I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.

Dear Poet Friends, over the last few years I have seen some of our poets make passing remarks about Van Gog, thereby displaying their interest about this talented painter, who had died unrecognised!  Vincent gained full recognition posthumously, for which his brother Theo’s wife was greatly responsible. Hope you like this short and concise true story in verse. Best wishes, - Raj

   A TRIBUTE TO VINCENT VAN GOG’S
                      SUNFLOWERS
                        B­y Raj Nandy
  
”One may have a blazing hearth in one’s soul
  and yet no one ever come to sit by it. Passerby
  see only a wisp of smoke from the chimney and
  continue on the way.” – Vincent Van Gogh(1853-1890)

A BRIEF BIOGRAPHY :
Though during his brief life-span of 37 years he had
remained almost wholly unknown;
His artistic talents began to exhibit itself during his
early years, -
To become a colossus amongst post-impressionist
painters in his later years!
The son of a Dutch clergyman, he had worked in
various capacities, -
In his uncle’s art gallery, in a bookstore, and pursued
theological studies in Amsterdam University.
Also followed by a short stint in Belgium’s coal-mining
district as a lay missionary!
At the age of 27 years took to painting with financial
help from elder brother Theo,
Who encouraged and helped him for the next ten years
or so.
This was the most creative period of Vincent’s life,
Followed by an attack of dementia when he cut his
own ear lobe risking his life!
On 27th July 1890, he shot himself, bringing his
great artistic career to a tragic end!

SERIES OF ELEVEN SUNFLOWER PAINTINGS:
Vincent commenced his famous sunflower series
to decorate his house in Arles, France,
While anticipating his friend Paul Gaugin’s visit in
advance.
His first four canvases had paintings of cut sun -
flowers in bunches of twos and fours;
Painted in Paris during Aug-Sep 1887, which the
world still adores.
But his later Arles series of seven still life canvases
are better known to us;
And this series of paintings had made Vincent
internationally famous!
The most valued of these seven is a vase containing
a bunch of 15 sunflowers, -
Now displayed at the Art Museum in the city of Tokyo;
A Japanese firm had paid 40 million dollars at an
auction for this masterpiece to show!

                    A SHORT CONCLUSION
Vincent brought his passion for sunflowers from his
homeland in Holland.
Which became synonymous with him like those ‘water
lilies’ with his contemporary painter Claude Monet.
Vincent painted the various stages of the flowers in bloom;
From its budding stage till it wilted and swooned!
Chrome yellow and yellow ochre made them look fresh;
And arid brown and somber shades showed its wilted stage!
Thus his paintings covered all angles of spectrum of life
itself;
In turn reaching a deeper understanding of how all living
things are tied together and made !
His explosive energy was displayed through his vibrant
shades of yellow.
Using red for passion, and green for conflict to show.
Grey shades were used for life’s inevitable surrender,
with blue symbolising infinity;
Thus this Dutch Impressionist painter harnessed a
moment of time in eternity!

Foot Notes:-
Dr Jan Hulsker, a foremost scholar on Van Gogh, had said that this Sunflower series of paintings brought Vincent eternal acclaim & fame! During his short life span he made 700 paintings, 1600 drawings, 9 lithographs & one etching. His ‘Potatoe Eaters’, ‘Red Vineyard’, ‘Starry Night’, - are all famous paintings. Paul Gaugin, & Claude Monet, were his other ‘Impressionist’ contemporaries. Impressionism  emphasised changing qualities of light & colour, visible brush strokes, open composition,  creating an impression of a moment of time! Derives its name from Claude Monet’s harbour painting titled “Impressions & Sunrise”. This art form became popular in 1880s and 1890s.
*ALL COPY RIGHTS RESERVED BY RAJ NANDY

