Herpetologist meets actress (Cameron Diaz).
If he's funny he's me.
South America or Africa (on location).
In a diamond mind.
The protagonists (lovers), the diamonds, the miners and the minders.
By minders we mean watchers, organizers, supervisors.
As all art must: choose a focus.
The personal is political said Cameron on the night bus to Quebec.
I had never met a girl so willing to make love in public.

To what extent is violence necessary? And
is that the essential question or
should violence be accepted as man's state, fate
a more essential question existing beyond or below
peace or war. Perhaps
the religious and (for the irreligious) sacred injunction
against egregious violence exists
to still ourselves
to open ourselves
to the deeper question. That Cameron Diaz is funny and beautiful
is hopeful. And the telescope and microscope have extended
the eye's appreciation. Under the microscope
Cameron becomes a collection of foreign, alien, uncompassionate,
      selfish, self-organizing
organisms. Frightening, inexorable, fascinating
to the scientist in you!

To the telescope
vanishingly small, infinitesimal as the farthest sun
only smaller
smaller by magnitudes of magnitudes of ten
and incinerated in a nanosecond. Gone
from the movie (photographs the contents of which move
for the naked eye).
I cannot help what I do or hope.

Anyway, it's a love story
or science project, socio-political documentary. An essay.
An essay about how it is actually impossible to say what you mean
but it is possible with a lifetime of meditation and study to shut up
and know what you meant.

Now I'm deaf.
I can see Cameron Diaz but not hear her.
The guy, the herpetologist, at first colorless turns out to be
colorful as a bird or snake!
He knows a lot about snakes, and birds! Not only how they mate
but what they eat
(amateur botanist)
where they rest
what they do with their pain. Do they get depressed?
Can they have guests?
How do they judiciously employ violence to organize and defend
the nest.

The international collective remains insufficiently organized
resulting in violence and threats of violence that interrupt
commerce, procreation (love) and the pursuit of happiness (Cameron
      Diaz)
at least for certain populations, sometimes.
Otherwise, most men, most times, live in peace excepting
flood or fire God or man may
choose to impose.
I lay in my bed and listen naked.
Have a good day (Diaz).
The goddess does not exist, except as bone.

Around this time (July)
the queen yellow jacket (redcoat) searches
blind and deaf
for a ledge or cavity to build a city of her descendants
safe, that they can defend.
Most cities
prosper, undisturbed
and sleeping peacefully, overwinter. We, however,
remain active, Cameron Diaz makes winter movies or
love stories in South America, and I
delight to imagine her herpetologist. Or one who
discovers the sun
around which a habitable, understandable, compatible
orb orbs. Or
maybe the movie's about the revolution, soldiers dying defending
this dictator or that dreamer
and the movie completely failing, not even trying, to explain how
the sons and daughters of the dying soldiers (miners) feel
fishing alone, hunting for wisdom, thereafter.
Sure, these men chose violence, not Cameron Diaz, and were not
farmers, botanists or herpetologists
their tools could have been and should have been the telescope or
      microscope
but are there enough microscopes and telescopes to go around
and did we not (taxpayers, moviegoers) encourage them to
defend Cameron Diaz?

Man's world is insufficiently organized to preclude violence
in allocating resources (Cameron Diaz).
When we invade Iraq
to defend our allies and interests
with rockets and rocket throwers, Rockettes and Cameron Diaz
each man (each Diaz) must make his
own individual choice
whether this war
is worth fighting for or the next or the worst.
Go to jail, go directly to waterboard, at the hands of
your local police, chamber of commerce.
Learn how to walk the desert and the universe.
The names of rocks and planets,
that being the only answer to the hyperorganization that is a cancer on
      our insufficient organization.

I was reading Foreign Affairs
The Case Against the West by Kishore Mabubami (Cameron Diaz).
How can I relinquish my privileged position
sit still, lie naked
until what constitutes consent of the governed and non-violent change,
      Cameron Diaz,
to her herpetologist
is known.

Death was not unfamilar to me. I'd killed my share of things classified as monsters. I wasn't complaining really, my job kept the humans safe. I just felt guilty, I was practically a monster myself. They call us Warriors of the night, we're not Vampires, we are born with extra strenght and a long life span. I was born a long time ago, I was raised to **** monsters that terrorize the human race. Since I was six, I'd been trained to ****. I was a killing machine, best of my kind. Yet somehow, even though what I do is considered an honor, I don't feel proud. I've been doing my job much to long, and lately I'd began getting sloppy with my work. God knows Rowan would be one ****** of boss if he heard about me letting the group of baby Werewolves. I wasn't a complete heartless ******* to **** a bunch of babies.
    I might've been two years ago, before the whole incident happened. I layed my head in my hands, I couldn't go there, not now. I needed a clear head. My small apartment in Master Singu's house was getting messy. I hadn't had time to clean lately with all of the monster attacks that had been popping up lately. Ghouls, Goblins, Oni, Ogre, you name it and it's been attacking. Wasn't much we could do with the Banshee, they were more of a signifier then a monster. A signifier of death, and usually they gave me a heads up if the person who's house it's been surrounding, is gonna die. Banshee were cruel looking creatures, never gotten to close to one, they make **** sure of that. Not sure I ever want to. They were ruled by the one and only, Death. And i will gladly stay as far from death as possible. Haven't heard too many good things about him. Death is one of the Four horsemen. Scariest ******* in the underworld, and I would gladly never meet any of deaths brothers or sisters, what ever the gender their welcome to stay away. There was a soft knock on my door, io glanced at the clock on the wall, it was already three. Warriors worked night shift basically, since thats the time most monsters like to come out.
    The victorian styled door was a black cherry carved wood, with a ancient symbols carved in so no evil spirit couls cross into my apartment, so I wasnt worried any monster was at my door. But I was suprised to see Cameron when I opened the door. Cameron and I used to work the nights together until he'd gone off and gotten married to Sylvia, who was a vampire. Vampires were only considered monsters when they didnt follow the rules. No feeding off of unwilling people, only donors, and they couldnt go around killing people. Their biggest rule though was not to tell any human what they were, Warriors like me had a lot of people to execute.
   "Cameron, never thought I'd see you around here anymore," just as I was talking to him I realized, Cameron looked scared and desperate. Unlike someone who spent his life killing evil monsters that were twice the size of him. " What's wrong Cameron?" He shook his head and walked past me, through the door and into the living room. "It's Sylvia, Theon please help me," Camerons voice was going all thick and his eye's all watery. This was deffinetly something bad. " Tell me, what has happened with Sylvia?" I needed Cameron in his most focused form to help me out, but as I looked at the shaking man I knew he was beyond that. " You remember the king vampire we took down to save Sylvia?" Cameron said quitely, but I knew instantly what vampire he was talking about. That vampire had killed Abelia. I quickly swept that from my mind and focused back on Cameron. " Yes I remember, "  I had no idea where Cameron was going with this. " You remember his brother than, the one that got away, he said that we would both pay. He, ah, made you pay that day. I never thought that he would carry out with his threat. He kidnapped Sylvia, and Sylvia is pregnant, " Cameron almost lost it right there.
    I never thought that, pip squeak of a vampire had it in him, but he was smart and possesed powers we hadn't known about until we had come across them. Their king that we had slayed, had been capturing girls of all species and abusing them in such barbaric ways.
We had to put an end to his affairs, and we did but his brother wasn't too happy about it. He'd done one of his tricks and manifested behind Abelia and snapped her neck. Everything for me had stopped, all I could hear was the blood in my veins. I didn't breath, I could still remember the deafining roar I had unleashed as my monster had gripped me, took the reins and killed all of the mans servants.
Blood had bathed the walls that night, not even the crickets dared to sing. The sun rose late that morning, and I sat inside this very apartment, on that very couch, and cried. For the very first time, I had cried until my eye's swelled shut, until my throat could bare no more. Until I passed out.
    "We'll get them back Cameron, don't worry. For now get some rest, we'll start investigating later tonight, I have meeting to attend," I was going to **** that ******* when I found him. He had taken my only love from me, and he would pay this time, I would make that absoultely certain. Cameron nodded and headed for the door. It was a long way back to his house, and he crossed quite a few bridges. I didn't want him making any bad decisions, " Cameron you can crash here, I have a guest room your welcome here man," I say casually so he doesn't get all prideful. He stops and looks at me for a moment then nods " Yeah, thanks man, and also thank you for agreeing to help me on this I know it's a bit of a touchy subject for you, just know i appreciate it." He made his way down the hall, I listened for the soft click of the door shuting before i went to leave.
    I grabbed my coat, and the keys to my Ducatti and ducked out the door. The hallway was long and at the end of it was two flights of srairs, I lived on the third floor. My motorcycle was parked right were I left it, it was a beauty. Black and red sleek metal and nice leather seats. I loved the bike so much I had named her Racer. I loved to drive fast, and so did she. I tore off out of the parking lot and listened to the purr of her engine on the way to Rowan's , my boss, office. It wasnt to far, but I wasn't in a rush either so i took the long road just to stall. I knew Rowan planned on giving me a partner. Probably some ****** that didnt know his way around a swiss army blade, let alone a sword. Warriors didnt use guns unless absoultely necessary. I loved the feel of my sword slicing through the air. I didn't, however, enjoy the noisy bang of a gun. A sword was like another limb, you have to trust it to take you were you need to go.
    Rowan's office light was on, and I could make out the form of three bodies. Great, I knew it, Rowan was going to assign me a partner.
I hated partners, the only one I'd ever slightly enjoyed had been Cameron. I got off my bike, patted the seat for good luck, and made my way into Rowans office. When I pulled open the door I was ready to yell at Rowan for even thinking of giving me a partner, instead i dropped my hand off the doorknob. " *******," was all I coluld say. I was stunned to silence.

