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"caul" poems
My memory beats in rhythm with my heart. Spilling out snapshot flashes of life like a flick book's muffled cries. Controversial plastic shell, elastic strap, stick insect mattel covetted for months until Santa dropped it down the chimney, almost as fast as she sprogged and regained her figure - the original scrummy yummy mummy set to spread low self esteem. My daddy said anyone can crank out a kid like she did, as my mother ground her teeth to protest on behalf of her traumatised frame. Strange, I almost became one of the lost - before I grew cells and self, another fragile foetus swinging on a noose from gallows where once a ****** failed to stayed closed. Little life curled tight self soothing sings al na tivke iredem bim'nucha My memory beats in rhythm with my heart as I lie beneath my shroud of sadness filled with down shrinking from the light of day I want to tell you that I love you, that my heart brays, beats, bleets, breaks, aches for you. My soul, spirit, self thrice chorus al na tivke iredem bim'nucha as waters flow from deep to deep where danger dances and solace is sought from beyond the fruitless orchards and willows weeping branches reaching out for you. My memory beats in rhythm with my heart surrounded by madonna, ***** and all betwixt spheres of life protruding, pronounced, announcing themselves; in streets where bundles, terrors, cherubs, banting, brat and bairn alike shriek, scream, squeal, shout, squalk, squabble, sing in a cacophony that makes my heart weep and ache in longing to sing to self in solitude al na tivke iredem bim'nucha. My memory beats in rhythm with my heart pulsating thoughts, dreams, hopes of you through the whole of me. Brought to my knees I seek wisdom, guidence, strength to let you go. The river is waiting for you, you who I hold tight in my caul trying to trust, seeking strength to hakshev le'ivshat haga'lim holding the thought of you, the love of you, the hope of you tight in my arms crooning my lullaby of lament al na tivke iredem bim'nucha
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Jun 26, 2013
Jun 26, 2013 at 5:57 PM UTC
River Lullaby
My memory beats in rhythm with my heart. Spilling out snapshot flashes of life like a flick book's muffled cries. Controversial plastic shell, elastic strap, stick insect mattel covetted for months until Santa dropped it down the chimney, almost as fast as she sprogged and regained her figure - the original scrummy yummy mummy set to spread low self esteem. My daddy said anyone can crank out a kid like she did, as my mother ground her teeth to protest on behalf of her traumatised frame. Strange, I almost became one of the lost - before I grew cells and self, another fragile foetus swinging on a noose from gallows where once a ****** failed to stayed closed. Little life curled tight self soothing sings al na tivke iredem bim'nucha My memory beats in rhythm with my heart as I lie beneath my shroud of sadness filled with down shrinking from the light of day I want to tell you that I love you, that my heart brays, beats, bleets, breaks, aches for you. My soul, spirit, self thrice chorus al na tivke iredem bim'nucha as waters flow from deep to deep where danger dances and solace is sought from beyond the fruitless orchards and willows weeping branches reaching out for you. My memory beats in rhythm with my heart surrounded by madonna, ***** and all betwixt spheres of life protruding, pronounced, announcing themselves; in streets where bundles, terrors, cherubs, banting, brat and bairn alike shriek, scream, squeal, shout, squalk, squabble, sing in a cacophony that makes my heart weep and ache in longing to sing to self in solitude al na tivke iredem bim'nucha. My memory beats in rhythm with my heart pulsating thoughts, dreams, hopes of you through the whole of me. Brought to my knees I seek wisdom, guidence, strength to let you go. The river is waiting for you, you who I hold tight in my caul trying to trust, seeking strength to hakshev le'ivshat haga'lim holding the thought of you, the love of you, the hope of you tight in my arms crooning my lullaby of lament al na tivke iredem bim'nucha
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38
From love's first fever to her plague, from the soft second And to the hollow minute of the womb, From the unfolding to the scissored caul, The time for breast and the green apron age When no mouth stirred about the hanging famine, All world was one, one windy nothing, My world was christened in a stream of milk. And earth and sky were as one airy hill. The sun and mood shed one white light. From the first print of the unshodden foot, the lifting Hand, the breaking of the hair, From the first scent of the heart, the warning ghost, And to the first dumb wonder at the flesh, The sun was red, the moon was grey, The earth and sky were as two mountains meeting. The body prospered, teeth in the marrowed gums, The growing bones, the rumour of the manseed Within the hallowed gland, blood blessed the heart, And the four winds, that had long blown as one, Shone in my ears the light of sound, Called in my eyes the sound of light. And yellow was the multiplying sand, Each golden grain spat life into its fellow, Green was the singing house. The plum my mother picked matured slowly, The boy she dropped from darkness at her side Into the sided lap of light grew strong, Was muscled, matted, wise to the crying thigh, And to the voice that, like a voice of hunger, Itched in the noise of wind and sun. And from the first declension of the flesh I learnt man's tongue, to twist the shapes of thoughts Into the stony idiom of the brain, To shade and knit anew the patch of words Left by the dead who, in their moonless acre, Need no word's warmth. The root of tongues ends in a spentout cancer, That but a name, where maggots have their X. I learnt the verbs of will, and had my secret; The code of night tapped on my tongue; What had been one was many sounding minded. One wound, one mind, spewed out the matter, One breast gave **** the fever's issue; From the divorcing sky I learnt the double, The two-framed globe that spun into a score; A million minds gave **** to such a bud As forks my eye; Youth did condense; the tears of spring Dissolved in summer and the hundred seasons; One sun, one manna, warmed and fed.
