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ajit peter May 2016
Yonder in time a boatman wait
Behind the misty white death his bait
carrying souls to an unknown land
his path same in journeys uncounted sand

the early morn mist clears to light
rowing close his passenger in sight
he checks the list of destiny for the name
yells to the shore to confirm the same

mortal soul to immortal land
the boatman row with steady hand
A distant melody the boatman sing
A gentle ride sailed with feathery wing

Time swift to the unknown land
The passenger be welcomed by angels hand
What hath thou have to pay the fare
Seek the boatman his journeys share

The mortal look towards the angels hand
What hath i got in immortal land
pointed the angel to a box of gold
Tis your treasure in heaven unsold

Yonder lay in the box of gold
deeds of the passenger in earth to hold
deeds of love and deeds of care
memories of past ever to share

Time stood its ground the passenger thought
He said to the boatman thou shall have all i got
why doth you give all the angel sought
To those on earth I owe in deeds and thoughts

A fare to pay for those who cant
To heavens abode the ride they want
leaving forth the pains and sorrow behind
leaving with sweet memories to the loved and kind
May be my last poem thanks for liking my poems here and many dear friend s from hp
C Jacobine Nov 2013
Stop reading, I tell you;
there is no resolution coming.
Only laments and curiosities,
incursions into the soulless depths of mesonoxian thunder,
maybe a note on the desirability of warm socks,
but no satisfaction.  

Don't expect a mournful awakening,
nor deliberate (or otherwise) profundity.
-disregarding the note on warm socks, of course-

I have given you warning, and if you continue,
the burden of  exploration falls on you,
for consideration is the ferry to insight,
of which this text is built strictly without.

The boatman may ask that you pay with your wisdom
and refuse those that have no treasures to offer.
Would that not be the most desirable life?
Where we live to learn and when we have,
the boatman ferries us into the undying waters?

And those refused must wander and wonder
why they were excluded, where wisdom is birthed,
realizing that they are exactly as intelligent as they work to become,
to which the boatman might say, "Welcome aboard.  Tell me more."

Allegorically speaking, this notion is nonsense.
Metaphorically speaking, completely absurd.
Practically, it's practically insane,
though actively, it is inanely preferred.

Alternative to apathy and pageantry,
wherein the boatman has empathy for those without wealth.
There is no true truth, only real observation,
so stop trusting my judgment and go create it yourself
O boatman, for a while, pause
Before you ferry me across
I need to be on this side
Hold your oars for next tide.
Time isn't ripe for the final sail
I'm yet to bid her last farewell
Get last drop of love from her heart
See her smile before I depart.
O boatman, pause before we sail,
To my beloved I want to tell
Not to forget in her lonely tears
The happiness of our sunshine years.
Lysander Gray Oct 2012
Her mouth glittered agape
With sacred promise,
Like a box of unused
Engagement invites
Christening invites
Birthday invites
Still in the wrapper
For sale at a
Lifeline.

When you’d rather live
In a car
Than the zombie stance
Of a modern house,
Clean and soulless
With a hermetically sealed lawn,
Winter pageantry draws to a close
With bogan’s shooting-
Pearly eyed paupers
With constellations in their gaze.
With eyes full of hope and stars
That burnt bright and fade for
Flickering lens light.

Their voices murmur soft
Through catacomb
And underbrush
As only the ephemeral things are whispered of –
Dreams.
The addicts of ideals
The junkies of hope
The drinkers of despair
Have tiger soft tongues.

They lap and feast gladly,
From broken vessels
Chipped with hazardous teeth
That seek to fill their
Ermine mouths with the ******
Draught
Of truth.
Stumbling through wine-hour
They swarm, with tongues ******
And all constellations burnt out.

The hyacinth rides wild
Upon her shoulder,
Writhes in the silver brunt
Of moonlight,
Writhes in the stillness of dead perfume.

Marching to the beat
Of my enemies drum,
My hands inside my pockets.

Little bluebirds spun from dream
Sit on the holy perch,
A branch in all innocent minds.

The redeemed and patient
Make a subtle art from
Long distance perversions.

Similarly as we chase ghosts over Daffodils.

