coils of love’s message is to survive.


VI

Can Mr Darwin explain?
Perhaps is not a whole question
In the same sense that answers depend on
The question asked and who is asking.

The truths that questions seek to answer
The truths of love, beauty and heating systems
Arise from answers to questions in different languages,
And languages translate imperfectly from one to one
As genes imperfectly translate proteins and therefore love in the
Darwinian world of our dreams.

Truth comes in different forms
And Darwinian truth is true to the questions it addresses.
But these are not the only questions of why we are,
Who we are, what we are
Who, what, why are we?

Questions past and future asked in the present
For all eternity.


Christmas (25th-28th) 2012
David Applin

Copyright David Applin 2015
......the rest of the poem as promised when the first part was posted May 2015. Another poem from the collection 'Letters to Anotherself'
Prabhu Iyer Oct 2013
Hypermart.
News on air.

Boondoggles,
owl ogles,
ongoing.

Jaywalking.

Reverse gear.
Biting into ginger.

Hindsight: familiar.
Slow down,
observant mirror.

Heartwringing.

Twigs
flying in a whirl.

Coiled up cord;
Snakes from the past.
Boondocks,

hornswoggling,
heartwarming.
http://en.wikipedia.org/wiki/Hysteresis

rather, in the context of this poem, 'Hissterisis', may be?!
Zeno Mar 23
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⠀⠀⠀⢻⠏⢠⣿⣷⡄⠹⣿⠋⣠⣶⣿⣿⣶⣄⠙⣿⠏⢠⣾⣿⡄⠹⡟⠀⠀⠀
⠀⠀⠀⠀⠀⠙⠛­⣛⠋⠀⠋⠀⠛⠛⠛⠛⠛⠛⠀⠙⠀⠙⣛⠛⠋⠀⠀⠀⠀⠀
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⣿⣦⣤⠤⣴⣿⣴⣿⣤⣤⣤⣤⣤⣤⣿⣦⣿⣦⠤⣤⣴⣿
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I don't know what I was looking for,
in the honey draped lights flashing
in my eyes
And the sound of music
that keeps on playing and playing

And the wind that laps over my face
as the world turns,
Like horses running on axis,
weaving through the lines of shadow
and fireworks
And in their trail, I found
stardust that shimmers and shimmers

I found it confusing sometimes
In the endless mirrors and lights
that spirals in my mind
Like vines coiled around poles
⠀⠀⠀⠀⠀  ⣿⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀     ⠀⣿⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⣿⠀⠀⢠⣾⣦⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⠀⠀⢠⣾⣦⠀⠀
⠀⠀⠀⠀⢀⣀⣀⣉⣀⣴⣿⠋⠙⠃⠀⠀⠀⠀⠀⢀⣀⣀⣉⣀­⣴⣿⠋⠙⠃⠀
⠀⢰⡟⢠⣿⣿⣿⣿⣿⢿⣿⠀⠀⠀⠀⠀⢠⡟⢠⣿⣿⣿⣿⣿⢿⣿⠀⠀⠀⠀
⠀⠘⠃⢸⡿⠀⠀⣀⠀⠀⠹⡇⠀⠀⠀⠀⠘⠃⢸⡿⠀⠀⣀⠀⠀⠹⡇­⠀⠀⠀
⠀⠀⠀⠘⠃⠀⠀⣿⠀⠀⠀⠑⠀⠀⠀⠀⠀⠀⠘⠃⠀⠀⣿⠀⠀⠀⠙⠀⠀⠀

And the looming sweetness that lingers,
like pink foam swirling in my mouth

I smiled towards the dying sunset,
thinking it would last forever
I try not to close my eyes
and not be blinded
by the world slowly slipping
away

Before the music dies
Before the yellow stars burn out
You might not hear my voice
or even remember my name
But I just want you to know that

I was here

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⠀­⠀⢰⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⣶⡆⠀⠀
⠀⠀⠈⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠉⠁⠀
Nick Strong Feb 2015
Pots, coiled ropes, orange, blue
Laid, at the harbor side, waiting
Waiting, for the tide,
An old fishing net, laid on the concrete,
A weathered sunburnt fisherman,
Sitting quietly repairing holes within holes
Birds perching patiently on the harbor wall,
Waiting
In the distance the sun dips towards the horizon
Casting a light over a returning trawler
The birds lift lethargically from
Harbour perch, beat their wings , wheel
Towards an incoming meal ticket
Again, from vivid childhood memories living in a Small Scottish fishing town
But why did I **** him? Why? Why?
In the small, gilded room, near the stair?
My ears rack and throb with his cry,
And his eyes goggle under his hair,
As my fingers sink into the fair
White skin of his throat. It was I!

I killed him! My God! Don't you hear?
I shook him until his red tongue
Hung flapping out through the black, queer,
Swollen lines of his lips. And I clung
With my nails drawing blood, while I flung
The loose, heavy body in fear.

Fear lest he should still not be dead.
I was drunk with the lust of his life.
The blood-drops oozed slow from his head
And dabbled a chair. And our strife
Lasted one reeling second, his knife
Lay and winked in the lights overhead.

And the waltz from the ballroom I heard,
When I called him a low, sneaking cur.
And the wail of the violins stirred
My brute anger with visions of her.
As I throttled his windpipe, the purr
Of his breath with the waltz became blurred.

I have ridden ten miles through the dark,
With that music, an infernal din,
Pounding rhythmic inside me. Just Hark!
One! Two! Three! And my fingers sink in
To his flesh when the violins, thin
And straining with passion, grow stark.

One! Two! Three! Oh, the horror of sound!
While she danced I was crushing his throat.
He had tasted the joy of her, wound
Round her body, and I heard him gloat
On the favour. That instant I smote.
One! Two! Three! How the dancers swirl round!

He is here in the room, in my arm,
His limp body hangs on the spin
Of the waltz we are dancing, a swarm
Of blood-drops is hemming us in!
Round and round! One! Two! Three! And his sin
Is red like his tongue lolling warm.