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4.2k
From Love's First Fever To Her Plague
From love's first fever to her plague, from the soft second And to the hollow minute of the womb, From the unfolding to the scissored caul, The time for breast and the green apron age When no mouth stirred about the hanging famine, All world was one, one windy nothing, My world was christened in a stream of milk. And earth and sky were as one airy hill. The sun and mood shed one white light. From the first print of the unshodden foot, the lifting Hand, the breaking of the hair, From the first scent of the heart, the warning ghost, And to the first dumb wonder at the flesh, The sun was red, the moon was grey, The earth and sky were as two mountains meeting. The body prospered, teeth in the marrowed gums, The growing bones, the rumour of the manseed Within the hallowed gland, blood blessed the heart, And the four winds, that had long blown as one, Shone in my ears the light of sound, Called in my eyes the sound of light. And yellow was the multiplying sand, Each golden grain spat life into its fellow, Green was the singing house. The plum my mother picked matured slowly, The boy she dropped from darkness at her side Into the sided lap of light grew strong, Was muscled, matted, wise to the crying thigh, And to the voice that, like a voice of hunger, Itched in the noise of wind and sun. And from the first declension of the flesh I learnt man's tongue, to twist the shapes of thoughts Into the stony idiom of the brain, To shade and knit anew the patch of words Left by the dead who, in their moonless acre, Need no word's warmth. The root of tongues ends in a spentout cancer, That but a name, where maggots have their X. I learnt the verbs of will, and had my secret; The code of night tapped on my tongue; What had been one was many sounding minded. One wound, one mind, spewed out the matter, One breast gave **** the fever's issue; From the divorcing sky I learnt the double, The two-framed globe that spun into a score; A million minds gave **** to such a bud As forks my eye; Youth did condense; the tears of spring Dissolved in summer and the hundred seasons; One sun, one manna, warmed and fed.
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50
To-day, this insect, and the world I breathe, Now that my symbols have outelbowed space, Time at the city spectacles, and half The dear, daft time I take to nudge the sentence, In trust and tale I have divided sense, Slapped down the guillotine, the blood-red double Of head and tail made witnesses to this ****** of Eden and green genesis. The insect certain is the plague of fables. This story's monster has a serpent caul, Blind in the coil scrams round the blazing outline, Measures his own length on the garden wall And breaks his shell in the last shocked beginning; A crocodile before the chrysalis, Before the fall from love the flying heartbone, Winged like a sabbath *** this children's piece Uncredited blows Jericho on Eden. The insect fable is the certain promise. Death: death of Hamlet and the nightmare madmen, An air-drawn windmill on a wooden horse, John's beast, Job's patience, and the fibs of vision, Greek in the Irish sea the ageless voice: 'Adam I love, my madmen's love is endless, No tell-tale lover has an end more certain, All legends' sweethearts on a tree of stories, My cross of tales behind the fabulous curtain.'