a blackout caused by evil daniel pederson



you see brian allan was sitting there doing his art and suddenly daniel pederson’s spirit forced the power

to go out just in brian’s apartment so he can tie brian up to his bed, and brian was trying for a way to

get free, but daniel had a hold on brian allan, and said, you are still a yeah mate yeah kid brian, and i will make sure

you are tied to the bed, and then i will leave and have them turn on your power again

brian was wriggling and turning saying, help me, let me out of this cage, untie me, please let me go

my power has been turned off, so daniel pederson can get the better of me, then daniel tried his best to keep

brian’s dad and family from saving me, please let me go, brian said, but the gag was tightly on brian’s mouth

and daniel told cameron goon, your not a cool kid, anymore sure mate, and then he said, don’t be a cool kid, cameron

brian is suffering through mental illness, and i am the cause, cameron said, heh heh heh, please keep his power off

and daniel said, i am dead, you know that is not how it works, i turn off brian’s power, i tie him up, and suddenly his power

comes back on, and he feels kidnapped and you cameron do what you used to try to do, because brian allan is looking at

his daddy’s next life, brian was screaming, HELP HELP, let me be like pat and chris, and daniel said, neh, you are trapped by

me, cause you are too woosey to write this out of you, and brian screamed, TURN MY POWER BACK ON YA ****, TURN MY POWER

BACK ON, AND UNTIE ME, you evil little ****, and brian remains struggling on the bed and daniel forces cameron to lift his feet

up off the floor, like bobby bullpitt did to ted bullpitt on kings wood country, saying, brian allan isn’t like us anymore, he doesn’t work

and brian allan tries to say through his gag, i work, and if daniel turns the power back on, i can work on that, and daniel said, you have

to work on this, because you aren’t like us, brian, you ain’t a man, brian your too shy to be a fucken man, and as daniel said that brian

was struggling on his bed, saying, i have been kidnapped by daniel pederson, turn on the fucken lights, so i can have power, i have no torch

so daniel has me right where he wants me, as brian said that, daniel said yeah, i do, and i will make sure you suffer for every crime you do

or any crime you have done, every time you enter a shop, and you haven’t enough money, daniel will put in the corner of your mind, to steal it,

because, brian allan isn’t a cool kid, and i want you to know, every kid you see on youtuibe being kidnapped is my spirit, even if it has adult spirit

you see daniel pederson said, he ain’t stupid, he isn’t going to let my dad win the battle, but brian allan was screaming HELP HELP UNTIE ME FROM

THIS EVIL SPIRIT NAMED DANIEL PEDERSON, and daniel said, you are with me now, brian allan, i turned off your power, to make it look like i have

you with me forever and ever amen, and once i have what i want, i will turn your power back on, and untie you, but as long as you never get employed or

always suffer with a lousy canberra bus service and as long as kids in canberra do as i say, brian allan will be a kid forever, never to be an adult, your only mates

will be the scruffy old scott and ******* old paul, and i want patrick and cameron to try and go, get ****** brainy get ****** man get ****** brainy get ****** man

in your head till you die, brian allan, you will suffer forever and ever, and my voice will say, keep teasing brian pat, sure mate, brian was worried that he was losing his

cool kid credits, and daniel said, yeah, you have lost your pat and chris credits, and forget about being like your parents brian, i made your dad die, so we can place

the words your father isn’t around anymore in your head, brian allan, if you didn’t want this, why were you laughing at cameron, no you will suffer, and daniel is having fun

putting in patrick’s voice, him saying ‘i am not ya daddy brian’, no, none of them can save you from me, brian allan kid, but you are not a kid, ya see, you laughed at

cameron being *******, i will make cameron laugh at you, you will suffer brian allan, brian was wriggling about on his bed saying let me go, i am like os, and daniel said

you are losing your os credits, you are not like your family anymore, you are still like your old fri———ends, budddeeeeee, brian yelled out, HELP, SAVE ME FROM THIS

EVIL DANIEL PEDERSON KID HELP ME HELP ME HELP HE SAID, BRIAN WILL CRUSHED TO BE BUTTER ON BREAD, i have brian allan with me, forever, where he’ll

hear the words, your daddy, ain’t around anymore, brian yelled out, let me go, free me, but daniel pederson said ok, you can go, but, i have the power to turn off your power

brian cronus greame thorne patrick dunbar allan, you will never be the man from albert waldron, you see you were hearing these voices from the days of albert waldron, all the

men saying, yay, here is big bad brian, but i turned off your family man, so you can commit a crime, because you, brian allan is a victim of kidnappers, from a kidnapper like the evil spirit

daniel pederson, heh heh heh, you will never defeat my spirit, heh heh heh heh

"Jessie, Jessie Cameron,
   Hear me but this once," quoth he.
"Good luck go with you, neighbor's son,
  But I'm no mate for you," quoth she.
Day was verging toward the night
  There beside the moaning sea,
Dimness overtook the light
  There where the breakers be.
"O Jessie, Jessie Cameron,
  I have loved you long and true."--
"Good luck go with you, neighbor's son,
  But I'm no mate for you."

She was a careless, fearless girl,
  And made her answer plain;
Outspoken she to earl or churl,
  Kind-hearted in the main,
But somewhat heedless with her tongue,
  And apt at causing pain;
A mirthful maiden she and young,
  Most fair for bliss or bane.
"O, long ago I told you so,
  I tell you so to-day:
Go you your way, and let me go
  Just my own free way."

The sea swept in with moan and foam
  Quickening the stretch of sand;
They stood almost in sight of home;
  He strove to take her hand.
"O, can't you take your answer then,
  And won't you understand?
For me you're not the man of men,
  I've other plans are planned.
You're good for Madge, or good for Cis,
  Or good for Kate, may be:
But what's to me the good of this
  While you're not good for me?"