One! Two! Three! And the drums are his knell.
He is heavy, his feet beat the floor
As I drag him about in the swell
Of the waltz. With a menacing roar,
The trumpets crash in through the door.
One! Two! Three! clangs his funeral bell.

One! Two! Three! In the chaos of space
Rolls the earth to the hideous glee
Of death! And so cramped is this place,
I stifle and pant. One! Two! Three!
Round and round! God! 'Tis he throttles me!
He has covered my mouth with his face!

And his blood has dripped into my heart!
And my heart beats and labours. One! Two!
Three! His dead limbs have coiled every part
Of my body in tentacles. Through
My ears the waltz jangles. Like glue
His dead body holds me athwart.

One! Two! Three! Give me air! Oh! My God!
One! Two! Three! I am drowning in slime!
One! Two! Three! And his corpse, like a clod,
Beats me into a jelly! The chime,
One! Two! Three! And his dead legs keep time.
Air! Give me air! Air! My God!
Sharon Talbot Aug 2018
Fingerprints and fibers,
Accumulated talk,
Whispers in the corners,
Bodies demarcated in chalk
On the marble courtroom stairs.
His misery became a pall.
With mourning signs in splattered pairs,
Red flowers on the wall.

All that he had left behind was grief
And powerless rage,
A Tansu chest in high relief,
A coiled brass clock fatigued with age.

Retreating to a white house in Simrishamn,
He’d walk his dog along the shore,
Find sterile clues amongst the sands,
And travel a ferry between two lands.

And now: An experiment! Blame Google Translate for this weird (?) Swedish translation: Please tell me if this is a bad translation!

Fingeravtryck och fibrer,
Ackumulerat samtal,
Viskar i hörnen,
Kroppar avgränsad i krita
På marmor rättssal trappor.
Hans elände blev en pall.
Med sorgsignaler i splatterade par,
Röda blommor på väggen.

Allt som han hade lämnat var sorg
Och maktlös raseri,
En Tansu bröst i hög lättnad,
En spolad mässingsklocka utmanad med åldern.

Att återvända till ett vitt hus i Simrishamn,
Han skulle gå sin hund längs stranden,
Hitta sterila ledtrådar bland sandarna,
Based on the show and novels of Henning Mankell, "Wallander", an existential, chronically depressed detective from Ystad, Sweden, is unable to leave his police work at the office. He alienates everyone and loses anyone who gets close. In the end, he is left burdened with Alzheimer's and tragic memories.

Och resa en färja mellan två länder.
Baserat på showen och romanen Henning Mankell, "Wallander", kan en existentiell kronisk deprimerad detektiv från Ystad, Sverige, inte lämna sitt polisarbete på kontoret. Han alieniserar alla och förlorar den som kommer nära. Till sist lämnas han av Alzheimers och tragiska minnen.
Sara L Russell Aug 2013
(A poem to be recited by actors)*

I

[Salome]

Jokanaan, such is my desire for thee,
The moon and stars hath turned away their face
I thirst to kiss thy sullen lips, softly,
I love thy lips, thine eyes that darkly gaze.

Fain would I strip thy garments all away
Replacing each with kisses to thy skin
Just as the dark of night becalms the day
Mine open arms shall gather thee within.

I burn to taste the kisses of thy lips
Just as the hummingbird sips from a rose
Stealing thy nectar with such tender sips
As melt thy sternest aspect, till it goes.

O let me taste thy kisses, holy man,
And quench desire as only woman can.


II

[John The Baptist]

Depart from me, daughter of Babylon,
That look'st on me with such covetous gaze!
Siren of *****'s mire, harlot, begone!
Away with thee and all thy wanton ways!

How canst thou speak with such depravity
Addressed unto a holy man of God?
How canst thou dance in merry liberty
Where our forefathers, seers and sages trod?

Look not upon me with thine eyes of lust,
With salivating, ravenous desire!
Love's purity shall outlive mortal dust
When thy dark soul burneth in Hades' fire!

Harlot of Babylon, strumpet, begone!
I am not thine to crudely gaze upon.


III

[King Herod]

Salome dances, circling the hall,
Gold lamplight shimmers in her dove-like eyes;
Her flame-red chiffon swirls with each footfall,
She glides like a bright bird of paradise.

Behold, she throws a veil onto the floor,
Exposing but a fleeting glimpse of breast;
Allowing but a small promise of more,
Another veil she throws, at my behest.

She sinuously sways her slender hips
And not one moment do her eyes leave mine;
She dances closer, smiles play on her lips
Those lips that could be sweet as Muscat wine.

And still she dances, ravaging my sight,
This light-skinned girl with hair as black as night.


IV

[John The Baptist]

Behold! She dances now before the king,
Whose eyes are full of lust incestuous;
For *****'s daughter, wildly gyrating
Whose very presence here is blasphemous!

I hear the music from my dungeon cell
Her light footsteps, distracting me from prayer,
She dances like a dervish sprung from hell,
I reel with loathing, knowing she is there.

Beware thy sins, Herod, Herodias!
Thy fall from grace approacheth like a storm!
Beware daughter of *****! None shall pass
Beyond the pit, the flames, the locust swarm!

Thy kingdom shall be cast into the flames;
Thy souls struck from the book of living names!


V

[King Herod]

Ah! Now the last veil flutters to the floor,
Her body holds no secrets from mine eyes;
Like ripened fruit making me thirst for more,
But I have promised more than may be wise.

Now I make good my promise unto you,
Salome, fairer sister to the moon;
Come now, I am thy slave; what can I do,
Name thy reward, and thou shalt have it soon.

Come hither, precious girl, I wish to share,
Take from the riches offered up to thee;
Choose from the sweetest wines beyond compare,
The rarest rubies of my treasury.

From treasured gems to pleasures of the vine,
Pray name thy heart's desire; it shall be thine.


VI

[Salome]

My heart's desire cares nothing for my love
What jewel can ever love me in return?
My regal beauty's deemed as not enough
For Jokanaan. I see him, and I burn.

I spurn thy earthly treasures set in gold,
I yearn not for their dancing play of light
There was but one pleasure I could behold
And he regaileth me with words of spite.