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2.9k
To-Day, This Insect
Matrilineality is the tracing of descent through the female line corresponding to a societal system in which each person is identified with their matriline;              – their _mother's_ image – and which can involve the inheritance of property and/or titles. A matriline is                                      a line of descent from a common female ancestor to a descendant of either *** in which the individuals in all intervening                           generations are mothers – in other words, a "mother line". In matrilineal descent,                           individuals belong to the same group as their mother.                                                      The matriline of historical nobility was also called the _enatic_ or     _Uterine_ ancestry; From Middle English wombe, wambe, from Old English womb, wamb (“belly, stomach; bowels; heart; womb; hollow”), from Proto-Germanic *wambō (“belly, stomach, abdomen”), from Proto-Indo-European *wamp- (“membrane (of bowels), intestines, womb”). Cognate with Scots wam, wame (“womb”), Dutch wam (“dewlap of beef; belly of a fish”), German Wamme, Wampe (“paunch, belly”), Danish vom (“belly, paunch, rumen”), Swedish våmb (“belly, stomach, rumen”), Norwegian vomb (“belly”), Icelandic vömb (“belly, abdomen, stomach”),              Old Welsh gumbelauc (“womb”), Breton gwamm (“woman, wife”), Sanskrit वपा (vapā́, “the skin or membrane lining the intestines or parts of the viscera, the caul or omentum”).
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Aug 22, 2018
Aug 22, 2018 at 10:37 PM UTC
Matrilineality [for Uterinism]
Matrilineality is the tracing of descent through the female line corresponding to a societal system in which each person is identified with their matriline;              – their _mother's_ image – and which can involve the inheritance of property and/or titles. A matriline is                                      a line of descent from a common female ancestor to a descendant of either *** in which the individuals in all intervening                           generations are mothers – in other words, a "mother line". In matrilineal descent,                           individuals belong to the same group as their mother.                                                      The matriline of historical nobility was also called the _enatic_ or     _Uterine_ ancestry; From Middle English wombe, wambe, from Old English womb, wamb (“belly, stomach; bowels; heart; womb; hollow”), from Proto-Germanic *wambō (“belly, stomach, abdomen”), from Proto-Indo-European *wamp- (“membrane (of bowels), intestines, womb”). Cognate with Scots wam, wame (“womb”), Dutch wam (“dewlap of beef; belly of a fish”), German Wamme, Wampe (“paunch, belly”), Danish vom (“belly, paunch, rumen”), Swedish våmb (“belly, stomach, rumen”), Norwegian vomb (“belly”), Icelandic vömb (“belly, abdomen, stomach”),              Old Welsh gumbelauc (“womb”), Breton gwamm (“woman, wife”), Sanskrit वपा (vapā́, “the skin or membrane lining the intestines or parts of the viscera, the caul or omentum”).
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35
I All all and all the dry worlds lever, Stage of the ice, the solid ocean, All from the oil, the pound of lava. City of spring, the governed flower, Turns in the earth that turns the ashen Towns around on a wheel of fire. How now my flesh, my naked fellow, Dug of the sea, the glanded morrow, Worm in the scalp, the staked and fallow. All all and all, the corpse's lover, Skinny as sin, the foaming marrow, All of the flesh, the dry worlds lever. II Fear not the waking world, my mortal, Fear not the flat, synthetic blood, Nor the heart in the ribbing metal. Fear not the tread, the seeded milling, The trigger and scythe, the bridal blade, Nor the flint in the lover's mauling. Man of my flesh, the jawbone riven, Know now the flesh's lock and vice, And the cage for the scythe-eyed raver. Know, O my bone, the jointed lever, Fear not the screws that turn the voice, And the face to the driven lover. III All all and all the dry worlds couple, Ghost with her ghost, contagious man With the womb of his shapeless people. All that shapes from the caul and suckle, Stroke of mechanical flesh on mine, Square in these worlds the mortal circle. Flower, flower the people's fusion, O light in zenith, the coupled bud, And the flame in the flesh's vision. Out of the sea, the drive of oil, Socket and grave, the brassy blood, Flower, flower, all all and all.