They stood together on the beach,
  They two alone,
And louder waxed his urgent speech,
  His patience almost gone:
"O, say but one kind word to me,
  Jessie, Jessie Cameron."--
"I'd be too proud to beg," quoth she,
  And pride was in her tone.
And pride was in her lifted head,
  And in her angry eye,
And in her foot, which might have fled,
  But would not fly.

Some say that he had gypsy blood,
  That in his heart was guile:
Yet he had gone through fire and flood
  Only to win her smile.
Some say his grandam was a witch,
  A black witch from beyond the Nile,
Who kept an image in a niche
  And talked with it the while.
And by her hut far down the lane
  Some say they would not pass at night,
Lest they should hear an unked strain
  Or see an unked sight.

Alas, for Jessie Cameron!--
  The sea crept moaning, moaning nigher:
She should have hastened to be gone,--
  The sea swept higher, breaking by her:
She should have hastened to her home
  While yet the west was flushed with fire,
But now her feet are in the foam,
  The sea-foam, sweeping higher.
O mother, linger at your door,
  And light your lamp to make it plain;
But Jessie she comes home no more,
  No more again.

They stood together on the strand,
  They only, each by each;
Home, her home, was close at hand,
  Utterly out of reach.
Her mother in the chimney nook
  Heard a startled sea-gull screech,
But never turned her head to look
  Towards the darkening beach:
Neighbors here and neighbors there
  Heard one scream, as if a bird
Shrilly screaming cleft the air:--
  That was all they heard.

Jessie she comes home no more,
  Comes home never;
Her lover's step sounds at his door
  No more forever.
And boats may search upon the sea
  And search along the river,
But none know where the bodies be:
  Sea-winds that shiver,
Sea-birds that breast the blast,
  Sea-waves swelling,
Keep the secret first and last
  Of their dwelling.

Whether the tide so hemmed them round
  With its pitiless flow,
That when they would have gone they found
  No way to go;
Whether she scorned him to the last
  With words flung to and fro,
Or clung to him when hope was past,
  None will ever know:
Whether he helped or hindered her,
  Threw up his life or lost it well,
The troubled sea, for all its stir,
  Finds no voice to tell.

Only watchers by the dying
  Have thought they heard one pray,
Wordless, urgent; and replying,
  One seem to say him nay:
And watchers by the dead have heard
  A windy swell from miles away,
With sobs and screams, but not a word
  Distinct for them to say:
And watchers out at sea have caught
  Glimpse of a pale gleam here or there,
Come and gone as quick as thought,
  Which might be hand or hair.

Adam kicked the soccer ball to the front of the house.  Sam watched him chase after it, while she sipped her sweet tea.  The sound of his feet stopped and was replaced with car tires driving through the gravel road.  She stood up and walked down the steps to see who had come.  Adam cut her off before she made it around the corner of the house.
Panting and out of breath, he gasped, “Mommy…Daddy’s home.”
Sam stared at Adam, letting those two words sink in.  Adam turned around and started running back.  She stood there for a moment and then took after her son.  Thoughts were flooding her mind.  When she hugged him one last time before he left, him walking towards the plane, the letters coming home every week, his arms wrapped around her, and the sounds of him and Adam playing football in the afternoon.
Her pace slowed when she arrived to the front of the house.  Cameron’s grey truck turned off followed by another black car tuning its engine off.  Cameron hopped out of the truck and looked over at her with sorrowed filled eyes.  Adam ran up and gave him hug, but Cameron’s eyes never left hers.
A Marines officer walked up to Sam with letters in his hands.  Her heart started beating faster and could feel a hole beginning to form in her stomach.  Please…Please, don’t tell me he’s gone.  Please be a mistake, she closed her eyes and thought.
Ma’am, are you Sam Chesterfield?” the officer asked.
She opened her eyes and forced a whisper, “Yes.”
“Mrs. Chesterfield, I am sorry to inform you that your husband has died in combat.  He gave me this letter to give to you.  Here is another letter from the Department of
Defense about the funeral if you have any questions.  You have my deepest condolences, Daniel was an honorable man,” he placed his hand on her shoulder and walked away.
As he climbed into his car, Sam broke down.  She feel to her knees, letting her vision get blurry.  Cameron ran over and wrapped his arms around her, trying to calm her down.  Adam walked over and took his mother’s hand.
“Mommy…is Daddy coming home?”
Sam looked up at him.  She saw so much of Daniel in him.  Before she could answer, Cameron responded, “Your dad…well he went somewhere where he can get better.”
Adam just nodded.  “Sweetie, why don’t you and Cameron go inside.  I need to take care of some things,” she sputtered out.
As they went inside, she stared at the white envelope with her name scribbled on the front of it.  She slowly opened it and began to read,
My Dearest Samantha,
If you are reading this, you already know that I am not coming home.  I could not know or describe the pain that you are going through right.  When Adam has asked what has become of me, tell him the truth.  Let him know that his father died a hero and that I loved him very much.  I already asked Cameron to look after you and Adam, and he has promised.
Sam, please do not grieve my death for the rest of your life.  Smile and remember the good times.  Our wedding day, the first day we met, how we fell in love.  Remember all of that; watch the tapes to see my face again.  I will always love you and be with you, no matter what.  I know that it may be hard at first on your own, but you are a strong woman and can do it.  You and Adam are my life’s love and happiness.  I will always be with you two in heart.
There is another letter in here for Adam to read.  I want you to give it to him when you think he is ready to read it.
I love you with all of my heart.
Love,
Daniel

Non ci sono dubbi .questo matrimonio rocce.E non solo perché si è tenuto nel piccolo locale impressionante conosciuta come Sedona.No .succede anche per caratterizzare un duo seriamente adorabile ( innamorati liceo .non meno ) .lussureggianti.fiori colorati da Jazz Bouquet e un ambiente sorprendente ( Creekside Inn ) che sarà una sorta di toglierà il fiato .Vedi tutto catturato splendidamente da Cameron \u0026Kelly Studio proprio qui .

ColorsSeasonsSummerSettingsAl FrescoInnStylesCasual EleganceRustic Elegance

Dal Cameron \u0026Kelly Studio .Samantha ha sempre voluto un matrimonio cortile e Creekside Inn è salito per l'occasione con i suoi prati ombreggiati .impetuoso torrente e opportunità per la famiglia di stare in una casa .Fratello Brenan ' più giovane abiti da sposa on line .Kyren ( QB corrente alla Northern Arizona University ) .citato durante il suo brindisi alla abiti da sposa corti coppia che sua Madre è sempreè eetting a luièperè ail suo o quello.èUn abiti da sposa corti giorno fece notare a lei cheèeRenan non è mai stato in difficoltà come questo quando aveva la mia età .èsua madre ha scherzato di nuovoè uUST gemmeèe in base a Samantha e quel soprannome è bloccato .Sam ha sorpreso anche il suo sposo con un segno per le ragazze di fiori per portare Detto quest

Sam aveva torte Bundt invece di torta nuziale regolare e Corn " Poe " per il dopo cena tratta .La cerimonia è stata accanto al torrente impetuoso e cocktail hour appena sopra il prato superiore.Gli ospiti assorbito un cocktail chiamato " Sedona Greyhound ".Mi è piaciuto molto il menu lavagna grande come ospiti camminavano attraverso un arco per entrare nella parte cena tenda della serata .Per i giudizi favori Sam aveva personalizzato coozies a ciascuna regolazione del posto .Tutti i



nomi delle tabelle sono da ristoranti dove la coppia aveva fatto la storia !
Da Sposa .Brenan e io siamo innamorati delle scuole superiori .Abbiamo cominciato ad uscire il nostro ultimo anno e siamo cresciuti insieme nel corso degli ultimi otto anni .Sono andato al UA e andò a ASU .in modo da poter dire che abbiamo una casa divisa e ancora discutiamo le nostre scuole .ma amiamo quando le nostre squadre giocano a vicenda .Abbastanza strano.ma noi chiamiamo a vicenda amici e nostri amici e parenti sanno questo soprannome .Quando mia madre mi chiedeva se eravamo fidanzati durante l'ultimo anno direi "No .siamo solo Budds . "Abbiamo fatto riferimento anche l'altro come Budd e si è bloccato con noi .Ci piace cavalcare le nostre biciclette insieme attorno a Tempe e andare in uno dei nostri posti preferiti Four Peaks per afferrare una birra .