Fields of winter
under lunar glow
sway without us.

Long distance love
lingers with loose lust
along Regret street.

I hung it next to the memory
Of childhood cooking and Indian summers
Without further thought.

It slipped into the novel that took the form
Of an old coat, slipping into the lined pocket
It sank with a sigh.
Satisfied with itself.

Bombarded by the pounding
Dead eyed stare of ***** goddesses,
Broken by the undisputed angelic
And unglued ones,
All moon faced
All hopelessly optimistic
All lawfully rebellious
With green serenity
We pasted our dreams
On a wall so real it shone gossamer.
He counted the imperfections in the glass
With mind hesitation
As the whole world went black,
In a sea of much deserved discontent,
Wishing for the soft.

A moment of pure luck?
Jesus was an astronaut
Smoking Zen by the fire.

Suicidal angst
never had you in sonnets?
What a ******' shame.

Our life is but a song
We never hear.

I chipped away at the excesses
of my baroque person,
each strike took a
Railing
mounting
wall
decoration
desire
demand
exclamation
from the battlements.
All left now, a hill.

I paid for my banquet
with a sip of loneliness
and left behind the question
that asked all quiet poets
the meaning of love,
that asked all quiet poets
to answer with a villanelle
shouted from every
distant peak.

They sent the troopers
to greet me instead,
and my library was put in shackles,
and I kissed their ***** feet.

I answered that I carved this mountain
from the baroque bedrock
upon which they laid their city.
They smiled and asked about the aqueducts.
I wept and spoke of kitchenettes.

A meal provided
on a lead cast plate
my jailor asked about freedom
I answered with defeat.

There were two atoms
One questioned the meaning of existence
The other the existence of meaning.
             -Regardless they looked the same.

An apple on a branch,I took
The same way history takes a footnote.

The same way cashiers are all doctorates.
The same way trains find the station.
The same way you sing like a bird (and I like a cow).
The same way we never really wish to be writers.
The same way our final friend is made of pine.
The same way all streets lead to nowhere.
The same way all jobs **** society.
The same way we always lie to our children.
The same way a man loves a woman.
The opposite way we ****.
The opposite way we make love.
The way that I know a man who’s totem animal is a worker ant and he is unemployed by choice.
The same way we take old memories and turn them into fashion.
The very same way all sacred things become profane and all profanity becomes sacred in the eyes of many.

Dying relic of the Optimistic Seventies,
A new coat of paint for the old irony
     -slap dashed with obscurity.
Although I wear the costume of my enemy,
I will write the exaltation in blue smoke
As **** by an unsuspecting victim
Occurs in the dark.

The face of another love stares down at me.
I smile.
Yet I know it is not her.
I weep.
A sudden method sparks revival.

Jackie Pleasure wore a gray smile,
The anthem of a lost generation:
‘Happiness is lost in smiling.’

You are dead to me,
the boatman calls
I will not taste of your amber lips
I will not taste.

The welfare of all never hinged on darkness as we fear the fall,
A multitude of angels sang their songs
And never learnt to say goodbye
Or cast a long distance eye
Over half spent desire.

Drawn out caricatures,
Paraded intoxication
Flirt with our mistress death
And have her pick up the tab.
She pays with silent music.

The ***, we learn, is a bridge
Between all words and waltz’s,
Our Light Brigade to conquer art.

In the twilight of this, our mansioned night
Let us ring out true with indulgence,
Excess, abandon and the call of ‘yes’
Kali rang on the wire of a golden telephone.
Her name
“Kali, Kali…”
Like a quarrelsome minotaur
Flew through the waves of silk ideal
And strangled the babe
With cool breath.

There was ice (oh yes!) and fire and song.
With our candles burnt down to the ash of all streets
We walk then. We walk.
All life is but a song.