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2.7k
All All And All The Dry Worlds Lever
*Lay me doon in the caul caul groon Whaur afore monie mair huv gaun Lay me doon in the caul caul groon Whaur afore monie mair huv gaun* It was silent. His body sunk into the earth. His soul long gone from there. He had died A gun upon his arms. *When they come a wull staun ma groon Staun ma groon al nae be afraid* He had died with a home that his dream would live on. *Thoughts awe hame tak awa ma fear Sweat an bluid hide ma veil awe tears* Later they had told us he had died with courage and valor. *Ains a year say a prayer faur me Close yir een an remember me* The shots continue he fell by the tenth. *Nair mair shall a see the sun For a fell tae a Germans gun* A ******** grasped in his stone cold hand *Lay me doon in the caul caul groon Whaur afore monie mair huv gaun* He saw a line of faces, brown, black and white. Some were smiling others, crying *Lay me doon in the caul caul groon Whaur afore monie mair huv gaun* His body sunk into the cold, wet ground As God opened his arms, for a boy drenched in blood. Whaur afore monie mair huv gaun A group waited in the wings. Soldiers from many places. Who fought to keep their shores safe.
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Feb 6, 2016
Feb 6, 2016 at 7:54 PM UTC
* **Lay Me Doon** *
YADA TASHY ( "Originator Stone" ) Outside the first snow falls. Her wounds are photographed. Spoken of. Described in detail. Technical. The overhead microphone takes it all in. Being dead she is more naked than she ever was. Stripped of her humanity. She had ceased to be who she used to be. She is now merely a cadaver. The autopsy can not tell her name. She is Kuzuku. Her mother called her KuKu. She had been born with a caul. KuKu was pregnant. She was going to call the child if it was a girl . . .Yuki. She couldn't conceive what she would call it if a boy? It was always going to be a girl. She liked candyfloss and her hair up. Now her hair is down. It touches her shoulders. As if her hair were still alive. The autopsy wound by wound tells of the hell of her dying. The voice is deadpan. Mechanical. The coroner breaks for coffee. Bitter.  Black. "Ya da!" as the Turks say. "...with nothing..." *** Kuzuku was named after the flowering plant/rampant **** Her mother always drank a tea made from it. Only her mother called her her pet name; "Kuku!" Her blacker than black hair always seemed like a living entity in itself as it danced upon her shoulders or splashed over her clavicles. She always wore off the shoulder dresses or tops even in winter cold. I once told her she had the cutest clavicles( "rekishi no naka de kawaī sakotsu" )in history which....always made her laugh. I told her she had well tempered clavicles and she laughed even more when the pun was explained to her. She had been born with a caul...a red caul. She it was who told me the Turkish tale or the Yada Daşı and of the Yadachy. She had just met the man who would eventually stab her to death and she was greatly in love with him and his culture. All these little scraps of humanity could not be disclosed by the autopsy which could never tell of how beautiful she was and what a joy she was to be around. Her death was a horror tale told by a friend of a friend of a friend and hard to comprehend or believe.
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Aug 27, 2016
Aug 27, 2016 at 6:12 AM UTC
YADA TASHY ( "Originator Stone" )
YADA TASHY ( "Originator Stone" ) Outside the first snow falls. Her wounds are photographed. Spoken of. Described in detail. Technical. The overhead microphone takes it all in. Being dead she is more naked than she ever was. Stripped of her humanity. She had ceased to be who she used to be. She is now merely a cadaver. The autopsy can not tell her name. She is Kuzuku. Her mother called her KuKu. She had been born with a caul. KuKu was pregnant. She was going to call the child if it was a girl . . .Yuki. She couldn't conceive what she would call it if a boy? It was always going to be a girl. She liked candyfloss and her hair up. Now her hair is down. It touches her shoulders. As if her hair were still alive. The autopsy wound by wound tells of the hell of her dying. The voice is deadpan. Mechanical. The coroner breaks for coffee. Bitter.  Black. "Ya da!" as the Turks say. "...with nothing..." *** Kuzuku was named after the flowering plant/rampant **** Her mother always drank a tea made from it. Only her mother called her her pet name; "Kuku!" Her blacker than black hair always seemed like a living entity in itself as it danced upon her shoulders or splashed over her clavicles. She always wore off the shoulder dresses or tops even in winter cold. I once told her she had the cutest clavicles( "rekishi no naka de kawaī sakotsu" )in history which....always made her laugh. I told her she had well tempered clavicles and she laughed even more when the pun was explained to her. She had been born with a caul...a red caul. She it was who told me the Turkish tale or the Yada Daşı and of the Yadachy. She had just met the man who would eventually stab her to death and she was greatly in love with him and his culture. All these little scraps of humanity could not be disclosed by the autopsy which could never tell of how beautiful she was and what a joy she was to be around. Her death was a horror tale told by a friend of a friend of a friend and hard to comprehend or believe.