today i learned that a friend of mine
was nearly tickled by death
in a terrorist excavation of bones
in Brussels, with jean-claude van damme
included in the action sequence -
although without stunt artists, by god,
that's the second ******* my list of near
encounters with death and a permanence of tombstones;
i took four beers for a walk
trying to gather dogs' tears along the way...
if she was only worth blowing myself up i would,
she wasn't - because, i mean,
is this a 72-get-together asking about circumcision
and contraception, and is the niqab an over-sized ******?!
in the supermarket jokes,
me with my long hair tied into
a samurai's bun of a seashell, she with her
hijab... i didn't get the joke either...
i said i wrote poetry for friends,
and yes, i've become a so-called milk carton
at the supermarket - the expected, shelved -
first they asked for my name, then what i did,
matthew, poet...
well you've got the cheapest bottles of whiskey
around here, of course i'll testify
to a religiosity of having to repeat purchase... d'uh!
still, jean-claude van damme and those
four cans of beer... the dogs salivated more
than wept: so i collected saliva rather than salt drops,
of what could have suckled dry a field
readied for a harvesting of potatoes.

preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights
and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise
(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.
germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi

Good Morning John,

How are you and your Family, I know you will be shock to come across my email. I hope my proposal to you will be given a proper attention despite the fact we have not known each other. But I summon the courage to introduce myself to you through this medium. I am Mr. Claude from the Bgfl bank Côte d'Ivoire
we need to claim the sum of 9.8 Million British Pounds by our late investor who died since 2005 leaving no next of kin/beneficiary to his estate. this project is risk and hitch-free as Most of these investors are brokerage accounts holders, The reason I contacted you is to nominate you as the heir to the trust, you claim the money legally and legitimately as a collateral heir then we share it equally. please contact my Gmail address for more explanation details guidelines/ information (claude­issac.de@gmail.com)
I will be waiting for your mail

Remain bless.
Claude Issac

I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.

1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?

Claude spreads the legs of his first girlfriend and
Recognizes the in-between
From his sister’s.

She was seventeen and silent;
He, six and sobbing,
Pushing the bamboo deeper
After
The men who ate
Dinner with his father
The week before
Told him to.

They said he had to **** her; said
He was a Tutsi, and limp, and finally,

“Farther!”

She was wet with blood and he with tears
Crouched down in the grass.

At twenty-one,
Claude hovers above
His first love
With closed eyes and dry cheeks.
She is wet, with want, and
Whimpering.

Not from
A stick’s broken branches,
Or twelve men
Holding her knees apart
“Showing a cockroach how it’s done,”
One by one
Ants crawling toward her blood.

Claude hears her closed-lip whimpers,
Says how much he’ll always love her, and
Cannot come.

Claude Frollo—a man deeply entwined in the lies which he tragically assures himself,
possessing a self-righteous Messiah complex that he uses to assert himself and his followers—to the point of horror and tragedy

Sous la canicule du Sahel
Et sur les terres arides
Les deux chevaliers
Forts comme Charlemagne
Et patients comme le Christ
Avançaient à cheval
Lequel caracolaient infatigablement
Pour couvrir le monde
De la saine tunique « nouvelle »

Mais l’ange noir voulu
Que leur besogne s’éteigne
Et que les yeux des leurs
Se couvrent de brouillard

Mais la fin d’une vie
Ne met point un terme
A l’action du défunt

Un arbre qui se fane
Laisse les grains qui poussent
Et le perpétuent

Ghislaine et Claude
Et leur action pour le bien du monde
Qu’AQMI voulut qu’elle soit fade
N’est que tatouage à la Radio du monde

claude: battles tabletop.
reaches for maple syrup, into breakfast,
& breaks down puking.
the girlfriend/abortion situation.
the cash
& cream corn.
smells of deeper spring.
grandma & her bible.
to pray.
to eat lunch.
to television &
honey blunt the relief of a sunday night.

lily: into decay.
into dark days of her america.
detox: she breathes on vapor. sweet leaf.
sweats the heat & dead-dreams off. off on wavelengths &
resonance::: sound therapeutics,
at 528.111 hz,
enhanced dream frequency. she falls
into bliss. into
unopened codons & the rigor
of vibrational analog.
love cassette.

achilles: wheelchair-bound & boning
still. gripping ***.
the girl & couch.
the couch & modern warfare.
old warfare: harvest of limbs.
he crawls across the lawn to pick strawberries.
thumbs the dirt for entrance
to another world. smokes a jar
of roaches, as monument
to his second generation revival.
cool.

wallace: & the zebra jeep.
red rock monkeywrenched billboards & the ****** of flame upon milk factory.
chemical factory.
fertilizer bomb///return/
to town & grotto.
porch-light wood & breath of ****-rotation.
the babylon journeyman,
embroiled in plots against the order.
to simply disappear.
to portal away.