The ghosts of all forgotten stamps
Now echo on the wind of speech.
On High! Oh speak!
Of songs sung but never danced
With our broken dream.
When starlight meets the dust, and
Shadow eats the snow,
All our stories are satin sheer
And all our wants are gone.
We watch the memories march, until
They find a sliver of chrome that showed that place
Where all piano’s live and breathe.
My father in the wishing well,
My mother played trapeze.
My sister never saw the light,
My brother never born.
That was that,
Where stars meet dust
And floorboards sing off key.
Over the course of several months, I carried a small notebook in which I kept random musings and poetic snippets that came to me. This is the compilation of that.
Prabhu Iyer Nov 2014
Surrealist Cut-up

    boatman       Purple haze
contemplative pouring
the sky as lone
              rides the horizon.
       islanding
into the lake,

Cubist

Arc to the horizon
apparition, brooding figure,
a form rides in twilight haze
junction of the worlds
into a slither of light.

Literal**

Purple haze islanding the sky
pouring into the lake,
as lone boatman
rides contemplative
into the horizon.
http://artmight.com/Artists/Monet-Claude-Oscar/Monet-Claude-Impression-sunset-Sun-268673p.html
Caroline Shank Nov 2022
What have I to say to you?
whose world is a spinning
Inn?  I want to stay awhile
where you are the boatman
for lost and lonely waifs.

Treasure me with your song,
I will soothe you with my
sighs.  Sing boatman?

Bring me
to my knees.

Sounds are the oar
with which I stay

Forever.

Caroline Shank
11.25.22
I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II


The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.

'That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady?'
'Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . .'
'You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.'
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
'How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.'

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.

Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
urvashi May 2013
The rain falls softly on the sleeping city…. Cloaked in the blanket of a monsoon lull…. A few stray dogs scamper for shelter as the first storm of the season colours the dawn a deeper crimson…..
The thunder rumbles from the north east…a deep slow sonorous sound coming from the underbellies of the moisture laden atmosphere…..
The soft drizzle forms a hazy blanket of morning mist around the city…..already stirring with the first signs of life…. The resurrection of the everyday work-a-day world…….
The musical tinkling of a bell echoes around as a pushcart brimming with flowers rushes down the street, hurrying to the market…fresh, preened and ready…to be sold to the highest bidder…
The soft music of the approaching storm inspires a boatman, out on the holy river, to sing…… his voice echoes over the bass of the thunder……a plaintive pleasant humming……the nuances of the bhatiali fill up the empty cracks in the morning……
The rain deepens…………the drizzle expands into the monsoons first downpour… pitter-patter sings the rain, reverberating off a thousand tin roofs……the sky darkens……enveloping the dawn in its grey being…..
Somewhere, someone tunes a harmonium…..clears a throat…a hand draws a curtain aside…..
The peaceful reassurance of the daily azaan spreads out from the mosque…..calling the faithful to prayer…..
The flower vendor…now setting up shop, attaching an extra strip of plastic sheet to fend off the rain…. Stops a moment and bows his head as the nearby tolling of a bell and the sound of a conch shell being blown announces the beginning of a new day in god’s abode….
A woman kneels down in a pew…..praying…..the calm of the church mirrored in her peaceful face…..
The rain looks down at the city……..now, half awake…slowly stretching its limbs……..stirring from the depths of a restless rest…………awakening to the jangling of a bread earner’s faith……
The shower relents……..probably giving in to all the Monday morning groans and grumbles emanating from a city forced back into consciousness…..
Finally, all that remains is the moisture on the flower vendor’s tarpaulin and the shadow of the boatman’s song on the rippled river…….
I have found, yes, I have found the wealth of the Divine Name's gem.
My true guru gave me a priceless thing. With his grace, I accepted it.
I found the capital of my several births; I have lost the whole rest of the world.
No one can spend it, no one can steal it. Day by day it increases one and a quarter times.
On the boat of truth, the boatman was my true guru. I came across the ocean of existence.
Mira's Lord is the Mountain-Holder, the suave lover, of whom I merrily, merrily sing.
Kenshō Apr 2015
Who to be,
How to grow

Along this rocky current,
The Ever Changing Flow.

In the water raft, I am alone.
Center of the sea, under the moon's ghastly glow.

An isolated isle of being yet to be,
So unto thee I cast this message to let me see.