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56
My ruby looks on stones to see the light. While amber stars are flashing in her mien, She forges facets with her eyes and mines A rocky grave.  To bear as such, the sun Un-sung, she could caul parhelion to dust And still doom to shadow those fireworks She alone ignites.  Here then lies a truth; My ruby looks on stones to see the light.
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Jul 11, 2012
Jul 11, 2012 at 9:50 PM UTC
My Ruby Looks On Stones
My ruby looks on stones to see the light. While amber stars are flashing in her mien, She forges facets with her eyes and mines A rocky grave. To bear as such, the sun Un-sung, she could caul parhelion to dust And still doom to shadow those fireworks She alone ignites. Here then lies a truth; My ruby looks on stones to see the light.
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Mar 18, 2013
Mar 18, 2013 at 2:11 PM UTC
My Ruby Looks On Stones
My ruby looks on stones to see the light. While amber stars are flashing in her mien, She forges facets with her eyes and mines A rocky grave. To bear as such, the sun Un-sung, she could caul parhelion to dust And still doom to shadow those fireworks She alone ignites. Here then lies a truth; My ruby looks on stones to see the light.
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Feb 15, 2014
Feb 15, 2014 at 3:06 PM UTC
My Ruby Looks On Stones
A dream revealed your eyes to me, And love once caged is now set free. I must love you, if love I must; For who heaven's angels dare mistrust? A whisper in my ear was all, My heartbeat slowed down to a crawl. With love, my soul is now more me, And love once caged is soon set free. I must love you, if love I must; For who heaven's angels dare mistrust? My eyes uncovered of their caul, My heartbeat slowed unto a crawl I prayed together we will be, And love once caged will be set free. I must love only you; I must, For who heaven's angels dare mistrust? The birds from tree to tree do call: My heartbeat has grown wide and tall.
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Nov 1, 2010
Nov 1, 2010 at 7:38 PM UTC
How like a heart, how like a bird
*Draped like a long forgotten shawl my dreams lie in my mind, covered with a caul. No second sight was afforded my disillusionment, my deluded, discarded dreams. Brittle decaying hope. Tattered remnants of youthful vigour cling vine like to my mind. Was I ever that happy? Or is that an illusion also. Born of the caul, as a charm to be deemed unable to drown, so, that's why I failed. I watch my past on fast forward, skipping to the present. Strange word present, meaning: the here and now, or a gift. My dreams are nightmares, my present is no gift. My nightmares are the gifts of my present*
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Jun 18, 2014
Jun 18, 2014 at 5:41 PM UTC
Caul
The Harbour quakes as we break your Boom, The Nemesis Sails-Harbinger of doom, A New Chapter - the Sly Celt Raptor, Bain Shi proceed us-Scream in rapture As The Bodhran shakes your eardrums shatter, Lightning rakes- your defences Scatter, It's raiding season!-Take your Oars!, Boats filled to the brim with Ores and ****** our targets-fat Merchants waddle, Crimson seas as the Forces Battle The Morrigan Swaddles our mind with the caul (call) no Mercy asked(None Given!) SLAY ALL Widows scream as they're dragged to the Ship Towns burn to ash in our wake as we rip, A Blood red Swathe Through the Dawn in the east, As the Nemesis Sails,The Harbinger Feasts...
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Jan 15, 2018
Jan 15, 2018 at 7:08 PM UTC
Harbinger (The Nemesis Tales Part 2)
Born to the veil peeled out like a peach with the old iron knife rose quartz, slow flesh, thin newness in January air. His grandmother kept the caul for luck pressed between the pages of her bible and the old ways. His silvern eyes mirrored the tarnished coin his mother slipped in to his fist at christening. Droplets of hope, heavy on small lids and when he lifted them he saw his first ghost over the priest’s shoulder, her gauzy lips grazing his cheek. His luck was the vaporous three-legged dog that followed him everywhere. Its dusky warmth on his feet, the comfort he could not sleep without for there were too many nights his dreams had the flavor of ash and mire and he would wake, panting, the heat of his fear snatched by the cold nights. In the village the girls asked him who they would marry until he told the raven-haired her sailor floated somewhere in the Atlantic, the ring he bought her in Portugal resting on a finger of coral. The white heather his mother tucked in to his cap stayed green, even past the dream of her prostrate in the market square— He warned her against buying apples In autumn, but in September, he felt the tell-tale jolt of loss, keen as raven’s wing through cloud dropped the plough, sprinting through the fields of winter wheat. His gasps matching hers the viscous pump of blood through ventricles one stream running dry. At the apple stall the copper eyes of the butcher’s wife burned holes in his heart as he watched his mother’s soul drift from her breast into the ether. It slipped by his hands, goose down through fingers, formless, aimless love that would spin itself into grief the cloak woven from its threads one he would wear for the rest of his days.