.aye aye... trí turds... wha'? three turds... huh? tree thirds... oh paddy paddy paddy... τo 'ινκ ιτ θρoυ(γɥ)... you might 'ave even brought ubout a a taught - naught - a thought.

but but... but...
Poland is so unwelcoming?!

good...

   no attachments
of a post-colonial narrative...

oh... and the language
is hard to learn...

    by all means,
infiltrate...
            
  we've had the Nazis,
we've had the three-headed Hydra
of Prussia,
  Russia and Austro-Hungary...

we've had the Communists...
oh i'm pretty sure we
can accommodate Islam...
along with the scuttling
rats
of the gutter...

            we are a people,
and WE, as a people:
owe you nothing!
         nothing!
  take your British empire postscriptum
elsewhere, eat and ****
there, and don't come back...

i'll appropriate this native spreschen,
i'll speak it...
but don't you come around here
supposing i'll "think"
like you do...

      funny... well... not really...
Dublin was never to become the second
Edinburgh...

        but whenever I hear an Eire man
talk...
  there's that diacritical excuse of
repeating:
    paddy paddy paddy potato
pancake...
paddy paddy paddy mac (protestant)
mc (catholic) Doug -
      la la paddy paddy woo! wooooooo!

no, thank you...
  we've had the Nazis -
we've had the Communists -
thankfully all the Polish economic migrants
are returning home...
   thanks for being treated like
some sort of, quasi Roma...
              
   no problem... we can go back
to a homeland, given that we're actually
less victors, and more inheritors -
   the Marshall Plan...
well...
      if only the H'americans reached
Berlin first...
there would be no Warsaw pact...
by the way...
   i thought Sweden and Switzerland
remained neutral?
  so why pay them the Marshall Plan
funds?

       oh, but please...
move to Poland...
        see how long you'll survive...
         that feral land of lost
opportunity...
        i don't mind...
   language might be a problem...
given...
English isn't exactly pop
outside the confines of a
Jean Claude van Damme movie...

        but go on... try...
            you'd find more success in
catching a floater's worth of a ****
than exercising any
     chance to subvert the reigning
culture...

  bo? (because)?
   i'll integrate -
             (ja wtopie się w tą kulture) -
but - ale -
on one condition -
    w ramach jednej potrzzeby -
i'll retain my birth-tongue -
ja zachowam swój zór!

i'd never trust immigrants,
economic or refugee,
if they do not retain their mother tongue -
if they can't construct
bilingualism?
   they're rotten fruit...

   i'm not here to be nice -
zapomnienia mówienia po
   polszku...
   i forgot how to speak Polish...
  
rotten fruit,
attempting integration too hard...
you can't forget
your native tongue,
just like you can't forget
riding a bicycle or
swimming...

            the argument stinks of
****!
i hate it...
    i'd expect a jew to make
this sort of argument,
rightfully so...
     i can't imagine the heartache
of having invested so much
Hebrew in German to create
Yiddish...
   a Jew i can understand...
       but some ******* Pakistani
suggests he has, on "purpose"
forgotten Urdu,
and speaks only English?

   sum? terrorist...
     no man is born without either
a linguistic, or a cultural integrity -
prior to the cuisine,
the language dies...
but then the cuisine never dies...
neither does the language -
and if the language is "dead":
the mentality remains...

         you smell something?
skunk?
   hmm... i'll speak English, i'll write
English... but i'll think in my
Western Slavic guise...
ah... sorry i'm not copper-skinned
wishing for an Indian suntan
of the lower-caste...
  sorry...
          