Release the Burning Light of Clarity unto me!
~
Tina RSH Oct 2018
Pearls keep descending from the sky
Rocks so taken over by the constant tedious attack of waves
with their greyish hue
and fierce fists
The abrupt slap of time
The thunder's wheezy cry
and the pending of a rusty boat say
the boatman's approach was due
but three hours have passed.
The bank is retired
and the moon burnt sands retreat
into the heart of ocean .
sharks feed on fresh flesh.
in awe of a blue tang's suicide note
My lover and I are sailing to the moon
to hunt down stars.
Charm R Sep 2010
Tall at the end of the shore, unescorted

As I eye you blur in distance

My naked feet on ground are ***** and stuck in long halt.

I hissed my solitude, I puffed the exhaust of your nearing,

Your coming, It is no beyond unattainable so I ought not be afraid.

Forever is what my heart aspire

So I stood tall, steady and untired.

I kept my knees unflex, hands rested on my chest,

The depth of longing pounding intensely,

Passion its beating, clearly and sunshiny.  

Along these lines,

Listen as the wind speaks my voice,

mindful and intent,

If, if only this is bright,

If, if only you care for a halt,

Then the heart is queer,

Will you row me in my endless dreams?
boatman, love, life, passion
Seán Mac Falls Oct 2014
My hands are raw and cracked like wind and wood,
My arms, they sway and dance all day in my boat,
My neck is sore from watching you, above me play,
You, great mountains of tree and stone, give me hope.
I hear America singing, the varied carols I hear;
Those of mechanics—each one singing his, as it should be, blithe and strong;
The carpenter singing his, as he measures his plank or beam,
The mason singing his, as he makes ready for work, or leaves off work;
The boatman singing what belongs to him in his boat—the deckhand singing
on the steamboat deck;
The shoemaker singing as he sits on his bench—the hatter singing
as he stands;
The wood-cutter’s song—the ploughboy’s, on his way in the morning,
or at the noon intermission, or at sundown;
The delicious singing of the mother—or of the young wife at work—
or of the girl sewing or washing—Each singing what belongs to her,
and to none else;
The day what belongs to the day—At night, the party of young fellows,
robust, friendly,
Singing, with open mouths, their strong melodious songs.
On the southwest side of Capri
we found a little unknown grotto
where no people were and we
entered it completely
and let our bodies lose all
their loneliness.

All the fish in us
had escaped for a minute.
The real fish did not mind.
We did not disturb their personal life.
We calmly trailed over them
and under them, shedding
air bubbles, little white
balloons that drifted up
into the sun by the boat
where the Italian boatman slept
with his hat over his face.

Water so clear you could
read a book through it.
Water so buoyant you could
float on your elbow.
I lay on it as on a divan.
I lay on it just like
Matisse's Red Odalisque.
Water was my strange flower,
one must picture a woman
without a toga or a scarf
on a couch as deep as a tomb.

The walls of that grotto
were everycolor blue and
you said, "Look! Your eyes
are seacolor. Look! Your eyes
are skycolor." And my eyes
shut down as if they were
suddenly ashamed.
The going of the glade boat
Is like water flowing;

Like water flowing
Through the green saw gr,
Under the rainbows;

Under the rainbows
That are like birds,
Turning, bedizened,

While the wind still whistles
As kildeer do,

When they rise
At the red turban
Of the boatman.
Seán Mac Falls Jul 2012
My hands are raw and cracked like wind and wood,
My arms, they sway and dance all day in my boat,
My neck is sore from watching you, above me play,
You, great mountains of tree and stone, give me hope.
Vamika Sinha Jul 2015
Little girl in a blue
snow globe.
Pressed white shirt and tartan skirt.
Hair slipping
out of a ponytail or braid or something
like that.
Laughter like a current
to be lost in by a boatman.
Her first time at the beach.
Writing
childish saltwater sonnets
in the sand with her toes.

Paper-plane sky
kisses
sea brimming
out of its seams.
Singing, on-off key,
school choir tone,
'Never Let Me Go'.
Who needs, she needs
nothing
but
the horizon
cupped
in outstretched palms.
Innocence stored
in jagged-shiny shells
waiting to be
buried
in hot, bare sand.