Fotografo: Cameron \u0026 Kelly Studio | Dress : Monique Lhuillier | Catering : Dan Bistro | Coordinamento : Van Damme Matrimoni | Fiori : Jazz Bouquet | Tenda : Partito Classic Vacanze | Luogo : Creekside InnMonique Lhuillier è un membro del nostro Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui

david cameron stars in lets go outside 26.09.18

it was exposure
not in LA or a bog
BB will bring closure
mr cameron will look back and snog.
at present its all hush
lets not send in a copper
putting dress on gave a little rush
going to be a breakthru not a cropper.
he did sign up to george
and it will congratulate
cameron has been true and no forge
seeing as living in surveillance state.
has the line been crossed
we have to think about implications
into the blue oyster bar tossed
unlike proctor who has many frustrations.
its going to come good
watch it back on replay
you will thank you hood
we like you for being cameron relax about gay.

19:14pm,  23/08/2010

I

What names of high renown lie here within,
What wonders of a cinematic age?
What players of chameleonic skin,
What vast dimensions leap beyond the stage?

Withnail and I would walk this hallowed road,
Dreaming of turning visions into deeds;
Train-spotting trains of thought that overflowed,
Where levity had trampled karma's seeds.

Tread softly here and utter not a sound,
The scene is set, for all lost here below,
With all forsaken dreamers underground
And all who yearned to go on with the show.

For all the lost, forsaken and foregone,
Dead lips whisper of "Hunt" and "Cameron".


II

Walkways of fame, like dreaming colonnades,
Gold sunrise shoots that everyone admired;
Lost eras when producers all wore shades,
And divas turned up early and inspired.

Hot cappuccino served with bright ideas
In cool cafés and bistros of desire;
Their ghostly image flares - then disappears,
With all who held the torch of inner fire.

All those who now endorse perfumes and creams
And those in pantomimes on seaside piers,
Remember well who crucified their dreams
Replacing honeyed hopes with bitter tears.

Inscribed in blood, their torrid names live on
- Don't speak to us of Hunt and Cameron.


III

A beautiful laundrette, deserted now,
Reduced to an accountant's numeral;
Open the wine and slay the fatted cow,
To find the wedding's now a funeral.

And did we, in good faith, believe their lies,
Electing them to office, fuelled by hope?
Now strung along by feeble alibis,
And all because we gave them enough rope?

Hope is the dreamer's dope. We who despair
Are never fooled by optimism's glitz;
Sometimes we are too fatalist to care,
Sometimes we must accuse, where the cap fits.

The coalition's follies blunder on
Up the Junction, with Hunt and Cameron.


IV

Avert thine eyes, Tim Bevan, CBE,
A tempest comes, on terrible black wings,
A blight hath fallen on the industry
That used to bring such bright imaginings.

Our protestations have a Little Voice
That Whitehall deems too indistinct to hear,
Must we the free be faced without a choice,
Must everything we loved now disappear?

Tread softly here, for it's the final take,
No accidental noise disturbs the boom,
As art is crucified for money's sake
Respectful silence settles in the gloom.

Sometimes progress moves backwards and is gone,
Like bright ideas by Hunt and Cameron.


The End....?

She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.

“Cameron!”
I stopped mid-step, my body rocking back and forth, as Ally continued walking a few steps ahead.  She turned back and looked at me.  I cocked my head to the side and she gave me a wave to go.  I turned around and saw him leaning up against the railing, his arms supporting him.  I made my way towards him.
I felt as if I was seeing him for the first time.  His tan skin stood out against his white shirt; which was my favorite, his brown hair messy underneath his snap-back as usual, but still cute, and his blue eyes watching my every step.  I bit my lip, not wanting the way he looked to destroy the anger that was built up inside.  I came to a stop in front of him.  We were both quiet.
“What?” trying to sound impatient.
“Why are you mad at me?  You asked for the whole truth. I gave it to you,” he replied calmly.
“It’s what you lied about Mike.”
“I never --”
“Yes you did.  You lied during the entire relationship.  Everyone warned me, ‘Don’t go out with him,’ and, ‘He does it every day,’ and so on and so forth.  Then when I asked you about it, you said you did it once and didn't like it, so you haven’t had any since.  Then you tell me earlier, ‘I've been doing it before, during, and after you,’” I gave little air quotes, “So tell me where you never lied?”
“It was one little thing,” he was no longer leaning against the rail, only a foot away from me.
“No, it was a big thing Mike.  You lied about it.”
“I lied.  Big whoop!  Everyone does,” he threw his hands in the air.
“You lied to me during the entire relationship.  I don’t even know if half of what you said to me was true,” my tone rose.
“Like what?” he was becoming agitated.
“Like not going out, been staying out of trouble,” he rolled his eyes to those responses, “Saying that you loved me.”
His head snapped when those words fell from my mouth.  The single foot that separated us was gone.  He was just inches from my face; my nose filled with the familiar scent of his cologne.
“You’re right.  I did lie about all of those things.  But the one thing that I never lied to you about, for a single moment, was when I said I loved you,” his voice was low and filled with anger.  He searched my eyes for a moment.  “I meant that Cameron.  I meant it every time I said it and I always will mean it.  But hey, you don’t believe a single word I say, so why should you believe this,” he walked past me, giving my shoulder a push with his.
I stood there for a moment, rapidly blinking away the tears.  Ally came rushing towards me.  “Cameron are you okay?  It looked like things got really heated between you two,” she put her hand on my arm.
I took a deep, staggered breath in.  “Yeah, I just want to go home,” my voice was cracking.
“Cameron, it’s the middle of the--”
“Can we please just leave?!” my head snapped to her.  Her voice was caught in her throat.  I quickly wiped the tears on my face away.
“Uhhh, yeah lets go,” she guided me towards the front doors to leave.  “Cameron, what happened?  What did he say?”
“Everything Ally, he said everything.”

I’m Cameron, call me Dave,
Power I do crave.
I’ll tell any story
To con you into voting Tory.

Sara L Russell 17/3/15 at 13:25

What will they say of you in future times?
Were they duped by your duplicity
or did you fall on your double-edged sword?
Was the devil we knew any better than the unknown?

The future has a way of arriving early.
Are you ready now, for what it yet may bring?
Will you be knighted, or, benighted and beleaguered,
Fall fallow by the wayside of your ways?

Will the name of Cameron carry on,
Whatever else is lost or left behind?
Will David slay the apocolyptic giant of global warming,
yet terminate the service of National Health?

Was it wealth, or a poverty of emotional maturity
that led to such flotations and privatisations?
what sensations did you feel, did you reach referendum,
did you feel the earth move?

We never saw your manifesto made manifest.
We, the voters who voted not for you,
yet saw you rise, anticipate your fall.
Do promises count as any kind of plan?

And the future is arriving post-haste,
like a present waiting to be unwrapped.
Elections have a way of arriving early.
We are ready, with a big sharp X.

Diaz Cameron
Always reads the Cedameron
In the orinigal Ilatian.

What a mowan!

Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan

What do you reckon? I know what you’ve been thinking…
We’re on a ship that looks unsteady, like it’s sinking…
We’ve made shaky plans to be gung-** and to go it all alone…
But we’re beginning to wonder… are we heading for some kind of danger zone?…
At first we were just floating along - enjoying the passing view
And 2 years off it looked a lot easier …leaving the EU!
But there’s a waterfall downstream…and it looks like a helluva drop.
And once we get too near the edge, well, we won’t be able to stop.