you're standing ****-naked in terms
of orthography - as a language -
and you're over-laden with metaphysics...
sure as **** a satan will come around
dressed in either paupers' rags
or a gentleman's nightgown;

    as i still begin, persistent -
in telling you...
a man who does not have enough
ethnic pride, in retaining, and keeping,
a language his mother used to
lullaby by him to sleep,
into his later years?
   a person, who cannot accommodate
bilingualism?
        trust score? ZEE-RHO.

i much abhor the Scots and the Eire men,
as much as i admire the Welsh
for priding themselves on
retaining Cymru -
                      no Gaelic?
   no pass...
                 English is a mongrel language...
who gives a ****?
  some Shanghai
         half-wit economics student speaks
it...
    lingua franca...
                       thus that i have
to admire... the Welsh...
     and their version of YHWH:
                     CYMR...
that... takes *****...
         the Welsh could look into
Kashubian and Silesian Polish to boot.

There once was a man named Claude
Who married his cousin Maude
Their kith did heartily celebrate
As they wed within the family state
Of genetic accord were Maude and Claude

it's not the case of irrationality with the usage of pronouns as a way of being assertive away from the existentialist dittoing of the pronouns; even if i utilise the pronoun to be a noun or a verb via dittoing, with the framework of an esp. exemplar "irrationality," i am still, after all, the speaker of the noun and verbs, and the keeper of them; i am not irrational to the extent that i ditto myself outside of other categorisations of words, since dittoing myself within the pronoun category opens the accusation that i use all other words with ambiguity while allowing no moral ambiguity into my actions - but there is a clear morality to the use of words as the worthwhile exchange of meaning, in newtonian sense in the least and foremost not going beyond the dropped stone or insinuation of passerby engagement into games - but clear crisp cut - silk scarf tagged twelve quid was sold on the haggle for ten quid - so that haggling wasn't an ambiguity, but the price of the scarf was! so how many sexualised insinuations have i heard with impromptu to no action?! too many! all of them declassified from furthering action because of too much innuendo and nuance of that famous disguised dialectics lost - known as the death of god. cartesian in existentialist terms, thinking presupposed as the notation via "i." thought no longer as an existential certainty... but because of the dittoing of pronouns... an... ambiguity! well it was originally an ambiguity, but why excess pausing to counter? the english are a nation of shopkeepers... yes... and the french are a bunch of nosy café patrons with rude lovers disguised as bartenders muscle aching to munch the next croissant in drag and feel sexed up gagging.

verum, ego scribere similis rumi*; scribbles and similitude -
worth an afghan worth of eyes in syria for an afghan girl
saying to her loved up something or other:
see it come back, god forbid you hear the calculative laugh
of augustus on the way back, just while europe resigns from involving
the remnant slavs like libyans or syrians or hebrews in the original format
of strength: let the hebrews deal with them
in their own vatican - we need to curb north africans
and the mid-middle-eastern olives
when taking over the northern peoples for economic harvests.
but then the madman laughed without ordinance and impunity -
he laughed augustus' rationalism into the grave of choking chock fudge brussels
with spare tonsils eating nothing but cauliflower and lard -
elsewhere in movie via ghent; or was it in bruges or
was it in brussels starring jean claude van damme?
i call it... writers went mad on excess phonetics never readied
or introduced - except with magritte wearing a diaper
rather than a full james bond when painting.
i heard it was a proper heist to keep the police numbers handy,
i had it all tanned in argumentation for hued brown in the nordic
special; oddly enough no nordic special sailed for a sinking of the vasa
with predestination - airport was nice - we argued then -
we're not a continent of north harmonicas with jokes
between mythological four lead clovers and oak real canada threesomes.
well i was a continent with croatian and scandinavian,
i'm not originally a mc donald continent - although that 'MADE IN CHINA'
helps to resolve all future wars with the silkworm beginning:
rodeo in the haven of horse's burp and fall of the cheap spain due to tourism -
old continental had corrida - new continent has rodeo -
somewhere between the ****** and maidens came oceans elves for a bet on
who could write a horse out from riding into a blunt metal clasp of stirrup eager sounds:
or a twenty aged colt sounding like an eighty year old nail wrinkled with rust hammered.
blunt metal won, horse gasped for air, the ***** was taken home with stitches,
the maiden was taken home with a groom in stitches also, although
stitches of old age prior asked for in her meringue dress to suit: wrinkles;
but hey! there's **** in between! who's the loser, the aviator or the aqua puncture of thought?
but still augustus laughed it off with nero on the waiting list of possible re-encounters;
israel received the southern cicero of the roman empire,
while the rekindled empire got the north-eastern and northern part of
the unexplored without saints travelling elsewhere,
and for that it got implosions, with the schengen approval reminded
to cloister the leftists eager to holiday in syria on unesco cruises in sand and sheep ****
of kept marble - for that cocktail party convo, and next day article in the new yorker;
shame on you for using children to ploy en masse morality of guilt
to later reproduce the hydra with so much racist cribbing
of a seahorse riddling perpetual dynamos
as to imagine the future cot rock-a-baby-jihadi saladin:
the fire is in his own house, runs with a
              flaming matchstick to his "neighbour's house"
to start the fire rather than trying to put the fire out in his own house.
honestly? sounds a bit binary in bangladeshi.