Time comes to shore, oceans
grow warmer,
shallow.
No more of kid braids
but a woman in
azure.
Her whole life having been
a half-moon run
out of deep, dry wells
in search of,
in search of...
in search of
what, but
hope.
Cracking oyster shells
looking for
pearls.

Time again comes to shore.
Cigarette pants for tartan skirt,
in a blue-almost-black.
Staring out
at water lapping before her,
before her, after the sky.
Before,
after.
The horizon is a pretty picture
she wants to hang
on the wall of her heart.
But she, schoolgirl trapped in snow globe,
remembers
textbook phrases like
'Humans are made up of 75%
water.'
So we are drowning every moment,
she thinks dryly.

Water within,
inevitable.
Maybe her skin or nerves or vocal cords
sensed it all those years ago
in the schoolgirl's snow globe.
Like crying, like love,
like fearing, like dying.
Shifting, receding, flowing in
and out.

Could emotions be tides she dares,
dares not
row, row,
row through?

Where did it all leak away?
Was it in the salt
running down her face?
If she is 75% water,
where has it drained
to leave the heart parched,
and her tartan days a distant drought
of memory?

Snow globe melts away.
Wade in, wade in,
have your fill,
until skin is slick
with better pain.
You told the ocean years ago,
you sang in schoolgirl choir tones,
never,
never,
never let me go.

Now it never will.
Seán Mac Falls Oct 2012
My hands are raw and cracked like wind and wood,
My arms, they sway and dance all day in my boat,
My neck is sore from watching you, above me play,
You, great mountains of tree and stone, give me hope.
Raj Arumugam Oct 2010
Come Sir, I shall
take you across
safe and easy
in my small boat
across the river


we are all
crossing all the time
going places
and passing stages;
let me help you
on this one, Sir

a small fee is all I ask
and really it’ll be a
pleasant journey across;
you can put your
hands in the cool water
while I paddle us across

I was born here
in the sheds along the shore;
I learned my trade
as soon as I could walk;
all my life has been here
and this is where
I shall be all my days

It’s all good, Sir, for me
if I can do a good turn
as you pass by;
and so you might
also do me a good turn
at the end
giving me a deserved fee
that I can bring to my
wife and children

Come Sir, I shall
take you across
safe and easy
in my small boat
across the river
Tra-la-la-la-la-la-laire—nil nisi divinum stabile
   est; caetera fumus—the gondola stopped, the old
   palace was there, how charming its grey and pink—
   goats and monkeys, with such hair too!—so the
   countess passed on until she came through the
   little park, where Niobe presented her with a
   cabinet, and so departed.


Burbank crossed a little bridge
  Descending at a small hotel;
Princess Volupine arrived,
  They were together, and he fell.

Defunctive music under sea
  Passed seaward with the passing bell
Slowly: the God Hercules
  Had left him, that had loved him well.

The horses, under the axletree
  Beat up the dawn from Istria
With even feet. Her shuttered barge
  Burned on the water all the day.

But this or such was Bleistein’s way:
  A saggy bending of the knees
And elbows, with the palms turned out,
  Chicago Semite Viennese.

A lustreless protrusive eye
  Stares from the protozoic slime
At a perspective of Canaletto.
  The smoky candle end of time

Declines. On the Rialto once.
  The rats are underneath the piles.
The jew is underneath the lot.
  Money in furs. The boatman smiles,

Princess Volupine extends
  A meagre, blue-nailed, phthisic hand
To climb the waterstair. Lights, lights,
  She entertains Sir Ferdinand

Klein. Who clipped the lion’s wings
  And flea’d his **** and pared his claws?
Thought Burbank, meditating on
  Time’s ruins, and the seven laws.
Tammy M Darby Aug 2013
Who will place two coins on my eyes
Down the river  Styx
My shade must glide

Two coins for the boatman
Ferry me away
To the throne of beautiful Persephone
Snatched from light of day

Two coins I cry
Two coins for my eyes
Through dark waters I float
To where my body must lie

Two coins for Charon
Always silent looks away
Never seeing a face
Or the light of day
Two coins