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Sep 22, 2021
Sep 22, 2021 at 10:06 AM UTC
Serendipity
Born to the veil peeled out like a peach with the old iron knife rose quartz, slow flesh, thin newness in January air. His grandmother kept the caul for luck pressed between the pages of her bible and the old ways. His silvern eyes mirrored the tarnished coin his mother slipped in to his fist at christening. Droplets of hope, heavy on small lids and when he lifted them he saw his first ghost over the priest’s shoulder, her gauzy lips grazing his cheek. His luck was the vaporous three-legged dog that followed him everywhere. Its dusky warmth on his feet, the comfort he could not sleep without for there were too many nights his dreams had the flavor of ash and mire and he would wake, panting, the heat of his fear snatched by the cold nights. In the village the girls asked him who they would marry until he told the raven-haired her sailor floated somewhere in the Atlantic, the ring he bought her in Portugal resting on a finger of coral. The white heather his mother tucked in to his cap stayed green, even past the dream of her prostrate in the market square— He warned her against buying apples In autumn, but in September, he felt the tell-tale jolt of loss, keen as raven’s wing through cloud dropped the plough, sprinting through the fields of winter wheat. His gasps matching hers the viscous pump of blood through ventricles one stream running dry. At the apple stall the copper eyes of the butcher’s wife burned holes in his heart as he watched his mother’s soul drift from her breast into the ether. It slipped by his hands, goose down through fingers, formless, aimless love that would spin itself into grief the cloak woven from its threads one he would wear for the rest of his days.
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44
Hands are full around the belly an ash caul, of infant veil sighs the tempest breed of barren muse, stricken wide and naked I wear the hands of the enemy, birthed and swollen by oblivion: the jester is out, 364 weary, ballistic and dead by denial as the sun breaks knees from flourish to incognito, his eyes grow wild in sand and weep with a mother's smile.
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Aug 14, 2012
Aug 14, 2012 at 12:08 AM UTC
Ash Wednesday
In the mercy caul of night, Where time is frail as memory, In the technicolor film of ocean salt, With eyes of yearn and mute wonders, There, I saw you once more. We walked through the rushes green Of warmth, broke into dreams dawning Meadows of casting light, where winged Creatures, colourful as we, lilting in midair Spiraled, drifting through the gleaming Thoroughfares of endless Mays, of tingle And flame, where once before, we found Ourselves at the misty plateaus reflection Of star shine and flight, nary silhouetted, Yet, framed in the snow melted tarns Of golden, glorious, Olympus.
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Apr 14, 2013
Apr 14, 2013 at 11:15 AM UTC
Nested in Night
My night, under opaque wraps, collects my candid questions — unkept before the walls crept back up on me and crammed my thorough thoughts into sufficient suffocation and disallowed my dislocation from total cerebral closure — and covers cognative wonders with a dense fence-like stone cure. The clean-cut cold sheets, tucked beneath the bed springs spring my curiosity through layer after layer of teeming tides of blockades and prohibition but someone sits at the edge of the road, just before crack drops to cliff and he catches my despair, tangled in the rye, and before my in-experience allows me to cry, he hurls my candid questions back my way and continues my disallowance of detaching myself from purity. But despite his baseball mitts, he can’t catch my verbal fits so I scream, “My wants can’t be blocked forever and Holden, I’m holding onto my life for the sake of avoiding strife with you but celibacy of the mind can only lead to our true demise.” He looks me in the eyes, scared he’d been outdone, so he tries to run but the cliff leaves him hanging and I reach for his undemanding hand that swats my offer with a backwards hat. But his fear subsides in his recollection of his misinterpretation of a silly old poem that led him to believe he could catch our innocence. So wear your hat straight, Holden, ‘cause in the rye, you’re not the groundskeeper, but keep your ground and catch yourself before you fall off the cliff and lose yourself in your selfless tantrums and your disregard for your need for wondering. Let me break through my caul, ‘cause it’s burning of decay and I’ve overstayed my welcome in this amniotic gate, devoid of vitality, and I like my life in my own hands, so I’ll tell you now: I’m holdin’ on, Holden. Get a grip and hold on, yourself.