Sue Venir loved Hugh Biquitous, but he was unreliable, so she confided this to her friend, Di Namic who confirmed he’d been seen with Penny Farthing and Miss Chevous. Then she ran into Ken Tucky, who’d just broken up with Jen Erator, and was known to hang with Mel N. Choly. Together, they and Dan Ube went to a party thrown by Perry Winkle at the house of Dana Point.

Con Valescence introduced Sue to Marine Layer who asked Mr. Tucky to join the conversation, and they’ve been conversing ever since. Lou Kemia couldn’t make the party as he was ill. This was confirmed by Nick Knack who’d been informed by Conrad Alert.

Penny Saver left early, heading over to the home of I. Stan Bul, who was throwing a celebration in honor of Hazel Nuts and Grant N. Aid, who were to be married by Will Power, though Miss Givings, his former girlfriend, did not approve. Celebrants included Buzz Saw, Ma Larkey, Ben E. Diction, ***** Pack and of course Ann I. Versary, who deemed it worthy of being remembered. Tom Foolery was always good for a laugh, which was appreciated by Art I. Face, Dee Vice and Tess Osterone.

Some chose to dine alfresco, notably Flora Fauna, Heidi **, and Ed U. Cate. Barb Ituate was a downer, though Ma Larkey tried to cheer her up, watched by Cliff Hanger who wanted to see what happened, until a dispute arose between Ana Conda and Ann Ticipation, who’d both been vying for the attention of Billy Goat.

Meanwhile, in another part of town, Terry Dactyl was in a dispute with Billy Club over Lilly White because of something Miss Conception had reported after hearing from that duo, Caesar Salad and Reuben Sandwich.

Junior Mints tried to mollify the situation with sugary statements, but was interrupted by Yuri Nal, who said he had to go, and then left with Jay Walking and they were off to congregate with Diane Tomeetya.

At the next table General Jive held court in a warlike mood,  that Cary Cature tried to lighten.  With them were Tex Arcana, whose accent was amusing to Bill Collector, Al Gorythm, Tim Buktu and Marv E. Lous, who always had a great time wherever he went.

By then, Bobby Pin, the luscious seamstress, had given up on Peter D. Out, after seeing him clowning around with Butch Wax and Slim N. None, all of them malcontents and disrupters.

In walked Daisy Chain, newly arrived  from the Southern Hemisphere, along with Sydney Australia. Klaus Trophobic had initially agreed to travel with the two of them, but said he had to stay at home. Frank O’Phile overhead this and confided to Phil O’Sophically that there is sometimes merit to such position.

The restaurant was owned by Ty ****, managed by Chuck Wagon, with the food delivered by waiters Clay *** and Terry Aki , assisted by busboyTara Misou.