This poem is copyrighted and stored in author base.  All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
Act, 17 U.S.C. S512(c)(3),
Tammy M Darby
Sean Winslow Dec 2012
Forgotten are our pleas
to temper the dawn
So that even as the night lays silent
there are echoes,
a rhythmic thrum of time
Carried forth are the quiet souls of man
from the ebbing shores born of passing moments
toward the twilight of the flickering flame.
And land ye yet to those moors of shadow,
that evanescence of the living breath,
take heart!
For on its banks grow the roots of the Bodhi
whose branches bore the seeds for the Garden,
and its leaves are as shelter for the Spark.
Thus we bear the gaze of the boatman,
the cloak'd Moirai who guides the clocks,
as it is best to take the lilting petals
upon the tongue
and savor.
Constructive criticism encouraged.
Copyright ©2010-2016 Sean Winslow All Rights Reserved
Seán Mac Falls May 2013
My hands are raw and cracked like wind and wood,
My arms, they sway and dance all day in my boat,
My neck is sore from watching you, above me play,
You, great mountains of tree and stone, give me hope.
Seán Mac Falls Nov 2013
My hands are raw and cracked like wind and wood,
My arms, they sway and dance all day in my boat,
My neck is sore from watching you, above me play,
You, great mountains of tree and stone, give me hope.
You're daring enough to have ventured into the night,
he sounded delirious in the wispy light.

Half a mile across the lagoon
moondrunk Ridleys in ghostly shadows
would be digging holes in the sands
to lay their lives for posterity
away from the phosphoric melody
leaving the orphaned to find their way
once the shells cracked under silica.

They look like a procession of mourners,
the man whispered between strokes of oars
sloshing the rising tides of the channel
his deft hands rowing the fastest
cutting across the half mile to Cuthbert Bay.

The night ripened enough by that time
unfolded the crawling shadows from the sea
slowing time in frameshot motions
of rows of celebrating marchers.

Dead of night the stars were burning out
and I called out to the boatman.

To this day I don't believe what I heard.

None was ever ferried back by the boatman.
De
Glendy Burk
is mighty fast boat,
Wid a mighty fast captain too;
He sits up dah on de hurricane roof
And he keeps his eye on de crew.
I can't stay here, for dey work too hard;
I'm bound to leave dis town;
I'll take my duds and tote 'em on my back
When de
Glendy Burk
comes down.


Chorus:

**! for Lou'siana!
I'm bound to leave dis town;
I'll take my duds and tote 'em on my back
When de Glendy Burk comes down.


De
Glendy Burk
has a funny old crew
And dey sing de boatman's song,
Dey burn de pitch and de pine knot too,
For to shove de boat along.
De smoke goes up and de ingine roars
And de wheel goes round and round,
So fair you well! for I'll take a little ride
When de
Glendy Burk
comes down.

Chorus

I'll work all night in de wind and storm,
I'll work all day in de rain,
'Till I find myself on de levydock
In New Orleans again.
Dey make me mow in de hay field here
And knock my head wid de flail,
I'll go wha dey work wid de sugar and de cane
And roll on de cotten bale.

Chorus

My lady love is as pretty as a pink,
I'll meet her on de way
I'll take her back to de sunny old south
And day I'll make her stay
So don't you fret my honey dear,
Oh! don't you fret, Miss Brown
I'll take you back 'fore de middle of de week
When de
Glendy Burk
comes down.

Chorus
November mist wraps a wet blanket
as I walk the falling day’s labyrinth
beneath neuronic trees of a waking forest
along a river dying in hyacinth!

the boatman sings a home going song
floats happy at the end of the ride
the river is narrow a few furlong
and his home is on the other side!

oil lamps flicker from the bank huts
winds carry their laughter and cries
grow darker tree barks as darkness shuts
all but the sky’s heavy sighs!