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Mar 1, 2014
Mar 1, 2014 at 3:54 PM UTC
I'm holdin' on, Holden
My night, under opaque wraps, collects my candid questions — unkept before the walls crept back up on me and crammed my thorough thoughts into sufficient suffocation and disallowed my dislocation from total cerebral closure — and covers cognative wonders with a dense fence-like stone cure. The clean-cut cold sheets, tucked beneath the bed springs spring my curiosity through layer after layer of teeming tides of blockades and prohibition but someone sits at the edge of the road, just before crack drops to cliff and he catches my despair, tangled in the rye, and before my in-experience allows me to cry, he hurls my candid questions back my way and continues my disallowance of detaching myself from purity. But despite his baseball mitts, he can’t catch my verbal fits so I scream, “My wants can’t be blocked forever and Holden, I’m holding onto my life for the sake of avoiding strife with you but celibacy of the mind can only lead to our true demise.” He looks me in the eyes, scared he’d been outdone, so he tries to run but the cliff leaves him hanging and I reach for his undemanding hand that swats my offer with a backwards hat. But his fear subsides in his recollection of his misinterpretation of a silly old poem that led him to believe he could catch our innocence. So wear your hat straight, Holden, ‘cause in the rye, you’re not the groundskeeper, but keep your ground and catch yourself before you fall off the cliff and lose yourself in your selfless tantrums and your disregard for your need for wondering. Let me break through my caul, ‘cause it’s burning of decay and I’ve overstayed my welcome in this amniotic gate, devoid of vitality, and I like my life in my own hands, so I’ll tell you now: I’m holdin’ on, Holden. Get a grip and hold on, yourself.
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32
Since Thursday bugs have been crawling out of the cards. I buried my heart with the oleander, where mother left the caul. I forgot where that was. Somewhere near the trunk line. Today I walked to work with my wholesome ******* under a sheer shirt. I have been thinking of gentleness and the vase of my ****** I have been thinking such impossible things. Only one drink of wine, only one card left unturned. In the corner of my ********** I have built a beach. It was for our first date, but I forgot where we were supposed to meet and my boyfriend deleted your number.
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Mar 8, 2016
Mar 8, 2016 at 8:53 PM UTC
a spider, a fly, a beetle
Ozzy or my uncle Ozzie some say his name was misspelled and wrote down as Osiah I don't think it was an accident at all Osiah means the expression of number 7 He was the Seventh Son Of a 7th generation Born with a veil of skin over his face this is a caul, a veil...his glistening hood He was born almost all Native American He was able to play seven instruments without ever being taught Violin, Fiddle, harmonica, ***** guitar, banjo & the mandolin. There are a lot of mystical qualities associated with 7 The seven deadly sins Seven days in a week Seven colors of a rainbow Seven notes in the diatonic scale 7 circles to form the symbol of the seed of life The opposite sides of a dice always equal 7 The Seven Dwarfs In Japan there are seven lucky gods There are seven continents Seven Brides for Seven Brothers We are able to identify seven objects immediately without needing to count them Hindu wedding celebrate 7 walk around the fire 7 times While the priest says his Mantra and then they take seven steps and say vows together 7 times The Big Dipper has seven stars Seven dials in London is an intersection Of 7 streets with a sundial in its Center 7 is the smallest number that gives you 1 there are Seven Wonders of the Ancient World I am sorry that you were so misunderstood Osiah I don't believe that you were lazy you just saw everything in a different way and it all was a little too much for you your heart was weak and you left so young You were a kind and uncomplicated soul I so wish I had known you better I was just a girl You looked so much like my Father so Native American ...our history He spent much of his time alone with his instruments Many might have seen his life is sad but I don't think it was he won a lot of fiddle and violin contests though none of those instruments exist anymore or his trophies gone with his caul and the clippings of his first hair A lot of things I don't understand about numbers I see certain ones all the time 7 is not my number but I remember to keep looking they're here for a reason I guess I will just keep looking watching learning hoping praying I have a call too. Cherie Nolan © 2016
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Jun 19, 2016