The next morning, everyone gathered at the home of Dawn Patrol, who was there with her new husband, Earnest Money, after divorcing Perry Mutual. Deb Enture was her maid of honor.  Nick O’Time was nearly late to the party, driving in with Stu Debaker, via a shaky Uber driver named Manuel Shifting.

Al Acrity was his usual sunny self, but not when Den O’Thieves interrupted his conversation, which was shut down by Kay O.

Sherman Oaks and Van Nuys were late, having gotten mixed up on the location. Cliff Hanger was worried about the falling stock market, and as a result was getting drunk with Jack Daniels. Stan Dup was his usually assertive self, but was overshadowed by the always munificent Cy Pres.

Claude Hopper was dressed in yesterdays’ styles, but that didn’t matter to Dov Tail who  was going into business with Matt Chabox, known for his incendiary personality. They had two other partners to round the group out, **** Ular and Ben E. Fit.

Gar Gantuan loomed large, and was unstable when paired with Mo Mentum, who said in such situations, they needed to involve Otto Matic.

Terry Cloth was wrapped around Jan U. Ary, ogled by Barbie Queue and Coleman Lantern.

I was told (once) that if I could only make up a perfect story, that, that woman, who stole almost everything from men, would fall for me; would, maybe destroy me and leave me for dead. Would, maybe, ship me off without my pen and belt, and force me to paint her with no training. She’d want something that resembles something by Claude Monet; Do you know how difficult that is? That’s the fun though; she’d cut me off so many times; she’d remind me how many others could paint better; she’d explain, in beautiful detail, just how useless my hands were. Well, I hope she’s satisfied with my work; I’m sorry I finished early; I’m really no man; Goodnight, goodnight, I hope you’re sleeping; so I can finally leave.

Her evanescent soul suffers.
Love, sweet love, as sweet as honey,
Sent from Heaven above.
In the garden of her thoughts,
The young woman cries for the love she lost.
Though she is unaware that he is beside her,
Protecting her while her tears fall upon the lilies.
She makes the lilies her bed
She looks upon the sun.
She cries out
“Are you no longer here?
“I recall the days when you enveloped me
In your love.
If I die, will my days forever remain
In happiness and peace?”

The others must have seen me, but I remained unnoticed to their vision. I stood there. I stood still as they passed by, that certain couple in their 20s whose form of entertainment revolved around alcohol and apples and sneaking behind the tree or inside the car. Nothing astounding.

Their steps carry the particular type of urgency available only to the ordinary and the fools. He clasped his fingers around hers and thought about the future, being married and all that, but she was bored with him. She looked almost trapped.

I watched him open the door to the passenger’s seat. I watched her enter the car. I watched him follow in barefoot, and I watched them drown themselves in hours and shadows and whispers and when they finally went out, she still looked bored even with his promises and hundred years. (To be continued)

When your fingers move
within the betweens of keys,
white then black, scaling
and tumbling through and over
knuckles and joints and wrinkled
imprints does your chest flutter
arpeggios and dance along
with tender pale-pink ballet
slippers balancing, spinning
in a reflecting room of mirrors,
the echoes of a pentatonic scale
the pounding of parallel chords
nudging your toes exactly right,
do you forget your wives and daughter,
both Emma’s, when you let the genius-flow
and the grand piano waltz
with your soul,
do you fall in love with something
more I cant describe
in verse, delicate Debussy.

Mother bear in a waterfall
With bigger thoughts than blonde harlots
Eating porridge,
Fallen starlets with outer space in their hair.

Just you wait;
I'll be the happiest little sonofabitch
You've ever seen.

Some small consolation, if any.
That weekend we spent with our
Necks perpendicular to our spines,
Of course I still remember the films we watched.

I condition my hair with split infinitives
And live off the poisoned dew that settles
Every morning in my closet.

Turn your little black dress inside-out,
I've got this magic idea for a recipe
But we're going to need some ants
And that crazy Harryhausen dream you've got up in your attic.

Ten or twelve little blond kids up
On the cliff, each ten or twelve years old
And dancing with a flame-Buddha called "Home".