Thy precious cellar brimming full of wine
All taste divine; yet never quite as sweet
As luscious lips of he who can't be mine
Whose savage beauty stings me like defeat!

Therefore I say, reward me if you can;
Bring me the severed head of Jokanaan!


VII

[Herod]

Salome, you have asked a dreadful thing,
Such monstrous words flame from thy pretty lips!
I offer thee my finest emerald ring
The choicest clipper from my fleet of ships;

Thou canst prevail upon me for my land
My fields and vineyards all lain at thy feet;
Stables of horses all at thy command,
All of these gifts might make thy joy complete.

But do not ask of me the baptist's head,
His eyes disturb me far enough in life;
I listened well to everything he said,
His death would be a curse; a flaying knife!

Salome, quell the anger in thy breast,
I beg thee, reconsider thy request.


IX

[Salome]

Thou shalt not swerve the purpose of my mind,
My mind is set, this action must be done.
There is no greater gift that thou might find
Than that Jokanaan's eyes forsake the sun.

I prithee, take that scurvy **** away,
His eyes stare so, his tongue derides my name;
Silence his prating tongue, he's had his say
Now he must suffer for his words of flame!

I shall not sleep with that voice in my ears,
Sever that head, that mask of insolence!
He rants of prophecies, preys on thy fears,
Now he must make his final recompense.

I danced for thee. Reward me like a man,
Bring me the severed head of Jokanaan!


X

[John The Baptist]

A famine on thy fields, monarch of shame!
Locusts shall take thy vineyards and thy corn!
Rivers of blood have stained thy royal name
Thou art forever doomed, thy kingdom torn!

Thy family are coiled like nesting snakes
Thy daughter whispers with thy feckless queen,
They die along with thee, when the earth quakes
And fall into the bottomless ravine!

I hear thy soldiers storming through the halls
Approaching now, to my decrepit cell;
I shiver at the sound of their footfalls,
Though I'll not be the one condemned to hell.

May God send Raphael down from the sky;
Take me to somewhere better when I die!


XI

[Salome]

Ah now, thine eyes that once held so much fire,
Forever hide their light of righteousness;
I almost miss that shiver of desire
I once felt in their presence, I confess.

Thy tongue is silent now, that once cried out
In shards of venom, wounding blades of words;
And I'm at liberty to pluck it out,
If I desire; and throw it to the birds.

Thy rosy lips, as sullen as thy brow,
Soft petals, rendered harmless in repose;
They spurned me once, but I shall kiss them now,
As easily as one might steal a rose.

Thou once dared to refuse me, holy man,
Now I will kiss thy dead lips, Jokanaan!



The End.
Haydn Swan Dec 2014
The great bird is conceived in a glistening eye
a mythical wonder waiting to be formed
coiled in patience under palest skin
waiting to unfurl its majestic wings
a cold steel blade unlocks its cage
blood must flow to bring it life
its freedom found in fragmented bone
the bars that block its sight are pulled back
hands reach into the great cavern
grasping the wings to set them free
at last in splendour and magnificent awe
the blood eagle is seen to take flight and soar
The blood eagle was a mythical and particularly gruesome form of execution by the ancient Vikings.  It involved carving the shape of an Eagle into the victims back, exposing the spine and ribs,  the ribs would then be severed from the spine and bent to each side and the executioner would then reach into the back and pull out the victims lungs and place them in such a way that they would resemble the furled wings of a great bird.
spysgrandson Aug 2018
the green grove a magnet to my eye
on these sun baked plains

I enter the glade to take shade with the cicadas
and vampire mosquitos

then I see it, Eden’s villain, coiled and rattling,
red ready to strike

I raise my staff, I too programmed to survive, do to what millennia
have taught

still we are in this staring standoff—silent save its rattle, deaf
I am to the chorus of insects

neither of us moves for an eternity of seconds, until the snake lunges at my feet

where its fangs find a field mouse, and devour it while I watch, an unwitting witness to expiry other than my own  

I leave the copse, whole, content another creature has, for today, taken my place in the bloodletting
Andrew Crawford Feb 2024
Internal monologue,
to self, a note:
prose and poetry
I wrote
to what I loathe,
every word I chose
a potent seed of
grief I sowed.

Sturdy oak's
branches, limbs,
and stoic bones
turning into woes of
a weeping willow's roots
overgrown and exposed.

Grain of timber groans,
bends and bows
in billowing wind blown;
a coat of leaves
in ribbons, clothes,
cloaking grove and
hanging rope below;
around my neck,
coiled and closed,
asphyxiating, chokes.

Ungasping,
thrashing throes,
no breath can flow,
slowly losing hope;
devoted to
an unspoken oath,
towing this
floating ghost and
shadow of an ego
dangling alone
on threadbare throne,
only home
I've ever known.

So what, to this world,
do i still owe
and why can't I
just
let
go?
I tried to **** myself when I was 9 (tried sticking a paperclip in an electrical socket) but never acknowledged it to myself (or anyone else) as a serious attempt (because l didn't get hurt or anything) until I was about 25 and finally acknowledged it after years of struggling with suicidal thoughts/ideation... I'm doing much better now, but only after things having gotten worse before getting better... I still struggle with the same feelings, but not as often nor as intensely. And to anyone else going thru it, things can (and usually do) change in ways that we can never predict, but if you opt out too soon you won't be around to see it... hang in there, believe it or not things genuinely can get better (even if its just day by day)...
I

Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?

II

I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb'd I would sing and say,
'Who is it loves me? who loves not me?'
I would comb my hair till my ringlets would fall
                Low adown, low adown,
From under my starry sea-bud crown
                Low adown and around,
And I should look like a fountain of gold
        Springing alone
        With a shrill inner sound
                Over the throne
        In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.

III

But at night I would wander away, away,
        I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
     With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
     On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
     From the diamond-ledges that jut from the dells;
For I would not be kiss'd by all who would list
Of the bold merry mermen under the sea.
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea.
Then all the dry-pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.
Clive Blake Jul 2021
Sea calm,
Crew slept,
Dark side,
Sea kept,
Tide raced,
Waves crept,
Crew woke,
Sails prepped,
Coiled spring,
Waves leapt,
Overboard,
Crew swept,
Left behind,
They wept.