The simplicity of Cameron’s ‘in - out’ referendum question dawned…
Cos, divorce is complicated.  Those who voted leave were scorned,
branded racist, or at least suffering some kind of mental disorder.
“Didn’t you stop to think about the about the Northern Irish border?” (best read in a 'silly', sneery voice).
But - back then there were 2 million Syrians, Afghans, Iraqis all walking toward Calais.
Some thought serious overcrowding problems could come our way.
Single Market,? Sovereignty? Customs Union? What the hell’s all that?
It means you’ll need a visa to go to Benidorm you ****!

Meanwhile Merkel diffused things by taking the refugees in.
But only served to rattle the bars of the **** leaning right wing.
The Spanish got all Oity Toity about us having Gibraltar.
And some of those previously unforeseen problems made Brexiteers falter.
This is David effing Cameron!… Farage embarrassed him into calling for a vote.
And, when the Remainers lost, Dave saw his chance to produce his sick note.
“I’ve done my bit”, he said “so… I’m standing down…  so who do you think should take my dodgy crown.
The Buffoon, the Backstabber, the Right Honourable Lady Home Sec?”
She, the author of  Windrush, Repatriation, food-banks, lower benefits? She got it! ****** heck!…

Hoodwinked by a government you maybe invested your life in, in all the earlier polls
Now we’ve all been tricked by a bunch of, navel gazing, self serving arseholes!
So it’s the blind leading the blind… Well, no.! Misinformed…and maybe just a bit short sighted.
And, you know, Theresa… she’ll most likely still get knighted.
But I doubt this episode will score with generations yet to come,
Deserted by this Parliamentary shambles - sitting on their hands, their collective ***.
The proletariat are cut adrift, and heading for the falls…
So we’re looking for a new saviour - someone with charisma…big *****!

Let’s look forward to this time next year… When some trusty politician re-writes our little story.
When we may be out - but far from down… Well I somehow can’t see it being a Tory…
And if isn’t Jezzer - who HAS got his eye on the prize…
McDonnel, Starmer, Benn, Tom (call me Slim) Watson? Who should THEY try for size?
And, just supposing, by chance, the Conservatives actually crack it
who, amongst the front runners there, could get the job and hack it?
Lord Snooty, Gove, Hammond…Hunt the err… Foreign Secretary,  Javid, Liam Fox (surely not!). Bojo?
With this current stay of Brexicution, for just a couple of weeks… the petition, the march, the chaos, could it still be NO-GO?…
Whatdya reckon?

daniel pederson has trapped brian allan all his life


you since the day when daniel pederson ******* cameron goon to the

school bubbler, he thought, it’ll be cool to die and trap brian allan and

everyone that knows him, to stop this little kidnapping yourself battle

and daniel’s spirit tied brian up to his bed, but then he met brendan and

was a great friend to patrick, and daniel’s spirit wasn’t strong for patrick

but he tied brian and brendan up, and forcing that little jingle, kidnap briaqn and kidnap

brendan, keep brian and brendan in their cages and also kidnapped brian from the

allan clan, when he made brian nick $50 from a drunk, not giving a **** about

the welfare of the drunk, and daniel pederson has forced phedaphiles to ******

kids, even forcing robert hughes to sexually ****** the girls on hey dad, and

made brian feel good about teasing cameron with his dripping water all over cameron goon

and got in the mind of osama bin laden and the bali bombers, saying, destroy that *****, brian allan’s world

to the ground, daniel pederson destroyed people’s lives when he got in the mind of the american ******

and forced brian to yell out to the ****** to get his mate patrick, but nobody listened, and also

forced the kidnapper to grab daniel morecombe as well as holly wells and jessica chapman, and

daniel wanted to get a bit closer to brian’s home, forcing anthony and barry to **** themselves and

forcing mark jones to die as well, and while this was happening, brian started working at LEAD and

daniel was forcing brian to tie himself up, so cameron goon can enjoy life, because he deserves beer

and don’t tell me that daniel pederson got rid of carla and scott mcdonald and paul berenyi, keeping

them all safely with him, and might i add, jack vidgeon was given a death threat and my eldest niece

had a nightmare, which i can guarantee she had her heart pulled out, well, daniel pederson has destroyed

brian’s life, making it harder to work in helping people jobs, with one day brian feared he will be kidnapped

by the young poor people, and this was driving brian allan completely crazy, ya know brian developed schizophrenia,

and daniel pederson who was steven bradley in his last life really enjoyed himself, torturing brian allan, who was greame thorne

and now, brian is battling in this world, feeling he isn’t wanted by anyone, and as he sits there in his house, brian yells out

LEAVE ME ALONE DANIEL PEDERSON, i don’t deserve any of this crap, you see brian will work, but as he gets sick

and taken to the psych ward, he forgets about all the help he does, and now daniel pederson has brian trapped in the cage

of life, and daniel is still trying to beat brian allan at everything, by making him feel like he is too stupid for anything

and now, daniel pederson has trapped william tyrell, because brian likes kids and got in brian’s mind to think

that he is like this ICE sufferer who killed phil walsh,, and brian said, if you ask me, daniel pederson is asking for trouble

in everything he does, what we must do is force ourselves away from the daniel/stephen virus and not **** ourselves, ok

not force ourselves to be trapped, but daniel pederson is so devious and cunning, he won’t lose.

She painted her nails
some shade she hoped
reflected her personality,
and she thought it wasn't
  honest that they weren't
chipped yet.

Her parents sat on a couch
that slumped around the
  middle, gathering the mass
of her parents,
  maybe the mass of her world.

And they yelled at this
boxed television; a t.v. so
******* strange you had to
  swear, swear, swear
you were stuck in 1997.

1997, our year of Jordan:
a unisex name that bled
'I am the same and name of
some place I'll never go;
so place I'll never be big as.'

And our Jordan looked
  at her nails; and she
looked at them again, walking
to her campus, thinking,
"It's not honest that these
are not chipped."

But she had dreams, or
something close to what
a dream used to be.
She didn't want to admit
she had the American Dream;
a dream that millions had,
because the odds of compet-
-ition didn't intimidate her;
she was bothered by the thought
  of sharing something with
millions of people she would
pass on by, asking for nothing,
not even the acknowledgement
  that, yes, we are all in this
together, and to **** each other.

You see, this isn't a normal thing,
Jordan Racer-Cameron would
throw-up all over the waves
bouncing towards the ears of
those girls -- you know -- who
sat around the edge of standard
  cafeteria tables; those girls with
perfect nail polish; those guys that
would write **** like this.

"You see, this isn't a normal thing,"
she vomited out, holding her phone,
"It's cracked but I am not. Every one
will think I am damaged -- but I am
so, so, so not ******* damaged.
I am not broken. There is no way
I can be broken. Ah, no; I wanna
live in Los Angeles. I don't want
to be some broken, fake wolf."

When she flopped home,
passing perfect green squares
surrounded by perfect white teeth,
she tripped, kinda fell, and kinda
  caught herself.   Raising her hand,
on her knees, under a coal dust sky,
she rose her hand before the burning fire,
smiling at the blood splitting her finger;
smiling at the middle nail's fragmented being.

She ****** the blood off,
feeling free of the prose,
found her home,  
and greeted her
   potatoes of parents.

I walk into my office/abode, closing the door behind me. It's 9:00 PM. Well, 9:03 PM. I sit down at my desk and open my laptop, placing a tall glass of diet cola on the mouse pad next to the computer as a make-shift coaster. Three ice cubes float in the bubbling blackness. I've found two ice cubes won't make your beverage cold quickly enough, while four ice cubes will overpower it — water it down. You can't have that. It's got to be three ice cubes.

I open up my word processor to a new document. I've got to write something — this blank rectangular expanse has haunted me for long enough. I type some gibberish, then delete it. What do I want to write? I remember reading somewhere you're supposed to write what you like.