Let's spend this week underwater,
I'd much rather give up my weight and my due
If it ensured me any small hour
With you. Oh, god how I love you anymore.

I may have told you this a while ago,
But did you know the first Pledge of Allegiance
Put us some good height above God?

Sometimes I find the sugar in my gas tank
Makes for a rough start in the morning,
Not that I particularly want to go anywhere,
But it's what I've thought that counts.

He's a bit upset that I skipped movie last night:
But I can't play horizontal baseball
With my violent, violent imaginary friend.

The Rubik's cube beats deep in my chest
Without a hand to cheat and rearrange the stickers.
Claude enunciates something queer into my ear
And turns off the lamp with a snap.

Art class was a given
A bird course as they say
But, our teacher had gone awol
You could say he flew away
They found him at a campsite
Cross legged on a mat
Naked, drinking cool aid
And talking to his cat
He snapped while teaching concepts
beyond the grasp of teenage kids
Who only wanted to pass time
and be on ebay making bids
He taught them about structure
about lines and Bernard Frize
and now he's in the forest
sitting naked with the trees
Pastels, crayons and chalk sticks
littered where he sat
sitting naked, drinking kool aid
and talking to his cat
the kids, they drove him crazy
never doing what he told
Instead they sat and doodled
while the teacher...well...unrolled
they didn't draw the things he asked
didn't study all the masters
instead they were more intent
on creating art disasters
he came to class equipped one day
to show them some van gogh
instead they all got up
And told him he could blow
he snapped and left the class room
never stopping at the door
he went to his apartment
and picked the cat up off the floor
he went down to the locker
he took his tent back to the car
he was going to go camping
he wasn't going to a bar
he drove up to the campsite
made his kool aid, grabbed his cat
took his clothes off and got naked
and sat down upon his mat
this is where they found him
seven days since he walked out
he's now painting in nice place
where there's lots of staff about
most days he sits in silence
in his jacket, sleeves behind
zonked out on medication
to help him find his mind
they give him lots of kool aid
but his cat he does not see
he just paints with all his fingers
making pictures of a tree
once he was a teacher
of a bird course teaching art
now he gets all his excitement
drinking kool aid from the cart
in his mind there are da vincis
claude monets and rembrandts too
but, on paper he paints tree limbs
in black and grey and blue...

Claude Debussy plays gracefully
a dog wrapped in a blanket
starring out the window
as if seeing an angel

hot coffee lingers on my tongue
taste-buds reminiscing the bitter-sweetness

wind rustles the ficus bushes
slight noises in the distance

I feel calm
I have never felt calm before

is this what peace feels like?

everything is going to be okay.