For the sea has no respect
For the nautically inept …
A Cornish poem about the sea.
By Cornish Poet Clive Blake
Clara Romero Aug 2014
I hate you when you catcall her
I feel the anger rise, tightly coiled in my stomach
Clench my fists and feel my blood pound,
Because I know what you do to her,
Reducing her to her body, just for your pleasure.
To you she is only a body, just another opportunity to prove
your manliness, your superiority.
Just another girl to humiliate.
I know this and my rage roars, a dragon, untamable
ready to tear into you the second you try it with me.

But then as I walk pass, the voices are silent.
No calls, no whistles,
I don't exist.
The dragon within me becomes confused,
am I really so ugly, so unwanted, so plain,
that the **** on the streets, the ******* who harass girls as they walk,
won't even look at me?
What's wrong with me?
The dragon fades and a new type of hate arises.
I hate myself, my stupid hair, my ******* up jaw, my plain appearance.
I should feel lucky for the blessed silence, the peaceful walk,
but instead I feel a nauseating sense of shame and hate for myself,
As I tuck my head down like a good girl and hurry home,
Trying not to cry.

Society has turned being harassed as a goal to reach for.
Keep telling us "it's a compliment"
And sooner or later we'll start to believe it.
But that doesn't make it true.

So I sit sharping my nails, not sure whose throat to rip out,
Yours? Or mine?
Because you've told me,
It's not ladylike for me to hate anyone,
Except myself.
Hallie Bear Jul 2012
Creased eyes blink
Slide down your cheeks
Dip into the 
Bow
Of you voluptuous mouth 
Drip lashes into 
The gap
In between your miss-sized teeth 
Spit bubbles incase them
Pillowing their decent down
Your coiled throat
Float down the river of your belly
Trace the outline of your genitals
Shooting automatic shivers through
They lick the tips of you
Delicious.
This is the desk I sit at
and this is the desk where I love you too much
and this is the typewriter that sits before me
where yesterday only your body sat before me
with its shoulders gathered in like a Greek chorus,
with its tongue like a king making up rules as he goes,
with its tongue quite openly like a cat lapping milk,
with its tongue -- both of us coiled in its slippery life.
That was yesterday, that day.
That was the day of your tongue,
your tongue that came from your lips,
two openers, half animals, half birds
caught in the doorway of your heart.
That was the day I followed the king's rules,
passing by your red veins and your blue veins,
my hands down the backbone, down quick like a firepole,
hands between legs where you display your inner knowledge,
where diamond mines are buried and come forth to bury,
come forth more sudden than some reconstructed city.
It is complete within seconds, that monument.
The blood runs underground yet brings forth a tower.
A multitude should gather for such an edifice.
For a miracle one stands in line and throws confetti.
Surely The Press is here looking for headlines.
Surely someone should carry a banner on the sidewalk.
If a bridge is constructed doesn't the mayor cut a ribbon?
If a phenomenon arrives shouldn't the Magi come bearing gifts?
Yesterday was the day I bore gifts for your gift
and came from the valley to meet you on the pavement.
That was yesterday, that day.
That was the day of your face,
your face after love, close to the pillow, a lullaby.
Half asleep beside me letting the old fashioned rocker stop,
our breath became one, became a child-breath together,
while my fingers drew little o's on your shut eyes,
while my fingers drew little smiles on your mouth,
while I drew I LOVE YOU on your chest and its drummer
and whispered, "Wake up!" and you mumbled in your sleep,
"Sh. We're driving to Cape Cod. We're heading for the Bourne
Bridge. We're circling the Bourne Circle." Bourne!
Then I knew you in your dream and prayed of our time
that I would be pierced and you would take root in me
and that I might bring forth your born, might bear
the you or the ghost of you in my little household.
Yesterday I did not want to be borrowed
but this is the typewriter that sits before me
and love is where yesterday is at.
What happened that night? Your final night.
Double, treble exposure
Over everything. Late afternoon, Friday,
My last sight of you alive.
Burning your letter to me, in the ashtray,
With that strange smile. Had I bungled your plan?
Had it surprised me sooner than you purposed?
Had I rushed it back to you too promptly?
One hour later—-you would have been gone
Where I could not have traced you.
I would have turned from your locked red door
That nobody would open
Still holding your letter,
A thunderbolt that could not earth itself.
That would have been electric shock treatment
For me.
Repeated over and over, all weekend,
As often as I read it, or thought of it.
That would have remade my brains, and my life.
The treatment that you planned needed some time.
I cannot imagine
How I would have got through that weekend.
I cannot imagine. Had you plotted it all?

Your note reached me too soon—-that same day,
Friday afternoon, posted in the morning.
The prevalent devils expedited it.
That was one more straw of ill-luck
Drawn against you by the Post-Office
And added to your load. I moved fast,
Through the snow-blue, February, London twilight.
Wept with relief when you opened the door.
A huddle of riddles in solution. Precocious tears
That failed to interpret to me, failed to divulge
Their real import. But what did you say
Over the smoking shards of that letter
So carefully annihilated, so calmly,
That let me release you, and leave you
To blow its ashes off your plan—-off the ashtray
Against which you would lean for me to read
The Doctor’s phone-number.
                                                 My escape
Had become such a hunted thing
Sleepless, hopeless, all its dreams exhausted,
Only wanting to be recaptured, only
Wanting to drop, out of its vacuum.
Two days of dangling nothing. Two days gratis.
Two days in no calendar, but stolen
From no world,
Beyond actuality, feeling, or name.

My love-life grabbed it. My numbed love-life
With its two mad needles,
Embroidering their rose, piercing and tugging
At their tapestry, their ****** tattoo
Somewhere behind my navel,
Treading that morass of emblazon,
Two mad needles, criss-crossing their stitches,
Selecting among my nerves
For their colours, refashioning me
Inside my own skin, each refashioning the other
With their self-caricatures,

Their obsessed in and out. Two women
Each with her needle.