I minimize the page and open the Internet. No new emails. I could watch **** for a bit. I've always preferred the "amateur" videos because the people in them resemble actual people. You know, the guy's a little overweight, and the girl's got excessive arm hair, or a weird mole. He mounts her from behind, sweating profusely. Their bodies jiggle for ten or fifteen minutes. There's no eye contact, but you can tell they're in love. The TV's on. The guy looks up at it sporadically. Maybe makes a face at the cell phone he's filming his ******* on. The picture quality is low, and the audio is pretty tinny, but you can usually make it out all right. I saw this one video of a guy and a girl getting it on and some other dude was there filming it. You could tell it was an amateur video because she was kind of weird-looking. But, like, did he ask his buddy to come back to the motel with this chick he picked up and film them *******?

No, I can't get behind all that glossy, glamourous, professional ****. There's too much Botox and plastic surgery. They look too good. And it's all fake, too. These people have *** for a living. Watching them go at it, it just feels empty. They're not really into it. And I don't know if seeing guys with twelve-packs and ten inch ***** invokes a certain inferiority complex in me or what it is, but I know I just don't care for it.

Okay. Back to the writing. Now, what do I like to write? I like action movies, so... how about... a serial killer. No, a contract killer. So it's a serial, contract killer who... but there has to be some sort of conflict. Okay, a serial contract killer who falls in love with... but there needs to be something that makes it unique. Something unique that sets it apart. So how about he... or she?... she falls in love with...

I wonder if I have any new messages on Plenty of Fish. Maybe that cute brown-haired Asian-looking girl responded to me. What does "D2F" mean?

No, she hasn't. Well, when did I send the message? Yesterday night? Let's see when she was last online...

Today, at 4:13 PM.

Ah.

Well, maybe she just didn't notice it.

Yeah. That's it.

Maybe the target falls in love with the killer. Maybe they meet early on and they hit it off or something at some swanky soirée. And then... she's hired to **** him. Or her. Yeah, that could be interesting: a lesbian contract killer. Never seen that before. But she's got to be hot. Yeah. Not like the monster Cameron Diaz played in that movie... Monster. But who hires her? Her husband? Yeah, that might work. But would he **** her for being a *****? Or maybe... she stole something from him. Some money. Or she found out he's a criminal, and she's gonna squeal.

Lesbian **** is interesting. Especially when they use the strap-on thing. But I don't know why they **** on it first. I mean, it's just plastic. Maybe they know it's mostly going to be guys watching it. Who knows.

But seriously, why would that cute Asian girl not respond to my message? Her profile did say "msg me :)", after all. Her profile said her favourite book is Fight Club. I think she meant the movie. I wrote "haha ya brad pitt is the shiiit". I don't know. I never know what to write in those messages. I always feel obligated to say something about their profile so they know I didn't just look at their pictures.

I'm good-looking, aren't I? I've had girlfriends. I've had *** a bunch of times. I haven't had *** in a while, but... okay, so I don't have a six-pack, but I go to the gym. I just get so anxious with all those muscly dudes walking around. Maybe I should get a private trainer.

I need more diet cola. No, wait — no more soda. Maybe all that aspartame is messing with my head. Anyway. Back to the contract killer. How many pages do I have? Six. Well, the average movie is about a hundred minutes, and if one page equals one minute in screen time, I'm only... oh look, I got a new email.

Stef341 has responded to your message.

"not my type, sorry"

Huh.

Well, whatever. Fight Club is a stupid movie anyway. How are Brad Pitt and that other guy supposed to be the same guy? That doesn't make any sense.

Back to the script. I need a title. Every good movie has a good title. How about The Lesbian Killer? No, that's too risqué. Nothing with lesbians in the title. This is a serious movie. With a lot of passion. Maybe a *** scene or two. Whatever, I'll just call it The Contract Killer. Starring Cameron Diaz.

I'm bored of reading political views
I'm bored of watching the **** on the news
I'm bored of having to have and opinion
I'm bored

I'm tired of people wanting to fight
I'm tired of people who think their view is right
I'm tired of the views of the right and the left
I'm tired

I'm fed up with always having to judge
I'm fed up of people who's opinions won't budge
I'm fed up that I can't just get on with my life
I'm fed up

I'm sick of talking of David Cameron
I'm sick of talking of Donald Trump
I'm sick of talking of Boris Johnson
I'm sick of talking of Bernie Sanders
I'm sick of talking of Jeremy Corbin
I'm sick of politics

I want to talk about people and life
David Cameron is just a person
Jeremy Corbin is just a person
Not bad guys and good
Don't get annoyed with the guy at the top because he doesn't do things the way that he should.
Don't create a system where we put him on top and then moan coz he doesn't do it the way that we would.
Darkly sarcastic cynical views do little that's good. They leave me bereft
Don't split up the range and complexity of human ideals into a basic idea of right and left.
Right and wrong.
Them and us.
Cameron and Corbin.
Trump and Sanders.
Rich and poor.
It's not that simple
They're all just people
You can't lift one up on a steeple
And cast the other into hell
Some of what they say is right as well
We're blind men with an elephant
And our discussions just aren't elegant
And until we listen to opposing views
I'm just going to stop watching the news.

Cameron u suk
When you get a hundred, you make me want to hit myself with a tractor truck
I don't even know why I keep tryin'
Flashcards is all I keep buyin'
You never smile
Kinda remind me of Kyle
Got a headache
Obviously my life was a mistake.

It was the December of '91,
and Larry asked me to come with
him and some ladies he knew
from Cameron Christian to
some **** yogurt shop on
Dead Dog Ave.

Three brunettes and a blonde;
at the time
I didn't care much for brunettes,
but god, god, god,
the blonde
with the crystal grey eyes,
the wrinkled floral print dress,
an optimistic ***,
and shaky feet
every single time
I made the eyes.

Sarah and Jennifer (two of the brunettes)
smelled of Glade-Feces-Blanket-Spray,
the third was far too young
to undress,
and I nearly strangled my beautiful blonde
when she mouthed, "Eliza."

I kept talking up the
fact my dad had just kicked me out.
I told Eliza I had the most magnificent
apartment
a bachelor could buy,
she kept averting her eyes,
shifting subjects like
playing cards,
my hands kept clinching,
clasping,
aching,
"Be right back, purty ladies."
I headed for the bathroom
leaving Larry to ******
Jennifer Glade.

I looked in the mirror,
I remember giving myself
a pep talk,
but I can't for the life of me
remember anything I said.

I remember pulling a dwindling
bottle of Black Label from my jacket.
I had taken it from my ******* dad,
the night he yelled, yelled, yelled,
until I was in some low-income complex
with a bunch of lowlife, ******
fuckups.

I ****** off the remnants.
Combed, recombed my greasy hair,
went back in,
just in time to hear
Jennifer Glade spout her stupid mouth,
"Larry, I told you I have a boyfriend."
"He's a ******* idiot."
She started to whimper,
said something like he was a regular sweetheart.
The regulars are so boring.

Larry stood up,
accused her of leading him on,
the acne cashier asked us to "pipe down",
I directed my stare into his acne-framed
irises.

I walked quietly toward him,
I could feel Larry and the girls
tracing my every feature.
"Just leave him alone,"
said my blonde little sweetie,
I turned back to her briefly.
Her skin looked like milk,
I wondered if it tasted like milk,
I kept my feet on track,
redirected the gaze,
back to my heavy-breathing cashier.

I got eight inches away from his face,
he fumbled some words,
that left a bad taste.
I could see my reflection in his retinas.
I looked clumsy and circular.
My milky, blonde Eliza would
never go for a circular **** like me.
This conclusion
coursed through my veins with
irrational speed.

I shot the acne cashier.
Right in his stupid, acne-framed iris.
The gun had been my grandfather's.
He had killed a black boy in the '30s with it.
Got to love legacies.