the world according, to a star-studded journalist -
writing the magazine Saturday column, a she, mind you,
all learned about seeing the world: well, only New York -
she's hip! she's funny! she's downright a prop'ah scumbag -
and i say: the iron curtain should have turned into an iron skirt...
but then Pope Jean-Claude von ****, the second, opened up
the brothel... i too would have liked a ****...
but hell, it was always going  to be a bony **** at best...
raise a family? REJECT! they think their post-colonialism is an
affair of scented parchments of hope, what they did in Africa,
they're suddenly doing in Europe... shush-bags of wisdom,
let's get the house in order: i'm a perverted snail, i **** toads for
practice, i ***** out salty ***** on the rotunda circuit of cries:
justice! justice! well, if ever i spotted a deaf ear, it'd be now.
so there she is lazing about with a column on Saturday,
and she drops the New-Irish words: and M & S, buying swimwear,
hoping for a Burkini... the lighting and the flooring gave the place
an unhappy, postwar, eastern European (a new continent, mind you)
vibe. i half-expected a forklift truck to drive past me,
delivering potatoes to some far corner's "thursday potato display -
sprouted ones half price." out of the blue a leprechaun jumps out,
a real ventriloquist by trade, and does a rendition of that famous
song: we all eat potatoes here, nothing but *** *** potatoes!
tra lala la. this fetish in western society, potatoes: the famous mash
and chips... cabbage... and the famous coleslaw...
eastern Europe: land of landfill sites and mountains
of potato... which magically turn into lakes of *****...
and cabbage... i got to know more about the world by being
half the tourist i was supposed to be... and half of what integrating /
assimilating into a host culture allowed: St. George can
hang a ****** on the washing line, and Lizzy can shave her head...
     i'm a patriot of language,
simple as, a patriot of language,
not a patriot of the culture that incubated the language...
first of all check-out North Korean propaganda films,
second of all ask why you received the Marshall Plan
funds, inc. Sweden, which was neutral during the war...
then bewilder yourself as to why you're selling us
a farmer's stereotype, but as the grand observation
of the bellybutton suggests: they're the ones stuffing
crisps into buns and eating it with cheese and ham
at every lunch-break... farmer here, farmer there,
******* potato fetishist anywhere...
and you wonder why i retain a patriotism to the language
rather than to the people that speak it...
they didn't make it easy, and they're certainly not
making it any easier... Leprechaun Irish -
potaytoe - potaytoe - potaytoe -
so the expectation is... i'm a slave, you're the master,
i get to visit the opposite of Auschwitz in the cotton
colony? well, at least the existential answer is simple
in Auschwitz - our german brood will do the job more
effectively... we don't need you, off to God you go...
in a cotton colony? our people are superior,
we need slaves to do the work that our people are not fit
to do... and this is diabolical logic, i don't deny it,
but i'd rather be told to die than be told to live and work
for someone's amusement and benefit...
simple... p'ahtaytoe!
                                    it seems that whenever they
came to Poland they only came to Auschwitz, now,
all of a sudden, i'm the collaborating ****,
the stain on Polish soil, as already noted:
Egypt has its pyramids, Poland has German chimneys...
******* choo choo and Thomas the tank engine rolled into town...
how can you ever attempt a full discrete and competent
assimilation / integration when you have to end up
a solitary form of ethnic cleansing, where bilingualism
is treated as a mental illness, and you have to, in effect,
spit at your parents to embrace an English wife,
with an English household, with 42.3% chance of divorce?
what's the ******* point of that? at least in my
culture monogamy had a sense, not here, among
the brutal brats: who rather than having learned to care
for children, after petting an animal, just leave them
like stray wild dogs, not free to roam in forests and
fields, but in angst ridden kennels...
                                       well, Japan is selling me euthanasia,
cos reaching old age was going to be such an achievement,
that everyone started begging for the living standards
akin to Sudan: dead at 40, dead at 40 and nimble.

Anybody here remember Claude? She was a user, but she must of taken her account down or something because I can't find her. It's really sad because I loved her stuff. She took a part of me with her.

Skirting the railroad opportunity along the cotton mill wall ...
Bagging shards of coal in a burlap sack , to light home fires , to warm boiled cabbage on a December night ..'Tis a blessing indeed to be filled ..

Debauchery.
That is the void in her life.
Debauchery.
Deep, endless debauchery.

The elevator closed and, in her mind, she saw them grabbed each other. She saw her back pressed against the railing; his palm pressed against the wall. She saw his arm around her waist; hers around his nape, holding a notebook.

Classes have ended and, in her mind, she saw them – her lover and his past lover – disappeared.

She saw things that happened many years ago. On a sofa in the living room, in the car, on a piece of cloth, in the open air, under the stars, against the tree and wall, every time they were together. She saw his hips against hers, their bodies coiled and inseparable and buried in anticipation and ultimate fire.

Unable to bear the torment, she grabbed her laptop
and wrote the things she saw
many, many years ago. (To be continued)

Took me to the wrong end of the Mississippi
Blown north from the whistling blues
Dreamt that sweet sound of saxophones
Coloring St. Claude Avenue

Banana leaves melted into evergreens
Where the swamps finally ran cold
Through the mountain ranges of the lakes, and banjos of the plains
Where the countryside grew quiet and old

I grew up on the wrong end of the Mississippi
But now I’m taking that southbound train
Oh honey don’t ask me how I’ve been
It’s a restless, lonesome pain