                                       That night
My dellarobbia Susan. I moved
With the circumspection
Of a flame in a fuse. My whole fury
Was an abandoned effort to blow up
The old globe where shadows bent over
My telltale track of ashes. I raced
From and from, face backwards, a film reversed,
Towards what? We went to Rugby St
Where you and I began.
Why did we go there? Of all places
Why did we go there? Perversity
In the artistry of our fate
Adjusted its refinements for you, for me
And for Susan. Solitaire
Played by the Minotaur of that maze
Even included Helen, in the ground-floor flat.
You had noted her—-a girl for a story.
You never met her. Few ever met her,
Except across the ears and raving mask
Of her Alsatian. You had not even glimpsed her.
You had only recoiled
When her demented animal crashed its weight
Against her door, as we slipped through the hallway;
And heard it choking on infinite German hatred.

That Sunday night she eased her door open
Its few permitted inches.
Susan greeted the black eyes, the unhappy
Overweight, lovely face, that peeped out
Across the little chain. The door closed.
We heard her consoling her jailor
Inside her cell, its kennel, where, days later,
She gassed her ferocious kupo, and herself.

Susan and I spent that night
In our wedding bed. I had not seen it
Since we lay there on our wedding day.
I did not take her back to my own bed.
It had occurred to me, your weekend over,
You might appear—-a surprise visitation.
Did you appear, to tap at my dark window?
So I stayed with Susan, hiding from you,
In our own wedding bed—-the same from which
Within three years she would be taken to die
In that same hospital where, within twelve hours,
I would find you dead.
                                                  Monday morning
I drove her to work, in the City,
Then parked my van North of Euston Road
And returned to where my telephone waited.

What happened that night, inside your hours,
Is as unknown as if it never happened.
What accumulation of your whole life,
Like effort unconscious, like birth
Pushing through the membrane of each slow second
Into the next, happened
Only as if it could not happen,
As if it was not happening. How often
Did the phone ring there in my empty room,
You hearing the ring in your receiver—-
At both ends the fading memory
Of a telephone ringing, in a brain
As if already dead. I count
How often you walked to the phone-booth
At the bottom of St George’s terrace.
You are there whenever I look, just turning
Out of Fitzroy Road, crossing over
Between the heaped up banks of ***** sugar.
In your long black coat,
With your plait coiled up at the back of your hair
You walk unable to move, or wake, and are
Already nobody walking
Walking by the railings under Primrose Hill
Towards the phone booth that can never be reached.
Before midnight. After midnight. Again.
Again. Again. And, near dawn, again.

At what position of the hands on my watch-face
Did your last attempt,
Already deeply past
My being able to hear it, shake the pillow
Of that empty bed? A last time
Lightly touch at my books, and my papers?
By the time I got there my phone was asleep.
The pillow innocent. My room slept,
Already filled with the snowlit morning light.
I lit my fire. I had got out my papers.
And I had started to write when the telephone
****** awake, in a jabbering alarm,
Remembering everything. It recovered in my hand.
Then a voice like a selected weapon
Or a measured injection,
Coolly delivered its four words
Deep into my ear: ‘Your wife is dead.’
Birthday Letters, published in 1998, is a collection of poetry by English poet and children's writer Ted Hughes. Released only months before Hughes's death, This collection of eighty-eight poems is widely considered to be Hughes' most explicit response to the suicide of his estranged wife Sylvia Plath in 1963, and to their widely discussed, politicized and "explosive" marriage. (From Wikipedia)

This is one of my favorite poems. Coldly emotional, gripping, and much more
Hallucinate BoY May 2017
The clouds that gathered turned to rain
The candles on your sill burned out
The weather on your face
Turned to match the mood outside

Reading through poems that you saved
That make the gloomy hours make sense
Or do they lose their power
With the yellowing of age

I saw you suffering
Through a foggy window in the rain
When you thought no one was watching, yeah
Going through your memories
Like so many prisons to escape
And become someone else
With another face
And another name
No more suffering

You sold the best of yourself out
On a chain of gray and white lies
One syllable at a time
You should have made them pay
A higher price

I saw you suffering
Through the cracked and ***** window pane
I was ashamed that I was watching, yeah
Going through your imagination
Looking for a life you could create
And become somebody else, yeah
With another face
With another name
No more suffering

I wish that I could find a seed
And plant a tree that grows so high
So that I could climb
And harvest the ripe stars
For you and I to drink
And spit the ashes from our mouths
And put the gray back in the clouds
And send them packing with our bags
Of old regrets and sorrows
'Cause they don't do a thing but drag us down
So far down
The past is like a braided rope
Each moment tightly coiled inside

I saw you suffering
Through the yellow window of a train
With everybody watching, yeah
Too tired for imagining
That you could ever love somebody else
From somewhere far away
From another time
And another place
With another life
And another face
And another name
And another name
No more suffering
RIP Chris Cornell... Love You & your poetry lyrics
Brandon Oct 2011
My golden heart beats and beats for you
A thousand palpitations at any given moment
I can feel my chest caving in within every pulse
Filling my head with such evocative dialogue
The salacious sound of your slithering voice
Snakes into my head spreading like an aphrodisiac
You solicit lecherously illicit questions that unnerve my judgment
In our dreams we dreamt of double eclipses
Upon our lips while we slept and slumbered
Our bodies coiled like serpents tangled in tantric passion
With the waking of giants and mythical expeditions
Our hearts would burn the fieriest of red
Ensnared between these silken sheets
Springs tied around every exposed limb
As if we haven’t known the sweetness of sleep for days
Chris Saitta Sep 2019
She walked out of the watercolor storm of a fresco
Like a cowl-bound form in a light drizzle of rain,
Her mosaic tiles of ancient lovers’ eyes, ceramic-borne,
Just as her hips held the curves of the urn, kiln-fired,
The coiled heat of Greece still stinging through her flesh.

For her, the treetops had been the summoners of storm,
In kind, she poured down the wet grove of her hair, electral,
Pantheress of humid breath and fanged flair of lightning,
Tamed once in the cloudy cage of Pentelic marble of the Parthenon.