The brunettes were screaming.
I think Larry was trying to reason with me,
or maybe he was throwing up-
somebody threw up,
anyways,
I shot the young one first.
She had annoyed me most.

Then Sarah Glade.
Then Jennifer Glade.
Eliza began to run.

I jogged after her,
she frantically searched for a phone,
and my milky blonde
found one.

I stopped at the doorway,
rested my head on the frame,
listened to her cry into the handset,
begging for the police.
I opened my lids,
silently strolled up behind her,
with my left hand
I grabbed her optimistic ***,
with my right hand
I pulled the trigger.
She splattered onto me.
I felt successful.

I walked outside.
A silent,
still Austin night,
not even a dog on the street.
Larry was crying.
I told him to shut up.
They were *******.
Asked him for his lighter.
He opened his car door,
dug in his center console,
buried under 6-feet of cigarettes
was a lighter,
he popped the trunk,
I grabbed the gas can.

I erased Friday's mistakes,
and found Larry had driven off without me.
I walked to my low-income home.
I had a lazy Saturday.
Read an interesting story in the Guardian on Sunday.
By noon on Monday,
they were pointing cameras at me.

I've just joined the Liberal Democrats,
My mates reckon they're all a bunch of *****,
But I say "what do you know?",
"I've read their entire manifesto".

Well that was a lie,
If ever I've told one,
In truth I know maybe 5,
Policies of theirs and then I'm done.

But what's the point in all of this,
Cameron says "hug a hoodie",
What could be next?,
Give a burglar a kiss?

Oh well it's all a guessing game,
At the end of the day,
No politician has a sense of shame,
And no shortage of cash on their payday.

When I turn 18,
What do I do?,
Vote for the colour I like best,
Or speak the truth?

Debates and elections,
Aren't really democratic,
Cause no ministers have the courage,
To make their policies stick.

This contains swearwords!!!!


Do you know what it’s like to be on the dole?
The giro, the social, the rock and roll,
Well I’m tellin you now, that it’s no laff,
No heat or food, round at my gaff,

I can’t pay the bills on fifty three quid,
This is how I live; I’m tellin ye kid,
No Lecky, or water, or comfy bed,
Nowhere to lay my educated head,

You’s think I’m brewsted on state benefit,
Well I’m tellin ye now, life is ****,
No jobs are goin in my town,
This whole ****** country is goin down,

I look every day for a job to do,
Over qualified under qualified, scew you,
I’d brush your path, deliver your dinner,
My options for work get thinner and thinner,

But we get the blame for the country’s debt,
And seen in your eyes as a useless get,
We are not scroungers and living like kings,
We can’t afford the simple things,

We can’t take our kids to Blackpool pier,
Or to the fair, it’s just too dear,
It’s not our fault the system let us down,
Schooling was crap, but I got a cap and gown,

So don’t look at me, like I’m ****,
I’ve bettered meself to get out of this pit,
I’m clever and proud and I stand tall,
I make something out of nothing, coz I’ve got **** all,

You won’t tread us down, yeah that’s right,
We got fire in our bellies and where ready to fight,
We’re not greedy for a fancy lifestyle.
The simple things make us smile,

So quit avin a go, at our worlds apart,
I’m scouse and proud, with a lions heart,
So live well in your mansion, apartment, or detached,
Coz were the generation that Maggie hatched,

Yeah that’s right were Maggie’s crew,
The under privileged, not like you,
Time to step up the Cameron’s and Clegg’s,
Coz you’ve sat long enough on Thatcher’s eggs.

Tina Ford

Knicks

Waiting at the bus stop,
Jamming to some hip hop,
Checkin’ on my wrist watch
Clock is running tick-tock

And he made his way down the block
Walking in my direction,
With his face hanging behind that faded fitted

He is the boy that never goes home
Who thinks selling dope and
having high hopes makes him grown

Late nights on street corners,
Protecting urban borders,
Claiming blocks for blood,
selling rocks for what?

He nodded at me and I smiled back
not ever ignoring the bloodstains on his shoe laces
He was a gangster

And I never understood how such a bright boy
could be such a coward
Because that’s what they are all
Cowards who hide behind colors
Blue and red tied brothers
who leave their sisters and mothers
How could you?

Whose familiar face standing beside me
As if we never shared the same last name
Cameron

For all those times that you pushed me from the doorway
Just to kiss the sunset with your piff

I prayed for your protection
I prayed that you would never forget
mommies’ and daddies’ lesson
and that my love for you will never lessen

And I prayed that a bullet will never befriend your skin, I prayed
That someday you will understand
that being a brave street soldier in the dark
still made you a coward come sunrise

And sometime I feel that you may be color blind
Because I do not understand how you see strength
in your blacks and reds
When you have blacks and blues tattooed all over you.

So tell me what side do you belong to
when your lips are synced supo....
but your eyes are swimming in cripped colored kisses
mixed with hints sdfnarega...
ajrngjeag...

They got you
now you have an appetite for revenge

too proud to bleed for the bullet
yet quick to let finger tips lit triggers
your fine arms are too short to box with God

I remember when you told me
that you favorite rapper was TuPac
and I bet you wonder if heaven has got a ghetto

but you will never know because attempting to play God
and pimping mother nature
will never get you high enough to get there

so he will just send his angels down to tell you
that it is TuPac for one more gangster

and now you are off to hell’s home, homie
where you won’t have back pocket
for your blood colored bandannas to hold on to
like umbilical cords connecting you to the wind
you will just be dead skin
lost like the next of kin
of all your other blood brothers who sin

and all your fighting for meaning nothing any more
because in hell you will no longer
have your boys willing to die for you

just demons waiting to dance with you
holding out red roses that used to be white
before they used them to clean the messes
you made when you were still alive
what are you thinking?

you coward
running from your own light
shaking hands with the darkness
as if you were never taught to recognize the sun
mommie’s son
my brother

I just wanted to make you come home
make you breakfast in the morning
and remind you how beautiful blood can be
when it is not used as paint on concrete canvases
but when it is served aeruhgiureg on kitchen tables..

and as my bus pulls up,
I rummage through my pockets for my dollar
wishing I too had a faded fitting to hide my face beneath
because I would hate for you to see me cry for you too

and as I step onto that bus and walk over to my seat
I silently pray to God
that he will forgive me for calling you a coward

because who am I to call you a coward
when I couldn’t even find the strength to tell you how I felt
couldn’t share my quick healed cuts with you
and the tears that raced down my cheeks

so fast to prove that blood is indeed thicker than water
My brother

you stayed at the bus stop as we drove away
and I don’t know if my bus wasn’t going in your direction
or if you just lost your direction
years ago in the red silk lining of papi’s coffin

but I won’t dwell
I will sleep tonight
not forget to dedicate my prayers to you.

Wake up in the morning,
get dressed and
if you find yourself missing your little sister
I will just be...

Waiting at the bus stop,
Jamming to some hip hop,
Checkin’ on my wrist watch
Clock is running tick-tock

Send the immigrants back; unfortunately the referendum was based on that.
Misplaced Hate,
Created by power,
Forcing a debate of the darkest hour.
Hate towards immigration, but wait!
What if you need an operation?
The health service is crumbling, needs multiculturalism to keep the cogs turning.
So you want a debate on immigration?
Let’s talk about your integration.
What’s your heritage?  
Where is your blood line from?
I doubt it will be a solely British one!
Our kids walk the streets with knives and guns, yet our politicians talk with plums.
Claim to understand society, but driving flash cars is their priority.
Don’t give a **** about local business rather see corporations strip our economy.
Self-Serving politicians feed the fat cats ambition, Cameron or Corbyn? It’s us the people who are suffering!

Dying for The Redoubt

Dyeing for Empire,
In Anchor Mills,
Building the wealth,
Colouring twills.

Weaving the pattern,
Cutting the cloth,
Meeting wee Margaret,
Pledging his troth.