Jun 19, 2016 at 10:38 AM UTC
"Caput Galeatum"
Ozzy or my uncle Ozzie some say his name was misspelled and wrote down as Osiah I don't think it was an accident at all Osiah means the expression of number 7 He was the Seventh Son Of a 7th generation Born with a veil of skin over his face this is a caul, a veil...his glistening hood He was born almost all Native American He was able to play seven instruments without ever being taught Violin, Fiddle, harmonica, ***** guitar, banjo & the mandolin. There are a lot of mystical qualities associated with 7 The seven deadly sins Seven days in a week Seven colors of a rainbow Seven notes in the diatonic scale 7 circles to form the symbol of the seed of life The opposite sides of a dice always equal 7 The Seven Dwarfs In Japan there are seven lucky gods There are seven continents Seven Brides for Seven Brothers We are able to identify seven objects immediately without needing to count them Hindu wedding celebrate 7 walk around the fire 7 times While the priest says his Mantra and then they take seven steps and say vows together 7 times The Big Dipper has seven stars Seven dials in London is an intersection Of 7 streets with a sundial in its Center 7 is the smallest number that gives you 1 there are Seven Wonders of the Ancient World I am sorry that you were so misunderstood Osiah I don't believe that you were lazy you just saw everything in a different way and it all was a little too much for you your heart was weak and you left so young You were a kind and uncomplicated soul I so wish I had known you better I was just a girl You looked so much like my Father so Native American ...our history He spent much of his time alone with his instruments Many might have seen his life is sad but I don't think it was he won a lot of fiddle and violin contests though none of those instruments exist anymore or his trophies gone with his caul and the clippings of his first hair A lot of things I don't understand about numbers I see certain ones all the time 7 is not my number but I remember to keep looking they're here for a reason I guess I will just keep looking watching learning hoping praying I have a call too. Cherie Nolan © 2016
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52
In the mercy caul of night, Where time is frail as memory, In the technicolor film of ocean salt, With eyes of yearn and mute wonders, There, I saw you once more. We walked through the rushes green Of warmth, broke into dreams dawning Meadows of casting light, where winged Creatures, colourful as we, lilting in midair Spiraled, drifting through the gleaming Thoroughfares of endless Mays, of tingle And flame, where once before, we found Ourselves at the misty plateaus reflection Of star shine and flight, nary silhouetted, Yet, framed in the snow melted tarns Of golden, glorious, Olympus.
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Sep 16, 2013
Sep 16, 2013 at 2:22 PM UTC
Nested in Night
. In the mercy caul of night, Where time is frail as memory, In the technicolor film of ocean salt, With eyes of yearn and mute wonders, There, I saw you once more. We walked through the rushes green Of warmth, broke into dreams dawning Meadows of casting light, where winged Creatures, colourful as we, lilting in midair Spiraled, drifting through the gleaming Thoroughfares of endless Mays, of tingle And flame, where once before, we found Ourselves at the misty plateaus reflection Of star shine and flight, nary silhouetted, Yet, framed in the snow melted tarns Of golden, glorious, Olympus.
0
Oct 21, 2016
Oct 21, 2016 at 4:30 PM UTC
Nested in Night
My ruby looks on stones to see the light. While amber stars are flashing in her mien, She forges facets with her eyes and mines A rocky grave. To bear as such, the sun Un-sung, she could caul parhelion to dust And still doom to shadow those fireworks She alone ignites. Here then lies a truth; My ruby looks on stones to see the light.
0
Sep 15, 2013
Sep 15, 2013 at 4:15 PM UTC
My Ruby Looks On Stones
My ruby looks on stones to see the light. While amber stars are flashing in her mien, She forges facets with her eyes and mines A rocky grave. To bear as such, the sun Un-sung, she could caul parhelion to dust And still doom to shadow those fireworks She alone ignites. Here then lies a truth; My ruby looks on stones to see the light.
0
Oct 26, 2012
Oct 26, 2012 at 12:40 PM UTC
My Ruby Looks On Stones
. My ruby looks on stones to see the light. While amber stars are flashing in her mien, She forges facets with her eyes and mines A rocky grave. To bear as such, the sun Un-sung, she could caul parhelion to dust And still doom to shadow those fireworks She alone ignites. Here then lies a truth; My ruby looks on stones to see the light.
0
Feb 15, 2017
Feb 15, 2017 at 2:57 PM UTC
My Ruby Looks On Stones