But the world piled dust before her, baiting with its groveled roads,
For her black mullings, much-tasted rain, and heaven’s leaves to fall.
If only the Michelango-to-come had carved the clouds of her
For the light to remain, shining its centuries,
Then maybe the thunder would have been left undone.
bonsai Dec 2014
The rope tightens
At first from the base
Then along its length
Straightening
Seemingly growing
From its coiled beginnings
To its rigid completion
The release
And slowly returns
Coiled in waiting
Until next time
Rachel Goad Mar 2013
I am a snake
in a skirt with
frills; my body
bends under
smiles and over
sunsets, ensnaring
whole bars of
Beethoven’s
symphonies.
Ruby pellets
and pearls
embossed in
my perishable flesh.
I unhinge my jaw
to make a meal of
merriment and as it
settles in me I’ll
kiss you with venom
snoozing beneath
my tongue.
'Mid my gold-brown curls
There twined a silver hair:
I plucked it idly out
And scarcely knew 'twas there.
Coiled in my velvet sleeve it lay
And like a serpent hissed:
"Me thou canst pluck & fling away,
One hair is lightly missed;
But how on that near day
When all the wintry army muster in array?"
Ander Stone Jan 2024
I must have been born some day,
some time ago,
somehow,
against my will.

I must have been born because I have this body coiled around me.

I must have been given shape some day,
some time ago;
molded into something
my soul doesn't recognize.

I must have been given shape because I have this body coiled around me.

I must have been held in motherly arms some day,
some long while ago,
because I remember her saying
that she can take away this life as easily as she's given it.

I must have been held because I remember how many times I cried and asked to be held.

I must have been crawling some day,
many scraped knees ago,
through the broken glass of
always feeling so small.

I must have been crawling because my knees hurt so very much.

I must have been walking around some day,
some time ago,
somehow,
against the frigid wind.

I must have been walking because I remember that unforgiving blizzard.

I must have been swimming some day,
some time long past,
somehow,
holding on to dear life.

I must have been swimming because I have saltwater deep in my lungs.

I must have been running some of those days,
awhile ago,
from something
I keep trying to forget.

I must have been running because I feel so very out of breath.

I must have been given a body some day,
some time ago,
somehow,
against my will.

I must have been given a body because it is suffocating me.

Because I don't feel welcome in it.

Because I don't feel safe in it.

Because my very soul wants to destroy it.

Because I don't want the memories it shelters in its bones.

I must have been given a body because it is forever coiled around me.

I must have been given life one day because I want to give it all back.
maybe these ideations can be seen as something beautiful?
Kewayne Wadley Feb 2017
In contemporary belief.
A archer went to a shaman for relief.
A answer to ease fear of thoughts.
Finding his way home, the trail of war became too much.
He struggled with the regret of building a life away from what he knew.
When he came to the shaman.
The shaman hung his head low.
Smelling the stinch of blood.
Still he could not turn his back to the archer.
When posed with the young archers question.
He sat puzzled. Summering the long winded statement to "a great change must be made. Else all will fade."
Knowing of the young archers longing for a maiden.
The archer looked puzzled.
Yet the shaman spoke nothing else.