Production line,
Jobs to be learned,
With regular work,
Money is earned.

Marriage is joined,
Making a home,
Child after child,
Seven are born.

Then Serbian guns,
**** Franz the True Heir
And domino treaties,
Fall without care.

Thomas enlists,
September 14,
Despite family of seven,
He dons khaki green

He felt it his duty,
To fight for the King,
Old Georgie was grateful,
Though he knew not his name.

“I, Thomas Cameron,
Do swear I will be,
Faithful and true,
To His Majesty,
King George the Fifth,
His heirs and successors,
According to law.
So help me God.”

With serious intent,
Asunder from Margaret,
One oath was rent,
For an oath to the Monarch.

Till death us do part?
Unbreakable bond,
Thrown over in faith,
In his fellow man.

King George had another,
Under Kitchener’s gaze,
To widow a mother,
He marched to his grave.

Given a number,
To **** off the ***,
Thomas was marked,
Eight-eight-forty-one.

The Highland Light Infantry,
Reached Mesopotamia,
To satisfy Asquith’s
Megalomania.

The soft underbelly,
Of Ottoman Turks,
Would weaken the Germans,
With attacking force.

March by the Tigris,
Dust covered dusk,
On to Dujaila!
Onwards we must!

Surprise was obtained!
The Ottoman fled!
Victory ours!
‘Retreat!’ Kemball said.

‘Retreat? When we’ve won?
Retreat when it’s ours?
“Retreat!” Kemball barked,
“For orders are orders.”

“My Plan must succeed!
The barrage goes in,
H-hour is later,
Then we can win.”

Reoccupied trenches,
Redoubt filled with men,
Pushed by their officers,
At the end of their guns.

“Now we advance!”
“Now we attack!”
But Ottoman guns,
Began shooting back.

What enters the mind?
Of a dutiful man,
When the officer’s whistle,
Gets drowned by the sound,
Of the maelstrom of bullets,
By the thousands of screams,
As man after man,
Sings his own requiem.

Lay he for long?
Did he pass without pain?
Or agony prolonged,
Ere he passed on the plain?



Still he lies there,
A husband and dad,
Dying for Empire,
On the Road to Baghdad.

Lest we forget,
His name lives evermore,
Inscribed on a plaque,
On old Basra stone,

But I’ve yet to meet,
From the day of my birth,
A man who did know,
That he lived on this earth.

And who suffered most?
And what was it for?
This desperate campaign
This war to end wars?

Our Monarch still reigns,
With others in line,
Have we learned our lesson,
For the next time?

This Remembrance Day,
Whatever goes on,
Spare part of your prayer for,
Private Thomas Cameron

I sat there before the man puzzled in a loss for words now I finally understood how most people dealing with me felt for a change.
So what do you think?

The man asked with a gleeful look in his eye minus the ****** gay *** musical covers of once kickass music .
Looking at the cover of what was supposed to be my master work A Cold Beer Beats A Warm Heart yes a shameless self plug really if that's the lowest you believe I have sunk in life I feel sorry for you.

I viewed the cover looking for a nice rational response to my publisher let's call him **** for brains ******* I wish would die!
And you thought I hated the like button.

It ******* ****'s **** amigo.
What ? ,Are team spent hours designing this it's catchy and edgy
it screams you .

I knew this man without a doubt was on far better drugs than I had ever tried in my life once told me one thing.
I really needed to figure out where this guy  hid his drug's.

Okay what don't you like about it?
Duh who wants a picture of Leonardo Dicaprio  on there cover of there book.

What? The man looked at me stunned then looked at the cover again
that acid must really be kicking in for he kept doing this several times before finally breaking his odd silence.

It's a picture of a water bottle next to some swiss cheese .
Duh ******* I said in a respectful manner like I said who wants a picture of that ****** bag Leonardo Dacaprio on there cover .

What the hell are you talking about this cover is brilliant we have been working like almost  one whole day to put this together  now what's the ******* problem with it?

The publisher said this to me in his outside voice and being it was indoors it led me to believe the stuff he was on was wearing off .
I had to try another approach I had to  get down to his level and this couldn't be achieved with any store bought whiskey so I broke out
my trusty mason jar and took a big hit of some good corn whiskey.

After finally catching my breath and when my vision slightly returned I broke my silence.

Look my friend it's simple when selling a book with my name on it
the reader expects a few simple thing's
One bad taste and bad spelling.
Two long writes of total ******* with lots of mentions of ******* .

And most important a cover with some hot half naked  strippers duh
what doesn't say poetry like hookers ?

Okay and your point is this strange man who signed me to a contract
yet thought for some reason the crazy **** I spoke of was simply a act.

My point is you can't put a picture of Leonardo Dicaprio on my book.

It's not a picture of him it's a water bottle next to some swiss cheese .

Shh I told this delusional man, far worse than myself .

I motioned him to lean closer and in a whisper I said what about the curse?

What ******* curse he said once again in much to loud of a voice I swear this man was far harder to train then one of my barley legal girlfriends  course I didn't have my whip or coyotes I'm kidding I don't have any coyotes what do I seem like Lily Mae ?

Look sir everyone knows  about the Dicaprio .
The what ?, Are you ******* insane  ?
Well yes but that's not the point here sir by the way what's that sent your wearing?

Oh it's axe do you  like it's broke back swallow lighting.
No actually I was going to ask had you ran over a skunk or a French *****  .

We rambled on a bit and after couple of hit's from Mr Gonzo's  family recipe.
Then just to drag this ****** out we spoke about how axe body spray is great if you want to smell like a French ***** not that I know any but hey message me I'm always here cause I have no life .

But enough with the foreplay children.

I told my ever so high and drunken pain in the **** friend the legend of the Dicaprio and how if you said his name four time's in the mirror after the fourth time he would appear  and then take you hostage while torturing you with the cruelest act possible .

Making you watch all his boring *** movies while jerking him off on the couch till you were bored to death.

Oh my God ! ,The publisher responded in terror !
We have to stop this book from getting in the hands of young people everywhere !

The publisher knowing just how serious this matter was called the publishing house slash back room in a Atlanta **** theater .

But it was to late the books had already been sent out .

And soon something far worse than a zombie outbreak would take hold of the world one city at a time .
Dear Lord what had I created ?

It all started off so innocent just like a **** movie with script really does anyone care to have art direction in there ****?
Some little hamster would buy the book in some bargain rack thinking why is that ****** bag Leonardo on the cover ?

Then they would show it to a friend the book I mean whatever they do in there private life is up to them I'm not judging but if there hot chicks send me a pic or two I'm just saying throw a dog a bone  .

But then the two hamsters would always mention hey have you ever Dicaprioed?  
And as always that heartless ******* would strike again dam you James Cameron  what did you unleash upon this earth.

I would go in hiding in shame for my creation of course I still spent my royalty checks on hookers ***** and *******  but although I seemed happy inside I was hurting .
Duh I'm kidding  hell anyone dumb enough to summon the dark lord of boring *** movies gets what they deserve.

My publisher would hang himself well I can always wish .

And as all ten of my devoted fans scratched there heads as to why is there a pic of a ****** bag on the cover .

The answer was simple .

Cause publishers are stupid and more high than I could ever be so
don't sign **** kids or you to will be driven into the depths of further madness much like yours truly .

Stay crazy.

Gonzo

i remember the nights
that my home set itself alight
along with the rest of the nation,
in rage at ashen-faced foster parents
open window, gasp for breath
and there was only smoke.
though it was not enough to live on,
it quelled the hunger for a while
and we smiled
as one, hands held in this hell
while the father we never asked for
let us poison ourselves
on the gifts brought back from holiday
three days too late
to find an urn
in the blank space once held
by a hospital bed,
now lying broken in a skip,
all cinders, rags,
no riches —
but the stitches at
least are removed,
as gone as everything else.