I hasten to escape this melancholic gloam
an alien in this forbidding night
the boatman must have reached his home
and the river is lulled in starlight!
Raj Arumugam Sep 2012
in times gone by
Zhou Maoshu sat in his boat
and the boatman rowed it out

Zhou Maoshu went in his boat
to appreciate the lotuses
strewn about in the lake

And the vast sky was everywhere
and the willow huge in the foreground
and a line of them
receding into the mist
and Zhou Mashu sang a song
there in the lake as he sat in his boat:
*water spreads about
and the lotus
is scattered over it
I, Zhao Mashu, am in my boat
and this is neither a journey or end;
here we are but another part of the whole -
it is the seeing of beauty
and that is all there is
here and beyond
now and ever
poem based on painting “Zhou Maoshu Appreciating Lotuses” by Kanō Masanobu (狩野 正信?, 1434? – August 2, 1530?)
If you have to go to the beach
Where the blue bends down to the sea
The eyes far the waves outreach
Salt sprays gurgle in glee,

Find the time to take a ride
Miles down the city’s edge
Over the greens of countryside
Past huts with thicket’s hedge!

When you pass the winding stream
See winds on the bloated sail
Hear boatman’s tune of forlorn dream
Catch a village belle with her pail,

Find the time to stop a while
Watch the sun shine her grace
Forget travails of the bumpy miles
Smell the dew on her labored face!

If the white clouds sail the sky
Bewitch you the rustic way
Break your path make a valiant try
Seize that moment of the passing day,

See in her eyes the river’s tale
In her hair the flower’s bloom
Feel in her breath love’s rapturous gale
Her desire’s rainbow plume!

Rue not the time lost on the way
For you paused for the boatman’s song
Viewed her frame molded in clay
As the river brought her along,

Regret not if you are late for the beach
Where the blue bends down to the sea
Think of the chance that brought to your reach
A glimpse of eternity!
John F McCullagh Feb 2012
The dikasts had cast their votes,
and their votes had sealed my fate.
I serve as scapegoat for my city,
which has been in decline of late.

Banishment would have been death,
a lingering one for me.
So I managed to persuade them
to vote for the death penalty.

So now friends I become
a Hemlock connoisseur.
Others favor wines and liquors
but my poison is more sure .

To be sure, the juice was bitter,
and I drained it down in haste.
It is not the sort of beverage
for which one acquires taste.

I am, in truth, no Democrat
and My gods were not their gods.
My constant questioning annoyed them
which is why we were at odds.

The chill has reached my *****
and soon now I will sleep.
but one thing on my mind
requires that I speak:.

“Crito, we owe a ****,
to Asclepius,.
Make sure it is paid
please do not neglect it.”

I cover my face over
as my heart slows and stops.
A mystic fog envelopes me
as the boatman’s ship departs.
The death of Socrates, written in the first person. The quoted passage is from Plato's apology.  My interpretation of motive follows I.F. Stone's famous modern retelling.
Prashant Shaurya Sep 2017
Initiation

Mighty waves traverse across
The realm of time and space
They Leave behind some faint imprints
While horizon slowly shrinks.

   2. Observance

The boatman gives a vicious call
And the nets are put in place
If tides take a winsome turn
He would fill up his plates.

    3. Discovery

The sunset lass builds sand castles
While sea breeze soothes her tender skin
Enchanted by her gentle smile
I write about my April muse.

Prashant Shaurya ©

All rights reserved.
John F McCullagh Dec 2011
It seems the battle now has passed me by.
I walk unhindered on the ****** beach.
I cannot hear the screams of shot and shell.
I am immune and quite beyond their reach.

Some men I knew deploy a Bangalore
And blow a hole in ******’s grand defense.
Machine guns sputter but I heed them not.
For me the battle has lost all suspense.

My kit and rifle are light upon my back.
My rage is spent; I lack the urge to ****.
There are others who make up my lack
Here there’s blood in buckets to be spilled.

I meet a German, sitting on a rock.
His tunic bloodied there about his heart
He offers me a smoke and I accept,
Although I’ve heard that smoking isn’t smart..

We speak and somehow understand each other
As we watch our younger brothers play at war.
He apologized for his part in my ******.
I assure him that I’m not the least bit sore.