The young archer was called upon.
A war broke on the opposing side.
They needed his skill in fear that survival was utmost.
Without time to think the archer grabbed his bow. His arrows and darted quickly in the direction the war has taken place.
He quickly coiled arrow to bow. In repeated motion until none were left.
A field of arrows covered the small space.
War does something to a man.
A brief clarity after the slaughter of contemplation.
The shamans words dawned upon him like a snake.
He darted to the shamans place in great discoverly.
Finding that the shaman as well as his possessions were completely gone without trace.
He darted back to the field.
Searching through a forrest of arrow.
A heart wrenching feeling stuck on his face.
Guiding his way through the arrows he found a familar hand. Connected to a familar torso.
A face stuck in agonizing eternity.
The shamans words made more sense.
Backing away from the body.
Thinking deeply. Damning his hands.
The thing that came as habit.
He broke his bow in the reflection of his maiden's eyes.
This war gone astray inside of him
To the discontented dreams walking through the dismal decadence of a generation’s misplaced sincerity, along the corners of empty markets and abandoned townhouses and drug-infested parks and housing projects, the blanket of eternity warms the contemporary chills of sadness along a stranger’s spine,
To the soulful singers and the tired poets, the dreamers, idealists, and the hobos whose dust clings to the ghost engines of locomotives of Southern melancholia, along the thickets of thorns coated with the blood of the Negroes and their unchanged magic and blood soaked karma, the America we know must confront such chilling histories,
To the woeful songs of the youth, spilling across the timeless waves of devolution and unspoiled shores of lost memory, the melodies churn with thunder within the basin of toxic sewage and the lifeless poets dare to dream the dream no man can find satisfying,
To the sun and the moon, the two entities in the sky passing by the horror all eyes wish to pierce with flame and melt the plastic Hollywood images of our time, with the serrated edge of a knife’s blade flickering like a silver jewel in the moonlight, where Hamlet’s laughter stimulates the rhythm of consciousness like the quickened excitement of a perfected sonnet to the empty epiphany brain of our reckless care,
To the mothers who long to smother their little boys and girls with the cradle palm and the warm breast, for her eyes weep at the chaos with folded arms and crooked necks, and to gaze at the unemployment lines are to follow the coiled stems of the snakes and the thieves, the politicians and their two-faced theories,
To the father’s who have lost their fathers to chance or depravity, to the neglected sons whose hearts must pump concrete with panic, their soccer ***** and toy guns have yet to be touched by the jolt of masculinity as the father climbs his mountain of abandonment and carelessly invokes the same demons that destroyed his father,
To the lonesome drunkards, the  feverish crack dealers, the dismal ****-heads, and the 9 to 5 dead end workers, I shall greet them with a glass of enlightenment and reason, but their skin is far too thick to be punctured with the spike that shimmers on Liberty’s head,
To my generation of apathy, how unchanged the afterlife must be, for you know nothing of oblivion but you know everything about the technologically advanced systems of dishonesty, you utilize such things to mask your insecurities and dismal glares and vacant grins and fake smiles, but we pray for you in Time magazine and the newspapers hate both of us,
To the madness in every age, that horrid illness that touches the infant and the elder, that rapes the ****** and the *****, and pushes time and stops it, we have crawled far into the prison cell to escape the shadows that are our shadows,
To the innocence splattered on the sidewalk, the blood flows imagination twisted, images of the worse kind, marketed and packaged by the hands of those who work mindlessly in the factories of tyranny, who have wept at the clock longer than the clock has wept at them,
Who have played the guitar with ****** fingertips and poured truckloads of sweat into their musical dreams as the mirrors on the walls reflected a howling skeleton beyond the gates of Eden, who have slept with friends and a friend of a friend as the world turned them against each other by a simple twist of time,
Who have challenged the social order with a gesture or a pen or a bullet as the world broke out against the police and the Pagan feasts, those ragged Bleeker Street dwellers that mopped the Village with ****** hands and hopeful poetry, Simon and Garfunkel’s Sparrow died because of them, those misguided souls that turn their face from the *** who remind them of themselves more than their own reflection, bones, and mistakes,
Whose false impression we are admiring on the vacant walls of impossibility, where the nurturer and the wicked step-mother run circles around the fiction of truth and the books you shall never read but read anyway,
Who have walked the road no one else would walk, but crawled as they talked and walked as they barked beneath the haunted turns of memory wooded wandering, therein lies the hollowed caverns of abyss, the holes within you that turn out to be true, truer and finer than anything you could do,
Who have fought in the wars called upon by the unbearable static currents, those who have lost ears, eyes, fingers, and legs, the wheelchair bound poet in his muted expression, the condemned man and the electric chair, to the barber, teacher, priest, judge and his wife,
To the children at school and the dancing childless fool, who have witnessed death passing by, the lovers and isolated writers, even the aunt and uncles who sigh, we watch, we eat, we challenge what we greet, and the nameless shall remain nameless through the obscured faces of the shameless,
Undertakers reveal their hidden identities as the wealthy man’s child wanders in confusion, to the traveling blues men who have sold the man in the long black coat more than a few songs and strained strings of struggling strumming sorrow,
Painless pandemonium within the pipe-dreaming poets, who have watched houses burn in haunted hapless hoping, but the Nun knows not to place her loyalty with the **** and the sinful nature of our universe,
To the weakened hearts and the heavy souls, to the oversaturated handkerchiefs and the pain very few shall ever know, who have promised the great promise on a lonesome night and waited up for the end of the world as the world ended them,
Who have waited for assurance on the front of the daily newspapers, it is the soundlessness of ignorance that writes all these papers, and the ink reads black, glazed, political, right, left, middle, left, right,
To the editors in chief and the homeless firetrap, to the wrinkled feet caught on nails  throughout America’s chest, the dreamers have dreamed and you shall all wake, to the findings of truth on every corner, to epiphany’s immortal idealized intelligence, the poetry written on dead-end walls and the forgetful shall remember what was lost,
This intoxicating fume of poetry caught, the flame of predication, and all that assuming has deeply wrought.
Holly H Mar 2013
I remember when you took me
corkscrewing down kaleidoscope tunnels for the last time
mounting hummingbirds to fly through the crystallized sky
air splashing against our skin
like an intoxicating perfume, dizzying
old daydreams, new friends like
humans with spectrum eyes and hair that coiled around their shoulders like serpents, all donning galaxy cloaks
reptilian monsters that sprouted raven feathers while chasing each other through smoke trees
silhouettes with rusty-nail teeth who danced like leaves in a gale
inky, spindly limbs reaching
trying to catch the moon
fingers entangled like a dreamcatcher

We were more then the kings and queens, heroes, idols
We were gods,
ruling from the velvet mountains to the silken seas,
everything beneath the candlesmoke clouds and the caramel sun that drips like wax

everything shining beneath the stars
made out of that smoldering purple dust we know so well
always whispering to us in scritch-scratch voices
reciting elegies and hush-hush songs of longing

but then,
reality ignites and burns beneath us as we soar,
elysian fields crumbling,
flames consuming the wonderland we’ve built
that is nothing but a paper thin house of tarot cards
the future written with seeping poison ink
We are left keening in the ashes,
tears to late to douse the inferno

but maybe
they will help some seedling fester beneath the scorched earth
Shelley Jun 2014
crammed in corrals
hissing whispers of escape
and hoping their
size and shade
captivates
the next sticky-fingered cart rider

mother's mind so mobbed
and arms so grocery-laden
that the ribbed
and loosely coiled ribbon
remains unknotted, unbowed
to slip
from pudgy-fingered grips

the orb bobs and sways–
laughing, helium-high
as it makes its getaway
unknowingly following Icarus
to a solar ******
that is, if beak or plane
doesn't reach it first

POP!
shattered and tattered, irreparable
it plummets back to earth

its noose
still dangling from its neck
LA Hall Nov 2013
America on a map!
Imagine the northeast corner.
I am in Vermont riding the Amtrak southbound. It's raining.
The clattering of wheels tearing through rusty iron tracks.
Forehead against the cold window's glass,
I hear a steam whistle.
I look out the window: grey, drizzling.
We roll,
past the barbed-wire fences that crown the prison fence,
past great, soggy fields littered with old tractors, and misty mountains far behind,
past brown silos that rise up, thick and crowned with silver heads,
past a deer leaping through a rainy field,
past a propane company--five great, white propane tanks,
past a marsh, harpooned by a telephone pole--a sparrow jumps off the wire,
a cemetery on a green hill,
little brick towns,
the Interstate--rainbow colored tipi in a field behind,
past a great, charcoal cliff, hard with sharp creases like a crumpled piece of black construction
        paper buried,
past a Sunoco station--green dumpster in the parking lot,
into a thick wood--past the cold rocks,
past brown leaves poking through the dusting on forest floor,
past all the pines, which have dandruff,
past twiggy sapling branches, only leaves withered and curled like dried jalapenos,
over a bridge--the great, cold river, wide and glassy--islands of ice and snow--the riverbank dirt is
        hard.
The bell dings thrice.
The train begins to slow.
It stops, jerks me back in my seat.
The steam whistle blows.
I look out the window.

Concrete platform, dark red station & roof,
a crowd of boys and girls, standing with perfect posture in sharp blue uniforms, hats adorned with
        golden crests,
they march on the train
and fill up the seats
of The Great Metal Snake: hollow and in it people sit,
The Great Metal Snake: slithering down the state,
It will leave me in a small city soon,
at an overcast station,
and slither down to D.C.,
and slither back, with the oily clatter of spinning iron wheels . . .
We took the snakes,
out of of our nightmares,
slimy green sliding through cupped hands to jump and bite your cheek, hanging like a lanyard,
or sliding through the sweat of jungle-floors waiting to bite ankles,
or coiled in redbarns, on piles of hay with spiders dropping down cold open windows in front of
        full moon,
full moon: silver train wheel.
I hear the steam whistle.

We took the snakes,
out of our nightmares,
dissected them with scalpals,
nodded and walked to the drawing board then built.
Decades later, the unveiling:
The platform crowd leans over the tracks and looks,
the bell dings thrice,
the steam whistle hisses,
the engine is coughing,
wheels are chugging--
around the corner He came,
with great, clear eyes like glasses:
black, iron Anaconda of Industry.
His brothers are barreling
From New York to Sacramento,
Siberia to Stalingrad,
Italy to France,
under the English channel,
down Africa.
From Burlington to Brattleboro--
barreling down the state--
I am riding His brother home.
The soft whirling hum of a fan works its way from one corner of the room to the next. I succumb, defeated, deflated, shoulders slouched over, to passing wafts of air that briefly foam over the drooped skin of my emotionless face. Its touch invigorates the senses, momentarily reminding me to take in a breath of the foul and arid air that lingers lifelessly in this second story bedroom. As a sliver of light makes its way slowly up my chest and falls back to its original place, a muffled sound of pain boils over slowly softly searing through my torpid ears. Meanwhile, transparent tendrilous hands of memories begin to curl through my mind appearing and quickly vanishing like steam before I can grasp the true gravity of their presence.
        It must be ninety seven degrees in here. A drop falls from my face onto the back of my clenched hand and for a moment the fan is at it again pulling my head with it from side to side. Oscillating, it dictates a hypnotic lullaby, an ***** riddled rhythm sanding away at my rigid thoughts. Another drop falls toward my wrists driving me away from the blissful moment. Then losing its grip a metallic clang reverberates throughout the room as the object leaves my hand and finds the old wooden floor. Looking back at my hand I see where the two drops had fallen, now glistening in the dimly lit room. Were those tears? When I direct my sight down to meet with whatever had fallen a rush of blinding pain jaggedly inhibits my vision with a flaming wall of white instinctively calling my eyelashes into the backs of my eyelids painfully. My voice cracks and I hear the same singe of grief from earlier reflect ballistically throughout the room and into the hallway where ghosts gargle back an echo of my anguished voice. Am I hurt?
        Afraid now of what I may have done,I cautiously work my foot away from the chair and navigate it across the floor until it hits the handle of something sending it spinning around. Reaching down, the once trance like hum of the fan falls deaf and gives way to a steady beat of drips that are accompanied by an ever increasing tightening of my chest. When I reunite with the object I had dropped the image of blood and steel mesh a murderous hue onto my fingers as I fumble to recover it. Realizing what has happened my mind fizzles and pops with panic and I begin to beg for respite, for a chance to revisit the moment before I had slit open both wrists. Cold anguish flushes the heat from the room and out into the hall as the dam of reality breaks and in with it a torrent of emotions and images of the blood peppered hardwood floor that now seeps dauntingly with the new life it is drinking. In desperation my eyes fire off in every direction, finding an open journal perched on a coffee table. The pages are in a fretful fury revealing pages dotted with smudges and smears of bloodied ink and teary paragraphs. Confused, I begin to search the room again and there beneath the window blinds lies the woman I have loved for eleven years lifeless in a pool of blood. Lorraine.
        My head lashes violently backward as if to howl toward the moon of time in an attempt to beckon the falling grains of sand to return to me what had once been mine. A sobering clarity strikes me and I begin to recall the events that led up to this moment. Beginning with a distressed phone call from Lorraine. I came,I told you I would come. And then I recall the strange feeling that scaled through my body slithering down my arm until it coiled its nervous grip around my fingertips as they bit into the **** of our bedroom door. As it creaked open, I had thought, I'm here baby, but you were already gone. Lorraine. It took what felt like hours to reach the part of the journal where you had confessed your infidelity that resulted from the tangles of promises I never kept, from the things I hadn't done, and should have said. Oh Lorraine why didn't you tell me. I would have changed, would have done anything for you. I'm so sorry,I forgot, I hadn't noticed. After seven years I thought you knew, but I will show you now. I will give you my life as you had given yours. I would have forgiven you ******, they were only kisses that meant nothing. Lorraine...and then nothingness.
        A grey shadow in a once enraged Congo of colors and emotions in an otherwise empty room now fill my eyes until I'm choking on its thick smoke and drowning in tears. When one of those tears fall, this time on my bloodied wrists I'm called back to the present moment. Once more the fan catches my sight directing me toward your lifeless body, and then a warm hand from the deepest recesses of my mind begins to cradle my shoulder. Lorraine. My eyes flutter open and find you placing a kiss on my forehead as you say something sweetly into the soft embrace of night. The scent of your hair bristles around my cheek and ears while you caress the short hairs along the ridges of my neck. All I can manage in the moment is to pull you in closer as I whisper "I'm sorry Lorraine. I love you. I can show you." A tear catches a lock of your hair as you kiss my lips and with your love I am drawn back into our bed and out away into sleep.
I'm interested in knowing what you readers believe happens in the end. Is he dreaming and alive, is he already dead, or is he dying? I've heard some interesting theories from friends and family but I would also value your opinions as well, and with them, in the future be able to write short stories like this that have even better ambiguous endings.

— The End —