He asks if I’ve brought coins for the boatman.
I fish through my pockets and come up with dimes
With images of Mercury on the obverse,
rods and Fasces on the other side.
RiBa Nov 2017
The virginal moon shines
Amidst the diaphanous clouds
Like an ageless nymph
She hides from her lover

The gentle waves ripple endlessly
A hypnotic song they sing
Myriad shadows in her *****
And the Ganga flows on her way

On his tiny boat
A little lantern burns the night
The lonely boatman
Sings in the lonely night

A song of pain and longing
Of a child pining for his lost mother
And the Gentle Ganga
She cries!
That shining tower built tall and Proud
earth a mother and blue skies its lover
seeking perfection,that entity ethereal so,
by minds mystical and practical together
conflicting hard the dreamer and the doer
the willing and unwilling driven mutual as one.

Designed vision a force inexorable, realized slow,
a conviction human spreading action like wildfire
energized faculties stretched,knowledge all exhausted
euphoric waves creative ridden like a master boatman
a slow birth of creation delivered combined by men all
with bodies drained,minds triumphant,heads held high.

Attempted perfection teaches wise, taunting,teasing us,
so elusive with our minds limited and bodies ever tiring.
reach it you can never, just beyond grasp,evolving ever
founded in your mind but form it physical you can never.
I agree nodding yes, i caught you momentary,to the best
of my abilities now, I learned and shall keep chasing you!
mark john junor Sep 2014
she gathers them up
holding them gently in her arms
there are more every day
like harvesting flowers
pick them when they are in full bloom
she walks barefoot in the fields
in a powder blue dress
big floppy hat to keep off the sun
she gathers them up
and brings them to the boatman at the river
he gives her one of the four coins he collects
for each one he ferry's across
to the gates...
the gates....
one bright with golden promise
the other dark and cold...
she hates the sight of the gates....
she wants her flowers to stay the way they are forever
she walks the battlefield that night
gathering up the fallen soldiers
she is death
come to harvest the late bloom
come to gather the souls for the ferry man
across to the gates of forevermore
Geno Cattouse Jul 2013
Her name was Diana.
She was my queen. Her eyes soulful
Her spirit was clean.
I betrayed her love. With cold calculation.
Numbers .

Choices shaped by urgent circumstance.
The scales tipped away.

She spoke to me from a far place untrod .

I saw her in the flesh again. The woman stood next to me.
A total stranger. She spoke with care and compassion though
Her voice was not the same.The spirit arced the void.The eyes.

Her  body was a replica down to the way she stood. The face older,
the lines less sharp.
Her husband stood by quietly as we moved in the queue.
A prop. Voiceless.

Then and there I knew.
Diana had touched me over the years but she never came to me
This way. I struggled.
But I  could not. Make.the leap and so
She went her way with.    Strange goodbyes.

I knew she waited for me.
She said she.would in life.
She had forgiven my betrayal

Oh how she loved me. And oh how I loved her so.

She spoke to me from the grave. Her power was
Always pure love.
The breezes blew the flame from her candle
Her candle stood alone in the whipping wind.
Where I left her standing

Years ago I left her standing as the world cruelly closed in.
The hounds of her existence claimed her.
She will be mine again.
Those eyes that so engulfed me.

That heat that ever loved me.
Goodnight my sweet. Rest again.
My journey leads back to you.

In time the circle will close.
Goodnight my queen.
I know that you await.
Rest my queen.
Unspoken as before.

The boatman
Stands  on the far bank.
His fare in hand.
I love you.
I always have done.
Read THE LINK. This happened on veterans day as I stood in line to board The U.S.S. Idaho for a tour.
Repressed until now. Wow.
epedeped Mar 2010
it crawled up my arm this time
through my ear and inside my mind
while a liquid the color of blood
trickled from my eye
a sound from a bell tower churned
Like martinis shaken than  poured  over ice
a man turned towards me
He made a bet and cast his dice
All the while a clock was ticking loudly
an echo inside  my head
A boatman was shouting in the distance
your here now
but soon you´ll be dead
and the Cheshire he smiled warmly
as the spider laid its trap
doubt not your heart he said
there's more to  truth there than just the facts
trumpets were playing  loudly
And the executioner held his axe
a moon crested over horizon
While a play write was finishing his act
he lit a cigarette mildly and tossed it on the floor
smoke plumed out the window and then was no more
death can be blinding
said a rattling snake
he left his skin behind him
and towards the future he did make

— The End —